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qKMonotype 

Specimen  "Book  of 
Type  Faces 


A  COMPLETE  CATALOG  OF  MATRICES  MADE 
FOR  USE  WITH  THE  MONOTYPE  COMPOSING 
MACHINE,  AND  WITH  TYPE  &  RULE  CASTER 


J^anston  <J&onotype  <3&achine  (Company 
^Philadelphia 


ISH 


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^?f???f?fffff???ffffffffff?fffffffff?ffffff?f^^ 


Introduction  to  Monotype  Specimen  Book 


1922 


YOUR  SPECIMEN  BOOK  is  part  of  your  sales 
organization — you  use  it  to  sell  more  printing  or 
advertising  space. 

Your  solicitors  have  to  be  up-to-the-minute  in  these  days 
of  keen  competition — why  ' '  employ ' '  a  back-number  Speci- 
men Book? 

Among  the  new  specimens  we  send  you  with  this  re- 
vised "Table  of  Contents"  you  may  find  just  the  face  for 
which  you  have  been  looking.  You  use  type-faces  to 
make  money;  there  may  be  money  for  you  in  these  new 
faces.  Look  them  over: 


And  then?    What  will  you  do  with  these  new  sheets? 

Suggestion  No.  1:  Have  them  put  at  once  in  their 
proper  place  in  your  loose-leaf  book.  You  maintain  your 
machinery  in  first-class  order?  Well,  your  Specimen  Book 
is  an  important  part  of  the  machinery  of  your  business. 

Suggestion  No.  2:  If  you  do  not  want  to  be  bothered 
with  bringing  your  book  up-to-date,  bundle  it  up  with 
these  sheets  and  send  it  to  us  by  Parcel  Post  at  Twenty- 
fourth  and  Locust  Streets,  Philadelphia.  We  will  do  the  rest, 
including  paying  charges  on  the  return  of  your  Specimen 
Book.  Do  whichever  suits  you  best,  but — Do  It  Now! 


For  your  convenience  this  book  is  supplied  with  Index  Tabs  so  that  the  sheets  may  be  classified 
to  bring  similar  faces  together,  thus: 

PLATE-GOTHICS 
LAW  ITALICS 
OUTLINES  AND  SHADED 
TEXTS 

TYPEWRITER  and  MAILING 
LIST 


MODERNS 
OLD  STYLES 
64  FAMILY 
ANTIQUES 
TITLES 
GOTHICS 


FOREIGN 

INITIALS 

FIGURES  and  FRACTIONS 

SIGNS 

LEADERS,  DASHES,  SORTS 

BORDERS  and  ORNAMENTS 


TABLE  OF  CONTENTS 


Title  page 1 

Introduction  to  Monotype  Specimen  Book,  includ- 
ing Table  of  Contents 3-4 

Index  of  Monotype  Faces 5-14a 

Monotype  Matrices 15 

The  Flexible  Matrix  System 16-17 


"  Opening-up  "  Faces 18-19 

Matrix  Classification — Special  Matrices 20-28 

Matrix  Symbols 28-30 

Matrix  Case  Arrangements 3 1-33 

Table  of  Accents 34 

Words  to  Pica ..  35 


ARRANGEMENT  OF  SPECIMEN  SHEETS 

Within  the  classifications  given  above,  Modern  Faces,  Old  Style  Faces,  etc.,  the  specimen  sheets 
are  arranged  as  follows : 


MODERNS 

OLD  STYLES 

64  FAMILY 

ANTIQUES 

SERIES 
NO. 

POINT  SIZES 

SERIES 
NO. 

POINT  SIZES 

SERIES 
NO. 

POINT  SIZES 

SERIES 
NO. 

POINT  SIZES 

1A 

6,  8 

15E 

6,  7,  8,  9,  10,  11,  12 

64J 

6,  8,  10,  12 

25J 

5,  6,  7,  8,  9,  10,  11,  12 

4A 
5A 

8A 

10 

5J,  6  ,7,  8,  9,  11 
4,    4i,    5,  6,  7,  8,  9,  10, 
11,  12,  14,  18 

16E 
21E 

21G 

6.  7,  8,  9,  10,  11,  12 
4i,  5,  5J,  6,   7,   8,  9,  10, 
11,  12,  14,  18 
14,  18 

64 
64K 
641 
164J 

14,  18,  24,  30,  36 
6,  8,  10,  12 
14.  18,  24,  30,  36 
6,  7,  8,  10,  12,  14,  18 

25 
25K 
251 
26J 

14,  18,  24,  30,  36 
6,  7,  8,  9,  10,  11,  12 
14,  18,  24,  30,  36 
5,  6,  7,  8,  9,  10,  12 

8C 

14,  18 

21 

14,  18,  24,  30,  36 

164 

14,  18,  24,  30,  36 

76J 

5,  6,  7,  8,  9,  10,  12 

13A 
14A 
214A 
19A 
20A 
20 
201 
34A 
35A 
36A 
36 

6,  7,8 
8.  12 
12 
6,8 
6,7,8,9,  10,  11,  12 
14,  18,  24,  30,  36 
14,  18,  24,  30,  36 
6,8,9,  10,  11,  12 
10 
6,8,9,  10,  11,  12 
14,  18,  24,  30,  36 

221E 
321E 
22E 
31E 
37E 

37 
371 
137E 
337E 
337 

9 
5J 
6,  8,  9,  10,  11.  12 
6,  7,  8,  9,  10,  11,  12 
6,  7,  8,  9,  10,  11,  12,  14, 
18 
14,  18,  24,  30,  36 
14,  18,  24,  30,  36 
6,8,9,  10,  11,  12 
7,8,  9,  10,  11,  12 
14,  18,  24,  30,  36 

164K 
1641 
264J 
264 
86J 

86 
86K 
86K 
861 
186J 

6,  8,  10,  12 
14,  18,  24,  30,  36 
8,  10,  12 
14,  18,  24,  30,  36 
5,  6,  7,  8,  9,  10,   11,  12, 
14,  18 
14,  18,  24,  30,  36 
5,  6,  8,  10,  12 
14,  18 
14,  18,  24,  30,  36 
5,  6,  7,  8,  9,  10,  11,  12 

45J 

45 
56J 
156J 
256J 
58J 
58 
258J 
258 
60J 
60 

6,  8,  10,  12 
14,  18,  24,  30,  36 
5,  5J,  6,  7,  8 
5,  6 
6 
6,  8,  10,  12 
14,  18,  24,  30,  36 
10,  12 
14,  18,  24,  30,  36 
6,  8,  10,  12 
14,  18,  24,  30.  36 

361 
120A 
150A 
195A 
150 
1501 
152A 
175A 

14,  18,  24,  30,  36 
6 
6,  7,8,9,  10,  11,  12 
11 
14,  18,  24,  30,  36 
14.  18,  24,  30,  36 
8,  10 
5,  6,  7,  8,  9,  10,  11,  12, 

3371 
38E 
38 
381 
61E 
61 
611 
71E 

14,  18,  24,  30,  36 
6,  7,  8,  9,  10,  11,  12 
14,  18,  24,  30,  36 
14,  18,  24,  30,  36 
6,  7,  8,  9,  10,  12 
14,  18,  24,  30,  36 
14,  18.  24,  30,  36 
6,  8,  10,  11,  12,  14,  18 

186 
88J 
88 
88K 
881 
141J 
141 
285 

14,  18,  24,  30,  36 
5,  6,  8,  10,  12 
14,  18,  24,  30,  36 
6,  8,  10,  12 
14,  18,  24,  30,  36 
6,  8,  10,  12 
14,  18.  24,  30,  36,  36H4 
18,  24,  30,  36 

60K 
601 
62 
63J 
63 
68J 
68 
68K 

6,  8,  10,  12 
14,  18,  24,  30,  36 
18,  24,  30,  36 
6,  8,  10,  12 
14,  18,  24,  30,  36 
6,  8,  10,  12 
14,  18,  24,  30,  36 
6,  8,  10,  12 

175C 
175 
1751 
375 
3751 
216A 

14,  18 
14,  18 
14,  18.  24.  30,  36 
14.  18.  24,  30,  36 
14.  18.  24,  30,  36 
14,  18,  24,  30,  36 
8 

71 
134E 
154E 
157E 
157 
172E 
172 
242E 

18,  24,  30,  36 
6,  8,  10,  12 
8 
6.  8,  10.  11,  12 
14,  18,  24,  30,  36 
6.  7,8,9,  10.  11.  12 
14,  18.  24.  30,  36 
6,  8,  10,  12 

286 
287J 
287 
288 

24,  30,  36 
6,  8,  10 
12.  14,  18,  24,  30,  36 
36 

681 
69J 
69 

78J 
78 
78K 
781 
81J 

14,  18,  24,  30,  36 
6,  8,  10,  12 
14,  18,  24.  30,  36 
6,  8,  10,  12 
14,  18,  24,  30,  36 
6,  8,  10,  12 
14,  18,  24,  30,  36 
6,  8,  10,  12 

Note:  The  Boldface  figures  in  the  "Point-Size"  column  indicate  faces  made  since  the  issuance  of  our  previous  List  of  Faces. 


S  2  90  3  •'» 


4                            '  ,'  ARRANGEMENT  OF  SPECIMEN  SHEETS—  Continued 

ANTIQUES—  continued 

TITLES—  continued 

PLATE-GOTHICS—  continued 

FOREIGN—  continued 

SERIES 

POINT  SIZES 

SERIES 

POINT  SIZES 

SERIES 

POINT  SIZES 

SERIES 

POINT  SIZES 

NO. 

NO. 

NO. 

NO. 

81 

18,24 

146 

14,  18,  20,  24,  30.  36 

168 

14,  18,  18H4,  24,  24H4 

G  ERM  AN—  continued 

92J 

5},  6,  7,  8,  10,  11.  12 

158J 

5,  6,  8,  10,  11,  12 

343J 

6,  Nos.  1,  2,  3,  4 

102M 

6  8    10   12 

94 
97J 

18,  24,  30,  36 
6,  8,  10,  12 

158 
161J 

14,  18,  24,  30,  36 
6,  7,  8,  10,  12 

169 

12,  Nos.  1,  2,  3,  4 
14,  18,  18H4,  24,  24H4 

4102 

178M 

14,  18,  24,  30,  36 
14,  18 

97 

14,  18,  24,  30,  36 

161 

14,  18,  24,  30,  36 

344J 

6,  Nos.  1,  2,  3,  4 

179M 

14]  18 

97K 

6.  8,  10,  12 

161K 

6,  8,  10,  12 

166 

8,  10,  14B,  14,  18,  18H4 

199M 

6  8 

971 

14,  18,  24,  30,  36 

162J 

5,  6,  8,  10,  12 

345J 

6,  Nos.  1,  2,  3,  4 

200M 

6,  8 

98J 

6,  8,  9.  10.  12 

162 

14,  18,  24,  30,  36 

12,  Nos.  1,  2,  3,  4 

209 

18  30 

98 

14,  18,  24,  30,  36 

210J 

10,  12 

345 

14,  18,  181  14.  24H4 

98K 

6,  8,  9,  10,  12 

210 

14,  18,  24,  30,  36 

346K 

6,  Nos.  1,  2,  3,  4 

GREEK 

981 
298J 

14,  18,  24,  30,  36 

12 

245 
255J 

14,  18,  24,  30,  36 
51 

3461 

12,  Nos.  1,  2,  3,  4 
14,  18,  18H4,  24H4,  24 

1  page 

83M 

Symboling  system 

6,  8,  10,  12 

298 

14,  18,  24,  30,  36 

275J 

6,  8,  10,  12,  14,  18 

347J 

6,  Nos.  1,  2,  3,  4 

155M 

6,  8,"  10,'  11,  12 

104 

18,  20,  24 

275 

14,  18,  24,  30,  36 

223 

8,  10,  12,  18,  24 

160M 

10 

117J 
117 

6,  8,  10,  12 
14,  18,  24,  30,  36 

275K 
2751 

6,  8,  10,  12,  14,  18 
14,  18,  24,  30,  36 

348J 
323 

6,  Nos.  1,  2,  3,  4 
9.  14,  14B,  18,  24 

1  page 

Electro    Display    Creek 

117K 

6,  8,  10,  12 

328J 

6,  7,8 

matrices 

139J 

6,  8,  10,  12 

616J 

6,  8,  10,  12 

LAW  ITALICS 

RUSSIAN 

139 

24,  30,  35 

616K 

6,  8,  10,  12 

23K       fi   R    in    15! 

308A 

8,  10,  12 

142J 
144 

51,  6,  8,  10,  12 
14,  18,  24,  30,  36 

GOTHICS 

115C 

8,  10,  12 

311 
318J 

14,  24,  36 
8,  10,  12 

143J 
143 

6,  8,  10,  12 
14,  18,  24,  30,  36 

48J 
491 

5,  6,  7,  8,  9,  10,  11,  12 

OUTLINES  and  SHADED 

5  6  8   10   12 

145J 
145 

6,  8,  10,  12 
14,  18,  24,  30,  36 

**  yj 
50 
511 

18,  24.'  30,'  36 
6,  8,  10,  12 

12J 
12 

8,  10.  12 
14,  18.  24,  30,  36 

INITIALS 

153J 

6,  7,8 

.jj.j 
51 

14,  18,  24,  30,  36,  36114 

40 

18,  20,  24,  36 

126 

36 

159J 
159 

6,  8,  10,  12 
14,  18,  24,  30,  36 

52J 
52 

6,  8,  10,  12 
14,  18,  24,  30,  36 

41K 
41 

12 

14,  18,  24,  30,  36 

126a 
127 

36 
36 

163J 

6,  8,  10,  12 

66J 

5,  6,  8,  10,  12 

42J 

8,  10,  12 

163 
173E 

14,  18,  24,  30,  36 
6,  8,  10,  12 

66 

JfiAl 

14,  18,'  24.'  30.  36 

42 
44 

14,  18,  24,  30,  36 
14    18  24,  30,  36 

FIGURES 

174E 

10 

4ODJ 

771 

6,  8,  10,  12 

59 

30,  36 

1  page 

31-41  point  figures 

174 

14 

11  j 
77 

14,  18,  24,  30,  36 

73 

24 

2  pages 

5 

189J 

12 

107J 

5,  6,  7,  8,  10,  12 

96J 

10,  12 

2  pages 

5* 

189 

14,  18,  24 

107 

14,  18,  24,  30,  36 

96 

18,  24,  30,  36 

7  pages 

6 

220J 

10,  12 

121 

IS,  24,  30,  36* 

123 

18,  24,  36 

3  pages 

7 

220 

14,  18.  24,  30.  36 

129 

14^  is!  24^  30,  36 

193 

12,  18,  24,  30,  36 

8  pages 

8 

231J 

6,  8,  10,  12 

132  K 

6,  8,  10,  12 

194 

12,  14,  18,  24,  30,  36 

2  pages 

9 

231 

14,  18,  24,  30,  36 

140J 

6'  8   10'  12 

202 

12,  14,  18,  24 

7  pages 

10 

233J 

6 

140 

14,  18,  24,  30,  36,  36H4 

203 

18 

3  pages 

11 

360J 

12 

149J 

51,  6,  8,  10,  12 

218 

12,  14,  18,  24,  30,  36 

7  pages 

12 

360 

14,  18,  24,  30,  36 

165J 

5,2>6,  8,  9,  10,  12 

246 

12B,  12,  18 

1  page 

}£              !     1  Cotnpo- 

165 

14    18 

2  pages 

ftA               <      f    sition 

TITLES 

176J 

6,  8,  10,  12 

TEXTS 

1  page 

on  ofi         .         figures 

11J     ,  5.  6,  8,  10,  11,  12 

176 

14,  18,  24,  30,  36 

75          18 

1  page 

,      OV/-OO                              J 

11 
UK 

14,  18,  24,  30,  36 
8,  10,  12 

204J 
204 

5,  6,  8,  10,  12 
14,  18,  24 

95J 
95 

6,  8,  10,  12 
14,  18,  24,  30,  36 

FRACTIONS 

111J 
111 
1111 
211J 
28J 
128J 
391 

6,  8,  10.  11,  12 
14,  18,  24,  30,  36 
14,  18,  24,  30,  36 
51 
51,  6,  7,  8,  10,  12 
6,  8,  10 
5,  6,  8,  10,  12 

206 
222 
224K 
227 
230J 
230 
239J 

14,  18,  24 
30 
5,  6,  8,  10 
14,  18,  24,  30,  36,  48 
6,  8,  10,  12 
14,  18,  24,  30,  36 
6,  8,  10,  12 

102J 
102 

188J 
188 

TY 

6,  8,  10,  12 
14,  18,  24,  30,  36 
6,  8,  10,  12 
14,  18,  24 

PEWRITER  AND 

7  pages  4  J  -12  point 
3  pages  14  to  36  point 

SIGNS 

6  pages  41-12  point 

**yj 
39 

14   18  ?24,  30,  36 

239 

14,  18,  24,  30,  36 

MAILING  LIST 

3  pages  14  to  36  point 

79J 

5,  6,  7,  8,  9,   10,   11,   12, 

240J 

6,  8,  10,  12 

171            11 

1  page  Arrows 

14   18 

240 

14,  18,  24,  30,  36 

A  I  JL* 

** 

79 
79K 
791 
89J 
89 
89K 
891 
103 

14,  18,  24,  30,  36 
6,  8,  10,  12 
14,  18,  24.  30,  36 
6,  8,  10,  12,  14,  18 
14,  18.  24,  30,  36 
6,  8,  10,  12 
14,  18,  24,  30,  36 
18.  24 

249J 
254K 
2541 
276 
366J 
366 
515 
566 

6,  7,  8,  10,  12 
6,  7,  8,  10 
14,  14B,  18,  24,  30 
14,  18,  24,  30,  36 
10,  12 
14,  18,  24,  30 
18 
12,  16,  18,  24,  30,  36 

70L 
70 
170L 
72L 
74L 
270L 
272L 
370L 

10,  12 
24 
12 
8,  10,  12 
8,  10 
10,  12 
10.  12 
10,  12 

LEADERS,  DASHES, 
SORTS 

1  page  Leaders 
1  page  Dashes 
5  pages  of  Piece  Braces 
6  pages  2-3-4-6  point  rule 
1  page  12 

108 
113J 

14,  18 
5,  6,  8,  10,  12 

PLATE-GOTHICS 

FOREIGN 

14  pages  Corner  Pieces 
4  pages  Matrices  for  Set  Ems 

113 

14,  18,  24,  30,  36 

340J 

G,  Nos.  1,  2,  3,  4 

GERMAN 

CI 

larts 

118J 

51,  6,  7,  8,  9,  10,  11,  12 

12,  Nos.  1,  2,  3,  4 

475 

18 

118 

14,  18,  24,  30,  36 

187 

14.  18,  18H4,  24,  24H4 

95M 

8,  10,  12 

118K 

6,  8,  10,  12 

341J 

6,  Nos.  1,  2,  3,  4 

495 

14,  18,  24,  30,  36 

BORDERS  AND 

1181 
119J 

14,  18,  24,  30,  36 
6,  8,  10,  12 

197 

12,  Nos.  1,  2,  3,  4 
14,  18,  18H4,  24,  24H4 

99M 
100M 

6,8,  10,  11,  12 
6,  8,  10,  12 

ORNAMENTS 

119 

14,  18,  24,  30,  36 

342J 

G,  Nos.  1,  2,  3,  4 

100 

14,  18,  24,  30 

Title  page 

146J 

8,  10.  12 

12,  Nos.  1,  2,  3,  4 

101 

14,  24,  30,  36 

40  pages  Borders 

Note:   The  Boldface  figures  in  the  "Point-Size"  column  indicate  faces  made  since  the  issuance  of  our  previous  List  of  Faces. 

Note:     There  are  stickers  calling  attention  to  use  of  old  style  figures  attached  to  the  sheet  showing  the  following  series:     15E,  16E 

21E,  221E,  22E,  31E,  37E,  137E,  38E,  154E,   172E  and  25J. 

Note:     With  the  perfection  of  the  new  Plate-Gothic  Arrangement  for  job  composition,  and  the  issuing  of  the  new  sheets  for  the  Nos.  340J 
341J,  342J,  343J,  344J,  347J  and  348J  series,  we  wish  to  advise  that  the  6  and  12  point  fonts  of  these  series  will  replace  the  equivalent  point 
sizes  of  the  following  series  now  in  your  specimen  book:  Nos.  187J,  168J,  169J,  166J,  266J,  223J  and  323JB.  If  you  are  not,  at  present,  a 
user  of  any  of  the  last  mentioned  series,  please  remove  the  specimen  sheets  from  your  book  when  inserting  the  new  Plate-Gothic  sheets.    For 
the  convenience  of  those  who  are  users  of  the  old  Gothic  series,  matrices  will  be  carried  in  stock  for  replacements,  and  they  should  retain  their 

old  specimen  sheets  as  well  as  the  new  Plate-Gothic  sheets. 

Index  of  Monotype  Faces^1--^'^^- 

1922 

MOMOTYPP     PA^P9     arv>     licr^rl     in            Set-Size:    This  column  gives  the  width  of  the  face  for  the 
VJ1NU1    1       n,     r/\LJ^O     are     listed                point-size  given  in  the  column  at  the  left. 
numerical  Order  in  thiS  table,  Which          ,  Number  of  Characters:   In  this  column  is  given  the  number 
_                 .            .                      t         of  characters  we  have  made  for  each  font.     Note:    When  225 
gives  the  following  information  abOUt  each       characters  are  specified,  this  means  a  full  font  that  completely 
fills  the  Matrix  Case,  which,  of  course,  includes  some  blanks 
lace  '.                                                                                                          for  spaces,  etc.     The  details  of  the  characters  and  spaces  fur- 
Series  No.,  see  first  column:   This  symbol  gives  the  designa-       pished  in  the  font  may  be  found  by  noting  the  arrangement 
tion  of  the  series  and  indicates  the  character  of  the  series  thus-:       from  the  second  colum"ofthe  table  and  then  referring  to  this 
"1ABC"    indicates   a    Modern   face   complete   with   Roman,       arrangement  on  pages  30,  31,  32  of  the  Specimen  Book. 
Italic,  and  small  caps;   "11J"  indicates  a  Boldface  Roman;            Remarks:  This  space  is  provided  for  your  own  notations, 
"11"  (without  letter)  indicates  Matrices  for  sorts  casting,  not       for  example,  to  enter  the  name  of  the  foundry  type  -face  the 
composition,   in  sizes  larger  than  the  Composition  Matrices       Monotype  face  displaces, 
of  the  1  1  J  series.      For  explanation  of  use  of  letters  to  indicate            Special  Matrix  Line:     All  Monotype    faces  for  composition 
the  character  of  faces  see  Matrix  Symbols,  pages  27,  28,  29       are  on   standard    Matrix   line   except  a  few   abnormally   tall 
incur  Specimen  Book.                                                                               faces.     Such  faces  are  indicated  in  the  following  table  by  a 
Arrangement:  These   letters   indicate   the   arrangement   of       douj;>le  daSSer  <*>  Preceding  the  point-size  of  the  face. 
Matrices  in  the  Matrix  Case.     For  details  of  these  arrange-       _  Modified   Character   Matrices   for    Tabular    Arrangements: 
ments  see  Matrix  Case  Arrangements,  pages  30,  3  1  ,  32  of  our       Ffces  for  which  these  modified  characters  are  furnished  for  the 
Specimen  Book                                                                                             Matrix    Case    arrangements    requiring    these    Matrices    (see 
,  .._.          ,       Tabular  Arrangements,  Specimen  Book,  pages    31,    32),   are 
Character  of  the  Face:  The  next  column    headed     Class  of       indicated  by  a  dagger  (f)  preceding  the  point-size  of  the  face. 
Face,     gives  the  character  of  the  face    Modern.  Title.  OutUne             Modified  Characters  for  use  with  Cross-Rule  Matrices:  Faces 
etc.,  and  indicates  the  section  of  the  Specimen  Book  in  which       with  the  modified  characters  for  use  with  cross-rule  Matrices 
the  specimen  sheet  will  be  found.                                                           for  composing  biank  forms  (see  Arrangement  R2,  Specimen 
Point-Size:    This  column  gives  the  point-sizes  we  have  for       Book,  page  32)  are  designated  by  a  section  mark  (§)  preceding 
the  series  specified  in  the  first  column  of  the  table.                             the  point-size  of  the  face. 

SERIES 
NO. 

ARRANGE- 
MENT 

CLASS   OF 
FACE 

POINT- 
SIZE 

SET- 
SIZE 

NO. 
CHAR. 

REMARKS 

SERIES 
NO. 

ARRANGE- 
MENT 

CLASS  OF 
FACE 

POINT- 
SIZE 

SET- 
SIZE 

NO. 
CHAR. 

REMARKS 

1ABC 

c 

Modern 

t6 
8 

6 

7 

225 
225 

12 

Sorts 

Outline 

14 

18 
24 
30 
36 

76 
76 
76 
76 
76 

4ABC 

c 

Modern 

10 

10 

225 

5ABC 

c 

Modern 

5J 
6 
7 
8 
9 
11 

71 

7i 

8J 
9 
W 
111 

225 
225 
225 
225 
225 
225 

13ABC 

C 

Modern 

6 

7 
8 

8i 
9* 
9J 

225 
225 
225 

14ABC 

C 

Modern 

|8 
12 

8 

11 

225 
225 

8ABC 

c 

Modern 

4 
4* 
5 
t6 

7 
18 
9 

no 
11 

112 

5 
6 
61 
7 
8 
8^ 
9 
10 
11 
12 

225 
225 
225 
225 
225 
225 
225 
225 
225 
225 

15EFG 

C 

Old  Style 

t6 

7 
t8 
9 

no 
11 

t!2 

7 
8 
81 
9 
10 
11 
12 

225 
225 
225 
225 
225 
225 
225 

16EFG 

C 

Old  Style 

t6 

7 

!* 

9 

no 
11 

t!2 

7 
8 
8i 
9" 
10 
11 
12 

225 
225 
225 
225 
225 
225 
225 

* 

8A 

QC 

Modern 

14 
18 

14 
18 

78 
78 

8C 

QC 

Modern 

14 
18 

14 
18 

75 
75 

1U 

C2 

Title 

5 
t6 
18 

tio 

11 

t!2 

6 

7 
81 
10 
11 

12 

82 
82 
82 
82 
82 
82 

17L 

Typewriter 

11 

.1" 

97 

19ABC 

c 

Modern 

6 

8 

71 
81 

225 
225 

225 
225 
225 
225 
225 
225 
225 

20ABC 

c 

Modern 

6 
7 
8 
9 
10 
11 
12 

7 
8 

!! 

10} 
11 
12 

11 

Sorts 

Title 

14 
18 
24 
30 
36 

80 
80 
80 
80 
80 

UK 

C2 

Title 

8 
10 
12 

81 
10 
12 

82 
82 
82 

20 

Sorts 

Modern 

14 
18 
24 
30 
36 

77 

77 
77 
77 
77 

1111 

Sorts 

Title- 

14 
18 
24 
30 
X 

72 
72 
72 
72 
72 

2(11 

Sorts 

Modern 

14 
18 
24 
30 
36 

77 
77 
77 
77 
77 

12J 

C2 

Outline 

K 
10 
12 

W 
10 

12 

82 

82 
82 

t  Tabular  Face                                               JLow  Line  Face                                       §  Cross-Rule  Face                                        (See  First  Page) 

6  •  •„'.••...  •'«,  INDEX  OF  MONOTYPE  FACES—  Continued 

SERIES 
NO. 

ARRANGE- 
MENT 

CLASS  OP 
PACE 

POINT- 
SUE 

SET-    I     NO. 
SIZE      CHAR. 

REMARKS 

SERIES 
NO. 

ARRANGE- 
MENT 

CLASS  OP 
FACE 

POINT- 
SIZE 

SET- 
SIZE 

NO. 
CHAR. 

REMARKS 

21EFG 

c 

Old  Style 

? 

I* 

7 
8 
9 
10 
11 
12 

Bi 
61 

65 
7 
8 
85 
9 
101 
lli 
12 

225 
225 
225 
225 
225 
225 
225 
225 
225 
225 

36ABC 

C 

Modern 

6 

8 
9 
10 
11 
12 

S1 

.    9 
10 
11 
12 

225 
225 
225 
225 
225 
225 

36 

Sorts 

Modern 

14 
18 
24 
30 
36 

82 
82 
82 
82 
82 

21E 

QC 

Old  Style 

14 
18 

14 
18 

78 
78 

361 

Sorts 

Modern 

14 
18 
24 
30 
36 

83 
83 
83 
81 
81 

21 

Sorts 

Old  Style 

14 
18 
24 
30 
36 

82 
82 
82 
82 
82 

37EFG 

C 

Old  Style 

6 
7 
8 
9 
10 
11 
12 

65 
7} 
8 
9 
10 
11 
12 

225 
225 
225 
225 
225 
225 
225 

21G 

QC 

Old  Style 

14 
18 

14 
18 

75 
75 

22EFG 

C 

Old  Style 

6 
8 
9 
10 
11 
12 

6* 
8 
9 
10 
11 
12 

225 
225 
225 
225 
225 
225 

37E 

QC 

Old  Style 

14 
18 

14 
18 

78 
78 

23K 

C2 

Law  Italic 

6 
8 
10 
12 

7 
85 
10 
12 

82 
82 
82 
82 

37 

Sorts 

Old  Style 

14 
18 
24 
30 
36 

82 
82 
82 
82 
82 

25J 

Cl 

Antique 

5 

t6 

t8 
9 

no 
n 

t!2 

? 

11 

95 
10 

IH 
12 

82 
82 
82 
82 
82 
82 
82 
82 

371 

Sorts 

Old  Style 

14 
18 
24 
30 
36 

90 
90 
90 
86 
86 

38EFG 

C 

Old  Style 

6 
7 
8 
9 
10 
11 
12 

7 
8 

1* 
10 

11 
12 

225 
225 
225 
225 
225 
225 
225 

25 

Sorts 

Antique 

14 
18 
24 
30 
36 

75 
77 
77 
77 
77 

25K 

Cl 

Antique 

6 
7 
8 
9 
10 
11 
12 

7 
71 

f 

10 
11 
12 

82 
82 
82 
82 
82 
82 
82 

38 

Sorts 

Old  Style 

14 
18 
24 
30 
36 

81 
81 
81 
81 
81 

381 

Sorts 

Old  Style 

14 
18 
24 
30 
36 

81 
81 
81 
81 
81 

251 

Sorts 

Antique 

14 
18 
24 
30 
36 

6 

7 
8 

1* 
10 
12 

81 
81 
81 
81 
81 

39J 

C2 

Title 

5 
6 
8 
10 
12 

65 
75 
9 
11 
125 

82 
82 
82 
82 
82 

26J 

C2 

Antique 

5 
t6 
7 
t8 
9 

no 

t!2 

82 
82 
82 
82 
82 
82 
82 

39 

Sorts 

Title 

14 
18 
24 
30 
36 

72 
72 
72 
72 
72 

28J 

C2 

Title 

& 

7 
t8 

no 

t!2 

6i 
7 
8 
8J 
105 
12 

82 
82 
82 
82 
82 
82 

40 

Sorts 

Outline 

18 
20 
24 
36 

72 
72 
72 
72 

31EFG 

C 

Old  Style 

6 
7 
8 
9 
10 
11 
12 

6i 

P 

8i 
95 
10} 
11 

225 
225 
225 
225 
225 
225 
225 

41K 

C2 

Outline 

12 

12 

73 

41 

Sorts 

Outline 

14 
18 
24 
30 
36 

72 
72 
72 
72 

72 

34ABC 

C 

Modern 

6 
8 
9 
10 
11 
12 

65 
8 
85 
95 
10 
11 

225 
225 
225 
225 
225 
225 

42J 

C2 

Outline 

8 
10 
12 

8J 
10 
12 

82 
82 
82 

35ABC 

C 

Modern 

10        10 

225 

t  Tabular  Face                                   J  Low  Line  Face                                                               §  Cross-Rule  Face                           (See  First  Page) 

INDEX  OF  MONOTYPE  FACES—  Continued                                           7 

SERIES 
NO. 

ARRANGE- 
MENT 

CLASS  OF 
FACE 

POINT- 
SIZE 

SET- 
SIZE 

NO. 
CHAR. 

REMARKS 

SERIES 
NO. 

ARRANGE- 
MENT 

CLASS  OF 
FACE    ' 

POINT- 
SIZE 

SET- 
SIZE 

NO. 
CHAR. 

REMARKS 

42 

Sorts 

Outline 

14 
18 
24 
30 
36 

79 
79 
79 
79 

79 

60 

Sorts 

Antique 

14 
18 
24 
30 
36 

80 
88 
88 
88 
80 

44 

Sorts 

Outline 

14 
18 
24 
30 
36 

81 
81 
81 
81 

81 

60K 

C2 

Antique 

6 

8 
10 
12 

9 

11 

12i 

82 
82 
82 
82 

601 

Sorts 

Antique 

14 
18 
24 
30 
36 

75 
80 
75 
73 

75 

45J 

Cl 

Antique 

6 

8 
10 
12 

7 

8* 
10 
12 

82 
82 
82 
82 

45 

Sorts 

Antique 

14 
18 
24 
30 
36 

81 
81 
81 
81 
81 

61E 

C 

Old  Style 

6 
7 
8 
9 
10 
12 

7 
8 

¥ 
i§* 

225 
225 
225 
225 
225 
225 

48J 

C 

Gothic 

5 

1 
t* 

9 

no 
11 

tl2 

6 
7 
7J 
8* 
9i 
10 
11 
12 

49 
49 
49 
49 
49 
49 
49 
49 

In  place  of  Small 
Caps 

61 

Sorts 

Old  Style 

14 
18 
24 
30 
36 

81 
81 
81 
81 

81 

611 

Sorts 

Old  Style 

14 
18 
24 
30 
36 

81 
81 
•   81 
81 
81 

49J 

Cl 

Gothic 

5 

10 

12 

54 
6 
8 
10 
12 

82 
82 
82 
82 
82 

62 

Sorts 

Antique 

18 
24 
30 
36 

81 
84 
84 
84 

50 

Sorts 

Gothic 

18 
24 
30 
36 

76 
76 
76 
76 

63J 

C2 

Antique 

6 
8 
10 
12 

14 
18 
24 
30 
36 

74 
9 
11 
12J 

82 
82 
82 
82 

51J 

Cl 

Gothic 

6 
§8 
10 
12 

5 

6 

7 
8 

82 
82 
82 
82 

63 

Sorts 

Antique 

77 
77 
77 

77 
77 

51 

Sorts 

Gothic 

14 
18 
24 
30 
36 
36H4 

79 
79 

79 
79 
79 

47 

64J 

C 

64  Family 

6 
8 
10 
12 

6 

9 

104 

98 
98 
98 
98 

In  place  of  Roman 

52J 

C2 

Gothic 

6 
8 
10 
12 

7 
81 
10 
12 

82 
82 
82 
82 

64 

Sorts 

64  Family 

14 
18 
24 
30 
36 

87 
87 
87 
87 
87 

52 

Sorts 

Gothic 

14 
18 
24 
30 
36 

82 
82 
82 
82 
82 

64K 

C 

64  Family 

6 
8 
10 
12 

6 
71 
9 

104 

82 
82 
82 
82 

In  place  of  Italic 

56J 

C2 

Antique 

g 

m 

ne 

7 
t8 

9 

7J 
71 
8} 

82 
82 
82 
82 
82 

641 

Sorts 

64  Family 

14 
18 
24 
30 
36 

89 
91 
91 
91 
91 

58J 

Cl 

Antique 

6 
8 
10 
12 

7 
84 
10 
12 

82 
82 
82 
82 

66JB 

C2 

Gothic 

§5 

6 

131 

66J 

C2 

Gothic 

6 
8 
10 
12 

7 
8* 
104 
12| 

82 

82 
82 
82 

58 

Sorts 

Antique 

14 
18 
24 
30 
36 

84 
84 
84 
75 
84 

66 

Sorts 

Gothic 

14 
18 
24 
30 
36 

82 
82 
82 
82 
82 

59 

Sorts 

Outline 

30 
36 

81 
81 

60J 

C2 

Antique 

6 
8 
10 
12 

v 

11 

124 

82 
82 
82 
82 

68J 

Cl 

Antique 

6 
8 
10 
12 

7 
84 

104 

12 

82 
82 
82 
82 

t  Tabular  Face                                               J  Low  Line  Face                                      §  Cross-Rule  Face                                         (See  First  Page) 

8                                            INDEX  OF  MONOTYPE  FACES—  Continued 

SERIES 
NO. 

ARRANGE- 
MENT 

CLASS  OF 
FACE 

POINT- 
SIZE 

SET- 
SIZE 

NO. 
CHAR. 

REMARKS 

SERIES 
NO. 

ARRANGE- 
MENT 

CLASS  OF 
PACK 

POINT- 
SIZE 

SET- 
SIZE 

NO. 
CHAR. 

REMARKS 

68 

Sorts 

Antique 

14 
18 
24 
30 
36 

74 

74 
74 
74 
74 

781 

Sorts 

Antique 

14 

18 
24 
30 
36 

72 

72 
72 
72 
72 

68K 

C2 

Antique 

6 
8 
10 
12 

7 
8i 
10 
12 

82 
82 
82 
82 

79J 

C2 

Title 

5 
6 

7 
8 
9 
10 
11 
12 

9 

8 

r 

10i 

11 

12 

82 
82 
82 
82 
82 
82 
82 
82 

681 

Sorts 

Antique 

14 
18 
24 
30 
36 

74 
74 
74 
74 
74 

82 
82 
82 
82 

79J 

QC2 

Title 

14 

18 

14 
18 

78 
78 

69J 

Cl 

Antique 

§I 
10 
12 

6 
7 
81 

10 

79 

Sorts 

Title 

14 
18 
24 
30 
36 

84 
84 
84 
84 
84 

69 

Sorts 

Antique 

14 
18 
24 
30 
36 

85 
85 
85 
85 
85 

79K 

C2 

Title 

6 
8 
10 
12 

7' 
81 
10J 
12 

82 
82 
82 
82 

70L 

Typewriter 

10 
12 

.083" 
.1" 

101 
101 

791 

Sorts 

Title 

14 
18 
24 
30 
36 

81 
81 
81 
81 
81 

70 

Typewriter 

24 

73 

71EFG 

C 

Old  Style 

6 
8 
10 
11 
12 

7 
8i 

10J 
11 
12 

225 
225 
225 
225 
225 

81J 

C4 

Antique 

6 
8 
10 
12 

7 
81 
10 
12 

82 
82 
82 
82 

71E 

QC 

Old  Style 

14 
18 

14 
18 

73 
73 

81 

Sorts 

Antique 

18 

24 

82 
82 

71 

Sorts 

Old  Style 

18 
24 
30 
36 

80 
80 
80 
80 

83M 

Special 

Foreign 

6 
8 
10 
12 

t* 
it' 

120 
146 
148 
148 

72L 

Typewriter 

8 
10 
12 

.0692' 
.083" 
.1" 

'    99 
99 

78 

86J 

C2 

64  Family 

5 
6 
7 
8 
9 
10 
11 
12 

6 

7 
8 

8» 

10* 

11 

12 

82 
82 
82 
82 
82 
82 
82 
82 

73 

Sorts 

Outline 

24 

46 

74L 

Typewriter 

8 
10 

.0553' 
.0692' 

89 
'    89 

75 

Sorts 

Text 

18 

79 

86J 

QC2 

64  Family 

14 
18 

14 

18 

73 
78 

76J 

Cl 

Antique 

5 
6 
7 
8 
9 
10 
12 

1* 

8 

1* 

10 
12 

82 
82 
82 
82 
82 
82 
82 

86 

Sorts 

64  Family 

14 
18 
24 
30 
36 

82 
82 
82 
82 
82 

77J 

Cl 

Gothic 

6 
8 
10 
12 

5 

1* 

9i 

82 
82 
82 
82 

86K 

C2 

64  Family 

5 

6 
8 
10 
12 

6 
7 
81 
10} 
12 

82 
82 
82 
82 
82 

77 

Sorts 

Gothic 

14 
18 
24 
30 
36 

80 
80 
80 
80 
80 

86K 

QC2 

64  Family 

14 
18 

14 

18 

78 
78 

861 

Sorts 

64  Family 

14 
18 
24 
30 
36 

82 
82 
82 
82 
82 

78J 

Cl 

Antique 

6 
8 
10 
12 

7 
8f 

101 
12 

82 
82 
82 
82 

88J 

Cl 

64  Family 

5 

§I 
10 
12 

5 
6 

7 
8} 
10 

82 
82 
82 
82 
82 

78 

Sorts 

Antique 

14 
18 
24 
30 
36 

76 
76 
76 
76 
76 

88 

Sorts 

64  Family 

14 
18 
24 
30 
36 

83 
83 
83 
83 
83 

78K 

Cl 

Antique 

6 
8 
10 
12 

7 
8J 
10J 
12 

82 
82 
82 
82 

t  Tabular  Face                                     JLow  Line  Face                                                                §  Cross-Rule  Face                         (See  First  Page) 

INDEX  OF  MONOTYPE  FACES—  Continued                                           9 

SERIES 
NO. 

ARRANGE- 
MENT 

CLASS  OF 
FACE 

POINT- 
SIZE 

SET- 
SIZE 

NO. 

CHAR. 

REMARKS 

SERIES 
NO. 

ARRANGE- 
MENT 

CLASS  OF 
FACE 

POINT- 
SIZE 

SET- 
SIZE 

MO. 
CHAR. 

REMARKS 

88K 

Cl 

64  Family 

6 
8 
10 
12 

6 

7 
8i 
10 

82 

82 
82 
82 

98J 

c 

Antique 

6 
8 
9 
10 
12 

71 

r 

8* 

82 

82 
82 
82 
82 

In  place  of  Roman 

881 

Sorts 

64  Family 

14 
18 
24 
30 

36 

82 
82 
82 
82 
82 

98 

Sorts 

Antique 

14 

18 
24 
30 
36 

87 
87 
87 
87 
87 

89J 

Cl 

Title 

6 
8 
10 
12 

7 
8* 
10 
12 

82 
82 
82 
82 

98K 

C2 

Antique 

6 
8 
9 
10 
12 

7 
8i 
9 
10 
12 

82 
82 
82 
82 
82 

89J 

QC2 

Title 

14 
18 

14 
18 

73 

73 

981 

Sorts 

Antique 

14 
18 
24 
30 
36 

77 
77 
77 
77 

77 

89 

Sorts 

Title 

14 
18 
24 
30 
36 

82 
82 
82 
82 
82 

99M 

GC 

Foreign 

6 
8 
10 
11 
12 

7 
8| 

10 
10| 

Ill 

98 
98 
98 
98 
98 

89K 

Cl 

Title 

6 
8 
10 
12 

7 
8* 
10 
12 

82 
82 
82 
82 

891 

Sorts 

Title 

14 
18 
24 
30 
36 

81 
81 
81 
81 
81 

100M 

GC1 

Foreign 

6 
8 
10 
12 

7 
8i 

10 

iii 

99 
99 
99 
99 

100 

Sorts 

Foreign 

14 
18 
24 
30 

91 
91 
91 

91 

92J 

C2 

Antique 

5} 
6 

7 
8 
10 
11 
12 

to  h-i  O  00  00  ^]  Oi 

82 
82 
82 
82 
82 
82 
82 

101 

Sorts 

Foreign 

14 
24 
30 
36 

89 
89 
89 
89 

94 

Sorts 

Antique 

18 
24 
30 
36 

76 
76 
76 

76 

102J 

C3 

Text 

6 
8 
10 
12 

P 

11 

12i 

82 
82 
82 
82 

95J 

C3 

Text 

6 
8 
10 
12 

p 

11 

121 

81 
81 
81 
81 

102 

Sorts 

Text 

14 
18 
24 
30 
36 

78 
78 
78 
78 

78 

95 

Sorts 

Text 

14 
18 
24 
30 
36 

9 
11 
12i 

77 
77 
77 
77 
77 

102M 

Special 

Foreign 

6 
8 
10 

12 

P 

11 
12} 

93 
93 
93 
93 

95M 

Special 

Foreign 

8 
10 
12 

91 
91 
91 

103 

Sorts 

Title 

18 

24 

81 
48 

96J 

Cl 

Outline 

10 
12 

1? 

73 
73 

104 

Sorts 

Antique 

18 
20 
24 

46 
46 
46 

% 

Sorts 

Outline 

18 
24 
30 
36 

75 
75 
75 
74 

107J 

C2 

Gothic 

5 

t6 
7 
t8 

no 

t!2 

6 
7 
8 
8J 

10 
12 

82 
82 
82 
82 
82 
82 

97J 

C2 

Antique 

6 
8 
10 
12 

7 
8J 
10} 
12 

82 
82 
82 
82 

107 

Sorts 

Gothic 

14 
18 
24 
30 
36 

81 
81 
81 
81 
81 

97 

Sorts 

Antique 

14 
18 
24 
30 
36 

75 
75 
75 
75 
75 

108 

Sorts 

Title 

14 
18 

* 

77 
77 

97K 

C2 

Antique 

6 
8 
10 
12 

7 
8i 
10 
12 

82 
82 
82 
82 

inj 

Cl 

Title 

6 

8 
10 
11 
12 

!* 

10 
11 
12 

82 
82 
82 
82 
82 

971 

Sorts 

Antique 

14 
18 
24 
30 
36 

77 
77 
77 
77 
77 

111 

Sorts 

Title 

14 
18 
24 
30 
36 

81 
81 
81 
81 
81 

t  Tabular  Face                                     J  Low  Line  Face                                                                  §  Cross-Rule  Face                         (See  First  Page) 

10                                          INDEX  OF  MONOTYPE  FACES—  Continued 

SERIES 
NO. 

ARRANGE- 
MENT 

CLASS  OF 
FACE 

POINT- 
SIZE 

SET- 
SIZE 

NO. 
CHAR. 

REMARKS 

SERIES 
NO. 

ARRANGE- 
MENT 

CLASS  OF 

FACE 

POINT- 
SIZE 

SET- 
SIZE 

NO. 
CHAR. 

REMARKS 

113J 

Cl 

Title 

5 

§i 

10 
12 

5 
6 
8 

1?* 

82 

82 
82 
82 
82 

132K 

C2 

Gothic 

6 
8 
10 
12 

P 

11 

121 

82 

82 
82 
82 

134EF 

C 

Old  Style 

6 

8 
10 
12 

6 
8 
91 
111 

111 
111 
111 
111 

113 

Sorts 

Title 

14 
18 
24 
30 
36 

72 
72 
72 
72 
72 

137EFG 

C 

Old  Style 

6 
8 
9 
10 
11 
12 

f 
9 
10 
11 
12 

225 
225 
225 
225 
225 
225 

115C 

C2 

Law  Italic 

8 
10 
12 

8 
10 
12 

82 
82 
82 

117J 

Cl 

Antique 

6 
8 
10 
12 

7 
8* 
10 
12 

82 
82 
82 
82 

139J 

Cl 

Antique 

6 
8 

10 
12 

1* 

91 
11 

82 
82 
82 
82 

117 

Sorts 

Antique 

14 
18 
24 
30 
36 

81 
81 
81 
81 
81 

139 

Sorts 

Antique 

24 
30 
36 

76 
76 

75 

140J 

Cl 

Gothic 

6 
8 
10 
12 

5 

I1 
9i 

82 
82 
82 
82 

117K 

C 

Antique 

6 
8 
10 
12 

7 
81 
10 
12 

82 
82 
82 
82 

In  place  of  Italic 

140 

Sorts 

Gothic 

14 
18 
24 
30 
36 
36H4 

77 
77 

77 
77 
77 
46 

118J 

Cl 

Title 

51 
1 
1 

^ 
t!2 

61 

7 
8 

P 
10 
11 
12 

82 
82 
82 
82 
82 
82 
82 
82 

141J 

Cl 

64  Family 

6 
§8 
10 

12 

5 
6 

7 
8 

82 
82 
82 
82 

118 

Sorts 

Title 

14 
18 
24 
30 
36 

81 
81 
81 
81 
81 

141 

Sorts 

64  Family 

14 
18 
24 
30 
36 
36H4 

82 
82 
82 
82 
82 
46 

118K 

C2 

Title 

6 
8 
10 
12 

7 
8J 
10 
12 

82 
82 
82 
82 

142J 

C2 

Antique 

f 

8 
10 
12 

71 
7! 
91 
11 
12 

82 
82 
82 
82 
82 

1181 

Sorts 

Title 

14 
18 
24 
30 
36 

78 
78 
78 
78 
78 

143J 

C 

Antique 

6 
8 
10 
12 

7 
8i 
10 
12 

82 
82 
82 
82 

In  place  of  Roman 

119J 

Cl 

Title 

§1 
10 
12 

6 

P 

101 

82 
82 
82 
82 

143 

Sorts 

Antique 

14 
18 
24 
30 
36 

81 
81 
81 
81 
81 

119 

Sorts 

Title 

14 
18 
24 
30 
36 

72 
72 
72 
72 

72 

144 

Sorts 

Antique 

14 
18 
24 
30 
36 

77 
77 
77 
77 

77 

120ABC 

C 

Modern 

6 

7 

225 

121 

Sorts 

Gothic 

18 
24 
30 
36 

49 
49 
49 
49 

145J 

C2 

Antique 

6 
8 
10 
12 

7 
81 
10 
12 

82 
82 
82 

82 

123 

Sorts 

Outline 

18 
24 
36 

46 
46 
46 

145 

Sorts 

Antique 

14 
18 
24 
30 
36 

82 
82 
82 
82 
82 

126 

Sorts 

Initials 

36 

26 

126A 

Sorts 

Initials 

36 

26 

127 

Sorts 

Initials 

36 

26 

146J 

Cl 

Title 

8 
10 
12 

8} 
10 
12 

82 
82 

82 

128J 

Cl 

Title 

6 

8 
10 

8J 
10 
12 

82 
82 
82 

146 

Sorts 

Title 

14 
18 
20 
24 
30 
36 

78 
78 
78 
78 
78 
78 

129 

Sorts 

Gothic 

14 
18 
24 
30 
36 

72 
72 
72 
72 
72 

t  Tabular  Face                                               }  Low  Line  Face                                     §  Cross-Rule  Face                                          (See  First  Page) 

INDEX  OF  MONOTYPE  FACES—  Continued                                        11 

SERIES 
NO. 

ARRANGE- 
MENT 

CLASS  OF 

FACE 

POINT- 
SIZE 

SET- 
SIZE 

NO. 
CHAR. 

REMARKS 

SERIES          ARRANGE- 
NO.                  MENT 

CLASS  OF 
FACE 

POINT- 
SIZE 

SET- 
SIZE 

NO. 

CHAR. 

REMARKS 

149J 

Cl 

Gothic 

§65* 
8 
10 
12 

6 

61 
81 
10 
12 

82 

82 
82 
82 
82 

161K 

C2 

Title 

6 
8 
10 
12 

7 
81 
10 
12 

82 

82 
82 
82 

162JB 

C2 

Title 

5 
6 
8 
10 
12 

61 

71 
9i 
11 
121 

131 

131 
82 
82 
82 

150ABC 

c 

Modern 

6 

7 
8 
9 
10 
11 
12 

71 

!* 
10 
11 

12 
121 

225 
225 
225 
225 
225 
225 
225 

162 

Sorts 

Title 

14 
18 
24 
30 
36 

72 
72 
72 
72 
72 

150 

Sorts 

Modern 

14 
18 
24 
30 
36 

81 
81 
81 
81 
81 

163J 

C2 

Antique 

6 
8 
10 
12 

7 
81 
10 
12 

82 
82 
82 
82 

1501 

Sorts 

Modern 

14 
18 
24 
30 
36 

81 
81 
81 
81 
81 

163 

Sorts 

Antique 

14 
18 
24 
30 
36 

7 
8 
81 
10 
12 

14 
18 

81 
81 
81 
81 
81 

152ABC 

C 

Modern 

8 
10 

8J 
10 

225 
225 

164JB 

C 

64  Family 

6 
7 
8 
10 
12 

125 
111 
125 
125 
125 

In  place  of  Roman 

153J 

C2 

Antique 

6 
7 
8 

7 
8 
81 

82 
82 
82 

154EFG 

C 

Old  Style 

8 

81 

225 

164J 

QC 

64  Family 

14 
18 

78 
78 

155M 

Special 

Foreign 

6 
8 
10 
11 
12 

7 
81 
10 
11 
12 

214 
214 
212 
215 
213 

164 

Sorts 

64  Family 

14 
18 
24 
30 
36 

84 
84 
84 
84 
84 

156J 

C2 

Antique 

5 
6 

61 
71 

82 
82 

164K 

C 

64  Family 

6 
8 
10 
12 

7 
81 
10 
12 

82 
82 
82 
82 

In  place  of  Italic 

157EFG 

C 

Old  Style 

6 
8 
10 
11 
12 

7 
81 

g* 
12 

225 
225 
225 
225 
225 

1641 

Sorts 

64  Family 

14 
18 
24 
30 
36 

77 
77 
77 
77 

77 

157 

Sorts 

Old  Style 

14 
18 
24 
30 
36 

81 
81 
81 
81 
81 

165JB 

C2 

Gothic 

§15 

6 

94 

158J 

C2 

Title 

5 
6 
8 
10 
11 
12 

61 
71 
91 
11 
12 
121 

131 
131 
82 
82 
82 
82 

165J 

C2 

Gothic 

J6 
J8 
J9 

no 

$12 

7 

it 

101 
121 

47 
47 
47 
47 

47 

165 

Sorts 

Gothic 

14 

18 

46 
46 

158 

Sorts 

Title 

14 
18 
24 
30 
36 

81 
81 
81 
81 
81 

166 

Sorts 

Plate- 
Gothic 

8 
10 
14 
14B 
18 
18H4 

46 
46 
46 
46 
46 
46 

See  344J  for 
Cellular  sizes 

159J 

C2 

Antique 

6 
8 
10 
12 

7 
81 
101 
12 

82 
82 
82 
82 

168 

Sorts 

Plate- 
Gothic 

14 
18 
18H4 
24 
24H4 

46 
46 
46 
46 
46 

See  342J  for 
Cellular  sizes 

159 

Sorts 

Antique 

14 
18 
24 
30 
36 

81 
81 
81 
81 
81 

169 

Sorts 

Plate- 
Gothic 

14 
18 
18H4 
24 

46 
46 
46 
46 

See  343J  for 
Cellular  sizes 

160M 

Special 

Foreign 

10 

10 

151 

161J 

C2 

Title 

6 

7 
8 
10 
12 

7 
8 
81 
10 
12 

82 
82 
82 
82 
82 

170L 

Typewriter 

12 

.1" 

101 

172EFG 

C 

Old  Style 

6 
7 
8 
9 
10 
11 
12 

7 
8 

5* 

10 

11 

12 

225 
225 
225 
225 
225 
225 
225 

161 

Sorts 

Title 

14 
18 
24 
30 
36 

81 
81 
81 
81 
81 

tTahularFace                                             J  Low  Line  Face                                  §  Cross-Rule  Face                                         (See  First  Page) 

12                                          INDEX  OF  MONOTYPE  FACES—  Continued 

SERIES 
NO. 

ARRANGE- 
MENT 

CLASS  OF 
FACE 

POINT- 
SIZE 

SET- 
SIZE 

NO. 
CHAR. 

REMARKS 

SERIES 
NO. 

ARRANGE- 
MENT 

CLASS  OF 
FACE 

POINT- 
SIZE 

SET- 
SIZE 

NO. 
CHAR. 

REMARKS 

172 

Sorts 

Old  Style 

14 
18 
24 
30 
36 

81 

81 
81 
81 
81 

193 

Sorts 

Outline 

12 
18 

24 
30 
36 

72 

72 
72 
72 
72 

173E 

C 

Antique 

6 
8 
10 

12 

7 
&\ 

10 
12 

82 
82 
82 
82 

194 

Sorts 

Outline 

12 
14 
18 
24 
30 
36 

77 
77 
77 
77 
77 
77 

174E 

C 

Antique 

10 

10 

78 

174 

Sorts 

Antique 

14 

77 

1  195A 

Special 

Modern 

11 

12i 

71 

175ABC 

C 

Modern 

5 
6 
7 
8 
9 
10 
11 
12 

6 

7 
8 

V 

10 
11 
12 

225 
225 
225 
225 
225 
225 
225 
225 

197 

Sorts 

Plate- 
Gothic 

14 
18 

18H4 
24 
24H4 

46 
46 
46 
46 
46 

See  34  1J  for 
Cellular  sizes 

199M 

GC 

Foreign 

6 
8 

7i 

91 

91 
92 

175A 

QC 

Modern 

14 
18 

14 
18 

73 
73 

200M 

GC1 

Foreign 

6 
8 

7f 
91 

86 

87 

175C 

QC 

Modern 

14 
18 

14 
18 

75 

75 

201 

See  No.  20C 

202 

Sorts 

Outline 

12 

14 
18 
24 

72 
31 
72 
72 

175 

Sorts 

Modern 

14 
18 
24 
30 
36 

81 
81 
81 
81 
81 

1  203 

Sorts 

Outline 

18 

31 

1751 

Sorts 

Modern 

14 
18 
24 
30 
36 

81 
81 
81 
81 
81 

204J 

C4 

Gothic 

5 
6 
8 
10 
12 

5 
6 
7 
8J 
10 

82 
82 
82 
82 
82 

176J 

Cl 

Gothic 

5I 
10 
12 

6 
7 
BJ 
10 

82 
82 
82 
82 

204 

Sorts 

Gothic 

14 
18 
24 

81 
81 
81 

206 

Sorts 
Sorts 

Gothic 

14 
18 
24 

81 
81 

81 

176 

Sorts 

Gothic 

14 
18 
24 
30 
36 

81 
81 
81 
81 

81 

209 

Foreign 

18 
30 

75 

75 

178M 

Special 

Foreign 

14 
18 

13 
16 

88 
88 

210J 

C4 

Title 

10 

12 

7 
81 

82 
82 

179M 

Special 

Foreign 

14 
18 

13 
16 

84 

84 

210 

Sorts 

Title 

14 
18 
24 
30 
36 

72 
72 
72 
72 
72 

186J 

Cl 

64  Family 

§5 

6 
7 
8 
9 
10 
11 
12 

6 

7 
8 

I* 
10 

11 
12 

82 
82 
82 
82 
82 
82 
82 
82 

211J 

C2 

Title 

5* 

7 

73 

214ABC 

C 

Modern 

12 

11 

225 

216A 

C4 

Modern 

8 

5* 

83 

186 

Sorts 

64  Family 

14 
18 
24 
30 
36 

72 
72 
72 
72 

72 

218 

Sorts 

Outline 

12 
14 
18 
24 
30 
36 

77 
77 
77 
77 
77 
77 

187 

Sorts 

Plate- 
Gothic 

14 
18 
18H4 
24 
24H4 

46 
46 
46 
46 
46 

See  340J  for 
Cellular  sizes 

220J 

C2 

Antique 

10 

12 

10 
12 

82 
82 

220 

Sorts 

Antique 

14 
18 
24 
30 
36 

72 
72 
72 
72 
72 

188J 

C2 

Text 

6 
8 
10 
12 

9 

11 

12* 

73 
73 
73 
73 

221EFG 

C 

Old  Style 

9 

91 

225 

188 

Sorts 

Text 

14 
18 
24 

73 
73 
73 

222 

Sorts 

Gothic 

30 

46 

223 

Sorts 

Plate- 
Gothic 
Title 

8 
10 
12 
18 
24 

46 
46 
46 
46 
46 

See  347J  for 
Cellular  sizes 

189J           C2 

Antique 

12 

12* 

82 

189              Sorts         Antique 

14 
18 
24 

72 
72 
72 

t  Tabular  Face                                               %  Low  Line  Face                                     §  Cross-Rule  Face                                          (See  First  Page) 

INDEX  OF  MONOTYPE  FACES—  Continued                                          13 

SERIES 
NO. 

ARRANGE- 
MENT 

CLASS  OF 
FACE 

POINT- 
SIZE 

SET- 
SIZE 

NO. 
CHAR. 

REMARKS 

SERIES 
NO. 

ARRANGE- 
MENT 

CLASS  OF 
FACE 

POINT- 
SIZE 

SET- 
SIZE 

NO. 
CHAR. 

REMARKS 

224K 

C2 

Gothic 

5 
6 
8 
10 

71 

8* 
10 
12 

47 

47 
47 
47 

46 
46 
46 
46 
46 
48 

258J 

C4 

Antique 

10 
12 

1? 

82 

82 

258 

Sorts 

Antique 

14 
18 
24 
30 
36 

72 
72 
72 
72 
72 

227 

Sorts 

Gothic 

14 
18 
24 
30 
36 
48 

264J 

C 

64  Family 

8 
10 
12 

f 

9! 

86 

87 

87 

230J 

C4 

Gothic 

6 
8 
10 
12 

4* 
5J- 
61 
7! 

82 
82 
82 
82 

264 

s 

64  Family 

14 
18 
24 
30 
36 

83 
83 
83 
83 
83 

230 

Sorts 

Gothic 

•14 
18 
24 
30 
36 

72 
72 
72 
72 
72 

270L 

Typewriter 

10 

12 

.083" 
.100" 

86 
86 

272L 

Typewriter 

10 
12 

.083" 
.100" 

84 
84 

231J 

C 

Antique 

6 
8 
10 
12 

6 
8 
91 

11 

82 
82 
82 
82 

77 
77 
77 
77 
77 

275J 

C2 

Title 

6 
8 
10 
12 

7 
81 
10 
12 

82 
82 
82 
82 

231 

Sorts 

Antique 

14 
18 
24 
30 
36 

275J 

QC2 

Title 

14 
18 

14 
18 

73 

73 

275 

Sorts 

Title 

14 
18 
24 
30 
36 

77 
77 
77 
77 
77 

233J 

C2 

Antique 

6 

7J 

82 

239J 

C4 

Gothic 

6 
8 
10 
12 

5! 
6i 
8 
91 

82 
82 
82 
82 

275K 

C2 

Title 

6 
8 
10 
12 

7 
8J 
10 
12 

82 
82 
82 
82 

239 

Sorts 

Gothic 

14 
18 
24 
30 
36 

72 
72 
72 
72 
72 

275K 

QC2 

Title 

14 
18 

14 

18 

78 
78 

240J 

C4 

Gothic 

6 
8 
10 
12 

7 
8* 
10 
12 

82 
82 
82 
82 

2751 

Sorts 

Title 

14 
18 
24 
30 
36 

77 

77 
77 
77 
77 

240 

Sorts 

Gothic 

14 
18 
24 
30 
36 

72 
72 
72 
72 
72 

276 

Sorts 

Gothic 

14 
18 
24 
30 
36 

72 
72 
72 
72 
72 

242E 

C 

Old  Style 

6 
8 
10 
12 

7 
8* 
10J 
12 

225 
225 
225 
225 

285 

Sorts 

64  Family 

18 
24 
30 
36 

72 
72 
72 

72 

245 

Sorts 

Title 

14 
18 
24 
30 
36 

72 
72 
72 
72 
72 

286 

Sorts 

64  Family 

24 
30 
36 

72 

72 
72 

287J 

C2 

64  Family 

6 
8 
10 

81 
101 
12! 

78 
78 
78 

246 

Sorts 

Outline 

12B 
12 
18 

46 
46 
46 

287 

Sorts 

64  Family 

12 

14 
18 
24 
30 
36 

72 
72 
72 
72 
72 
72 

249J 

C2 

Gothic 

6 
7 
8 
10 
12 

7 
8 
8! 
10 
12 

82 
82 
82 
82 
82 

251 

See  No.  25K 

288 

Sorts 

64  Family 

36 

77 

254K 

C2 

Gothic 

6 

7 
8 
10 

8 
9 
10 
12! 

116 
58 
116 
58 

298J 

C4 

Antique 

12 

10 

49 

298 

Sorts 

Antique 

14 
18 
24 
30 
36 

48 
48 
48 
48 
48 

2541 

Sorts 

Gothic 

14 
14B 
18 
24 
30 

46 
46 
46 
46 
46 

308AC 

Special 

Foreign 

8 
10 

12 

8! 
10 
12 

103 
103 
103 

255J 

C2 

Title 

5! 

7i 

82 

256J 

C 

Antique 

6 

8 

82 

In  place  of  Roman 

tTabular  Face                                              JLow  Line  Face                                             §Cross-Rule  Face                                              (See  First  Page) 

14                                         INDEX  OF  MONOTYPE  FACES—  Continued 

SERIES 
NO. 

ARRANGE- 
MENT 

CLASS  OF 
FACE 

POINT- 
SIZE 

SET- 
SIZE 

NO. 

CHAR. 

REMARKS 

SERIES 
NO. 

ARRANGE- 
MENT 

CLASS  OF 
FACE 

POINT- 
SIZE 

SET- 
SIZE 

NO. 
CHAR. 

REMARKS 

311 

Sorts 

Foreign 

14 
24 
36 

92 
92 
92 

345 

Sorts 

Plate- 
Gothic 

14 
18 
18H4 
24H4 

46 
46 
46 
46 

318J 

Special 

Foreign 

8 
10 
12 

8i 
10 
12 

53 
53 
53 

346K 

PG 

Plate- 
Gothic 

6  No.l 
2 
j 

4 
12  No.l 
2 

4 

7 
12 

225 
225 

321EFG 

C 

Old  Style 

5i 

7 

225 

323 

Sorts 

Plate- 
Gothic 
Title 

9 
14 
14B 
18 

24 

46 
46 

46 
46 
46 

See  No.  348J  for 
Cellular  sizes 

3461 

Sorts 

Plate- 
Gothic 

14 
18 
18H4 
24 
24H4 

46 
46 
46 
46 
46 

328J 

C2 

Title 

6 

7 
8 

8J 

9* 
9| 

82 
82 
82 

347J 

PG 

Plate- 
Gothic 

6  No.l 
2 

5 

4 

8 

225 

See  No.  223  for 
Electro  Display 
sizes 

337EFG 

C 

Old  Style 

7 
8 
9 
10 
11 
12 

7} 

8 
9 
10 
11 
12 

225 
225 
225 
225 
225 
225 

348J 

PG 

Plate- 
Gothic 

6  No.l 
2 

j 

4 

8 

225 

See  No.  323  for 
Electro  Display 
sizes 

337 

Sorts 

Old  Style 

14 
18 
24 
30 
36 

86 
86 
86 
86 
86 

360J 

C4 

Antique 

12 

121 

82 

360 

Sorts 

Antique 

14 
18 
24 
30 
36 

72 
72 
72 
72 
72 

337 

Sorts 

Old  Style 

14B 
18B 
24B 

30 
30 
30 

Small  Capitals  for 
14,  18  &  24  Point 
sizes 

3371 

Sorts 

Old  Style 

14 
18 
24 
30 
36 

85 
85 
85 
85 
85 

225 
225 

19  Swash  Charac- 
ters in  addition  to 
regular  85  charac- 
ter fonts 

361 

See  No.  36C 

366J 

C2 

Gothic 

10 
12 

10i 

12} 

47 

47 

366 

Sorts 

Gothic 

14 
18 
24 
30 

46 
46 
46 
46 

340J 

PG 

Plate- 
Gothic 

6No.l 
2 
3 
4 
12  No.l 
2 
3 
4 

7 
11 

See  No.  187  for 
Electro  Display 
sizes 

370L 

Typewriter 

10 

12 

.083" 
.100" 

101 
101 

371 

See  No.  37G 

341J 

PG 

Plate- 
Gothic 

6  No.l 
2 
3 
4 
12  No.l 
2 
3 
4 

5 

9 

225 
225 

See  No.  197  for 
Electro  Display 
sizes 

375 

Sorts 

Modern 

14 
18 
24 
30 
36 

81 
81 

77 
77 

77 

3751 

Sorts 

Modern 

14 
18 
24 
30 
36 

77 
77 
77 
77 
77 

342J 

PG 

Plate- 
Gothic 

6  No.l 
2 
3 
4 
12  No.l 
2 
3 
4 

7 
11 

225 
225 

See  No.  168  for 
Electro  Display 
sizes 

381 

See  No.  38G 

466J 

Cl 

Gothic 

6 

7} 

82 

475 

Sorts 

Foreign 

18 

93 

See  No.  75 

343J 

PG 

Plate- 
Gothic 

6  No.l 
2 
3 
4 
12  No.l 
2 
3 
4 

5 
9 

225 
225 

See  No.  169  for 
Electro  Display 
sizes 

495 

Sorts 

Foreign 

14 
18 
24 
30 
36 

89 
89 
89 
89 
89 

See  No.  95M 

515 

Sorts 

Gothic 

18 

72 

566 

Sorts 

Gothic 

12 
16 
18 
24 
30 
36 

46 
46 
46 
46 
46 
46 

344J 

PG 

Plate- 
Gothic 

6  No.l 
2 
3 

4 

8i 

225 

See  No.  166  for 
Electro  Display 
sizes 

345J 

PG 

Plate- 
Gothic 

6  No.l 
2 
3 
4 
12  No.l 
2 
3 
4 

7 
12 

225 
225 

601 

See  No.  60K 

616J 

C2 

Title 

6 

8 
10 
12 

7 
8J 
10* 
12 

82 
82 
82 
82 

t  Tabular  Face                                             J  Low  Line  Face                                            §  Cross-Rule  Face                                             (See  First  Page) 

INDEX  OF  MONOTYPE  FACES— Continued 


14a 


SERIES 
NO. 


616K 


ARRANGE- 
MENT 


C2 


641 
681 
781 
791 
861 
881 
891 


CLASS  OF 
FACE 


Title 


POINT- 
SIZE 


6 

8 

10 

12 


SET- 
SIZE 


10} 
12 


NO. 
CHAR. 

82 

82 
82 
82 


See  No.  64K 


See  No.  68K 


See  No.  78K 


See  No.  79K 


See  No.  86K 


See  No.  88K 


See  No.  89K 


SERIES 
NO. 


971 


ARRANGE- 
MENT 


981 
1111 


1181 
1501 


1751 
2541 


4102 


Sorts 


CLASS  OF 
FACE 


Foreign 


POINT- 
SIZE 


14 
18 
24 
30 
36 


SET- 
SIZE 


REMARKS 

See  No.  97K 
See  No.  98K 


See  No.  UK 


See  No.  118K 


See  No.  150C 


See  No.  175C 


See  No.  254K 
See  No.  102 


THE  MONOTYPE  MATRIX 
LIBRARY  affords  a  means  where- 
by the  Monotype  owner  can  de- 
cide before  he  purchases  a  font 
whether  or  not  he  needs  it.  We 
rent  matrices  at  $2.50  per  font 
per  month,  and  when  you  decide 
to  buy  them  we  credit  rental  paid 
against  the  purchase  price.  Write 
for  coupon  book  describing  in 
detail  this  Library  System. 


t  Tabular  Face 


t  Low  Line  Face 


§  Cross-Rule  Face 


(See  First  Page) 


Merit-Proved 

Monotype-Made 

Portable 

Noiseless 

Over  Capacity 

Right  Hand  Control 

PROVES  THE  WORK  AND  PRINTS  THE  PROOF 


If  you  operate  a  cost  system  you  need  an  adding  machine. 
Let  us  demonstrate  how  the  Barrett  will  fit  in  on  this 

sort  of  work. 

LANSTON    MONOTYPE    MACHINE    COMPANY 

Manufacturer  of  'lheB<2rrett 
Philadelphia 


Offices 


PHILADELPHIA,  24th  &  Locust 
Spruce  4471 

NEW  YORK,  820  World  Building 

Beekman  3155 

CHICAGO,  417  S.  Dearborn  St. 

Wabash  1652 

BOSTON,    170    Summer    Street 

Main  4840 

TORONTO,   Lumsden   Building 
Main  3250 

WASHINGTON,  8  Jackson  Place 

Franklin  6384 


CLEVELAND,  426  Guardian  Building 
Cherry  962 

BUFFALO,  516  Mutual  Life  Building 

Seneca  5614 

PITTSBURGH,  Room  615  State  Street 

Grant  8867 

OKLAHOMA  CITY,  208  N.  Harvey  St. 
Maple  5560 

SAN  FRANCISCO,  327  Rialto  Building 
Sutter  6275 

BIRMINGHAM,  Chamber  Com.  Bldg. 
Main  6703 


MONOTYPE        MATRICES      15 


The  Matrix  is  the  secret  of  the  Monotype's  Success;  the 

more  you  appreciate  the  almost  limitless  possibilities 

of  Monotype  Matrices,  the  greater  will  be  Your  return 

from  Your  money  invested  in  Monotypes 

Two  letters  are  never  carried  on  of  a  machine.     You  buy  the  Mat- 

thesame  Matrix  in  the  Monotype  rices  you  need  and  combine  them 

System,  and  from  this  basic  prin-  with  the  Matrix  Units  you  have. 
ciple  result  both  typographic 

beauty  and  commercial  utility.  Don't  waste  your  money. 

Don't  let  others  spend  your 

The  individual  Matrix  for  each  money  for   Matrices  without  a 

letter  means  that  one  alphabet  thorough   understanding  of  the 

imposes  no  limitations  upon  an-  Monotype  Matrix  System. 
other;  thus,  the  designer  of 

Monotype  faces  need  never  strain  TO  enable  you  to  use  Mono- 

his  ingenuity  to  make  a  Roman  type   Matrices  most  profitably, 

and  an  Italic  Cap  I  look  "near-  to  buy  them  most  advanta- 

well"  on  the  same  width  body.  geously,  and  to  save  you  from  the 

annoyance  of  needless  correspon- 

The  individual  Matrix  for  each  dence  and  delay  in  filling  your 
letter  means  that  there  is  no  orders  for  Matrices,  the  matter 
limit,  practically  speaking,  to  the  On  page  2  and  following  is  re- 
combinations of  Monotype  faces,  printed,  in  condensed  form,  from 

"The  Monotype  System."    A 

Each  character  a  separate  Unit,  complete  schedule  of  Matrix 

these  Matrix,  Units  combined  in  Classification  is  also  included  in 

the  Matrix  Case  to  suit  the  require-  this  introduction  to  this  Speci- 

ments  of  the  job,  not  the  limitations  men  Book  of  Monotype  Faces. 

^  It  Helps  You  Grow  and  Grows  with  You" 


October,  1920 


16      THE  FLEXIBLE  MATRIX  SYSTEM 


The  money-saving  and  the  money-making  advantages  of  our  Unit 
Matrix  System  are  here  made  clear  by  Specimens  and  Pictures 


Two  letters  are  never  carried  on  the  same  Matrix — a  Mat- 
rix/or each  character,  each  Matrix  a  unit,  these  units  combined 
in  the  Matrix  Case  as  required;  one  alphabet  imposes  no 
limitations  upon  another,  and  the  ingenuity  of  the  designer 
of  Monotype  faces  is  never  strained  to  make  a  Roman  and 
an  Italic  cap  (I  /)  on  the  same  width  body. 

One  Alphabet  Imposes  no  Limitations 
upon  Another 

To  appreciate  the  complete  freedom  from  mechanical  limita- 
tions of  Monotype  faces  examine  the  two  faces  here  shown. 
Note  how  much  more  extended  the  159J  is  than  the  25  J — 


The  best  kind  of  originality  is  that  which  comes  after  a  sound 
apprenticeship;  that  which  shall  prove  to  be  the  blending  of  a  firm 
conception  of  all  useful  precedent  and  the  progressive  tendencies 
of  an  able  mind.  For,  let  a  man  be  as  able  and  original  as  he  may, 
he  cannot  afford  to  discard  knowledge  of  what  has  gone  before 

Six-(>oint  No.  25 J  Arrangement  Cl 

The  best  kind  of  originality  is  that  which  conies  after  a 
sound  apprenticeship;  that  which  shall  prove  to  be  the 
blending  of  a  firm  conception  of  all  useful  precedent  and 
the  progressive  tendencies  of  an  able  mind.  For,  let  a  man 
be  as  able  and  original  as  he  may,  he  cannot  afford  to  dis- 

Six-fyoint  No.  159J  Arrangement  C2 


FIGURE  1 — Two  six-point  faces,  both  seven-set 

yet  either  this  extended  face  or  the  condensed  face  may  be 
carried  in  the  Matrix  Case  with  the  same  Roman  face  and 
be  composed  with  it.  Thus,  neither  the  Roman,  nor  the  Bold- 
face used  with  it,  imposes  any  limitations  upon  each  other. 

Complete  Flexibility  in  Making 
Combinations  of  Faces 

Fifteen  different  Boldfaces  combined  with  the  same  Roman 
face  are  shown  on  page  17.  In  setting  all  these  specimens  the 
same  Roman  Matrices  were  used ;  one  Boldface  was  taken  out 
of  the  Matrix  Case  and  the  Matrices  for  the  next  inserted  without 
touching  the  Roman  Matrices:  For  each  new  combination,  the 
Monotype  user  does  not  have  to  "re-buy"  his  Roman  Mat- 
rices— "he  buys  what  he  wants  when  he  wants  it" — combining 
the  new  units  required  with  the  old  units  he  has. 

Monotype  Matrices  Help  Sell  Printing ' 

But  great  as  are  the  artistic  advantages  of  our  unit  Matrix 
system,  these  seem  almost  insignificant  compared  with  the 
commercial  advantages:  because  the  wise  Monotype  user 
wastes  no  time,  creates  no  dissatisfaction,  arguing  with  his 
customer  about  the  "inadvisability  of  using  the  Roman  and 
Boldface"  the  customer  wants,  for  in  the  Monotype  office, 
practically  speaking,  any  Boldface  may  be  combined  with 
any  Roman  of  the  same  point-size. 

"  The  ability  to  give  your  customer  what  he  wants  is  worth 
a  hi  more  than  the  time  you  sate  by  not  having  to  talk 
him  into  being  half-satisfied  with  what  you  can  give  him" 

Matrices  of  Hard  Bronze — Not  Soft  Brass 

The  Matrices  for  composition,  made  of  hard  bronze  (not 

brass),  are  two-tenths  of  an  inch  square  and  one-half  inch 

high.      In  the  lower  end  (casting 

B~TBri    I  llMI I        position)   is  driven  the  character, 
^Hll  |tBJl[        clean  cut  and  sharp,  with  deep 
•— ^™^— '  l— I        counters;    in  the  upper  end  is 
SIDE         FACE        bored  the  cone-hole  in  which  the 
END        taper  centering  pin  seats,   accur- 
Actual  Size  ately  positioning  the  Matrix  and 

FIGURE  2  holding  it  on  the  Mold  while  the 

The  Cellular  Matrix  type  is  cast. 

The  Matrix,  Case  Complete  with  Matrices 
Weighs  only  Thirty  Ounces 

Fig.  11,  page  21,  shows  the  size  of  the  Matrix  Case,  which 
weighs,  with  the  225  Matrices  it  contains,  only  thirty  ounces. 
To  change  from  one  combination  of  faces  to  another  the  case 
complete  is  taken  out  of  the  Casting  Machine,  and  the  case 


CONE- 
HOLE 
END 


containing  the  required  combination  is  inserted.  To  change 
the  combination  of  faces  in  the  Matrix  Case  the  back  of  the 
case  is  taken  off  and  the  combs  lifted  out  of  the  case,  as  shown 
in  Fig.  3. 

The  Matrices  are  car- 
ried in  the  Matrix  Case 
on  combs,  fifteen  Mat- 
rices on  a  comb  and  fif- 
teen combs  in  the  Mat- 
rix Case.  Thus,  each 
Matrix  is  held  in  true 
position,  in  its  own 
"cell;"  it  cannot  twist, 
it  cannot  move,  to  wear 
itself  and  the  Matrices 
next  it— it  is  \\t>ut"  and  FIGURE  3— The  comb  and  Matrices  it 
it  stays  put.  carries.  (Half  Size) 

The  Alignment  of  Monotype  Faces  is  Right 
and  it  Stays  Right 

The  centering  pin  seats  in  the  Matrix  after  the  case  has 
moved  and  brought  the  required  Matrix  over  the  Mold. 
The  Matrix  cannot  move  or  rock,  for  the  taper  end  of  the  pin 
fits  tight  in  the  cone-hole  of  the  Matrix,  so  that  they  are 
practically  one  piece.  The  pin  is  guided  close  to  its  lower 
end  by  a  bushing  (not  shown  in  the  picture) ,  and  every  char- 
acter must  be  perfectly 
positioned  on  its  body — 
the  alignment  cannot 
vary.  In  the  picture 
the  Matrix  Case  is 
broken  away  to  show 
how  the  steel  combs 
and  bronze  Matrices 
interlock  to  give  the 
wear-resisting  qualities 
of  a  slab  of  reinforced 
concrete,  and  yet  each 
Matrix  has  "play" 
enough  for  the  center- 
ing  pin  to  position 
the  Matrix  accurately 
without  moving  the 
Matrix  Case. 


FIGURE  4 — The  centering  f>in  about 
to  seat  in  the  Matrix  from  which  the  next 
type  is  to  be  cast.  (Half  Size) 


Matrices  for  225  Characters  and  Spaces 
in  each  Matrix  Case 

Two  hundred  and  twenty-five  Matrices  are  combined  in  the 
Matrix  Case  to  suit  the  work  to  be  done:  The  Monotype  user 
does  not  scheme  to  change  the  job  to  fit  the  machine — he 
makes  the  Matrix  Case  fit  the  job.  For  example,  Roman  caps, 
small  caps,  lower  case,  figures,  and  points,  with  Italic  caps, 
lower  case,  figures,  and  points,  may  be  carried  in  the  same 
Matrix  Case;  or  a  Boldface,  extended  or  condensed,  may  be 
substituted  for  the  Italic;  or,  by  omitting  the  diphthongs, 
six  alphabets  may  be  used  together,  Roman,  Italic,  and  Bold- 
face— with  this  arrangement  words  cannot  be  set  in  the  Italic 
caps. 

All  Hand  Work  of  Composition  is  Done  by  the 
Compositor — Not  the  Machine  Operator 

With  the  Monotype  all  hand  work  is  done  by  a  compositor,  not 
by  a  machine  operator,  for  a  composing  machine  is  too  expen- 
sive for  its  operator  to  use  as  a  "stick"  to  set  Matrices  by 
hand  from  a  "pi-box" — the  Monotype  is  the  machine  that  keeps 
itself — not  its  operator — busy. 

Infrequently  used  characters  not  carried  in  the  Matrix 
Case  are  not  omitted  from  the  job— when  one  is  required  the 
operator  strikes  any  character  of  the  same  width,  and  when 
the  matter  is  corrected  by  hand  at  the  case,  this  is  exchanged 
for  the  character  desired  without  affecting  the  justification. 

Special  figures  of  /T^-^  t&  t&  any  size  up  to  thirty- 
six-point  may  be  in-  U*  r^r"\.  serte<^  'n  tne  Matrix 
Case  when  required,  J^  I  _  §— §  just  as  the  figures  here 
shown  were  cast  in  \\J JL.»\J\J  this  matter  without 
hand  work  of  any  kind  (see  Display  Figure  Matrices,  page  23) . 


THE  FLEXIBLE  MATRIX   SYSTEM       17 


In  short,  the  Monotype  opera  tor  makes  up  his  case  to  suit  the 
work,  including  accents,  special  signs,  etc.,  when  necessary, 
exactly  as  the  hand  compositor  arranges  his  cases,  and  the 
Monotype  user  buys  what  he  wants  when  he  wants  it. 

Monotype  Faces  Line  Perfectly 

STANDARD  MATRIX  LINE  makes  possible  the  infinite 
combination  of  Monotype  Matrices:  If  a  six-point  Matrix  be 
put  in  the  Matrix  Case  with  a  font  of  twelve-point  Matrices, 
the  characters  cast  from  the  six-point  Matrix  (on  twelve- 
point  body)  line  perfectly  with  the  twelve-point  characters. 
In  the  Monotype  office  all  faces  cast  on  the  same  body  line  at 
the  bottom;  to  make  two  faces  of  different  point-size  line,  cast 
them  on  the  same  body  instead  of  cutting  up  leads  to  fit  the 
smaller  face  to  the  larger. 

Some  Matrix  Case  Arrangements 

In  the  opposite  column  are  shown  some  of  the  combi- 
nations of  225  character  and  blank  Matrices  that  may  be 
carried  in  the  same  Matrix  Case. 

Combinations  of  Monotype  Faces 

The  Monotype  is  the  machine  that  took  the  limitations  out  of 
machine  composition.  Because  of  its  completely  flexible  Mat- 
rix system  it  gives  the  printer  all  the  economies  of  machine 
composition,  while  preserving  all  the  freedom  of  hand  com- 
position. Below  are  shown  just  a  few  of  the  many  possible 
combinations  of  Monotype  faces. 


ABCDEFGH IJ  KLMNOPQRSTUVWX  YZ&.ECE 

ABCDEFGHIJKLMNOPQRSTUVWXYZ&^ECE 

abcdefghijklmnopqrstuvwxyzaecefiffflffiffl.,- ; :Ji}} !? 
A  BCDEFGHIJKLMNOPQRSTUV  WX  YZ&&(E 

abcdefghijklmnopqrstuvwxyzacefiffflffiffl;:!? 
$1234567890        %£lb'"0i -u-*tttl? .".()[  }1A1AX       $1234567890 


FIGURE  5 — Five  Alphabet  Arrangement:   225  Matrices,  including  nec- 
essary blanks  for  spaces,  etc. 


ABCDEFGHIJKLMNOPQRSTUVWXYZ& 
abcdefghijklmnopqrstuvwxyzfiflffffiffl . ,- ;  :J} !  ? 
A  BCDEFGHIJKLMNOPQRSTUV  WX  YZ& 

abcdefghijklmnopqrstuvwxyzfiffflce ; :  ? 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

abcdefghijklmnopqrstuvwxyzfiflff.,-;:"!? 

$1 234567890  ±  J«-  ? '.» .'« *ft  $1234567890 


FIGURE  6 — Six  Alphabet  Arrangement:  225  Matrices,  including  nec- 
essary blanks  for  spaces,  etc.  With  this  combination  complete  words  can- 
not be  set  at  the  Keyboard  in  Italic  caps 


$12345 
$12345 

ABCDEFGHIJKLMNOPQRSTUVWXYZ& 
abcdefghijklmnopqrstuvwxyzfiflff  .,:;'s'7's'7-l? 

'  9  v  .".  •ji*tn  1  O'lKKlCMHaa 

ABCDEFGHIJKLMNOPQRSTUVWXYZ& 

abcdef  ghijklmnopqrstu  vwxyzf  iff  fl  .,-":;!? 
$123456789Oc., 

$1234567890c., 

67890 
67890 

FIGURE  7 — Four  Alphabet  Arrangement  with  four  sets  of  figures  (one 
set  Display  Figure  Matrices)  for  newspaper  ad  composition 


It's  all  in  the  Matrix;  the  part  that  makes  the  face  is  the  vital  part  of  any  composing 
machine  that  makes  printing  surfaces  from  molten  metal.  Therefore,  in  the  selection  of 
your  composing  machine,  study  the  Matrix,  system — the  method  of  obtaining  and  main- 
taining alignment  and  the  ability  of  the  Matrix,  system  to  give  you  the  faces,  and  com- 
binations of  faces,  you  want  now  and  in  the  future.  The  Monotype  furnishes  three 
times  as  many  faces  as  any  other  machine,  and  infinitely  more  combinations  of  faces, 
because  there  is  practically  no  limit  to  combinations;  the  following  specimens  show 
fifteen  Boldfaces,  both  condensed  and  extended,  combined  with  the  same  Roman  face: 


Six-point  No.  78 J  with  No.  38E 
THE  MONOTYPE  is  famous  for  quality; 
don't  think  it  is  backward  on  quantity.  Many 
newspapers  use  the  Monotype  exclusively, 
and  our  repeat  order  record  and  the  results 
obtained  in  such  offices  prove  conclusively 
that  quality  and  quantity  are  united  in  the 
Monotype. 

Six-point  No.  79 J  with  No.  38E 
THE  MONOTYPE  Is  the  only  machine 
that  will  handle  several  rush  jobs  at  the 
same  time,  one  on  the  machine  while  the 
others  are  set  from  the  cases  of  Monotype 
type.  There  is  no  distribution;  it  is  cheaper 
to  make  new  type  than  to  distribute. 

Six-point  No.  86J  with  No.  38E 
THE  MONOTYPE  stops  that  greatest 
leak  of  all— IDLE  TIME.  No  machine  is 
worth  having  when  you  can't  run  it.  You 
can  run  the  Monotype  more  hours  a  year 
than  any  other  composing  machine.  "No 
matter  to  compose?  No  matter,  cast 
type." 

Six-point  No.  89 J  with  No.  38E 
THE  MONOTYPE  maintains  prices,  for 
while  it  reduces  cost  it  raises  quality.  Its 
product  is  better  than  hand-set  foundry  type, 
unless  new  type  be  used  for  every  job.  Thus 
the  Monotype  does  more  than  save  on  "esti- 
mates"— it  puts  real  money  in  the  cash 
drawer. 

Six-point  No.  89K  with  No.  38E 
THE  MONOTYPE  user  can't  get  out  of 
sorts — he  has  "type  on  tap."  His  cases  are 
full  of  type  that  can't  go  out  of  style  because 
it  is  cheaper  to  make  new  type  than  to  dis- 
tribute and  the  Monotype  user  can  change 
the  face  when  he  "distributes." 


Six-point  No.  86K  with  No.  38E 
THE  MONOTYPE  wipes  out  the  cost 
of  leads  and  hand  leading.  After  a  job  has 
been  keyboarded  it  may  be  cast  on  the  proper 
size  body  to  make  the  number  of  pages  re- 
quired, or  to  fill  the  designated  space.  This 
it  but  one  of  the  exclusively  Monotype 
advantage*. 

Six-point  No.  117 J  with  No.  38E 
THE  MONOTYPE  gives  the  printer  the 
type-founder's  profit  on  body  and  display 
type  (in  all  sizes  from  five-point  to  thirty-six- 
point),  on  borders  and  ornaments,  on  quads 
and  spaces,  and  the  dollars  and  cents  spent 
turning  letters  and  waiting  for  sorts. 

Six-point  No.  186J  with  No.  38E 
THE  MONOTYPE  is  the  only  machine 
for  tariffs,  catalogs,  price  lists,  directories,  all 
matter  kept  standing  and  corrected;  altera- 
tions are  made  as  easily  as  with  foundry  type 
and  the  investment  is  less  by  eighty  per 
cent.  Monotype  corrections  don't  stop  pro- 
duction of  new  matter. 

Six-point  No.  79K  with  No.  38E 
THE  MONOTYPE  saves  in  the  most  ex- 
pensive department — the  press-room.  Print- 
inn  from  Monotype  type  if  like  printing 
from  new  foundry  type,  for  both  are  abso- 
lutely accurate  in  height-to-paper.  Saving 
on  make-ready  is  a  double  saving,  press  time 
and  man  time. 

Six-point  No.  98K  with  No.  38E 
THE  MONOTYPE  eliminates  electro- 
typing  expense  because  (a)  Monotype  type 
will  wear  as  well  on  long  runs  as  foundry 
type;  (b)  not  necessary  to  electrotype  to  save 
type;  (c)  for  duplicating,  recast  from  the  same 
ribbon;  (d)  for  repeat  orders  use  old  ribbon 
over  again. 


Six-point  No.  107 J  with  No.  38E 
THE  MONOTYPE  saves  the  most  costly 
item  the  printer  uses— TIME;  time  on  com- 
position, time  of  supervision,  time  on  cor- 
rections (when  slugs  are  used),  time 
hunting  facilities,  time  devising  makeshifts, 
time  of  resetting  because  of  short  fonts,  and 
time  lost  waiting  for  sorts. 

Six-point  No.  161J  with  No.  38 E 
THE  MONOTYPE  makes  and  sets  in- 
dividual type  with  low  (or  high)  spaces  and 
quads,  in  automatically  justified  lines  which 
are  delivered  upon  ordinary  galleys.  Thus 
its  product  is  the  same  as  hand-set  new 
foundry  type. 

Six-point  No.  275 J  with  No.  38E 
THE  MONOTYPE  means  increased 
profits  to  the  large  office  using  a  battery  of 
machines,  but  to  the  small  office  that  can 
use  but  one  machine  the  Monotype  means 
new  life,  because  its  flexibility  promotes 
expansion  along  the  lines  of  least  re- 
sistance and  greatest  profit. 

Six-point  No.  27  fK  with  No.  38E 
THE  MONOTYPE  user  may  combine 
almost  any  Boldface  with  any  Roman: 

consequently,  he  does  not  have  to  "rebuy" 
his  Roman  Matrices  whenever  he  wishes 
to  use  a  new  combination  of  Boldface  and 
Roman — "He  buys  what  he  wants  when  he 
wants  it." 

Six-point  No.  92J  with  No.  38E 
THE  MONOTYPE  is  the  best  friend  of 
that  wise  man — the  printer  with  a  specialty. 
Catalog  work,  price  lists  kept  standing,  intri- 
cate work,  tabular  matter,  educational  work, 
typewritten  letters,  mail  lists,  and  QUALITY 
— the  best  paying  specialty  ol  all — are 
the  Monotype  specialties. 


18 


"OPENING-UP'      FACES 


A  fat  or  a  lean  face  may  be  composed 
from  the  same  font  of  Monotype  Matrices 


"Cut  your  coat  to  fit  the  cloth, "  a  wise  printer  once 
said,  but  Franklin's  up-to-date  brother  printer,  who 
uses  the  Monotype,  can  cut  his  coat,  and  pad  it  too, 
regardless  of  the  cloth.  To  decrease  the  number  of 
words  per  thousand  ems,  either  for  artistic  or  for  com- 
mercial reasons,  the  Monotype  will  not  only  cast  the 
face  on  any  larger  size  body  desired,  thereby  eliminat- 
ing hand  leading,  but,  more  than  that,  the  Monotype 
has  a  unique  advantage,  unknown  to  any  other  proc- 
ess of  composition,  of  being  able  to  stretch  the  face 
and  make  it  more  extended. 

A  condensed  or  an  extended  face  may  be  cast  from  the 
same  font  of  Monotype  Matrices:  Of  course  the  Mat- 
rices made  of  bronze  are  not 
actually  stretched  and  the 
design  of  the  letters  altered, 
but  with  the  Monotype  it  is 
a  simple  matter  to  vary  the 
width  of  the  bodies  on  which 
these  letters  are  cast.  Thus, 
Fig.  8,  page  19,  shows  the 
possibilities  of  "opening- 
up"  Monotype  faces  by  in- 
creasing the  white  space  be- 
tween the  letters. 

While  thus  opening-up 
the  face,  of  course,  sacri- 
fices the  very  close-fitting 
characteristic  of  Monotype 
composition,  the  result  is 
not  displeasing  even  when 
faces  are  opened  up  ten  per 
cent.,  because  the  amount 
thus  added  to  the  body  of 
each  letter  is  proportional 
to  the  width  of  the  letter — 
thus,  for  example,  the  width 
of  the  lower  case  "m"  is  in- 
creased three  times  as  much 
as  the  width  of  the  lower 

case  "f".   Furthermore,  each  letter  being  cast  sepa- 
rately is  sharp,  clear-cut,  and  distinct. 

To  understand  the  commercial  value  of  the  ability 
of  the  Monotype  to  thus  "open-up"  faces  by  putting 
white  space  between  the  letters  composing  the  words, 
we  must  appreciate  clearly  that  there  are  two  totally 
different  kinds  of  composition : 

Monotype  composition,  the  equivalent  of  brand-new 
type  set  by  hand.  The  letters  cast  separately  are  so 
closely  fitted  that  they  flow  together  and  make  word 
pictures  with  no  perceptible  white  space  between  the 
letters  composing  a  word.  The  spaces  between  words, 
always  proportional  to  the  size  type  used,  give  the 
close  spacing  essential  in  quality  typography — and 
necessary,  if  objectionable  "rivers"  are  to  be  avoided. 

Line-cast  composition.  All  casting  and  composing 
machines  except  the  Monotype  assemble  the  molds 
for  the  letters  in  a  line  and  make  one  casting  for  a  line. 
These  letter  molds  must  have  side  walls  and  obviously 
there  must  be  space  between  letters  thus  cast  in 


The  milkman  sells  two 
kinds  of  product — 
cream  and  milk — but 
he  does  not  keep  two 
kinds  of  cows.  If 
your  business  requires 
that  you  sell  two  kinds 
of  composition,  do  you 
need  two  kinds  of  com- 
posing machines? 


bunches.  Nor  can  words  cast  on  these  machines  be 
as  closely  spaced  as  Monotype  set  words,  because  the 
spaces  in  line  cast  composition  are  made  by  metal 
wedges  placed  between  the  letter  Molds  for  the  differ- 
ent words  of  the  line;  furthermore,  since  the  same 
wedges  are  used  with  different  size  faces,  the  spacing 
is  not  proportional  to  the  size  type  used. 

The  Monotype  produces,  at  will,  either  of  these  two 
kinds  of  composition,  see  Figs.  9  and  10,  page  19:  The 
left  hand  of  these  specimens  shows  Monotype  quality, 
the  cream  of  composition;  the  maximum  number  of 
words  to  the  square  inch,  close  fitted  type,  thin  spaced 
— the  equivalent  of  the  best  foundry  type,  brand-new, 
set  by  the  most  skilful  and 
careful  hand  compositor. 

The  right  hand  of  these 
specimens  cast  on  the  same 
Monotype,  from  the  same 
Matrices,  as  used  for  the 
specimen  beside  it,  shows 
the  same  face  "opened-up, " 
that  is,  "diluted"  with 
white  space  between  the 
letters  and  words  to  give 
the  paper-covering  qual- 
ity of  line-cast  machine 
composition.  But  even 
"opened-up,"  there  is  still 
the  quality  of  Monotype 
faces,  for  the  letters  cast 
separately  are  clear-cut  and 
sharp,  and  they  have  not 
been  distorted  to  suit  the 
limitations  of  a  machine. 

The  ability  to  produce  two 
standards  of  quality  is  a 
unique  advantage  of  the 
Monotype — a  very  real  ad- 
vantage to  those  in  a  com- 
petitive business.  To  de- 
crease the  number  of  words  per  thousand  ems,  that 
is,  to  increase  the  number  of  ems  per  thousand  key- 
strokes, a  simple  adjustment  of  the  Keyboard  and 
the  Casting  Machine  is  all  that  is  necessary.  Auto- 
matically, then,  the  Monotype  "stretches"  the  face, 
opening  it  up  by  putting  more  white  space  between 
the  letters  and  wider  spaces  between  the  words. 

In  short,  the  Monotype  user  can  furnish  at  will :  (a) 
for  the  quality  job,  a  product  identical  with  brand-new 
foundry  type,  perfectly  spaced  and  justified,  or  (b)  for 
the  cheap  job,  a  product  superior  to  line  casting  com- 
position. //  your  business  requires  two  standards  of 
quality,  why  own  two  kinds  of  composing  machines? 

Non-productive  hours  are  the  sink-hole  of  the  print- 
ing business.  The  merchant  printer,  the  wise  man 
who  understands  both  the  selling  and  the  manufac- 
turing side  of  the  printing  business,  uses  the  versatile 
Monotype,  both  to  get  work  into  the  shop  and  to  get 
it  out;  for,  whether  Quality  or  Price  be  the  factor,  the 
Monotype  gets  the  job  and  holds  it,  too. 


"OPENING-UP"     FACES 


19 


//  your  business  requires  two  Standards  of  Quality — (a)  for  cheap  work  the  paper- 
covering  quality  of  fat,  slug  faces,  and  (6)  for  high-grade  work  the  quality 
of  closely  fitted  and  spaced  type — why  own  two  kinds  of  composing  machines? 
The  same  Monotype,  with  same  Matrices,  will  give  you  both  grades  of  composition 


This  line  is  8-point  8j^-set.     A  New  Idea 
This  line  is  8-point  8%-set.     A  New  Idea 
This  line  is  8-point  9-     set.     A  New  Idea 
This  line  is  8-point  9J^-set.     A  New  Idea 

This  line  is  10-point  10-    set.    A  New  Idea 
This  line  is  10-point  10^-set.     A  New  Idea 
This  line  is  10-point  10}"£-set.     A  New  Idea 
This  line  is  10-point  10%-set.     A  New  Idea 

This  line  is  11-point  11-    set.     A  New  Idea 
This  line  is  11-point  11^-set.     A  New  Idea 
This  line  is  11-point  llj^-set.     A  New  Idea 
This  line  is  11-point  11%-set.     A  New  Idea 
This  line  is  11-point  12-     set.     A  New  Idea 


FIGURE  8 — The  first  line  of  each  (joint-size  shows  the  face  on  its  normal  set  (the  smallest 
on  which  it  can  be  cast),  while  the  following  lines  show  the  effect  of  '  opening-up'  the  face 
by  quarter  sets.  In  all  cases  the  spaces  between  words  are  three-lo-em  of  the  set  used 


To  understand  the  commercial  value  of  the  ability  of  the 
Monotype  to  thus  "open-up"  faces,  by  putting  white  space 
between  letters,  we  must  appreciate  clearly  that  there  are  two 
totally  different  kinds  of  composition: 

Monotype  composition,  the  equivalent  of  brand-new  type  set 
by  hand.  The  letters,  cast  separately,  are  so  closely  fitted 
that  they  flow  together  and  make  word  pictures,  with  no  per- 
ceptible white  space  between  the  letters  composing  a  word. 
The  spaces,  always  proportional  to  the  size  type  used,  give  the 
close  spacing  between  words  demanded  by  typographic  tra- 
dition—and essential  if  objectionable  "rivers"  are  to  be 
avoided. 

Line  cast  composition.  All  casting  and  composing  ma- 
chines except  the  Monotype  assemble  the  molds  for  the  letters 
in  a  line  and  make  one  casting  for  a  line.  These  letter  molds 
must  have  side  walls  and  obviously  there  must  be  space  be- 
tween letters  thus  cast  in  bunches.  Nor  can  words  cast  on 
these  machines  be  as  closely  spaced  as  Monotype  set  words, 
because  these  spaces  are  made  by  wedges  placed  between  the 
letter  molds  for  the  different  words  in  the  line. 

The  Monotype  produces,  at  will,  either  of  these  two  kinds 
of  composition.  The  left  hand  of  these  specimen  pages  shows 
Monotype  quality,  the  cream  of  composition;  the  maximum 
number  of  words  to  the  square  inch,  close  fitted  type,  thin 
spaced — the  equivalent  of  the  best  foundry  type,  brand-new, 
set  by  the  most  skilful  hand  compositor. 

SEE  THE  SPACE  SAVED 

SEE  THE  SPACE  SAVED 

SEE  THE  SPACE  SAVED 

SEE  THE  SPACE  SAVED 

SEE  THE  SPACE  SAVED 


To  understand  the  commercial  value  of  the  ability 
of  the  Monotype  to  thus  "open-up"  faces,  by  put- 
ting white  space  between  letters,  we  must  appreciate 
clearly  that  there  are  two  totally  different  kinds  of 
composition: 

Monotype  composition,  the  equivalent  of  brand-new 
type  set  by  hand.  The  letters,  cast  separately,  are  so 
closely  fitted  that  they  flow  together  and  make  word 
pictures,  with  no  perceptible  white  space  between  the 
letters  composing  a  word.  The  spaces,  always  pro- 
portional to  the  size  type  used,  give  the  close  spacing 
between  words  demanded  by  typographic  tradition — 
and  essential,  if  objectionable  "rivers"  are  to  be 
avoided. 

Line  cast  composition.  All  casting  and  composing 
machines  except  the  Monotype  assemble  the  molds 
for  the  letters  in  a  line  and  make  one  casting  for  a 
line.  These  letter  molds  must  have  side  walls  and 
obviously  there  must  be  space  between  letters  thus 
cast  in  bunches.  Nor  can  words  cast  on  these  ma- 
chines be  as  closely  spaced  as  Monotype  set  words, 
because  these  spaces  are  made  by  wedges  placed  be- 
tween the  letter  molds  for  the  different  words  in  the 
line. 

The  Monotype  produces,  at  will,  either  of  these 
two  kinds  of  composition.  The  left  hand  of  these 
specimen  pages  shows  Monotype  quality,  the  cream  of 
composition;  the  maximum  number  of  words  to  the 
square  inch,  close  fitted  type,  thin  spaced — the  equiv- 
alent of  the  best  foundry  type,  brand-new,  set  by  the 
most  skilful  hand  compositor. 


FIGURE  9 — Monotype  quality,  the  cream  of  composition;  the  maxi- 
mum number  of  words  to  the  square  inch,  close  fitted  type,  thin  spaced, 
the  equivalent  of  brand-new  foundry  type  set  by  hand 


FIGURE  10 — The  same  face,  diluted  with  space  between  letters  and 
words,  gives  the  fatness  and  paper-covering  quality  of  line-cast  composi- 
tion plus  every  Monotype  advantage  except  close  fitting  and  thin  spacing 


20      MATRIX    CLASSIFICATION 


Job  Fonts  of  Matrices 

12  Job  Fonts  of  Matrices  are  listed  under  four 
classifications:  (1)  Cap  and  Lower  Case  Fonts;  (2) 
Cap  Fonts;  (3)  Cap  and  Small  Cap  Fonts;  (4)  Small 
Cap  Fonts.  The  following  listing  shows  the  charac- 
ters that  make  up  these  fonts: 


Matrices  Unit  E 

1  The  Matrices  for  use  with  the  Monotype  Com- 
posing Machine  and  Type_&LRule  Caster  are  a  most 
important  unit  of  the  Monotype  and  are  made  in  three 
forms  or  styles :  (a)  Cellular  Matrices,  which  are  used 
for  all  classes  of  composition  and  also  for  casting  sorts 
for  hand  use;  (6)  Electro  Display  Matrices,  which  are 

used  only  for  casting  sorts  and  type  for  hand  compo-  Cap  and  Lower  Case  Fonts 

sition;  (c)  Continuous  Rule  Matrices,  which  are  used  ^:xVz  fc^cE.0"  !.J  KLM  NOP.QRSTU  29 

with  special  Molds  for  casting  metal  rule  in  continuous  Lowercase:  abcdef ghi jk  i  m  nopq  Y  stu  v wx 

strips  of  any  length.    Each  style  of  Matrix  has  its  spe-  frl^-Vi  23^5  67  89  o.'.'                              '.  11 

cial  place  and  a  complete  Monotype  plant  will  have  use  Points:  .,-:;'!? 8 

for  all.  J[ 

2  Cellular  Matrices,  SO  Called  from  the  method  of  With  Composition  Matrices  we  invariably  furnish  the 

holding  them  in  the  Matrix  Case  by  means  of  combs  ^^o™™™' mak'me: *?*."**.  .numbe.rofcharacters  82 

which  form  individual  cells,  may  all  be  used  for  ma-  The  diphthongs  (^Voi,  as',  oe),  the  ligatures  (fi,  ff,  in,  ffi, 

i   •                         j.-;,^,-,  ,-orrot-/-11occ  r\f  t-Vio  ciVo  nf  fVip  X/fot-riv  ffl).  an(i  the  inverted  comma  (')  can  be  omitted,  and  the 

chine  composition  regardless  ol  the  size  ol  the  Matrix  font  rate  retained     This  ma^es  the  minimum  number 

and  they  may  also  be  Used  for  Casting  type  for  hand  of  characters  in  a  Cap  and  Lower  Case  Job  Font  total .    72 

composition. 

i—                i  .                         •   •           i           x  it  Cap  Fonts 

3  For  machine  composition  these  Matrices  must  Caps.  ABCDEFGHIJKLMNOPQRSTU 

be  carried  in  a  Matrix  Case  in  which  they  are  laid  out  vwxvz&yECE 29 

in  accordance  with  one  of  the  Standard  Arrangements  gf££:  $  _>  2. 3.  f  ?5  6  7  8  9  °;  ; ; ;                             ;  ^ 
shown  on  pages  31,  32,  and  33;  or  the  Matrix  Case 

may  be  laid  out  in  special  arrangement  to  conform  to  With  Composition  MatriCes,  we  invariably  furnish  the  4? 

the   requirements   Of   exacting   Or   Unusual    Conditions.  inverted  comma,  making  the  total  number  of  characters 

For  casting  type  for  hand  setting  these  Matrices  may  The^iphThongs  ^,'CE)  and  the  inverted  'comma  o  can  4 ' 

be  Carried  either  Collectively  in  a  Matrix  Case  Or  in-  be  omitted,  and  the  font  rate  retained.     This  makes  the 

dividually  in  a  Matrix  Holder.  minimum  number  of  characters  in  a  Cap  Job  Font  total .   46 

4  Cellular  Matrices  are  made  in  several  sizes,  de-  Cap  and  Small  Cap  Fonts 
termined  by  the  point-size  of  the  type-face  to  be  cast.  Caps:  ABCDEFGHIJKLMNOPQRSTU 

All  faces  twelve-point  and  smaller  are  made  in  .2"  by  v  w  x  Y  z  &  /£  (E V) 

.2"  Cellular  Matrices,  except  a  few  of  the  larger  sizes  of  g^:. $  _'  :2;3- 1 1    .           . :'.:::::::::::::::::::    8 

very  extended  faces,  some  of  the  characters  of  which  Small  Caps:    ABCDEFGHIJKLMNOPQRSTUV 

are  too  wide  to  go  in  a  .2"  by  .2"  Cellular  Matrix,  Figures-.^  f  3 '45' b  7  sg'6: '.'.'. '.'.'.'.'.'.'.'.'.'.'.'.'.'.'.'.'.'.'.  n 

and  which  are,  therefore,  made  in  Electro  Display  Points:  .,-:;'!? J* 

Matrices.  96 

5  Display   Figure  Matrices,  .2"  by   A",  made  for  W'th  Composition  Matrices,  we  invariably  furnish  the 

xtofstat;       »s"'                                            j  inverted  commas,  making  the  total  number  of  characters 

display  figures,  termed  double  Matrix  figures,  can  be  -m  the  font 98 

used  for  Composition  in  the  Matrix  Case  in  COmbina-  The  diphthongs  (/ECE,e<E)  and  the  inverted  commas  C) 

-««  i         iir  /-^   11    i        xx        •                    i      i//  i_  can  be  omitted,  and  the  font  rate  retained.    This  makes 

tion  With  the  .2    by  .2     Cellular  Matrices;  each  .2    by  the  minimum  number  of  characters  in  a  Cap  and  Small 

.4"  Matrix  being  substituted  for  two  of  the  .2"  by  .2"  CaP  J°b  Font  total 92 

size-  Smalt  Cap  Fonts 

6  Cellular  Matrices  for  machine  composition  of  Sman  Caps :    ABCDEFGHIJKLMNOPQRSTUV 
fourteen-point  and  eighteen-point  faces  are.  made  w  x  Y  z  &  /E  a- . .                   ..... 

J  r               .            -v/  i         -v/        _i    •>//  u       i"        u-   u  The   diphthongs   (/e,  a;)  can  be  omitted,  and  the  font 

Of  tWO  Sizes,  .2'  by  .3     and  .3     by  .3   ,  which  are  Com-  rate  retained.    This  makes  the  minimum  number  of  char- 

bined  for  use  in  one  Matrix  Case.  acters  in  a  Small  Cap  Job  Font  total 27 

7  Electro  Display  Matrices,  made  by  the  elec- 

trotyping  process,  are  not  used  for  machine  composi-  13    Many  fonts  shown  in  our  Specimen 

tion  but  for  casting  type,  borders,  and  ornaments  from  have  additional  characters  of  different  design,  as 

fourteen-point  to  thirty-six-point,  inclusive,  for  the  use  well  as  special  signs,  etc.',  which  are  made  as  part  of 

of  the  hand  compositor.    A  few  extended  faces  smaller  the  font.     Any  or  all  of  these  may  be  included  at  the 

than  fourteen-point  are  also  included  in  this  style  of  font  rate,  with  the  font  to  which  they  belong,  if  spe- 

Matrix.  cifically  included  in  the  order. 

8  C°"*'""°"f  *ule  Matrices  are  used  with  Lead  14     The  omission  of  any  character  or  characters 
and  Rule  Molds  for  casting  rules  in  continuous  strips,  from  the  minimum  job  fonts,  as  specified  above,  will 
which  are  accurately  cut  to  desired  lengths  by  the  cause  each  character  ordered  to  be  billed  at  the  single 
Automatic  Cutter.  Matrix  rate  instead  of  font  rates. 

9  Cellular  Matrices  are  sold  singly,  in  job  fonts 

(see  1,12),  or  Full  Fonts  Standard  Arrangements,  as  15    Font  characters:  All  characters  shown  above 

shown  on  pages  32,  33,  and  34,  complete  in  the  Matrix  in  the  various  job  fonts  are  hereafter  referred  to  as 

Case  font  characters. 

10  Electro  Display  Matrices  are  sold  singly  or  in  16    Blanks  in  Cellular  Matrices:    Two  kinds  of 
job  fonts,  see  If  12.  blank  Matrices  are  furnished  for  casting  quads  and 

11  Continuous  Rule  Matrices  are  sold  singly.  spaces:    Steel  blanks  without  cone  holes  for  casting 


MATRIX    CLASSIFICATION      21 


high  or  low  quads  and  spaces;  bronze  blanks  with  cone 
holes  for  casting  high  quads  and  spaces  only.  Both 
kinds  of  blanks  may  be  carried  at  the  same  time  in  a 
Matrix  Case  to  give  low  quads  and  spaces  in  one  por- 
tion of  the  work  and  high  in  another.  The  bronze 
blanks  with  cone  holes  are,  of  course,  used  with  Molds 
that  do  not  cast  low  quads  and  spaces  and  also  to  fill 
out  the  Matrix  Case  when  using  a  partial  font.  Unless 
otherwise  instructed,  we  always  furnish  steel  blanks. 

17  Blanks  for  Electro  Display  Matrices:     Blanks 
for  Electro  Display  Matrices  are  made  for  use  in  the 
Matrix  Holder  when  casting  high  or  low  quads  and 
spaces  of  any  body. 

Accent 

Matrices 

18  It  has  been 
the  policy  of  all 
manufacturers    of 
composing    ma- 
chines, except  the 
MonotypeCom- 
pany,  to  show  with 
the   specimen  of   a 
type-face  those  ac- 
cents which   they 
have  made  for  use 
with  that  face.  Thus, 
a  user  4of  those  ma- 
chines  must  limit 
his  foreign  language 

work  to  those  faces  for  which  accents  are  furnished. 

19  We  hold  that  modern  foreign  language  accents 
are  an  integral  part  of  a  font,  and  that,  consequently, 
it  is  our  duty  to  furnish  these  accents.     This  policy 
makes  available  for  foreign  language  composition  every 
face  shown  in  our  Specimen  Book. 

20  Order  accents  by  number,  see  page  34. 

21  Accents  for  all  Roman,  Italic,  and  Boldface 
fonts,  as  shown  in  the  Specimen  Book,  for  the  follow- 
ing modern  languages  : 

Bohemian     ACDEElN6RSttJfj¥Z 

accTeeift6fst'uuy2 
Brazilian       AAACfiElCoOTJU 


FIGURE  1 1 — The  Monotype  Matrix.  Case,  or  "Magazine,"  holds  225  Matrices  and 
weighs  complete  only  thirty  ounces 


Danish 

Dutch 

French 

German 

Greek 

Hungarian 

Italian 

Lithuanian 

Norwegian 


A  0  U 
ao  ii 

EachGreekcharacter  hasitsindividual  num- 
ber.   See  specimen  sheet. 

AfilOOCtfUtf 
a6f  66  0tiu  Q 


4CEE.ISIJZU 
4684  jiq  2  0 

0 

0 


Polish  4CE.LNOSZZ 

Portuguese    AAAgEEfoOptJU 

aaa<jeei666uu 
Russian         Each  Russian  character  has  an  individual 

number.     See  specimen  sheet. 

Ruthenian     Each  Ruthenian  character  has  an  individ- 
ual number.  See  specimen  sheet.  Ruthen- 
ian differs  from  Russian  in  six  characters 
only — three  caps  and  three  lower  case. 
Spanish         A  E  I  N  6  U  t) 

a  e  i  n  6  u  ii 
Swedish         A  A  O 

&  ao  22     The  above 

group  ( ^f  2 1 )  includes 
the  following  ac- 
cents, which  are  also 
used  for  educational 
work  in  the  English 
language : 

Acute  (d,  6,  i,  6,  u) 
Grave  (a,  e,  I,  6,  u) 
Circumflex  (a,  e,  i,  6, 

Dieresis  (a,  e,  'i,  6,  ii) 
Cedilla  (9) 
Tilde  (a  no). 

23     Diacriticals : 

The  following  Dia- 
criticals for  Roman, 

Italic,  and  Boldface,  as  shown  in  the  Specimen  Book, 
are  considered  the  same  classification  as  Accent  Ma- 
trices in  ^ 21 : 

Long  (a,  e,  I,  6,  u) 
Short  (a,  8,  I,  6,  ti). 

24  Order  Accents  by  Number:  When  ordering  ac- 
cents please  do  not  "draw  pictures,"  for  that  method 
of  indicating  accents  is  certain  to  cause  confusion  and 
delay  in  filling  orders.   Please  consider  that  we  carry 
in  stock  Matrices  for  many  hundred  different  accents, 
and  that,  consequently,  the  opportunities  for  misun- 
derstanding Matrix  accent  orders  are  great.     Make 
your  orders  in  the  following  manner  so  they  cannot  be 
misunderstood  by — 

First:  Giving  the  point-size  and  series  number  of 
the  face  with  which  the  accents  are  to  be  used. 

Second:  Stating  whether  the  cap  or  lower  case, 
the  Roman,  Italic,  or  small  cap  accent  letters  are 
wanted. 

Third:  Specifying  the  name  of  the  language  with 
which  the  accents  are  used  and  the  numbers  of  the 
accents;  see  Table  of  Accents,  page  35. 

Composition  Matrices 

For  Faces  Twelve-point  and  Smaller 

25  These  Matrices,  for  casting  type  in  automati- 
cally justified  lines,  are  carried  in  the  Matrix  Case  (Fig. 
11),  which  holds  225  Matrices  arranged  in  fifteen  rows, 
each  containing  fifteen  Matrices.     The  Matrices  in 
these  rows  are  carried  on  combs,  as  shown  in  Fig.  12, 
page  23 ;  to  change  Matrices  in  the  Matrix  Case  it  is 
only  necessary  to  take  off  the  back  of  the  case  and  lift 
out  the  combs,  make  the  desired  change  or  substitute 


22 


MATRIX    CLASSIFICATION 


another  font,  as  shown  on  page  17,  and  replace  the 
combs  and  the  back.  Of  course,  type  for  hand  compo- 
sition may  be  cast  from  these  Matrices.  Fonts  of  Ma- 
trices should  always  be  kept  in  their  Matrix  Cases,  not 
only  to  save  time  in  changing  faces,  but  also  to  protect  the 
Matrices  from  injury. 

26  Full  Fonts  of  Composition  Matrices  consist  of 
a  Matrix  Case  containing  225  character  Matrices  and 
blanks,  for  quads  and  spaces,  arranged  for  any  stan- 
dard combination:  For  example,  Roman  caps,  lower 
case,  and  small  caps  with  Italic  caps  and  lower  case, 
two  fonts  of  figures,  points,  and  signs;   or,  the  Italic 
may  be  replaced  with  a  normal  or  extended  Boldface; 
or,  by  omitting  the  small  caps,  diphthongs,  and  a  few 
signs,  six  alphabets  may  be  carried  in  the  Matrix  Case, 
viz.,  caps  and  lower  case  for  Roman,  Italic,  and  Boldface, 
with  two  fonts  of  figures. 

27  Arrangement:  The  location  of  the  characters 
in  the  Matrix  Case ;  the  characters  for  all  Roman  and 
Italic  faces  have  the  same  Matrix  Case  positions 
(Arrangement  C),  but  the  location  of  Boldface  char- 
acters varies  with  the  design  of  the  faces.     To  provide 
for  the  great  variation  in  Boldfaces  four  different 
arrangements  are  used  (Cl,  C2,  C3,  and  C4);    the 
arrangement  for  which  each  face  is  designed  is  printed 
on  the  specimen  sheet. 

28  Standard  Matrix  Case  Arrangements  consist 
of  225   character  and  blank  Composition  Matrices 
arranged  in  the  Matrix  Case  according  to  any  of  the 
combinations  shown  on  pages  31,  32,  and  33,  of  this 
Specimen  Book.     We  make  these  Matrix  Cases  up 
from  our  printed  Matrix  Case  arrangements  and  they 
require  no  special  fonting.    Note:   Standard  arrange- 
ments with  Display  Figure  Matrices  (If 48)  consist  of 
eleven  big  figures  and  203  character  and  blank  Ma- 
trices.    We  recommend   the   adoption   of   standard 
Matrix  Case  arrangements. 

29  Special  Matrix  Case  Arrangements  consist  of 
225  character  and  blank  Matrices  arranged  in  the 
Matrix  Case  in  accordance  with  a  Matrix  Case  ar- 
rangement furnished  us  by  the  customer.     They  are 
made  by  substituting  Matrices  for  special  characters 
for  regular  Matrices  in  a  standard  Matrix  Case  ar- 
rangement.     In  ordering  fonts  on  special   arrange- 
ments, always  send  us  with  your  order  a  diagram  of  the 
Matrix  Case  arrangement  required  and  specify  exactly 
the  characters  wanted.     Beneath  the  diagram  give  full 
details  of  all  special  characters  in  the  arrangement, 
referring  to  them  by  their  Matrix  Case  position  and 
giving  their  symbol  in  this  Specimen  Book.     The  im- 
portance of  giving  us  accurate  information  about  special 
arrangements  will  be  understood  when  you  realize  that 
we  carry  in  stock  Matrices  for  more  than  100,000  differ- 
ent characters. 

30  "Frea%'  Matrix  Case  Arrangements  are  spe- 
cial arrangements  made  by  the  ingenious  (?),  who  dis- 
regard utterly  all  principles  of  the  Monotype  System; 
for  example,  arrangements  requiring  that  faces  be  cast 
on  sets  smaller  than  the  set  given  for  the  face  in  this 
Specimen  Book.     Such  arrangements  mean  a  loss  of 
profit,  a  source  of  endless  confusion,  bad  work,  and 
reduced  output;   they  should  not  be  tolerated. 

31  Set:  The  set  of  a  face  indicates  whether  it  is  ex- 
tended or  condensed  and  is  expressed  by  stating,  in 
points,  the  width  of  an  eighteen-unit  character  of  the 


face.  Thus,  a  seven-set  face  is  one  in  which  the  cap 
M,  for  example,  is  seven  points -wide.  The  set  of  all 
Composition  Matrices  is  given  on  the  specimen  sheet. 
Never  attempt  to  cast  a  face  on  a  set  smaller  than  the 
one  for  which  it  is  made,  for  if  this  be  done,  characters 
will  overhang  their  body  and  proper  justification  and 
lock-up  cannot  be  obtained.  Faces  may  be  cast  on 
larger  sets,  "opening-up"  the  face  by  putting  white 
space  between  the  letters;  faces  may  be  "opened-up" 
from  one-quarter  to  three-quarters  of  a  set,  depend- 
ing upon  the  point-size  of  the  face  and  the  character 
of  thework;  see  "Opening-up"  Faces,  pages  18  and  19. 

32  Keybars  connect  the  keys  to  the  punch-operat- 
ing mechanism  of  the  Keyboard,  and  the  Keybars 
required  for  a  Matrix  Case  arrangement  must  always 
be  used  (see  Arrangement,  If 27).     "Therefore,  before  or- 
dering a  font  of  Matrices  make  sure  that  you  have  the 
required  Keybars;   if  not,  include  these  in  your  order. 

33  Stopbars  couple  the  key  mechanism  to  the 
counting  mechanism   of   the   Keyboard;    these   are 
changed  only  for  Matrix  Case  arrangements  containing 
Display  Figure  Matrices,  "nut-body"  figures,  etc.  (see 
Standard  Arrangements,  pages  32,  33,  and  34).    When 
you  order  an  arrangement  requiring  special  Stopbars,  in- 
clude these  in  your  order,  unless  you  have  them  already. 

34  Keybanks:   The   frames   that  carry   the   key 
levers  and  their  buttons.     They  are  changed  at  the 
Keyboard  for  different  arrangements   that  call  for 
great  differences  in  the  arrangement  of  characters. 
We  recommend  the  use  of  extra  Keybanks  because 
they  save  time  and  avoid  mistakes,  although  these 
character  changes  may  be  made  with  button  Clips. 

35  Button  Clip:   A  cap  used  for  changing  char- 
acters without  changing  the  Keybank ;   the  Clip  con- 
sists of  a  metal  frame  carrying  a  character,  printed  or 
drawn,  on  paper  and  protected  by  celluloid;  prongs 
hold  the  Clip  to  the  button  for  the  character  in  the 
Matrix  Case  replaced  with  the  character  in  the  Clip. 
In  ordering  new  Matrix  Case  arrangements  be  sure  to 
include  button  Clips  or  Keybanks  (fH34)  if  these  are  re- 
quired. 

36  Justifying  Scale:  The  drum  used  at  the  Key- 
board to  indicate  the  justification;  the  set  of  the  Justi- 
fying Scale  must  correspond  with  the  Matrices  for  the 
face  being  composed ;  therefore,  when  ordering  Matrices 
make  sure  that  you  have  the  required  Justifying  Scale; 
if  not,  include  this  in  your  order. 

37  Normal  Wedge:  Used  at  the  Casting  Machine 
to  determine  the  set-size  of  the  type;    therefore,  in 
ordering  Matrices  include  the  required  Wedge  unless  you 
have  this.     Note  that  the  Wedge  used  at  the  Casting 
Machine  must  correspond  with  the  Stopbars  (1f33)  used 
at  the  Keyboard;   thus,  if  you  use  SI 5  Stopbars,  you 
must  use  an  S 1 5  ten-set  Wedge  and  not  a  standard  ten- 
set  Wedge  (Symbol  S5). 

38  STANDARD  MATRIX  LINE:  Matrices  for  com- 
position (Fig.  12)  are  made  on  the  same  Matrix  line, 
so  that  all  characters  cast  from  the  same  Matrix  Case 
line  perfectly.    Thus,  if  a  ten-point  extended  Boldface 
be  carried  in  the  same  Matrix  Case  with  a  twelve-point 
Roman,  the  Boldface  will  line  perfectly  when  both  are 
cast  on  twelve-point  body.   Exceptions,  see  next  para- 
graph. 

39  Special  Matrix  Line:  A  few  abnormally  tall 
faces,  six-point  56J  (Ionic),  for  example,  are  made  on 


MATRIX    CLASSIFICATION      23 


a  Matrix  line  .005"  lower  than  standard,  and  conse- 
quently type  cast  from  these  Matrices  is  .005"  lower 
than  type  cast  from  Matrices  on  standard  Matrix 
line.  When  the  Matrix  line  is  special,  this  is  stated 
on  the  specimen  sheet,  and  in  the  List  of  Monotype 
Faces  in  this  book  special  line  is  indicated  thus  J. 

40  Modified  Character  Matrices  are  made  for  use 
with  special  Stopbars  (1[33)  and  have  the  characters 
slightly  more  extended,  or  condensed,  than  the  Mat- 
rices for  the  same  characters  used  with  standard  Stop- 
bars  (S5),  in  order  to  take  care  of  the  difference  in  unit 
values  effected  by  special  Stopbars.  The  arrangements 
that  require  these  modified  character  Matrices  are 
shown  on  pages  32  and  33. 


FIGURE  12 — The  Matrices  are  carried  between  the  teeth  of 
the  comb,  fifteen  on  a  comb,  225  in  the  Matrix  Case;  thus 
each  Matrix  is  practically  in  its  own  Matrix  Case 


41  "Nut-body"  Figures  may  be  used  with  faces 
whose  sets  are  wider  than  the  sets  of  the  figures,  by 
using  special  Stopbars  (1f33)  to  change  the  value  of  the 
unit-rows  and  special  Matrices  for  characters  that 
must  be  modified  (1f40),  that  is,  made  more  extended, 
or  condensed,  because  of  the  change  in  unit-rows;  for 
details  of  "nut-body"  figures  see  Chapter  XXXIII, 
The  Monotype  System.  The  faces  for  which  these 
modified  character  Matrices  are  furnished  are  indi- 
cated thus  f  in  the  List  of  Faces  (pages  5  to  13).  S34 
Stopbars  are  used  to  give  "  nut-body  "  figures  (3  points 
wide)  with  seven-set  faces,  and  S29  Stopbars  to  give 
"nut-body"  figures  (4  points  wide)  witheight-and-one- 
half-set  faces.  Both  S34  and  S29  Stopbars  give  four 
nine-unit  rows,  instead  of  the  three  nine-unit  rows  of 
standard  Stopbars  (S5),  because  in  tabular  work  the 
fifteen  additional  "nut-body"  characters  provided  by 
the  fourth  nine-unit  row  are  most  useful.  We  also 
furnish  S27  Stopbars  which  are  the  same  as  standard 
Stopbars  (S5)  except  that  they  give  four  nine-unit 
rows;  in  these  S27  Stopbars  one  of  the  two  ten-unit 
rows  of  the  standard  S5  Stopbars  is  made  the  fourth 
nine-unit  row.  The  corresponding  Keybars  (1f32)  must 
be  used  with  S29,  S34,  and  S27  Stopbars  as  follows: 

USED  WITH 
ARRANGEMENTS 

f  C  and  C 
\  C  and  Cl 
{  C  and  C2 

S29:  Transform  eight -and - 
one-half-set  faces  into 
ei^ht-set.  Matrices  for  mod- 
ified characters  required 

S34:    Transform      seven-set  f  n  anH  r\ 

faces  into  six-set,  Matrices  I  p        j  p 

for  modified  characters    re-  |  ,<        j  ;=:. 

quired  {  *-  and  *-< 


STOPBARS 

827:    Standard,  except  four 
nine-unit  rows 


KEYBARS  REQUIRED 
LEFT        RIGHT 


Cand  C 
C  and  Cl 
C  and  C2 


UC 
UC 
UC 

WC 
WC 
WC 

YC 

YC 
YC 


C 

Cl 

C2 

C 

Cl 

C2 

YC 

YC1 
YC2 


42  Ems  from  a  to  z;  that  is,  the  length  of  the 
lower  case  alphabet,  expressed  in  ems  of  the  point- 
size  of  the  face,  is  given  for  each  face  to  facilitate  com- 
parison with  foundry  and  other  faces.     Of  course,  this 
is  quite  unnecessary  for  comparing  Monotype  faces 
because  the  set  of  a  Monotype  face  indicates  its  width. 

Cross-Rule  Matrices 

Composition  Matrices  for  Faces  Twelve-point  and  Smaller 

43  These  cross-rule  Matrices  are  made  with  the 
greatest  care,  and  the  various  corner-pieces,  cross-lines, 
etc.,  are  accurately  matched.    While  the  profits  on 
composition  of  this  kind  are  very  great,  we  do  not 
recommend  these  Matrices  except  to  those  who  appre- 
ciate that  work  like  this  requires  skill  and  care.    These 
Matrices  must  be  in  the  very  best  condition,  and  they 
should  be  kept  at  all  times  in  their  own  Matrix  Case  and 
used  only  for  this  rule  work;  it  is  also  desirable  to  keep 
Molds  and  Wedges  especially  for  this  work;  use  only 
high  quads. 


FIGURE  1 3 — Display  Figure  Matrices  (one-half  size);  one  of 
these  figure  Matrices  takes  the  place  in  the  Matrix  Case  of  two 
Composition  Matrices,  shown  above.  Note  that  the  double 
Matrix  is  carried  by  two  combs,  with  teeth  facing  and  a  bar 
between  the  combs 


44  These  cross-rule  Matrices  are  made  in  three 
point-sizes  for  six-set  (6-,  7-,  and8-point)  and  in  twelve- 
point  twelve-set.  It  is  not  possible  to  mix  Matrices 
of  different,  sets  and  point-sizes.  To  meet  all  condi- 
tions (for  details  see  specimen  sheets),  we  furnish  these 
Matrices  as  follows  for  the  various  point-sizes: 


MATRICES 

Eighteen-unit 
Nine-unit 
Leaders.  . 


SIX- 
POINT 
75 
9 

4 


SEVEN- 
POINT 
75 

9 

4 


EIGHT- 
POINT 
75 
9 

4 


Total . 


TWELVE- 
POINT 

78 
9 
6 

93 


The  leaders  used  with  these  cross-rule  Matrices  are 
not  special,  but  we  always  include  them,  unless  other- 
wise instructed  to  make  sure  that  they  match. 


24       MATRIX    CLASSIFICATION 


45  Thirty-two  cross-rule  Matrices  may  be  carried 
in  the  Matrix  Case  in  combination  with  two  Bold- 
faces, thus:   On  the  left  Keybank  (If  34)  caps,  lower 
case,  and  figures  of  any  Cl  face  of  the  corresponding 
set  (6-  or  12-set);  on  the  right  Keybank  caps,  small 
caps,  and  cap  and  small  cap  figures  of  any  C2  Boldface 
of  corresponding  set.    Lower  case  is  not  used  on  the 
right  Keybank  because 

these  positions  are  re- 
quired for  the  button 
Clips  (1J35)  for  the 
cross-rule  characters. 
Modified  characters 
(If 40)  are  required  with 
six-set  faces  for  small 
caps  A,  V,  and  Y.  In  the 
List  of  Monotype  Faces 
(pages  5  to  13)  the  C2 
Boldface  cap  and  small 
cap  fonts  containing 
these  modified  charac- 
ters are  marked  thus  §. 

46  The    following 
special  equipment  is  re- 
quired   for   composing 
this  form  work  at  the 
Keyboard : 

Keybars  (132):  Left  R,  Right  R2. 

Stopbars  (133):  SI 5. 

Button  Clips  (135):  Ninety-five  required. 

Justifying  Scales  (136) :  Six-  or  twelve-set. 

Normal  Wedges  (137):   S15,  for  six-  or  twelve-set. 

Display  Figure  Matrices 

47  Display  Figure  Matrices,  or  "double"  Mat- 
rices, are  made  for  figures  as  large  as  thirty-six-point, 
and  are  carried  in  the  Matrix  Case  with  Composition 
Matrices.  The  body  of  the  figure  is  cast  the  same  size 
as  the  type  with  which  the  figure  is  used,  while  the  face 
of  the  figure  (cast  on  a  platform)  overhangs  this  body 
and  rests  upon  high  quads  in  the  line,  or  lines,  above. 
These  Display  Figure  Matrices  are  the  same  width  as 
Composition  Matrices  for  twelve-point  and  smaller, 
but  twice  their  height,  as  shown  in  Fig.  13. 

48  For  details  of  the  Matrix  Case  arrangements 
used  with  Display  Figure  Matrices  see  pages  33  and 
34.   Special  Keybars  (If  32)  and  Stopbars  (1f33)  are  used 
with  Display  Figure  Matrices,  so  that,  when  a  key  for 
one  of  these  figures  is  struck,  the  Keyboard  automati- 
cally registers  the  width  of  the  figure.  It  is  possible  to 
use  Display  Figure  Matrices  with  standard  Keybars 
and  Stopbars  by  capping  the  keys,  the  operator  mak- 
ing allowance  for  the  extra  width  of  these  figures. 

Composition  Matrices 

For  Fourteen-  and  Eighteen-point  Faces 

49  These  Matrices  for  fourteen-  and  eighteen-point 
composition  (Fig.  14)  are  one  and  one-half  times  the 
height  of  single  Composition  Matrices.     The  widest 
characters   used  with   fourteen-   and  eighteen-point 
composition  are  cast  from  Matrices  one-half  again  as 
wide  as  single  Matrices,  while  the  Matrices  for  the 
rest  of  the  characters  in  the  font  are  the  same  width 
as  single  Matrices.    The  special  Matrix  Case  for  four- 
teen and  eighteen-point  Composition  Matrices  carries 
1 3  5  Matrices :  caps  and  lower  case  for  two  faces,  Roman 


FIGURE  14 — The  double  Matrices  used  for  fourteen-  and  eighteen-point 
composition 


and  Italic  or  Roman  and  Boldface,  and  one  set  of  fig- 
ures; for  Matrix  Case  arrangements,  see  page  34. 
These  Matrices  must  be  used  with  Molds  for  fourteen- 
and  eighteen-point  composition  on  a  Composing  Ma- 
chine equipped  with  the  Fourteen-  and  Eighteen-point 
Composition  Unit;  special  Keybars  (1132)  and  Stop- 
bars  (1f33)  must  be  used  at  the  Keyboard. 

50  Job  Fonts,  Four- 
teen- and  Eighteen- 
point  Composition 
Matrices  complete  in 
Matrix  Case:  Consist- 
ing of  seventy-three 
character  Matrices  (add 
inverted  comma  to  72 
Matrices  specified  in 
1fl2),  sixty-two  blanks, 
and  Matrix  Case. 
Many  offices,  especially 
newspapers,  find  it 
more  efficient  to  have 
each  font  of  these  Mat- 
rices in  its  own  Matrix 
Case,  instead  of  carry- 
ing two  fonts  in  one 
Matrix  Case  (If 49). 


FIGURE  16 
Electro  Display  Matrix 


Electro  Display  Matrices 

For  Casting  Type  for  Hand  Composition 

51  These  Matrices  are  used  for  casting  type,  bor- 

ders, and  ornaments  to  be  set  by 
hand.  The  Matrix  for  the  char- 
acter to  be  cast  is  inserted  in  the 
Electro  Display  Matrix  Holder 
and  remains  in  this  Holder  until 
a  sufficient  quantity  of  this 
character  has  been  cast;  then 
the  Holder  is  taken  out  of  the 
Machine  and  this  Matrix  ex- 
changed for  the  Matrix  for  the 
next  character  to  be  cast.  Faces 
for  sizes  fourteen-  to  thirty-six- 
point  inclusive  are  made  in  this  style  of  Matrix ;  also 
a  few  very  extended  faces  smaller  than  fourteen-point, 
too  wide  for  the  Composition  Matrix  (Fig.  12). 

52  Electro  Display  Matrices  are  distinguished  in  the 
specimen  sheets  by  not  having  a  letter  following  the 
series  number;  thus,  the  Roman  for  the  36A  series  in 
Composition  Matrices  issymboled  36  in  Electro  Display 
Matrices,  while  the  Italic  of  this  series  in  Electro  Dis- 
play Matrices  is  symboled  361 ;  that  is,  for  Italic  the 
figure  1  is  added  to  the  series  number  of  the  Roman. 

Rule  Matrices 

For  use  with  Lead  and  Rule  Molds 

53  These  Matrices  are  used  with  our  Lead  and  Rule 
Molds  for  casting  rules  in  continuous  strips  which  are 
accurately  cut  to  the  de- 
sired lengths  by  the  Auto- 
matic Cutter.  Since  the  face 

of  the  rule  must  be  exactly 
positioned  on  its  body,  these 
Matrices  are  not  inter- 
changeable for  use  with 
different  point-size  Molds. 


FIGURE  1 8 — Rule  Matrix 
for  use  with  Lead  and  Rule 
Molds 


MATRIX    CLASSIFICATION       25 


Price  Classification  of  Matrices 

54  Before  ordering  Matrices  be  sure  you  have  the 
required  Keybars   (132),   Stopbars  (133),  Key- 
banks   (134),   Button   Clips   (135),    Justifying 
Scales  (136),  and  Normal  Wedges  (137) :  If  you 
lack  any  of  these,  include  them  in  your  order. 

55  Full  Fonts  Special  Arrangements  fonted  to 
order  from  Matrix  Case  arrangement  furnished  by  the 


customer — be  sure  to  read  carefully  ^29  and  ^30  before 
ordering — if  Matrices  of  a  higher  class  are  included, 
an  additional  charge  will  be  made  according  to  the 
difference  in  the  price  of  the  higher  class. 

56  Omission  of  Matrix  Case:  Every  Monotype 
user  interested  in  efficiency  keeps  each  font  in  its 
own  Matrix  Case,  for  this  saves  time  and  protects 
the  Matrices  from  injury.  Full  fonts  are  always  fur- 
nished in  Matrix  Cases  unless  otherwise  ordered. 


FONT  CHARACTERS:  See  115  defining  Font  Characters 


57     Composition  Matrices: 

.2"  by  .2"  Cellular  Matrices, 
58 


59 


.2"  by  .3",  .3*  by  .3",  and  .2"  by  .4" 

Cellular  Matrices, 
Electro  Display  Matrices: 


Fonts:  four-point  to  twelve-point  inclusive,  as  shown  in  the  Specimen  Book;  except 

as  specially  noted Class  A 

Superior  and  inferior  font  characters,  as  shown  in  the  Specimen  Book;  except  as 

specially  noted Class  B 

Fourteen-point  and  eighteen-ppint  Composition  Matrices,  and  Display  Figure  Mat- 
rices, as  shown  in  the  Specimen  Book;  except  as  specially  noted Class  B 

As  shown  in  the  Specimen  Book ;  except  as  specially  noted Class    A 

For  shaded  and  similar  faces  that  present  special  difficulties  in  manufacture,  as 

shown  in  the  Specimen  Book Class  B 


ACCENTS: 


62 


63 
64 


65 


Composition  Matrices: 

.2"  by  .2"  Cellular  Matrices, 


For  all  Roman,  Italic,  and  Boldface  fonts,  four-point  to  twelve-point  inclusive,  as 
shown  in  the  Specimen  Book;  only  those  listed  for  the  languages  specified  in 
1f21,  also  long  and  short  accents  specified  in  H23 Class  A 

For  superior  and  inferior  fonts  and  piece  fractions,  as  shown  in  the  Specimen  Book  Class    B 


.1"  by  .3",  .3"  by  .3",  Cellular  Com-     For  all  Roman,  Italic,  and  Boldface  fonts,  as  shown  in  the  Specimen  Book;   only 


position    Matrices    for    fourteen- 
point,  eighteen-point, 
Electro  Display  Matrices: 


ass    B 


those  listed  for  the  languages  specified  in  If21,  also  long  and  short  accents  speci- 
fied in  f23 Clas 

For  all  Roman,  Italic,  and  Boldface  fonts,  as  shown  in  the  Specimen  Book;  only 
those  listed  for  the  languages  specified  in  H21,  also  long  and  short  accents  speci- 
fied in  1 23 .  .  Class  A 


BRACKETS,  PARENTHESES,  VERTICAL  BRACES,  VERTICAL  PIECE  BRACES 

For  all  Roman,  Italic,  and  Boldface  fonts,  four-point  to  twelve-point  inclusive,  as 

shown  in  the  Specimen  Book;  except  as  specially  noted Class    A 


66 


Composition  Matrices: 

.2"  by  .2"  Cellular  Matrices, 


67         .2"  by  .3",  .3"  by  .3",  Cellular  Com-     For  all  Roman,  Italic,  and  Boldface  fonts,  as  shown  in  the  Specimen  Book;  except 


68 


position    Matrices    for    fourteen- 
point,  eighteen-point, 
Electro  Display  Matrices: 


as  specially  noted Class    B 

For  all  Roman,  Italic,  and  Boldface  fonts,  as  shown  in  the  Specimen  Book;  except 

as  specially  noted Class    A 


HORIZONTAL  BRACES,  HORIZONTAL  PIECE  BRACES 


69  Composition  Matrices:  For  all  Roman  fonts,  four-point  to  twelve-point  inclusive,  as  shown  in  the  Speci- 

.2"  by  .2"  Cellular  Matrices,  men  Book;  except  as  specially  noted Class    A 

70  .2"  by  .3",  .3*  by  .3",  Cellular  Com-     For  all  Roman  fonts,  as  shown  in  the  Specimen  Book;  except  as  specially  noted.  .    Class    B 

position    Matrices    for    fourteen- 
point,  eighteen-point, 

71  Electro  Display  Matrices: For  all  Roman  fonts,  as  shown  in  the  Specimen  Book;  except  as  specially  noted.  .    Class    A 

DASHES — Hairline  Horizontal  Central 

72  Composition  Matrices:  For  all  Roman  fonts  (all  unit  rows) ,  four-point  to  twelve-point  inclusive,  as  shown 

.2"  by  .2"  Cellular  Matrices,  in  the  Specimen  Book;  except  as  specially  noted Class    A 

73  .2"  by  .3*,  .3"  by  .3",  Cellular  Com-     For  all  Roman  fonts  (all  unit  rows),  as  shown  in  the  Specimen  Book;  except  as 

position    Matrices    for    fourteen-         specially  noted Class    B 

point,  eighteen-point, 

74  Electro  Display  Matrices:  Nine-  and  eighteen-unit 

For  all  Roman  fonts,  as  shown  in  the  Specimen  Book;  except  as  specially  noted.  .    Class    A 

DASHES — Hairline  Vertical 

75  Composition  Matrices:  For  all  Roman  fonts  (all  unit  rows),  four-point  to  twelve-point  inclusive,  as  shown 

.2"  by  .2"  Cellular  Matrices,  in  the  Specimen  Book;  except  as  specially  noted Class    A 

76  .2"  by  .3",  .3*  by  .3",  Cellular  Com-     For  all  Roman  fonts  (all  unit  rows),  as  shown  in  the  Specimen  Book;    except  as 

position    Matrices    for    fourteen-         specially  noted Class    B 

point,  eighteen-point, 

77  Electro  Display  Matrices:  Five-,  nine-,  and  eighteen-unit 
For  all  Roman  fonts,  as  shown  in  the  Specimen  Book Class    A 

DASHES — High  line,  low  line,  type  line,  central  (except  central  hairline,  see  preceding) 

78  Composition  Matrices:  Single  hairline,  parallel  hairline,  X,  K.  1,  IK,  2,  2K,  3,  4,  5J^-point  faces 

.2"  by  .2"  Cellular  Matrices,                    For  all  Roman,  Italic,  and  Boldface  fonts  (all  unit  rows),  four-point  to  twelve- 
point  inclusive,  as  shown  in  the  Specimen  Book;  except  as  specially  noted Class    A 

79  .2"  by  .3",  .3"  by  .3",  Cellular  Com-     Single  hairline,  parallel  hairline,  }<,  %,  1.  \%,  2,  2%,  3,  4,  5K-point  faces 

position    Matrices    for    fourteen-     For  all  Roman,  Italic,  and  Boldface  fonts  (all  unit  rows),  as  shown  in  the  Speci- 

point.  eighteen-point,  men  Book ;  except  as  specially  noted Class    B 

80  Electro  Display  Matrices:  Single  hairline,  parallel  hairline,  %,  %.  1,  \Yi,  2,  2%,  3,  4,  5#-point  faces 

For  all  Roman,  Italic,  and  Boldface  fonts  (all  unit  rows),  as  shown  in  the  Speci- 
men  Book;  except  as  specially  noted Class    B 

FIGURES  Z^!^Z! 

81  Composition  Matrices:  Sizes  four-point  to  twelve-point  inclusive,  belonging  to  composition  fonts,  and  as 

.2    by  .2"  Cellular  Matrices,  shown  on  figure  specimen  pages  in  Specimen  Book;  except  superior  and  inferior 

figures  and  piece  fractions  and  those  specified  for  other  classes Class    A 

Superior  and  inferior  figures  and  piece  fractions,  as  shown  in  the  Specimen  Book .  .    Class    B 

83  .?"  by  .3*,  .3*  by  .3",  Cellular  Com-     Belonging  to  composition  fonts,  and  as  shown  in  figure  specimen  pages  in  the  Speci- 

position    Matrices    for    fourteen-         men  Book;  except  as  specially  noted Class    B 

point,  eighteen-point, 

84  Electro  Display  Matrices:  Belonging  to  fonts   and  as  shown  on   figure  specimen   pages   in   Specimen  Book; 

except  as  specially  noted Class    A 


26      MATRIX    CLASSIFICATION 


DISPLAY  FIGURES 


85  Composition  Matrices:  As  shown  in  the  Specimen  Book;  except  as  specially  noted.     Each  of  these  Display 

.2'  by  .4"  Cellular  Matrices,  Figure  Matrices  replaces  two  single  Matrices  in  the  full  font  of  Composition 

Matrices  (.2"  by  .2*) Class    B 

FRACTIONS  

86  Composition  Matrices:  Halves,  quarters,  eighths,  sixteenths,  thirty-seconds,  sixty-fourths,  thirds,  sixths, 

.2*  by  .2*  Cellular  Matrices,  fifths,  tenths.     Four-point  to  twelve-point  inclusive,  as  shown  in  the  Specimen 

Book Class    A 

87  .2"  by  .3",  .3"  by  .3",  and  .2"  by  .4*     Halves,  quarters,  eighths,  sixteenths,  thirty-seconds,  sixty-fourths,  thirds,  sixths, 

Cellular  Composition  Matrices  for         fifths,  tenths,  as  shown  in  the  Specimen  Book;  except  as  specially  noted Class    B 

fourteen-point,    eighteen-point, 
and  Display  Figure  Matrices, 

88  Electro  Display  Matrices:  Halves,  quarters,  eighths,  sixteenths,  thirty-seconds,  sixty-fourths,  thirds,  sixths, 

fifths,  tenths,  as  shown  in  the  Specimen  Book;  except  as  specially  noted Class    A 

REGULAR  FRACTIONS — Fractions  in  which  the  numerator  is  smaller  than  the  denominator  (not  listed  above) 

89  Composition  Matrices:  Four-point  to  twelve-point  inclusive,  as  shown  in  the  Specimen  Book ;  except  as 

.2"  by  .2"  Cellular  Matrices,  specially  noted Class    A 

90  .2*  by  .3",  .3*  by  .3',  and  .2"  by  .4*     As  shown  in  the  Specimen  Book;  except  as  specially  noted Clans    B 

Cellular  Composition  Matrices  for 
fourteen-point,  eighteen-point, 

91  Electro  Display  Matrices:  As  shown  in  the  Specimen  Book;  except  as  specially  noted Class   A 

IRREGULAR  FRACTIONS — Fractions  where  the  numerator  is  larger  than  the  denominator 

92  Composition  Matrices:  As  shown  in  the  Specimen  Book;  except  as  specially  noted Class    B 

.2"  by  .2"  Cellular  Matrices, 

93  Electro  Display  Matrices:  As  shown  in  the  Specimen  Book;  except  as  specially  noted Class    B 

LEADERS  I^^Z 

94  Composition  Matrices:  For  all  Roman  fonts  (all  unit  rows),  four-point  to  twelve-point  inclusive,  as  shown 

.2"  by  .2"  Cellular  Matrices,  in  the  Specimen  Book;    except  as  specially  noted Class    A 

95  .2"  by  .3',  .3*  by  .3",  Cellular  Com-     For  all  Roman  fonts  (all  unit  rows),  as  shown  in  the  Specimen  Book;  except  as 

position    Matrices    for    fourteen-         specially  noted Class    B 

point,  eighteen-point, 

96  Electro  Display  Matrices:                       Nine-  and  eighteen-unit 
For  all  Roman  fonts,  as  shown  in  the  Specimen  Book;  except  as  specially  noted  .  .   Class    A 

SIGNS 

97  Composition  Matrices:  Standard  signs,  four-point  to  twelve-point  inclusive,  as  shown  in '  he  Specimen  Book ; 

.1"  by  .2"  Cellular  Matrices,  except  superior  and  inferior  and  those  specified  for  other  classes Clans  A 

Superior  and  inferior  signs,  as  shown  in  Specimen  Book;  except  as  specially  noted  Class  B 

99         .2"  by  .3",  .3*  by  .3",  Cellular  Com-     Standard  signs,  as  shown  in  the  Specimen  Book ;  except  as  specially  noted Class  B 

position    Matrices    for    fourteen- 
point,  eighteen-point, 

100  Special  signs Class  B 

101  Electro  Display  Matrices:  Standard  signs,  as  shown  in  the  Specimen  Book;  except  as  specially  noted Class    A 

CROSS  RULE  I^^H^Z^Z^ZI^^Z^ZZZI^Z^ZZ^^Z^ZZIZZZm^I 

102  Composition  Matrices:  Twelve-point  and  smaller Class    B 

.2*  by  .2"  Cellular  Matrices, 

CONTINUOUS  RULE 

103  For   use   with   the   Lead    and   Rule     As  shown  in  the  Specimen  Book;  except  as  specially  noted Class    E 

Molds, 

BORDERS  AND  ORNAMENTS 

I"  by  .2"  Cellular  Matrices,  Twelve-point  and  smaller,  as  shown  in  the  Specimen  Book ;  except  as  specially  noted .    Class    A 

105  Electro  Display  Matrices,  Larger  than  twelve-point,  as  shown  in  Specimen  Book;  except  as  specially  noted.    Class    A 

SPECIAL  MATRICES 

106  Matrices  which  are  unusual  and  for     Special  Matrices  of  all  kinds,  as  noted  on  page  28 Class   G 

which  there  is  little  demand. 

DUPLICATES  OF  SPECIAL  MATRICES— Under  Class  G.     (See  f  155.) 

107  Composition  Matrices:  Duplicates  .2*  by  .2"  Cellular  Matrices,  rate  as Class    B 

.2"  by  .2*  Cellular  Matrices, 

108  .2"  by  .3",  .3*  by  .3",  .2"  by  A"  Cel-     Duplicates  fourteen-point  and  eighteen-point  Composition  Matrices  and  Display 

lular    Composition    Matrices    for         Figure  Matrices,  rate  as Class   D 

fourteen-point,  eighteen-point,  and 
Display  Figure  Matrices. 

109  Electro  Display  Matrices: Duplicates  Electro  Display  Matrices,  rate  as Class    B 

MODIFIED  CHARACTERS 

110  Not  for  standard  arrangements.  When  not  for  use  with  standard  arrangements Class   G 

111  For  standard  arrangements.  When  furnished  for  standard  arrangements,  as  shown  on  pages  31,  32,  and  33,  are 

in  the  same  class  as  the  fonts  to  which  they  belong 

BLANKS  (Steel  or  Bronze) — Steel  is  furnished  unless  otherwise  specified 

112  Composition  Matrices:  See  Price  List. 

.2*  by  .2"  Cellular  Matrices, 

113  .2"  by  .3',  .3*  by  .3'  Cellular  Mat-    See  Price  List. 

rices, 
114-144     Electro  Display  Matrices:  See  Price  List. 


SPECIAL      MATRICES      27 


145  The  Monotype  is  used  for  an  infinite  variety  of 
composition,  dictionaries,  vocabularies,  text  and  ref- 
erence books,  codes,  and  other  publications  requiring 
special  accents,  diacriticals,  and  signs.    It  would  be 
impossible  for  us  to  supply  our  customers  with  up-to- 
date  specimens  of  the  special  characters  we  carry  in 
stock  for  we  are  making  new  ones  every  day.   Indeed, 
the  problem  of  keeping  indexes  and  cross-indexes  for 
thousands  of  special  Matrices  is  so  intricate  that  we 
keep  these  records  only  at  our  factory  in  Philadelphia. 

146  Consult  the  Factory  at  Philadelphia:    If  you 

want  anything  not  shown  in  this  Specimen  Book,  please 
do  not  assume  that  your  wants  cannot  be  quickly 
supplied.  Write  or  telegraph  us  at  Philadelphia,  giving 
full  details  of  your  requirements:  Always  give  com- 
plete information  about  the  character  you  require ;  if 
you  cannot  describe  it  draw  an  accurate  picture  of 
it,  and  specify  the  series  number  and  point-size  of  the 
face  with  which  it  is  to  be  used,  the  set  on  which  the 
face  is  to  be  cast,  and  the  size  of  the  unit-row  in  which 
the  Matrix  is  to  be  carried. 

147  We  take  particular  pride  in  the  equitable  policy 
of  charging  for  special  Matrix  work  which  we  origin- 
ated over  ten  years  ago.    It  had  been  the  universal 
practice  to  charge  the  customer  for  whom  a  special 
Matrix  was  made  a  high  price  for  this  special  work; 
then  put  this  character  in  the  specimen  book  and  sell  it  to 
any  one  else  at  regular  rates.     The  injustice  of  this  is 
obvious :  the  progressive  printer  who  first  put  a  piece 
of  special  work  on  a  composing  machine  "paid  the 
freight; "  then  his  price-cutting  competitor,  on  acquir- 
ing this  job,  purchased  the  special  Matrices,  the  fruit 
of  the  first  man's  ingenuity,  at  the  price  for  standard 
Matrices. 

148  Our  Plan  of  Charging  for  Special  Matrices  is 

based  upon  these  principles: 

First:  As  low  a  price  as  possible;  we  estimating  the 
probable  future  sale  of  special  Matrices  and  taking  a  fair 
share  of  the  risk  of  being  paid  by  the  future  sale  of  these 
special  Matrices  for  the  work  of  designing  and  making 
them. 

Second:  The  same  price  to  everybody  for  the  same 
special  Matrix. 

Third:  No  "entangling  alliances;"  we  never  sell  the 
exclusive  use  of  any  Matrix,  for  our  designing  facilities 
are  maintained  for  the  benefit  of  all  Monotype  users. 

149  We  cannot  guarantee  any  prices  to  be  inflex- 
ible;   therefore  we  reserve  the  right  to  change  any 
Matrix  prices.  Thus,  if  the  demand  warrants  we  may 
reduce  the  price  of  a  Matrix;  or,  if  we  have  overes- 
timated the  demand,  we  may  increase  the  price. 

150  What  is  a  Special  Matrix?    A  special  Matrix 
is  one  for  which  there  is  so  little  demand  that  we  can- 
not sell  a  sufficient  number  at  the  price  of  a  similar 
regular  Matrix  to  compensate  us  for  the  expense  of 
making  the  drawing,  pattern,  and  punch,  or  master 
Matrix,  required  to  produce  this  special  Matrix. 

151  More  than  ninety-five  per  cent,  of  the  Matrices 
illustrated  in  this  Specimen  Book  are  standard.     We 
cannot  publish  (If  146)  a  complete  catalog  of  the  thou- 
sands of  special  Matrices  we  carry  in  stock ;  we  show 
here  just  a  few  to  indicate  in  a  general  way  how  our 
prices  for  special  Matrix  work  vary. 


152  Probable  Sale  Determines  Price:  "As  low  a 

price  as  possible;  we  estimating  the  probable  future  sale 
of  special  Matrices  and  taking  a  fair  share  of  the  risk  of 
being  paid  by  the  future  sale  of  these  special  Matrices  for 
the  work  of  designing  and  making  them."  An  examina- 
tion of  the  special  Matrices  shown  in  this  book  will 
make  this  clear. 

153  In  some  cases  we  charge  several  dollars  for  a 
special  Matrix  that  costs  no  more  to  make,  after  the 
designing,  pattern  and  punch  work  have  been  done,  than 
the  similar  standard  Matrix  shown  on  the  same  sheet. 
Why  this  difference  in  price  ?    Examination  shows  that 
the  special  Matrix  is  so  similar  to  the  standard  Matrix 
that  obviously  the  special  Matrix  was  made  to  suit  the 
whims  or  the  ' '  artistic ' '  fancies  of  one  of  our  customer's 
customers,  who  pays,  or  ought  to  pay,  for  having  his 
whims  gratified. 

154  Don't  Try  to  Guess  Special  Matrix  Prices:  If 

you  do  not  find  in  this  book  the  special  Matrix  you  re- 
quire, please  do  not  assume  that  we  do  not  have  it  or 
that  the  price  will  be  prohibitive.  Write  and  give  us 
the  exact  details  of  what  you  want  (please  read  ^146 
before  writing),  and  we  will  promptly  give  you  the  price. 

155  A  Lower  Price  for  Duplicates  of  Special  Mat- 
rices:   To  the  customer  ordering  two  or  more  special 
Matrices  for  the  same  character  (whether  at  the  same 
time  or  the  second  Matrix  after  the  purchase  of  the 
first)  we  furnish  the  duplicate  special  Matrices  at  a 
lower  price.     Thus,  if  we  make  a  special  Matrix  to 
order  for  Customer  A,  when  Customer  B  wants  that 
same  special  Matrix  he  pays  the  same  price  as  Cus- 
tomer A,  but  either  Customer  A  or  Customer  B  can 
obtain  duplicates  of  this  special  Matrix  at  a  lower 
price. 

Duplicates  of  special  Cellular  Matrices,  .2"  by  .2" , 

for  composition  twelve-point  and  smaller,  rate  as 

Class  B,  see  f/37. 

Duplicates  of  special  Cellular  Matrices,  .2"  by  .3", 

.3"  by  .3",  and  .2"  by  .4",  for  fourteen-  and  eighteen- 

point  composition,  and  Display  Figure  Matrices, 

rate  as  Class  D,  see  1(138. 

Duplicates  of  Electro  Display  Matrices,  rate  as 

Class  B,  see  H  139. 

156  Caution:  The  responsibility  for  obtaining  this 
lower  price  for  duplicates  of  special  Matrices  (1[155) 
we  must  place  on  you,  because  it  is  impossible  for 
us  to  go  back  in  our  files  and  see  whether  you  ever 
bought  previously  a  particular  special  Matrix,  before 
we  enter  your  order.    If  you  want  the  special  price 
on  the  duplicate  of  a  special  Matrix  you  have  bought 
before,  ask  for  the  special  price  on  your  order;   say, 
"Charge  this  special  Matrix  at  reduced  price,  it  is  a 
duplicate  of  Matrix  you  furnished  us  on  your  invoice 
No.  E78156."   Note:   you  must  give  us  the  number  of 
our  invoice,  not  your  purchase  order. 

157  To  remind  you  to  get  the  advantage  of  the  re- 
duced price  for  duplicates  of  special  Matrices  (1[156) 
we  stamp  all  invoices  for  special  Matrices  not  charged 
at  reduced  prices  thus : 

"Duplicates  of  this  special  Matrix  will  be  fur- 
nished to  you  at  reduced  price.  If  you  ever 
bought  this  special  Matrix  before,  return  this  in- 
voice with  the  invoice  for  the  first  purchase  of 
this  Matrix;  we  will  reduce  this  price  to  the  price 
for  duplicates  of  special  Matrices." 


28      MATRIX        SYMBOLS 


158  The  symboling  of  Matrices  is  a  most  important 
subject  to  Monotype  users,  for  it  means  the  elimina- 
tion of  the  waste  of  buying  unnecessary  duplicate  Mat- 
rices.   A  full  font  of  Composition  Matrices,  for  faces 
twelve-point  and  smaller,  consists  of  225  character 
Matrices  and  blanks  for  quads  and  spaces  (1126) ;  but 
simply  because  225  separate  Matrix  units  happen  to 
be  combined  in  the  same  Matrix  Case  is  no  reason 
for  uniting  them  by  a  symboling  system  that  would 
designate  these  Matrix  units  as  parts  of  the  same  font. 
For  the  next  job  some  of  these  Matrix  units  may  be 
replaced  with  other  Matrices. 

159  The  object  of  our  symboling  system  is  to  classify 
and  designate  Matrices  so  that  Monotype  users  may  ob- 
tain not  only  the  fullest  advantage  of  our  flexible  Matrix 
system,  but  also  avoid  buying  Matrices  for  which  they 
have  no  real  need. 

160  Classification  of  Characters:   Certain  char- 
acters must  essentially  be  used  together;  for  example, 
confusion  would  result  from  attempting  to  form  an 
alphabet  of  characters  from  different  fonts.     Therefore, 
our  symboling  system  provides  for  designating  by  the  same 
symbol  only  the  Matrices  that  must  be  used  together. 

161  Size  Designation:    In  the  Monotype  system 
the  body  size  of  a  type  is  quite  independent  of  the 
Matrix  from  which  the  face  of  this  type  is  cast.  "Faces 
may  be  cast  on  larger  sets,  '  opening-up '  the  face  by  put- 
ting white  space  between  the  letters" ;  see  pages  4  and  5, 
also  If 3 1 .    In  the  same  way  individual  characters,  signs, 
figures,  etc.,  may  be  cast  on  wider  bodies  than  the 
ones  for  which  they  are  designed.    Therefore,  our  sym- 
boling system  provides  for  designating  the  minimum  width 
body  on  which  a  Matrix  can  be  cast  without  the  face 
overhanging  the  body. 

162  Differentiating  Similar  Characters:  For  small 
size  letters  it  is  very  difficult  to  tell,  by  examining  the 
face  of  the  letter,  the  difference  between  the  Roman 
lower  case  o,  s,  v,  and  x  and  the  same  small  cap  letters 
for  this  Roman  face.    Therefore,  our  symboling  system 
provides  for  differentiating  between  similar  letters  that 
might  easily  be  confused. 

163  Modified   Characters   (1f40)    are   characters 
slightly  different  from  the  similar  standard  characters. 
Therefore,  our  symboling  system  provides  for  designating 
these  modified  character  Matrices  so  that  they  cannot  be 
confused  with  the  similar  standard  Matrices. 

164  We  make  the  above  explanation  of  the  prin- 
ciples of  our  Matrix  symboling  system  because,  alas! 
too  frequently  people  regard  system,  and  especially 
the  explanation  of  a  system,  as  evidence  of  complica- 
tion.   Because  we  take  the  trouble  and  go  to  the  expense 
of  systematically  symboling  our  Matrices  is  surely  no 
reason  for  assuming  that  the  Monotype  machine  is  com- 
plicated or  that  it  takes  a  college  professor  to  run  it.    We 
symbol  our  Matrices  to  save  time  and  money  for  our 
customers.    If  any  there  be  who  dislike  "high-brow 
stuff"  and  have  no  time  for  "such  frills,"  there  is  a 
very  simple  remedy :  Skip  all  the  following,  forget  all 
about  symbols,  and  buy  duplicate  Matrices. 

Composition  Matrix  Symbols 

•  165     Composition  Matrices  are  marked  at  the  cone- 
hole  end  (top  in  casting  position,  bottom  in  Fig.  19) 


on  two  adjacent  sides,  which  are  designated  thus: 
Point  Side  is  the  side  of  the  Matrix  that,  in  casting 
position,  is  toward  the  back  of  the  machine;  on  this 
side  are  stamped  the  figures  designating  the  point-size  of 
the  character  the  Matrix  makes;  for  ex- 
ample, ten-point  (see  Fig.  19).  Series 
Side  is  the  side  that,  in  casting  posi- 
tion ,  is  toward  the  right  of  the  machine ; 
on  this  side  are  stamped  the  figures  in- 
dicating the  number  of  the  face  to  which 
the  Matrix  belongs  and  the  letter  desig- 
nating the  style  of  this  face — Old  Style, 
Modern,  Italic,  etc.;  for  example,  98J 
(see  Fig.  19).  For  characters  not  be- 
longing to  any  particular  face,  signs, 
leaders,  dashes,  etc.,  letters  are  used  in 
connection  with  the  symbols  on  the 
Point  and  Series  Sides  of  the  Matrix 
to  designate  the  body  width  of  the 
character,  as  explained  in  the  follow- 
ing pages. 

166  Note  that  there  is  no  necessity  for  indicating  on 
the  Matrices  for  an  alphabet  the  width  of  these  letters 
because  the  set  (If 3 1)  of  the  Normal  Wedge  (1f37)  used 
with  these  Matrices  determines  the  width  of  the  letters, 
and  the  specimen  sheet  for  a  face  gives  the  minimum 
set  on  which  the  face  can  be  cast. 

167  Definition  of  a  Font:  For  purposes  of  symbol- 
ing, a  font  consists  of  not  more  than  eighty-four  Mat- 
rices;  thus : 

ABCDEFGH I JKLMNOPQRSTU  VWX  YZ&z/ECE 

abcdefghijklmnopqrstuvwxyzaecefiffflffiffl 

$1234567890.,-:;""!? 

Note  1:  With  Roman  fonts  two  inverted  commas  (')  and 
apostrophes  (')  are  furnished:  one  each  on  five-unit  body 
and  one  each  on  seven-unit;  in  the  double  opening-quote 
the  five-unit  inverted  comma  comes  before  the  seven-unit 
(thus  "),  while  for  the  double  closing-quote  the  seven-unit 
apostrophe  comes  first  (thus  ");  the  seven-unit  characters 
are  used  for  single  quotes ;  for  method  of  distinguishing  these 
quotes  see  If  182. 

Note  2:  The  points  common  to  both  Roman  and  Italic 
(.,-"  ")  are  symboled  as  part  of  the  Roman  font. 

Note  3:  Small  cap  fonts  consist  of  twenty-nine  characters 
(A  to  Z,  &,  JE,  CE) ;  these  are  used  with  the  figures  and  points 
of  the  corresponding  Roman  font. 

Note  4:  A  cap  font,  for  example,  Gothic  249J,  consists  of 
forty-nine  Matrices  as  follows: 

ABCDEFG  H IJ  KLM  NOPQRSTUVWXYZ&XECE 

$1234567890.,-:;"!? 

Note  5:  A  Boldface  font,  caps  and  lower  case,  usually  con- 
sists of  eighty-two  Matrices,  that  is,  the  characters  listed  at 
the  beginning  of  this  paragraph,  except  that  only  one  size  of 
opening  and  closing  quote  is  provided;  some  Boldfaces,  how- 
ever, have  more  than  eighty-two  characters,  special  ligatures 
and  two  designs  of  the  same  letter  being  provided. 

168  Classification  of  Faces:  We  classify  type-faces 
as  follows,  indicating  the  kind  of  the  face  by  a  letter 
which,  in  the  Matrix  symbol,  follows  the  series  num- 
ber on  the  Series  Side  of  the  Matrix  (If  165) : 


A  Modern  Roman 

B  Modern  Roman  small  caps 

C  Modern  Italic 

D  Modern  Italic  small  caps 

E  Old  Style  Roman 

F  Old  Style  Roman  small  caps 


G  Old  Style  Italic 

H  Old  Style  Italic  small  caps 

J     Boldface  Roman 

K  Boldface  Italic 

L    Typewriter,  Mailing  List,  etc. 

M  Foreign  faces 


169     Note  how  the  above  classification  avoids  the 
possibility  of  confusing  similar  letters  (^fl62);   the 


MATRIX        SYMBOLS      29 


Roman  lower  case  x  of  the  No.  8  series  cannot  be  con- 
fused with  the  small  cap  x  of  the  same  series  because 
the  Matrix  for  the  Roman  letter  is  symboled  8A,  while 
the  small  cap  Matrix  is  marked  8B. 

170  We  have  made  the  small  cap  and  the  Italic 
Matrices  for  almost  all  our  Roman  series,  but  when, 
because  of  the  similarity  of  faces,  it  has  not  been  nec- 
essary to  provide  special  small  caps  and  Italic,  the 
most  suitable  small  caps  and  Italic  for  use  with  this 
Roman  are  shown  on  its  specimen  sheet. 

171  Accents  are  symboled  the  same  as  the  letters 
of  the  fonts  (If  165)  with  which  they  are  used,  except 
that  the  number  indicating  the  point-size  is  followed 
by  the  letter  A.  Thus,  a  ten-point  No.  1 5  Roman  lower- 
case accent  would  be  symboled  Point  Side  10A,  Series 
SidelSE. 

172  Modified  Characters  (If  1 65)  are  symboled  the 
same  as  the  corresponding  standard  characters  they 
replace  in  a  font,  except  that  the  number  indicating 
the  point-size  is  followed  by  the  letter  H  and  a  num- 
ber to  indicate  the  way  in  which  the  character  has 
been  modified :    For  example,  when  the  standard  cap 
C,  a  thirteen-unit  character,  is  slightly  compressed  for 
use  in  the  twelve-unit  row,  the  Matrix  for  this  modi- 
fied character  is  symboled  Point  Side  10H2,  Series  Side 
38E.    If  we  made  a  C  for  use  in  the  fourteen-unit  row, 
this  modification  would  be  symboled  10H3-38E. 

173  Figures  belonging  to  Fonts:  As  explained  in 
HI 67,  the  figures  made  for  use  with  a  font  are  classi- 
fied as  part  of  the  font  and  are  symboled  the  same  as 
the  letters  of  the  font,  with  this  exception:    On  the 
Point  Side  the   number  indicating  the  point-size  is 
followed  by  the  letter  F  for  all  but  Old  Style  lining 
figures,  for  which  the  letter  G  is  used.   Thus,  the  ten- 
point  Roman  Old  Style  hanging  figures  for  the  No.  1 5 
series  are  symboled  Point  Side  10F,  Series  Side  15E, 
while  the  Old  Style  lining  figures  for  use  with  this  font 
are  symboled  Point  Side  10G,  Series  Side  15E.    Note: 
We  always  furnish  with  a  font  the  figures  shown  on  the 
specimen  sheet  for  the  font  unless  otherwise  instructed; 
but,  if  specified  in  the  order,  we  will  substitute  for  Old 
Style  hanging  figures  either  the  lining  figures  or  the  Mod- 
ern figures  made  for  use  with  the  font. 

174  Figures  not  part  of  Fonts:  Figures  not  part 
of  fonts,  for  example,  1,  2,  3,  do  not  carry  a  letter 
indicating  the  character  of  the  face  (H  1 68)  on  the  Series 
Side  of  the  Matrix.    Thus,  the  ten-point  Boldface 
figures  shown  in  this  paragraph  are  symboled  Point 
Side  10F,  Series  Side  31.    The  letter  F  is  used  on  the 
Series  Side  because  they  are  modern  figures;   if  they 
were  Old  Style  lining  (not  hanging)  figures,  the  letter 
G  would  be  used  instead  of  F.   The  number  31  on  the 
Series  Side  means  that  these  figures  are  number  3 1  in 
our  fonts  of  special  figures;  they  have  no  relation 
whatever  to  our  face  No.  3  IE,  for  which  the  figures 
are  symboled  31 E  on  the  Series  Side  of  the  Matrix. 
The  different  point-sizes  of  the  same  set  of  special 
figures  are,  of  course,  symboled  the  same  on  the  Series 
Side  of  the  Matrix;   thus  the  eight-point  size  of  the 
Boldface  figures  shown  in  this  paragraph  are  sym- 
boled Point  Side  8F,  Series  Side  31.    The  smallest 
width  body  on  which  figures  can  be  cast  is  determined 
from  the  set  factor,  which  is  given  for  all  figures  shown 
in  the  specimen  sheets  for  figures. 


175  Set  Factor  is  the  set  multiplied  by  unit  width ; 
thus,  the  set  factor  of  a  character  made  for  the  ten- 
unit  row  of  eight-set  is  eighty  (10X8  =  80).    Knowing 
the  set  factor  and  the  set  to  be  used,  to  determine  the 
proper  unit-row  for  any  character  divide  the  set  factor 
by  the  set  to  be  used.   RULE:  Given  the  set  factor  of  a 
Matrix,  to  determine  for  any  set  the  unit-row  of  the  Mat- 
rix Case  in  which  to  carry  this  Matrix.:   divide  the  set 
factor  by  the  set  to  be  used;  the  result  is  the  unit-row  re- 
quired.   If  this  result  contains  a  fraction,  use  the  next 
larger  unit-row.    EXAMPLE:   Set  factor  80.    Find  the 
unit-row  in  which  to  carry  this  Matrix  in  a  Matrix 
Case  used  with  a  nine-set  Normal  Wedge :  80  ^-9  =  8.8, 
therefore  put  the  Matrix  in  the  nine-unit  row. 

Symbols  to  Designate  Width  of  Characters 

176  There  is  no  necessity  to  indicate  minimum 
body  widths  for  any  characters  referred  to  heretofore 
because  for  all  characters  part  of  a  font  (If  167)  the  body 
widths  are  indicated  by  the  set  of  the  face,  which  is  always 
given  on  the  specimen  sheet  of  the  face  (HI 66).    For 
figures  not  part  of  fonts,  the  minimum  width  body  upon 
which  these  figures  can  be  cast  is  indicated  by  the  set  factor 
(HI 75),  which  is  given  on  the  specimen  sheet  show- 
ing the  figure.     We  now  come  to  characters,  signs, 
leaders,  etc.,  which  are  used  with  fonts  of  different 
sets ;  for  such  characters  the  Matrices  are  marked  with 
the  minimum  width  for  the  body. 

177  Set-size  is  indicated,  for  signs,  dashes,  leaders, 
and  similar  characters,  by  letters  following  the  number 
on  the  Point  Side  of  the  Matrix  that  designates  the 
point-size  of  the  character;   caps  are  used  for  whole 
sets  and  lower  case  for  fractions  of  a  set,  thus  : 

Z  indicates    5-set  S   indicates  12-set 

Y  indicates    6-set  R  indicates  13-set 

X  indicates    7-set  Q  indicates  14-set 

W  indicates    8-set  P  indicates  1 5-set 

V  indicates    9-set  O  indicates  1 6-set 

U  indicates  10-set  N  indicates  1 7-set 

T  indicates  1 1-set  M  indicates  1 8-set 

These  cap  letters  are  followed  by  lower  case  to  desig- 
nate fractions  of  a  set;  a  indicates  one-quarter-set,  b 
one-half-set,  and  c  three-quarter-set.  For  example:  a 
Matrix  marked  Point  Side  8Wa  is  an  eight-point  eight- 
and-one-quarter-set  character;  10Ub  indicates  a  ten- 
point  ten-and-one-half-set  character,  and  7Xc  mean 
seven-point  seven-and-three-quarter-set. 

178  Unit  Values  are  designated,  for  signs,  dashes, 
leaders,  etc.,  by  a  lower  case  letter  on  the  Series  Side  of 
the  Matrix;  this  letter  indicating  the  unit  value  follows 
the  series  number  of  the  character,  just  as  the  letters 
indicating  the  set-size  follow  the  number  for  the  point- 
size  on  the  Point  Side  of  the  Matrix,  as  explained  in 
the  preceding  paragraph. 


a  indicates 
b  indicates 
C  indicates 
d  indicates 
6  indicates 
f  indicates 
g  indicates 
h  indicates 
i  indicates 


4  units 

5  units 

6  units 

7  units 

8  units 

9  units 

10  units 

1 1  units 

12  units 


j  indicates 

k  indicates 

I  indicates 

ITI  indicates 

n  indicates 

O  indicates 

p  indicates 

q  indicates 

r  indicates 


13  units 

14  units 

15  units 

16  units 

17  units 

18  units 

19  units 

20  units 

21  units 


S  indicates  22  units 


Thus,  an  eight-point  eight-and-one-half-set  eighteen- 
unit  sign  of  the  No.  10  series  of  signs  (P  is  the  designat- 


30      MATRIX        SYMBOLS 


ing  letter  for  signs,  see  1[119)  would  be  marked  thus: 
Point  Side  8Wb,  Series  Side  10Po.  Note:  If  this  sign 
were  of  the  same  set  as  its  point-size  (8-point  8-set), 
the  o  indicating  eighteen  units  is  omitted  from  the 
Series  Side,  and  the  Matrix  would  be  symboled  Point 
Side  8W,  Series  Side  10P;  thus  "point-set"  characters 
(those  cast  on  square  body)  are  easily  identified  be- 
cause they  carry  no  lower  case  letter  on  the  Series  Side 
to  indicate  unit-row. 

179  Inferior  and  Superior  Fonts  are  symboled  on 
the  Series  Side  of  the  Matrix,  exactly  the  same  as  the 
regular  characters  of  the  series  to  which  these  Mat- 
rices are  inferior  or  superior,  but  designating  letters 
are  used  on  the  Point  Side  of  the  Matrix,  thus : 

B,  following  the  number  designating  the  point-size  of  the 

Matrix,  indicates  superior  caps  and  figures. 

C,  in  the  same  way,  indicates  superior  lower  case. 

D,  indicates  inferior  caps  and  figures. 

E,  indicates  inferior  lower  case. 

It  is  unnecessary  to  mark  the  set-size  of  superior  and 
inferior  characters  on  the  Point  Side  of  the  Matrix  be- 
cause such  characters  are  of  the  same  set  as  the  series 
to  which  they  belong.  Superior  and  inferior  characters 
are  marked  on  the  Series  Side  of  the  Matrix  to  indi- 
cate their  unit  value;  the  symboling  of  these  char- 
acters will  be  clear  from  the  following:  A  ten-point 
superior  cap,  or  figure,  of  the  same  design  as  the  No. 
8A  series,  and  made  for  use  with  that  face  in  the  eight- 
unit  row,  would  be  symboled  Point  Side  10B,  Series 
Side  8Ae;  the  B  on  the  Point  Side  indicates  a  superior 
cap  and  the  e  on  the  Series  Side  indicates  that  this 
letter  is  carried  in  the  eight-unit  row  (H 1 78)  when  used 
with  the  8A  series.  Similarly,  an  eight-point  inferior 
lower-case  letter  for  the  8A  series,  for  use  in  the  five- 
unit  row,  is  marked  Point  Side  8E,  Series  Side  8Ab. 

180  Opening  and  Closing  Quotes:  As  explained 
in  f  167  two  sizes  of  these  quotes  are  furnished  with 
Roman  fonts;   Italic  uses  the  same  quotes  as  Roman 
and  only  one  size  of  quotes  is  required  for  Boldfaces. 
The  five-  and  seven-unit  quotes  are  distinguished  by 
the  letters  indicating  unit  sizes  (H  1 78)  being  added  to 
the  series  symbol;    b  for  the  five-unit  and  d  for  the 
seven-unit,  thus:   Five-unit  quote  for  eight-point  8A 
series  is  marked  Point  Side  8Wb,  Series  Side  8Ab. 
Note:  Since  the  same  quotes  may  be  used  with  differ- 
ent faces,  the  letters  Wb  are  marked  on  the  Point  Side 
to  indicate  the  set-size  of  this  face  (8>£-set,  see  1177). 

181  Borders  and  Ornaments:  Designating  letter, 
N .   Since  these  Matrices  are  usually  made  for  point-set 
(set-size  same  as  point-size:  8-point  8-set),  the  letters 
to  indicate  set-size  (11177)  and  unit-row  (If  178)  are 
rarely  used ;  of  course,  these  letters  would  be  used  for 
any  borders  and  ornaments  not  point-set.    A  ten-point 
ten-set  border  No.  15  in  our  series  of  borders  would 
be  marked  Point  Side  10,  Series  Side  15N. 

182  Signs:  Designating  letter,  P.  Like  borders  and 
ornaments  (^[181),  the  letters  to  indicate  set-size  and 
unit-row  are  not  used  for  signs  on  point-set  body.   A 
ten-point  plus  mark  of  the  No.  10  series  of  signs,  being 
on  ten-point  ten- set  body,  would  be  symboled  Point 
Side  10,  Series  Side  10P;   an  eight-point  asterisk  (8- 
set,  6-unit  character)  of  the  No.  40  series  of  signs  carries 
the  letters  indicating  set-  and  unit-size  thus :  Point  Side 
8W,  Series  Side  40Pc. 


183  Logotypes:  Designating  letter,  Q.  The  follow- 
ing applies  to  special  logotypes  like  AM,  and  not  to  the 
diphthongs  and  the  "f"  ligatures,  or  similar  letter 
combinations,  for  use  with  a  particular  font,  which  are 
symboled  as  part  of  the  font  with  which  they  are  used 
(  H  1  67)  .  EXAMPLE  :  the  ten-point  logotype  AM  of  the  No. 
10  series  of  signs  is  marked  Point  Side  10U,  Series  Side 
1  0Q  ;  since  this  character  is  on  point-set  body,  the  letter 
o  to  indicate  eigh  teen-unit  row  is  not  used. 

184  Dashes:  Designating  letter,  R.    The  ten-point 
ten-set  dash  of  the  No.  1  0  series  of  dashes  is  symboled 
Point  Side  10U,  Series  Side  10R,  the  U  indicating  ten- 
set  (HI  77).    The  same  dash  for  ten-point  and  eight 
units  of  ten-and-one-quarter-set  is  marked  Point  Side 
10Ub,  Series  Side 


185  Leaders:  Designating  letter,  R.  All  leaders,  be- 
ing driven  to  the  same  Matrix  line,  can  be  used  with 
Matrices  of  any  point-size  (H38),  and  consequently 
there  is  no  point-size  for  leaders;  the  only  marks  on 
the  Point  Side  are  those  required  to  indicate  set.  Thus, 
a  ten-set  eighteen-unit  leader  of  the  No.  20  series  of 
leaders  is  marked  Point  Side  U,  Series  Side  20R;  the 
letter  o  to  indicate  eighteen  units  is  not  required  on 
the  Series  Side  (HI  78).     The  same  kind  of  a  leader 
for  ten  units  of  nine-and-three-quarter-set  would  be 
marked  Point  Side  Vc,  Series  Side  20  Rg. 

186  Brackets,  Parentheses,  Braces,   and  Piece 
Braces:  Designating  letter,  S.    The  ten-point  bracket 
of  the  No.  10  series  of  brackets  made  to  cast  on  seven 
units  of  ten-set  is  symboled  Point  SidelQV,  Series  Side 
10Sd. 

187  Cross-Rule  Matrices  (H43)  :  Designating  let- 
ter, T.    The  six-point  six-set  parallel  oross  (#)  is  sym- 
boled Point  Side  6Y,  Series  Side  T8E8;  see  specimen 
sheet  of  these  Matrices  for  details  of  method  of  mark- 
ing these  special  matched  Matrices. 

188  Unclassified  Characters:  The  letter  X  is  re- 
served for  characters  that  may  be  made  for  which  the 
letters  on  the  Series  Side  (A  to  T)  do  not  apply.   The 
X  would  be  used  in  combination  with  the  letters  to 
indicate  set-  (HI  77)  and  unit-size  (HI  78). 


Electro  Display  Matrix  Symbols 


Point-Size 


Series  No. 


189  All  the  above  refers 
to  Composition  Matrices 
for  the  casting  of  type  in 
justified  lines,  as  well  as 
type  for  the  cases.  No 
letters  are  used  fcr  mark- 
ing Electro  Display  Mat- 
rices for  casting  type  fcr 
the  cases.  In  the  upper  left 
corner  (Fig.  20)  is  stamped 
the  point-size,  and  in  the 
upper  right  corner  the  ser- 
ies number.  The  two  num- 
bers at  the  bottom  of  the 
Matrix  indicate  the  Wedge  positions  to  make  the  cor- 
rect body  size  for  this  character.  As  explained  in  H52, 
the  Italic  of  a  face  in  Electro  Display  Matrices  is  indi- 
cated by  the  figure  1  added  to  the  series  number;  thus, 
the  Italic  for  the  37E  series  in  Composition  Matrices  is 
symboled  371  in  Display  Matrices. 


Wedge  positions 

FIGURE  20 
Electro  Display  Matrix  Symbols 


MATRIX  CASE  ARRANGEMENTS       31 

The  following  tabulation  gives  the  characters  carried  in  the  Matrix  Case  for  the 
different  standard  Matrix  Case  arrangements;  for  details  of  the  position  of  these 
characters  in  the  Matrix  Case  see  our  book,  "The  Monotype  System."  The  Key- 
bars  (^[32)  and  Stopbars  (^[33)  required  are  specified  for  each  arrangement;  where 
the  arrangement  requires  Matrices  for  modified  characters  (1J40),  this  also  is  noted. 

Matrix  Case  Arrangements  for  Standard  Stopbars 


Arrangement  C 

Roman  caps,  small  caps,  and  Lower  case  with  Italic  caps  and  lower  case 
ABCDEFGHIJKLMNOPQRSTUVWXYZ&,E(E 

ABCDEFGHIJKLMNOPQRSTUVWXYZ&^CB 

abcdefghijklmnopqrstuvwxyzaecefiffflffiffi  .  ,  -  :  ;  's  J  J  J  !  ? 
ABCDEFGHIJKLMNOPQRSTUVWXYZ&&CE 
abcdef  ghijklmnopqrstuvwxyzcecefiffflffiffl  :  ;  !  ? 
7890M}<K*tt1II%£n>">A-UL?1.0."1.  [  ]  (  )  $1234567890 
Stopbars  S>  RIGHT 

Keybank  C—Keybars  C 
I  Keybutton  Clip 


LEFT 

Keybank  C—Keybars  C 
3  Keybutton  Clips 


Arrangement  Cl 


Roman  caps,  small  caps,  and  lower  case  with  Boldface  (Cl)  caps  and 

lower  case 
ABCDEFGH  IJ  KLMNOPQRSTUVWX  YZ&^ECE 

ABCDEFGHIJKLMNOPQRSTUVWXYZ&^ffi 

abcdefghijklmnopqrstuvwxyzaecefiffflffiffl  .  ,-  :  ;J}  J  J  !  ? 
ABCDEFGHIJKLMNOPQRSTUVWXYZ&>ECE 

abcdef  ghi  jk  I  mnopqrstuvwxyzaecefiff  flff  iff  I  .,-::''!? 
$l234567890M^K*1tl%ft)0i-u-?  .".  [  ]  (  )  $1234567890 

LEFT  Stopbars  S5  RIGHT 

Keybank  C  —  Keybars  C  Keybank  C  —  Keybars  Cl 

7  Keybutton  Clips  3  Keybutton  Clips 

Arrangement  C2 

Roman  caps,  small  caps,  and  lower  case  with  Boldface  (C2)  caps  and 
lower  case 

ABCDEFGHIJKLMNOPQRSTUVWXYZ&/E(E 

ABCDEFGH  I  J  KLMNOPQRSTUVWXYZ 

abcdef  ghijklmnopqrstuvwxyzaeoefiffflffiffl  •  ,  -  :  ;  5  }  5  J  !  ? 

ABCDEFGH  I  JKLMNOPQRSTUVWXYZ&XtCZ 

abcdef  ghijklmnopqrstuvwxyzaeaefiffflffiffl  .,-:;•'!? 

$1234567890*tifl%lb'°i  -"-?  '.«  .'«  [  ]  (  )S1234567890 

LEFT  Stopbars  Sf  RIGHT 

Keybank  C—Keybars  C  Keybank  C—Keybars  C2 

on  Cli 


3  Keybutton  Clips 


9  Keybutton  Clips 


Arrangement  C3  , 

Roman  caps,  small  caps,  and  lower  case  with  text  letter  (C3)  caps  and 
lower  case 

ABCDEFGH  I  J  KLMNOPQRSTUVWX  YZ&E(E 

ABCDEFGHIJKLMNOPQRTUVWXY& 

abcdefghijklmnopqrstuvwxyzaeoefiffflffiffl  .  ,  -  :  ;  JJ  J  ',  \  ? 


abc6efabuMmnopqrstuvwx?ix«efiffflfFtffl  .,-:;'' 

$1234567890t%0±-u-?1.0."  (  )$1234567890 

LEFT  Stopbars  S5  RIGHT 

Keybank  C—Keybars  C  Keybank  C—Keybars  C3 

II  Keybutton  Clips  13  Keybutton  Clips 

Arrangement  C4 

Roman  caps  and  lower  case  with  Boldface  (C4)  caps  and  lower  case 

ABCDEFGHIJKLMNOPQRSTUVWXYZ&yECE 
abcdef  ghijklmnopqrstuvwxyzaecefiffflffiffl  .,-:;<<•  j  I  ? 

ABCDEFGHIJKLMNOPQRSTUVWXYZ&/ECE 
abcdef  ghijklmnopqrstu  vwxyzsoefiffflff  iff!  .,-:;"!? 
$1234567890MKK*ttt%£tt)OA-u-?1.0.".[]()$12345€7890 

LEFT  Stopbars  Sf  RIGHT 

Keybank  C—Keybars  C  Keybank  C—Keybars  C4 

-     '      on  Clit 


3  Keybutton  Clips 


1 1  Keybutton  Clips 


Arrangement  6C1 

Roman  caps  and  lower  case  with  Italic  caps  and  lower  case  and  Boldface 

(Cl)  caps  and  lower  case 

ABCDEFGHIJKLMNOPQRSTUVWXYZ& 
abcdefghijklmnoprirstuvwxyzfiffflffiffl  .  .  -  :  ;  J '.  \  ? 
ABC1)1:1;C,IIIJKLMNOPQRSTUVWXYZ& 

abcdef p.hijklmnopqrst'iiivxvzfifrfl: ;  1 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

abcdef ghijklmnopqrstuvwxyzfifffl  .,-::"!? 

$  1 2.U.S67890*TTll  *  -"-? '.°  ."  $1234567890 
LEFT  Stopbars  S5  RIGHT 

Keybank  6C1— Keybars  6C1  Keybank  6C1— Keybars  6C1 

I  Keybutton  Clip 


Arrangement  6C2 

Roman  caps  and  lower  case  with  Italic  caps  and  lower  case  and  Boldface 
(C2)  caps  and  lower  case 

ABCDEFGHIJKLMNOPQRSTUVWXYZ& 

abcdefghijklmnopqrstuvwxyzfiffflffiffl  . ,  -  :  ;  J 's  \  ? 

A  BCDEFGH1JKLMNOPQRSTU  V  WX  YZ 

abcdef ghijklmnopqrstuvwxyzfifffl ;  ? 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

abcdefghijklmnopqrstuvwxyzfifffl ..-::"!? 

$1234567890*tPA-UL? .".  0$1234567890 
LEFT  Stopbars  Sf  RIGHT 

Keybank  6C1— Keybars  6C1  Keybank  6C1— Keybars  6C2 

1  Keybutton  Clip  7  Keybutton  Clips 

Arrangement  FC 

French:    Roman  caps,  small  caps,  and  lower  case  with  Italic  caps  and 
lower  case 

ABCCDEFGHIJKLMNOPQRSTUVWXYZ&^XE 

ABCDEFGHIJKLMNOPQRSTUVWXYZ^CE 

aaabccdeeeefghiiijklmnoopqrstuuuvwxyzjecefiffflffiffl .,-:;:;!? 
A  BCDEFGHIJKLMNOPQRSTUVWXYZ&jECE 
aadbcfdeeeefghiiijklmnodpgrstuuuvwxyzaoefiflfjffijffl : ; 

J1234567890X  %'«  »  *•  -"- -  •  '•  f  ]  ( )$1234567890 
LEFT  Stopbars  Sf  RIGHT 

Keybank  FC— Keybars  FC  Keybank  FC— Keybars  FC 

2  Keybutton  Clips 

Arrangement  FC1 

French:    Roman  caps,  small  caps,  and  lower  case  with  Boldface  (Cl) 
caps  and  lower  case 

ABC  CDEFGH  u  KLMNOPQRSTUVWX  YZ&^CE 

A  BDEGH I J  KMNORS  VW  YZ.SCE 

aaabccdeeeefghiiijklmnoopqrstuuuvwxyzaecefiffflffiffl . ,  -  : :  1 1 !  ? 
ABCCDEFGH IJ  KLMNOPQRSTUVWX  YZ&XECE 

aaabccdceecf  ghi  li  jk  Im  noopqrstu  u  u  v  wxyzaeoef  iff  f  Iff  iff  I ..-:;"!? 

1234567890>i%«  »-"-'. '•  ( )  1234567890 
LEFT  Stopbars  Sf  RIGHT 

Keybank  FC— Keybars  FC  Keybank  FC— Keybars  FC1 

4  Keybutton  Clips  14  Keybutton  Clips 

Arrangement  FC2 

French:    Roman  caps,  small  caps,  and  lower  case  with  Boldface  (C2) 

caps  and  lower  case 
ABCCDEFGHIJKLMNOPQRSTUVWXYZ&^XE 

ABCDEH  J  KLMNORSU  WX  YZ 

aaabccdeeeefghiiijklrnnoopqrstuufivwxyzcefiffflffiffl  .,-:;::!? 
ABCDEFGHIJKLMNOPQRSTUVWXYZ& 

aaabccdeeeetgh  iiij  k  I  m  noopqrstu  u  uvwxyzaecef  iff  f  Iff  iff  I .,-:;"!? 

$1234567890%'] «  »*-"-? .'».[]( ) $1234567890 
LEFT  Stopbars  Sf  RIGHT 

Keybank  FC— Keybars  FC  Keybank  FC— Keybars  FC2 

2  Keybutton  Clips  13  Keybutton  Clips 

Arrangement  GC1 

German:    Lightface  caps  and  lower  case  with  Boldface  caps  and  lower 


aabcbefflhiiflmnoSpqrfStutt&mnHiWfiffilllfiffftfil}  ., 


. 
(  )*t§ 

c-& 

[](  )*t§ 

$1234567890,4  XH*  -"-''."  ."-  $1234567890 

LEFT  Stopbars  Sf  RIGHT 

Keybank  GC—  Keybars  GC  Keybank  GC—  Keybars  GC 

Arrangement  SC 

Spanish:   Roman  caps,  small  caps,  and  lower  case  with  Italic  caps  and 
lower  case 

ABCDEFGHIJKLMNNOPQRSTUVXYZ& 

ABCDEFGHIJKLMNfioPQRSTUWXYZft 

aabcdeefghiijlmnfloopqrstuuuvwxyzfi  .  ,  -  :  ;  5  J  !  ?  I  i 
ABCDEFGHIJKLMNfiOPQRSTUVXYZb' 

a&bcdeefRhiijlmnflodpqrstuuiimvxyzfi  :  :  !  1  1  1 


LEFT  Stopbars  «S5  RIGHT 

Keybank  SC—  Keybars  SC  Keybank  SC—  Keybars  SC 

1  Keybutton  Clip 


32      MATRIX  CASE  ARRANGEMENTS 


Arrangement  SCI 

Spanish:    Roman  caps,  small  caps,  and  lower  case  with  Boldface  (Cl) 

caps  and  lower  case 
ABCDEFGHIJKLMNNOPQRSTUVXYZ& 

ABDEGH  I J  KMNN  ORSUWXZ& 

aabcdeefghiijlmnnoopqrstuuuvwxyzfi  . ,  -  :  ;  J  J !  ?  1 1 
ABCDEFGHIJKLMNNOPQRSTUVXYZ& 

aabcdcefghiijlmnnoopqrstuuiivwxyzfi  .,-:;''!?; i 
$1234567890MKKX^H^^?imo%1Ilbi-u-? .".[]  ()$1234567890 

LEFT  Stopbars  S5  RIGHT 

Keybank  SC—Keybars  SC  Keybank  SC—Keybars  SCI 

1  Keybutton  Clip  1  Keybutton  Clip 


Arrangement  SC2 

Spanish:   Roman  caps,  small  caps,  and  lower  case  with  Boldface  (C2) 
caps  and  lower  case 

ABCDEFGHIJKLMNNOPQRSTUVXYZ& 

ABCDEFGHIJKLMNNOPQRSTUWXYZ4 

ABCDEFGHIJKLMNNOPQRSTUVXYZ& 

aabcdeefghii  jlmnhoopqrstuuuvwxyzfi  .,-:;"  I  ?  U 

$1234567890Kx<K>iHHHK?i1")l'tt>A-'^?  •'*[](  )$1234567890 

LEFT  Stopbars  Sf  RIGHT 

Keybank  SC—Keybars  SC  Keybank  SC—Keybars  SC2 

3  Keybutton  Clips  1  Keybutton  Clip 


Matrix  Case  Arrangements  for  Special  Stopbars 
Arrangement  UC  Arrangement  WC2 


Tabular  —  for  even  sets,  gives  four  nine-unit  rows:  Roman  caps,  small 
caps  (or  Gothic  caps),  and  lower  case  with  Italic  caps  and  lower 
case:  Modified  characters 

ABCDEFGH  IJ  KLM  NOPQRSTU  VWX  YZ&.ECE 

HIJKMNQRSUWYZ&.EIE 

abcdefghijklmnopqrstuvwxyzfiffflffiffl  .  ,  -  :  ;  J}  J  J  !  ? 

ABCDEFGHIJ  KLMNOPQRSTUVWXYZ&&(E 

abcdef  ghijklmnofujrstuvwxyztetfAfffljffiffl  .','/? 

" 


LEFT 

Keybank  C—Keybars  UC 
14  Keybutton  Clips 


J   M   L  I  / 

£tbJUl  -"-!'0" 
Stopbars  S27 


.[  ]  ()"$1234567890 

RIGHT 

Keybank  C—Keybars  C 
1  Keybutton  Clip 


Arrangement  UC1 

Tabular  —  for  even  sets,  gives  four  nine-unit  rows:  Roman  caps,  small 
caps  (or  Gothic  caps),  and  lower  case  with  Boldface  (Cl)  caps  and 
lower  case:  Modified  characters 

ABCDEFGHIJ  KLMNOPQRSTUVWX  YZ&ECE 

HIJ  KMNRSU  WZ&  .-E(E 

abcdefghijklmnopqrstuvwxyzfiffflffiffl  .  .  -  :  ;  j  7  s  7  !  ? 
ABCDEFGHIJKLMNOPQRSTUVWXYZ&XECE 

abcdef  ghi  jklmnopqrstuvwxyza?oefiffflff  iff  I  .,-:;"!? 

$1234567890^  K^*ttHI%tt>4  *  -»*-!  T  '.°  .".[]()  "$1234567890 

LEFT  Stopbars  S27  RIGHT 

Keybank  C—Keybars  UC  Keybank  C—Keybars  Cl 

1  4  Keybutton  Clips  3  Keybutton  Clips 

Arrangement  UC2 

Tabular—  for  even  sets,  gives  four  nine-unit  rows:  Roman  caps,  small 
caps  (or  Gothic  caps),  and  lower  case  with  Boldface  (C2)  caps  and 
lower  case:  Modified  characters 

ABCDEFGH  I  J  KLM  NOPQRSTUVWXYZ&jEffi 

HIJKMNQRSUWYZ 

abcdefghijklmnopqrstuvwxyzfiffflffiffl  .  ,  -  :  ;  J  }  J  {  !  ? 

ABCDEFGHIJKLMNOPQRSTUVWXYZ&XECE 

abcdef  ghijklmnopqrstuvwxyzaeoefiffflffiffl  .,-:;"!? 

$1234567890*tt11%lbt±-I1-^''.".[]()"$1234567890 

LEFT  Stopbars  S27  RIGHT 

Keybank  C—Keybars  UC  Keybank  C—Keybars  C2 

14  Keybutton  Clips  9  Keybutton  Clips 

Arrangement  WC 

Tabular  —  transforms  eight-and-one-half-set  faces  into  eight-set:  Roman 
caps,  small  caps  (or  Gothic  caps),  and  lower  case  with  Italic  caps 
and  lower  case:  Modified  characters 

ABCDEFGHIJKLMNOPQRSTUVWXYZ&jECE 

ABDEGHIJKMNQRUVWXY&xE<E 

abcdefghijklmnopqrstuvwxyzfiffflffiffl  .,-:;««!? 

A  BCDEFGHIJ  KLMNOPQRSTU  V  WX  YZ&AXE 

abcdef  ghijklmnopqrstuvwxyzaoefiffflffiffl  :  ;  !  t 

I    J    f   i    1    1    I      ' 
-"-'>'    ' 


) 
*W 


LEFT  Stopbars  S29  RIGHT 

Keybank  C—Keybars  WC  Keybank  C—Keybars  C 

17  Keybutton  Clips  1  Keybutton  Clip 


Arrangement  WC1 


Tabular  —  transforms  eight-and-one-half-set  faces  into  eight-set:  Roman 
caps,  small  caps  (or  Gothic  caps),  and  lower  case  with  Boldface  (Cl) 
caps  and  lower  case:  Modified  characters 

ABCDEFGH  IJ  KLMNOPQRSTUVWXYZ&^ECE 

ABDEGHIJKMNRUVWX&^CE 

abcdefghijklmnopqrstuvwxyzfiffflffiffl  .  ,-  :  ;'t  «  ! 
ABCDEFGH  I  J  KLMNOPQRSTU  VWX  YZ&XECE 

abcdef  ghi  jklmnopqrstuvwxyzaeoefiff  flff  iff!  .,-:;''!? 

$1234567890KKK''ltf!%ft)*i-u-?'1.0  .".[](  )"$1234S67890 

LEFT  Stopbars  S29  RIGHT 

Keybank  C—Keybars  WC  Keybank  C—Keybars  Cl 

19  Keybutton  Clips  3  Keybutton  Clips 


Tabular — transforms  eight-and-one-half-set  faces  into  eight-set:  Roman 
caps,  small  caps  (or  Gothic  caps) ,  and  lower  case  with  Boldface  (C2) 
caps  and  lower  case:  Modified  characters 

ABCDEFGH  I J  KLM  NOPQRSTUVWX  YZ&^ECE 

A  BDEGHIJ  KMNQR  U  V  WX  Y 

abcdefX'hijklmnopqrstuvwxyzfiffflffiffl  . ,  -  :  ;'  '-  I 

ABCDEFGHIJKLMNOPQRSTUVWXYZ&XECE 

abcdef  ghi  jklmnopqrstuvwxyzceoefiffflffiffl  .,-:;"!? 

1    M   J    f  M   1  / 

$1234567890*ttt!%tbii-ULf?'.°.18[  ]  ()" $1234567890 
LEFT  Stopbars  S29  RIGHT 

Keybank  C—Keybars  WC  Keybank  C—Keybars  C2 

19  Keybutton  Clips  9  Keybutton  Clips 


Arrangement  YC 


Tabular — transforms  seven-set  faces  into  six-set:  Roman  caps,  small 
caps  (or  Gothic  caps),  and  lower  case  with  Italic  caps  and  lower 
case:  Modified  characters 

ABCDEFGHIJKLMNOPQRSTUVWXYZ& 

ABCDEFGHIJKLMNOPQRSTUVWXYZ& 

abcdefghi.iklmnopqrstuvwxyzfiffflffiffl  .,-:;£«  i  1 1  ? 
ABCDEFGH  IJKLMNOPQRSTUVWXYZ& 

abcdef ghijklmnopqrstuirwxyzfiffflffiffl : ;  t  ? 

$1234567890iH*W  I |£'iJL -**-??? '.". ".[]  ()"$1234567800 

LEFT  Stopbars  S34  RIGHT 

Keybank  C—Keybars  YC  Keybank  C—Keybars  YC 

17  Keybutton  Clips  8  Keybutton  Clips 


Arrangement  YC1 


Tabular — transforms  seven-set  faces  into  six-set:  Roman  caps,  small 
caps  (or  Gothic  caps),  and  lower  case  with  Boldface  (Cl)  caps  and 
lower  case:  Modified  characters 

ABCDEFGH  I J  KLMNOPQRSTUVWX  YZ& 

ABCDEFGHIJ  KLMNOPQRSTUVWXYZ& 

abcdefghijklmnopqrstuvwxyzfiffflffiffl  .,-:;',,,  I  J  !  ? 

ABCDEFGH  IJ  KLMNOPQRSTU  VWX  YZ& 
abcdef  ghi  jklmnopqrstuvwxyzfiffflffiffl  .,-:;"!? 

1    M  J   f  M  I  / 

$123456789(Hi2*tt§1|[  \\%£is-^".  .18.[]  () "$1234567890 

LEFT  Stopbars  S34  RIGHT 

Keybank  C—Keybars  YC  Keybank  C—Keybars  YC1 

18  Keybutton  Clips  10  Keybutton  Clips 


Arrangement  YC2 


Tabular — transforms  seven-set  faces  into  six-set:  Roman  caps,  small 
caps  (or  Gothic  caps),  and  lower  case  with  Boldface  (C2)  caps  and 
lower  case:  Modified  characters 

ABCDEFGH  I J  KLM  NOPQRSTU  VWX  YZ& 

ABCDEFGH  IJ  KLMNOPQRSTUV  WXYZ 

abcdefghijklmnopqrstuvwxyzfiffflffiffl  .,-:;« J  J  J I  ? 

ABCDEFGHIJKLMNOPQRSTUVWXYZ& 
abcdef  ghi  jklmnopqrstuvwxyzfiffflffiffl  .,-:;"!? 

$12345678901  H*tt§H!  ||'ii-ii««?'.o.i»[]  ( )«$1234567890 

LEFT  Stopbars  S34  RIGHT 

Keybank  C—Keybars  YC  Keybank  C—Keybars  YC2 

17  Keybutton  Clips  10  Keybutton  Clips 


Arrangement  NCI 


Newspaper  Ad:    Roman  caps  and  lower  case  with  Boldface  (Cl)  caps 

and  lower  case  and  two-line  figures 

ABCDEFGHIJKLMNOPQRSTUVWXYZ& 

abcdefghijklmnopqrstuvwxyzffffiffl  .  ,  -  :  ;  J }  J  J  !  ? 

ABCDEFGHIJ  KLMNOPQRSTUVWX  YZ& 

abcdef  ghi  jklmnopqrstuvwxyzfffl  .,-:;"!? 

$1234567890! {!*tt0i -^".  .''[]()  $1234567890*  123456780Oc., 


$1234567890c., 


LEFT  Stopbars  SI  5  RIGHT 

Keybank  NC—Keybars  NC  Keybank  NC—Keybars  NCI 

9  Keybutton  Clips  2  Keybutton  Clips 


MATRIX  CASE  ARRANGEMENTS      33 


Arrangement  NC2 

Newspaper  Ad:    Roman  caps  and  lower  case  with  Boldface  (C2)  caps 

and  lower  case  and  two-line  figures 

ABCDEFGHIJKLMNOPQRSTUVWXYZ& 

abcdefghijklmnopqrstuvwxyzfifffl  .  t-  :  .1}  tJJ? 

ABCDEFGHIJKLMNOPQRSTUVWXYZ& 

abcdefghijklmnopqrstuvwxyzfifffl  .,-::"!? 

$l234567890^fHH*1tr-"  .".[]  () $1234567890$  123456789Oc., 

$1234567890c., 

LEFT  Stopbars  SI?  RIGHT 

Keybank  NC—Keybars  NC  Keybank  NC—Keybars  NC2 


Arrangement  6N1 


Newsf>af>er  Ad:  Roman  caps  and  lower  case  with  Italic  caps  and  lower 
case,  Boldface  (CI)  caps  and  lower  case  and  two-line  figures:  Modi- 
fied characters 

ABCDEFGHIJKLMNOPQRSTUVWXY& 

abcdefghijklmnopqrstuvwxyz  . ,  -  : ;  j  5  ? 
ABCDEFGHIJKLMNOPRSTUVWXY& 

abcdefghijklmnopqrstuvwxyz 

ABCDEFGH IJ  KLMNOPQRSTUVWXY& 

abcdefghijklmnoprstuvwxyz . ,  -  : ; 

$1234567890A?( ) $1234567890 


$1234567890c., 


LEFT  Stopbars  SI  5  RIGHT 

Keybank  6Nl—Keybars  6N1  Keybank  6NI— Keybars  6N1 

3  Keybutton  Clips  6  Keybutton  Clips 


Arrangement  6N2 


Newspaper  Ad:  Roman  caps  and  lower  case  with  Italic  caps  and  lower 
case.  Boldface  (C2)  caps  and  lower  case,  and  two-line  figures:  Modi- 
fied characters 

ABCDEFGHIJKLMNOPQRSTUVWXY& 
abcdefghijklmnopqrstuvwxyz  . , -  :  ; '5's  ? 
ABCDEFGHUKLMNOPRSTUVWY 

abcdefghijklmnopqrstuirwxyz : ; 

ABCDEFGHIJKLMNOPQRSTUVWXY& 

abcdefghijklmnopqrstuvwxyz .,-:'' 

$1 234567890*? ( ) $1234567890 


$1234567890c., 


LEFT  Stopbars  SI?  RIGHT 

Keybank  6Nl—Keybars  6N1  Keybank  6NI—  Keybars  6N2 

I  Keybutton  Clip  6  Keybutton  Clips 

Arrangement  FN 

French  Newspaper  Ad:  Roman  caps  and  lower  case  with  Italic  caps  and 

lower  case  and  two-line  figures 

ABCCDEFGHIJKLMNOPQRSTUVWXYZ& 

aaabccdeeeef  ghiiijklmnoopqrstuuuvwxyzfifffl  .,-:;]  J  !? 

ABCCDEFGHIJKLMNOPQRSTUVWXYZ& 

adiabccdeeeefghiiijklmnoopqrsttiuumvxyzfiffflffiffl  :  ;  1  1 

9l234567S901--a-r.[]()$1234567890 

$1234567890c. 

LEFT  Stopbars  SI  5  RIGHT 

Keybank  FN  —  Keybars  FN  Keybank  FN  —  Keybars  FN 

3  Keybutton  Clips 


Arrangement  FN2 


French  Newspaper  Ad:   Roman  caps  and  lower  case  with  Boldface  (C2) 
caps  and  lower  case  and  two-line  figures 

ABCCDEFGHIJKLMNOPQRSTUVWXYZ& 
aaabccdeeeefghiiijklmnoopqrstuuuvwxyzfifffl  .  ,  -  :  ;  <  ',  '.  }  I  ? 

ABCQDEFGHIJKLMNOPQRSTUVWXYZ& 

aaabccdeeeefghiiijklmnoopqrstuuuvwxyzfifffl  .,-:;"!? 

$12345678901  tb°i  -i*-1  '[](  )  $1234567890 

$1234567890c., 

LEFT  Stopbars  SI  5  RIGHT 

Keybank  FN—  Keybars  FN  Keybank  FN—  Keybars  FN2 

Arrangement  SN 

Spanish  Newspaper  Ad:    Roman  caps  and  lower  case  with  Italic  caps 

and  lower  case  and  two-line  figures 

ABCDEFGHIJKLMNNOPQRSTUVWXYZ& 

aabcde6fghiijklmnflo6pqrstuuUvwxyzfi  .  ,  -  :  ;  J  ',  !  ?  |  i 

ABCDEFGHIJKLMNNOPQRSTUVWXYZ&' 

aibcdeefghiijklmnilotipqrstuuuinvxyzfi  :  ;  !  ?  /  1 

$1234567890«>1II%lb'i  -"-!?[]  ()$IZ34567890 

$1234567890c. 

LEFT  Stopbars  SI  5  RIGHT 

Keybank  SN—  Keybars  SN  Keybank  SN—  Keybars  SN 

2  Keybutton  Clips  3  Keybutton  Clips 


Arrangement  SN2 

Spanish  Newspaper  Ad:    Roman  caps  and  lower  case  with  Boldface 
(C2)  caps  and  lower  case  and  two-line  figures 

ABCDEFGH  I  J  KLM  NNOPQRSTUVWXYZ& 
aabcdeefghiijklmnnoopqrstuuuvwxyzfi  .  ,  -  :  ;S  J  I  ?  |  f 

ABCDEFGHIJKLMNNOPQRSTUVWXYZ& 
aabcdeefghiijklmnnoopqrstuuiivwxyzfi  .,-::"!?:; 

$1234567890»°*1J|tt>'*-«-!?[]  (  )  $1234567890 

$1234567890c., 

LEFT  Stopbars  SI  5  RIGHT 

Keybank  SN—  Keybars  SN  Keybank  SN—  Keybars  SN2 

2  Keybutton  Clips  1  Keybutton  Clip 

Arrangement  GN1 

German  Newspaper  Ad:     Lightface  caps  and  lower  case  with  Boldface 
caps  and  lower  case  and  two-line  figures 


. 
aftbcbefgf)iiflmnoo»qrfgtuUBn)rt)3(l)cf  fiffflfiff  ft&fc  .,  =  :;'!?„"() 


. 

aa6cbef86ijflmno6»ntf^tuiiDtt)rD,5rf)cffiffflfiffftftb  .,  =  :;'!?"„(  )  *  § 
$1234567890Hi  ±-a-'  $12345"67890 

$1234567890c. 

LEFT  Stopbars  SI?  RIGHT 

Keybank  GN—  Keybars  GN  Keybank  GN—  Keybars  GNI 

Arrangement  R2 

Cross-rule:    T  series  of  cross-rules  with  Boldface  (CI)  caps  and  lower 
case  and  Gothic  (C2)  caps  and  small  caps:    Modified  characters 

ABCDEFGHIJKLMNOPQRSTUVWXYZ& 

abcdefghijklmnopqrstuvwxyzfiff  flffiffl  ..-:;"!? 
ABCDEFGHIJKLMNOPQRSTUVWXYZa  .,-:;"!? 

ABCDEFGHIJKLMNOPORSTUVWXYZ&  ..-:;"  I  T 

J1234567890S1  234567890SI234567S90  -  "_  -"    = 

-  I  +-L-r  h^  +J-T  H  -~_  I  +J-T  H  +  ^-r  hH 

The  following  characters  are  made  for  use  with  this  Arrangement  and 
furnished  as  side  sorts: 

=  =--~_J      LT      r.|.   -I  -----  HJ      "-n      r14.=  =  =||=fj:i^|(: 

=ll  =U   "=^1   I?n  \l±±=P  ^^  =*==*==?  1==!  *^TT  IhHI  +^T  IHI 

LEFT  Stopbars  SI?  RIGHT 

Keybank  C—  Keybars  R  Keybank  C—  Keybars  R2 

26  Keybutton  Clips  60  Keybutton  Clips 

?6  Additional  Keybutton  Clips 


Arrangement  QC 


Fourteen-  and  Eighteen-Point  Composition:    Roman  caps  and  lower 

case  with  Italic  caps  and  lower  case 
ABCDEFGH  I J  KLM  NOPQRSTUVWX  YZ& 

abcdefghijklmnopqrstuvwxyz  .,-:;'? 

A  BCDEFGHIJ  KLMNOPQ  RSTUV  WX  YZ& 

abcdefghijklmnopqrstuvwxyzfiffl ;  ? 

S1234567890-11-.18. 

LEFT  Stopbars  S500  RIGHT 

Keybank  C— Keybars  QC  Keybank  C— Keybars  QC 

4  Keybutton  Clips  I  Keybutton  Clip 

Arrangement  QC2 

Fourteen-  and  Eighteen-Point  Composition:  Roman  caps  and  tower  case 
with  Boldface  (C2)  caps  and  lower  case 

ABCDEFGH  I J  KLM  NOPQRSTUVWX  YZ& 

abcdefghijklmnopqrstuvwxyz  .,-:;' 

ABCDEFGHIJKLMNOPQRSTUVWXYZ& 

abcdefghijklmnopqrstuvwxyz .,-:'? 

$1234567890-**-.". 

LEFT  Stopbars  S?00  RIGHT 

Keybank  C— Keybars  QC  Keybank  C— Keybars  QC2 

4  Keybutton  Clips  I  Keybutton  Clip 

Plate  Gothic 

Size  No.  1 

ABCDEFGHIJKLMNOPQRSTUVWXYZ& 
$1234567890.,-:;" 

Size  No.  2 

ABCDEFGHIJKLM  NOPORSTUVWXYZa 

J1234567890.,-:  ;'  ' 

Size  No.  3 

ABCDEFGHIJKLMNOPORSTUVWXYZa 

$1234567890  .,-::" 

Size  No.  4 

ABCDEFGHIJKLMNOPORSTUVWXYZa 
IUUK7IM  •  :  :  '  ' 

•?.".  AJt     m  base  of  cap  X 


LEFT 

Keybank  PG—Keybar  PC 


RIGHT 

Keybank  PG—Keybar  PC 


No.  1A.     Book  Arrangement  C 


Composition  Matrices 


6  Point  No.  1A,  6  Set 


MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  comes  after  a  sound  apprenticeship; 
that  which  shall  prove  to  be  the  blending  of  a  firm  conception  of  all  useful  pre- 
cedent and  the  progressive  tendencies  of  an  able  mind.  For,  let  a  man  be  as  able 
and  original  as  he  may,  he  cannot  afford  to  discard  knowledge  of  what  has  gone 
before  or  what  is  now  going  on  in  his  own  trade  and  profession.  If  the  printers 
of  today  do  not  wish  to  be  esteemed  arrogant  when  they  term  this  calling  of  theirs 
an  art,  they  must  be  willing,  and  show  that  they  are  willing,  to  subject  it  to  such 
laws  as  have  made  its  sister  arts  so  free.  All  those  concerned  in  what  are  accepted 
as  the  fine  arts,  the  learned  sciences,  and  professions  surround  themselves  with  the 
history,  literature,  and  concrete  examples  of  the  work  with  which  they  are  particu- 
larly engaged.  Yet  it  is  only  in  rare  instances  that  such  an  atmosphere,  with  its 
material  appurtenances,  is  to  be  found  in  a  printing  office.  Art  does  not  flourish 
in  hidden  places,  nor  under  restraint,  nor  in  ignorance  of  what  talent  and  genius 
have  accomplished  and  are  accomplishing  throughout  the  world.  For  to  follow 
precedent  wisely  does  not  mean  to  imitate  slavishly  one  great  exemplar,  but  to 
study  all  masters  faithfully,  letting  their  great  achievements  sink  slowly  into  the 
mind  in  order  that  we  may  patiently  derive  from  the  richness  of  our  acquired 
knowledge  and  organized  system  an  attitude  of  our  own.  The  sprightly  minded 
young  man,  who  with  his  first  business  breath  projects  the  new  and  startling, 
inevitably  becomes  tiresome,  and  is  driven  to  an  early  disappearance;  while  the 
slower,  more  solidly  endowed  student  will  at  least  spend  as  much  of  his  time  in 
avoiding  mistakes  as  in  evolving  the  brilliant  schemes  wherewith  to  dazzle  his 
contemporaries.  The  best  kind  of  originality  is  that  which  comes  after  a  sound 
apprenticeship;  that  which  shall  prove  to  be  the  blending  of  a  firm  conception  of 
all  useful  precedent  and  the  progressive  tendencies  of  an  able  mind.  For,  let  a 
man  be  as  able  and  original  as  he  may,  be  cannot  afford  to  discard  knowledge  of 
what  has  gone  before  or  what  is  now  going  on  in  his  own  trade  and  profession. 
If  the  printers  of  today  do  not  wish  to  be  esteemed  arrogant  when  they  term  this 
calling  of  theirs  an  art,  they  must  be  willing,  and  show  that  they  are  willing,  to 
subject  it  to  such  laws  as  have  made  its  sister  arts  so  free.  All  those  concerned 
in  what  are  accepted  as  the  fine  arts,  the  learned  sciences,  and  professions  surround 
themselves  with  the  history,  literature,  and  concrete  examples  of  the  work  with 
which  they  are  particularly  engaged.  Yet  it  is  only  in  rare  instances  that  such  an 
atmosphere,  with  its  material  appurtenances,  is  to  be  found  in  a  printing  office.  Art 
does  not  flourish  in  hidden  places,  nor  under  restraint,  nor  in  ignorance  of  what  talent 


12345 


ltS45 


abcdefghijklmnopqrstuvwxyz  67890$ 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

abcdefghijklmnopqrstuvwxyz  678901 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 


8  Point  No.  1A,  7  Set 

MONOTYPE  FACES 


The  best  kind  of  originality  is  that  which  comes  after  a  sound  appren- 
ticeship; that  which  shall  prove  itself  to  be  the  blending  of  a  firm 
conception  of  useful  precedent  and  the  progressive  tendencies  of  an  able 
mind.  For,  let  a  man  be  as  able  and  original  as  he  may,  he  cannot 
afford  to  discard  knowledge  of  what  has  gone  before  or  what  is  now 
going  on  in  his  own  trade  and  profession.  If  the  printers  of  today 
do  not  wish  to  be  esteemed  arrogant,  when  they  term  this  calling  of 
theirs  an  art,  they  must  be  willing,  and  show  that  they  are  willing, 
to  subject  it  to  such  laws  as  have  made  its  sister  arts  so  free.  All 
those  concerned  in  what  are  accepted  as  the  fine  arts,  the  learned 
sciences,  and  professions  surround  themselves  with  the  history,  litera- 
ture, and  concrete  examples  of  work  with  which  they  are  particularly 
engaged.  Yet  it  is  only  in  very  rare  instances  that  such  an  atmos- 
phere, with  its  material  appurtenances,  is  to  be  found  in  a  printing 
office.  Art  does  not  flourish  in  hidden  places,  nor  under  restraint, 
nor  in  ignorance  of  what  talent  and  genius  have  accomplished  and  are 
accomplishing  throughout  the  world.  For  to  follow  precedent  wisely 
does  not  mean  to  imitate  slavishly  one  great  exemplar,  but  to  study 
all  the  masters  faithfully,  letting  their  great  achievements  sink  slowly 
into  the  mind  in  order  that  we  may  patiently  derive  from  the  richness 
of  our  acquired  knowledge  and  organized  system  an  attitude  of  our 
own.  The  sprightly  minded  young  man,  who  with  his  first  business 
breath  projects  the  new  and  startling,  inevitably  becomes  tiresome, 
and  is  driven  to  an  early  disappearance;  while  the  slower  and  more 
solidly  endowed  student  will  at  least  spend  as  much  of  his  time  in  avoiding 
mistakes  as  in  evolving  brilliant  schemes  wherewith  to  dazzle  his  contem- 


12345 


abcdefghijklmnopqrstuvwxyz 
ABCDEFGHIJKLMNOPQRSTUVWXYZ 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

abcdefghijklmnopqrstuvwxyz 
ABCDEFGHIJKLMNOPQRSTUVWXYZ 


67890$ 


10  Point  No.  1A,  9  Set 


MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  comes  after 
a  sound  apprenticeship;  that  which  shall  prove  itself 
to  be  the  blending  of  a  firm  conception  of  useful  pre- 
cedent and  the  progressive  tendencies  of  an  able  mind. 
For,  let  a  man  be  as  able  and  original  as  he  may,  he 
cannot  afford  to  discard  knowledge  of  what  has  gone 
before  or  what  is  now  going  on  hi  his  own  trade  and  pro- 
fession. If  the  printers  of  today  do  not  wish  to  be 
esteemed  arrogant  when  they  term  this  calling  of  theirs 
an  art,  they  must  be  willing,  and  show  that  they  are 
willing,  to  subject  it  to  such  laws  as  have  made  its  sister 
arts  so  free.  All  those  concerned  in  what  are  accepted 
as  the  fine  arts,  the  learned  sciences,  and  the  professions 
surround  themselves  with  the  history,  literature,  and  con- 


MONOTYPE  FACES 


The  best  kind  of  originality  is  that  which  comes  after 
a  sound  apprenticeship;  that  which  shall  prove  itself 
to  be  the  blending  of  a  firm  conception  of  useful  pre- 
cedent and  the  progressive  tendencies  of  an  able  mind. 
For,  let  a  man  be  as  able  and  original  as  he  may,  he 
cannot  afford  to  discard  knowledge  of  what  has  gone 
before  or  what  is  now  going  on  in  his  own  trade  and  pro- 
fession. If  the  printers  of  today  do  not  wish  to  be 
esteemed  arrogant  when  they  term  this  calling  of  theirs 
an  art,  they  must  be  willing,  and  show  that  they  are 
willing,  to  subject  it  to  such  laws  as  have  made  its  sister 
arts  so  free.  All  those  concerned  in  what  are  accepted 
as  the  fine  arts,  the  learned  sciences,  and  professions 
surround  themselves  with  the  history,  literature,  and 
concrete  examples  of  work  with  which  they  are  par- 
ticularly  engaged.  Yet  it  is  only  in  very  rare  instances 
that  such  an  atmosphere,  with  its  material  appurtenances, 


12345  abcdefghijklmnopqrstuvwxyz         67890$ 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

12345  abcdefghijklmnopqrstuvwxyz  67890$ 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 


No.  4A.     Book  Arrangement  C 


Composition  Matrices 

10  Point  No.  4A,  10  Set 


MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  comes 
after  a  sound  apprenticeship;  that  which  shall 
prove  to  be  the  blending  of  a  firm  conception 
of  all  useful  precedent  and  the  progressive  ten- 
dencies of  an  able  mind.  For,  let  a  man  be  as 
able  and  original  as  he  may,  he  cannot  afford  to 
discard  knowledge  of  what  has  gone  before  or 
what  is  now  going  on  in  his  own  trade  and  pro- 
fession. If  the  printers  of  today  do  not  wish  to 
be  esteemed  arrogant  when  they  term  this  calling 
of  theirs  an  art,  they  must  be  willing,  and  show 
that  they  are  willing,  to  subject  it  to  such  laws  as 
have  made  its  sister  arts  so  free.  All  those  who  are 
concerned  in  what  are  accepted  as  the  fine  arts, 
the  learned  sciences,  and  the  professions  surround 
themselves  with  the  history,  the  literature,  and 
concrete  examples  of  the  work  with  which  they  may 
be  particularly  engaged.  Yet  it  is  only  in  very  rare 


MONOTYPE  FACES 


The  best  kind  of  originality  is  that  which  comes 
after  a  sound  apprenticeship;  that  which  shall 
prove  to  be  the  blending  of  a  firm  conception 
of  all  useful  precedent  and  the  progressive  ten- 
dencies of  an  able  mind.  For,  let  a  man  be  as 
able  and  original  as  he  may,  he  cannot  afford  to 
discard  knowledge  of  what  has  gone  before  or 
what  is  now  going  on  in  his  own  trade  and  pro- 
fession. If  the  printers  of  today  do  not  wish  to 
be  esteemed  arrogant  when  they  term  this  calling 
of  theirs  an  art,  they  must  be  willing,  and  show 
that  they  are  willing,  to  subject  it  to  such  laws  as 
have  made  its  sister  arts  so  free.  All  those  who  are 
concerned  in  what  are  accepted  as  the  fine  arts, 
the  learned  sciences,  and  the  professions  surround 
themselves  with  the  history,  the  literature,  and 
concrete  examples  of  the  work  with  which  they  are 
particularly  engaged.  Yet  it  is  only  in  very  rare 
instances  that  such  an  atmosphere,  with  its  mate- 
rial  appurtenances,  is  to  be  found  in  the  printing 
office.  Art  does  not  flourish  in  hidden  places,  nor 


12345       abcdefghijklmnopqrstuvwxyz       67890$ 
ABCDEFGHIJKLMNOPQRSTUVWXYZ 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

12345         abcdefghijklmnopqrstuvwxyz         67890$ 
ABCDEFGHIJKLMNOPQRSTUVWXYZ 


No.  5A.     Book  Arrangement  C 


Composition  Matrices 


Point  No.  5A,  1\  Set 


MONOTYPE  PACES 

The  best  kind  of  originality  is  that  which  comes  after  a  sound  ap- 
prenticeship; that  which  shall  prove  to  be  the  blending  of  a  firm 
conception  of  all  useful  precedent  and  the  progressive  tendencies  of 
an  able  mind.  For,  let  a  man  be  as  able  and  original  as  he  may, 
he  cannot  afford  to  discard  knowledge  of  what  has  gone  before  or 
what  is  now  going  on  in  his  own  trade  and  profession.  If  the 
printers  of  today  do  not  wish  to  be  esteemed  arrogant  when  they 
term  this  calling  of  theirs  an  art,  they  must  be  willing,  and  show 
that  they  are  willing,  to  subject  it  to  such  laws  as  have  made  its 
sister  arts  so  free.  All  those  concerned  in  what  are  accepted  as  the 
fine  arts,  the  learned  sciences,  and  professions  surround  themselves 
with  the  history,  literature,  and  concrete  examples  of  the  work 
with  which  they  are  particularly  engaged.  Yet  it  is  only  in  rare 
instances  that  such  an  atmosphere,  with  its  material  appurtenances, 
is  to  be  found  in  a  printing  office.  Art  does  not  flourish  in  hid- 
den places,  nor  under  restraint,  nor  in  ignorance  of  what  talent 
and  genius  nave  accomplished  and  are  accomplishing  throughout 
the  world.  For  to  follow  precedent  wisely  does  not  mean  to  imitate 
slavishly  one  great  exemplar,  but  to  study  all  masters  faithfully, 
letting  their  great  achievements  sink  slowly  into  the  mind  in  order 
that  we  may  patiently  derive  from  the  richness  of  our  acquired 
knowledge  and  organized  system  an  attitude  of  our  own.  The 
sprightly  minded  young  man,  who  with  his  first  business  breath 
projects  the  new  and  startling,  inevitably  becomes  tiresome,  and  is 
driven  to  an  early  disappearance;  while  the  slower,  more  solidly 
endowed  student  will  at  least  spend  as  much  of  his  time  in  avoiding 
mistakes  as  in  evolving  brilliant  schemes  wherewith  to  dazzle  his 
contemporaries.  The  best  kind  of  originality  is  that  which  comes 
after  a  sound  apprenticeship;  that  which  shall  prove  to  be  the 
blending  of  a  firm  conception  of  all  useful  precedent  and  the  pro- 
gressive tendencies  of  an  able  mind.  For,  let  a  man  be  as  able  and 
original  as  he  may,  he  cannot  afford  to  discard  knowledge  of  what  has 
gone  before  or  what  is  now  going  on  in  his  own  trade  and  profession.  If 


12345 


67890$ 


abcdefghijklmnopqrstuvwxyz 
ABCDEFGHIJKLMNOPQRSTTJVWXYZ 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

abcdefghijklmnopqrstuvwxyz  67890$ 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

Ems  a  to  z  16.92  Words  to  Pica  .61 


12345 


6  Point  No.  5A,  7f  Set 


MONOTYPE   PACES 

The  best  kind  of  originality  is  that  which  comes  after  a  sound 
apprenticeship ;  that  which  shall  prove  itself  to  be  the  blending 
of  a  firm  conception  of  all  useful  precedent  and  the  progressive 
tendencies  of  an  able  mind.  For,  let  a  man  be  as  able  and 
original  as  he  may,  he  cannot  afford  to  discard  knowledge  of 
what  has  gone  before  or  what  is  now  going  on  in  his  own  trade 
and  profession.  If  all  the  printers  of  today  do  not  wish  to  be 
esteemed  arrogant  when  they  term  this  calling  of  theirs  an  art 
they  must  be  willing,  and  show  that  they  are  willing,  to  subject 
it  to  such  laws  as  have  made  its  sister  arts  so  free.  All  those 
concerned  in  what  are  accepted  as  the  fine  arts,  the  learned 
sciences,  and  professions  surround  themselves  with  the  history, 
literature,  and  concrete  examples  of  the  work  with  which  they 
are  particularly  engaged.  Yet  it  is  only  in  very  rare  instances 
that  such  an  atmosphere,  with  all  its  material  appurtenances, 
is  to  be  found  in  a  printing  office.  Art  does  not  flourish  in 
hidden  places,  nor  under  restraint,  nor  in  ignorance  of  all  that 
talent  and  genius  have  accomplished  and  are  now  accomplishing 
throughout  the  world.  For  to  follow  all  precedent  wisely  does 
not  mean  to  imitate  slavishly  one  great  exemplar,  but  to  study 
all  the  masters  faithfully,  letting  their  great  achievements  sink 
slowly  into  the  mind  in  order  that  we  may  patiently  derive 
from  the  richness  of  all  our  acquired  knowledge  and  organized 
system  an  attitude  of  our  own.  The  sprightly  minded  young 
man,  who  with  his  first  business  breath  projects  the  new  and 
the  startling,  inevitably  becomes  tiresome,  and  is  driven  to  an 
early  disappearance ;  while  the  slower,  the  more  solidly  endowed 
student  will  at  least  spend  as  much  of  his  time  in  avoiding  mis- 
takes  as  in  evolving  brilliant  schemes  wherewith  to  dazzle  his  con- 
temporaries. The  best  kind  of  originality  is  that  which  comes  after 


12345 


67890$ 


abcdefghijklmnopqrstuvwxyz 
ABCDEFGHIJKLMNOPQRSTUVWXYZ 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

123Jf5  abcdefghijklmnopqrstuvwxyz  67890$ 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

Ems  a  to  z  16.59  Words  to  Pica  .57 


7  Point  No.  5A,  8|  Set 

MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  comes  after  a 
sound  apprenticeship;  that  which  shall  prove  to  be  the 
blending  of  a  firm  conception  of  all  useful  precedent  and 
the  progressive  tendencies  of  an  able  mind.  For,  let  any 
man  be  as  able  and  original  as  he  may,  he  cannot  afford 
to  discard  knowledge  of  what  has  gone  before  or  what  is 
now  going  on  in  his  own  trade  and  profession.  If  the 
printers  of  today  do  not  wish  to  be  esteemed  arrogant 
when  they  term  this  calling  of  theirs  an  art,  they  must  be 
willing,  and  show  that  they  are  willing,  to  subject  it  to 
such  laws  as  have  made  its  sister  arts  so  free.  All  those 
concerned  in  what  are  accepted  as  the  fine  arts,  the  learned 
sciences,  and  the  professions  surround  themselves  with  the 
history,  the  literature,  and  concrete  examples  of  the  work 
with  which  they  are  more  particularly  engaged.  Yet  it  is 
only  in  rare  instances  that  such  an  atmosphere,  with  its 
material  appurtenances,  is  to  be  found  in  a  printing  office. 
Art  does  not  flourish  in  hidden  places,  nor  under  restraint, 
nor  in  ignorance  of  what  talent  and  genius  have  accom- 
plished and  are  now  accomplishing  throughout  the  world. 
For  to  follow  precedent  wisely  does  not  mean  to  imitate 
slavishly  one  great  exemplar,  but  to  study  all  the  masters 
faithfully,  letting  their  greatest  achievements  sink  slowly 
into  the  mind  in  order  that  we  may  patiently  derive  from 
the  richness  of  our  acquired  knowledge  and  organized  sys- 
tem an  attitude  of  our  own.  The  sprightly  minded  young 
man,  who  with  his  first  business  breath  projects  the  new  and 
startling,  inevitably  becomes  tiresome,  and  in  driven  to  an  early 

12345  abcdefghijklmnopqrstuvwxyz  67890$ 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

ABCDEFGHIJKLMNOPQR8TUVWXYZ 

1234S  abcdefghijklmnopqrstuvwxyz  67890$ 

ABCDEFGHIJKLMNOPQRNTUVWXYZ 
Ems  a  to  z  15.60  Words  to  Pica  .52 


8  Point  No.  5A,  9  Set 

MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  conies  after 
a  sound  apprenticeship;  that  which  shall  prove  to  be 
the  blending  of  a  firm  conception  of  all  useful  precedent 
and  the  progressive  tendencies  of  an  able  mind.  For, 
let  a  man  be  as  able  and  original  as  he  may,  he  cannot 
afford  to  discard  knowledge  of  what  has  gone  before  or 
what  is  now  going  on  in  his  own  trade  and  profession. 
If  the  printers  of  today  do  not  wish  to  be  esteemed  too 
arrogant  when  they  term  this  calling  of  theirs  an  art, 
they  must  be  willing,  and  show  that  they  are  willing, 
to  subject  it  to  such  laws  as  have  made  its  sister  arts 
so  free.  All  those  concerned  in  what  are  accepted  as 
the  fine  arts,  the  learned  sciences,  and  the  professions 
surround  themselves  with  the  history,  literature,  and 
concrete  examples  of  the  work  with  which  they  are 
particularly  engaged.  Yet  it  is  only  in  rare  instances 
that  such  an  atmosphere,  with  its  material  appurten- 
ances, is  to  be  found  in  a  printing  office.  Art  does  not 
flourish  in  hidden  places,  nor  under  restraint,  nor  in 
ignorance  of  what  talent  and  genius  have  accomplished 
and  are  accomplishing  throughout  the  world.  For  to 
follow  precedent  wisely  does  not  mean  to  imitate  slav- 
ishly  one  great  exemplar,  but  to  study  all  masters  faithfully, 
letting  their  great  achievements  sink  slowly  into  the  mind 


12345  abcdefghijklmnopqrstuvwxyz 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

12345  abcdefghijklmnopqrstuvwxyz  67890$ 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 
Ems  a  to  z  14.42  Words  to  Pica  .49 


No.  5A.     Book  Arrangement  C 


Composition  Matrices 


9  Point  No.  5A,  9f  Set 


MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  comes 
after  a  sound  apprenticeship;  that  which  shall 
prove  to  be  the  blending  of  a  firm  conception  of  all 
useful  precedent  and  the  progressive  tendencies  of 
an  able  mind.  For,  let  any  man  be  as  able  and 
original  as  he  may,  he  cannot  afford  to  discard 
knowledge  of  what  has  gone  before  or  what  is  now 
going  on  in  his  own  trade  and  profession.  If  the 
printers  of  today  do  not  wish  to  be  esteemed  too 
arrogant  when  they  term  this  calling  of  theirs  an 
art,  they  must  be  willing,  and  show  that  they  are 
willing,  to  subject  it  to  such  laws  as  have  made  its 
sister  arts  so  free.  All  those  concerned  in  what  are 
accepted  as  the  fine  arts,  the  learned  sciences,  and 
the  professions  surround  themselves  with  the  his- 
tory, the  literature  and  concrete  examples  of  the 
work  with  which  they  are  particularly  engaged. 
Yet  it  is  only  in  rare  instances  that  such  an  at- 
mosphere, with  its  material  appurtenances,  is  to 
be  found  in  a  printing  office.  Art  does  not  flourish 
in  hidden  places,  nor  under  restraint,  nor  in  ignor- 
ance of  what  talent  and  genius  have  accomplished  and 

12345         abcdefghijklmnopqrstuvwxyz       67890$ 
ABCDEFGHIJKLMNOPQRSTUVWXYZ 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

12345  abcdefghijklmnopqrstuvwxyz         67890$ 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 


11  Point  No.  5 A,  11 J  Set 


MONOTYPE  FACES 
The  best  kind  of  originality  is  that  which 
comes  after  a  sound  apprenticeship;  that 
which  shall  prove  to  be  the  blending  of  a 
firm  conception  of  all  useful  precedent  and 
the  progressive  tendencies  of  an  able  mind. 
For,  let  any  man  be  as  able  and  as  orig- 
inal as  he  may,  he  cannot  well  afford  to 
discard  knowledge  of  what  has  gone  before 
or  what  is  now  going  on  in  his  own  trade 
and  profession.  If  the  printers  of  today  do 
not  wish  to  be  esteemed  too  arrogant  when 
they  term  this  calling  of  theirs  an  art,  they 
must  be  willing,  and  show  that  they  are 
willing,  to  subject  it  to  such  laws  as  have 
made  its  sister  arts  so  free.  All  those  con- 
cerned in  what  are  accepted  as  the  fine  arts, 
the  learned  sciences,  and  the  professions  sur- 

1234     abcdefghijklmnopqrstuvwxyz     567$ 
ABCDEFGHIJKLMNOPQRSTUVWX 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

123456    abcdefghijklmnopqrstuvwxyz    7890$ 
A  BCDEFGHIJKLMNOPQRS  TUVWX 


Ems  a  to  z  12.11 


Words  to  Pica  .52 


Ems  a  to  z  13.42 


Words  to  Pica  .38 


The  Monotype  System 


COMPOSING  room  efficiency  can  be 
obtained  only  by  keeping  clearly  in 
mind  this  fact :   The  composing  room 
of  a  printing  plant  is  a  great  deal  more  than 
a  place  in  which  to  operate  composing  ma- 
chines; it  is  a  department  maintained  to 
produce  composition  complete,  locked-up 
in  chases  ready  for  printing. 

THE  MONOTYPE  is  the  only  composing  ma- 
chine that  recognizes  the  existence  of  the 
hand  compositor.  It  is  not  built  upon  the 
impossible  theory  that  the  compositor  can 
be  driven  from  the  printing  industry;  in- 
stead, it  provides  the  means  for  increasing 
his  efficiency  and  making  his  work  highly 
profitable  to  his  employer. 

NOT  ONLY  does  the  Monotype  furnish  .a 


product  that  the  compositor  can  correct 
and  alter  without  the  help  of  the  machine 
operator,  but  also,  since  it  is  a  complete 
type  foundry,  it  supplies  the  compositor 
with  all  the  equipment  he  requires  to  work 
efficiently — type,  space  material,  rules, 
leads,  and  slugs. 

THE  MONOTYPE  is  the  simplest  and  fastest 
composing  machine,  a  machine  so  free  from 
mechanical  limitations  that  it  handles  the 
most  intricate  composition  as  easily  as 
straight  matter. 

THE  MONOTYPE  SYSTEM  increases  the  effi- 
ciency of  every  composing  room  employee 
by  eliminating  distribution,  thus  giving  a 
much  lower  cost  than  is  possible  with  any 
other  composing  machine. 


No.  8A.     Book  Arrangement  C 


Composition  Matrices 


4  Point  No.  8A,  5  Set 


MONOTYPE  FACES 
onception  of  all  useful  preceden 


shall 


prove  to  be  tbe  blending  of  a  firm  conception  of  all  useful  precedent  and  the  progressive  tendencies 
of  an  able  mind.  For,  let  a  man  be  aa  able  and  original  as  he  may,  he  cannot  afford  to  discard 

printers  of  today  do  not  wish  to  be  esteemed  arrogant  when  they  term  this  calling  of  theirs  an  art, 
they  must  be  willing,  and  show  that  they  are  willing,  to  subject  it  to  such  laws  as  have  made  its 
sister  arts  so  free.  All  those  concerned  in  what  are  accepted  as  the  fine  arts,  the  learned  sciences; 
and  professions,  surround  themselves  with  the  history,  the  literature,  and  concrete  examples  of  the 
work  with  which  they  may  be  particularly  engaged.  Yet  it  is  only  in  rare  instances  that  such  an 

and  are  now  accomplishing  throughout  the  world.    For  to  follow  precedent  wisely  does  not  mean  to 


4£  Point  No.  8A,  6  Set  on  5  Point  Body 

MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  comes  after  a  sound  apprenticeship; 
that  which  shall  prove  to  be  the  blending  of  a  firm  conception  of  all  useful  pre- 
cedent and  the  progressive  tendencies  of  an  able  mind.  For,  let  a  man  be  as  able 
and  original  as  he  may,  he  cannot  afford  to  discard  knowledge  of  what  has  gone 
before  or  what  is  now  going  on  in  his  own  trade  and  profession.  If  the  printers 
of  today  do  not  wish  to  be  esteemed  arrogant  when  they  term  this  calling  of  theirs 
an  art,  they  must  be  willing,  and  show  that  they  are  willing,  to  subject  it  to  such 
laws  as  have  made  its  sister  arts  so  free.  All  those  concerned  in  what  are  accepted 
as  the  fine  arts,  the  learned  sciences,  and  professions  surround  themselves  with  the 
history,  literature,  and  concrete  examples  of  the  work  with  which  they  are  particu- 


litate  slavishly  one  great  example,  but  to  study  all  the  mastt 
hievements  sink  slowly  into  the  mind  in  order  that  we  may  pat: 
ir  acquired  knowledge  and  organized  system  an  attitude  of  our  o 


larli 


-.Ml. 


n.    The  sprightly  minded  young 


vhile  the  slow 


olidly  endowed  student 
:  brillu 


iicesnip:     inai  wnicn  snail  prove  10  oe  me  IJI^IIUIIIK  01  u  iirni  c<mrt;pii<m  01  ;tu   uj-cnn  [in unit 

trade  and  profession.  If  the  printers  of  today  do  not  wish  to  be  esteemed  arrogant  when  they  term 
this  calling  of  theirs  an  art.  they  must  be  willing,  and  show  that  they  are  willing,  to  subject  it  to 
such  laws  as  have  made  its  sister  arts  so  free.  All  those  concerned  in  what  are  accepted  as  the  fine 
arts,  the  learned  sciences:  and  professions  surround  themselves  with  the  history,  the  literature,  and 
concrete  examples  of  the  work  which  they  may  be  particularly  engaged.  Yet  it  is  only  in  rare 

imitate  slavishly  one  great  exemplar,  but  to  study  all  the  masters 
quired  knowledge  and  organized  system  an  attitude  of  our  own. 


The  sprightly  minded  young 
inevitably  become*  tiresome,  ana  IB 
ndowed  ntudTnt  will  at  least  spend 


h..  . 


irb 

.  Ill: 


h  of  his  time  in  avoiding  I 


itelu 


olvim-   In: 


useful  precedent  and  the  progressive  tendencies  of  an  able  mind.  For,  let  a  man  be  as  i 
original  at  he  may.  he  rannot  afford  to  ditrard  knowledge  uf  what  hat  gone  before  or  what  it  n 
on  in  hit  own  trade  and  profettion.  //  the  printen  of  today  do  not  wink  to  be  etteemed  arrogant  when 
they  term  Ihit  rolling  of  theirt  an  art,  they  mutt  be  tnltimi.  and  thow  that  they  are  witting,  to  tubiecl  it 
to  tuch  taws  as  hate  made  itt  titter  artt  to  free.  All  thote  conferned  in  what  are  accepted  at  the  fine 
arli.  Ih4  Itarned  tnencu;  and  profit,, out  turround  themteliet  with  the  hittory,  the  literature,  and  eon- 


material  appurtenances,  is  to  be  found  in  a  printing  office.  Art  does  not  nourish 
in  hidden  places,  nor  under  restraint,  nor  in  ignorance  of  what  talent  and  genius 
have  accomplished  and  are  accomplishing  throughout  the  world.  For  to  follow 
precedent  wisely  does  not  mean  to  imitate  slavishly  one  great  exemplar,  but  to 
subject  it  to  such  laws  as  have  made  its  sister  arts  so  free.  All  those  concerned 
in  what  are  accepted  as  the  fine  arts,  the  learned  sciences,  andsprofessions  surround 
themselves  with  the  history,  literature,  and  concrete  examples  of  the  work  with 
which  they  are  particularly  engaged.  Yet  it  is  only  in  rare  instances  that  such  an 
atmosphere,  with  its  material  appurtenances,  is  to  be  found  in  a  printing  office. 
Art  does  not  Sourish  in  hidden  places,  nor  under  restraint,  nor  in  ignorance  of 
what  talent  and  genius  have  accomplished  and  are  accomplishing  throughout 
the  world.  For  to  follow  precedent  wisely  does  not  mean  to  imitate  slavishly  one 
great  exemplar,  but  to  study  all  masters  faithfully,  letting  their  great  achievements 
sink  slowly  into  the  mind  in  order  that  we  may  patiently  derive  from  the  richness 
of  our  acquired  knowledge  and  organized  system  an  attitude  of  our  own.  The 
sprightly  minded  young  man,  who  with  his  first  business  breath  projects  the  new 
and  startling,  inevitably  becomes  tiresome,  and  is  driven  to  an  early  disappearance; 
while  the  slower,  more  solidly  endowed  student  will  at  least  spend  as  much  of  his 
time  in  avoiding  mistakes  as  in  evolving  brilliant  schemes  wherewith  to  dazzle 
his  contemporaries.  The  best  kind  of  originality  is  that  which  comes  after  a 
sound  apprenticeship:  that  which  shall  prove  to  be  the  blending  of  a  firm  concep- 
tion of  all  useful  precedent  and  the  progressive  tendencies  of  an  able  mind.  For,  let 
a  man  be  aa  able  and  original  as  he  mav,  he  cannot  afford  to  discard  knowledge  of  what 


12345 


12345 


abcdefghijklmnopqrstuvwxys 
ABCDEFGHIJKLMNOPQRSTUVWXYZ 


abrdtfghijklmnopqrttutvlvi 
A BCDBrOUIJKLItKOfQRSTUVWX  YZ 


«7X'JI|» 


abcdef  ghij  kl  m  nopqrstu  vwxya 
ABCDEFGHIJKLMNOPQRSTUVWXYZ 

ABCDEFOHIJKLMNOPO.R8TUVWXYZ 

abcdefohiiklmnopqrstuvwxui 
A.BCDEFGHIJKLMNOPQRSTUVWXYZ 


B78U08 


No.  8A.     Book  Arrangement  C 


Composition  Matrices 


5  Point  No.  8A,  6i  Set 


MONOTYPE  FACES 

Tbe  beat  kind  of  originality  Is  that  which  comes  after  a  sound  apprentice- 
ship; that  which  shall  prove  to  be  the  blending  of  a  nrm  conception  of  all 
useful  precedent  and  the  progressive  tendencies  of  an  able  mind.  For. 
let  a  man  be  as  able  and  original  as  he  may.  he  cannot  afford  to  discard 
knowledge  of  what  has  gone  before  or  what  Is  now  going  on  In  his  own  trade 
and  profession.  If  the  printers  of  today  do  not  wish  to  be  esteemed  arro- 
gant when  they  term  this  calling  of  theirs  an  art,  they  must  be  willing,  and 
show  that  they  are  willing,  to  subject  It  to  such  laws  as  have  made  Its  sister 
arts  so  free.  All  those  concerned  In  what  are  accepted  as  the  fine  arts,  the 
learned  sciences,  and  the  professions  surround  themselves  with  the  history, 
literature,  and  concrete  examples  of  the  work  with  which  they  are  particu- 
larly engaged.  Yet  It  Is  only  In  rare  Instances  that  such  an  atmosphere, 
with  Its  material  appurtenances,  Is  to  be  found  In  a  printing  office.  Art  does 
not  flourish  In  hidden  places,  nor  under  restraint,  nor  In  Ignorance  of  what 
talent  and  genius  have  accomplished  and  are  accomplishing  throughout  the 
world.  For  to  follow  all  precedent  wisely  does  not  mean  to  Imitate  slavishly 
one  great  exemplar,  but  to  study  all  masters  faithfully,  letting  their  great 
achievements  sink  slowly  Into  the  mind  In  order  that  we  may  patiently  de- 
rive from  the  richness  of  our  acquired  knowledge  and  organized  system  an 
attitude  of  our  own.  The  sprightly  minded  young  man,  who  with  his  first 
business  breath  projects  the  new  and  startling.  Inevitably  becomes  tiresome, 
and  Is  driven  to  an  early  disappearance;  while  the  slower,  more  solidly  en- 
dowed student  will  at  least  spend  as  much  of  his  time  in  avoiding  mistakes 
as  In  evolving  brilliant  schemes  wherewith  to  dazzle  his  contemporaries. 
The  best  kind  of  originality  Is  that  which  comes  after  a  sound  apprentice- 
ship; that  which  shall  prove  to  be  the  blending  of  a  firm  conception  of  all 
useful  precedent  and  the  progressive  tendencies  of  an  able  mind.  For,  let 
any  man  be  as  able  and  original  as  he  may,  he  cannot  well  afford  to  discard 
knowledge  of  what  has  gone  before  or  Is  now  going  on  In  his  own  trade  and  pro- 
fession. If  the  printers  of  today  do  not  wish  to  be  esteemed  arrogant  when 
they  term  this  calling  of  theirs  an  art,  they  must  be  willing,  and  show  that 
they  are  willing,  to  subject  It  to  such  laws  as  have  made  its  sister  arts  so 
free.  All  those  concerned  in  what  are  accepted  as  the  fine  arts,  the  learned 
sciences,  and  professions  surround  themselves  with  the  history,  literature, 
and  concrete  examples  of  the  work  with  which  they  are  particularly  engaged. 
Yet  it  is  only  in  eery  rare  instances  that  such  an  atmosphere,  with  its  material 


12345  abcdefghljklmnopqrstuvwxyz 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 
ABCDEFGHIJKLMNOPQRSTOVWXYZ 

ltS4B  abcdefgMJklmnopgrstumcxvz 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 


67890$ 


6  Point  No.  8A,  7  Set 


MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  comes  after  a  sound  appren- 
ticeship; that  which  shall  prove  itself  to  be  the  blending  of  a  firm 
conception  of  useful  precedent  and  the  progressive  tendencies  of  an  able 
mind.  For,  let  a  man  be  as  able  and  original  as  he  may,  he  cannot 
afford  to  discard  knowledge  of  what  has  gone  before  or  what  is  now 
going  on  in  his  own  trade  and  profession.  If  the  printers  of  today 
do  not  wish  to  be  esteemed  arrogant,  when  they  term  this  calling  of 
theirs  an  art,  they  must  be  willing,  and  show  that  they  are  willing, 
to  subject  it  to  such  laws  as  have  made  its  sister  arts  so  free.  All 
those  concerned  in  what  are  accepted  as  the  fine  arts,  the  learned 
sciences,  and  professions  surround  themselves  with  the  history,  litera- 
ture, and  concrete  examples  of  work  with  which  they  are  particularly 
engaged.  Yet  it  is  only  in  very  rare  instances  that  such  an  atmos- 
phere, with  its  material  appurtenances,  is  to  be  found  in  the  printing 
office.  Art  does  not  flourish  in  hidden  places,  nor  under  restraint, 
nor  in  ignorance  of  what  talent  and  genius  have  accomplished  and  are 
accomplishing  throughout  the  world.  For  to  follow  precedent  wisely 
does  not  mean  to  imitate  slavishly  one  great  exemplar,  but  to  study 
all  masters  faithfully,  letting  their  great  achievements  sink  slowly 
into  the  mind  in  order  that  we  may  patiently  derive  from  the  richness 
of  our  acquired  knowledge  and  organized  system  an  attitude  of  our 
own.  The  sprightly  minded  young  man,  who  with  his  first  business 
breath  projects  the  new  and  startling,  inevitably  becomes  tiresome, 
and  is  driven  to  an  early  disappearance;  while  the  slower  and  more 
solidly  endowed  student  will  at  least  spend  as  much  of  his  time  in 
avoiding  mistakes  as  in  evolving  brilliant  schemes  wherewith  to  dazzle 
his  contemporaries.  The  best  kind  of  originality  is  that  which  comes 
after  a  sound  apprenticeship;  that  which  shall  prove  itself  to  be  the 
blending  of  a  firm  conception  of  all  useful  precedent  and  the  progressive 
tendencies  of  an  able  mind.  For,  let  any  man  be  as  able  and  original  as  he 

12345  abcdefghijklmnopqrstuvwxyz  67890$ 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

ABCDEFGHIJKLMNOPQRBTUVWXYZ 

1SS4S  abcdefghijklmnopqrstuvwxyz  67890S 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 


7  Point  No.  8A,  8  Set 

MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  comes  after  a  sound 
apprenticeship;  that  which  shall  prove  to  be  the  blending  of 
a  firm  conception  of  all  useful  precedent  and  the  progressive 
tendencies  of  an  able  mind.  For,  let  a  man  be  as  able  and 
original  as  he  may,  he  cannot  afford  to  discard  knowledge  of 
what  has  gone  before  or  what  is  now  going  on  in  his  own  trade 
and  profession.  If  the  printers  of  today  do  not  wish  to  be 
esteemed  arrogant  when  they  term  this  calling  of  theirs  an 
art,  they  must  be  willing,  and  show  that  they  are  willing,  to 
subject  it  to  such  laws  as  have  made  its  sister  arts  so  free.  All 
those  concerned  in  what  are  accepted  as  the  fine  arts,  the 
learned  sciences,  and  the  professions  surround  themselves  with 
the  history,  literature,  and  the  concrete  examples  of  the  work 
with  which  they  are  particularly  engaged.  Yet  it  is  only  in 
rare  instances  that  such  an  atmosphere,  with  its  material  ap- 
purtenances, is  to  be  found  in  a  printing  office.  Art  does  not 
flourish  in  hidden  places,  nor  under  restraint,  nor  in  ignorance 
of  what  talent  end  genius  have  accomplished  and  are  accom- 
plishing throughout  the  world.  For  to  follow  precedent  wisely 
does  not  mean  to  imitate  slavishly  one  great  exemplar,  but  to 
study  all  masters  faithfully,  letting  their  great  achievements 
sink  slowly  into  the  mind  in  order  that  we  may  patiently 
derive  from  the  richness  of  our  acquired  knowledge  and  or- 
ganized system  an  attitude  of  our  own.  The  sprightly  minded 
young  man,  who  with  his  first  business  breath  projects  the 
new  and  startling,  inevitably  becomes  tiresome,  and  is  driven 
to  an  early  disappearance;  while  the  slower,  more  solidly  endowed 
student  will  at  least  spend  as  much  of  his  time  in  avoiding  mistakes 

12345  abcdefghijklmnopqrstuvwxyz  67890$ 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

12345  abcdefghijklmnopqrstuvwxyz  67890$ 

A  BCDEFGHIJKLMNOPQRS  TUV  WX  YZ 


8  Point  No.  8A,  8j  Set 

MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  comes  after  a 
sound  apprenticeship;  that  which  shall  prove  to  be  the 
blending  of  a  firm  conception  of  all  useful  precedent  and 
the  progressive  tendencies  of  an  able  mind.  For,  let  a 
man  be  as  able  and  original  as  he  may,  he  cannot  afford 
to  discard  knowledge  of  what  has  gone  before  or  what  is 
now  going  on  in  his  own  trade  and  profession.  If  the 
printers  of  today  do  not  wish  to  be  esteemed  arrogant 
when  they  term  this  calling  of  theirs  an  art,  they  must  be 
willing,  and  show  that  they  are  willing,  to  subject  it  to 
such  laws  as  have  made  its  sister  arts  so  free.  All  those 
concerned  in  what  are  accepted  as  the  fine  arts,  the  learned 
sciences,  and  the  professions  surround  themselves  with  the 
history,  literature,  and  the  concrete  examples  of  the  work 
with  which  they  are  particularly  engaged.  Yet  it  is  only 
in  very  rare  instances  that  such  an  atmosphere,  with  its 
material  appurtenances,  is  to  be  found  in  a  printing  office. 
Art  does  not  flourish  in  hidden  places,  nor  under  restraint, 
nor  in  ignorance  of  what  talent  and  genius  have  accom- 
plished and  are  now  accomplishing  throughout  the  world. 
For  to  follow  precedent  wisely  does  not  mean  to  imitate 
slavishly  one  great  exemplar,  but  to  study  all  the  masters 
faithfully,  letting  their  great  achievements  sink  slowly  into  the 
mind  in  order  that  we  may  patiently  derive  from  the  richness 

12345  abcdefghijklmnopqrstuvwxyz  67890$ 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

12845  abcdefghijklmnopqrstuvwxyz  67890$ 

A  BCDEFGHIJKLMNOPQRSTUVWX  YZ 


No.  8A.     Book  Arrangement  C 
Composition  Matrices 

9  Point  No.  8A,  9  Set  10  Point  No.  8A,  10  Set 


MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  comes  after 
a  sound  apprenticeship;  that  which  shall  prove  to  be 
the  blending  of  a  firm  conception  of  all  useful  precedent 
and  the  progressive  tendencies  of  an  able  mind.  For, 
let  a  man  be  as  able  and  original  as  he  may,  he  cannot 
afford  to  discard  knowledge  of  what  has  gone  before  or 
what  is  now  going  on  in  his  own  trade  and  profession. 
If  the  printers  of  today  do  not  wish  to  be  esteemed 
arrogant  when  they  term  this  calling  of  theirs  an  art, 
they  must  be  willing,  and  show  that  they  are  willing, 
to  subject  it  to  such  laws  as  have  made  its  sister  arts 
so  free.  All  those  concerned  in  what  are  accepted  as 
the  fine  arts,  the  learned  sciences,  and  the  professions 
surround  themselves  with  the  history,  literature,  and 
concrete  examples  of  the  work  with  which  they  are 
particularly  engaged.  Yet  it  is  only  in  rare  instances 
that  such  an  atmosphere,  with  its  material  appurten- 
ances, is  to  be  found  in  a  printing  office.  Art  does  not 
flourish  in  the  hidden  places,  nor  under  restraint,  nor  in 

12345  abcdefghijklmnopqrstuvwxyz  67890$ 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

12345  abcdefghijklmnopqrstuvwxyz  67890$ 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 


MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  comes 
after  a  sound  apprenticeship;  that  which  shall 
prove  to  be  the  blending  of  a  firm  conception 
of  all  useful  precedent  and  the  progressive  ten- 
dencies of  an  able  mind.  For,  let  a  man  be  as 
able  and  original  as  he  may,  he  cannot  afford  to 
discard  knowledge  of  what  has  gone  before  or 
what  is  now  going  on  in  his  own  trade  and  pro- 
fession. If  the  printers  of  today  do  not  wish  to 
be  esteemed  arrogant  when  they  term  this  calling 
of  theirs  an  art,  they  must  be  willing,  and  show 
that  they  are  willing,  to  subject  it  to  such  laws  as 
have  made  its  sister  arts  so  free.  All  those  who  are 
concerned  in  what  are  accepted  as  the  fine  arts, 
the  learned  sciences,  and  the  professions  surround 
themselves  with  the  history,  literature,  and  concrete 
examples  of  the  work  with  which  they  are  particularly 

12345        abcdefghijklmnopqrstuvwxyz      67890$ 
ABCDEFGHIJKLMNOPQRSTUVWXYZ 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

abcdefghijklmnopqrstuvwxyz        67890$ 
ABCDEFGHIJKLMNOPQRSTUVWXYZ 


11  Point  No.  8A,  11  Set 

MONOTYPE  FACES 

The  very  best  kind  of  originality  is  that  which 
comes  after  a  thorough  apprenticeship;  that 
which  shall  prove  to  be  the  blending  of  a 
firm  conception  of  all  useful  precedent  and 
the  progressive  tendencies  of  an  able  mind. 
For,  let  a  man  be  as  able  and  original  as  he 
may,  he  cannot  afford  to  discard  knowledge 
of  what  has  gone  before  or  what  is  now  going 
on  in  his  own  trade  and  profession.  If  the 
printers  of  today  do  not  wish  to  be  esteemed 
arrogant  when  they  term  this  calling  of  theirs 
an  art,  they  must  be  willing,  and  show  that 
they  are  willing,  to  subject  it  to  such  laws  as 
have  made  its  sister  arts  so  free.  All  those 
concerned  in  what  are  accepted  as  the  fine  arts, 
the  learned  sciences,  and  professions  surround 

12345   abcdefghijklmnopqrstuvwxyz    67890$ 
ABCDEFGHIJKLMNOPQRSTUVWXYZ 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

12345  abcdefghijklmnopqrstuvwxyz  67890$ 
ABCDEFGHIJKLMNOPQRSTUVWXYZ 


12  Point  No.  8A,  12  Set 

MONOTYPE  FACES 
The  best  kind  of  originality  is  that  which 
comes  after  a  sound  apprenticeship;  that 
which  shall  prove  to  be  the  blending  of 
a  firm  conception  of  all  useful  precedent 
and  the  progressive  tendencies  of  an  able 
mind.  For,  let  any  man  be  as  able  and 
original  as  he  may,  he  cannot  afford  to 
discard  knowledge  of  what  has  gone  be- 
fore or  what  is  now  going  on  in  his  own 
trade  and  profession.  If  the  printers  of 
today  do  not  wish  to  be  esteemed  arro- 
gant when  they  term  this  calling  of  theirs 
an  art,  they  must  be  willing,  and  show  that 
they  are  willing,  to  subject  it  to  such  laws  as 

1234  abcdefghijklmnopqrstuvwxyz   567$ 
ABCDEFGHIJKLMNOPQRSTUVW 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

1234     abcdefghijklmnopqrstuvwxyz     567$ 
ABCDEFGHIJKLMNOPQRSTUVW 


No.  8A.     Book  Arrangement  S500 
Composition  Matrices 

14  Point  No.  8A,   14  Set 

MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  comes  after  a  sound  appren- 
ticeship; that  which  shall  prove  to  be  the  blending  of  a  firm  conception 
of  all  useful  precedent  and  the  progressive  tendencies  of  an  able  mind. 
For,  let  a  man  be  as  able  and  original  as  he  may,  he  cannot  afford  to  dis- 
card knowledge  of  what  has  gone  before  or  what  is  now  going  on  in  his 
own  trade  and  profession.  If  the  printers  of  today  do  not  wish  to  be 
esteemed  arrogant  when  they  term  this  calling  of  theirs  an  art,  they 
must  be  willing,  and  show  that  they  are  willing,  to  subject  it  to  such  laws 
as  have  made  its  sister  arts  so  free.  All  those  concerned  in  what  are 
accepted  as  the  fine  arts,  the  learned  sciences,  and  professions  surround 
themselves  with  the  history,  the  literature,  and  concrete  examples  of  the 
work  with  which  they  are  particularly  engaged.  Yet  it  is  only  in  rare 
instances  that  such  an  atmosphere  with  its  material  appurtenances,  is 

abcdefghij  klmnopqrs  tu  vwxy  z 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

1234567890$ 

18  Point  No.  8A,   18  Set 

MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  comes  after  a 
sound  apprenticeship;  that  which  shall  prove  to  be  the 
blending  of  a  firm  conception  of  all  useful  precedent  and 
the  progressive  tendencies  of  an  able  mind.  For,  let  any 
man  be  as  able  and  original  as  he  may,  he  cannot  afford 
to  discard  knowledge  of  what  has  gone  before  or  what  is 
now  going  on  in  his  own  trade  and  profession.  If  the 
printers  of  today  do  not  wish  to  be  esteemed  arrogant 
when  they  term  this  calling  of  theirs  an  art,  they  must  be 
willing,  and  show  that  they  are  willing,  to  subject  it  to 

abcdefghij  klmnopqr  stuvwxyz 
ABCDEFGHIJKLMNOPQRSTUVWXYZ 

1234567890$ 


Class  C  Matrices.  Fonts  shown  on  this  page  not  included  in  Library  and  will  not  be  leased.  To  use 
these  faces  for  composing  matter  in  justified  lines  S500  stop  bars  are  required.  Use  left  keybars  QC; 
use  right  keybars  QC  when  combined  with  Italic;  use  right  keybars  QC2  when  combined  with  Bold- 
face; use  standard  keybanks.  The  18  point  attachment  and  S500  wedges  are  required  for  casting. 


No.  8C.     Book  Arrangement  S500 
Composition  Matrices 

14  Point  No.  8C,  14  Set 

MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  comes  after  a  sound  apprentice- 
ship; that  which  shall  prove  to  be  the  blending  of  a  firm  conception  of  all 
useful  precedent  and  the  progressive  tendencies  of  an  able  mind.  For,  let  a 
man  be  as  able  and  original  as  he  may,  he  cannot  afford  to  discard  knowl- 
edge of  what  has  gone  before  or  what  is  now  going  on  in  his  own  trade  and 
profession.  If  the  printers  of  today  do  not  wish  to  be  esteemed  arrogant 
when  they  term  this  calling  of  theirs  an  art,  they  must  be  willing,  and  show 
that  they  are  willing,  to  subject  it  to  such  laws  as  have  made  its  sister  arts 
so  free.  All  those  concerned  in  what  are  accepted  as  fine  arts,  the  learned 
sciences,  and  professions  surround  themselves  with  the  history,  the  litera- 
ture, and  concrete  examples  of  the  work  with  which  they  are  particularly 
engaged.  Yet  it  is  only  in  rare  instances  that  such  an  atmosphere  with  its 
material  appurtenances,  is  to  be  found  in  a  printing  office.  Art  does  not 

abcdefghijklmnopqrstuvwxyz 
ABCDEFGHIJKLMNOPQRSTUVWX  YZ 

$1234567890 

18  Point  No.  8C,  18  Set 

MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  comes  after  a 
sound  apprenticeship;  that  which  shall  prove  to  be  the 
blending  of  a  firm  conception  of  all  useful  precedent  and 
the  progressive  tendencies  of  an  able  mind.  For,  let  a  man 
be  as  able  and  original  as  he  may,  he  cannot  afford  to  dis- 
card knowledge  of  what  has  gone  before  or  what  is  now 
going  on  in  his  own  trade  and  profession.  If  the  printers 
of  today  do  not  wish  to  be  esteemed  arrogant  when  they 
term  this  calling  of  theirs  an  art,  they  must  be  willing,  and 
show  that  they  are  willing,  to  subject  it  to  such  laws  as  have 

abcdefghijklmnopqrstuvwxyz 
ABCDEFGHIJKLMNOPQRSTUVWXYZ 

$1234567890 

Class  C  Matrices.  Fonts  shown  on  this  page  not  included  in  Library  and  will  not  be 
leased.  To  use  these  faces  for  composing  matter  in  justified  lines  S500  stop  bars  are  re- 
quired. Use  left  key  bars  QC  for  the  Roman;  use  right  keybars  QC  for  the  Italic;  use 
standard  keybanks.  The  18  point  attachment  and  S500  wedges  are  required  for  casting. 


No.  13  A.     Book  Arrangement  C 


Composition  Matrices 


6  Point  No.  ISA,  8£  Set 


7  Point  No.  ISA,  9\  Set 


MONOTYPE   FACES 

The  best  kind  of  originality  is  that  which  comes  after  a 
sound  apprenticeship;  that  which  shall  prove  itself  to  be 
the  blending  of  a  firm  conception  of  useful  precedent  and 
the  progressive  tendencies  of  an  able  mind.  For,  let  a  man 
be  as  able  and  original  as  he  may,  he  cannot  afford  to  dis- 
card knowledge  of  what  has  gone  before  or  what  is  now 
going  on  in  his  own  trade  and  profession.  If  the  printers 
of  today  do  not  wish  to  be  esteemed  arrogant  when  they 
term  this  calling  of  theirs  an  art,  they  must  be  willing,  and 
show  that  they  are  willing,  to  subject  it  to  such  laws  as 
have  made  its  sister  arts  so  free.  All  those  concerned  in 
what  are  accepted  as  the  fine  arts,  the  learned  sciences  and 
professions  surround  themselves  with  the  history,  literature, 
and  concrete  examples  of  work  with  which  they  are  par- 
ticularly engaged.  Yet  it  is  only  in  yery  rare  instances  that 
such  an  atmosphere,  with  its  material  appurtenances,  is  to 
be  found  in  the  printing  office.  Art  does  not  flourish  in 
hidden  places,  nor  under  restraint,  nor  in  ignorance  of  what 
talent  and  genius  have  accomplished  and  are  accomplishing 
throughout  the  world.  For  to  follow  precedent  wisely  does 
not  mean  to  imitate  slavishly  one  great  exemplar,  but  to 
study  all  the  masters  faithfully,  letting  their  great  achieve- 
ments sink  slowly  into  the  mind  in  order  that  we  may  pa- 
tiently derive  from  the  richness  of  our  acquired  knowledge 
and  organized  system  an  attitude  of  our  own.  The  sprightly 
minded  young  man,  who  with  his  first  business  breath  pro- 
jects the  new  and  startling,  inevitably  becomes  tiresome, 
and  is  driven  to  an  early  disappearance;  while  the  slower 
and  more  solidly  endowed  student  will  at  least  spend  as  much 
of  his  time  in  avoiding  mistakes  as  in  evolving  brilliant  schemes 

12345  abcdefghijklmnopqrstuvwxyz  67890$ 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

12345  abcdefghijklmnopqrstuvwxyz  67890$ 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 


MONOTYPE    FACES 

The  best  kind  of  originality  is  that  which  comes  after 
a  sound  apprenticeship ;  that  which  shall  prove  to  be 
the  blending  of  a  firm  conception  of  all  useful  precedent 
and  the  progressive  tendencies  of  an  able  mind.  For, 
let  any  man  be  as  able  and  as  original  as  he  may,  he 
cannot  afford  to  discard  knowledge  of  what  has  gone 
before  or  what  is  now  going  on  in  his  own  trade  and 
profession.  If  the  printers  of  today  do  not  wish  to  be 
esteemed  arrogant  when  they  term  this  calling  of  theirs 
an  art,  they  must  be  willing,  and  show  that  they  are 
willing,  to  subject  it  to  such  laws  as  have  made  its 
sister  arts  so  free.  All  those  concerned  in  what  are 
accepted  as  the  fine  arts,  the  learned  sciences  and  the 
professions  surround  themselves  with  the  history,  the 
literature,  and  concrete  examples  of  the  work  with 
which  they  are  particularly  engaged.  Yet  it  is  only 
in  rare  instances  that  such  an  atmosphere,  with  its 
material  appurtenances,  is  to  be  found  in  a  printing 
office.  Art  does  not  flourish  in  hidden  places,  nor 
under  restraint,  nor  in  ignorance  of  what  talent  and 
genius  have  accomplished  and  are  now  accomplishing 
throughout  the  world.  For  to  follow  precedent  wisely 
does  not  mean  to  imitate  slavishly  one  great  exemplar, 
but  to  study  all  masters  faithfully,  letting  their  great 
achievements  sink  slowly  into  the  mind  in  order  that  we 
may  patiently  derive  from  the  richness  of  our  acquired 

12345  abcdefghijklmnopqrstuvwxyz  67890$ 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

ABCDEPGHIJKLMNOPQRSTUVWXYZ 

12345  abcdefghijklmnopqrstuvwxyz  67890$ 

ABCDEFGHIJKLMNOPQRS  T  UVWX  YZ 


8  Point  No.  ISA,  9f  Set 


MONOTYPE   FACES 

The  best  kind  of  originality  is  that  which  comes 
after  a  sound  apprenticeship ;  that  which  shall 
prove  to  be  the  blending  of  a  firm  conception  of 
all  useful  precedent  and  the  progressive  tendencies 
of  an  able  mind.  For,  let  a  man  be  as  able  and 
original  as  he  may,  he  cannot  afford  to  discard 
knowledge  of  what  has  gone  before  or  what  is  now 
going  on  in  his  own  trade  and  profession.  If  the 
printers  of  today  do  not  wish  to  be  esteemed  arro- 
gant when  they  term  this  calling  of  theirs  an  art, 
they  must  be  willing,  and  show  that  they  are  will- 
ing, to  subject  it  to  such  laws  as  have  made  its 
sister  arts  so  free.  All  those  concerned  in  what  are 
accepted  as  the  fine  arts,  the  learned  sciences  and 
the  professions  surround  themselves  with  the  his- 
tory, literature,  and  concrete  examples  of  the  work 
with  which  they  are  particularly  engaged.  Yet  it 
is  only  in  rare  instances  that  such  an  atmosphere, 
with  its  material  appurtenances,  is  to  be  found  in 
a  printing  office.  Art  does  not  flourish  in  hidden 
places,  nor  under  restraint,  nor  in  ignorance  of  what 


MONOTYPE   FACES 

The  best  kind  of  originality  is  that  which  comes 
after  a  sound  apprenticeship;  that  which  shall 
prove  to  be  the  blending  of  a  firm  conception  of 
all  useful  precedent  and  the  progressive  tendencies 
of  an  able  mind.  For,  let  a  man  be  as  able  and 
original  as  he  may,  he  cannot  afford  to  discard 
knowledge  of  what  has  gone  before  or  what  is  now 
going  on  in  his  own  trade  and  profession.  If  the 
printers  of  today  do  not  wish  to  be  esteemed  arro- 
gant when  they  term  this  calling  of  theirs  an  art, 
they  must  be  willing,  and  show  that  they  are  will- 
ing, to  subject  it  to  such  laws  as  have  made  its 
sister  arts  so  free.  All  those  concerned  in  what  are 
accepted  as  the  fine  arts,  the  learned  sciences  and 
the  professions  surround  themselves  with  the  his- 
tory, literature,  and  concrete  examples  of  the  work 
with  which  they  are  particularly  engaged.  Yet  it 
is  only  in  rare  instances  that  such  an  atmosphere, 
with  its  material  appurtenances,  is  to  be  found  in 
a  printing  office.  Art  does  not  flourish  in  hidden 
places,  nor  under  restraint,  nor  in  ignorance  of 
what  talent  and  genius  have  accomplished  and  are 
now  accomplishing  throughout  the  world.  For  to 
follow  precedent  wisely  does  not  mean  to  imitate 
slavishly  one  great  exemplar,  but  to  study  all  masters 
faithfully,  letting  their  great  achievements  sink  slowly 


12345          abcdefghijklmnopqrstuvwxyz        67890$ 
ABCDEFGHIJKLMNOPQRSTUVWXYZ 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

123U5  abcdefghijklmnopqrstuvwxyz          67890$ 

ABCDEFGHIJKLMNOPQRS  T  UVWXYZ 


No.  14 A.     Book  Arrangement  C 


Composition  Matrices 


8  Point  No.  14A,  8  Set 


12  Point  No.  14A,  11  Set 


MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  comes  after  a  sound 
apprenticeship;  that  which  shall  prove  to  be  the  blending  of 
a  firm  conception  of  all  useful  precedent  and  the  progressive 
tendencies  of  an  able  mind.  For,  let  a  man  be  as  able  and 
original  as  he  may,  he  cannot  afford  to  discard  knowledge  of 
what  has  gone  before  or  what  is  now  going  on  in  his  own  trade 
and  profession.  If  the  printers  of  today  do  not  wish  to  be 
esteemed  arrogant  when  they  term  this  calling  of  theirs  an 
art,  they  must  be  willing,  and  show  that  they  are  willing,  to 
subject  it  to  such  laws  as  have  made  its  sister  arts  so  free.  All 
those  concerned  in  what  are  accepted  as  the  fine  arts,  the 
learned  sciences,  and  the  professions  surround  themselves  with 
the  history,  the  literature,  and  concrete  examples  of  the  work 
with  which  they  are  particularly  engaged.  Yet  it  is  only  in 
rare  instances  that  such  an  atmosphere  with  its  material  ap- 
purtenances, is  to  be  found  in  a  printing  office.  Art  does  not 
flourish  in  hidden  places,  nor  under  restraint,  nor  in  ignorance 
of  what  talent  and  genius  have  accomplished  and  are  accom- 
plishing throughout  the  world.  For  to  follow  precedent  wisely 
does  not  mean  to  imitate  slavishly  one  great  exemplar,  but  to 
study  all  masters  faithfully,  letting  their  great  achievements  sink 
slowly  into  the  mind  in  order  that  we  may  patiently  derive  from 

12345  abcdefghijklmnopqrstuvwxyz  67890$ 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

12345  abcdefghijklmnopqrstuvwxyz  67890$ 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 


MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which 
comes  after  a  sound  apprenticeship;  that 
which  shall  prove  to  be  the  blending  of  a 
firm  conception  of  all  useful  precedent  and 
the  progressive  tendencies  of  an  able  mind. 
For,  let  a  man  be  as  able  and  original  as  he 
may,  he  cannot  afford  to  discard  knowledge 
of  what  has  gone  before  or  what  is  now  going 
on  in  his  own  trade  and  profession.  If  the 
printers  of  today  do  not  wish  to  be  esteemed 
arrogant  when  they  term  this  calling  of  theirs 
an  art,  they  must  be  willing,  and  show  that 
they  are  willing,  to  subject  it  to  such  laws  as 

12345    abcdefghijklmnopqrstuvwxyz  67890$ 
ABCDEFGHIJKLMNOPQRSTUVWXYZ 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

12345  abcdefghijklmnopqrstuvwxyz  67890$ 
ABCDEFGHIJKLMNOPQRSTUVWXYZ 


12  Point  No.  214A,  11  Set 


MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which 
comes  after  a  sound  apprenticeship;  that 
which  shall  prove  to  be  the  blending  of  a 
firm  conception  of  all  useful  precedent  and 
the  progressive  tendencies  of  an  able  mind. 
For,  let  a  man  be  as  able  and  original  as  he 
may,  he  cannot  afford  to  discard  knowledge 
of  what  has  gone  before  or  what  is  now  going 
on  in  his  own  trade  and  profession.  If  the 
printers  of  today  do  not  wish  to  be  esteemed 
arrogant  when  they  term  this  calling  of  theirs 
an  art,  they  must  be  willing,  and  show  that 
they  are  willing,  to  subject  it  to  such  laws  as 


MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which 
comes  after  a  sound  apprenticeship;  that 
which  shall  prove  to  be  the  blending  of  a 
firm  conception  of  all  useful  precedent  and 
the  progressive  tendencies  of  an  able  mind. 
For,  let  a  man  be  as  able  and  original  as  he 
may,  he  cannot  afford  to  discard  knowledge 
of  what  has  gone  before  or  what  is  now  going 
on  in  his  own  trade  and  profession.  If  the 
printers  of  today  do  not  wish  to  be  esteemed 
arrogant  when  they  term  this  calling  of  theirs 
an  art,  they  must  be  willing,  and  show  that 
they  are  willing,  to  subject  it  to  such  laws  as 
have  made  its  sister  arts  so  free.  All  those 
concerned  in  what  are  accepted  as  the  fine  arts, 
the  learned  sciences,  and  professions  surround 


have  made  its  sister  arts  so  free.     All  those 

12345  abcdefghijklmnopqrstuvwxyz         67890$ 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

12345  abcdefghijklmnopqrstuvwxyz  67890$ 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 


No.  19 A.     Book  Arrangement  C 


Composition  Matrices 

6  Point  No.  19A,  1\  Set 


MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  comes  after  a  sound  ap- 
prenticeship; that  which  shall  prove  to  be  the  blending  of  a  firm 
conception  of  all  useful  precedent  and  the  progressive  tendencies 
of  an  able  mind.  For,  let  a  man  be  as  able  and  original  as  he  may, 
he  cannot  afford  to  discard  knowledge  of  what  has  gone  before  or 
what  is  now  going  on  in  his  own  trade  and  profession.  If  the 
printers  of  today  do  not  wish  to  be  esteemed  arrogant  when  they 
term  this  calling  of  theirs  an  art,  they  must  be  willing,  and  show 
that  they  are  willing,  to  subject  it  to  such  laws  as  have  made  its 
sister  arts  so  free.  All  those  concerned  in  what  are  accepted  as 
the  fine  arts,  the  learned  sciences,  and  the  professions  surround 
themselves  with  the  history,  literature,  and  concrete  examples  of 
the  work  with  which  they  are  particularly  engaged.  Yet  it  is  only 
in  rare  instances  that  such  an  atmosphere,  with  its  material  appur- 
tenances, is  to  be  found  in  a  printing  office.  Art  does  not  flourish 
in  hidden  places,  nor  under  restraint,  nor  in  ignorance  of  all  that 
talent  and  genius  have  accomplished  and  are  now  accomplishing 
throughout  the  world.  For  to  follow  precedent  wisely  does  not 
mean  to  imitate  slavishly  one  great  exemplar,  but  to  study  all 
masters  faithfully,  letting  their  great  achievements  sink  slowly 
into  the  mind  in  order  that  we  may  patiently  derive  from  the  rich- 
ness of  our  acquired  knowledge  and  organized  system  an  attitude 
of  our  own.  The  sprightly  minded  young  man,  who  with  his  first 
business  breath  projects  the  new  and  startling,  inevitably  becomes 
very  tiresome,  and  is  driven  to  an  early  disappearance;  while  the 
slower,  more  solidly  endowed  student  will  at  least  spend  as  much  of 

12345 


MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  comes  after  a  sound  ap- 
prenticeship; that  which  shall  prove  to  be  the  blending  of  a  firm 
conception  of  all  useful  precedent  and  the  progressive  tendencies 
of  an  able  mind.  For,  let  a  man  be  as  able  and  original  as  he  may, 
he  cannot  afford  to  discard  knowledge  of  what  has  gone  before  or 
what  is  now  going  on  in  his  own  trade  and  profession.  If  the 
printers  of  today  do  not  wish  to  be  esteemed  arrogant  when  they 
term  this  calling  of  theirs  an  art,  they  must  be  willing,  and  show 
that  they  are  willing,  to  subject  it  to  such  laws  as  have  made  its 
sister  arts  so  free.  All  those  concerned  in  what  are  accepted  as 
the  fine  arts,  the  learned  sciences,  and  the  professions  surround 
themselves  with  the  history,  literature,  and  concrete  examples  of 
the  work  with  which  they  are  particularly  engaged.  Yet  it  is  only 
in  rare  instances  that  such  an  atmosphere,  with  its  material  appur- 
tenances, is  to  be  found  in  a  printing  office.  Art  does  not  flourish 
in  hidden  places,  nor  under  restraint,  nor  in  ignorance  of  all  that 
talent  and  genius  have  accomplished  and  are  now  accomplishing 
throughout  the  world.  For  to  follow  precedent  wisely  does  not 
mean  to  imitate  slavishly  one  great  exemplar,  but  to  study  all 
masters  faithfully,  letting  their  great  achievements  sink  slowly 
into  the  mind  in  order  that  we  may  patiently  derive  from  the  rich- 
ness of  our  acquired  knowledge  and  organized  system  an  attitude 
of  our  own.  The  sprightly  minded  young  man,  who  with  his  first 
business  breath  projects  the  new  and  startling,  inevitably  becomes 
very  tiresome,  and  is  driven  to  an  early  disappearance;  while  the 
slower,  more  solidly  endowed  student  will  at  least  spend  as  much 
of  his  time  in  avoiding  mistakes  as  in  evolving  brilliant  schemes 
wherewith  to  dazzle  his  contemporaries.  The  best  kind  of  orig- 
inality is  that  which  comes  after  a  sound  apprenticeship;  that 
which  shall  prove  to  be  the  blending  of  a  firm  conception  of  all 
useful  precedent  and  the  progressive  tendencies  of  an  able  mind. 
For,  let  a  man  be  as  able  and  original  as  he  may,  he  cannot  afford 
to  discard  knowledge  of  what  has  gone  before  or  what  is  now  going  on  in 
his  own  trade  and  profession.  If  the  printers  of  today  do  not  wish  to 


abcdefghijklmnopqrstuvwxyz  67890$ 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

12345  abcdefghijklmnopqrstuvwxyz  67890$ 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 


8  Point  No.  19A,  8|  Set 


MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  comes  after  a 
sound  apprenticeship;  that  which  shall  prove  to  be  the 
blending  of  a  firm  conception  of  all  useful  precedent  and 
the  progressive  tendencies  of  an  able  mind.  For,  let  a 
man  be  as  able  and  original  as  he  may,  he  cannot  afford 
to  discard  knowledge  of  what  has  gone  before  or  what  is 
now  going  on  in  his  own  trade  and  profession.  If  the 
printers  of  today  do  not  wish  to  be  esteemed  arrogant 
when  they  term  this  calling  of  theirs  an  art,  they  must 
be  willing,  and  show  that  they  are  willing,  to  subject  it  to 
such  laws  as  have  made  its  sister  arts  so  free.  All  those 
concerned  in  what  are  accepted  as  the  fine  arts,  learned 
sciences,  and  professions  surround  themselves  with  the 
history,  the  literature,  and  concrete  examples  of  the  work 
with  which  they  are  particularly  engaged.  Yet  it  is  only 
in  very  rare  instances  that  such  an  atmosphere,  with  its 
material  appurtenances,  is  to  be  found  in  a  printing  office. 
Art  does  not  flourish  in  hidden  places,  nor  under  restraint, 
nor  in  ignorance  of  what  talent  and  genius  have  accom- 
plished and  are  now  accomplishing  throughout  the  ivorlfl. 
For  to  follow  all  precedent  wisely  does  not  mean  to  imitate 


MONOTYPE  FACES 


The  best  kind  of  originality  is  that  which  comes  after  a 
sound  apprenticeship;  that  which  shall  prove  to  be  the 
blending  of  a  firm  conception  of  all  useful  precedent  and 
the  progressive  tendencies  of  an  able  mind.  For,  let  a 
man  be  as  able  and  original  as  he  may,  he  cannot  afford 
to  discard  knowledge  of  what  has  gone  before  or  what  is 
now  going  on  in  his  own  trade  and  profession.  If  the 
printers  of  today  do  not  wish  to  be  esteemed  arrogant 
when  they  term  this  calling  of  theirs  an  art,  they  must 
be  willing,  and  show  that  they  are  willing,  to  subject  it  to 
such  laws  as  have  made  its  sister  arts  so  free.  All  those 
concerned  in  what  are  accepted  as  the  fine  arts,  learned 
sciences,  and  professions  surround  themselves  with  the 
history,  the  literature,  and  concrete  examples  of  the  work 
with  which  they  are  particularly  engaged.  Yet  it  is  only 
in  very  rare  instances  that  such  an  atmosphere,  with  its 
material  appurtenances,  is  to  be  found  in  a  printing  office. 
Art  does  not  flourish  in  hidden  places,  nor  under  restraint, 
nor  in  ignorance  of  what  talent  and  genius  have  accom- 
plished and  are  now  accomplishing  throughout  the  world. 
For  to  follow  all  precedent  wisely  does  not  mean  to  imi- 
tate slavishly  one  great  exemplar,  but  to  study  all  masters 
faithfully,  letting  their  great  achievements  sink  slowly 
into  the  mind  in  order  that  we  may  patiently  derive  from 
the  richness  of  our  acquired  knowledge  and  organized  system 
an  attitude  of  our  own.  The  sprightly  minded  young  man 


12345  abcdefghijklmnopqrstuvwxyz  67890$ 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

12345  abcdefghijklmnopqrstuvwxyz  67890$ 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 


Composition  Matrices 
7  Point  No.  20A,  8  Set  Book  Arrangement  C 

MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  comes  after  a  sound 
apprenticeship;  that  which  shall  prove  to  be  the  blending  of 
a  firm  conception  of  all  useful  precedent  and  the  progressive 
tendencies  of  an  able  mind.  For,  let  a  man  be  as  able  and 
original  as  he  may,  he  cannot  afford  to  discard  knowledge  of 
what  has  gone  before  or  what  is  now  going  on  in  his  own 
trade  and  profession.  If  the  printers  of  today  do  not  wish 
to  be  esteemed  arrogant  when  they  term  this  calling  of  theirs 
an  art,  they  must  be  willing,  and  show  that  they  are  willing, 
to  subject  it  to  such  laws  as  have  made  its  sister  arts  so  free. 
All  those  concerned  in  what  are  accepted  as  the  fine  arts,  the 
learned  sciences  and  professions,  surround  themselves  with 
the  history,  literature,  and  concrete  examples  of  the  work 
with  which  they  are  particularly  engaged.  Yet  it  is  only  in 
rare  instances  that  such  an  atmosphere,  with  its  material 
appurtenances,  is  to  be  found  in  a  printing  office.  Art  does 
not  flourish  in  hidden  places,  nor  under  restraint,  nor  in  ig- 
norance of  what  talent  and  genius  have  accomplished  and 
are  now  accomplishing  throughout  the  world.  For  to  follow 
precedent  wisely  does  not  mean  to  imitate  slavishly  one  great 
exemplar,  but  to  study  all  masters  faithfully,  letting  their 
great  achievements  sink  slowly  into  the  mind  in  order  that 
we  may  patiently  derive  from  the  richness  of  our  acquired  knowl- 
edge and  organized  system  an  attitude  of  our  own.  The  sprightly 

abcdefghijklmnopqrstuvwxyz 
ABCDEFGHIJKLMNOPQRSTUVWXYZ 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

$1234567890 

12345  abcdefghijklmnopqrstuvwxyz  67890$ 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 


No.  20A.     Book  Arrangement  C 


Composition  Matrices 


6  Point  No.  20A,  7  Set 


MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  comes  after  a  sound  appren- 
ticeship; that  which  shall  prove  itself  to  be  the  blending  of  a  firm 
conception  of  useful  precedent  and  the  progressive  tendencies  of  an  able 
mind.  For,  let  a  man  be  as  able  and  original  as  he  may,  he  cannot 
afford  to  discard  knowledge  of  what  has  gone  before  or  what  is  now 
going  on  in  his  own  trade  and  profession.  If  the  printers  of  today 
do  not  wish  to  be  esteemed  arrogant  when  they  term  this  calling  of 
theirs  an  art,  they  must  be  willing,  and  show  that  they  are  willing, 
to  subject  it  to  such  laws  as  have  made  its  sister  arts  so  free.  All 
those  concerned  in  what  are  accepted  as  the  fine  arts,  the  learned 
sciences,  and  professions  surround  themselves  with  the  history,  litera- 
ture, and  concrete  examples  of  work  with  which  they  are  particularly 
engaged.  Yet  it  is  only  in  very  rare  instances  that  such  an  atmosphere, 
with  its  material  appurtenances,  is  to  be  found  in  the  printing  office. 
Art  does  not  flourish  in  hidden  places,  nor  under  restraint,  nor  in 
ignorance  of  what  talent  and  genius  have  accomplished  and  are  ac- 
complishing throughout  the  world.  For  to  follow  precedent  wisely 
does  not  mean  to  imitate  slavishly  one  great  exemplar,  but  to  study 
all  masters  faithfully,  letting  their  great  achievements  sink  slowly 
into  the  mind  in  order  that  we  may  patiently  derive  from  the  richness 
of  our  acquired  knowledge  and  organized  system  an  attitude  of  our 
own.  The  sprightly  minded  young  man,  who  with  his  first  business 
breath  projects  the  new  and  startling,  inevitably  becomes  tiresome, 
and  is  driven  to  an  early  disappearance;  while  the  slower  and  more 
solidly  endowed  student  will  at  least  spend  as  much  of  his  time  in 
avoiding  mistakes  as  in  evolving  brilliant  schemes  wherewith  to  dazzle 
his  contemporaries.  The  best  kind  of  originality  is  that  which  comes 
after  a  sound  apprenticeship;  that  which  shall  prove  itself  to  be  the 
blending  of  a  firm,  conception  of  all  useful  precedent  and  the  progressive 
tendencies  of  an  able  mind.  For,  let  a  man  be  as  able  and  original  as  he 


12345 


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ABCDEFGHIJKLMNOPQRSTUVWXYZ 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

abcdefghijklmnopqrstuvwxyz  67890$ 

ABCDEFGHIJKLMNOPQRSTUVWX  YZ 


8  Point  No.  20A,  8f  Set 
MONOTYPE  FACES 


The  best  kind  of  originality  is  that  which  comes  after  a 
sound  apprenticeship;  that  which  shall  prove  to  be  the 
blending  of  a  firm  conception  of  all  useful  precedent  and 
the  progressive  tendencies  of  an  able  mind.  For,  let  a 
man  be  as  able  and  original  as  he  may,  he  cannot  afford 
to  discard  knowledge  of  what  has  gone  before  or  what  is 
now  going  on  in  his  own  trade  and  profession.  If  the 
printers  of  today  do  not  wish  to  be  esteemed  arrogant 
when  they  term  this  calling  of  theirs  an  art,  they  must 
be  willing,  and  show  that  they  are  willing,  to  subject  it  to 
such  laws  as  have  made  its  sister  arts  so  free.  All  those 
concerned  in  what  are  accepted  as  the  fine  arts,  learned 
sciences,  and  professions  surround  themselves  with  the 
history,  the  literature,  and  concrete  examples  of  the  work 
with  which  they  are  particularly  engaged.  Yet  it  is  only 
in  very  rare  instances  that  such  an  atmosphere,  with  its 
material  appurtenances,  is  to  be  found  in  a  printing  office. 
Art  does  not  flourish  in  hidden  places,  nor  under  restraint, 
nor  in  ignorance  of  what  talent  and  genius  have  accom- 
plished and  are  now  accomplishing  throughout  the  world. 
For  to  follow  all  precedent  wisely  does  not  mean  to  imitate 
slavishly  one  great  exemplar,  but  to  study  all  masters  faith- 

12345  abcdefghijklmnopqrstuvwxyz  67890$ 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

12345  abcdefghijklmnopqrstuvwxyz  67890$ 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 


9  Point  No.  20A,  9f  Set 

MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  comes 
after  a  sound  apprenticeship;  that  which  shall 
prove  to  be  the  blending  of  a  firm  conception  of  all 
useful  precedent  and  the  progressive  tendencies  of 
an  able  mind.  For,  let  a  man  be  as  able  and  orig- 
inal as  he  may,  he  cannot  afford  to  discard  knowl- 
edge of  what  has  gone  before  or  what  is  now  going 
on  in  his  own  trade  and  profession.  If  the  printers 
of  today  do  not  wish  to  be  esteemed  arrogant  when 
they  term  this  calling  of  theirs  an  art,  they  must  be 
willing,  and  show  that  they  are  willing,  to  subject 
it  to  such  laws  as  have  made  its  sister  arts  so  free. 
All  those  concerned  in  what  are  accepted  as  the 
fine  arts,  the  learned  sciences,  and  the  professions 
surround  themselves  with  the  history,  the  litera- 
ture, and  concrete  examples  of  the  work  with  which 
they  are  particularly  engaged.  Yet  it  is  only  in 
very  rare  instances  that  such  an  atmosphere,  with 
its  material  appurtenances,  is  to  be  found  in  a  print- 
ing office.  Art  does  not  flourish  in  hidden  places, 

12345        abcdefghijklmnopqrstuvwxyz        67890$ 
ABCDEFGHIJKLMNOPQRSTUVWXYZ 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

abcdefghijklmnopqrstuvwxyz         67890$ 
ABCDEFGHIJKLMNOPQRSTUVWXYZ 


10  Point  No.  20A,  10i  Set 

MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  comes 
after  a  sound  apprenticeship;  that  which  shall 
prove  to  be  the  blending  of  a  firm  conception 
of  all  useful  precedent  and  the  progressive  ten- 
dencies of  an  able  mind.  For,  let  a  man  be  as 
able  and  original  as  he  may,  he  cannot  afford 
to  discard  knowledge  of  what  has  gone  before 
or  what  is  now  going  on  in  his  own  trade  and 
profession.  If  the  printers  of  today  do  not  wish 
to  be  esteemed  arrogant  when  they  term  this 
calling  of  theirs  an  art,  they  must  be  willing, 
and  show  that  they  are  willing,  to  subject  it  to 
such  laws  as  have  made  its  sister  arts  so  free. 
All  those  concerned  in  what  are  accepted  as 
the  fine  arts,  the  learned  sciences,  and  the  pro- 
fessions surround  themselves  with  the  history, 
the  literature,  and  concrete  examples  of  the  work 
with  which  they  are  particularly  engaged.  Yet  it 

12345      abcdefghijklmnopqrstuvwxyz    67890$ 
ABCDEFGHIJKLMNOPQRSTUVWXYZ 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

12345        abcdefghijklmnopqrstuvwxyz      67890$ 
ABCDEFGHIJKLMNOPQRSTUVWXYZ 


No.  20A.     Book  Arrangement  C 
Composition  Matrices 


11  Point  No.  20 A,  11  Set 

MONOTYPE  FACES 
The  very  best  kind  of  originality  is  that  which 
comes  after  a  thorough  apprenticeship;  that 
which  shall  prove  to  be  the  blending  of  a 
firm  conception  of  all  useful  precedent  and 
the  progressive  tendencies  of  an  able  mind. 
For,  let  a  man  be  as  able  and  original  as  he 
may,  he  cannot  afford  to  discard  knowledge 
of  what  has  gone  before  or  what  is  now  going 
on  in  his  own  trade  and  profession.  If  the 
printers  of  today  do  not  wish  to  be  esteemed 
arrogant  when  they  term  this  calling  of  theirs 
an  art,  they  must  be  willing,  and  show  that 
they  are  willing,  to  subject  it  to  such  laws  as 
have  made  its  sister  arts  so  free.  All  those 
concerned  in  what  are  accepted  as  the  fine  arts, 
the  learned  sciences,  and  professions  surround 

12345  abcdefghijklmnopqrstuvwxyz  67890$ 
ABCDEFGHIJKLMNOPQRSTUVWXYZ 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

12345     abcdefghijklmnopqrstuvwxyz     67890$ 
ABCDEFGHIJKLMNOPQRSTUVWXYZ 


MONOTYPE  FACES 
The  very  best  kind  of  originality  is  that  which 
comes  after  a  thorough  apprenticeship;  that 
which  shall  prove  to  be  the  blending  of  a 
firm  conception  of  all  useful  precedent  and 
the  progressive  tendencies  of  an  able  mind. 
For,  let  a  man  be  as  able  and  original  as  he 
may,  he  cannot  afford  to  discard  knowledge 
of  what  has  gone  before  or  what  is  now  going 
on  in  his  own  trade  and  profession.  If  the 
printers  of  today  do  not  wish  to  be  esteemed 
arrogant  when  they  term  this  calling  of  theirs 
an  art,  they  must  be  willing,  and  show  that 
they  are  willing,  to  subject  it  to  such  laws  as 
have  made  its  sister  arts  so  free.  All  those 
concerned  in  what  are  accepted  as  the  fine 
arts,  the  learned  sciences,  and  professions  sur- 
round themselves  with  the  history,  literature,  and 
concrete  examples  of  work  with  which  they  are 


12  Point  No.  20A,  12  Set 

MONOTYPE  FACES  MONOTYPE  FACES 


The  best  kind  of  originality  is  that  which 
comes  after  a  sound  apprenticeship;  that 
which  shall  prove  to  be  the  blending  of 
a  firm  conception  of  all  useful  precedent 
and  the  progressive  tendencies  of  an  able 
mind.  For,  let  any  man  be  as  able  and 
original  as  he  may,  he  cannot  afford  to 
discard  knowledge  of  what  has  gone  be- 
fore or  what  is  now  going  on  in  his  own 
trade  and  profession.  If  the  printers  of 
today  do  not  wish  to  be  esteemed  arrogant 
when  they  term  this  calling  of  theirs  an  art, 


The  best  kind  of  originality  is  that  which 
comes  after  a  sound  apprenticeship;  that 
which  shall  prove  to  be  the  blending  of 
a  firm  conception  of  all  useful  precedent 
and  the  progressive  tendencies  of  an  able 
mind.  For,  let  any  man  be  as  able  and 
original  as  he  may,  he  cannot  afford  to 
discard  knowledge  of  what  has  gone  be- 
fore or  what  is  now  going  on  in  his  own 
trade  and  profession.  If  the  printers  of 
today  do  not  wish  to  be  esteemed  arro- 
gant when  they  term  this  calling  of  theirs 
an  art,  they  must  be  willing,  and  show  that 
they  are  willing,  to  subject  it  to  such  laws 


12345       abcdefghijklmnopqrstuvwxyz     67890$ 
ABCDEFGHIJKLMNOPQRSTUVWXYZ 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

12345         abcdefghijklmnopqrstuvwxyz      67890$ 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 


No.  20  Electro  Display  Matrices 

14  Point  No.  20 

ABSOLUTE  HEIGHT  TO  PAPER 

Each  Type  is  Finished  Absolutely  before  it  Leaves  the  Mold.    It  is 

not  "Near  Perfect/'  but  Ready  to  Use 

$1234567890 

18  Point  No.  20 

ELEVEN  GOVERNMENTS 

Throughout  the  World  use  the  Monotype  on  all  Classes 

of  Plain  and  Intricate  Work 

$1234567890 


24  Point  No.  20 


INTRICATE  WORK 

No  Job  is  too  Intricate  for  the  "One-type' 

at-a-time"  Machine 
$1234567890 


30  Point  No.  20 


STANDING  MATTER 

Expense  Reduced  to  the  Bare  Cost 

of  the  Monotype  Metal 

$1234567890 


36  Point  No.  20 


THE  CHEAPEST 
To  Buy,  To  Maintain,  To  Run 


No.  201  Electro  Display  Matrices 

14  Point  No.  201 

NEWSPAPER  AND  JOB  OFFICES 

Composing  Matter  Always  Considered  as  Strictly  Handwork,  Saving 

Money  and  Time  with  the  Monotype 

$1234567890 

18  Point  No.  201 

THE  MONOTYPE  SCHOOL 
Furnishes  Free  Instruction  for  Caster  and  Keyboard  to 

Ambitious  Compositors 

$1234567890 


24  Point  No.  201 


CONTINUOUS  LINES 
Of  Sixty  Picas;  a  Record  Unequalled  by 

Any  Other  Machine 

$1234567890 


30  Point  No.  201 


A  GOOD  MACHINE 

Must  Cast  Separate  Type.  It  is 

the  Only  and  Profitable  Way 

$1234567890 


36  Point  No.  201 


No.  3  4 A.     Book  Arrangement  C 


Composition  Matrices 


6  Point  No.  34A,  6j  Set 


MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  comes  after  a  sound  apprentice- 
ship; that  which  shall  prove  to  be  the  blending  of  a  firm  conception  of  all 
useful  precedent  and  of  the  progressive  tendencies  of  an  able  mind.  For, 
let  a  man  be  as  able  and  original  as  he  may,  he  cannot  afford  to  discard 
knowledge  of  what  has  gone  before  or  what  is  now  going  on  in  his  own  trade 
and  profession.  If  the  printers  of  today  do  not  wish  to  be  esteemed  arro- 
gant when  they  term  this  calling  of  theirs  an  art,  they  must  be  willing,  and 
show  that  they  are  willing,  to  subject  it  to  such  laws  as  have  made  its  sister 
arts  so  free.  All  those  concerned  in  what  are  accepted  as  the  fine  arts,  the 
learned  sciences,  and  the  professions  surround  themselves  with  the  history, 
literature,  and  concrete  examples  of  the  work  with  which  they  are  particu- 
larly engaged.  Yet  it  is  only  in  rare  instances  that  such  an  atmosphere, 
with  its  material  appurtenances,  is  to  be  found  in  a  printing  office.  Art  does 
not  flourish  in  hidden  places,  nor  under  restraint,  nor  in  ignorance  of  what 
talent  and  genius  have  accomplished  and  are  accomplishing  throughout  the 
world.  For  to  follow  precedent  wisely  does  not  mean  to  imitate  slavishly 
one  great  exemplar,  but  to  study  alj  masters  faithfully,  letting  their  great 
achievements  sink  slowly  into  the  mind  in  order  that  we  may  patiently  de- 
rive from  the  richness  of  our  acquired  knowledge  and  organized  system  an 
attitude  of  our  own.  The  sprightly  minded  young  man,  who  with  his  first 
business  breath  projects  the  new  and  startling,  inevitably  becomes  tiresome, 
and  is  driven  to  an  early  disappearance;  while  the  slower,  more  solidly  en- 
dowed student  will  at  least  spend  as  much  of  his  time  in  avoiding  mistakes 
as  in  evolving  brilliant  schemes  wherewith  to  dazzle  his  contemporaries. 
The  best  kind  of  originality  is  that  which  comes  after  a  sound  apprentice- 
ship; that  which  shall  prove  to  be  the  blending  of  a  firm  conception  of  all 
useful  precedent  and  the  progressive  tendencies  of  an  able  mind.  For,  let 
any  man  be  as  able  and  original  as  he  may,  he  cannot  well  afford  to  discard 
knowledge  of  what  has  gone  before  or  what  is  now  going  on  in  his  own  trade  and 
profession.  If  the  printers  of  today  do  not  wish  to  be  esteemed  arrogant  when 

12345  abcdefghijklmnopqrstuvwxyz  67890$ 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

12345  abcdefghijklmnopqrstuvwxyz  67890$ 

ABCDEFGHIJKLMNOPQRS  TUVWXYZ 


8  Point  No.  34A,  8  Set 


MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  comes  after  a  sound 
apprenticeship;  that  which  shall  prove  to  be  the  blending  of 
a  firm  conception  of  all  useful  precedent  and  the  progressive 
tendencies  of  an  able  mind.  For,  let  a  man  be  as  able  and 
original  as  he  may,  he  cannot  afford  to  discard  knowledge 
of  what  has  gone  before  or  what  is  now  going  on  in  his  own 
trade  and  profession.  If  the  printers  of  today  do  not  wish 
to  be  esteemed  arrogant  when  they  term  this  calling  of  theirs 
an  art,  they  must  be  willing,  and  show  that  they  are  willing, 
to  subject  it  to  such  laws  as  have  made  its  sister  arts  so  free. 
All  those  concerned  in  what  are  accepted  as  the  fine  arts, 
the  learned  sciences,  and  the  professions  surround  themselves 
with  the  history,  the  literature,  and  concrete  examples  of  the 
work  with  which  they  are  more  particularly  engaged.  Yet  it 
is  only  in  rare  instances  that  such  an  atmosphere,  with  its 
material  appurtenances,  is  to  be  found  in  a  printing  office. 
Art  does  not  flourish  in  hidden  places,  nor  under  restraint, 
nor  in  ignorance  of  what  talent  and  genius  have  accomplished 
and  are  accomplishing  throughout  the  world.  For  to  follow 
precedent  wisely  does  not  mean  to  imitate  slavishly  one  great 
exemplar,  but  to  study  all  masters  faithfully,  letting  their  great 
achievements  sink  slowly  into  the  mind  in  order  that  we  may 


12345 


67890$ 


abcdefghijklmnopqrstuvwxyz 
ABCDEFGttUKLMNOPQRSTUVWXYZ 

ABCDEFGHIJKLMNOPQUSTUVWXYZ 

12345  abcdefghijklmnopqrstuvwxyz  67890S 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 


9  Point  No.  34A,  8i  Set 

MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  comes  after  a 
sound  apprenticeship;  that  which  shall  prove  to  be  the 
blending  of  a  firm  conception  of  all  useful  precedent  and 
the  progressive  tendencies  of  an  able  mind.  For,  let  a 
man  be  as  able  and  original  as  he  may,  he  cannot  afford 
to  discard  knowledge  of  what  has  gone  before  or  what  is 
now  going  on  in  his  own  trade  and  profession.  If  the 
printers  of  today  do  not  wish  to  be  esteemed  arrogant 
when  they  term  this  calling  of  theirs  an  art,  they  must  be 
willing,  and  show  that  they  are  willing,  to  subject  it  to 
such  laws  as  have  made  its  sister  arts  so  free.  All  those 
concerned  in  what  are  accepted  as  the  fine  arts,  the  learned 
sciences,  and  the  professions  surround  themselves  with  the 
history,  the  literature,  and  concrete  examples  of  the  work 
with  which  they  are  particularly  engaged.  Yet  it  is  only 
in  very  rare  instances  that  such  an  atmosphere,  with  its 
material  appurtenances,  is  to  be  found  in  a  printing  office. 
Art  does  not  flourish  in  hidden  places,  nor  under  restraint, 
nor  in  ignorance  of  what  talent  and  genius  have  accomplished 
and  are  accomplishing  throughout  the  world.  For  to  follow 


1  -'•>  1">  abcdefghijklmnopqrstuvwxyz 

ABC  DEFG  H IJ  KLMNOPQRSTU  V  WX  YZ 

ABCDEFO 1 1 1.1  K  I.M  N<  U'QRSTU  V  WXYZ 

12345  abcdefghijklmnopfirstuvwxyz  67890$ 

A  BCDEFOHIJKLMNOrQRS  TUVWX  YZ 


10  Point  No.  34A,  9i  Set 

MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  comes  after 
a  sound  apprenticeship;  that  which  shall  prove  to 
be  the  blending  of  a  firm  conception  of  all  useful 
precedent  and  the  progressive  tendencies  of  an  able 
mind.  For,  let  a  man  be  as  able  and  original  as  he 
may,  he  cannot  afford  to  discard  knowledge  of  what 
has  gone  before  or  what  is  now  going  on  in  his  own 
trade  and  profession.  If  the  printers  of  today  do  not 
wish  to  be  esteemed  too  arrogant  when  they  term 
this  calling  of  theirs  an  art,  they  must  be  willing, 
and  show  that  they  are  willing,  to  subject  it  to  such 
laws  as  have  made  its  sister  arts  so  free.  All  those 
concerned  in  what  are  accepted  as  the  fine  arts,  the 
learned  sciences,  and  professions  surround  themselves 
with  the  history,  literature,  and  concrete  examples  of 
the  work  with  which  they  are  particularly  engaged. 
Yet  it  is  only  in  rare  instances  that  such  an  atmosphere, 
with  all  its  material  appurtenances,  is  to  be  found  in  a 

12345          abcdefghijklmnopqrstuvwxyz        07890$ 
ABCDEFGHIJKLMNOPQRSTUVWXYZ 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

12345  abcdefghijklmnopqrsturjwxyz 

A  BCDEFGIIIJKLMNOPQRS  TUVWXYZ 


No.  3 4 A.     Book  Arrangement  C 


Composition  Matrices 


11  Point  No.  34A,  10  Set 


12  Point  No.  34A,  11  Set 


MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  comes 
after  a  sound  apprenticeship;  that  which  shall 
prove  to  be  the  blending  of  a  firm  conception 
of  all  useful  precedent  and  the  progressive  ten- 
dencies of  an  able  mind.  For,  let  a  man  be  as 
able  and  original  as  he  may,  he  cannot  afford  to 
discard  knowledge  of  what  has  gone  before  or 
what  is  now  going  on  in  his  own  trade  and  pro- 
fession. If  the  printers  of  today  do  not  wish  to 
be  esteemed  arrogant  when  they  term  this  calling 
of  theirs  an  art,  they  must  be  willing,  and  show 
that  they  are  willing,  to  subject  it  to  such  laws  as 
have  made  its  sister  arts  so  free.  All  those  who  are 
concerned  in  what  are  accepted  as  the  fine  arts, 
the  learned  sciences,  and  the  professions  surround 
themselves  with  the  history,  literature,  and  concrete 
examples  of  the  work  with  which  they  are  particularly 

12345         abcdefghijklmnopqrstuvwxyz     67890$ 
ABCDEFGHIJKLMNOPQRSTUVWXYZ 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

12345         abcdefghijklmnopqrstuvwxyz 

ABCDEFGHIJKLMNOPQRS  TUVWX  YZ 


MONOTYPE  FACES 

The  very  best  kind  of  originality  is  that  which 
comes  after  a  thorough  apprenticeship;  that 
which  shall  prove  to  be  the  blending  of  a 
firm  conception  of  all  useful  precedent  and 
the .  progressive  tendencies  of  an  able  mind. 
For,  let  a  man  be  as  able  and  original  as  he 
may,  he  cannot  afford  to  discard  knowledge 
of  what  has  gone  before  or  what  is  now  going 
on  in  his  own  trade  and  profession.  If  the 
printers  of  today  do  not  wish  to  be  esteemed 
arrogant  when  they  term  this  calling  of  theirs 
an  art,  they  must  be  willing,  and  show  that 
they  are  willing,  to  subject  it  to  such  laws  as 
have  made  its  sister  arts  so  free.  All  those  con- 
cerned in  what  are  accepted  as  the  fine  arts,  the 

12345  abcdefghijklmnopqrstuvwxyz  67890$ 
ABCDEFGHIJKLMNOPQRSTUVWXYZ 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

12345  abcdefghijklmnopqrstuvwxyz  67890$ 
ABCDEFGHIJKLMNOPQRS  TUVWX  YZ 


No.  3  6 A.     Book  Arrangement  C 


Composition  Matrices 


6  Point  No.  36A,  6t  Set 


8  Point  No.  36A,  8  Set 


MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  comes  after  a  sound  apprentice- 
ship; that  which  shall  prove  to  be  the  blending  of  a  firm  conception  of  all 
useful  precedent  and  the  progressive  tendencies  of  an  able  mind.  For, 
let  a  man  be  as  able  and  original  as  he  may,  he  cannot  afford  to  discard 
knowledge  of  what  has  gone  before  or  what  is  now  going  on  in  his  own  trade 
and  profession.  If  the  printers  of  today  do  not  wish  to  be  esteemed  arro- 
gant when  they  term  this  calling  of  theirs  an  art,  they  must  be  willing,  and 
show  that  they  are  willing,  to  subject  it  to  such  laws  as  have  made  its  sister 
arts  so  free.  All  those  concerned  in  what  are  accepted  as  the  fine  arts,  the 
learned  sciences,  and  the  professions  surround  themselves  with  the  history, 
literature,  and  concrete  examples  of  the  work  with  which  they  are  particu- 
larly engaged.  Yet  it  is  only  in  rare  instances  that  such  an  atmosphere, 
with  its  material  appurtenances,  is  to  be  found  in  a  printing  office.  Art  does 
not  flourish  in  hidden  places,  nor  under  restraint,  nor  in  ignorance  of  what 
talent  and  genius  have  accomplished  and  are  accomplishing  throughout  the 
world.  For  to  follow  all  precedent  wisely  does  not  mean  to  imitate  slavishly 
one  great  exemplar,  but  to  study  all  masters  faithfully,  letting  their  great 
achievements  sink  slowly  into  the  mind  in  order  that  we  may  patiently  de- 
rive from  the  richness  of  our  acquired  knowledge  and  organized  system  an 
attitude  of  our  own.  The  sprightly  minded  young  man,  who  with  his  first 
business  breath  projects  the  new  and  startling,  inevitably  becomes  tiresome, 
and  is  driven  to  an  early  disappearance;  while 'the  slower,  more  solidly  en- 
dowed student  will  at  least  spend  as  much  of  his  time  in  avoiding  mistakes 
as  in  evolving  brilliant  schemes  wherewith  to  dazzle  his  contemporaries. 
The  best  kind  of  originality  is  that  which  comes  after  a  sound  apprentice- 
ship; that  which  shall  prove  to  be  the  blending  of  a  firm  conception  of  all 
useful  precedent  and  the  progressive  tendencies  of  an  able  mind.  For,  let 
any  man  be  as  able  and  original  as  he  may,  he  cannot  well  afford  to  discard 
knowledge  of  what  has  gone  before  or  it  now  going  on  in  his  own  trade  and  pro- 
fession. If  the  printers  of  today  do  not  wish  to  be  esteemed  arrogant  when  they 

12345  abcdefghijklmnopqrstuvwxyz  67890$ 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

12345  abcdefghijklmnopqrstuvwxyz  678909 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 


MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  comes  after  a  sound 
apprenticeship;  that  which  shall  prove  to  be  the  blending  of 
a  firm  conception  of  all  useful  precedent  and  the  progressive 
tendencies  of  an  able  mind.  For,  let  a  man  be  as  able  and 
original  as  he  may,  he  cannot  afford  to  discard  knowledge  of 
what  has  gone  before  or  what  is  now  going  on  in  his  own  trade 
and  profession.  If  the  printers  of  today  do  not  wish  to  be 
esteemed  arrogant  when  they  term  this  calling  of  theirs  an 
art,  they  must  be  willing,  and  show  that  they  are  willing,  to 
subject  it  to  such  laws  as  have  made  its  sister  arts  so  free.  All 
those  concerned  in  what  are  accepted  as  the  fine  arts,  the 
learned  sciences,  and  the  professions  surround  themselves  with 
the  history,  literature,  and  the  concrete  examples  of  the  work 
with  which  they  are  particularly  engaged.  Yet  it  is  only  in 
rare  instances  that  such  an  atmosphere,  with  its  material  ap- 
purtenances, is  to  be  found  in  a  printing  office.  Art  does  not 
flourish  in  hidden  places,  nor  under  restraint,  nor  in  ignorance 
of  what  talent  and  genius  have  accomplished  and  are  accom- 
plishing throughout  the  world.  For  to  follow  precedent  wisely 
does  not  mean  to  imitate  slavishly  one  great  exemplar,  but  to 
study  all  masters  faithfully,  letting  their  great  achievements  sink 
slowly  into  the  mind  in  order  that  we  may  patiently  derive  from 

12345  abcdefghijklmnopqrstuvwxyz  67890$ 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

abcdefghijklmnopqrstuvwxyz  67890$ 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 


9  Point  No.  36A,  9  Set 

MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  comes  after 
a  sound  apprenticeship;  that  which  shall  prove  to  be 
the  blending  of  a  firm  conception  of  all  useful  precedent 
and  the  progressive  tendencies  of  an  able  mind.  For, 
let  a  man  be  as  able  and  original  as  he  may,  he  cannot 
afford  to  discard  knowledge  of  what  has  gone  before  or 
what  is  now  going  on  in  his  own  trade  and  profession. 
If  the  printers  of  today  do  not  wish  to  be  esteemed 
arrogant  when  they  term  this  calling  of  theirs  an  art, 
they  must  be  willing,  and  show  that  they  are  willing, 
to  subject  it  to  such  laws  as  have  made  its  sister  arts 
so  free.  All  those  concerned  in  what  are  accepted  as 
the  fine  arts,  the  learned  sciences,  and  the  professions 
surround  themselves  with  the  history,  literature,  and 
concrete  examples  of  the  work  with  which  they  are 
particularly  engaged.  Yet  it  is  only  in  rare  instances 
that  such  an  atmosphere,  with  its  material  appurten- 
ances, is  to  be  found  in  a  printing  office.  Art  does  not 
flourish  in  the  hidden  places,  nor  under  restraint,  nor  in 
ignorance  of  what  talent  and  genius  have  accomplished  and 

12345  abcdefghijklmnopqrstuvwxyz  67890$ 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

12345  abcdefghijklmnopqrstuvwxyz  67890$ 

A  BCDEFGHIJKLMNOPQRS  TUVWX  YZ 


10  Point  No.  36A,  10  Set 

MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  comes 
after  a  sound  apprenticeship;  that  which  shall 
prove  to  be  the  blending  of  a  firm  conception 
of  all  useful  precedent  and  the  progressive  ten- 
dencies of  an  able  mind.  For,  let  a  man  be  as 
able  and  original  as  he  may,  he  cannot  afford  to 
discard  knowledge  of  what  has  gone  before  or 
what  is  now  going  on  in  his  own  trade  and  pro- 
fession. If  the  printers  of  today  do  not  wish  to 
be  esteemed  arrogant  when  they  term  this  calling 
of  theirs  an  art,  they  must  be  willing,  and  show 
that  they  are  willing,  to  subject  it  to  such  laws  as 
have  made  its  sister  arts  so  free.  All  those  who  are 
concerned  in,  what  are  accepted  as  the  fine  arts, 
the  learned  sciences,  and  the  professions  surround 
themselves  with  the  history,  the  literature,  and 
concrete  examples  of  the  work  with  which  they  are 
particularly  engaged.  Yet  it  is  only  in  very  rare 


12345       abcdefghijklmnopqrstuvwxyz 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

123^5          abcdefghijklmnopqrstuvwxyz 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 


No.  3  6 A.     Book  Arrangement  C 


Composition  Matrices 


11  Point  No.  36A,  11  Set 


12  Point  No.  36A,  12  Set 


MONOTYPE  FACES 

The  very  best  kind  of  originality  is  that  which 
comes  after  a  thorough  apprenticeship;  that 
which  shall  prove  to  be  the  blending  of  a 
firm  conception  of  all  useful  precedent  and 
the  progressive  tendencies  of  an  able  mind. 
For,  let  a  man  be  as  able  and  original  as  he 
may,  he  cannot  afford  to  discard  knowledge 
of  what  has  gone  before  or  what  is  now  going 
on  in  his  own  trade  and  profession.  If  the 
printers  of  today  do  not  wish  to  be  esteemed 
arrogant  when  they  term  this  calling  of  theirs 
an  art,  they  must  be  willing,  and  show  that 
they  are  willing,  to  subject  it  to  such  laws  as 
have  made  its  sister  arts  so  free.  All  those 
concerned  in  what  are  accepted  as  the  fine 
arts,  the  learned  sciences,  and  professions  sur- 
round themselves  with  the  history,  literature,  and 

12345  abcdefghijklmnopqrstuvwxyz  6789$ 
ABCDEFGHIJKLMNOPQRSTUVWXYZ 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

12345  abcdefghijklmnopqrstuvwxyz  67890$ 
ABCDEFGHIJKLMNOPQRSTUVWXYZ 


MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which 
comes  after  a  sound  apprenticeship;  that 
which  shall  prove  to  be  the  blending  of 
a  firm  conception  of  all  useful  precedent 
and  the  progressive  tendencies  of  an  able 
mind.  For,  let  any  man  be  as  able  and 
original  as  he  may,  he  cannot  afford  to 
discard  knowledge  of  what  has  gone  be- 
fore or  what  is  now  going  on  in  his  own 
trade  and  profession.  If  the  printers  of 
today  do  not  wish  to  be  esteemed  arro- 
gant when  they  term  this  calling  of  theirs 
an  art,  they  must  be  willing,  and  show 
that  they  are  willing,  to  subject  it  to  such 
laws  as  have  made  its  sister  arts  so  free. 

1234    abcdefghijklmnopqrstuvwxyz   567$ 
ABCDEFGHIJKLMNOPQRSTUVW 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

1234     abcdefghijklmnopqrstuvwxyz     567$ 
ABCDEFGHIJKLMNOPQRSTUVW 


No.  36  Display  Matrices 

14  Point  No.  36 

ALL  MATTER  IS  STRAIGHT  MATTER 

Tariff,  Tabular   and    Intricate   Catalogue    Composition  Handled  like 

Straight  Matter  on  the  Monotype 
$1234567890 

18  Point  No.  36 

GET  A  TYPE  CASTER 

Convert  it  into  a  Composing  Machine  for  Casting  all 
Kinds  of  Justified  Ready-to-print  Matter 

$1234567890 


24  Point  No.  36 


THE  ONLY  MACHINE 

Having  a  Complete  and  Varied  Assortment 

of  its  own  Matrices 
$1234567890 


30  Point  No.  36 


A  MATRIX  LIBRARY 

All  Faces  Leased  to  Customers,  just 

like  a  Circulating  Library 

$1234567890 


36  Point  No.  36 


BUY  A  MACHINE 

With  a  Repeat-order  Record 

$1234567890 


No.  361  Display  Matrices 

14  Point  No.  361 

PROGRESSIVE  PUBLISHERS 

Say  our  Type  Caster  is  one  of  the  best  Advertising1  Solicitors  they 
ever  Employed  for  their  Daily  and  Sunday  Papers 

$1234567890 

18  Point  No.  361 

IT  SATISFIES  ADVERTISERS 

Monotype  Composition  is  a  Business  Puller  for  the 

Advertising  Department 

$1234567890 


24  Point  No.  361 


ADVERTISING  COSTS 

Reduced  and  Advertisers  Pleased  with 
Clean  Monotype  Work 

$1234567890 


30  Point  No.  361 


MAKING  NEW  TYPE 

For  Every  Use  in  a  Newspaper 

Office  with  the  Monotype 

$1234567890 


36  Point  No.  361 


MONOTYPE  TYPE 

Makes  a  Smart  Newspaper 

$1234567890 


Composition  Matrices 
11  Point  No.  195A,  12j  Set  Arrangement  S2489 

MONOTYPE  FACES 
Tfee  fees*  fe»4  el  originality  is  tfeft* 
which  comes  ft&ef  ft  sound  appronticc- 
sfeip;  *feft%  which  sfefttt  prove  %e  fee  *fee 
blending  el   ft   fiwft  conception  of   fttt 
useful   precedent  ft«4  tfee  progressive 
tendencies  el  ftft  ftfele  *mft4.     Fe? ,  let  ft 
«iftft  fee  fts  ftfele  ft»4  original  fts  fee  mfty, 
fee  ea-ftftet  afford  te  discard  knowledge 
el  w-ktrt  fefts  ge«e  feefe^e  e*  w-hft*  is 
going  eft  ift  feis  ew-H-  *Fft4e  ft«4 
fcooion.     W  *fee  printers  el  today 
ftet  w4sfe  te  fee  esteemed  arrogant  w-feea- 
tfeey  tef»  tfeis  calling  el  theirs  ft«- 
tfeey  «H*S%  fee  willing,  e*4  sfeew 
abcdGfghijklmnopqrstuvwxyz 
ADCDEFGIIIJKLMNOPQRSTUVW 
$1231567890 


These  matrices  are  the  same  as  the  11  point  No.  150A  except  that 
thev  are  arranged  for  cancellation  work  Price  Class  D.  Special 
keybar  required  for  composition.  Not  included  m  library  and  not  leased. 


No.  150 A.     Book  Arrangement  C 


Composition  Matrices 

6  Point  No.  150A,  7|  Set  7  Point  No.  150A, 


MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  comes  after  a  sound  ap- 
prenticeship; that  which  shall  prove  to  be  the  blending  of  a  firm 
conception  of  all  useful  precedent  and  the  progressive  tendencies 
of  an  able  mind.  For,  let  a  man  be  as  able  and  original  as  he  may, 
he  cannot  afford  to  discard  knowledge  of  what  has  gone  before  or 
what  is  now  going  on  in  his  own  trade  and  profession.  If  the 
printers  of  today  do  not  wish  to  be  esteemed  arrogant  when  they 
term  this  calling  of  theirs  an  art,  they  must  be  willing,  and  show 
that  they  are  willing,  to  subject  it  to  such  laws  as  have  made  its 
sister  arts  so  free.  All  those  concerned  in  what  are  accepted  as 
the  fine  arts,  the  learned  sciences,  and  the  professions  surround 
themselves  with  the  history,  literature,  and  concrete  examples  of 
the  work  with  which  they  are  particularly  engaged.  Yet  it  is  only 
in  rare  instances  that  such  an  atmosphere,  with  its  material  appur- 
tenances, is  to  be  found  in  a  printing  office.  Art  does  not  flourish 
in  hidden  places,  nor  under  restraint,  nor  in  ignorance  of  all  that 
talent  and  genius  have  accomplished  and  are  now  accomplishing 
throughout  the  world.  For  to  follow  precedent  wisely  does  not 
mean  to  imitate  slavishly  one  great  exemplar,  but  to  study  all 
masters  faithfully,  letting  their  great  achievements  sink  slowly 
into  the  mind  in  order  that  we  may  patiently  derive  from  the  rich- 
ness of  our  acquired  knowledge  and  organized  system  an  attitude 
of  our  own.  The  sprightly  minded  young  man,  who  with  his  first 
business  breath  projects  the  new  and  startling,  inevitably  becomes 
very  tiresome,  and  is  driven  to  an  early  disappearance;  while  the 
slower,  more  solidly  endowed  student  will  at  least  spend  as  much 
of  his  time  in  avoiding  mistakes  as  in  evolving  brilliant  schemes 
wherewith  to  dazzle  his  contemporaries.  The  best  kind  of  origi- 
nality  is  that  which  comes  after  a  sound  apprenticeship;  that  which 
shall  prove  to  be  the  blending  of  a  firm  conception  of  all  useful  pre- 


12345 


67890$ 


abcdefghijklmnopqrstuvwxyz 
ABCDEFGHIJKLMNOPQRSTUVWXYZ 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

72.745  abcdefghijklmnopqrstuvwxyz  67890$ 

ABCDEFGJIIJKLMNOPQRSTUVWXYZ 


MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  comes  after  a 
sound  apprenticeship;  that  which  shall  prove  to  be  the 
blending  of  a  firm  conception  of  all  useful  precedent  and 
the  progressive  tendencies  of  an  able  mind.  For,  let  a 
man  be  as  able  and  original  as  he  may  he  cannot  afford 
to  discard  knowledge  of  what  has  gone  before  or  what  is 
now  going  on  in  his  own  trade  and  profession.  If  the 
printers  of  today  do  not  wish  to  be  esteemed  arrogant 
when  they  term  this  calling  of  theirs  an  art,  they  must  be 
willing,  and  show  that  they  are  willing,  to  subject  it  to 
such  laws  as  have  made  its  sister  arts  so  free.  All  those 
concerned  in  what  are  accepted  as  the  fine  arts,  the  learned 
sciences,  and  the  professions  surround  themselves  with  the 
history,  literature,  and  the  concrete  examples  of  the  work 
with  which  they  are  particularly  engaged.  Yet  it  is  only 
in  very  rare  instances  that  such  an  atmosphere,  with  its 
material  appurtenances,  is  to  be  found  in  a  printing  office. 
Art  does  not  flourish  in  hidden  places  nor  under  restraint, 
nor  in  ignorance  of  what  talent  and  genius  have  accom- 
plished and  are  now  accomplishing  throughout  the  world. 
For  to  follow  precedent  wisely  does  not  mean  to  imitate 
slavishly  one  great  exemplar,  but  to  study  all  the  masters 
faithfully,  letting  their  great  achievements  sink  slowly  into 
the  mind  in  order  that  we  may  patiently  derive  from  the 
richness  of  our  acquired  knowledge  and  organized  system  an 
attitude  of  our  own.  The  sprightly  minded  young  man,  who 

12345  abcdefghijklmnopqrstuvwxyz  67890$ 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

12345  abcdefghijklmnopqrstuvwxyz  67890$ 

A  DCDEFGHIJKLMNOPQRSTU  VWX  YZ 


8  Point  No.  150A,  9  Set 

MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  comes  after 
a  sound  apprenticeship;  that  which  shall  prove  to  be 
the  blending  of  a  firm  conception  of  all  useful  precedent 
and  the  progressive  tendencies  of  an  able  mind.  For, 
let  a  man  be  as  able  and  original  as  he  may,  he  cannot 
afford  to  discard  knowledge  of  what  has  gone  before  or 
what  is  now  going  on  in  his  own  trade  and  profession. 
If  the  printers  of  today  do  not  wish  to  be  esteemed  too 
arrogant  when  they  term  this  calling  of  theirs  an  art, 
they  must  be  willing,  and  show  that  they  are  willing, 
to  subject  it  to  such  laws  as  have  made  its  sister  arts 
so  free.  All  those  concerned  in  what  are  accepted  as 
the  fine  arts,  the  learned  sciences,  and  the  professions 
surround  themselves  with  the  history,  the  literature,  and 
concrete  examples  of  the  work  with  which  they  are 
particularly  engaged.  Yet  it  is  only  in  rare  instances 
that  such  an  atmosphere,  with  its  material  appurte- 
nances, is  to  be  found  in  a  printing  office.  Art  does  not 
fiourish  in  hidden  places,  nor  under  restraint,  nor  in 
ignorance  of  what  talent  and  genius  have  accomplished 
and  are  accomplishing  throughout  the  world.  For,  to 
follow  precedentwiselydoes  not  mean  to  imitate  slavishly 
one  great  exemplar,  but  to  study  all  masters  faithfully, 
letting  their  great  achievements  sink  slowly  into  the  mind 

12345  abcdefghijklmnopqrstuvwxyz  67890$ 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

ABCDKFGHIJKLMNOPQRSTUVWXYZ 

12345  abcdefghijklmnopqrstuvwxyz  67890$ 

A  BCDEFGHIJKLMNOPQRSTU  VWX  YZ 


9  Point  No.  150 A,  10  Set 

MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  comes 
after  a  sound  apprenticeship;  that  which  shall 
prove  to  be  the  blending  of  a  firm  conception  of  all 
useful  precedent  and  the  progressive  tendencies  of 
an  able  mind.  For,  let  a  man  be  as  able  and  orig- 
inal as  he  may,  he  cannot  afford  to  discard  knowl- 
edge of  what  has  gone  before  or  what  is  now  going 
on  in  his  own  trade  and  profession.  If  the  printers 
of  today  do  not  wish  to  be  esteemed  arrogant  when 
they  term  this  calling  of  theirs  an  art,  they  must 
be  willing,  and  show  that  they  are  willing,  to  sub- 
ject it  to  such  laws  as  have  made  its  sister  arts 
so  free.  All  those  concerned  in  what  are  accepted 
as  the  fine  arts,  the  learned  sciences,  and  the  pro- 
fessions surround  themselves  with  the  history, 
the  literature,  and  concrete  examples  of  the  work 
with  which  they  are  particularly  engaged.  Yet 
it  is  only  in  very  rare  instances  that  such  an  at- 
mosphere, with  its  material  appurtenances,  is  to 
be  found  in  a  printing  office.  Art  does  not  flourish 
in  hidden  places,  nor  under  restraint,  nor  in  ignor- 

12345        abcdefghijklmnopqrstuvwxyz       67890$ 
ABCDEFGHIJKLMNOPQRSTUVWXYZ 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

12345          abcdefghijklmnopqrstuvwxyz        67890$ 
A  BCDEFGHIJKLMNOPQRST  U  VWXYZ 


No.  150 A.     Book  Arrangement  C 


Composition  Matrices 


10  Point  No.  150A,  11  Set 

MONOTYPE  FACES 


11  Point  No.  150A,  12  Set 


The  very  best  kind  of  originality  is  that  which 
comes  after  a  thorough  apprenticeship;  that 
which  shall  prove  to  be  the  blending  of  a 
firm  conception  of  all  useful  precedent  and 
the  progressive  tendencies  of  an  able  mind. 
For,  let  a  man  be  as  able  and  original  as  he 
may,  he  cannot  afford  to  discard  knowledge 
of  what  has  gone  before  or  what  is  now  going 
on  in  his  own  trade  and  profession.  If  the 
printers  of  today  do  not  wish  to  be  esteemed 
arrogant  when  they  term  this  calling  of  theirs 
an  art,  they  must  be  willing,  and  show  that 
they  are  willing,  to  subject  it  to  such  laws  as 
have  made  its  sister  arts  so  free.  All  those 
concerned  in  what  are  accepted  as  the  fine 
arts,  the  learned  sciences,  and  the  professions 
surround  themselves  with  the  history,  the  liter- 
ature,  and  concrete  examples  of  the  work  with 
which  they  are  particularly  engaged.  Yet  it  is 

12345    abcdefghijklmnopqrstuvwxyz    67890$ 
ABCDEFGHIJKLMNOPQRSTUVWXYZ 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

12345  abcdefghijklmnopqrstuvwxyz  67890$ 
ABCDEFGHIJKLMNOPQRS  T  U  VWX  YZ 


MONOTYPE  FACES 
The  best  kind  of  originality  is  that  which 
comes  after  a  sound  apprenticeship;  that 
which  shall  prove  to  be  the  blending  of 
a  firm  conception  of  all  useful  precedent 
and  the  progressive  tendencies  of  an  able 
mind.  For,  let  a  man  be  as  able  and 
original  as  he  may,  he  cannot  afford  to 
discard  knowledge  of  what  has  gone  be- 
fore or  what  is  now  going  on  in  his  own 
trade  and  profession.  If  the  printers  of 
today  do  not  wish  to  be  esteemed  arro- 
gant when  they  term  this  calling  of  theirs 
an  art,  they  must  be  willing,  and  show 
that  they  are  willing,  to  subject  it  to  such 
laws  as  have  made  its  sister  arts  so  free. 
A II  those  concerned  in  what  are  accepted  as 
the  fine  arts,  the  learned  sciences,  and  the 

12345  abcdefghijklmnopqrstuvwxyz  6789 
ABCDEFGHIJKLMNOPQRSTUVWX 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

12345  abcdefghijklmnopqrstuvwxyz  67890$ 
ABCDEFGHIJKLMNOPQRSTU  VW 


12  Point  No.  150A,  12J  Set 

MONOTYPE  FACES  MONOTYPE  FACES 


The  very  best  kind  of  originality  is  that 
which  comes  after  a  sound  apprentice- 
ship; that  which  shall  prove  to  be  the 
blending  of  a  firmer  conception  of  all 
useful  precedent  and  of  the  progressive 
tendencies  of  an  able  mind.  For,  let 
any  man  be  as  able  and  original  as  he 
may,  he  cannot  afford  to  discard  knowl- 
edge of  what  has  gone  before  or  what 
is  now  going  on  in  his  own  trade  and 
his  profession.  If  the  printers  of  today 
do  not  wish  to  be  esteemed  too  arrogant 


The  very  best  kind  of  originality  is  that 
which  comes  after  a  sound  apprentice- 
ship; that  which  shall  prove  to  be  the 
blending  of  a  firmer  conception  of  all 
useful  precedent  and  of  the  progressive 
tendencies  of  an  able  mind.  For,  let 
any  man  be  as  able  and  original  as  he 
may,  he  cannot  afford  to  discard  knowl- 
edge of  what  has  gone  before  or  what 
is  now  going  on  in  his  own  trade  and 
his  profession.  If  the  printers  of  today 
do  not  wish  to  be  esteemed  too  arrogant 
when  they  term  this  calling  of  theirs  an 
art,  they  must  be  willing,  and  show  that 


12345      abcdefghijklmnopqrstuvwxyz    67890$ 
ABCDEFGHIJKLMNOPQRSTUVWXYZ 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

12345       abcdefghijklmnopqrstuvwxyz      67890$ 
ABCDEFGHIJKLMNOPQRSTU  VWXYZ 


No.  152 A.     Book  Arrangement  C 


Composition 


8  Point  No.  152 A,  8i  Set 


MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  comes  after  a 
sound  apprenticeship;  that  which  shall  prove  to  be  the 
blending  of  a  firm  conception  of  all  useful  precedent  and 
the  progressive  tendencies  of  an  able  mind.  For,  let  a 
man  be  as  able  and  original  as  he  may,  he  cannot  afford 
to  discard  knowledge  of  what  has  gone  before  or  what  is 
now  going  on  in  his  own  trade  and  profession.  If  the 
printers  of  today  do  not  wish  to  be  esteemed  arrogant 
when  they  term  this  calling  of  theirs  an  art,  they  must  be 
willing,  and  show  that  they  are  willing,  to  subject  it  to 
such  laws  as  have  made  its  sister  arts  so  free.  All  those 
concerned  in  what  are  accepted  as  the  fine  arts,  the  learned 
sciences,  and  the  professions  surround  themselves  with  the 
history,  the  literature,  and  concrete  examples  of  the  work 
with  which  they  are  particularly  engaged.  Yet  it  is  only 
in  very  rare  instances  that  such  an  atmosphere,  with  its 
material  appurtenances,  is  to  be  found  in  a  printing  office. 
Art  does  not  flourish  in  hidden  places,  nor  under  restraint, 
nor  in  ignorance  of  what  talent  and  genius  have  accom- 
plished and  are  now  accomplishing  throughout  the  world. 
For  to  follow  precedent  wisely  does  not  mean  to  imitate 
slavishly  one  great  exemplar,  but  to  study  all  the  masters 
faithfully,  letting  their  great  achievements  sink  slowly  into 
the  mind  in  order  that  we  may  patiently  derive  from  the 
richness  of  our  acquired  knowledge  and  organized  system  an 
attitude  of  our  own.  The  sprightly  minded  young  man,  who 

12345  abcdefghijklmnopqrstuvwxyz  67890$ 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

12345  abcdefghijklmnopqrstuvwxyz  67890$ 

ABCDEFGHIJKLMNOPQRSTUVWX  YZ 


Matrices 

10  Point  No.  152A,  10  Set 

MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  comes 
after  a  sound  apprenticeship;  that  which  shall 
prove  to  be  the  blending  of  a  firm  conception 
of  all  useful  precedent  and  the  progressive  ten- 
dencies of  an  able  mind.  For,  let  a  man  be  as 
able  and  original  as  he  may,  he  cannot  afford  to 
discard  knowledge  of  what  has  gone  before  or 
what  is  now  going  on  in  his  own  trade  and  pro- 
fession. If  the  printers  of  today  do  not  wish  to 
be  esteemed  arrogant  when  they  term  this  calling 
of  theirs  an  art,  they  must  be  willing,  and  show 
that  they  are  willing,  to  subject  it  to  such  laws  as 
have  made  its  sister  arts  so  free.  All  those  who  are 
concerned  in  what  are  accepted  as  the  fine  arts, 
the  learned  sciences,  and  the  professions  surround 
themselves  with  the  history,  literature,  and  con- 
crete examples  of  the  work  with  which  they  are 
particularly  engaged.  Yet  it  is  only  in  very  rare 
instances  that  such  an  atmosphere,  with  its  material 
appurtenances,  is  to  be  found  in  a  printing  office. 

12345       abcdefghijklmnopqrstuvwxyz        67890$ 
ABCDEFGHIJKLMNOPQRSTUVWXYZ 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

12345         abcdefghijklmnopqrstuvwxyz         67890$ 
ABCDEFGHIJKLMNOPQRSTUVWXYZ 


No.  175 A.     Book  Arrangement  C 


Composition  Matrices 


5  Point  No.  175A,  6  Set 


MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  comes  after  a  sound  apprenticeship;  that 
which  shall  prove  to  be  the  blending  of  a  firm  conception  of  all  useful  precedent  and 
the  progressive  tendencies  of  an  able  mind.  For,  let  a  man  be  as  able  and  original 
as  he  may,  he  cannot  afford  to  discard  knowledge  of  what  has  gone  before  or  what  is 
now  going  on  in  his  own  trade  and  profession.  If  the  printers  of  today  do  not  wish 
to  be  esteemed  arrogant  when  they  term  this  calling  of  theirs  an  art,  they  must  be 
willing,  and  show  that  they  are  willing,  to  subject  it  to  such  laws  as  have  made  its 
sister  arts  so  free.  All  those  concerned  in  what  are  accepted  as  the  fine  arts,  the 
learned  sciences  and  the  professions,  surround  themselves  with  the  history,  litera- 
ture, and  concrete  examples  of  the  work  with  which  they  are  particularly  engaged. 
Yet  it  is  only  in  rare  instances  that  such  an  atmosphere,  with  its  material  appur- 
tenances, is  to  be  found  in  a  printing  oflice.  Art  does  not  flourish  in  hidden  places, 
nor  under  restraint,  nor  in  ignorance  of  what  talent  and  genius  have  accomplished 
and  are  accomplishing  throughout  the  world.  For  to  follow  all  precedent  wisely 
does  not  mean  to  imitate  slavishly  one  great  exemplar,  but  to  study  all  masters 
faithfully,  letting  their  great  achievements  sink  slowly  into  the  mind  in  order  that 
we  may  patiently  derive  from  the  richness  of  our  acquired  knowledge  and  organized 
system  an  attitude  of  our  own.  The  sprightly  minded  young  man,  who  with  his 
first  business  breath  projects  the  new  and  startling,  inevitably  becomes  tiresome, 
and  is  driven  to  an  early  disappearance;  while  the  slower,  more  solidly  endowed 
student  will  at  least  spend  as  much  of  his  time  in  avoiding  mistakes  as  in  evolving 
brilliant  schemes  wherewith  to  dazzle  his  contemporaries.  The  best  kind  of  origi- 
nality is  that  which  comes  after  a  sound  apprenticeship;  that  which  shall  prove  to 
be  the  blending  of  a  firm  conception  of  all  useful  precedent  and  the  progressive 
tendencies  of  an  able  mind.  For,  let  any  man  be  as  able  and  original  as  he  may,  he 
cannot  afford  to  discard  knowledge  of  what  has  gone  before  or  is  now  going  on  in  his 
own  trade  and  profession.  If  the  printers  of  today  do  not  wish  to  be  esteemed 
arrogant  when  they  term  this  calling  of  theirs  an  art.  they  must  be  willing  and  show 
that  they  are  willing,  to  subject  it  to  such  laws  as  have  made  its  sister  arts  so  free. 
All  those  concerned  in  what  are  accepted  as  the  fine  arts,  the  learned  sciences  and 
professions,  surround  themselves  with  the  history,  literature,  and  concrete  examples 
of  the  work  with  which  they  are  particularly  engaged.  Yet  it  is  only  in  very  rare 

in  a  printing  office.     Art  does  not  flourish  in  hidden  places,  nor  under  restraint. 
ignorance  of  what  latent  and  genius  have  accomplished  and  are  accomplishing 


throughout  the  world.     For  to  follow  all  precedent  wisely  does  not 


12345 


abcdefghijklmnopqrstuvwxyz 
ABCDEFGHIJKLMNOPQRSTUVWXYZ 

ABCDEFGHUKLMNOPQR8TUVWXYZ 

abcdefghijklmnopqrstutwxyz 
ABCDEFGHIJKLMNOPQRSTUVWXYZ 


tiiluli'  flu  i 
67890$ 


67890$ 


6  Point  No.  175A,  7  Set 


MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  comes  after  a  sound  appren- 
ticeship; that  which  shall  prove  itself  to  be  the  blending  of  a  firm  con- 
ception of  all  useful  precedent  and  the  progressive  tendencies  of  an  able 
mind.  For,  let  a  man  be  as  able  and  original  as  he  may,  he  cannot 
afford  to  discard  knowledge  of  what  has  gone  before  or  what  is  now 
going  on  in  his  own  trade  and  profession.  If  the  printers  of  today 
do  not  wish  to  be  esteemed  arrogant  when  they  term  this  calling  of 
theirs  an  art,  they  must  be  willing,  and  show  that  they  are  willing, 
to  subject  it  to  such  laws  as  have  made  its  sister  arts  so  free.  All 
those  concerned  in  what  are  accepted  as  the  fine  arts,  the  learned 
sciences  and  professions,  surround  themselves  with  the  history,  litera- 
ture, and  concrete  examples  of  the  work  with  which  they  are  particularly 
engaged.  Yet  it  is  only  in  very  rare  instances  that  such  an  atmos- 
phere, with  its  material  appurtenances,  is  to  be  found  in  the  printing 
office.  Art  does  not  flourish  in  hidden  places,  nor  under  restraint,  nor 
in  ignorance  of  what  talent  and  genius  have  accomplished  and  are 
accomplishing  throughout  the  world.  For  to  follow  precedent  wisely 
does  not  mean  to  imitate  slavishly  one  great  exemplar,  but  to  study 
all  masters  faithfully,  letting  their  great  achievements  sink  slowly 
into  the  mind  in  order  that  we  may  patiently  derive  from  the  richness 
of  our  acquired  knowledge  and  organized  system  an  attitude  of  our 
own.  The  sprightly  minded  young  man,  who  with  his  first  business 
breath  projects  the  new  and  startling,  inevitably  becomes  tiresome, 
and  is  driven  to  an  early  disappearance;  while  the  slower  and  more 
solidly  endowed  student  will  at  least  spend  as  much  of  his  time  in 
avoiding  mistakes  as  in  evolving  brilliant  schemes  wherewith  to  dazzle 
his  contemporaries.  The  best  kind  of  originality  is  that  which  comes 
after  a  sound  apprenticeship;  that  which  shall  prove  itself  to  be  the 
blending  of  a  firm  conception  of  all  useful  precedent  and  the  progressive 
tendencies  of  an  able  mind.  For,  let  any  man  be  as  able  and  original  as  he 

12345  abcdefghijklmnopqrstuvwxyz  67890$ 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

12345  abcdefghijklmnopqrsluvwxyz  67890$ 

A  BCDEFGHIJKLMNOPQRSTUVWX  YZ 


.    7  Point  No.  175A,  8  Set 

MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  comes  after  a  sound 
apprenticeship;  that  which  shall  prove  to  be  the  blending  of 
a  firm  conception  of  all  useful  precedent  and  the  progressive 
tendencies  of  an  able  mind.  For,  let  a  man  be  as  able  and 
original  as  he  may,  he  cannot  afford  to  discard  knowledge  of 
what  has  gone  before  or  what  is  now  going  on  in  his  own  trade 
and  profession.  If  the  printers  of  today  do  not  wish  to  be 
esteemed  arrogant  when  they  term  this  calling  of  theirs  an 
art,  they  must  be  willing,  and  show  that  they  are  willing,  to 
subject  it  to  such  laws  as  have  made  its  sister  arts  so  free.  All 
those  concerned  in  what  are  accepted  as  the  fine  arts,  the 
learned  sciences  and  the  professions,  surround  themselves  with 
the  history,  literature,  and  the  concrete  examples  of  the  work 
with  which  they  are  particularly  engaged.  Yet  it  is  only  in 
rare  instances  that  such  an  atmosphere,  with  its  material  ap- 
purtenances, is  to  be  found  in  a  printing  office.  Art  does  not 
flourish  in  hidden  places,  nor  under  restraint,  nor  in  ignorance 
of  what  talent  and  genius  have  accomplished  and  are  accom- 
plishing throughout  the  world.  For  to  follow  precedent  wisely 
does  not  mean  to  imitate  slavishly  one  great  exemplar,  but  to 
study  all  "masters  faithfully,  letting  their  great  achievements 
sink  slowly  into  the  mind  in  order  that  we  may  patiently 
derive  from  the  richness  of  our  acquired  knowledge  and 
organized  system  an  attitude  of  our  own.  The  sprightly  minded 
young  man,  who  with  his  first  business  breath  projects  the 
new  and  startling,  inevitably  becomes  tiresome,  and  is  driven 
to  an  early  disappearance;  while  the  slower,  more  solidly  endowed 
student  will  at  least  spend  as  much  of  his  lime  in  avoiding  mistakes 


1234.' 


67890$ 


abcdefghijklmnopqrstuvwxyz 
ABCDEFGHIJKLMNOPQRSTUVWXYZ 

ABCDEFGHIJKLMNOPQBSTUVWXYZ 

12345  abcdefghijklmnopqrsluvwxyz  67890$ 

A  BCDEFGHIJKLMNOPQRSTUVWXYZ 


8  Point  No.  175 A,  8£  Set 

MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  comes  after  a 
sound  apprenticeship;  that  which  shall  prove  to  be  the 
blending  of  a  firm  conception  of  all  useful  precedent  and 
the  progressive  tendencies  of  an  able  mind.  For,  let  a 
man  be  as  able  and  original  as  he  may,  he  cannot  afford 
to  discard  knowledge  of  what  has  gone  before  or  what  is 
now  going  on  in  his  own  trade  and  profession.  If  the 
printers  of  today  do  not  wish  to  be  esteemed  arrogant 
when  they  term  this  calling  of  theirs  an  art,  they  must  be 
willing,  and  show  that  they  are  willing,  to  subject  it  to 
such  laws  as  have  made  its  sister  arts  so  free.  All  those 
concerned  in  what  are  accepted  as  the  fine  arts,  the  learned 
sciences  and  the  professions,  surround  themselves  with  the 
history,  literature,  and  the  concrete  examples  of  the  work 
with  which  they  are  particularly  engaged.  Yet  it  is  only 
in  very  rare  instances  that  such  an  atmosphere,  with  its 
material  appurtenances,  is  to  be  found  in  a  printing  office. 
Art  does  not  flourish  in  hidden  places,  nor  under  restraint, 
nor  in  ignorance  of  what  talent  and  genius  have  accom- 
plished and  are  now  accomplishing  throughout  the  world. 
For  to  follow  precedent  wisely  does  not  mean  to  imitate 
slavishly  one  great  exemplar,  but  to  study  all  the  masters 
faithfully,  letting  their  great  achievements  sink  slowly  into  the 
mind  in  order  that  we  may  patiently  derive  from  the  richness 

12345  abcdefghijklmnopqrstuvwxyz  67890$ 

ABCDEFGHI JKLM  NOPQRSTU  VWXYZ 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

12345  abcdefghijklmnopqrstuvwxyz  67890$ 

A  BCDEFGHIJKLMNOPQRSTUVWXYZ 


No.  175 A.     Book  Arrangement  C 


Composition  Matrices 


9  Point  No.  175 A,  9  set 


MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  comes  after 
a  sound  apprenticeship;  that  which  shall  prove  to  be 
the  blending  of  a  firm  conception  of  all  useful  precedent 
and  the  progressive  tendencies  of  an  able  mind.  For, 
let  a  man  be  as  able  and  original  as  he  may,  he  cannot 
afford  to  discard  knowledge  of  what  has  gone  before  or 
what  is  now  going  on  in  his  own  trade  and  profession. 
If  the  printers  of  today  do  not  wish  to  be  esteemed 
arrogant  when  they  term  this  calling  of  theirs  an  art, 
they  must  be  willing,  and  show  that  they  are  willing, 
to  subject  it  to  such  laws  as  have  made  its  sister  arts 
so  free.  All  those  concerned  in  what  are  accepted  as 
the  fine  arts,  the  learned  sciences  and  the  professions, 
surround  themselves  with  the  history,  literature,  and 
concrete  examples  of  the  work  with  which  they  are 
particularly  engaged.  Yet  it  is  only  in  rare  instances 
that  such  an  atmosphere,  with  its  material  appurte- 
nances, is  to  be  found  in  a  printing  office.  Art  does  not 
flourish  in  the  hidden  places,  nor  under  restraint,  nor  in 

12345  abcdefghijkhnnopqrstuvwxyz          67890$ 

ABGDEFGHIJKLMNOPQRSTUVWXYZ 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

12345  abcdefghijklmnopqrstuvwxyz  67890$ 

A  BCDEFGHIJKLMNOPQRSTUVWXYZ 


10  Point  No.  175A,  10  Set 


MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  comes 
after  a  sound  apprenticeship;  that  which  shall 
prove  to  be  the  blending  of  a  firm  conception 
of  all  useful  precedent  and  the  progressive  ten- 
dencies of  an  able  mind.  For,  let  a  man  be  as 
able  and  original  as  he  may,  he  cannot  afford  to 
discard  knowledge  of  what  has  gone  before  or 
what  is  now  going  on  in  his  own  trade  and  pro- 
fession. If  the  printers  of  today  do  not  wish  to 
be  esteemed  arrogant  when  they  term  this  calling 
of  theirs  an  art,  they  must  be  willing,  and  show 
that  they  are  willing,  to  subject  it  to  such  laws  as 
have  made  its  sister  arts  so  free.  All  those  who  are 
concerned  in  what  are  accepted  as  the  fine  arts, 
the  learned  sciences  and  the  professions,  surround 
themselves  with  the  history,  literature,  and  concrete 
examples  of  the  work  with  which  they  are  particularly 

12345        abcdefghijklmnopqrstuvwxyz      67890$ 
ABCDEFGHIJKLMNOPQRSTUVWXYZ 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

12345          abcdefghijklmnopqrstuvwxyz        67890$ 
ABCDEFGHIJKLMNOPQRSTUVWXYZ 


11  Point  No.  175A,  11  Set 

MONOTYPE  FACES 
The  very  best  kind  of  originality  is  that  which 
comes  after  a  thorough  apprenticeship;  that 
which  shall  prove  to  be  the  blending  of  a  very 
firm  conception  of  all  useful  precedent  and 
the  progressive  tendencies  of  an  able  mind. 
For,  let  a  man  be  as  able  and  original  as  he 
may,  he  cannot  afford  to  discard  knowledge 
of  what  has  gone  before  or  what  is  now  going 
on  in  his  own  trade  and  profession.  If  the 
printers  of  today  do  not  wish  to  be  esteemed 
arrogant  when  they  term  this  calling  of  theirs 
an  art,  they  must  be  willing,  and  show  that 
they  are  willing,  to  subject  it  to  such  laws  as 
have  made  its  sister  arts  so  free.  All  those 
concerned  in  what  are  accepted  as  the  fine  arts, 
the  learned  sciences  and  professions,  surround 

12345    abcdefghijklmnopqrstuvwxyz  67890$ 
ABCDEFGHIJKLMNOPQRSTUVWXYZ 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

12345      abcdefghijklmnopqrstuvwxyz    67890$ 
ABCDEFGHIJKLMNOPQRSTUVWXYZ 


12  Point  No.  175 A,  12  Set 

MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which 
comes  after  a  sound  apprenticeship;  that 
which  shall  prove  to  be  the  blending  of 
a  firm  conception  of  all  useful  precedent 
and  the  progressive  tendencies  of  an  able 
mind.  For,  let  any  man  be  as  able  and 
original  as  he  may,  he  cannot  afford  to 
discard  knowledge  of  what  has  gone  be- 
fore or  what  is  now  going  on  in  his  own 
trade  and  profession.  If  the  printers  of 
today  do  not  wish  to  be  esteemed  arro- 
gant when  they  term  this  calling  of  theirs 
an  art,  they  must  be  willing,  and  show  that 
they  are  willing,  to  subject  it  to  such  laws  as 

1234  abcdefghijklmnopqrstuvwxyz  567$ 
ABCDEFGHIJKLMNOPQRSTUVW 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

1234     abcdefghijklmnopqrstuvwxyz     567$ 
ABCDEFGHIJKLMNOPQRSTUVW 


No.  175  Electro  Display  Matrices 

14  Point  No.  175 

THE  HIGHEST  QUALITY  OF  PRINTING 

Is  the  kind  that  pays  the  largest  profits  and  holds  customers.     It  is  one 

of  the  essentials  of  a  successful  business 

$1234567890 

18  Point  No.  175 

ABC  DEFGHIJKLMNOPQRSTUVWXYZMCE .,:;-'!? 
abcdefghijklmnopqrstuvwxyzseoefiflffffiffl 

$1234567890 

A  full  font  consists  of  81  characters  as  listed  above 
24  Point  No.  175 

OUR  SUCCESS 

Is  based  upon  the  success  of  the  Monotype 

printer  who  is  producing  quality 

$1234567890 


30  Point  No.  175 


A  GREAT  ASSORTMENT 

Of  beautiful  faces  is  at  your  com 

mand  in  the  Matrix  Library 

$1234567890 


36  Point  No.  175 


A  TYPE  CASTER 
Is  a  good  thing  to  start  with 

$1234567890 


No.  1751  Electro  Display  Matrices 

14  Point  No.  1751 

EVERY  ADVERTISING  MAN  SHOULD  KNOW 
Where  the  Monotype  stands  in  relation  to  the  thoughts  he  writes,  the  space  he 

bays  and  the  white  paper  he  uses 
$1234567890 

18  Point  No.  1751 

MONOTYPE  COMPOSITION 

Is  clean,  accurate,  legible,  neat  and  well  spaced — all  that 

can  be  said  of  good  composition 

$1234567890 


24  Point  No.  1751 


THE  MONOTYPE 

Is  a  machine  that  brings  into  existence  new 

type  and  new  rule  for  every  job 

$1234567890 


30  Point  No.  1751 


MONOTYPE  TYPE 

Answers  every  possible  requirement 

of  particular  advertisers 

$1234567890 


36  Point  No.  1751 


MONOTYPE 
Will  make  a  good  impression 


No.  175 A.     Book  Arrangement  S500 
Composition  Matrices 

14  Point  No.  175A,  14  Set 

MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  comes  after  a  sound  appren- 
ticeship; that  which  shall  prove  to  be  the  blending  of  a  firm  conception 
of  all  useful  precedent  and  the  progressive  tendencies  of  an  able  mind. 
For,  let  a  man  be  as  able  and  original  as  he  may,  he  cannot  afford  to  dis- 
card knowledge  of  what  has  gone  before  or  what  is  now  going  on  in  his 
own  trade  and  profession.  If  the  printers  of  today  do  not  wish  to  be 
esteemed  arrogant  when  they  term  this  calling  of  theirs  an  art,  they 
must  be  willing,  and  show  that  they  are  willing,  to  subject  it  to  such  laws 
as  have  made  its  sister  arts  so  free.  All  those  concerned  in  what  are 
accepted  as  the  fine  arts,  the  learned  sciences,  and  professions  surround 
themselves  with  the  history,  the  literature,  and  concrete  examples  of  the 
work  with  which  they  are  particularly  engaged.  Yet  it  is  only  in  rare 
instances  that  such  an  atmosphere  with  its  material  appurtenances,  is 

abcdefghijklmnopqrstuvwxyz 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

1234567890$ 

18  Point  No.  175A,  18  Set 

MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  comes  after  a 
sound  apprenticeship;  that  which  shall  prove  to  be  the 
blending  of  a  firm  conception  of  all  useful  precedent  and 
the  progressive  tendencies  of  an  able  mind.  For,  let  any 
man  be  as  able  and  original  as  he  may,  he  cannot  afford 
to  discard  knowledge  of  what  has  gone  before  or  what  is 
now  going  on  in  his  own  trade  and  profession.  If  the 
printers  of  today  do  not  wish  to  be  esteemed  arrogant 
when  they  term  this  calling  of  theirs  an  art,  they  must  be 
willing,  and  show  that  they  are  willing,  to  subject  it  to 

abcdefghijklmnopqrstuvwxyz 
ABCDEFGHIJKLMNOPQRSTUVWXYZ 

1234567890$ 

Class  C  Matrices.  Fonts  shown  on  this  page  not  included  in  Library  and  will  not  be  leased.  To  use 
these  faces  for  composing  matter  in  justified  lines  S500  stop  bars  are  required.  Use  left  keybars  QC; 
use  right  keybars  QC  when  combined  with  Italic;  use  right  keybars  QC2  when  combined  with  Bold- 
face; use  standard  keybanks.  The  18  point  attachment  and  S500  wedges  are  required  for  casting. 


No.  175C.     Job  Arrangement  QC 
Composition  Matrices 

14  Point  No.  175C,  14  Set 

MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  comes  after  a  sound  appren- 
ticeship; that  which  shall  prove  to  be  the  blending  of  a  firm  conception 
of  all  useful  precedent  and  the  progressive  tendencies  of  an  able  mind. 
For,  let  a  man  be  as  able  and  original  as  he  may,  he  cannot  afford  to  dis- 
card knowledge  of  what  has  gone  before  or  what  is  now  going  on  in  his 
own  trade  and  prof  ess  ion.  If  the  printers  of  today  do  not  wish  to  be  esteemed 
arrogant  when  they  term  this  calling  of  theirs  an  art,  they  must  be  willing, 
and  show  that  they  are  willing,  to  subject  it  to  such  laws  as  have  made  its 
sister  arts  so  free.  All  those  concerned  in  what  are  accepted  as  the  fine  arts, 
the  learned  sciences  and  prof  ess  ions,  surround  themselves  with  the  history, 
the  literature,  and  concrete  examples  of  the  work  with  which  they  are  par- 
ticularly engaged.  Yet  it  is  only  in  rare  instances  that  such  an  atmosphere 
with  its  material  appurtenances,  is  to  be  found  in  a  printing  office.  Art 

abcdefgh  ijklmnopqrstuvwxyz 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

$1234567890 

18  Point  No.  175C,  18  Set 

MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  comes  after  a 
sound  apprenticeship;  that  which  shall  prove  to  be  the 
blending  of  a  firm  conception  of  all  useful  precedent  and 
the  progressive  tendencies  of  an  able  mind.  For,  let  any 
man  be  as  able  and  original  as  he  may,  he  cannot  afford 
to  discard  knowledge  of  what  has  gone  before  or  what  is 
now  going  on  in  his  own  trade  and  profession.  If  the 
printers  of  today  do  not  wish  to  be  esteemed  arrogant 
when  they  term  this  calling  of  theirs  an  art,  they  must  be 
willing,  and  show  that  they  are  willing,  to  subject  it  to 

abcdefgh  ijklmnopqrstuvwxyz 
ABCDEFGHIJKLMNOPQRSTUVWXYZ 

$1234567890 

Class  C  Matrices.  Fonts  shown  on  this  page  not  included  in  Library  and  will  not  be 
leased.  To  use  these  faces  for  composing  matter  in  justified  lines  S500  stop  bars  are  re- 
quired. Use  left  keybars  QC  for  the  Roman;  use  right  keybars  QC  for  the  Italic;  use 
standard  key  banks.  The  18  point  attachment  and  S500  wedges  are  required  for  casting. 


No.  375  Electro  Display  Matrices 

14  Point  No.  375 

THE  MONOTYPE  HAS  MADE  IT  POSSIBLE 

To  use  Commercially,  brand  new  Type  for  Every  Job  and  Insures  the  Highest 

Quality  of  Composition  and  Press  Work 

$1234567890 


18  Point  No.  375 

THE  ONLY  MACHINE  THAT 

Casts  Type,  Space  Material  and  Rules  in  all  sizes  from  Five 

to  Thirty-six  Points  inclusive 
$1234567890 

24  Point  No.  375 

THERE  ARE  NO  SLOW  SPOTS 

On  the  Keyboard;    There  is  the  Same  Identical 

Movement  to  Every  Key 

$1234567890 


30  Point  No.  375 


THE  MONOTYPE 

Is  the  Only  Flexible  Machine  Known  to 

the  Printing  Industry 

$1234567890 


36  Point  No.  375 


No.  3751  Electro  Display  Matrices 

14  Point  No.  3751 

A  DIGNIFIED  ITALIC  LETTER 

Close  Fitting,  With  Slight  Slope  and  Few  Kerns.    It  is  Very  Adaptable  to  Many 

Classes  of  Work 
$1234567890 


18  Point  No.  3751 

THE  MOST  SEVERE  TESTS  MADE 

By  Printers  prove  that  the  Monotype  is  Cheaper  and  Better 

than  any  other  Composing  Machine 

$1234567890 

24  Point  No.  3751 

THE  MONOTYPE 

Is  the  only  Composing  Machine  that  Furnishes 
a  Product  Identical  with  Foundry  Type 

$1234567890 


30  Point  No.  3751 


THE  MONOTYPE  SYSTEM 
Means  the  Complete  Revolution  of  Your 

Composing  Room 
$1234567890 


36  Point  No.  3751 


RAISE  YOUR 

Quality  and  Reduce  all  Complaints 

$1234567890 


No.  21 6 A.     Book  Arrangement  C4 


Composition  Matrices 

8  Point  No.  216A,  5£  Set 


MONOTYPE  PACES 


The  best  kind  of  originality  is  that  which  comes  after  a  sound  apprenticeship;  that  which 


give  tendencies  of  an  able  mind.  For,  let  a  man  be  as  able  and  original  as  he  may,  he  can- 
not afford  to  discard  knowledge  of  what  has  gone  before  or  what  is  now  going  on  in  his  own 
trade  and  profession.  If  the  printers  of  today  do  not  wish  to  be  esteemed  arrogant  when 
they  term  this  calling  of  theirs  an  art,  they  must  be  willing,  and  show  that  they  are  willing, 
to  subject  it  to  such  laws  as  have  made  its  sister  arts  so  free.  AH  those  concerned  in  what 
are  accepted  as  the  fine  arts,  the  learned  sciences,  and  professions  surround  themselves 
with  the  history,  literature,  and  concrete  examples  of  the  work  with  which  they  are  par- 
ticularly engaged.  Yet  it  is  only  in  rare  instances  that  such  an  atmosphere,  with  its  material 
appurtenances,  is  to  be  found  in  a  printing  office.  Art  does  not  flourish  in  hidden  places, 
nor  under  restraint,  nor  in  ignorance  of  what  talent  and  genius  have  accomplished  and  are 
accomplishing  throughout  the  world.  For  to  follow  precedent  wisely  does  not  mean  to 
imitate  slavishly  one  great  exemplar,  but  to  study  all  masters  faithfully,  letting  their  great 
achievements  sink  slowly  into  the  mind  in  order  that  we  may  patiently  derive  from  the  rich- 
ness of  our  acquired  knowledge  and  organized  system  an  attitude  of  our  own.  The  sprightly 
minded  young  man,  who  with  his  first  business  breath  projects  the  new  and  startling,  in- 
evitably becomes  tiresome,  and  is  driven  to  an  early  disappearance;  while  the  slower, 


as  in  evolving  brilliant  schemes  wherewith  to  dazzle  his  contemporaries.   The  best  kind 
of  originality  is  that  which  comes  after  a  sound  apprenticeship;  that  which  shall  prove  to 


of  an  able  mind.   For,  let  a  man  be  as  able  and  original  as  he  may,  he  cannot  afford  to  dis- 


fession.   If  the  printers  of  today  do  not  wish  to  be  esteemed  arrogant  when  they  term  this 
calling  of  theirs  an  art,  they  must  be  willing,  and  show  that  they  are  willing,  to  subject  it 


MONOTYPE  FACES 


The  best  kind  of  originality  is  that  which  comes  after  a  sound  apprenticeship;  that  which 
shall  prove  to  be  the  blending  of  a  firm  conception  of  all  useful  precedent  and  the  progres- 
sive tendencies  of  an  able  mind.  For,  let  a  man  be  as  able  and  original  as  he  may,  he  can- 
not afford  to  discard  knowledge  of  what  has  gone  before  or  what  is  now  going  on  in  his  own 
trade  and  profession.  If  the  printers  of  today  do  not  wish  to  be  esteemed  arrogant  when 
they  term  this  calling  of  theirs  an  art,  they  must  be  willing,  and  show  that  they  are  willing, 
to  subject  it  to  such  laws  as  have  made  its  sister  arts  so  free.  All  those  concerned  in  what 
are  accepted  as  the  fine  arts,  the  learned  sciences,  and  professions  surround  themselves 
with  the  history,  literature,  and  concrete  examples  of  the  work  with  which  they  are  par- 
ticularly engaged .  Yet  it  is  only  in  rare  instances  that  such  an  atmosphere,  with  its  material 
appurtenances,  is  to  be  found  in  a  printing  office.  Art  does  not  flourish  in  hidden  places, 
nor  under  restraint,  nor  in  ignorance  of  what  talent  and  genius  have  accomplished  and  are 
accomplishing  throughout  the  world.  For  to  follow  precedent  wisely  does  not  mean  to 
imitate  slavishly  one  great  exemplar,  but  to  study  all  masters  faithfully,  letting  their  great 
achievements  sink  slowly  into  the  mind  in  order  that  we  may  patiently  derive  from  the  rich- 
ness of  our  acquired  knowledge  and  organized  system  an  attitude  of  our  own.  The  sprightly 
minded  young  man,  who  with  his  first  business  breath  projects  the  new  and  startling,  in- 
evitably becomes  tiresome,  and  is  driven  to  an  early  disappearance;  while  the  slower, 


as  in  evolving  brilliant  schemes  wherewith  to  dazzle  his  contemporaries.  The  best  kind 
of  originality  is  that  which  conies  after  a  sound  apprenticeship;  that  which  shall  prove  to 
be  the  blending  of  a  firm  conception  of  all  useful  precedent  and  the  progressive  tendencies 
of  an  able  mind.  For,  let  a  man  be  as  able  and  original  as  he  may,  he  cannot  afford  to  dis- 


If  the  printers  of  today  do  not  wish  to  be  esteemed  arrogant  when  they  term  this 
calling  of  theirs  an  art,  they  must  be  willing,  and  show  that  they  are  willing,  to  subject  it 
to  such  laws  as  have  made  its  sister  arts  so  free.  All  those  concerned  in  what  are  accepted 
as  the  fine  arts,  the  learned  sciences,  and  professions  surround  themselves  with  the 
history,  literature,  and  concrete  examples  of  the  work  with  which  they  are  particularly 
engaged.  Yet  it  is  only  in  rare  instances  that  such  an  atmosphere,  with  its  material  appur- 
tenances, is  to  be  found  in  a  printing  office.  Art  does  not  flourish  in  hidden  places,  nor 
under  restraint,  nor  in  ignorance  of  what  talent  and  genius  have  accomplished  and  are 


abcdefghijklmnopqrstuvwxyz 

ABCDEFOHIJKLMNOPQRSTUVWXYZ 

11234567890 


Ems  atoz  8.78 


Words  to  Pica  .80 


Old  Style  Figures 

THE  characteristic  of  the  old  style  figure 
which  has  been  handed  down  to  us  from  the 
earliest  designs  of  old  style  type  faces  has 
been  the  irregularity  of  ascending  and  descending 
characters,  usually  termed  old  style  or  "hanging" 
figures.  Consequently,  most  of  our  old  style  faces 
are  shown  here  with  the  proper  figures,  that  is, 
the  old  style  or  hanging  figures,  as  part  of  the  font. 
Recognizing  that  some  printers  desire  to  use  a 
lining  figure,  we  have  designed  old  style  lining 
figures  for  most  of  our  old  style  faces.  Specimens 
of  these  will  be  found  in  the  section  of  this  speci- 
men book  devoted  to  figures  and  can  be  identified 
by  the  symbol  G  following  the  point  size  in  place 
of  F.  In  cases  where  an  old  style  lining  figure 
has  not  been  designed  specially  for  the  face 
selected  the  figure  specimen  sheets  will  show  the 
face  that  is  the  best  match. 

In  ordering  old  style  matrices,  whether  in 
partial  or  complete  fonts,  be  sure  and  specify 
old  style  lining  figures  if  desired,  giving  their 
proper  symbol;  otherwise  we  always  furnish 
standard  old  style  figures  if  made. 


No.  15E.     Book  Arrangement  C 


Composition  Matrices 


6  Point  No.  15E,  7  Set 


7  Point  No.  15E,  8  Set 


MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  conies  after  a  sound  appren- 
ticeship; that  which  shall  prove  itself  to  be  the  blending  of  a  firm 
conception  of  useful  precedent  and  the  progressive  tendencies  of  an  able 
mind.  For,  let  a  man  be  as  able  and  original  as  he  may,  he  cannot 
afford  to  discard  knowledge  of  what  has  gone  before  or  what  is  now 
going  on  in  his  own  trade  and  profession.  If  the  printers  of  today 
do  not  wish  to  be  esteemed  arrogant  when  they  term  this  calling  of 
theirs  an  art,  they  must  be  willing,  and  show  that  they  are  willing, 
to  subject  it  to  such  laws  as  have  made  its  sister  arts  so  free.  All 
those  concerned  in  what  are  accepted  as  the  fine  arts,  the  learned 
sciences,  and  professions  surround  themselves  with  the  history,  litera- 
ture, and  concrete  examples  of  work  with  which  they  are  particularly 
engaged.  Yet  it  is  only  in  very  rare  instances  that  such  an  atmos- 
phere, with  its  material  appurtenances,  is  to  be  found  in  the  printing 
office.  Art  does  not  flourish  in  hidden  places,  nor  under  restraint, 
nor  in  ignorance  of  what  talent  and  genius  have  accomplished  and  are 
accomplishing  throughout  the  world.  For  to  follow  precedent  wisely 
does  not  mean  to  imitate  slavishly  one  great  exemplar,  but  to  study 
all  the  masters  faithfully,  letting  their  great  achievements  sink  slowly 
into  the  mind  in  order  that  we  may  patiently  derive  from  the  richness 
of  our  acquired  knowledge  and  organized  system  an  attitude  of  our 
own.  The  sprightly  minded  young  man,  who  with  his  first  business 
breath  projects  the  new  and  startling,  inevitably  becomes  tiresome, 
and  is  driven  to  an  early  disappearance;  while  the  slower  and  more 
solidly  endowed  student  will  at  least  spend  as  much  of  his  time  in 
avoiding  mistakes  as  in  evolving  brilliant  schemes  wherewith  to  dazzle 
his  contemporaries.  The  best  kind  of  originality  is  that  which  comes 
after  a  sound  apprenticeship;  that  which  shall  prove  itself  to  be  the 
blending  of  a  firm  conception  of  all  useful  precedent  and  the  progressive 
tendencies  of  an  able  mind.  For,  let  any  man  be  as  able  and  original  as  he 

12345  abcdefghijklmnopqrstuvwxyz  67890$ 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

12345  abcdefghijklmnopqrstuvwxyz  678(10$ 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 


MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  conies  after  a  sound 
apprenticeship;  that  which  shall  prove  to  be  the  blending  of 
a  firm  conception  of  all  useful  precedent  and  the  progressive 
tendencies  of  an  able  mind.  For,  let  a  man  be  as  able  and 
original  as  he  may,  he  cannot  afford  to  discard  knowledge  of 
what  has  gone  before  or  what  is  now  going  on  in  his  own  trade 
and  profession.  If  the  printers  of  today  do  not  wish  to  be 
esteemed  arrogant  when  they  term  this  calling  of  theirs  an 
art,  they  must  be  willing,  and  show  that  they  are  willing,  to 
subject  it  to  such  laws  as  have  made  its  sister  arts  so  free.  All 
those  concerned  in  what  are  accepted  as  the  fine  arts,  the 
learned  sciences,  and  the  professions  surround  themselves  with 
the  history,  the  literature,  and  concrete  examples  of  the  work 
with  which  they  are  particularly  engaged.  Yet  it  is  only  in 
rare  instances  that  such  an  atmosphere,  with  its  material  ap- 
purtenances, is  to  be  found  in  a  printing  office.  Art  does  not 
flourish  in  hidden  places,  nor  under  restraint,  nor  in  ignorance 
of  what  talent  and  genius  have  accomplished  and  are  accom- 
plishing throughout  the  world.  For  to  follow  precedent  wisely 
does  not  mean  to  imitate  slavishly  one  great  exemplar,  but  to 
study  all  masters  faithfully,  letting  their  great  achievements 
sink  slowly  into  the  mind  in  order  that  we  may  patiently 
derive  from  the  richness  of  our  acquired  knowledge  and  or- 
ganized system  an  attitude  of  our  own.  The  sprightly  minded 
young  man,  who  with  his  first  business  breath  projects  the  new 
and  startling,  inevitably  becomes  tiresome,  and  is  driven  to  an  early 

12345  abcdefghijklmnopqrstuvwxyz  67890$ 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

A  BCDEFGH I J  KLMNOPQRSTU  VWXYZ 

12345  abcdefghijklmnopqrstuvwxyz  67890$ 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 


8  Point  No.  15E,  8J  Set 

MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  comes  after  a 
sound  apprenticeship;  that  which  shall  prove  to  be  the 
blending  of  a  firm  conception  of  all  useful  precedent  and 
the  progressive  tendencies  of  an  able  mind.  For,  let  a 
man  be  as  able  and  original  as  he  may,  he  cannot  afford 
to  discard  knowledge  of  what  has  gone  before  or  what  is 
now  going  on  in  his  own  trade  and  profession.  If  the 
printers  of  today  do  not  wish  to  be  esteemed  arrogant 
when  they  term  this  calling  of  theirs  an  art,  they  must  be 
willing,  and  show  that  they  are  willing,  to  subject  it  to 
such  laws  as  have  made  its  sister  arts  so  free.  All  those 
concerned  in  what  are  accepted  as  the  fine  arts,  the  learned 
sciences,  and  the  professions  surround  themselves  with  the 
history,  the  literature,  and  concrete  examples  of  the  work 
with  which  they  are  particularly  engaged.  Yet  it  is  only 
in  very  rare  instances  that  such  an  atmosphere,  with  its 
material  appurtenances,  is  to  be  found  in  a  printing  office. 
Art  does  not  flourish  in  hidden  places,  nor  under  restraint, 
nor  in  ignorance  of  what  talent  and  genius  have  accom- 
plished and  are  now  accomplishing  throughout  the  world. 
For  to  follow  precedent  wisely  does  not  mean  to  imitate 
slavishly  one  great  exemplar,  but  to  study  all  the  masters 
faithfully,  letting  their  great  achievements  sink  slowly  into  the 
mind  in  order  that  we  may  patiently  derive  from  the  richness 

12345  abcdefghijklmnopqrstuvwxyz  67890$ 

ABCDEFGHI J  KLM  NOPQRSTU  VWXYZ 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

12345  abcdefghijklmnopqrstuvwxyz  67890$ 

ABCDEFGHIJKLMNOPQRSTUVWX  YZ 


9  Point  No.  15E,  9  Set 

MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  comes  after 
a  sound  apprenticeship;  that  which  shall  prove  to  be 
the  blending  of  a  firm  conception  of  all  useful  precedent 
and  the  progressive  tendencies  of  an  able  mind.  For, 
let  a  man  be  as  able  and  original  as  he  may,  he  cannot 
afford  to  discard  knowledge  of  what  has  gone  before  or 
what  is  now  going  on  in  his  own  trade  and  profession. 
If  the  printers  of  today  do  not  wish  to  be  esteemed 
arrogant  when  they  term  this  calling  of  theirs  an  art, 
they  must  be  willing,  and  show  that  they  are  willing, 
to  subject  it  to  such  laws  as  have  made  its  sister  arts 
so  free.  All  those  concerned  in  what  are  accepted  as 
the  fine  arts,  the  learned  sciences,  and  the  professions 
surround  themselves  with  the  history,  literature,  and 
concrete  examples  of  the  work  with  which  they  are 
particularly  engaged.  Yet  it  is  only  in  rare  instances 
that  such  an  atmosphere,  with  its  material  appurten- 
ances, is  to  be  found  in  a  printing  office.  Art  does  not 
flourish  in  hidden  places,  nor  under  restraint,  nor  in 
ignorance  of  what  talent  and  genius  have  accomplished  and 
are  now  accomplishing  throughout  the  world.  For  to  follow 


12345  abcdef  ghi  j  klmnopqrstu  v  wxy  z 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

12345  abcdefghijklmnopqrstuvwxyz  67890$ 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 


No.  15E.     Book  Arrangement  C 
Composition  Matrices 

10  Point  No.  15E,  10  Set  11  Point  No.  15E,  11  Set 


MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  comes 
after  a  sound  apprenticeship;  that  which  shall 
prove  to  be  the  blending  of  a  firm  conception 
of  all  useful  precedent  and  the  progressive  ten- 
dencies of  an  able  mind.  For,  let  a  man  be  as 
able  and  original  as  he  may,  he  cannot  afford  to 
discard  knowledge  of  what  has  gone  before  or 
what  is  now  going  on  in  his  own  trade  and  pro- 
fession. If  the  printers  of  today  do  not  wish  to 
be  esteemed  arrogant  when  they  term  this  calling 
of  theirs  an  art,  they  must  be  willing,  and  show 
that  they  are  willing,  to  subject  it  to  such  laws  as 
have  made  its  sister  arts  so  free.  All  those  who  are 
concerned  in  what  are  accepted  as  the  fine  arts, 
the  learned  sciences,  and  the  professions  surround 
themselves  with  the  history,  literature,  and  concrete 
examples  of  the  work  with  which  they  are  particularly 

12345        abcdefghijklmnopqrstuvwxyz      67890$ 
ABCDEFGHIJKLMNOPQRSTUVWXYZ 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

12345          abcdefghijklmnopqrstuvwxyz        67890$ 
A  BCDEFGHIJKLMNOPQRSTUVWX  YZ 


MONOTYPE  FACES 

The  very  best  kind  of  originality  is  that  which 
comes  after  a  thorough  apprenticeship ;  that 
which  shall  prove  to  be  the  blending  of  a 
firm  conception  of  all  useful  precedent  and 
the  progressive  tendencies  of  an  able  mind. 
For,  let  a  man  be  as  able  and  original  as  he 
may,  he  cannot  afford  to  discard  knowledge 
of  what  has  gone  before  or  what  is  now  going 
on  in  his  own  trade  and  profession.  If  the 
printers  of  today  do  not  wish  to  be  esteemed 
arrogant  when  they  term  this  calling  of  theirs 
an  art,  they  must  be  willing,  and  show  that 
they  are  willing,  to  subject  it  to  such  laws  as 
have  made  its  sister  arts  so  free.  All  those  con- 
cerned in  what  are  accepted  as  the  fine  arts,  the 

12345  abcdefghijklmnopqrstuvwxyz  67890$ 
ABCDEFGHIJKLMNOPQRSTUVWXYZ 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

12345  abcdefghijklmnopqrstnvwxyz  67890$ 
ABCDEFGHIJKLMNOPQRSTUVWX  YZ 


12  Point  No.  15E,  12  Set 

MONOTYPE  FACES  MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which 
comes  after  a  sound  apprenticeship;  that 
which  shall  prove  to  be  the  blending  of 
a  firm  conception  of  all  useful  precedent 
and  the  progressive  tendencies  of  an  able 
mind.  For,  let  any  man  be  as  able  and 
original  as  he  may,  he  cannot  afford  to 
discard  knowledge  of  what  has  gone  be- 
fore or  what  is  now  going  on  in  his  own 
trade  and  profession.  If  the  printers  of 
today  do  not  wish  to  be  esteemed  arro- 
gant when  they  term  this  calling  of  theirs 
an  art,  they  must  be  willing,  and  show  that 
they  are  willing,  to  subject  it  to  such  laws 

12345      abcdefghijklmnopqrstuvwxyz      67890$ 
ABCDEFGHIJKLMNOPQRSTUVWXYZ 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

/2J45        abcdefghijklmnopqrstuvwxyz        6?8QO$ 
A  B  CDEFGHIJKLMNOPQRSTU  VWX  YZ 


The  best  kind  of  originality  is  that  which 
comes  after  a  sound  apprenticeship ;  that 
which  shall  prove  to  be  the  blending  of 
a  firm  conception  of  all  useful  precedent 
and  the  progressive  tendencies  of  an  able 
mind.  For,  let  any  man  be  as  able  and 
original  as  he  may,  he  cannot  afford  to 
discard  knowledge  of  what  has  gone  be- 
fore or  what  is  now  going  on  in  his  own 
trade  and  profession.  If  the  printers  of 
today  do  not  wish  to  be  esteemed  arro- 
gant when  they  term  this  calling  of  theirs 
an  art,  they  must  be  willing,  and  show  that 
they  are  willing,  to  subject  it  to  such  laws 
as  have  made  its  sister  arts  so  free.  When 
those  concerned  in  what  are  accepted  as  the 


Old  Style  Figures 

THE  characteristic  of  the  old  style  figure 
which  has  been  handed  down  to  us  from  the 
earliest  designs  of  old  style  type  faces  has 
been  the  irregularity  of  ascending  and  descending 
characters,  usually  termed  old  style  or  "hanging" 
figures.  Consequently,  most  of  our  old  style  faces 
are  shown  here  with  the  proper  figures,  that  is, 
the  old  style  or  hanging  figures,  as  part  of  the  font. 
Recognizing  that  some  printers  desire  to  use  a 
lining  figure,  we  have  designed  old  style  lining 
figures  for  most  of  our  old  style  faces.  Specimens 
of  these  will  be  found  in  the  section  of  this  speci- 
men book  devoted  to  figures  and  can  be  identified 
by  the  symbol  G  following  the  point  size  in  place 
of  F.  In  cases  where  an  old  style  lining  figure 
has  not  been  designed  specially  for  the  face 
selected  the  figure  specimen  sheets  will  show  the 
face  that  is  the  best  match. 

In  ordering  old  style  matrices,  whether  in 
partial  or  complete  fonts,  be  sure  and  specify 
old  style  lining  figures  if  desired,  giving  their 
proper  symbol;  otherwise  we  always  furnish 
standard  old  style  figures  if  made. 


No.  16E.     Book  Arrangement  C 


Composition  Matrices 


6  Point  No.  16E,  7  Set 


7  Point  No.  16E,  8  Set 


MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  comes  after  a  sound  appren- 
ticeship; that  which  shall  prove  itself  to  be  the  blending  of  a  firm 
conception  of  useful  precedent  and  the  progressive  tendencies  of  an  able 
mind.  For,  let  a  man  be  as  able  and  original  as  he  may,  he  cannot 
afford  to  discard  knowledge  of  what  has  gone  before  or  what  is  now 
going  on  in  his  own  trade  and  profession.  If  the  printers  of  today 
do  not  wish  to  be  esteemed  arrogant  when  they  term  this  calling  of 
theirs  an  art,  they  must  be  willing,  and  must  show  that  they  are  will- 
ing to  subject  it  to  such  laws  as  have  made  its  sister  arts  so  free.  All 
those  concerned  in  what  are  accepted  as  the  fine  arts,  the  learned 
sciences,  and  professions  surround  themselves  with  the  history,  litera- 
ture, and  concrete  examples  of  the  work  with  which  they  are  particularly 
engaged.  Yet  it  is  only  in  very  rare  instances  that  such  an  atmos- 
phere, with  its  material  appurtenances,  is  to  be  found  in  the  printing 
office.  Art  does  not  flourish  in  the  hidden  places,  nor  under  restraint, 
nor  in  ignorance  of  what  talent  and  genius  have  accomplished  and  are 
accomplishing  throughout  the  world.  For  to  follow  precedent  wisely 
does  not  mean  to  imitate  slavishly  one  great  exemplar,  but  to  study 
all  the  masters  faithfully,  letting  their  great  achievements  sink  slowly 
into  the  mind  in  order  that  we  may  patiently  derive  from  the  richness 
of  our  acquired  knowledge  and  organized  system  an  attitude  of  our 
own.  The  sprightly  minded  young  man,  who  with  his  first  business 
breath  projects  the  new  and  startling,  inevitably  becomes  tiresome, 
and  is  driven  to  an  early  disappearance;  while  the  slower  and  more 
solidly  endowed  student  will  at  least  spend  as  much  of  his  time  in 
avoiding  mistakes  as  in  evolving  brilliant  schemes  wherewith  to  dazzle 
his  contemporaries.  The  best  kind  of  originality  is  that  which  comes 
after  a  sound  apprenticeship;  that  which  shall  prove  itself  to  be  the 
blending  of  a  firm  conception  of  all  useful  precedent  and  the  progressive 
tendencies  of  an  able  mind.  For,  let  any  man  be  as  able  and  original  as  he 

12345  abcdefghijklmnopqrstuvwxyz  67890$ 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

12345  abcdefghijklmnopqrstuvwxyz  67800$ 

A  BCDEFGHUKLMNOPQRS  TUVWX  YZ 


MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  comes  after  a  sound 
apprenticeship;  that  which  shall  prove  to  be  the  blending  of 
a  firm  conception  of  all  useful  precedent  and  the  progressive 
tendencies  of  an  able  mind.  For,  let  a  man  be  as  able  and 
original  as  he  may,  he  cannot  afford  to  discard  knowledge  of 
what  has  gone  before  or  what  is  now  going  on  in  his  own  trade 
and  profession.  If  the  printers  of  today  do  not  wish  to  be 
esteemed  arrogant  when  they  term  this  calling  of  theirs  an 
art,  they  must  be  willing,  and  show  that  they  are  willing,  to 
subject  it  to  such  laws  as  have  made  its  sister  arts  so  free.  All 
those  concerned  in  what  are  accepted  as  the  fine  arts,  the 
learned  sciences,  and  the  professions  surround'themselves  with 
the  history,  literature,  and  the  concrete  examples  of  the  work 
with  which  they  are  particularly  engaged.  Yet  it  is  only  in 
rare  instances  that  such  an  atmosphere,  with  its  material  ap- 
purtenances, is  to  be  found  in  a  printing  office.  Art  does  not 
flourish  in  hidden  places,  nor  under  restraint,  nor  in  ignorance 
of  what  talent  and  genius  have  accomplished  and  are  accom- 
plishing throughout  the  world.  For  to  follow  precedent  wisely 
does  not  mean  to  imitate  slavishly  one  great  exemplar,  but  to 
study  all  masters  faithfully,  letting  their  great  achievements 
sink  slowly  into  the  mind  in  order  that  we  may  patiently 
derive  from  the  richness  of  our  acquired  knowledge  and  from 
organized  system  an  attitude  of  our  own.  The  sprightly 
minded  young  man,  who  with  his  first  business  breath  projects 
the  new  and  startling,  inevitably  becomes  tiresome,  and  is  driven 

12345  abcdefghijklmnopqrstuvwxyz  67890$ 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

12345  abcdefghijklmnopqrstuvwxyz  67800$ 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 


8  Point  No.  16E,  8£  Set 

MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  comes  after  a 
sound  apprenticeship;  that  which  shall  prove  to  be  the 
blending  of  a  firm  conception  of  all  useful  precedent  and 
the  progressive  tendencies  of  an  able  mind.  For,  let  a 
man  be  as  able  and  original  as  he  may,  he  cannot  afford 
to  discard  knowledge  of  what  has  gone  before  or  what  is 
now  going  on  in  his  own  trade  and  profession.  If  the 
printers  of  today  do  not  wish  to  be  esteemed  arrogant 
when  they  term  this  calling  of  theirs  an  art,  they  must  be 
willing,  and  show  that  they  are  willing,  to  subject  it  to 
such  laws  as  have  made  its  sister  arts  so  free.  All  those 
concerned  in  what  are  accepted  as  the  fine  arts,  the  learned 
sciences,  and  the  professions  surround  themselves  with  the 
history,  the  literature,  and  concrete  examples  of  the  work 
with  which  they  are  particularly  engaged.  Yet  it  is  only 
in  very  rare  instances  that  such  an  atmosphere,  with  its 
material  appurtenances,  is  to  be  found  in  a  printing  office. 
Art  does  not  flourish  in  hidden  places,  nor  under  restraint, 
nor  in  ignorance  of  what  talent  and  genius  have  accom- 
plished and  are  now  accomplishing  throughout  the  world. 
For  to  follow  all  precedent  wisely  does  not  mean  to  imitate 
slavishly  one  great  exemplar,  but  to  study  all  masters  faith- 
fully, letting  their  great  achievements  sink  slowly  into  the 
mind  in  order  that  we  may  patiently  derive  from  the  rich- 
ness  of  our  acquired  knowledge  and  organized  system  an  atti- 
tude of  our  own.  The  sprightly  minded  young  man,  who  with 

12345  abcdefghijklmnopqrstuvwxyz  67890$ 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

12345  abcdefghijklmnopqrstuvwxyz  67890$ 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 


9  Point  No.  16E,  9  Set 

MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  comes  after 
a  sound  apprenticeship;  that  which  shall  prove  to  be 
the  blending  of  a  firm  conception  of  all  useful  precedent 
and  the  progressive  tendencies  of  an  able  mind.  For, 
let  a  man  be  as  able  and  original  as  he  may,  he  cannot 
afford  to  discard  knowledge  of  what  has  gone  before  or 
what  is  now  going  on  in  his  own  trade  and  profession. 
If  the  printers  of  today  do  not  wish  to  be  esteemed 
arrogant  when  they  term  this  calling  of  theirs  an  art, 
they  must  be  willing,  and  show  that  they  are  willing, 
to  subject  it  to  such  laws  as  have  made  its  sister  arts 
so  free.  All  those  concerned  in  what  are  accepted  as 
the  fine  arts,  the  learned  sciences,  and  the  professions 
surround  themselves  with  the  history,  literature,  and 
concrete  examples  of  the  work  with  which  they  are 
particularly  engaged.  Yet  it  is  only  in  rare  instances 
that  such  an  atmosphere,  with  its  material  appurte- 
nances, is  to  be  found  in  a  printing  office.  Art  does  not 
flourish  in  hidden  places,  nor  under  restraint,  nor  in 
ignorance  of  what  talent  and  genius  have  accomplished 
and  are  accomplishing  throughout  the  world.  For  to 
follow  precedent  wisely  does  not  mean  to  imitate  slavishly 
one  great  exemplar,  but  to  study  all  masters  faithfully, 

12345  abcdefghijklmnopqrstuvwxyz  67890$ 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

12345  abcdefghijklmnopqrstuvwxyz  67890$ 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 


No.  16E.     Book  Arrangement  C 


Composition  Matrices 


10  Point  No.  16E,  10  Set 


MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  comes 
after  a  sound  apprenticeship;  that  which  shall 
prove  to  be  the  blending  of  a  firm  conception 
of  all  useful  precedent  and  the  progressive  ten- 
dencies of  an  able  mind.  For,  let  a  man  be  as 
able  and  original  as  he  may,  he  cannot  afford  to 
discard  knowledge  of  what  has  gone  before  or 
what  is  now  going  on  in  his  own  trade  and  pro- 
fession. If  the  printers  of  today  do  not  wish  to  be 
esteemed  arrogant  when  they  term  this  calling  of 
theirs  an  art,  they  must  be  willing,  and  show  that 
they  are  willing,  to  subject  it  to  such  laws  as  have 
made  its  sister  arts  so  free.  All  those  who  are 
concerned  in  what  are  accepted  as  the  fine  arts, 
the  learned  sciences,  and  the  professions  surround 
themselves  with  the  history,  the  literature,  and 
concrete  examples  of  the  work  with  which  they  are 
particularly  engaged.  Yet  it  is  only  in  rare  instances 

12345         abcdefghijklmnopqrstuvwxyz      67890$ 
ABCDEFGHIJKLMNOPQRSTUVWXYZ 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

12345  abcdefghijklmnopqrstuvwxyz         67890$ 

A  BCDEFGHIJKLMNOPQRSTU  VWX  YZ 


11  Point  No.  16E,  11  Set 


MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which 
comes  after  a  sound  apprenticeship;  that 
which  shall  prove  to  be  the  blending  of  a 
firm  conception  of  all  useful  precedent  and 
the  progressive  tendencies  of  an  able  mind. 
For,  let  a  man  be  as  able  and  original  as  he 
may,  he  cannot  afford  to  discard  knowledge 
of  what  has  gone  before  or  what  is  now  going 
on  in  his  own  trade  and  profession.  If  the 
printers  of  today  do  not  wish  to  be  esteemed 
arrogant  when  they  term  this  calling  of  theirs 
an  art,  they  must  be  willing,  and  show  that 
they  are  willing,  to  subject  it  to  such  laws  as 
have  made  its  sister  arts  so  free.  All  those 
concerned  in  what  are  accepted  as  the  fine  arts, 
the  learned  sciences,  and  professions  surround 

12345     abcdefghijklmnopqrstuvwxyz  67890$ 
ABCDEFGHIJKLMNOPQRSTUVWXYZ 

ABCDEFGHIJKIvMNOPQRSTUVWXYZ 

12345  abcdefghijklmnopqrstuvwxyz  6"j8QO$ 
ABCDEFGHIJKLMNOPQRSTUVWX  YZ 


12  Point  No.  16E,  12  Set 


MONOTYPE  FACES 
The  best  kind  of  originality  is  that  which 
comes  after  a  sound  apprenticeship ;  that 
which  shall  prove  to  be  the  blending  of 
a  firm  conception  of  all  useful  precedent 
and  the  progressive  tendencies  of  an  able 
mind.  For,  let  any  man  be  as  able  and 
original  as  he  may,  he  cannot  afford  to 
discard  knowledge  of  what  has  gone  be- 
fore or  what  is  now  going  on  in  his  own 
trade  and  profession.  If  the  printers  of 
today  do  not  wish  to  be  esteemed  arro- 
gant when  they  term  this  calling  of  theirs 
an  art,  they  must  be  willing,  and  show  that 
they  are  willing,  to  subject  it  to  such  laws  as 


MONOTYPE  FACES 
The  best  kind  of  originality  is  that  which 
comes  after  a  sound  apprenticeship ;  that 
which  shall  prove  to  be  the  blending  of 
a  firm  conception  of  all  useful  precedent 
and  the  progressive  tendencies  of  an  able 
mind.  For,  let  any  man  be  as  able  and 
original  as  he  may,  he  cannot  afford  to 
discard  knowledge  of  what  has  gone  be- 
fore or  what  is  now  going  on  in  his  own 
trade  and  profession.  If  the  printers  of 
today  do  not  wish  to  be  esteemed  arro- 
gant when  they  term  this  calling  of  theirs 
an  art,  they  must  be  willing,  and  show 
that  they  are  willing,  to  subject  it  to  such 
laws  as  have  made  its  sister  arts  so  free.  All 
those  concerned  in  what  are  accepted  as  the 


12345         abcdefghijklmnopqrstuvwxyz       67890$ 
ABCDEFGHIJKLMNOPQRSTUVWXYZ 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

12345  abcdefghijklmnopqrstuvwxyz         67890$ 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 


(2)  Our  Type&Rule  Caster 

Which  makes  the  content*  of  the 
Hell  Box  into  new  Type,  Spaces, 
Borders.  Rules.  Leads  and  Slugs 


(1)  The  Hell  Box 

Here  is  collected  the  "raw  material" 
which  the  Type  and   Rule  Caster 
makes  into  new  equipment 


(3)  The  Storage  Cabinet 

From  this  reservoir  the  "tools" 

of  the  compositors  are  drawn 

to  fill  the  type  cases 


(5)  The  Form 

From  here,  without 
any   breaking-up, 
or  sorting  out,  or 
distribution,    the 
complete    pages 
are  dumped  in 
the  Hell  Box 


Non-Distribution 

Non-Distributions  The  system  by  which  each  compositor  is  continuously  sup- 
plied with  new  type,  spacing  material,  high  and  low  leads,  slugs,  and  rules  directly 
from  the  Monotype  Type-&-Rule  Caster,  which  makes  this  material  so  economically 
that  whole  pages,  after  use,  are  melted  up  to  make  new  material;  it  makes  the 

compositor's   work  a   pleasure    by   cutting 

out   the  drudgery  of  distribution,  leaving 

him   free   to   spend    all   his   time   building 

ideas   into   type    form   without   having   to 

stop  and  tear  down  old  jobs  19  get  mate- 
rial;   it  eliminates  non-productive  time  by 

using  all   the  compositors  all  the  time  on 
constructive  work 


It  costs  less  to  make 

new  type  than  to 
distribute  used  type 


(4)  The  Cases  IQ 
Ul 


Here,  without  delays 
for  distribution, 
picking  or  sorts- 
hunting,   the 
copy  is  set 
up  ready 


No.  2 IE.     Book  Arrangement  C 
Composition  Matrices 

4£  Point  No.  2 IE,  5 %  Set 
Left-hand  column  cast  on  7-point  body.     Right-hand  column  cast  on  5-point  body 


MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  comes  after  a  sound  apprenticeship;  that  which 
shall  prove  itself  to  be  the  blending  of  a  firm  conception  of  all  useful  precedent  and  the  pro- 
gressive tendencies  of  an  able  mind.  For,  let  a  man  be  as  able  and  original  as  he  may,  he 
cannot  afford  to  discard  knowledge  of  what  has  gone  before  or  what  is  now  going  on  in  his 
own  trade  and  profession.  If  the  printers  of  today  do  not  wish  to  be  esteemed  arrogant 
when  they  term  this  calling  of  theirs  an  art.  they  must  be  willing,  and  show  that  they  are 
willing,  to  subject  it  to  such  laws  as  have  made  its  sister  arts  so  free.  All  those  concerned 
in  what  are  accepted  as  the  fine  arts,  the  learned  sciences,  and  professions  surround  them- 
selves with  the  history,  literature,  and  concrete  examples  of  work  with  which  they  are 

1*141 


abcdeffhijklmnopqrstuvwxyz 
ABCDEFGHIJKLMNOPQRSTUVWXYZ 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

H34S  abcdelihijltlmnopqrslutwiyt  67890$ 

ABCDEFGH1JKLMNOPQRSTVVWXYZ 

Ems  a  to  z  15.68  Words  to  Pica  .80 


MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  comes  after  a  sound  apprenticeship;  that  which 
shall  prove  itself  to  be  the  blending  of  a  firm  conception  of  all  useful  precedent  and  the  pro- 
gressive tendencies  of  an  able  mind.  For,  let  a  man  be  as  able  and  original  as  he  may,  he 
cannot  afford  to  discard  knowledge  of  what  has  gone  before  or  what  is  now  going  on  in  his 
own  trade  and  profession.  If  the  printers  of  today  do  not  wish  to  be  esteemed  arrogant 
when  they  term  this  calling  of  theirs  an  art,  they  must  be  willing,  and  show  that  they  are 
willing,  to  subject  it  to  such  laws  as  have  made  its  sister  arts  so  free.  All  those  concerned 
in  what  are  accepted  as  the  fine  arts,  the  learned  sciences,  and  professions  surround  them- 
selves with  the  history,  literature,  and  concrete  examples  of  work  with  which  they  are 
particularly  engaged.  Yet  it  is  only  in  very  rare  instances  that  such  an  atmosphere,  with 
its  material  appurtenances,  is  to  be  found  in  the  printing  office.  Art  does  not  flourish  in 
hidden  places,  nor  under  restraint,  nor  in  ignorance  of  what  talent  and  genius  have  accom- 

67890! 


No.  2 IE.     Book  Arrangement  C 


Composition  Matrices 


5  Point  No.  21E,  6i  Set 


MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  comes  after  a  sound  apprentice- 
ship; that  which  shall  prove  to  be  the  blending  of  a  firm  conception  of  all 
useful  precedent  and  the  progressive  tendencies  of  an  able  mind.  For, 
let  a  man  be  as  able  and  original  as  he  may,  he  cannot  afford  to  discard 
knowledge  of  what  has  gone  before  or  what  is  now  going  on  in  his  own  trade 
and  profession.  If  the  printers  of  today  do  not  wish  to  be  esteemed  arro- 
gant when  they  term  this  calling  of  theirs  an  art,  they  must  be  willing,  and 
show  that  they  are  willing,  to  subject  it  to  such  laws  as  have  made  its  sister 
arts  so  free.  All  those  concerned  in  what  are  accepted  as  the  fine  arts,  the 
learned  sciences,  and  the  professions  surround  themselves  with  the  history, 
literature,  and  concrete  examples  of  the  work  with  which  they  are  particularly 
engaged.  Yet  it  is  only  in  rare  instances  that  such  an  atmosphere,  with  its 

12345  abcdefghijklmnopqrstuvwxyz  67890$ 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

12345  abcdefghijklmnopqrsluvwxyz  67800$ 

ABCDEFGHUKLMNOPQRSTUVWXYZ 

Ems  a  to  z  16.69  Words  to  Pica  .68 


Point  No.  21E,  6$  Set 


MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  comes  after  a  sound  apprentice- 
ship; that  which  shall  prove  to  be  the  blending  of  a  firm  conception  of  all 
useful  precedent  and  the  progressive  tendencies  of  an  able  mind.  For, 
let  a  man  be  as  able  and  as  original  as  he  may,  he  cannot  afford  to  discard 
knowledge  of  what  has  gone  before  or  what  is  now  going  on  in  his  own  trade 
and  profession.  If  the  printers  of  today  do  not  wish  to  be  esteemed  arro- 
gant when  they  term  this  calling  of  theirs  an  art,  they  must  be  willing,  and 
show  that  they  are  willing,  to  subject  it  to  such  laws  as  have  made  its  sister 
arts  so  free.  All  those  concerned  in  what  are  accepted  as  the  fine  arts,  the 
learned  sciences,  and  the  professions  surround  themselves  with  the  history,  lit- 
erature, and  concrete  examples  of  the  work  with  which  they  are  particularly 

12345  abcdefghijklmnopqrstuvwxyz  67890$ 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

12345  abcdefghijklmnopqrstuvwxyz  67890$ 

A  BCDEFGHUKLMNOPQRSTUVWX  YZ 


Ems  a  to  z  15.16 


Words  to  Pica  .68 


6  Point  No.  2 IE,  7  Set 

MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  comes  after  a  sound  appren- 
ticeship; that  which  shall  prove  itself  to  be  the  blending  of  a  firm 
conception  of  useful  precedent  and  the  progressive  tendencies  of  an  able 
mind.  For,  let  a  man  be  as  able  and  original  as  he  may,  he  cannot 
afford  to  discard  knowledge  of  what  has  gone  before  or  what  is  now 
going  on  in  his  own  trade  and  profession.  If  the  printers  of  today 
do  not  wish  to  be  esteemed  arrogant  when  they  term  this  calling  of 
theirs  an  art,  they  must  be  willing,  and  show  that  they  are  willing, 
to  subject  it  to  such  laws  as  have  made  its  sister  arts  so  free.  All 
those  concerned  in  what  are  accepted  as  the  fine  arts,  the  learned 
sciences,  and  professions  surround  themselves  with  the  history,  litera- 
ture, and  concrete  examples  of  work  with  which  they  are  particularly 
engaged.  Yet  it  is  only  in  very  rare  instances  that  such  an  atmosphere, 
with  its  material  appurtenances,  is  to  be  found  in  the  printing  office. 
Art  does  not  flourish  in  hidden  places,  nor  under  restraint,  nor  in 
ignorance  of  what  talent  and  genius  have  accomplished  and  are  ac- 
complishing  throughout  the  world.  For  to  follow  precedent  wisely  does 
not  mean  to  imitate  slavishly  one  great  exemplar,  but  to  study  all  masters 

12345  abcdefghijklmnopqrstuvwxyz  67890$ 

ABCDEFGH IJ  KLM  NOPQRSTUVWX  YZ 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

12345  abcdefghijklmnopqrstuvwxyz  67890$ 

A  BCDEFGHUKLMNOPQRSTUV  WXYZ 


Ems  a  to  z  14.98 


Words  to  Pica  .63 


7  Point  No.  2 IE,  8  Set 

MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  comes  after  a  sound 
apprenticeship;  that  which  shall  prove  to  be  the  blending  of 
a  firm  conception  of  all  useful  precedent  and  the  progressive 
tendencies  of  an  able  mind.  For,  let  a  man  be  as  able  and 
original  as  he  may,  he  cannot  afford  to  discard  knowledge  of 
what  has  gone  before  or  what  is  now  going  on  in  his  own  trade 
and  profession.  If  the  printers  of  today  do  not  wish  to  be 
esteemed  arrogant  when  they  term  this  calling  of  theirs  an 
art,  they  must  be  willing,  and  show  that  they  are  willing,  to 
subject  it  to  such  laws  as  have  made  its  sister  arts  so  free.  All 
those  concerned  in  what  are  accepted  as  the  fine  arts,  the 
learned  sciences,  and  the  professions  surround  themselves  with 
the  history,  literature,  and  the  concrete  examples  of  the  work- 
wilh  -which  they  are  particularly  engaged.  Yet  it  is  only  in 
rare  instances  that  such  an  atmosphere,  with  its  material  ap- 

12345  abcdefghijklmnopqrstuvwxyz  67890$ 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

12345  abcdefghijklmnopqrstuvwxyz  67890$ 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 
Ems  a  to  z  14.68  Words  to  Pica  .55 


8  Point  No.  2  IE,  8j  Set 

MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  comes  after  a 
sound  apprenticeship;  that  which  shall  prove  to  be  the 
blending  of  a  firm  conception  of  all  useful  precedent  and 
the  progressive  tendencies  of  an  able  mind.  For,  let  a 
man  be  as  able  and  original  as  he  may,  he  cannot  afford 
to  discard  knowledge  of  what  has  gone  before  or  what  is 
now  going  on  in  his  own  trade  and  profession.  If  the 
printers  of  today  do  not  wish  to  be  esteemed  arrogant 
when  they  term  this  calling  of  theirs  an  art,  they  must  be 
willing,  and  show  that  they  are  willing,  to  subject  it  to 
such  laws  as  have  made  its  sister  arts  so  free.  All  those 
concerned  in  what  are  accepted  as  the  fine  arts,  the  learned 
sciences,  and  the  professions  surround  themselves  with  the 
history,  the  literature,  and  concrete  examples  of  the  work 
with  which  they  are  particularly  engaged.  Yet  it  is  only  in 
very  rare  instances  that  such  an  atmosphere,  with  its  material 

12345  abcdefghijklmnopqrstuvwxyz  67890$ 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

12345  abcdefghijklmnopqrstuvwxyz  67800$ 

ABCDEFGHIJKLMNOPQRSTUVWX  YZ 
Ems  a  to  z  13.63  Words  to  Pica  .52 


9  Point  No.  2  IE,  9  Set       . 

MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  comes  after 
a  sound  apprenticeship;  that  which  shall  prove  to  be 
the  blending  of  a  firm  conception  of  all  useful  precedent 
and  the  progressive  tendencies  of  an  able  mind.  For, 
let  a  man  be  as  able  and  original  as  he  may,  he  cannot 
afford  to  discard  knowledge  of  what  has  gone  before  or 
what  is  now  going  on  in  his  own  trade  and  profession. 
If  the  printers  of  today  do  not  wish  to  be  esteemed 
arrogant  when  they  term  this  calling  of  theirs  an  art, 
they  must  be  willing,  and  show  that  they  are  willing, 
to  subject  it  to  such  laws  as  have  made  its  sister  arts 
so  free.  All  those  concerned  in  what  are  accepted  as 
the  fine  arts,  the  learned  sciences,  and  the  professions  sur- 
round themselves  with  the  history,  literature,  and  concrete 


12345  abcdefghijklmnopqrstuvwxyz 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

12345  abcdefghijklmnopqrstuvwxyz  67890$ 

ABCDEFGHIJKLMNOPQRSTUVWX  YZ 


Ems  a  to  z  12.83 


Words  to  Pica  .49 


Old  Style  Figures 

THE  characteristic  of  the  old  style  figure 
which  has  been  handed  down  to  us  from  the 
earliest  designs  of  old  style  type  faces  has 
been  the  irregularity  of  ascending  and  descending 
characters,  usually  termed  old  style  or  "hanging" 
figures.  Consequently,  most  of  our  old  style  faces 
are  shown  here  with  the  proper  figures,  that  is, 
the  old  style  or  hanging  figures,  as  part  of  the  font. 
Recognizing  that  some  printers  desire  to  use  a 
lining  figure,  we  have  designed  old  style  lining 
figures  for  most  of  our  old  style  faces.  Specimens 
of  these  will  be  found  in  the  section  of  this  speci- 
men book  devoted  to  figures  and  can  be  identified 
by  the  symbol  G  following  the  point  size  in  place 
of  F.  In  cases  where  an  old  style  lining  figure 
has  not  been  designed  specially  for  the  face 
selected  the  figure  specimen  sheets  will  show  the 
face  that  is  the  best  match. 

In  ordering  old  style  matrices,  whether  in 
partial  or  complete  fonts,  be  sure  and  specify 
old  style  lining  figures  if  desired,  giving  their 
proper  symbol;  otherwise  we  always  furnish 
standard  old  style  figures  if  made. 


No.  2 IE.     Book  Arrangement  C 


Composition  Matrices 

10  Point  No.  21E,  10i  Set  11  Point  No.  21E,  lli  Set 


MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  comes 
after  a  sound  apprenticeship;  that  which  shall 
prove  to  be  the  blending  of  a  firm  conception 
of  all  useful  precedent  and  the  progressive  ten- 
dencies of  an  able  mind.  For,  let  a  man  be  as 
able  and  original  as  he  may,  he  cannot  afford  to 
discard  knowledge  of  what  has  gone  before  or 
what  is  now  going  on  in  his  own  trade  and  pro- 
fession. If  the  printers  of  today  do  not  wish  to 
be  esteemed  arrogant  when  they  term  this  calling 
of  theirs  an  art,  they  must  be  willing,  and  show 
that  they  are  willing,  to  subject  it  to  such  laws  as 
have  made  its  sister  arts  so  free.  All  those  who  are 
concerned  in  what  are  accepted  as  the  fine  arts, 
the  learned  sciences,  and  the  professions  surround 
themselves  with  the  history,  literature,  and  con- 
crete examples  of  the  work  with  which  they  are 
particularly  engaged.  Yet  it  is  only  in  rare  in- 
stances that  such  an  atmosphere,  with  its  material 

12345       abcdefghijklmnopqrstuvwxyz      67890$ 
ABC  DEFGH I J  KLM  NOPQRSTU  VWX  YZ 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

12345         abcdefghijklmnopqrstuvwxyz       67890$ 
ABCDEFGHIJKLMNOPQRSTUVWX  YZ 


MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which 
comes  after  a  sound  apprenticeship;  that 
which  shall  prove  to  be  the  blending  of  a 
firm  conception  of  all  useful  precedent  and 
the  progressive  tendencies  of  an  able  mind. 
For,  let  a  man  be  as  able  and  original  as  he 
may,  he  cannot  afford  to  discard  knowledge 
of  what  has  gone  before  or  what  is  now  going 
on  in  his  own  trade  and  profession.  If  the 
printers  of  today  do  not  wish  to  be  esteemed 
arrogant  when  they  term  this  calling  of  theirs 
an  art,  they  must  be  willing,  and  show  that 
they  are  willing,  to  subject  it  to  such  laws  as 
have  made  its  sister  arts  so  free.  All  those 
concerned  in  what  are  accepted  as  the  fine 
arts,  the  learned  sciences,  and  the  professions 
surround  themselves  with  the  history,  litera- 

1234  abcdefghijklmnopqrstuvwxyz  567$ 
ABCDEFGHIJKLMNOPQRSTUVWXYZ 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

1234  abcdefghijklmnopqrstuvwxyz  567$ 
ABCDEFGHIJKLMNOPQRSTUVWX  YZ 


Ems  a  to  z  13.17 


Words  to  Pica  .43 


Ems  a  to  z  13.13 


Words  to  Pica  .39 


12  Point  No.  2  IE,  12  Set 


MONOTYPE  FACES 
The  best  kind  of  originality  is  that  which 
comes  after  a  sound  apprenticeship;  that 
which  shall  prove  to  be  the  blending  of 
a  firm  conception  of  all  useful  precedent 
and  the  progressive  tendencies  of  an  able 
mind.  For,  let  any  man  be  as  able  and 
original  as  he  may,  he  cannot  afford  to 
discard  knowledge  of  what  has  gone  be- 
fore or  what  is  now  going  on  in  his  own 
trade  and  profession.  If  the  printers  of 
today  do  not  wish  to  be  esteemed  arrogant 
when  they  term  this  calling  of  theirs  an  art, 


MONOTYPE  FACES 
The  best  kind  of  originality  is  that  which 
comes  after  a  sound  apprenticeship;  that 
which  shall  prove  to  be  the  blending  of 
a  firm  conception  of  all  useful  precedent 
and  the  progressive  tendencies  of  an  able 
mind.  For,  let  any  man  be  as  able  and 
original  as  he  may,  he  cannot  afford  to 
discard  knowledge  of  what  has  gone  be- 
fore or  what  is  now  going  on  in  his  own 
trade  and  profession.  If  the  printers  of 
today  do  not  wish  to  be  esteemed  arro- 
gant when  they  term  this  calling  of  theirs 
an  art,  they  must  be  willing,  and  show  that 
they  are  willing,  to  subject  it  to  such  laws 


12345       abcdefghijklmnopqrstuvwxyz      67890$ 
ABCDEFGHIJKLMNOPQRSTUVWXYZ 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

12345        abcdefghijklmnopqrstuvwxyz        67890$ 
ABCDEFGHIJKLMNOPQRSTUVWX  YZ 


Ems  a  to  z  12.83 


Words  to  Pica  .37 


No.  21  Electro  Display  Matrices 

14  Point  No.   21 

THE  MONOTYPE  STANDS  FOR  QUALITY 

At  the  same  time  Reducing  Costs  and  Maintaining  Prices  that  Leave 

Reasonable  Profits  for  the  Printer 
$1234567890 


18  Point  No.   21 

THE  CONVERTIBLE  MACHINE 

At  first  a  Type  Caster;  add  the  Parts  to  set  Matter  in 

Justified  Lines  when  you  want  to 

$1234567890 


24  Point  No.   21 


MONOTYPE  LINE 

Means  a  Standard  Line.  Interchangeable 

for  all  Sizes  and  Faces 

$1234567890 


30  Point  No.   21 


A  LABOR  SAVING 

Profit  Maker  &  Business  Builder 

for  the  Progressive  Printer 

$1234567890 


36  Point  No.  21 


SPACES  AND  QUADS 
Cast  Easily  from  Old  Metal 

$1234567890 


No.  2 IE.     Book  Arrangement  S500 
Composition  Matrices 

14  Point  No.  2  IE,  14  Set 

MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  comes  after  a  sound  appren- 
ticeship; that  which  shall  prove  to  be  the  blending  of  a  firm  conception 
of  all  useful  precedent  and  the  progressive  tendencies  of  an  able  mind. 
For,  let  a  man  be  as  able  and  original  as  he  may,  he  cannot  afford  to  dis- 
card knowledge  of  what  has  gone  before  or  what  is  now  going  on  in  his 
own  trade  and  profession.  If  the  printers  of  today  do  not  wish  to  be 
esteemed  arrogant  when  they  term  this  calling  of  theirs  an  art,  they 
must  be  willing,  and  show  that  they  are  willing,  to  subject  it  to  such  laws 
as  have  made  its  sister  arts  so  free.  All  those  concerned  in  what  are 
accepted  as  the  fine  arts,  the  learned  sciences,  and  professions  surround 
themselves  with  the  history,  the  literature,  and  concrete  examples  of  the 
work  with  which  they  are  particularly  engaged.  Yet  it  is  only  in  rare 
instances  that  such  an  atmosphere  with  its  material  appurtenances,  is 

abcdefghijklmnopqrstuvwxyz 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

1234567890$ 

18  Point  No.  2  IE,   18  Set 

MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  comes  after  a 
sound  apprenticeship;  that  which  shall  prove  to  be  the 
blending  of  a  firm  conception  of  all  useful  precedent  and 
the  progressive  tendencies  of  an  able  mind.  For,  let  any 
man  be  as  able  and  original  as  he  may,  he  cannot  afford 
to  discard  knowledge  of  what  has  gone  before  or  what  is 
now  going  on  in  his  own  trade  and  profession.  If  the 
printers  of  today  do  not  wish  to  be  esteemed  arrogant 
when  they  term  this  calling  of  theirs  an  art,  they  must  be 
willing,  and  show  that  they  are  willing,  to  subject  it  to 

abcdefghijklmnopqrstuvwxyz 
ABCDEFGHIJKLMNOPQRSTUVWXYZ 

1234567890$ 


Class  C  Matrices.  Fonts  shown  on  this  page  not  included  in  Library  and  will  not  be  leased.  To  use  these  faces  for  composing  matter 
in  justified  lines  SSOO  stop  bars  are  required.  Use  left  keybars  QC  for  the  Roman;  use  right  keybars  QC2  for  the  Boldface;  use  standard 
keybanks.  The  18  point  attachment  and  S500  wedges  are  required  for  casting. 


No.  21G.     Book  Arrangement  S500 
Composition  Matrices 

14  Point  No.  21G,  14  Set 

MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  comes  after  a  sound  apprentice- 
ship; that  which  shall  prove  to  be  the  blending  of  a  firm  conception  of  all 
useful  precedent  and  the  progressive  tendencies  of  an  able  mind.  For,  let  a 
man  be  as  able  and  original  as  he  may,  he  cannot  afford  to  discard  knowl- 
edge of  what  has  gone  before  or  what  is  now  going  on  in  his  own  trade  and 
profession.  If  the  printers  of  today  do  not  wish  to  be  esteemed  arrogant 
when  they  term  this  calling  of  theirs  an  art,  they  must  be  willing,  and  show 
that  they  are  willing,  to  subject  it  to  such  laws  as  have  made  its  sister  arts 
so  free.  All  those  concerned  in  what  are  accepted  as  fine  arts,  the  learned 
sciences,  and  professions  surround  themselves  with  the  history,  the  litera- 
ture, and  concrete  examples  of  the  work  with  which  they  are  particularly 
engaged.  Yet  it  is  only  in  rare  instances  that  such  an  atmosphere  with  its 
material  appurtenances,  is  to  be  found  in  a  printing  office.  Art  does  not 

abcdefghijklmnopqrstuvwxyz 

ABCDEFGHIJKLMNOPQRSTUVWX  YZ 

$1234567890 

18  Point  No.  21G,  18  Set 

MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  comes  after  a 
sound  apprenticeship;  that  which  shall  prove  to  be  the 
blending  of  a  firm  conception  of  all  useful  precedent  and 
the  progressive  tendencies  of  an  able  mind.  For,  let  a  man 
be  as  able  and  original  as  he  may,  he  cannot  afford  to  dis- 
card knowledge  of  what  has  gone  before  or  what  is  now 
going  on  in  his  own  trade  and  profession.  If  the  printers 
of  today  do  not  wish  to  be  esteemed  arrogant  when  they 
term  this  calling  of  theirs  an  art,  they  must  be  willing,  and 
show  that  they  are  willing,  to  subject  it  to  such  laws  as  have 

abcdefghijklmnopqrstuvwxyz 
ABCDEFGHIJKLMNOPQRSTUVWXYZ 

$1234567890 


Class  C  Matrices.  Fonts  shown  on  this  page  not  included  in  Library  and  will  not  be  leased.  To  use  these  faces  for  composing  matter 
in  justified  lines  SSOO  stop  bars  are  required.  Use  left  keybars  QC  for  the  Roman;  use  right  keybars  QC2  for  the  Boldface;  use  standard 
keybanks.  The  18  point  attachment  and  SSOO  wedges  are  required  for  casting. 


Old  Style  Figures 

THE  characteristic  of  the  old  style  figure 
which  has  been  handed  down  to  us  from  the 
earliest  designs  of  old  style  type  faces  has 
been  the  irregularity  of  ascending  and  descending 
characters,  usually  termed  old  style  or  "hanging" 
figures.  Consequently,  most  of  our  old  style  faces 
are  shown  here  with  the  proper  figures,  that  is, 
the  old  style  or  hanging  figures,  as  part  of  the  font. 
Recognizing  that  some  printers  desire  to  use  a 
lining  figure,  we  have  designed  old  style  lining 
figures  for  most  of  our  old  style  faces.  Specimens 
of  these  will  be  found  in  the  section  of  this  speci- 
men book  devoted  to  figures  and  can  be  identified 
by  the  symbol  G  following  the  point  size  in  place 
of  F.  In  cases  where  an  old  style  lining  figure 
has  not  been  designed  specially  for  the  face 
selected  the  figure  specimen  sheets  will  show  the 
face  that  is  the  best  match. 

In  ordering  old  style  matrices,  whether  in 
partial  or  complete  fonts,  be  sure  and  specify 
old  style  lining  figures  if  desired,  giving  their 
proper  symbol;  otherwise  we  always  furnish 
standard  old  style  figures  if  made. 


No.  22 IE.     Book  Arrangement  C 


Composition  Matrices 

9  Point  No.  221E,  91  Set 


MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  comes  after 
a  sound  apprenticeship;  that  which  shall  prove  to  be 
the  blending  of  a  firm  conception  of  all  useful  prece- 
dent and  the  progressive  tendencies  of  an  able  mind. 
For,  let  a  man  be  as  able  and  original  as  he  may,  he 
cannot  afford  to  discard  knowledge  of  what  has  gone 
before  or  what  is  now  going  on  in  his  own  trade  and 
profession.  If  the  printers  of  today  do  not  wish  to 
be  esteemed  arrogant  when  they  term  this  calling  of 
theirs  an  art,  they  must  be  willing,  and  show  that 
they  are  willing,  to  subject  it  to  such  laws  as  have 
made  its  sister  arts  so  free.  All  those  who  are  con- 
cerned in  what  are  accepted  as  the  fine  arts,  the  learned 
sciences,  and  the  professions  surround  themselves 
with  the  history,  the  literature,  and  concrete  examples 
of  the  work  with  which  they  may  be  particularly  engaged. 
Yet  it  is  only  in  very  rare  instances  that  such  an  atmos- 


MONOTYPE  FACES 


The  best  kind  of  originality  is  that  which  comes  after 
a  sound  apprenticeship ;  that  which  shall  prove  to  be 
the  blending  of  a  firm  conception  of  all  useful  prece- 
dent and  the  progressive  tendencies  of  an  able  mind. 
For,  let  a  man  be  as  able  and  original  as  he  may,  he 
cannot  afford  to  discard  knowledge  of  what  has  gone 
before  or  what  is  now  going  on  in  his  own  trade  and 
profession.  If  the  printers  of  today  do  not  wish  to 
be  esteemed  arrogant  when  they  term  this  calling  of 
theirs  an  art,  they  must  be  willing,  and  show  that  they 
are  willing,  to  subject  it  to  such  laws  as  have  made  its 
sister  arts  so  free.  All  those  who  are  concerned  in 
what  are  accepted  as  the  fine  arts,  the  learned  sciences, 
and  the  professions  surround  themselves  with  the 
history,  the  literature,  and  concrete  examples  of  the 
work  with  which  they  are  particularly  engaged.  Yet 
it  is  only  in  very  rare  instances  that  such  an  atmos- 
phere, with  its  material  appurtenances,  is  to  be  found 
in  the  printing  office.  Art  does  not  flourish  in  hidden 
places,  nor  under  restraint,  nor  in  ignorance  of  what 
talent  and  genius  have  accomplished  and  are  accom- 


12345  abcdefghijklmnopqrstuvwxyz 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

abcdefghijklmnopqrstuvwxyz  67890$ 

ABCDEFGHIJKLMNOPQRSTUVWX  YZ 


No.  3 2 IE.     Book  Arrangement  C 

Composition  Matrices 
5£  Point  No.  32 IE,  7  Set 


MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  comes  after  a  sound  appren- 
ticeship; that  which  shall  prove  itself  to  be  the  blending  of  a  firm 
conception  of  useful  precedent  and  the  progressive  tendencies  of  an  able 
mind.  For,  let  a  man  be  as  able  and  original  as  he  may,  he  cannot 
afford  to  discard  knowledge  of  what  has  gone  before  or  what  is  now 
going  on  in  his  own  trade  and  profession.  If  the  printers  of  today 
do  not  wish  to  be  esteemed  arrogant  when  they  term  this  calling  of 
theirs  an  art,  they  must  be  willing,  and  show  that  they  are  willing, 
to  subject  it  to  such  laws  as  have  made  its  sister  arts  so  free.  All 
those  concerned  in  what  are  accepted  as  the  fine  arts,  the  learned 
sciences,  and  professions  surround  themselves  with  the  history,  litera- 
ture, and  concrete  examples  of  work  with  which  they  are  particularly 
engaged.  Yet  it  is  only  in  very  rare  instances  that  such  an  atmos- 
phere, with  its  material  appurtenances,  is  to  be  found  in  the  printing 
office.  Art  does  not  flourish  in  hidden  places,  nor  under  restraint, 
not  in  ignorance  of  what  talent  and  genius  have  accomplished  and  are 
accomplishing  throughout  the  world.  For  to  follow  precedent  wisely 
does  not  mean  to  imitate  slavishly  one  great  exemplar,  but  to  study 
all  the  masters  faithfully,  letting  their  great  achievements  sink  slowly 
into  the  mind  in  order  that  we  may  patiently  derive  from  the  richness 
of  our  acquired  knowledge  and  organized  system  an  attitude  of  our 
own.  The  sprightly  minded  young  man.  who  with  his  first  business 
breath  projects  the  new  and  startling,  inevitably  becomes  tiresome, 
and  is  driven  to  an  early  disappearance;  while  the  slower  and  more 
solidly  endowed  student  will  at  least  spend  as  much  of  his  time  in 
avoiding  mistakes  as  in  evolving  brilliant  schemes  wherewith  to  dazzle 
his  contemporaries.  The  best  kind  of  originality  is  that  which  comes 


MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  comes  after  a  sound  appren- 
ticeship; that  which  shall  prove  itself  to  be  the  blending  of  a  firm 
conception  of  useful  precedent  and  the  progressive  tendencies  of  an  able 
mind.  For,  let  a  man  be  as  able  and  original  as  he  may,  he  cannot 
afford  to  discard  knowledge  of  what  has  gone  before  or  what  is  now 

toing  on  in  his  own  trade  and  profession.  If  the  printers  of  today 
o  not  wish  to  be  esteemed  arrogant  when  they  term  this  calling  of 
theirs  an  art,  they  must  be  willing,  and  show  that  they  are  willing, 
to  subject  it  to  such  laws  as  have  made  its  sister  arts  so  free.  All 
those  concerned  in  what  are  accepted  as  the  fine  arts,  the  learned 
sciences,  and  professions  surround  themselves  with  the  history,  litera- 
ture, and  concrete  examples  of  work  with  which  they  are  particularly 
engaged.  Yet  it  is  only  in  very  rare  instances  that  such  an  atmos- 
phere, with  its  material  appurtenances,  is  to  be  found  in  the  printing 
office.  Art  does  not  flourish  in  hidden  places,  nor  under  restraint, 
not  in  ignorance  of  what  talent  and  genius  have  accomplished  and  are 
accomplishing  throughout  the  world.  For  to  follow  precedent  wisely 
does  not  mean  to  imitate  slavishly  one  great  exemplar,  but  to  study 
all  the  masters  faithfully,  letting  their  great  achievements  sink  slowly 
into  the  mind  in  order  that  we  may  patiently  derive  from  the  richness 
of  our  acquired  knowledge  and  organized  system  an  attitude  of  our 
own.  The  sprightly  minded  young  man,  who  with  his  first  business 
breath  projects  the  new  and  startling,  inevitably  becomes  tiresome, 
and  is  driven  to  an  early  disappearance;  while  the  slower  and  more 
solidly  endowed  student  will  at  least  spend  as  much  of  his  time  in 
avoiding  mistakes  as  in  evolving  brilliant  schemes  wherewith  to  dazzle 
his  contemporaries.  The  best  kind  of  originality  is  that  which  comes 
after  a  sound  apprenticeship;  that  which  shall  prove  itself  to  be  the 
blending  of  a  firm  conception  of  all  useful  precedent  and  the  progressive 
tendencies  of  an  able  mind.  For,  let  any  man  be  as  able  and  original  as 
he  may,  he  cannot  afford  to  discard  knowledge  of  what  has  gone  before 
or  what  is  now  going  on  in  his  own  trade  and  profession.  If  the  printers 
of  today  do  not  wish  to  be  esteemed  arrogant  when  they  term  this  call- 
ing of  theirs  an  art.  they  must  be  willing,  and  show  that  they  are  willing, 
to  subject  it  to  such  laws  as  have  made  its  sister  arts  so  free.  All  those 
concerned  in  what  are  accepted  as  the  fine  arts,  the  learned  sciences,  and 
professions  surround  themselves  with  the  history,  literature,  and  concrete 


12345  abcdefghijklmnopqrstuvwxyz  67890$ 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

12345  abcdefghijklmnopqrstuvwxyz  67890$ 

A  BCDEFGHIJKLMNOPQRSTUV  WX  YZ 


No.  3 IE.     Book  Arrangement  C 


Composition  Matrices 


6  Point  No.  31E,  6£  Set 


7  Point  No.  3 IE,  7i  Set 


MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  comes  after  a  sound  apprentice- 
ship; that  which  shall  prove  to  be  the  blending  of  a  firm  conception  of  all 
useful  precedent  and  the  progressive  tendencies  of  an  able  mind.  For, 
let  a  man  be  as  able  and  original  as  he  may,  he  cannot  afford  to  discard 
knowledge  of  what  has  gone  before  or  what  is  now  going  on  in  his  own  trade 
and  profession.  If  the  printers  of  today  do  not  wish  to  be  esteemed  arro- 
gant when  they  term  this  calling  of  theirs  an  art,  they  must  be  willing,  a.nd 
show  that  they  are  willing,  to  subject  it  to  such  laws  as  have  made  its  sister 
— *«  „„  trae*  AH  tK.w.a  f-r*nrpmprl  in  what  are  accented  as  the  fine  arts,  the 


Old  Style  Figures 

THE  characteristic  of  the  old  style  figure 
which  has  been  handed  down  to  us  from  the 
earliest  designs  of  old  style  type  faces  has 
been  the  irregularity  of  ascending  and  descending 
characters,  usually  termed  old  style  or  "hanging" 
figures.  Consequently,  most  of  our  old  style  faces 
are  shown  here  with  the  proper  figures,  that  is, 
the  old  style  or  hanging  figures,  as  part  of  the  font. 
Recognizing  that  some  printers  desire  to  use  a 
lining  figure,  we  have  designed  old  style  lining 
figures  for  most  of  our  old  style  faces.  Specimens 
of  these  will  be  found  in  the  section  of  this  speci- 
men book  devoted  to  figures  and  can  be  identified 
by  the  symbol  G  following  the  point  size  in  place 
of  F.  In  cases  where  an  old  style  lining  figure 
has  not  been  designed  specially  for  the  face 
selected  the  figure  specimen  sheets  will  show  the 
face  that  is  the  best  match. 

In  ordering  old  style  matrices,  whether  in 
partial  or  complete  fonts,  be  sure  and  specify 
old  style  lining  figures  if  desired,  giving  their 
proper  symbol;  otherwise  we  always  furnish 
standard  old  style  figures  if  made. 


DI    unui   uuci 


plishing  throughout  the  world.  For  to  follow  precedent  wisely 
does  not  mean  to  imitate  slavishly  one  great  exemplar,  but  to 
study  all  masters  faithfully,  letting  their  great  achievements 
sink  slowly  into  the  mind  in  order  that  we  may  patiently 
derive  from  the  richness  of  our  acquired  knowledge  and  organized 
system  an  attitude  of  our  own.  The  sprightly  minded  young  man, 


12345 


67890$ 


abcdefghijklmnopqrstuvwxyz 
ABCDEFGHIJKLMNOPQRSTUVWXYZ 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

12345  abcdefghijklmnopqrstuvwxyz  67890$ 

A  BCDEFGHIJKLMNOPQRSTUVWX  YZ 


MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  comes  after  a  sound  appren- 
ticeship; that  which  shall  prove  itself  to  be  the  blending  of  a  firm 
conception  of  useful  precedent  and  the  progressive  tendencies  of  an  able 
mind.     For,  let  a  man  be  as  able  and  original  as  he  may,  he  cannot 
afford  to  discard  knowledge  of  what  has  gone  before  or  what  is  now 
going  on  in  his  own  trade  and  profession.     If  the  printers  of  today 
do  not  wish  to  be  esteemed  arrogant,  when  they  term  this  calling  of 
theirs  an  art,  they  must  be  willing,  and  show  that  they  are  willing, 
uch  laws  as  have  made  its  sister  arts  so  free.    All 
in  what  are  accepted  as  the  fine  arts,  the  learned 
essions  surround  themselves  with  the  history,  litera- 
j  examples  of  work  with  which  they  are  particularly 
is  only  in  very  rare  instances  that  such  an  atmps- 
iterial  appurtenances,  is  to  be  found  in  the  printing 
not  flourish  in  hidden  places,  nor  under  restraint, 
•f  what  talent  and  genius  have  accomplished  and  are 
•oughout  the  world.     For  to  follow  precedent  wisely 
imitate  slavishly  one  great  exemplar,  but  to  study 
iully,  letting  their  great  achieyements  sink  slowly 
>rder  that  we  may  patiently  derive  from  the  richness 
;nowledge  and  organized  system  an  attitude  of  our 
itly  minded  young  man,  who  with  his  first  business 
he  new  and  startling,  inevitably  becomes  tiresome, 
in  early  disappearance;  while  the  slower  and  more 
•Indent  will  at  least  spend  as  much  of  his  time  in 
as  in  evolving  brilliant  schemes  wherewith  to  dazzle 

abcdefghijklmnopqrstuvwxyz  67890$ 

:DEFGHIJKLMNOPQRSTUVWXYZ 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

abcdefghijklmnopqrstuvwxyz  67890$ 

'DEFGHIJKLMNOPQRSTUVWXYZ 


9  Point  No.  3 IE,  8|  Set 

MONOTYPE  FACES 

i  of  originality  is  that  which  comes  after 
•enticeship;    that  which  shall  prove  to  be 
Df  a  firm  conception  of  all  useful  precedent 
ressive  tendencies  of  an  able  mind.     For, 
as  able  and  original  as  he  may,  he  cannot 
ard  knowledge  of  what  has  gone  before  or 
going  on  in  his  own  trade  and  profession. 
•s  of  today  do  not  wish  to  be  esteemed  too 
i  they  term  this  calling  of  theirs  an  art,  they 
ng,  and  show  that  they  are  willing,  to  sub- 
h  laws  as  have  made  its  sister  arts  so  free. 
:erned  in  what  are  accepted  as  the  fine  arts, 
iences,  and  professions  surround  themselves 
>ry,  the  literature,  and  concrete  examples  of 
i  which  they  are  more  particularly  engaged, 
in  rare  instances  that  such  an  atmosphere, 
with  its  material  appurtenances,  is  to  be  found  in  a  print- 
ing office.     Art  does  not  flourish  in  hidden  places,  nor 
under  restraint,  nor  even  in  ignorance  of  what  talent  and 
genius  have  accomplished  and  are  accomplishing  throughout 
the  world.     For  to  follow  precedent  wisely  does  not  mean  to 

12345  abcdefghijklmnopqrstuvwxyz  67890$ 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

12345  abcdefghijklmnopqrstuvwxyz  67890$ 

A  BCDEFGHIJKLMNOPQRSTUVWX  YZ 


Old  Style  Figures 

THE  characteristic  of  the  old  style  figure 
which  has  been  handed  down  to  us  from  the 
earliest  designs  of  old  style  type  faces  has 
been  the  irregularity  of  ascending  and  descending 
characters,  usually  termed  old  style  or  "hanging" 
figures.  Consequently,  most  of  our  old  style  faces 
are  shown  here  with  the  proper  figures,  that  is, 
the  old  style  or  hanging  figures,  as  part  of  the  font. 
Recognizing  that  some  printers  desire  to  use  a 
lining  figure,  we  have  designed  old  style  lining 
figures  for  most  of  our  old  style  faces.  Specimens 
of  these  will  be  found  in  the  section  of  this  speci- 
men book  devoted  to  figures  and  can  be  identified 
by  the  symbol  G  following  the  point  size  in  place 
of  F.  In  cases  where  an  old  style  lining  figure 
has  not  been  designed  specially  for  the  face 
selected  the  figure  specimen  sheets  will  show  the 
face  that  is  the  best  match. 

In  ordering  old  style  matrices,  whether  in 
partial  or  complete  fonts,  be  sure  and  specify 
old  style  lining  figures  if  desired,  giving  their 
proper  symbol;  otherwise  we  always  furnish 
standard  old  style  figures  if  made. 


No.  3 IE.     Book  Arrangement  C 


Composition  Matrices 


6  Point  No.  31E,  6i  Set 


7  Point  No.  31E,  7i  Set 


MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  comes  after  a  sound  apprentice- 
ship; that  which  shall  prove  to  be  the  blending  of  a  firm  conception  of  all 
useful  precedent  and  the  progressive  tendencies  of  an  able  mind.  For, 
let  a  man  be  as  able  and  original  as  he  may,  he  cannot  afford  to  discard 
knowledge  of  what  has  gone  before  or  what  is  now  going  on  in  his  own  trade 
and  profession.  If  the  printers  of  today  do  not  wish  to  be  esteemed  arro- 
gant when  they  term  this  calling  of  theirs  an  art,  they  must  be  willing,  and 
show  that  they  are  willing,  to  subject  it  to  such  laws  as  have  made  its  sister 
arts  so  free.  All  those  concerned  in  what  are  accepted  as  the  fine  arts,  the 
learned  sciences,  and  the  professions  surround  themselves  with  the  history, 
literature,  and  concrete  examples  of  the  work  with  which  they  are  particu- 
larly engaged.  Yet  it  is  only  in  rare  instances  that  such  an  atmosphere, 
with  its  material  appurtenances,  is  to  be  found  in  a  printing  office.  Art  does 
not  flourish  in  hidden  places,  nor  under  restraint,  nor  in  ignorance  of  what 
talent  and  genius  have  accomplished  and  are  accomplishing  throughout  the 
world.  For  to  follow  precedent  wisely  does  not  mean  to  imitate  slavishly 
one  great  exemplar,  but  to  study  all  masters  faithfully,  letting  their  great 


business  breath  projects  the  new  and  startling,  inevitably  becomes  tiresome, 
and  is  driven  to  an  early  disappearance;  while  the  slower,  more  solidly  en- 
dowed student  will  at  least  spend  as  much  of  his  time  in  avoiding  mistakes 
as  in  evolving  brilliant  schemes  wherewith  to  dazzle  his  contemporaries. 
The  best  kind  of  originality  is  that  which  comes  after  a  sound  apprentice- 
ship; that  which  shall  prove  to  be  the  blending  of  a  firm  conception  of  all 
useful  precedent  and  the  progressive  tendencies  of  an  able  mind.  For,  let 
any  man  be  as  able  and  original  as  he  may,  he  cannot  well  afford  to  discard 
knowledge  of  what  has  gone  before  or  what  is  now  going  on  in  his  own  trade  and 
profession.  If  the  printers  of  today  do  not  wish  to  be  esteemed  arrogant  when 

12345  abcdefghijklmnopqrstuvwxyz  67890$ 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

12345  abcdefghijklmnopqrstuvwxyz  67890$ 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 


MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  comes  after  a  sound  appren- 
ticeship; that  which  shall  prove  itself  to  be  the  blending  of  a  firm 
conception  of  useful  precedent  and  the  progressive  tendencies  of  an  able 
mind.  For,  let  a  man  be  as  able  and  original  as  he  may,  he  cannot 
afford  to  discard  knowledge  of  what  has  gone  before  or  what  is  now 
going  on  in  his  own  trade  and  profession.  If  the  printers  of  today 
do  not  wish  to  be  esteemed  arrogant,  when  they  term  this  calling  of 
theirs  an  art,  they  must  be  willing,  and  show  that  they  are  willing, 
to  subject  it  to  such  laws  as  have  made  its  sister  arts  so  free.  All 
those  concerned  in  what  are  accepted  as  the  fine  arts,  the  learned 
sciences,  and  professions  surround  themselves  with  the  history,  litera- 
ture, and  concrete  examples  of  work  with  which  they  are  particularly 
engaged.  Yet  it  is  only  in  very  rare  instances  that  such  an  atmos- 
phere, with  its  material  appurtenances,  is  to  be  found  in  the  printing 
office.  Art  does  not  flourish  in  hidden  places,  nor  under  restraint, 
nor  in  ignorance  of  what  talent  and  genius  have  accomplished  and  are 
accomplishing  throughout  the  world.  For  to  follow  precedent  wisely 
does  not  mean  to  imitate  slavishly  one  great  exemplar,  but  to  study 
all  masters  faithfully,  letting  their  great  achievements  sink  slowly 
into  the  mind  in  order  that  we  may  patiently  derive  from  the  richness 
of  our  acquired  knowledge  and  organized  system  an  attitude  of  our 
own.  The  sprightly  minded  young  man,  who  with  his  first  business 
breath  projects  the  new  and  startling,  inevitably  becomes  tiresome, 
and  is  driven  to  an  early  disappearance;  while  the  slower  and  more 
solidly  endowed  student  will  at  least  spend  as  much  of  his  time  in 
avoiding  mistakes  as  in  evolving  brilliant  schemes  wherewith  to  dazzle 

12345  abcdefghijklmnopqrstuvwxyz  678904 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

12345  abcdefghijklmnopqrstuvwxyz  67890$ 

A  BCDEFGHIJKLMNOPQRSTU  VWXYZ 


8  Point  No.  31E,  8  Set 

MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  comes  after  a  sound 
apprenticeship;  that  which  shall  prove  to  be  the  blending  of 
a  firm  conception  of  all  useful  precedent  and  the  progressive 
tendencies  of  an  able  mind.  For,  let  a  man  be  as  able  and 
original  as  he  may,  he  cannot  afford  to  discard  knowledge  of 
what  has  gone  before  or  what  is  now  going  on  in  his  own  trade 
and  profession.  If  the  printers  of  today  do  not  wish  to  be 
esteemed  arrogant  when  they  term  this  calling  of  theirs  an 
art,  they  must  be  willing,  and  show  that  they  are  willing,  to 
subject  it  to  such  laws  as  have  made  its  sister  arts  so  free.  All 
those  concerned  in  what  are  accepted  as  the  fine  arts,  the 
learned  sciences,  and  the  professions  surround  themselves  with 
the  history,  the  literature,  and  concrete  examples  of  the  work 
with  which  they  are  particularly  engaged.  Yet  it  is  only  in 
rare  instances  that  such  an  atmosphere,  with  its  material  ap- 
purtenances, is  to  be  found  in  a  printing  office.  Art  does  not 
flourish  in  hidden  places,  nor  under  restraint,  nor  in  ignorance 
of  what  talent  and  genius  have  accomplished  and  are  accom- 
plishing throughout  the  world.  For  to  follow  precedent  wisely 
does  not  mean  to  imitate  slavishly  one  great  exemplar,  but  to 
study  all  masters  faithfully,  letting  their  great  achievements 
sink  slowly  into  the  mind  in  order  that  we  may  patiently 
derive  from  the  richness  of  our  acquired  knowledge  and  organized 
system  an  attitude  of  our  own.  The  sprightly  minded  young  man, 

12345  abcdefghijklmnopqrstuvwxyz  67890$ 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

12345  abcdefghijklmnopqrstuvwxyz  67890$ 

A  BCDEFGHIJKLMNOPQRS  TUVWX  YZ 


9  Point  No.  31E,  8j  Set 

MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  comes  after 
a  sound  apprenticeship;  that  which  shall  prove  to  be 
the  blending  of  a  firm  conception  of  all  useful  precedent 
and  the  progressive  tendencies  of  an  able  mind.  For, 
let  a  man  be  as  able  and  original  as  he  may,  he  cannot 
afford  to  discard  knowledge  of  what  has  gone  before  or 
what  is  now  going  on  in  his  own  trade  and  profession. 
If  the  printers  of  today  do  not  wish  to  be  esteemed  too 
arrogant  when  they  term  this  calling  of  theirs  an  art,  they 
must  be  willing,  and  show  that  they  are  willing,  to  sub- 
ject it  to  such  laws  as  have  made  its  sister  arts  so  free. 
All  those  concerned  in  what  are  accepted  as  the  fine  arts, 
the  learned  sciences,  and  professions  surround  themselves 
with  the  history,  the  literature,  and  concrete  examples  of 
the  work  with  which  they  are  more  particularly  engaged. 
Yet  it  is  only  in  rare  instances  that  such  an  atmosphere, 
with  its  material  appurtenances,  is  to  be  found  in  a  print- 
ing office.  Art  does  not  flourish  in  hidden  places,  nor 
under  restraint,  nor  even  in  ignorance  of  what  talent  and 
genius  have  accomplished  and  are  accomplishing  throughout 
the  world.  For  to  follow  precedent  wisely  does  not  mean  to 


1 2345  abcdefghijklmnopqrstuvwxyz 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

12345  abcdefghijklmnopqrstuvwxyz  67890$ 

A  BCDEFGHIJKLMNOPQRSTUVWX  YZ 


No.  3 IE.     Book  Arrangement  C 


Composition  Matrices 


10  Point  No.  31E,  9*  Set 


11  Point  No.  31E,  10}  Set 


MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  comes  after 
a  sound  apprenticeship;  that  which  shall  prove  to 
be  the  blending  of  a  firm  conception  of  all  useful 
precedent  and  the  progressive  tendencies  of  an  able 
mind.  For,  let  a  man  be  as  able  and  original  as  he 
may,  he  cannot  afford  to  discard  knowledge  of  what 
has  gone  before  or  what  is  now  going  on  in  his  own 
trade  and  profession.  If  the  printers  of  today  do 
not  wish  to  be  esteemed  arrogant  when  they  term 
this  calling  of  theirs  an  art,  they  must  be  willing, 
and  show  that  they  are  willing,  to  subject  it  to  such 
laws  as  have  made  its  sister  arts  so  free.  All  those 
concerned  in  what  are  accepted  as  the  fine  arts,  the 
learned  sciences,  and  the  professions  surround  them- 
selves with  the  history,  the  literature,  and  concrete 
examples  of  the  work  with  which  they  are  particularly 
engaged.  Yet  it  is  only  in  rare  instances  that  such  an 

12345          abcdefghijklmnopqrstuvwxyz        67890$ 
ABCDEFGHIJKLMNOPQRSTUVWXYZ 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

72545  abcdefghijklmnopqrstuvwxyz          67890$ 

A  BCDEFGHIJKLMNOPQRSTU  VWX  YZ 


MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  comes 
after  a  sound  apprenticeship;  that  which  shall 
prove  to  be  the  blending  of  a  firm  conception 
of  all  useful  precedent  and  the  progressive  ten- 
dencies of  an  able  mind.  For,  let  a  man  be  as 
able  and  original  as  he  may,  he  cannot  afford  to 
discard  knowledge  of  what  has  gone  before  or 
what  is  now  going  on  in  his  own  trade  and  pro- 
fession. If  the  printers  of  today  do  not  wish  to 
be  esteemed  arrogant  when  they  term  this  calling 
of  theirs  an  art,  they  must  be  willing,  and  show 
that  they  are  willing,  to  subject  it  to  such  laws 
as  have  made  its  sister  arts  so  free.  All  those 
concerned  in  what  are  accepted  as  the  fine  arts,  the 
learned  sciences,  and  the  professions  surround  them- 

12345       abcdefghijklmnopqrstuvwxyz     67890$ 
ABCDEFGHIJKLMNOPQRSTUVWXYZ 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

72345        abcdefghijklmnopqrstuvwxyz        67890$ 
ABCDEFGHIJKLMNOPQRSTUVWXYZ 


12  Point  No.  31E,  11  Set 

MONOTYPE  FACES 

The  very  best  kind  of  originality  is  that  which 
comes  after  a  thorough  apprenticeship;  that 
which  shall  prove  to  be  the  blending  of  a 
firm  conception  of  all  useful  precedent  and 
the  progressive  tendencies  of  an  able  mind. 
For,  let  a  man  be  as  able  and  original  as  he 
may,  he  cannot  afford  to  discard  knowledge 
of  what  has  gone  before  or  what  is  now  going 
on  in  his  own  trade  and  profession.  If  the 
printers  of  today  do  not  wish  to  be  esteemed 
too  arrogant  when  they  term  this  calling  of 
theirs  an  art,  they  must  be  willing,  and  show 
that  they  are  willing,  to  subject  it  to  such  laws 
as  have  made  its  sister  arts  so  free.  All  those 

12345  abcdefghijklmnopqrstuvwxyz         67890$ 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

12345  abcdefghijklmnopqrstuvwxyz  67890$ 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 


MONOTYPE  FACES 

The  very  best  kind  of  originality  is  that  which 
comes  after  a  thorough  apprenticeship;  that 
which  shall  prove  to  be  the  blending  of  a 
firm  conception  of  all  useful  precedent  and 
the  progressive  tendencies  of  an  able  mind. 
For,  let  a  man  be  as  able  and  original  as  he 
may,  he  cannot  afford  to  discard  knowledge 
of  what  has  gone  before  or  what  is  now  going 
on  in  his  own  trade  and  profession.  If  the 
printers  of  today  do  not  wish  to  be  esteemed 
too  arrogant  when  they  term  this  calling  of 
theirs  an  art,  they  must  be  willing,  and  show 
that  they  are  willing,  to  subject  it  to  such 
laws  as  have  made  its  sister  arts  so  free. 
All  those  concerned  in  what  are  accepted  as 
the  fine  arts,  the  learned  sciences,  and  the  pro- 


Iff 


i=i 

i^i 


THE 

STYLE  D  KEYBOARD 

Typewriter  Arrangement 

AS  EASY  TO  LEARN  AND  AS  EASY  TO  OPERATE  AS  A  |g| 

UNIVERSAL  KEYBOARD  TYPEWRITER;   THE  SIMPLEST,  7 

=  1 

FASTEST,  AND  MOST  FLEXIBLE  COMPOSING  MACHINE 

The  Typewriter 
Composing  Machine 


Key  arrangement  and  action  are  the  same  as  all 
standard  typewriters.  Would  you  buy  a  typewriter 
without  the  Universal  Keyboard?  Why  then  con- 
sider a  composing  machine  with  the  key  arrangement 
determined  by  the  mechanical  limitations  of  the 
machine? 

,    If 

The  Monotype  system  forces  no  fixed  combination 
of  matrices  upon  the  printer;  with  the  same  Roman 
matrices  he  may  use  italic  or  a  choice  of  boldfaces, 
without  in  any  way  affecting  the  arrangement  of 
characters  at  the  Keyboard. 

11 

Whether  you  are  in  the  market  for  composing 
machinery  now  or  not,  you  owe  it  to  yourself  to  in- 
vestigate our  "Style  D"  Keyboard — one  of  the  truly 
great  developments  in  the  printing  industry. 


Would  you  buy  a  Typewriter  without 
the  Universal  Keyboard? 


No.  37E.     Book  Arrangement  C 


Composition  Matrices 


6  Point  No.  37E,  6i  Set 


7  Point  No.  37E,  7}  Set 


MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  comes  after  a  sound  apprentice- 
ship; that  which  shall  prove  to  be  the  blending  of  a  firm  conception  of  all 
useful  precedent  and  the  progressive  tendencies  of  an  able  mind.  For, 
let  a  man  be  as  able  and  original  as  he  may,  he  cannot  afford  to  discard 
knowledge  of  what  has  gone  before  or  what  is  now  going  on  in  his  own  trade 
and  profession.  If  the  printers  of  today  do  not  wish  to  be  esteemed  arro- 
gant when  they  term  this  calling  of  theirs  an  art,  they  must  be  willing,  and 
show  that  they  are  willing,  to  subject  it  to  such  laws  as  have  made  its  sister 
arts  so  free.  All  those  concerned  in  what  are  accepted  as  the  fine  arts,  the 
learned  sciences,  and  the  professions  surround  themselves  with  the  history, 
literature,  and  concrete  examples  of  the  work  with  which  they  are  particu- 
larly engaged.  Yet  it  is  only  in  rare  instances  that  such  an  atmosphere, 
with  its  material  appurtenances,  is  to  be  found  in  a  printing  office.  Art  does 
not  flourish  in  hidden  places,  nor  under  restraint,  nor  in  ignorance  of  what 
talent  and  genius  have  accomplished  and  are  accomplishing  throughout  the 
world.  For  to  follow  precedent  wisely  does  not  mean  to  imitate  slavishly 
one  great  exemplar,  but  to  study  all  masters  faithfully,  letting  their  great 
achievements  sink  slowly  into  the  mind  in  order  that  we  may  patiently  de- 
rive from  the  richness  of  our  acquired  knowledge  and  organized  system  an 
attitude  of  our  own.  The  sprightly  minded  young  man,  who  with  his  first 
business  breath  projects  the  new  and  startling,  inevitably  becomes  tiresome, 
and  is  driven  to  an  early  disappearance;  while  the  slower,  more  solidly  en- 
dowed student  will  at  least  spend  as  much  of  his  time  in  avoiding  mistakes 
as  in  evolving  brilliant  schemes  wherewith  to  dazzle  his  contemporaries. 
The  best  kind  of  originality  is  that  which  comes  after  a  sound  apprentice- 
ship; that  which  shall  prove  to  be  the  blending  of  a  firm  conception  of  all 
useful  precedent  and  the  progressive  tendencies  of  an  able  mind.  For,  let 
any  man  be  as  able  and  original  as  he  may,  he  cannot  well  afford  to  discard 
knowledge  of  what  has  gone  before  or  what  is  now  going  on  in  his  own  trade  and 
profession.  If  the  printers  of  today  do  not  wish  to  be  esteemed  arrogant  when 

12345  abcdefghijklmnopqrstuvwxyz  67890$ 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

12345  abcdefghijklmnopqrstuvwxyz  67800$ 

ABCDEFGHIJKLMNOPQRSTUrfTXYZ 


MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  comes  after  a  sound  appren- 
ticeship; that  which  shall  prove  itself  to  be  the  blending  of  a  firm  con- 
ception of  useful  precedent  and  the  progressive  tendencies  of  an  able 
mind.  For,  let  a  man  be  as  able  and  original  as  he  may,  he  cannot 
afford  to  discard  knowledge  of  what  has  gone  before  or  what  is  now 
going  on  in  his  own  trade  and  profession.  If  the  printers  of  today 
do  not  wish  to  be  esteemed  arrogant  when  they  term  this  calling  of 
theirs  an  art,  they  must  be  willing,  and  show  that  they  are  willing, 
to  subject  it  to  such  laws  as  have  made  its  sister  arts  so  free.  All 
those  concerned  in  what  are  accepted  as  the  fine  arts,  the  learned 
sciences,  and  professions  surround  themselves  with  the  history,  litera- 
ture, and  concrete  examples  of  work  with  which  they  are  particularly 
engaged.  Yet  it  is  only  in  very  rare  instances  that  such  an  atmos- 
phere, with  its  material  appurtenances,  is  to  be  found  in  the  printing 
office.  Art  does  not  flourish  in  hidden  places,  nor  under  restraint, 
nor  in  ignorance  of  what  talent  and  genius  have  accomplished  and  are 
accomplishing  throughout  the  world.  For  to  follow  precedent  wisely 
does  not  mean  to  imitate  slavishly  one  great  exemplar,  but  to  study 
all  masters  faithfully,  letting  their  great  achievements  sink  slowly 
into  the  mind  in  order  that  we  may  patiently  derive  from  the  richness 
of  our  acquired  knowledge  and  organized  system  an  attitude  of  our 
own.  The  sprightly  minded  young  man,  who  with  his  first  business 
breath  projects  the  new  and  startling,  inevitably  becomes  tiresome, 
and  is  driven  to  an  early  disappearance;  while  the  slower  and  more 
solidly  endowed  student  will  at  least  spend  as  much  of  his  time  in 
avoiding  mistakes  as  in  evolving  brilliant  schemes  wherewith  to  dazzle 

12345  abcdefghijklmnopqrstuvwxyz  67890$ 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

12345  abcdefghijklmnopqrstuvwxyz  67890$ 

ABCDEFGHIJKLMNOPQRSTUrWXYZ 


8  Point  No.  37E,  8  Set 

MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  comes  after  a  sound 
apprenticeship;  that  which  shall  prove  to  be  the  blending  of 
a  firm  conception  of  all  useful  precedent  and  the  progressive 
tendencies  of  an  able  mind.  For,  let  a  man  be  as  able  and 
original  as  he  may,  he  cannot  afford  to  discard  knowledge  of 
what  has  gone  before  or  what  is  now  going  on  in  his  own  trade 
and  profession.  If  the  printers  of  today  do  not  wish  to  be 
esteemed  arrogant  when  they  term  this  calling  of  theirs  an 
art,  they  must  be  willing,  and  show  that  they  are  willing,  to 
subject  it  to  such  laws  as  have  made  its  sister  arts  so  free.  All 
those  concerned  in  what  are  accepted  as  the  fine  arts,  the 
learned  sciences,  and  the  professions  surround  themselves  with 
the  history,  the  literature,  and  concrete  examples  of  the  work 
with  which  they  are  particularly  engaged.  Yet  it  is  only  in 
rare  instances  that  such  an  atmosphere,  with  its  material  ap- 
purtenances, is  to  be  found  in  a  printing  office.  Art  does  not 
flourish  in  hidden  places,  nor  under  restraint,  nor  in  ignorance 
of  what  talent  and  genius  have  accomplished  and  are  accom- 
plishing throughout  the  world.  For  to  follow  precedent  wisely 
does  not  mean  to  imitate  slavishly  one  great  exemplar,  but  to 
study  all  masters  faithfully,  letting  their  great  achievements 
sink  slowly  into  the  mind  in  order  that  we  may  patiently 
derive  from  the  richness  of  our  acquired  knowledge  and  organ- 
ized system  an  attitude  of  our  own.  The  sprightly  minded  young 

12345  abcdefghijklmnopqrstuvwxyz  67890$          12345 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

12345  abcdefghijklmnopqrstuvwxyz  67890$ 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 


9  Point  No.  37E,  9  Set 

MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  comes  after 
a  sound  apprenticeship;  that  which  shall  prove  to  be 
the  blending  of  a  firm  conception  of  all  useful  precedent 
and  the  progressive  tendencies  of  an  able  mind.  For, 
let  a  man  be  as  able  and  original  as  he  may,  he  cannot 
afford  to  discard  knowledge  of  what  has  gone  before  or 
what  is  now  going  on  in  his  own  trade  and  profession. 
If  the  printers  of  today  do  not  wish  to  be  esteemed 
arrogant  when  they  term  this  calling  of  theirs  an  art, 
they  must  be  willing,  and  show  that  they  are  willing, 
to  subject  it  to  such  laws  as  have  made  its  sister  arts 
so  free.  All  those  concerned  in  what  are  accepted  as 
the  fine  arts,  the  learned  sciences,  and  the  professions 
surround  themselves  with  the  history,  literature,  and 
concrete  examples  of  the  work  with  which  they  are 
particularly  engaged.  Yet  it  is  only  in  rare  instances 
that  such  an  atmosphere,  with  its  material  appurten- 
ances, is  to  be  found  in  a  printing  office.  Art  does  not 
flourish  in  hidden  places,  nor  under  restraint,  nor  in 
ignorance  of  what  talent  and  genius  have  accomplished  and 
are  accomplishing  throughout  the  world.  For  to  follow 

abcdefghijklmnopqrstuvwxyz  67890$ 


ABCDEFGHIJKLMNOPQRSTUVWXYZ 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

abcdefghijklmnopqrstuvwxyz  67890$ 

ABCDEFGHIJKLMNOPQRS  TUVWX  YZ 


The  redesigned  characters  shown  below  have  been 
made  to  use  with  the  No.  3/E  series  and  are  sym- 
boled  H9: 

shown  here  in  the  12  point  size,  is 
7"  made  in  8,  9,  10,  n,  and  12  point. 

Symboled  H  9-3 


*¥     V     6)     \    snown  here  m  tne  I2  point  size,  are 
•''    '  f   made  in  8,  10,  u,  and  12  point. 

'    Symboled  H 


shown  here  in  the  12  point  size,  is 
(ft  made  in  I  o,  n,  and  12  point.    Sym- 

boled Hg-37E 

shown  here  in  the  12  point  size,  is 
f  made  in  n   and   12  point.     Sym- 

boled H9-37E 

r    r    n          %*£  made  in  n  point.     Symboled 
fi,  ft,  fh 

H9-37E 

are  made  in  n  point.     Symboled 


ff,fl,ffi 

These  are  all  regular  price  characters,  with  the 
exception  of  the  long  "s"  matrices  (single  or  in 
combination),  which  are  Class  G. 


The  redesigned  characters  shown  below  have  been 
made  to  use  with  the  No.  3jE  series  and  are  sym- 
boled  H9: 

shown  here  in  the  12  point  size,  is 
7"  made  in  8,  9,  10,  II,  and  12  point. 

Symboled  H 


Y     6)      \    snown  nere  m  tne  I2  Pomt  size>  are 

'       '.          [   made  in  8,  10,  n,  and   12  point. 

1    Symboled  H 


shown  here  in  the  12  point  size,  is 
(51  made  in  10,  1  1,  and  12  point.  Sym- 

boled H9-3yE 

shown  here  in  the  12  point  size,  is 
f  made  in  n  and  12  point.  Sym- 

boled H9-37E 

r    r    n          me  made  in  1  1  point.     Symboled 
fi,  ft,  fh 

H9-37E 

are  made  in  11  point.     Symboled 
H9-37G 

These  are  all  regular  price  characters,  with  the 
exception  of  the  long  "s"  matrices  (single  or  in 
combination),  which  are  Class  G. 


No.  37E.     Book  Arrangement  C 
Composition  Matrices 

10  Point  No.  37E,  10  Set  11  Point  No.  37E,  11  Set 


MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  comes 
after  a  sound  apprenticeship;  that  which  shall 
prove  to  be  the  blending  of  a  firm  conception 
of  all  useful  precedent  and  the  progressive  ten- 
dencies of  an  able  mind.  For,  let  a  man  be  as 
able  and  original  as  he  may,  he  cannot  afford  to 
discard  knowledge  of  what  has  gone  before  or 
what  is  now  going  on  in  his  own  trade  and  pro- 
fession. If  the  printers  of  today  do  not  wish  to 
be  esteemed  arrogant  when  they  term  this  calling 
of  theirs  an  art,  they  must  be  willing,  and  show 
that  they  are  willing,  to  subject  it  to  such  laws  as 
have  made  its  sister  arts  so  free.  All  those  who  are 
concerned  in  what  are  accepted  as  the  fine  arts, 
the  learned  sciences,  and  the  professions  surround 
themselves  with  the  history,  literature,  and  concrete 
examples  of  the  work  with  which  they  are  particularly 

12345         abcdefghijklmnopqrstuvwxyz       67890$ 
ABCDEFGHIJKLMNOPQRSTUVWXYZ 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

12345          abcdefghijklmnopqrstuvwxyz         67890$ 
ABCDEFGHIJKLMNOPQRS  TU7WXYZ 


MONOTYPE  FACES 

The  very  best  kind  of  originality  is  that  which 
comes  after  a  thorough  apprenticeship;  that 
which  shall  prove  to  be  the  blending  of  a 
firm  conception  of  all  useful  precedent  and 
the  progressive  tendencies  of  an  able  mind. 
For,  let  a  man  be  as  able  and  original  as  he 
may,  he  cannot  afford  to  discard  knowledge 
of  what  has  gone  before  or  what  is  now  going 
on  in  his  own  trade  and  profession.  If  the 
printers  of  today  do  not  wish  to  be  esteemed 
arrogant  when  they  term  this  calling  of  theirs 
an  art,  they  must  be  willing,  and  show  that 
they  are  willing,  to  subject  it  to  such  laws  as 
have  made  its  sister  arts  so  free.  All  those  con- 
cerned in  what  are  accepted  as  the  fine  arts,  the 

12345  abcdefghijklmnopqrstuvwxyz  6789$ 
ABCDEFGHIJKLMNOPQRSTUVWXYZ 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

J2J45  abcdefghijklmnopqrstuvwxyz  67890$ 
ABCDEFGHIJKLMNOPQRSTUFWXYZ 


12  Point  No.  37E,  12  Set 


MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which 
comes  after  a  sound  apprenticeship;  that 
which  shall  prove  to  be  the  blending  of 
a  firm  conception  of  all  useful  precedent 
and  the  progressive  tendencies  of  an  able 
mind.  For,  let  any  man  be  as  able  and 
original  as  he  may,  he  cannot  afford  to 
discard  knowledge  of  what  has  gone  be- 
fore or  what  is  now  going  on  in  his  own 
trade  and  profession.  If  the  printers  of 
today  do  not  wish  to  be  esteemed  arro- 
gant when  they  term  this  calling  of  theirs 
an  art,  they  must  be  willing,  and  show  that 


MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which 
comes  after  a  sound  apprenticeship;  that 
which  shall  prove  to  be  the  blending  of 
a  firm  conception  of  all  useful  precedent 
and  the  progressive  tendencies  of  an  able 
mind.  For,  let  any  man  be  as  able  and 
original  as  he  may,  he  cannot  afford  to 
discard  knowledge  of  what  has  gone  be- 
fore or  what  is  now  going  on  in  his  own 
trade  and  profession.  If  the  printers  of 
today  do  not  wish  to  be  esteemed  arro- 
gant when  they  term  this  calling  of  theirs 
an  art,  they  must  be  willing,  and  show  that 
they  are  willing,  to  subject  it  to  such  laws 
as  have  made  its  sister  arts  so  free.  All  of 
those  concerned  in  what  are  accepted  as  the 


they  are  willing,  to  subject  it  to  such  laws  as 

12345        abcdefghijklmnopqrstuvwxyz     67890$ 
ABCDEFGHIJKLMNOPQRSTUVWXYZ 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

12345         abcdefghijklmnopqrstuvwxyz       67890$ 
ABCDEFGHIJKLMNOPQRSTUFWXYZ 


No.  37  Electro  Display  Matrices 

14  Point  No.  37 

MONOTYPE  SPEED  OF  PRODUCTION 

Makes  Type  so  Cheaply  that  it  Costs  Less  to  Make  New  Type  than  to 

Distribute  your  Worn-out  Foundry  Faces 

$1234567890 

18  Point  No.  37 

THE  BEST  AND  THE  CHEAPEST 

The  only  Machine  with  an  Unmatched  Record  for  Repeat 

Orders  from  Satisfied  Customers 

$1234567890 

24  Point  No.  37 

THE  TYPE  CASTER 

That  Others  Have  Tried  and  are  Trying 

to  Imitate,  but  Without  Success 

$1234567890 


30  Point  No.  37 


QUALITY  PAYS 

It  is  the  Best  and  the  Only  Lever 

to  Raise  Your  Prices 

$1234567890 


36  Point  No.  37 


OUR  TYPE  CASTER 
Makes  Type  for  the  Cases 

$1234567890 


No.  371  Sorts  Matrices 

14  Point  No.  371 

GOOD  TYPOGRAPHIC  DISPLAY 

Of  Value  to  the  Advertiser,  with  Clear,  Sharp  Faces,  is  the  Daily  Product 
of  the  Versatile  Monotype  on  Department  Store  Ads. 

$1234567890 

18  Point  No.  371 

PROGRESSIVE  DAILIES 

All  Use  the  Monotype  to  Set  and  Cast  Department  Store  Ads, 

It  Saves  Time,  Money  and  Pf^orry 

$1234567890 


24  Point  No.  371 


THIRTY-FIFE  HUNDRED 

Machines  in  Daily  Use  on  All  Kinds  of  IVork 

all  over  the  World 
$1234567890 


30  Point  No.  371 


SUPERIORITY  PROVED 

By  38  per  cent.  Repeat  Orders  from  our 
Satisfied  Customers 

$1234567890 


36  Point  No.  371 


BOOKS  &  CA  TAL  OGS 
Cast  on  the  Machine  with  Faces 

$1234567890 


Old  Style  Figures 

THE  characteristic  of  the  old  style  figure 
which  has  been  handed  down  to  us  from  the 
earliest  designs  of  old  style  type  faces  has 
been  the  irregularity  of  ascending  and  descending 
characters,  usually  termed  old  style  or  "  hanging" 
figures.  Consequently,  most  of  our  old  style  faces 
are  shown  here  with  the  proper  figures,  that  is, 
the  old  style  or  hanging  figures,  as  part  of  the  font. 
Recognizing  that  some  printers  desire  to  use  a 
lining  figure,  we  have  designed  old  style  lining 
figures  for  most  of  our  old  style  faces.  Specimens 
of  these  will  be  found  in  the  section  of  this  speci- 
men book  devoted  to  figures  and  can  be  identified 
by  the  symbol  G  following  the  point  size  in  place 
of  F.  In  cases  where  an  old  style  lining  figure 
has  not  been  designed  specially  for  the  face 
selected  the  figure  specimen  sheets  will  show  the 
face  that  is  the  best  match. 

In  ordering  old  style  matrices,  whether  in 
partial  or  complete  fonts,  be  sure  and  specify 
old  style  lining  figures  if  desired,  giving  their 
proper  symbol;  otherwise  we  always  furnish 
standard  old  style  figures  if  made. 


No.  13  7E.     Book  Arrangement  C 


Composition  Matrices 


6  Point  No.  137E,  6£  Set 


8  Point  No.  137E,  8  Set 


MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  comes  after  a  sound  apprentice- 
ship; that  which  shall  prove  to  be  the  blending  of  a  firm  conception  of  all 
useful  precedent  and  the  progressive  tendencies  of  an  able  mind.  For, 
let  a  man  be  as  able  and  original  as  he  may,  he  cannot  afford  to  discard 
knowledge  of  what  has  gone  before  or  what  is  now  going  on  in  his  own  trade 
and  profession.  If  the  printers  of  today  do  not  wish  to  be  esteemed  arro- 
gant when  they  term  this  calling  of  theirs  an  art,  they  must  be  willing,  and 
show  that  they  are  willing,  to  subject  it  to  such  laws  as  have  made  its  sister 
arts  so  free.  All  those  concerned  in  what  are  accepted  as  the  fine  arts,  the 
learned  sciences,  and  the  professions  surround  themselves  with  the  history, 
literature,  and  concrete  examples  of  the  work  with  which  they  are  particu- 
larly engaged.  Yet  it  is  only  in  rare  instances  that  such  an  atmosphere, 
with  its  material  appurtenances,  is  to  be  found  in  a  printing  office.  Art  does 
not  flourish  in  hidden  places,  nor  under  restraint,  nor  in  ignorance  of  what 
talent  and  genius  have  accomplished  and  are  accomplishing  throughout  the 
world.  For  to  follow  precedent  wisely  does  not  mean  to  imitate  slavishly 
one  great  exemplar,  but  to  study  all  masters  faithfully,  letting  their  great 
achievements  sink  slowly  into  the  mind  in  order  that  we  may  patiently  de- 
rive from  the  richness  of  our  acquired  knowledge  and  organized  system  an 
attitude  of  our  own.  The  sprightly  minded  young  man,  who  with  his  first 
business  breath  projects  the  new  and  startling,  inevitably  becomes  tiresome, 
and  is  driven  to  an  early  disappearance;  while  the  slower,  more  solidly  en- 
dowed student  will  at  least  spend  as  much  of  his  time  in  avoiding  mistakes 
as  in  evolving  brilliant  schemes  wherewith  to  dazzle  his  contemporaries. 
The  best  kind  of  originality  is  that  which  comes  after  a  sound  apprentice- 
ship; that  which  shall  prove  to  be  the  blending  of  a  firm  conception  of  all 
useful  precedent  and  the  progressive  tendencies  of  an  able  mind.  For,  let 
any  man  be  as  able  and  original  as  he  may,  he  cannot  well  afford  to  discard 
knowledge  of  what  has  gone  before  or  what  is  now  going  on  in  his  own  trade  and 
profession.  If  the  printers  of  today  do  not  wish  to  be  esteemed  arrogant  when 

12345  abcdefghijklrnnopqrstuvwxyz  67890$ 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 
12345  abcdefghijklmnopqrstuvwxyz  67800$ 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

ABCDEFGHIJKLMNOPQRS  TUVWX  YZ 


MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  comes  after  a  sound 
apprenticeship;  that  which  shall  prove  to  be  the  blending  of 
a  firm  conception  of  all  useful  precedent  and  the  progressive 
tendencies  of  an  able  mind.  For,  let  a  man  be  as  able  and 
original  as  he  may,  he  cannot  afford  to  discard  knowledge  of 
what  has  gone  before  or  what  is  now  going  on  in  his  own  trade 
and  profession.  If  the  printers  of  today  do  not  wish  to  be 
esteemed  arrogant  when  they  term  this  calling  of  theirs  an 
art,  they  must  be  willing,  and  show  that  they  are  willing,  to 
subject  it  to  such  laws  as  have  made  its  sister  arts  so  free.  All 
those  concerned  in  what  are  accepted  as  the  fine  arts,  the 
learned  sciences,  and  the  professions  surround  themselves  with 
the  history,  the  literature,  and  concrete  examples  of  the  work 
with  which  they  are  particularly  engaged.  Yet  it  is  only  in 
rare  instances  that  such  an  atmosphere,  with  its  material  ap- 
purtenances, is  to  be  found  in  a  printing  office.  Art  does  not 
flourish  in  hidden  places,  nor  under  restraint,  nor  in  ignorance 
of  what  talent  and  genius  have  accomplished  and  are  accom- 
plishing throughout  the  world.  For  to  follow  precedent  wisely 
does  not  mean  to  imitate  slavishly  one  great  exemplar,  but  to 
study  all  masters  faithfully,  letting  their  great  achievements  sink 
slowly  into  the  mind  in  order  that  we  may  patiently  derive  from 

12345  abcdefghijklrnnopqrstuvwxyz  67890$ 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

1234.5  abcdefghijklmnopqrstuvwxyz  67890$ 

ABCDEFGHIJKLMNOPQRSTUFWXYZ 


9  Point  No.  137E,  9  Set 

MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  comes  after 
a  sound  apprenticeship;  that  which  shall  prove  to  be 
the  blending  of  a  firm  conception  of  all  useful  precedent 
and  the  progressive  tendencies  of  an  able  mind.  For, 
let  a  man  be  as  able  and  original  as  he  may,  he  cannot 
afford  to  discard  knowledge  of  what  has  gone  before  or 
what  is  now  going  on  in  his  own  trade  and  profession. 
If  the  printers  of  today  do  not  wish  to  be  esteemed 
arrogant  when  they  term  this  calling  of  theirs  an  art, 
they  must  be  willing,  and  show  that  they  are  willing, 
to  subject  it  to  such  laws  as  have  made  its  sister  arts 
so  free.  All  those  concerned  in  what  are  accepted  as 
the  fine  arts,  the  learned  sciences,  and  the  professions 
surround  themselves  with  the  history,  literature,  and 
concrete  examples  of  the  work  with  which  they  are 
particularly  engaged.  Yet  it  is  only  in  rare  instances 
that  such  an  atmosphere,  with  its  material  appurten- 
ances, to  to  be  found  in  a  printing  office.  Art  does  not 
flourish  in  hidden  places,  nor  under  restraint,  nor  in 
ignorance  of  what  talent  and  genius  have  accomplished 

12345  abcdefghijklrnnopqrstuvwxyz  67890$ 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

12345  abcdefghijklmnopqrstuvwxyz  67890$ 

ABCDEFGHIJKLMNOPQRS  TV  VWX  YZ 


10  Point  No.  137E,  10  Set 

MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  comes 
after  a  sound  apprenticeship;  that  which  shall 
prove  to  be  the  blending  of  a  firm  conception 
of  all  useful  precedent  and  the  progressive  ten- 
dencies of  an  able  mind.  For,  let  a  man  be  as 
able  and  original  as  he  may  he  cannot  afford  to 
discard  knowledge  of  what  has  gone  before  or  what 
is  now  going  on  in  his  own  trade  and  profes- 
sion. If  the  printers  of  today  do  not  wish  to  be 
esteemed  arrogant  when  they  term  this  calling  of 
theirs  an  art,  they  must  be  willing,  and  show  that 
they  are  willing,  to  subject  it  to  such  laws  as  have 
made  its  sister  arts  so  free.  All  those  who  are 
concerned  in  what  are  accepted  as  the  fine  arts, 
the  learned  sciences,  and  the  professions  surround 
themselves  with  the  history,  the  literature,  and 
concrete  examples  of  the  work  with  which  they  are 
particularly  engaged.  Yet  it  is  only  in  rare  instances 

12345         abcdefghijklmnopqrstuvwxyz      67890$ 
ABCDEFGHIJKLMNOPQRSTUVWXYZ 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

abcdefghijklmnopqrstuvwxyz        67890$ 
ABCDEFGHIJKLMNOPQRSTUFWXYZ 


No.  137E.     Book  Arrangement  C 
Composition  Matrices 


MONOTYPE  FACES 

The  very  best  kind  of  originality  is  that  which 
comes  after  a  thorough  apprenticeship;  that 
which  shall  prove  to  be  the  blending  of  a 
firm  conception  of  all  useful  precedent  and 
the  progressive  tendencies  of  an  able  mind. 
For,  let  a  man  be  as  able  and  original  as  he 
may,  he  cannot  afford  to  discard  knowledge 
of  what  has  gone  before  or  what  is  now  going 
on  in  his  own  trade  and  profession.  If  the 
printers  of  today  do  not  wish  to  be  esteemed 
arrogant  when  they  term  this  calling  of  theirs 
an  art,  they  must  be  willing,  and  show  that 
they  are  willing,  to  subject  it  to  such  laws  as 
have  made  its  sister  arts  so  free.  All  those 
concerned  in  what  are  accepted  as  ike  fine  arts, 


11  Point  No.  137E,  11  Set 

MONOTYPE  FACES 

The  very  best  kind  of  originality  is  that  which 
comes  after  a  thorough  apprenticeship;  that 
which  shall  prove  to  be  the  blending  of  a 
firm  conception  of  all  useful  precedent  and 
the  progressive  tendencies  of  an  able  mind. 
For,  let  a  man  be  as  able  and  original  as  he 
may,  he  cannot  afford  to  discard  knowledge 
of  what  has  gone  before  or  what  is  now  going 
on  in  his  own  trade  and  profession.  If  the 
printers  of  today  do  not  wish  to  be  esteemed 
arrogant  when  they  term  this  calling  of  theirs 
an  art,  they  must  be  willing,  and  show  that 
they  are  willing,  to  subject  it  to  such  laws  as 
have  made  its  sister  arts  so  free.  All  those 
concerned  in  what  are  accepted  as  the  fine 
arts,  the  learned  sciences,  and  professions  sur- 
round  themselves  with  the  history,  literature,  and 
concrete  examples  of  work  with  which  they  are 


the  learned  sciences,  and  professions  surround 

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ABCDEFGHIJKLMNOPQRSTUVWXYZ 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

J2J45      abcdefghijklmnopqrstuvwxyz      67890$ 
ABCDEFGHIJKLMNOPQRSTUVWXYZ 


12  Point  No.  137E,  12  Set 

MONOTYPE  FACES  MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which 
comes  after  a  sound  apprenticeship;  that 
which  shall  prove  to  be  the  blending  of 
a  firm  conception  of  all  useful  precedent 
and  the  progressive  tendencies  of  an  able 
mind.  For,  let  any  man  be  as  able  and 
original  as  he  may,  he  cannot  afford  to 
discard  knowledge  of  what  has  gone  be- 
fore or  what  is  now  going  on  in  his  own 
trade  and  profession.  If  the  printers  of 
today  do  not  wish  to  be  esteemed  arrogant 
when  they  term  this  calling  of  theirs  an  art, 

12345       abcdefghijklmnopqrstuvwxyz     67890$ 
ABCDEFGHIJKLMNOPQRSTUVWXYZ 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

I2345         abcdefghijklmnopqrstuvwxyz        67890$ 
ABCDEFGHIJKLMNOPQRSTUFWXYZ 


The  best  kind  of  originality  is  that  which 
comes  after  a  sound  apprenticeship;  that 
which  shall  prove  to  be  the  blending  of 
a  firm  conception  of  all  useful  precedent 
and  the  progressive  tendencies  of  an  able 
mind.  For,  let  any  man  be  as  able  and 
original  as  he  may,  he  cannot  afford  to 
discard  knowledge  of  what  has  gone  be- 
fore or  what  is  now  going  on  in  his  own 
trade  and  profession.  If  the  printers  of 
today  do  not  wish  to  be  esteemed  arro- 
gant when  they  term  this  calling  of  theirs 
an  art,  they  must  be  willing,  and  show  that 
they  are  willing,  to  subject  it  to  such  laws 


THE  ORIGINAL  OLD  CASLON 
ON  THE  MONOTYPE 


.HIS  NEW  MONOTYPE  CASLON  (the  No.  337  Series)  is  a  faithful 
reproduction  of  a  face  that  has  steadfastly  maintained  its  popularity  in 
spite  of  defilement  by  designers  who  have  distorted  this  beautiful  old 
face  to  suit  the  so-called  "standard  line"  and  in  other  ways  endeavored 
to  "modernize"  a  classic. 

WE  confidently  rest  our  typographic  reputation  upon  this  real  Caslon, 
for,  although  these  matrices  have  been  made  in  the  cellular  sizes  from 
7  to  12  point,  for  use  on  a  composing  machine,  surely  there  is  nothing 
"machinery"  about  the  face  here  shown;  all  the  charm  of  the  original 
hand-cut  letters  has  been  preserved. 

CASLON  should  be  set  leaded,  and  therefore  we  have  made  the  face  with 
its  distinctive  long  descenders;  for  those  who  must  set  this  face  solid, 
almost  a  desecration,  we  have  provided,  in  the  cellular  point  sizes,  matrices 
for  the  shortened  descenders,  but  these  are  much  less  stubby  than  the 
descenders  of  most  of  the  modern  adaptations  of  this  face. 

ONE  other  point  should  be  noted;  Caslon  was  made  to  be  printed  upon 
hand-made  paper  —  there  was  no  machine-finish  in  those  good  old  days. 
We  have  not  attempted  the  impossible,  to  make  a  face  that  would  be 
Caslon  under  totally  different  printing  conditions. 

WE  have  two  other  Caslons,  the  Nos.  37  and  I37E  Series;  therefore  we 
have  made  this  new-old  Caslon  for  our  own  satisfaction  and  to  delight 
those  who  love  to  mix  type,  paper  and  brains.  To  show  the  great  differ- 
ence that  paper  makes  in  this  face  we  here  print  it  both  on  antique  and 
on  coated  paper.  In  ordering,  please  be  sure  to  specify  whether  you  wish 
the  long  or  the  short  descenders. 


*A  faithful  reproduction  of  the  real  old  Qas  Ion  Series  cut  in  the 
year  I?2O,  by  William  Qaslon,  the  first,  of  J^ondon 


Fonts  of  Matrices  of  the  No.  337  Series  shown  on  these  pages  are  sold  at  Class  A  prices 

NOT  INCLUDED  IN  MATRIX   LIBRARY  AND  WILL  NOT  BE   LEASED 


26  THE  STORY  OF 

Thousands  of  type  faces  have  had  their  little  day 
and  been  lost  in  oblivion  in  the  five  hundred  years 
since  typography  was  born.  Considering  this  fact, 
a  type  that  can  show  an  ever-increasing  popularity 
after  nearly  two  centuries  of  usefulness  is  one  that 
is  bound  to  make  the  printer  pause  to  admire  and 
respect — not  merely  for  reasons  of  art,  but  for 
hard  facts  of  dollars  and  cents.  Such  a  face  is 
the  type  about  which  this  article  is  written. 
The  whole  history  of  type  founding  shows  no  more 
brilliant  achievement  than  the  production  by  Wil- 
liam Caslon,  of  London,  in  the  early  eighteenth 
century,  of  what  we  now  call  the  Caslon  Old  Style 
type.  Caslon  was  not  trained  to  the  business  of 
type  founding,  but  "learned  it  of  his  own  genuine 
inclination,"  as  seems  to  have  been  the  case  with 
many  another  famous  designer  of  types.  But  he 
came  prepared.  Paralleling  the  experience  of  his 
famous  predecessor  of  still  two  centuries  earlier 
— Nicholas  Jenson,  of  Venice,  who  was  an  en- 
graver of  coins  before  he  produced  his  excellent 
fonts — Caslon  had  been  apprenticed  to  an  en- 
graver of  ornaments  on  gun-barrels.  Printing, 
whose  history  is  one  of  continuous  alternation  be- 
tween good  and  bad  periods,  was  at  a  low  ebb 

f-Point  Monotype  Standard  Line 


d  Style 


137 


have  had  their  little 
ivion  in  the  five  hun- 
typography  was  born. 
that  can  show  an  ever- 
er  nearly  two  centuries 
is  bound  to  make  the 
ire  and  respect — not 
but  for  hard  facts  of 
uch  a  face  is  the  type 
icle  is  written.    The 
nding  shows  no  more 
an  the  production  by 
on,  in  the  early  eigh- 
we  now  call  the  Cas- 
lon Old  Style  type.     Caslon  was  not  trained 
to  the  business  of  type  founding,  but  "learned 
it  of  his  own  genuine  inclination,"  as  seems  to 
have  been  the  case  with  many  another  fam- 
ous designer  of  types.     But  he  came  prepar- 
ed.    Paralleling  the  experience  of  his  famous 
predecessor  of  still  twocenturiesearlier — Nich- 
olas Jenson,  of  Venice,  who  was  an  engraver  of 
coins  before  he  produced  his  excellent  fonts — 
Caslon  had  been  apprenticed  to  an  engraver  of 
ornaments  on  gun-barrels.     Printing,  whose 

8-Point  Monotype  Standard  Line 


58         THE  ST 

Thousands  of  t 
and  been  lost  in 
since  typograp 
a  type  that  can 
after  nearly  two 
bound  to  make 
spect — not  mer 
facts  of  dollars 
about  which  th 

history  of  type  founding  show 
achievement  than  the  productio 
Ion,  of  London,  in  the  early  eig 
of  what  we  now  call  the  Caslon 
Caslon  was  not  trained  to  the 
founding,  but  "learned  it  of  his 
clination,"  as  seems  to  have  be 
many  another  famous  designer 
he  came  prepared.  Paralleling 
famous  predecessor  of  still  two 
— Nicholas  Jenson,  of  Venice,  w 
of  coins  before  he  produced  his 
fonts — Caslon  had  been  apprenticed  to  an  engraver 
of  ornaments  on  gun-barrels.  Printing,  whose  his- 
tory is  one  of  continuous  alternation  between  good 
and  bad  periods,  was  at  a  low  ebb  artistically  when 
Caslon  came  on  the  scene.  To  quote  from  Reed's 
11 A  History  of  Old  English  Letter  Foundries":  "A 
glance  through  any  of  the  public  prints  of  the  day 

points  to  a  depression  and  degeneration 

so  marked  that  one  is  tempted  to  believe  that  the 
art  of  Caxton  and  Pynson  and  Day  was  rapidly  be- 

/ /-Point  Monotype  Standard  Line 


The  Story  of  Caslon  Old  Style  63 

Thousands  of  type  faces  have  had  their  little  day  and 
been  lost  in  oblivion  in  the  five  hundred  years  since 
typography  was  born.  Considering  this  fact,  a  type  that 
can  show  an  ever-increasing  popularity  after  nearly  two 
centuries  of  usefulness  is  one  that  is  bound  to  make  the 
to  admire  and  respect — not  merely  for 
hard  facts  of  dollars  and  cents.  Such 
pe  about  which  this  article  is  written, 
of  type  founding  shows  no  more  brilliant 
than  the  production  by  William  Caslon 
the  early  eighteenth  century,  of  what 
Caslon  Old  Style  type.  Caslon  was  not 
to  the  business  of  type  founding,  but 
own  genuine  inclination,"  as  seems  to 
er  famous  designer 
Paralleling  the  ex- 
still  two  centuries 
was  an  engraver  of 
his  excellent  fonts 
engraver  of  orna- 
ose  history  is  one 
d  and  bad  periods, 


have  had  their  little 
ivion  in  the  five  hun- 
typography  was  born. 
that  can  show  an  ever- 
er  nearly  two  centuries 
is  bound  to  make  the 
d  respect — not  merely 
hard  facts  of  dollars 
ce  is  the  type  about 
ten.  The  whole  his- 
ows  no  more  brilliant 
reduction  by  William 
the  early  eighteenth 
called  the  Caslon  Old 

Style  type.  Caslon  was  not  trained  to  the 
business  of  type  founding,  but  "learned  it  of 
his  own  genuine  inclination,"  as  seems  to  have 
been  the  case  with  many  another  famous  de- 
signer of  types.  But  he  came  prepared.  Par- 
alleling the  experience  of  his  famous  prede- 
cessor of  still  two  centuries  earlier — Nicholas 
Jenson,  of  Venice,  who  was  an  engraver  of 
coins  before  he  produced  his  excellent  fonts — 
Caslon  had  been  apprenticed  to  an  engraver 
of  ornaments  on  gun-barrels.  Printing,  whose 

O-Point  Monotype  Standard  Line 


12-Point  Monotype    Stand- 
ard Line 


STYLE  21 

s  have  had  their  little 
livion  in  the  five  hun- 
typography  was  born. 
that  can  show  an  ever- 
er  nearly  two  centuries 
it  is  bound  to  make  the 
to  respect — not  merely 
r  hard  facts  of  dollars 
the  type  about  which 
The  whole  history  of 
ore  brilliant  achieve- 
by  William  Caslon,  of 
eighteenth  century,  of 
what  we  now  call  the  Caslon  Old  Style  type. 
Caslon  was  not  trained  to  the  business  of  type 
founding,  but  "learned  it  of  his  own  genuine 
inclination,"  as  seems  to  have  been  the  case 
with  many  another  famous  designer  of  types. 
But  he  came  prepared.  Paralleling  the  expe- 
rience of  his  famous  predecessor  of  still  two 
centuries  earlier — Nicholas  Jenson,  of  Venice, 
who  was  an  engraver  of  coins  before  he  pro- 
duced his  excellent  fonts — Caslon  had  been 
apprenticed  to  an  engraver  of  ornaments  on 

lO-Point  Monotype  Standard  Line 


This  page  exhibits  the  337E  Caslon  on  the  Monotype  Standard  Line.  It  combines  with  other  Monotype 
faces  on  their  own  bodies.  For  those  printers  who  wish  to  use  this  face  by  itself,  and  who  desire  to 
match  the  original  Caslon,  we  furnish  matrices  for  longer  descenders,  the  body  being  lengthened  one  point 
below  the  Monotype  line.  (For  specimen  showing  long  descenders  as  on  original  Caslony  see  opposite  page.) 


Page  two 


'38 


The  Star 


64  The  Story  of  Caslon  Old  Style 

Thousands  of  type  faces  have  had  their  little  day  and  been 
lost  in  oblivion  in  the  five  hundred  years  since  typography 
was  born.  Considering  this  fact,  a  type  that  can  show  an  ever- 
increasing  popularity  after  nearly  two  centuries  of  usefulness 
is  one  that  is  bound  to  make  the  printer  pause  to  admire  and 
respect — not  merely  for  reasons  of  art,  but 
dollars  and  cents.  Such  a  face  is  the  type 
this  article  is  written.  The  whole  history 
shows  no  more  brilliant  achievement  than 
William  Caslon,  of  London,  in  the  early 
of  what  we  now  call  the  Caslon  Old  Style 
not  trained  to  the  business  of  type  foundi 
of  his  own  genuine  inclination,"  as  seem 
case  with  many  another  famous  designer 
came  prepared.  Par 
predecessor  of  still  t 
of  Venice,  who  was 
his  excellent  fonts  of 
engraver  of  orname 
tory  is  one  of  contin 
bad  periods,  was  at 
the  scene.  To  quote 


12-Point  Roman  (n-Point 
with  Long  Descenders} 


22  THE  S 

Thousands  of  type  fa 
day  and  been  lost  in  ob 
dred  years  since  typo 
sidering  this  fact,  a  ty 
increasing  popularity  a 
of  usefulness  is  one  the 
printer  pause  to  admire 
for  reasons  of  art,  but 
and  cents.  Such  a  face 
this  article  is  written 
type  founding  shows  n 
ment  than  the  produc 
of  London,  in  the  early  eighteenth  century,  of 
what  we  now  call  the  Caslon  Old  Style  type. 
Caslon  was  not  trained  to  the  business  of  type 
founding,  but  "learned  it  of  his  own  genuine 
inclination,"  as  seems  to  have  been  the  case 
with  many  another  famous  designer  of  types. 
But  he  came  prepared.  Paralleling  the  expe- 
rience of  his  famous  predecessor  of  still  two 
centuries  earlier — Nicholas  Jenson,  of  Venice, 
who  was  an  engraver  of  coins  before  he  pro- 

ft-Point  (io-Point  with  Long  Descenders) 


10 


THE    STO 


Thousands  of  type  fa 
day  and  been  lost  in 
dred  years  since  typo 
Considering  this  fact, 
increasing  popularity 
usefulness  is  one  that 
printer  pause  to  adm 
merely  for  reasons  of 
of  dollars  and  cents, 
about  which  this  art 
whole  history  of  type 
brilliant  achievemen 


CASLON  OLD  STYLE  27 

Thousands  of  type  faces  have  had  their  little  day 
and  been  lost  in  oblivion  in  the  five  hundred  years 
since  typography  was  born.  Considering  this 
fact,  a  type  that  can  show  an  ever-increasing  popu- 
larity after  nearly  two  centuries  of  usefulness  is  one 
that  is  bound  to  make  the  printer  pause  to  admire 
and  respect — not  merely  for  reasons  of  art,  but 
for  hard  facts  of  dollars  and  cents.  Such  a  face 
is  the  type  about  which  this  article  is  written. 
The  whole  history  of  type  founding  shows  no  more 
brilliant  achievement  than  the  production  by  Wil- 
liam Caslon,  of  London,  in  the  early  eighteenth 
century,  of  what  we  now  call  the  Caslon  Old  Style 
type.  Caslon  was  not  trained  to  the  business  of 
type  founding,  but  "learned  it  of  his  own  genuine 
inclination,"  as  seems  to  have  been  the  case  with 
many  another  famous  designer  of  types.  But  he 
came  prepared.  Paralleling  the  experience  of  his 
famous  predecessor  of  still  two  centuries  earlier 
— Nicholas  Jenson,  of  Venice,  who  was  an  en- 
graver of  coins  before  he  produced  his  excellent 
fonts — Caslon  had  been  apprenticed  to  an  en- 

8-Point  (f-Point  with  Long  Descenders) 


William  Caslon,  of  London,  in  the  early  eigh- 
teenth century,  of  what  we  now  call  the  Cas- 
lon Old  Style  type.  Caslon  was  not  trained 
to  the  business  of  type  founding,  but  "learned 
it  of  his  own  genuine  inclination,"  as  seems  to 
have  been  the  case  with  many  another  fam- 
ous designer  of  types.  But  he  came  pre- 
pared. Paralleling  the  experience  of  his 
famous  predecessor  of  still  two  centuries 
earlier — Nicholas  Jenson,  of  Venice,  who  was 

o-Point  (8-Point  with  Long  Descenders) 


Thousands  of  type  fa 
day  and  been  lost  in 
dred  years  since  typo 
sidering  this  fact,  a  ty 
increasing  popularity 
of  usefulness  is  one  tha 
printer  pause  to  admir 
for  reasons  of  art,  bu 
and  cents.  Such  a  fa 
which  this  article  is 
tory  of  type  founding 
achievement  than  the 

Caslon,  of  London,  in  the  early  eighteenth 
century,  of  what  we  now  call  the  Caslon  Old 
Style  type.  Caslon  was  not  trained  to  the 
business  of  type  founding,  but  "learned  it  of 
his  own  genuine  inclination,"  as  seems  to  have 
been  the  case  with  many  another  famous  de- 
signer of  types.  But  he  came  prepared.  Par- 
alleling the  experience  of  his  famous  prede- 
cessor of  still  two  centuries  earlier — Nicholas 
Jenson,  of  Venice,  who  was  an  engraver  of 

lO-Point  (p-Point  with  Long  Descenders) 


D  STYLE 


59 


ir  little  day  and 
dred  years  since 
this  fact,  a  type 
popularity  after 
ne  that  is  bound 
mire  and  respect 
or  hard  facts  of 
is  the  type  about 

is  written.  The  whole  history  of 
is  no  more  brilliant  achievement 
by  William  Caslon,  of  London, 
nth  century,  of  what  we  now  call 
yle  type.  Caslon  was  not  trained 
ype  founding,  but  "learned  it  of 
ciination,"  as  seems  to  have  been 
another  famous  designer  of  types, 
ared.  Paralleling  the  experience 
essor  of  still  two  centuries  earlier 
of  Venice,  who  was  an  engraver 
of  coins  before  he  produced  his  excellent  fonts — Cas- 
lon had  been  apprenticed  to  an  engraver  of  ornaments 
on  gun-barrels.  Printing,  whose  history  is  one  of 
continuous  alternation  between  good  and  bad  periods, 
was  at  a  low  ebb  artistically  when  Caslon  came  on  the 
scene.  To  quote  from  Reed's  "A  History  of  Old 
English  Letter  Foundries":  "  A  glance  through  any 
of  the  public  prints  of  the  day points  to  a  de- 
pression and  degeneration  so  marked  that  one  is 

12-Point  Italic  (if -Point  with  Long  Descenders) 


The  sizes  of  337E  Series  shown  above  have  been  increased  one  point  in  body-size  to  accommodate  the  thirty 
long  descenders  of  the  original  Caslon,  the  body  being  lengthened  one  point  below  the  Monotype  line. 
Thus,  the  eleven-point  here  exhibited  is  identical  with  the  ten-point  standard  line,  with  the  exception  of 
its  descenders.  (For  specimen  showing  shortened  descenders  of  Monotype  Standard  Line,  see  opposite  page.) 


Pag/  thrtt 


The  Story  of  (Caslon  Old  Style 

By  EVERETT  R.  CURRIER 
Reprinted  from  MONOTYPE,  A  Journal  of  Composing-room  Efficiency 


THOUSANDS  of  type  faces  have  had  their  little 
day  and  been  lost  in  oblivion  in  the  five  hundred 
years  since  typography  was  born.  Considering 
this  fact,  a  type  that  can  show  an  ever-increasing 
popularity  after  nearly  two  centuries  of  usefulness  is  one 
that  is  bound  to  make  the  printer  pause  to  admire  and 
respect — not  merely  for  reasons  of  art,  but  for  hard  facts 
of  dollars  and  cents.  Such  a  face  is  the  type  about  which 
this  article  is  written. 

The  whole  history  of  type  founding  shows  no  more 
brilliant  achievement  than  the  production  by  William 
Caslon,  of  London,  in  the  early  eighteenth  century,  of 
what  we  now  call  the  CASLON  OLD  STYLE  type. 

Caslon  was  not  trained  to  the  business  of  type  found- 
ing, but  "learned  it  of  his  own  genuine  inclination,"  as 
seems  to  have  been  the  case  with  many  another  famous 
designer  of  types.  But  he  came  prepared.  Paralleling 
the  experience  of  his  famous  predecessor  of  still  two 
centuries  earlier — Nicholas  Jenson,  of  Venice,  who  was 
an  engraver  of  coins  before  he  produced  his  excellent 
fonts — Caslon  had  been  apprenticed  to  an  engraver  of 
ornaments  on  gun-barrels. 

Printing,  whose  history  is  one  of  continuous  alterna- 
tion between  good  and  bad  periods,  was  at  a  low  ebb 
artistically  when  Caslon  came  on  the  scene.  To  quote 
from  Reed's  A  History  of  Old  English  Letter  Foundries: 
"A  glance  through  any  of  the  public  prints  of  the 

day points  to  a  depression  and  degeneration  so 

marked  that  one  is  tempted  to  believe  that  the  art  of 
Caxton  and  Pynson  and  Day  was  rapidly  becoming 
lost  in  a  wilderness  of  what  a  contemporary  satirist 
terms  'brown  sheets  and  sorry  letter. ' " 

The  actual  birth  of  the  CASLON  OLD  STYLE  followed 
an  almost  accidental  circumstance.  Caslon's  first  type 
was  an  Arabic  which  he  had  cut  for  a  New  Testament 
and  Psalter  for  use  in  Eastern  churches.  To  his  speci- 
men sheet  of  this  face  he  had  added  his  name  as  an  im- 
print, cut  in  Pica  Roman  characters. 

From  this,  he  was  advised  to  cut  the  whole  font  of 
Pica  Roman.  He  did  so,  and  the  font  thus  produced 
was  at  once  recognized  as  a  masterpiece,  excelling  the 
letters  of  other  founders  of  his  time. 

The  year  1722,  however,  is  the  date  most  memorable 
in  the  Caslon  history,  for  it  marks  the  production  of 
what  is  said  to  be  the  first  size  actually  cast — English 
(the  nearest  equivalent  to  our  i4-point). 

More  than  half  a  century  later  (1788)  our  great 
American  printer-statesman,  Benjamin  Franklin,  wrote, 
in  a  letter  to  Caslon:  "7  approve  much  of  your  Resolu- 
tion not  to  send  your  types  abroad  upon  Credit.  Their 
Excellence  will  secure  a  sufficient  Demand  without  it." 

But  America  had  not  waited  for  Franklin  to  import  the 
Caslon  type.  It  was  apparently  the  staple  during  the  pre- 
Revolution  ary  days  ofthe  Colonies,  servi  ng  all  purposes  in 
their  printing  world,  from  bill  heads,  broadsides,  pamph- 
lets, and  newspapers,  to  Proclamations  and  copies  of  the 


Declaration  of  Independence,  and  even  to  paper  currency. 
That  Caslon  type  is  securely  bound  up  in  the  early  history 
of  America,  a  visit  to  any  library  will  demonstrate. 

It  will  thus  be  seen  that  the  Old  Style  of  Caslon  had 
literally  covered  itself  with  glory  in  this  country  before 
even  our  grandfathers  were  old  enough  to  be  printers — 
that  it  has  enjoyed  a  time-honored  usefulness  which  no 
other  type  in  history  can  parallel. 

But  its  popularity  was  not  continuous.  Near  the 
beginning  of  the  Nineteenth  century  that  style  of  types 
we  now  call  Moderns  began  to  appear  and  to  catch  the 
popular  fancy,  and  the  CASLON  OLD  STYLE  went  gradu- 
ally into  partial  eclipse,  from  which  it  did  not  emerge 
until  half  a  century  later. 

How  it  was  revived  is  now  a  fairly  familiar  story. 
The  first  William  Caslon  had  long  since  passed  away 
when  in  1843  tne  Chiswick  Press  sought  the  Caslon 
foundry's  aid  in  selecting  a  type  which  would  be  ap- 
propriate for  printing  The  Diary  of  Lady  Willoughby,  a 
work  of  fiction,  the  period  and  diction  of  which  were 
supposed  to  represent  an  earlier  fashion,  and  for  which 
the  modern  types  would  obviously  be  less  suitable. 

The  original  matrices  were  brought  out  from  their 
long  retirement  and  selected  for  this  work,  and  a  small 
font  of  Great  Primer  (i8-point)  cast  from  them.  The 
results  were  so  satisfying  that  eventually  the  Chiswick 
Press  was  supplied  with  complete  series  of  the  old  fonts. 

In  1858,  following  upon  this  revival  in  England, 
America  entered  into  what  might  be  called  its  second 
Caslon  phase.  Formerly,  all  Caslon  type  used  in  this 
country  had  been  imported  direct  from  London.  But 
now,  the  Johnson  Type  Foundry  (MacKellar,  Smiths 
&  Jordan  Company)  of  Philadelphia,  had  fonts  brought 
to  their  foundry,  from  which  they  made  electrotype 
matrices. 

The  story  of  the  CASLON  OLD  STYLE  from  this  point 
to  the  present  is  one  of  slow  but  steady  weaving  into  the 
fabric  of  modern  American  typography — first  into  the 
more  dignified  and  literary  forms,  and  latterly  into  the 
popular  forms  of  modern  business  and  advertising.  It 
is  the  story  of  a  type  whose  vitality  carried  it  through 
the  worst  period  of  typographical  art  and  usage  in  his- 
tory— the  Victorian — the  waning  days  of  which  can  be 
vividly  recalled  by  those  of  us  who  spent  our  apprentice- 
ship amid  the  welter  of  fantastic  job  types  then  so 
popular.  It  is  the  story  of  a  type  that  not  only  has 
held  its  supremacy  as  a  body  letter,  but  has  lived  to 
oust  these  types  to  an  appreciable  degree  from  the  job 
and  the  advertisement. 

A  definite  impetus  to  the  increasing  popularity  of  the 
CASLON  OLD  STYLE  may  be  credited  to  the  late  Arthur 
Turnure,  who,  as  far  back  as  1882,  published  a  magazine 
called  the  Art  Age,  which  strove  for  the  restoration  of 
printing  to  its  place  as  one  of  the  arts;  and  who  in  1892 
selected  the  Caslon  type  for  the  dress  of  Vogue,  estab- 
lished in  that  year. 


Page  four 


This  was  the  CASLON  OLD  STYLE'S  introduction  to  the 
magazine  field,  and  was  a  fairly  conspicuous  event.  In 
acknowledging  the  order  for  the  type,  the  foundry  from 
which  it  was  purchased  stated  that  no  such  large  fonts 
had  been  ordered  for  upwards  of  thirty  years. 

The  inevitable  result  of  the  CASLON  OLD  STYLE'S  now 
well-established  popularity  was  the  era  of  copying  and 
imitation  that  set  in.  Each  of  the  several  foundries 
of  the  country  started  out  to  produce  its  own  version 
and  to  put  its  own  interpretation  upon  what  the  Caslon 
ought  to  be.  And  so,  within  a  period  of  six  or  seven 
years  beginning  at  1900,  were  produced  Caslons  in  "re- 
cut,"  "bold,"  "lightface,"  and  other  inferior  variations, 
which  were  able  to  crowd  their  fine  original  model  to  a 
very  limited  margin  of  use.  The  lining  system,  by  the 
way,  had  much  to  do  with  the  inferiority  of  these  varia- 
tions, in  its  senseless  stubbing  of  the  descenders. 

But  there  have  been  a  few  discriminating  printers 
whose  taste  has  held  them  to  persistent  use  of  the  orig- 
inal Caslon — when  it  could  be  obtained.  And  in  response 
to  the  work  of  these  few,  it  might  be  said  that  a  third 
Caslon  phase  had  set  in. 

For  now,  in  1915,  we  find  the  original  Caslon  creeping 
steadily  back  into  preference  over  its  several  imita- 
tions. 

The  Monotype  Company  saw  the  light  a  year  or  two 
ago  and  set  themselves  to  the  problem  of  placing  the 
original  Caslon  on  their  machine.  Whether  they  have 
succeeded  or  not  may  safely  be  left  to  the  verdict  of  the 
critical  upon  examining  these  pages. 

What  is  the  secret  of  the  CASLON  OLD  STYLE'S  long- 
lived  popularity?  Obviously,  it  must  be  explained 
finally  on  no  other  ground  than  that  of  supreme  use- 
fulness. 

//  is  really  hard  to  overrate  the  worth  of  Caslon  type. 
Objections  can  be  found  in  it,  and  exceptions  may  be 
taken  to  it.  But  the  type  has  yet  to  be  made  that  can 
match  it  for  all  around  usefulness;  for  grace  and  dignity 
in  high  places,  and  for  clearness  and  neatness  in  ordinary 
work.  It  comes  nearer  being  foolproof  in  the  hands  of 
the  bungling  tyro  and  the  venturesome  compositor  than 
almost  any  other  type  that  can  be  mentioned.  Of  this 
type  can  be  said  that,  if  all  other  English  types  were 
suddenly  to  disappear  from  the  face  of  the  earth,  it 
could  successfully  bear  alone  the  burden  of  modern 
print. 

The  printing  industry  will  have  made  a  tremendous 
stride  forward  in  efficiency  (it  is  not  always  necessary 
to  explain  a  good  type  face  in  terms  of  art!)  when  it  has 
grasped  the  idea  of  intensive  cultivation — of  making 
a  limited  number  of  faces  serve  all  general  uses — of 
making  the  five  alphabets  of  a  single  good  book  face 
cover  the  entire  ground.  This  is  the  absolute  secret 


of  good  typography,  at  a  profit,  under  modern  condi- 
tions— and  under  conditions  of  any  period. 

As  to  the  source  from  which  Caslon  derived  the  fa- 
mous Old  Style  that  bears  his  name,  I  cannot  do  better 
than  quote  from  an  excellent  and  thorough  article  on 
the  subject  by  Mr.  Walter  Gilliss,  which  appeared  in 
the  Graphic  Arts  for  February,  1911: 

"From  certain  characteristics  in  Caslon's  types  it 
seems  evident  that  he  gave  attention  to  the  models  of 
Moxon,  of  whom  the  Rev.  Rowe-Mores  wrote:  'Moxon 
was  the  first  of  English  letter-cutters  who  reduced  to 
rule  the  Art  which  before  him  had  been  practised  but 
by  guess,  and  left  to  succeeding  artists  examples  that 
they  might  follow  his  practise';  and  no  doubt  he  was 
aided  much  in  his  typefounding  by  the  elaborate  direc- 
tions given  by  Moxon  in  his  Mechanick  Exercises:  Or 
the  Doctrine  of  Handy-works.  Applied  to  the  Art  of 
Mold-Making,  Sinking  the  Matrices,  Casting  and  Dress- 
ing of  Printing-Letters. 

"And,  too,  we  can  trace  the  general  form  and  style  of 
Caslon  Old  Style  through  all  the  long  line  of  Romans, 
back  to  the  very  earliest  models.  To  be  more  expli- 
cit, it  resembles  closely  the  types  cut  by  Christopher 
van  Dyck  and  used  by  Daniel  Elzevir,  which  is  shown 
in  the  Specimen  Sheet  of  March  5th,  1681.  It  is  also 
closely  allied  to  many  of  the  types  in  the  1693  Specimen 
Book,  of  the  Oxford  University  Type  Foundry  which 
are  believed  to  have  been  imported  from  Holland  or 
cast  at  Oxford  from  Dutch  Matrices. 

"Caslon  also  resembles  the  types  of  Plantin,  and  the 
lower  case  of  the  Italic  resembles  the  Italic  found  in 
C.  Salmasii  Plinianae  Exercitationes,  printed  by  E. 
Voskuyl  in  Utrecht,  in  1689,  and  the  Caslon  capitals 
follow  very  closely  the  capitals  of  William  Jansz  Blaeu 
of  Amsterdam;  and  the  Gros  Paragon  Romain  cut  at 
the  end  of  the  Seventeenth  Century,  which  appeared 
in  the  early  specimens  of  Alberts  and  Uytwelf,  of  the 
Hague,  and  subsequently  in  the  specimens  of  Freres 
Ploos  Van  Amstel,  of  Amsterdam,  might  almost  be 
taken  for  the  24-point  Caslon  of  today. 

"And,  again,  the  Roman  seems  closely  allied  to  the 
Roman  of  Jenson  used  in  the  Eusebius  of  1470,  while 
the  lower  case  resembles  more  closely  still  the  Roman 
of  Paul  Manutius  used  in  the  Theodoreti  Urbis  Cyri, 
Episcopi  Invisiones  Danielis  Prophetae,  printed  in  Rome 
in  1562,  whereas  the  capitals  of  the  Roman  which  are 
strictly  Italian  in  feeling  are  much  smaller  than  'Cas- 
lon' capitals  of  a  similar  body." 

//  can  scarcely  be  gainsaid  that  the  linking  up  of  this 
splendid  CASLON  OLD  STYLE  with  the  Monotype  is  a  high 
achievement.  If  William  Caslon  were  alive  today  he 
would  undoubtedly  write  an  enthusiastic  0.  K.  on  the  proof- 
sheet  of  this  Monotype  Series 


These  two  pages  (four  and  five],  composed  in  nine  point  No.  3J?E,  with  long 
descenders,  cast  on  a  ten  point  body,  show  by  contrast  the  remarkable  difference 
in  the  appearance  of  the  printed  page ,  caused  entirely  by  the  paper  used.  Page 
four  is  printed  on  antique  paper  and  thus  maintains  the  beauty  of  the  older 
styles  of  typography  which  has  made  this  face  so  continuously  popular.  Page 
five  is  printed  on  coated  paper  made  necessary  by  the  conditions  of  modern 
printing  and,  while  some  of  the  artistic  beauty  of  the  Caslon  has  been  sacrificed, 
the  general  effect  of  the  printed  page  is  beautiful 


Page  five 


No.  33 7E.     Book  Arrangement  C 
Composition  Matrices 


7  Point  No.  33  7E,  7J  Set 

Monotype  Standard  Line 

The  best  kind  of  originality  is  that  which  comes  after  a  sound  appren- 
ticeship; that  which  shall  prove  itself  to  be  the  blending  of  a  firm 
conception  of  useful  precedent  and  the  progressive  tendencies  of  an 
able  mind.  For,  let  a  man  be  as  able  and  original  as  he  may,  he  can- 
not afford  to  discard  knowledge  of  what  has  gone  before  or  what  is 
now  going  on  in  his  own  trade  and  profession.  If  the  printers  of  to- 
day do  not  wish  to  be  esteemed  arrogant  when  they  term  this  calling 
of  theirs  an  art,  they  must  be  willing,  and  show  that  they  are  willing, 
to  subject  it  to  such  laws  as  have  made  its  sister  arts  so  free.  All 
those  concerned  in  what  are  accepted  as  the  fine  arts,  the  learned 
sciences,  and  professions  surround  themselves  with  the  history,  litera- 
ture, and  concrete  examples  of  work  with  which  they  are  particularly 
engaged.  Yet  it  is  only  in  very  rare  instances  that  such  an  atmosphere, 
with  its  material  appurtenances,  is  to  be  found  in  the  printing  office. 

12345  abcdefghijklmnopqrstuvwxyzseoefiflfffBfflft  67890$ 

ABCDEFGHIJKLMNOPQQRSTUVWXYZ&^ECE 

ABCDEFGHIJKLMNOPQQRSTUVWXYZat^CE 

12345  abcdejghbijklmnopqrstuiiwxyzaasfiflffffiffl  67890$ 

ABCDEFGHIJKLMNOPgRS  TrUffrXYrZHACE 


8  Point  No.  33  7E,  8  Set 

Monotype  Standard  Line 

The  best  kind  of  originality  is  that  which  comes  after  a  sound 
apprenticeship;  that  which  shall  prove  itself  to  be  the  blending 
of  a  firm  conception  of  useful  precedent  and  the  progressive 
tendencies  of  an  able  mind.  For,  let  a  man  be  as  able  and 
original  as  he  may,  he  cannot  afford  to  discard  knowledge  of 
what  has  gone  before  or  what  is  now  going  on  in  his  own  trade 
and  profession.  If  the  printers  of  today  do  not  wish  to  be 
esteemed  arrogant  when  they  term  this  calling  of  theirs  an  art 
they  must  be  willing,  and  show  that  they  are  willing,  to  subject 
it  to  such  laws  as  have  made  its  sister  arts  so  free.  All  those 
concerned  in  what  are  accepted  as  the  fine  arts,  the  learned  sciences, 
and  professions  surround  themselves  with  the  history,  literature, 

12345         abcdefghijklmnopqrstuvwxyzscenflffffifn'ct      67890$ 
ABCDEFGHI J  KLMNOPQQRSTU  VWX  YZ&^CE 

ABCDEFGHIJKLMNOPQQRSTUVWXYZ&/E02 

12345  abcdejghbijklmnopqrstuvwxyztetzfif.jfjj^ffl         67890$ 


9  Point  No.  33  7E,  9  Set 
Monotype  Standard  Line 

The  best  kind  of  originality  is  that  which  comes  after  a 
sound  apprenticeship;  that  which  shall  prove  itself  to 
be  the  blending  of  a  firm  conception  of  useful  precedent 
and  the  progressive  tendencies  of  an  able  mind.  For, 
let  a  man  be  as  able  and  original  as  he  may,  he  cannot 
afford  to  discard  knowledge  of  what  has  gone  before  or 
what  is  now  going  on  in  his  own  trade  and  profession. 
If  the  printers  of  today  do  not  wish  to  be  esteemed  arro- 
gant  when  they  term  this  calling  of  theirs  an  art,  they  must 
be  willing,  and  show  that  they  are  willing,  to  subject  it  to 

12345  abcdefghijklmnopqrstuvwxyzseoe        67890$ 

ABCDEFGHI  J  KLMNOPQQRSTUVWXYZ&^ECE 

ABCDEFGHIJKLMNOPQ.QRSTUVWXYZ&;£CE 

12345    abcdejghhijklmnopqrstuvwxyzcecefijljfjfiffl    67890$ 


7  Point  No.  33  7E,  1\  Set 
With  Long  Descenders  for  8-Point  Body,  Line  Standard  .075* 

The  best  kind  of  originality  is  that  which  comes  after  a  sound  appren- 
ticeship; that  which  shall  prove  itself  to  be  the  blending  of  a  firm 
conception  of  useful  precedent  and  the  progressive  tendencies  of  an 
able  mind.  For,  let  a  man  be  as  able  and  original  as  he  may,  he  can- 
not afford  to  discard  knowledge  of  what  has  gone  before  or  what  is 
now  going  on  in  his  own  trade  and  profession.  If  the  printers  of  to- 
day do  not  wish  to  be  esteemed  arrogant  when  they  term  this  calling 
of  theirs  an  art,  they  must  be  willing,  and  show  that  they  are  willing, 
to  subject  it  to  such  laws  as  have  made  its  sister  arts  so  free.  All 
those  concerned  in  what  are  accepted  as  the  fine  arts,  the  learned 
sciences,  and  professions  surround  themselves  with  the  history,  litera- 
ture, and  concrete  examples  of  work  with  which  they  are  particularly 
engaged.  Yet  it  is  only  in  very  rare  instances  that  such  an  atmos- 
phere, with  its  material  appurtenances,  is  to  be  found  in  a  printing 
ofBce.  Art  does  not  flourish  in  hidden  places,  nor  under  restraint, 
nor  in  ignorance  of  what  talent  and  genius  have  accomplished  and  are 
accomplishing  throughout  the  world.  For  to  follow  precedent  wisely 


These  characters  take  the  place  of  those  in  font  at  left 

8  Point  No.  33  7E,  8  Set 

With  Long  Descenders  for  9-Point  Body,  Line  Standard  .085* 
The  best  kind  of  originality  is  that  which  comes  after  a  sound 
apprenticeship;  that  which  shall  prove  itself  to  be  the  blending 
of  a  firm  conception  of  useful  precedent  and  the  progressive 
tendencies  of  an  able  mind.  For,  let  a  man  be  as  able  and 
original  as  he  may,  he  cannot  afford  to  discard  knowledge  of 
what  has  gone  before  or  what  is  now  going  on  in  his  own  trade 
and  profession.  If  the  printers  of  today  do  not  wish  to  be 
esteemed  arrogant  when  they  term  this  calling  of  theirs  an  art, 
they  must  be  willing,  and  show  that  they  are  willing,  to  subject 
it  to  such  laws  as  have  made  its  sister  arts  so  free.  All  those 
concerned  in  what  are  accepted  as  the  fine  arts,  the  learned 
sciences,  and  professions  surround  themselves  with  the  history, 
literature,  and  concrete  examples  of  the  work  with  which  they 
are  particularly  engaged.  Yet  it  is  only  in  rare  instances  that 
such  an  atmosphere,  with  its  material  appurtenances,  is  to  be 


These  characters  take  the  place  of  those  in  font  at  left 

9  Point  No.  33  7E,  9  Set 
With  Long  Descenders  for  10-Point  Body,  Line  Standard  .095* 

The  best  kind  of  originality  is  that  which  comes  after  a 
sound  apprenticeship;  that  which  shall  prove  itself  to 
be  the  blending  of  a  firm  conception  of  useful  precedent 
and  the  progressive  tendencies  of  an  able  mind.  For, 
let  a  man  be  as  able  and  original  as  he  may,  he  cannot 
afford  to  discard  knowledge  of  what  has  gone  before  or 
what  is  now  going  on  in  his  own  trade  and  profession. 
If  the  printers  of  today  do  not  wish  to  be  esteemed  arro- 
gant when  they  term  this  calling  of  theirs  an  art,  they 
must  be  willing,  and  show  that  they  are  willing,  to  sub- 
ject it  to  such  laws  as  have  made  its  sister  arts  so  free. 
All  those  concerned  in  what  are  accepted  as  the  fine 
arts,  the  learned  sciences,  and  professions  surround  them- 
selves with  the  history,  literature,  and  concrete  examples 


These  characters  take  the  place  of  those  in  font  at  left 

The  left  column  shows  this  face  with  slightly  shortened  descenders  on  Standard  Monotype  Line.  The 
right  column,  directly  opposite,  shows  the  same  sizes  with  long  descenders,  conforming  to  the  Original 
Caslon,  cast  on  a  body  that  is  one  point  size  larger,  the  body  being  lengthened  below  the  Monotype  line 


Page  six 


No.  33 7E.     Book  Arrangement  C 
Composition  Matrices 


10  Point  No.  33  7E,  10  Set 
Monotype  Standard  Line 

The  best  kind  of  originality  is  that  which  comes 
after  a  sound  apprenticeship;  that  which  shall 
prove  itself  to  be  the  blending  of  a  firm  conception 
of  useful  precedent  and  the  progressive  tendencies 
of  an  able  mind.  For,  let  a  man  be  as  able  and 
original  as  he  may,  he  cannot  afford  to  discard 
knowledge  of  what  has  gone  before  or  what  is  now 
going  on  in  his  own  trade  and  profession.  If  the 

12345         abcdefghijklmnopqrstuvwxyz       67890$ 
ABCDEFGHIJKLMNOPQQRSTUVWXYZ 

ABCDEFGHIJKLMNOPQQRSTUVWXYZ&^CE 

12345         abcdefghbijklmnopqrstuvwxyz       67890$ 


10  Point  No.  33  7E,  10  Set 
With  Long  Descenders  for  11-Point  Body,  Line  Standard  .105* 

The  best  kind  of  originality  is  that  which  comes 
after  a  sound  apprenticeship;  that  which  shall 
prove  itself  to  be  the  blending  of  a  firm  conception 
of  useful  precedent  and  the  progressive  tendencies 
of  an  able  mind.  For,  let  a  man  be  as  able  and 
original  as  he  may,  he  cannot  afford  to  discard 
knowledge  of  what  has  gone  before  or  what  is  now 
going  on  in  his  own  trade  and  profession.  If  the 
printers  of  today  do  not  wish  to  be  esteemed  arro- 
gant when  they  term  this  calling  of  theirs  an  art, 
they  must  be  willing^  and  show  that  they  are  willing, 
to  subject  it  to  such  laws  as  have  made  its  sister  arts 


These  characters  take  the  place  of  those  in  font  at  left 


11  Point  No.  33  7E,  11  Set 
With  Long  Descenders  for  12-Point  Body,  Line  Standard  .120* 

The  best  kind  of  originality  is  that  which  comes 
after  a  sound  apprenticeship;  that  which  shall 
prove  itself  to  be  the  blendingof  a  firm  concep- 
tion of  useful  precedent  and  the  progressive 
tendencies  of  an  able  mind.  For,  let  a  man  be 
as  able  and  original  as  he  may,  he  cannot  afford 
to  discard  knowledge  of  what  has  gone  before 
or  what  is  now  going  on  in  his  own  trade  and 
profession.  If  the  printers  of  today  do  not 
wish  to  be  esteemed  arrogant  when  they  term  this 
calling  of  theirs  an  art,  they  must  be  willing,  and 


11  Point  No.  33  7E,  11  Set 

Monotype  Standard  Line 

The  best  kind  of  originality  is  that  which  comes 
after  a  sound  apprenticeship;  that  which  shall 
prove  itself  to  be  the  blending  of  a  firm  concep- 
tion of  useful  precedent  and  the  progressive 
tendencies  of  an  able  mind.  For,  let  a  man  be 
as  able  and  original  as  he  may,  he  cannot  afford 
to  discard  knowledge  of  what  has  gone  before  or 

12345  abcdefghijklmnopqrstuvwxyz  67890$ 
ABCDEFGHIJKLMNOPQQRSTUVWXY 

ABCDEFGHIJKLMNOPQ.QRSTUVWXYZ&;£CE 

12345  abcdefghbijklmnopqrstuvwxyzce  67890$ 
ABCDEFGHIJKLMNOPQRSTTUWrXY 


12  Point  No.  33  7E,  12  Set 
Monotype  Standard  Line 

The  best  kind  of  originality  is  that  which 
comes  after  a  sound  apprenticeship;  that 
which  shall  prove  itself  to  be  the  blending 
of  a  firm  conception  of  useful  precedent 
and  the  progressive  tendencies  of  an  able 
mind.  For,  let  a  man  be  as  able  and  orig- 

12345  abcdefghijklmnopqrstuvw  67890$ 
ABCDEFGHIJKLMNOPQQRSTUVW 

ABCDEFGHIJKLMNOPQ.QRSTUVWXYZ& 

12345  abcdejghijklmnopqrstuvwxy  67890$ 
ABCVEFGHIJKLMNOP^RSTTUVW 


The  left  column  shows  this  face  with  slightly  shortened  descenders  on  Standard  Monotype  Line.  The 
right  column,  directly  opposite,  shows  the  same  sizes  with  long  descenders,  conforming  to  the  Original 
Caslon,  cast  on  a  body  that  is  one  point  size  larger,  the  body  being  lengthened  below  the  Monotype  line 


These  characters  take  the  place  of  those  in  font  at  left 


How  to  Order 

Monotype  Standard  Line.  —  All  the  characters  shown  in  the  left 
column  of  pages  six  and  seven  will  be  furnished  in  filling  an  order  for 
Monotype  Standard  Line  Matrices.  This  will  include  the  regular 
font  characters  and  the  following  six  "different  design"  letters  fur- 
nished as  side  sorts: 

QQ  A  TYh 

Long  Descenders.  —  When  an  order  is  received  for  Long  Descender 
Matrices,  we  will  furnish  all  the  characters  shown  in  the  left  columns 
of  pages  six  and  seven,  except  that  those  shown  in  the  right  column 
will  be  substituted  for  the  short  descenders;  making  the  font  of  the 
same  number  of  characters  as  above  and  with  the  same  extra  six 
characters  as  side  sorts: 


Combination  Fonts  will  include  all  the  characters  shown  in  both 
columns  of  'pages  six  and  seven;  that  is,  in  addition  to  the  regular 
number  of  Standard  Line  characters  in  the  font  and  the  six  "  different 
design  "  characters,  the  Long  Descender  characters  will  also  be  fur- 
nished, making  thirty-six  additional  matrices  furnished  as  side  sorts, 
as  follows: 


Page  seven 


A     SPECIMEN 

of  the  No.  337  CASLON  SERIES  made  by  Lanston  Monotype  Machine  Company 


36  POINT  No.  337 


MONOT 

30  POINT  No.  337 

MONOTY 

24  POINT  No.  337 

MONOTYP 

1 8  POINT  No.  337 

MONOTYPEMO 

14  POINT  No.  337 

MONOTYPEMONO 

36  POINT  No.  337 

Lady  Will 

30  POINT  No.  337 

Lady  Willou 

24  POINT  No.  337 

Lady  Willoug 

1 8  POINT  No.  337 

Lady    Willoughby's 

14  POINT  No.  337 

Lady  Willoughby's  Dia 


36  POINT  No.  3371 


of  Pr 

T  No.  3371 

of  Print 

24  POINT  No.  3371 

Art  of  Printing 

18  POINT  No.  3371 

Art  of  Printing,  by 

14  POINT  No.  3371 

Art  of  Printing,  by  Casl 


30  POINT  No.  3371 


12  Point  No.  337E 
Short  descenders  cast  on  12  point  body 

That  the  Caslon  type  is 
securely  bound  up  in  the 
early  history  of  America, 
a  visit  to  any  library  will 
demonstrate.  It  was  ap- 
parently the  staple  during 

ii  Point  No.  337E 
Long  descenders  cast  on  12  point  body 

That  the  Caslon  type  is  se- 
curely bound  up  in  the  early 
history  of  America,  a  visit 
to  any  library  will  demon- 
strate. It  was  apparently 
the  staple  during  the  pre- 

10  Point  No.  337E 
Long  descenders  cast  on  1 1  point  body 

That  the  Caslon  type  is  se- 
curely bound  up  in  the  early 
history  of  America,  a  visit  to 
any  library  will  demonstrate. 
It  was  apparently  the  staple 
during  the  pre-Revolutionary 

9  Point  No.  337E 
Long  descenders  cast  on  10  point  body 

That  the  Caslon  type  is  securely 
bound  up  in  the  early  history  of 
America,  a  visit  to  any  library  will 
demonstrate.  It  was  apparently 
the  staple  during  the  pre-Revolu- 
tionary days  of  the  Colonies,  serv- 

8  Point  No.  337E 
Long  descenders  cast  on  9  point  body 

That  the  Caslon  type  is  securely  bound 
up  in  the  early  history  of  America,  a 
visit  to  any  library  will  demonstrate. 
It  was  apparently  the  staple  during 
the  pre-Revolutionary  days  of  the 
Colonies,  serving  all  purposes  in  their 

7  Point  No.  337E 
Long  descenders  cast  on  8  point  body 

That  the  Caslon  type  is  securely  bound  up 
in  the  early  history  of  America,  a  visit  to 
any  library  will  demonstrate.  It  was  ap- 
parently the  staple  during  the  pre-Revolu- 
tionary days  of  the  Colonies,  serving  all 
purposes  in  their  printing  world,  from  bill 


12  Point  No.  3370 
Short  descenders  cast  on  12  point  body 

That  the  Caslon  type  is  se- 
curely bound  up  in  the 
early  history  of  America^  a 
visit  to  any  library  will 
demonstrate.  It  was  ap- 
parently the  staple  during 

ii  Point  No.  3370 
Long  descenders  cast  on  12  point  body 

That  the  Caslon  type  is  se- 
curely bound  up  in  the  early 
history  of  America,  a  visit  to 
any  library  will  demonstrate. 
It  was  apparently  the  staple 
during  the  pre-Revolutionary 

10  Point  No.  3370 
Long  descenders  cast  on  1 1  point  body 

That  the  Cqslon  type  is  securely 
bound  up  in  the  early  history  of 
America,  a  visit  to  any  library 
will  demonstrate.  It  was  ap- 
parently the  staple  during  the 
pre-Revolutionary  days  of  the 

9  Point  No.  3370 

Long  descenders  cast  on  10  point  body 

That  the  C as  Jon  type  is  securely 
bound  up  in  the  early  history  of 
America,  a  visit  to  any  library  will 
demonstrate.  It  was  apparently 
the  staple  during  the  pre-Revolu- 
tionary days  of  the  Colonies,  serving 

8  Point  No.  3370 
Long  descenders  cast  on  9  point  body 

That  the  Caslon  type  is  securely  bound 
up  in  the  early  history  of  America,  a 
visit  to  any  library  will  demonstrate.  It 
was  apparently  the  staple  during  the 
pre-Revolutionary  days  of  the  Colonies, 
serving  all  purposes  in  their  printing 

7  Point  No.  3370 
Long  descenders  cast  on  8  point  body 

That  the  Caslon  type  is  securely  bound  up  in 
the  early  history  of  America,  a  visit  to  any 
library  will  demonstrate.  It  was  apparently 
the  staple  during  the  pre-Revolutionary  days 
of  the  Colonies,  serving  all  purposes  in  their 
printing  world, from  bill  heads,  broadsides, 


This  SPECIMEN  of  337  Series  has  been  arranged  after  the  style  of  the  first  specimen  issued  by  WILLIAM  CASLON,  London 


Page  eight 


^Anent  William  Caslon  the  First,  tf/' London, 
England  (1720),  and  the  Lanston  Monotype 
Machine  Company  of  Philadelphia  (1920) 


By  J.  FRANK  EDDY 


authority  has  well  said  that  typography  is  the 
servant  of  the  advertising  idea;  to  which  he  might 
have  added  that  no  printing  can  be  any  better  than  the 
legibility  of  the  type  employed  in  its  composition. 

The  invention  of  printing  essentially  antedates  the  art  of 
making  type,  but  without  movable  types  the  art  of  printing 
would  be  hardly  any  further  advanced  than  it  was  in  the 
days  of  Gutenberg. 

It  is  indeed  doubtful  if  the  mechanics  of  the  craft  could 
have  reached  anything  like  present-day  perfection  without 
the  work  of  the  punch-cutter  and  the  type  designer.  The 
art  of  printing  owes  nearly  everything  that  it  has  earned 
for  itself  to  the  art  of  making  movable  types.  And  modern 
printing  owes  its  mechanical  advancement  to  the  rapid 
production  of  movable  types  in  generous  quantities. 

Critics  hold  that  printing  was  at  its  best  in  the  middle 
period  of  its  history.  The  printers  of  that  period  were  their 
own  type-founders,  and  the  printers  of  today  also  may  be 
their  own  type-founders,  through  the  great  work  of  the 
Lanston  Monotype  Machine  Company,  who  have  placed  in 
the  modern  printing  establishment  complete  type-founding 
and  composing  facilities,  occupying  less  than  one  hundred 
square  feet  of  floor  space,  that  automatically  produce  mov- 
able type  (ready  composed  if  desired)  at  a  speed  many 
times  faster  and  infinitely  easier  than  that  known  to 
Schoeffer,  Aldus,  Van  Dyk,  Caslon  and  contemporaneous 
type  designers. 

Very  little  of  the  work  of  the  early  type-makers  has  sur- 
vived in  such  form  as  to  be  of  practical  value  to  printers  of 
today.  The  old  master-craftsmen  are  known  only  by  press 
impressions  of  their  type  product  in  rare  old  books  and 
prints,  preserved  as  gems  of  printing  in  a  few  libraries  and 
museums. 

From  these  old  books  of  the  middle  ages  modern  type- 
founders have  fashioned  type  faces  with  modifications,  and 
have  given  these  faces  the  names  of  the  designers  and 
printers  known  to  have  cut  the  original  punches,  but  these 
imitation  type  faces  have  not  enjoyed  a  wide  use  in  modern 
printing  practice,  perhaps  because  they  are  at  best  little 
more  than  modern  interpretations  of  press  impressions  of 
the  original  type  that  came  from  the  hand  of  its  medieval 
creator. 

The  work  of  William  Caslon  the  First,  however,  exists 
today  in  the  form  of  the  original  punches,  cut  by  his  hands 
in  1720,  and  as  far  as  the  writer  has  been  able  to  learn  the 
Caslon  product  is  the  only  surviving  masterpiece  of  the 
heyday  of  classic  printing.  It  lives  because  it  deserves  to 
live. 

The  Caslon  Letter  Foundry,  in  Chiswell  Street,  London, 
is  still  the  foundry  of  its  founder  and  is  owned  and  managed 
today  by  his  direct  descendant,  William  Caslon,  III.  This 
foundry,  some  years  ago,  revived  the  old  original  punches, 


recutting  them  by  modern  methods,  eliminating  the 
mechanical  crudities  of  the  original  hand-cutter  and  caster, 
perfecting,  not  distorting  nor  "improving,"  the  original  char- 
acteristics which  have  kept  this  famous  type  alive  for  two 
hundred  years. 

In  1858  a  Philadelphia  type-founder  made  matrices  from 
the  imported  Caslon  type;  cast  type  from  these  matrices, 
retaining  practically  every  good  feature  of  the  original 
Caslon;  but  subsequent  attempts  to  "improve"  the  type  by 
various  other  founders  have  robbed  the  original  of  all  of  its 
charm  and  grace,  and  much  of  the  legibility  which  made 
the  genuine  famous. 

Therefore  the  so-called  Caslon  type  used  by  printers 
today  is  in  reality  not  Caslon  at  all  except  in  name. 

Printers  have  been  offered  for  the  past  twenty  years  or 
more  all  sorts  of  versions  and  hideous  distortions  of  the 
original  Caslon  by  type-founders  and  slug-machine  manu- 
facturers. Imperfect  automatic  casting  appliances  of  the 
latter,  and  a  wild  desire  to  meet  the  wishes  of  the  rank  and 
file  of  erstwhile  printers  upon  the  part  of  the  former,  are 
responsible  for  these  desecrations  and  abortions.  A  ruthless 
sacrifice  of  meritorious  quality  for  cheapness  and  expediency 
has  been  the  sad  result.  This  degeneracy  is  a  dark  spot 
upon  the  record  of  modern  printing  progress. 

Caslon  type,  as  originally  cut  in  1720,  contemplated 
nothing  but  the  one  feature  that  should  be  supreme  in  all 
type — legibility.  Everything  else  was  sacrificed  to  that,  and 
rightly  so.  The  product  as  originally  produced  was  essen- 
tially a  hand-cast  product  and  very  slow  and  very  laborious. 
It  defied  automatic,  high-speed  manufacture.  For  years 
apparently  insurmountable  obstacles  baffled  modern  inge- 
nuity and  the  so-called  "improvement"  of  the  face  is  little 
less  than  a  clumsy  and  ill-conceived  expedient  to  sidestep 
these  obstacles. 

The  Monotype  Company  struggled  with  these  very  same 
difficulties,  and  at  first  did  not  have  much  success,  possibly 
no  better  than  the  others;  but  they  did  not  give  up,  satisfied 
with  mediocrity  and  a  mangled  imitation;  they  refused  to 
rest  their  efforts  on  even  a  good  imitation.  They  "went 
after"  the  original  and  they  have  achieved. 

Today — now — they  stand  alone  in  that  achievement. 
They  offer  every  printing  establishment  perfect  Monotype 
matrices  from  which  the  Monotype  Casting  Machine,  with- 
out special  attachments  or  makeshifts,  can  produce  un- 
limited quantities  of  all  sizes  of  the  original  Caslon  in  all  of 
its  pristine  perfection  at  the  mere  cost  of  operating  the 
automatic  Monotype  Casting  Machine,  like  the  thousands 
in  daily,  practical  and  successful  use  by  printers  all  over 
the  world. 

And  well  might  the  Monotype  Company  be  proud  of  their 
labors  and  adopt  as  a  slogan:  "We  confidently  rest  our 
typographic  reputation  upon  this  real  Caslon." 


"In  general  effect  the  Caslon  is  bold, 
but  not  black;  clear  and  open,  but  not 
weak  and  delicate  ...  it  was  made 
to  be  read  and  to  withstand  wear  .  .  . 
it  is  fairly  uniform  as  to  general  effect 


throughout  the  series.  To  reform  typog- 
raphy we  need  better  types;  we  must  be 
more  tolerant  of  quaintness  and  must 
attempt  the  revival  of  medieval  methods." 
— THEO.  Low  DEVINNE 


"I  approve  of  your  resolution  not  to 
send  your  types  aboard  upon  credit.  Their 
excellence  will  secure  a  sufficient  demand 
for  it." — BEN  FRANKLIN.  (In  a  letter  to 
William  Caslon  the  First,  Esq.,  London.) 


Page  nine 


No.  337  Electro  Display  Matrices 

14  Point  No.  337 

HINTS  ON  DECORATIVE  PRINTING 

Summer  of  1815  busy  one  for  London  Printers,  Publishers  and  Bibliomaniacs 

Business  was  brisk  with  the  Wood-Engravers,  too 

$1234567890 

18  Point  No.  337 

THE  ANTIQUITIES  OF  BRITAIN 

I  may  in  Truth  affirm  that  the  Public  had  not  before  Gazed  upon 
a  Volume  of  more  Singular  Embellishments 

$1234567890 


24  Point  No.  337 


ORIGINAL  DECAMERON 

In  the  Large  Paper  Copies,  where  the  Paper  is  of 
Excellent  Quality,  the  Effect 

$1234567890 


30  Point  No.  337 


THE  BIBLIOMANIACS 

Two  Hundred  and  Seventy  Copies  of  an 

Elephantine  Size  for  10  fts. 

$1234567890 


36  Point  No.  337 


ROYAL  INSTITUTION 

Improvements  in  Color  Printing 

$1234567890 

Fonts  of  Matrices  of  the  No.  337  Series  shown  on  these  pages  are  sold  at  Class  A  prices 

NOT  INCLUDED  IN  MATRIX    LIBRARY  AND  WILL  NOT  BE   LEASED 


NOTE:  The  small  capitals  for  14, 1 8,  and  24  point  337  have  been  cut  and  the  matrices  are  now  available. 
Page  ten 


No.  3371  Electro  Display  Matrices 

14  Point  No.  3371 

THE  CELEBRATED  AMATEURS 

In  the  little  red  House  on  the  corner,  at  the  sign  of  the  Pillars  of  Hercules y  ivas  born 

May  7,  fdpp,  Pierre-Jean  Mariette,  the  illustrious 

$1234567890 

18  Point  No.  3371 

NO  IMAGINATION  REQUIRED 

To  Picture  the  Ardent  Lad  turning  over,  day  after  day^  the  Great  Sheets 

of  Pictures  in  his  Father  s  Portfolios 

$12345678^0 


24  Point  No.  3371 


PURSUING  THE  BEAUTIFUL 

No  Vulgar  Passion  permitted  to  Disturb  the  Serenity  of 

this  most  Celebrated  Amateur 

$1234567890 


30  Point  No.  3371 


FINE  WORKS  OF^RT 

Admired  by  the  Last  Scion  of  One  of  those 

Ancient  stocks  of  Feudal  Bourgeois 

$1234567890 


36  Point  No.  3371 


PIERRE-JE^N 

Print  Collector  and  an  Amateur 

$1234567890 

A  complete  showing  of  Swash  Characters  for  the  above  fonts  of  the  No.  3371  Series  are  shown  on  the  next   page.     The  matrices  for  the 
Swash  Characters  are  not  included  with  the  regular  8 1  character  font,  but  are  sold  at  regular  Class  A  prices  and  must  be  ordered  separately 

Fonts  of  Matrices  of  the  No.  337  Series  shown  on  these  pages  are  sold  at  Class  A  prices 

NOT  INCLUDED  IN  MATRIX  LIBRARY  AND  WILL  NOT  BE  LEASED 


Page  eleven 


SWASH  CHARACTERS 

for  the  tJxConotype  Old  Qaslon  Series 


14  Point  No.  3371 


18  Point  No.  3371 


,-ffe, 
•  I 


24  Point  No.  3371 


30  Point  No.  3371 


36  Point  No.  3371 


CAUTION  ON  SWASH  CHARACTERS:  To  cast  the  swash  characters  with  the  authentic  close  fitting,  as  originally  designed  by 
William  Caslon  the  First,  requires  that  the  Molds  and  Type-pusher  Guide  be  altered  to  clear  the  extra  long  swash  kern.  The 
Molds  can  be  altered  only  in  our  factory  and  a  nominal  charge  is  made  for  this.  The  Type-pusher  Guide  can  be  altered  by  the 
customer  from  directions  which  we  will  furnish,  or,  if  preferred,  a  new  one  may  be  purchased.  Molds  made  since  February  i, 
1920,  and  Type-pusher  Guides  on  machines  number  6263  and  following  have  these  alterations.  For  machines  of  lower  serial 
number  than  1203,  additional  alterations  may  be  necessary,  details  of  which  will  be  furnished  when  required. 


Old  Style  Figures 

THE  characteristic  of  the  old  style  figure 
which  has  been  handed  down  to  us  from  the 
earliest  designs  of  old  style  type  faces  has 
been  the  irregularity  of  ascending  and  descending 
characters,  usually  termed  old  style  or  "hanging" 
figures.  Consequently,  most  of  our  old  style  faces 
are  shown  here  with  the  proper  figures,  that  is, 
the  old  style  or  hanging  figures,  as  part  of  the  font. 
Recognizing  that  some  printers  desire  to  use  a 
lining  figure,  we  have  designed  old  style  lining 
figures  for  most  of  our  old  style  faces.  Specimens 
of  these  will  be  found  in  the  section  of  this  speci- 
men book  devoted  to  figures  and  can  be  identified 
by  the  symbol  G  following  the  point  size  in  place 
of  F.  In  cases  where  an  old  style  lining  figure 
has  not  been  designed  specially  for  the  face 
selected  the  figure  specimen  sheets  will  show  the 
face  that  is  the  best  match. 

In  ordering  old  style  matrices,  whether  in 
partial  or  complete  fonts,  be  sure  and  specify 
old  style  lining  figures  if  desired,  giving  their 
proper  symbol;  otherwise  we  always  furnish 
standard  old  style  figures  if  made. 


No.  38E.     Book  Arrangement  C 


Composition  Matrices 


6  Point  No.  38E,  7  Set 


MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  comes  after  a  sound  appren- 
ticeship; that  which  shall  prove  itself  to  be  the  blending  of  a  firm 
conception  of  useful  precedent  and  the  progressive  tendencies  of  an  able 
mind.  For.  let  a  man  be  as  able  and  original  as  he  may,  he  cannot 
afford  to  discard  knowledge  of  what  has  gone  before  or  what  is  now 
going  on  in  his  own  trade  and  profession.  If  the  printers  of  today 
do  not  wish  to  be  esteemed  arrogant  when  they  term  this  calling  of 
theirs  an  art,  they  must  be  willing,  and  show  that  they  are  willing, 
to  subject  it  to  such  laws  as  have  made  its  sister  arts  so  free.  All 
those  concerned  in  what  are  accepted  as  the  fine  arts,  the  learned 
sciences,  and  professions  surround  themselves  with  the  history,  litera- 
ture, and  concrete  examples  of  work  with  which  they  are  particularly 
engaged.  Yet  it  is  only  in  very  rare  instances  that  such  an  atmosphere, 
with  its  material  appurtenances,  is  to  be  found  in  the  printing  office. 
Art  does  not  flourish  in  hidden  places,  nor  under  restraint,  nor  in 
ignorance  of  what  talent  and  genius  have  accomplished  and  are  ac- 
complishing throughout  the  world.  For  to  follow  precedent  wisely 
does  not  mean  to  imitate  slavishly  one  great  exemplar,  but  to  study 
all  masters  faithfully,  letting  their  great  achievements  sink  slowly 
into  the  mind  in  order  that  we  may  patiently  derive  from  the  richness 
of  our  acquired  knowledge  and  organized  system  an  attitude  of  our 
own.  The  sprightly  minded  young  man,  who  with  his  first  business 
breath  projects  the  new  and  startling,  inevitably  becomes  tiresome, 
and  is  driven  to  an  early  disappearance;  while  the  slower  and  more 
solidly  endowed  student  will  at  least  spend  as  much  of  his  time  in 
avoiding  mistakes  as  in  evolving  brilliant  schemes  wherewith  to  dazzle 
his  contemporaries.  The  best  kind  of  originality  is  that  which  comes 
after  a  sound  apprenticeship;  that  which  shall  prove  itself  to  be  the 
blending  of  a  firm  conception  of  all  useful  precedent  and  the  progressive 
tendencies  of  an  able  mind.  For,  let  a  man  be  as  able  and  original  as  he 

12345  abcdefghijklmnopqrstuvwxyz 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

1234}  abcdefghijklmnopqrstuvwxyz 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 


67890$ 


7  Point  No.  38E,  8  Set 


Ems  a  to  z  14.98 


Words  to  Pica  .63 


MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  comes  after  a  sound 
apprenticeship;  that  which  shall  prove  to  be  the  blending  of 
a  firm  conception  of  all  useful  precedent  and  the  progressive 
tendencies  of  an  able  mind.  For,  let  a  man  be  as  able  and 
original  as  he  may,  he  cannot  afford  to  discard  knowledge  of 
what  has  gone  before  or  what  is  now  going  on  in  his  own  trade 
and  profession.  If  the  printers  of  today  do  not  wish  to  be 
esteemed  arrogant  when  they  term  this  calling  of  theirs  an 
art,  they  must  be  willing,  and  show  that  they  are  willing,  to 
subject  it  to  such  laws  as  have  made  its  sister  arts  so  free.  All 
those  concerned  in  what  are  accepted  as  the  fine  arts,  the 
learned  sciences,  and  the  professions  surround  themselves  with 
the  history,  literature,  and  the  concrete  examples  of  the  work 
with  which  they  are  particularly  engaged.  Yet  it  is  only  in 
rare  instances  that  such  an  atmosphere,  with  its  material  ap- 
purtenances, is  to  be  found  in  a  printing  office.  Art  does  not 
flourish  in  hidden  places,  nor  under  restraint,  nor  in  ignorance 
of  what  talent  and  genius  have  accomplished  and  are  accom- 
plishing throughout  the  world.  For  to  follow  precedent  wisely 
does  not  mean  to  imitate  slavishly  one  great  exemplar,  but  to 
study  all  masters  faithfully,  letting  their  great  achievements 
sink  slowly  into  the  mind  in  order  that  we  may  patiently 
derive  from  the  richness  of  our  acquired  knowledge  and  organ- 
ized system  an  attitude  of  our  own.  The  sprightly  minded 
young  man,  who  with  his  first  business  breath  projects  the  new  and 
startling,  inevitably  becomes  tiresome,  and  is  driven  to  an  early 

abcdefghijklmnopqrstuvwxyz  6780,0$ 

ABCDEFGH  I  JKLMNOPQRSTUV  WX  YZ 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

abcdefghijklmnof}qrstuvwxyz  678(^0$ 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 
Ems  a  to  z  14.68  Words  to  Pica  .55 


12345 


8  Point  No.  38E,  8i  Set 

MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  comes  after  a 
sound  apprenticeship;  that  which  shall  prove  to  be  the 
blending  of  a  firm  conception  of  all  useful  precedent  and 
the  progressive  tendencies  of  an  able  mind.  For,  let  a 
man  be  as  able  and  original  as  he  may,  he  cannot  afford 
to  discard  knowledge  of  what  has  gone  before  or  what  is 
now  going  on  in  his  own  trade  and  profession.  If  the 
printers  of  today  do  not  wish  to  be  esteemed  arrogant 
when  they  term  this  calling  of  theirs  an  art,  they  must  be 
willing,  and  show  that  they  are  willing,  to  subject  it  to 
such  laws  as  have  made  its  sister  arts  so  free.  All  those 
concerned  in  what  are  accepted  as  the  fine  arts,  the  learned 
sciences,  and  the  professions  surround  themselves  with  the 
history,  the  literature,  and  concrete  examples  of  the  work 
with  which  they  are  particularly  engaged.  Yet  it  is  only 
in  very  rare  instances  that  such  an  atmosphere,  with  its 
material  appurtenances,  is  to  be  found  in  a  printing  office. 
Art  does  not  flourish  in  hidden  places,  nor  under  restraint, 
nor  in  ignorance  of  what  talent  and  genius  have  accom- 
plished and  are  now  accomplishing  throughout  the  world. 
For  to  follow  precedent  wisely  does  not  mean  to  imitate 
slavishly  one  great  exemplar,  but  to  study  all  masters 
faithfully,  letting  their  great  achievements  sink  slowly  into  the 
mind  in  order  that  we  may  patiently  derive  from  the  richness 

12345  abcdefghijklmnopqrstuvwxyz  67890$ 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

1234$  abcdefghijklmnopqrstuvwxyz  67890$ 

ABCDEFGH  I JKLMNOPQRSTUVWX  YZ 
Ems  a  to  z  13.63  Words  to  Pica  .52 


9  Point  No.  38E,  9  Set 

MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  comes  after 
a  sound  apprenticeship;  that  which  shall  prove  to  be 
the  blending  of  a  firm  conception  of  all  useful  precedent 
and  the  progressive  tendencies  of  an  able  mind.  For, 
let  a  man  be  as  able  and  original  as  he  may,  he  cannot 
afford  to  discard  knowledge  of  what  has  gone  before  or 
what  is  now  going  on  in  his  own  trade  and  profession. 
If  the  printers  of  today  do  not  wish  to  be  esteemed 
arrogant  when  they  term  this  calling  of  theirs  an  art, 
they  must  be  willing,  and  show  that  they  are  willing, 
to  subject  it  to  such  laws  as  have  made  its  sister  arts 
so  free.  All  those  concerned  in  what  are  accepted  as 
the  fine  arts,  the  learned  sciences,  and  the  professions 
surround  themselves  with  the  history,  literature,  and 
concrete  examples  of  the  work  with  which  they  are 
particularly  engaged.  Yet  it  is  only  in  rare  instances 
that  such  an  atmosphere,  with  its  material  appurten- 
ances is  to  be  found  in  a  printing  office.  Art  does  not 
flourish  in  hidden  places,  nor  under  restraint,  nor  in 
ignorance  of  what  talent  and  genius  have  accomplished 
and  are  now  accomplishing  throughout  the  world.  For  to 

12345  abcdefghijklmnopqrstuvwxyz  67890$ 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

12345  abcdefghijklmnopqrstuvwxyz  6y8qo$ 

ABCDEFGH  I JKLMNOPQRSTUVWX  YZ 
Ems  a  to  z  12.83  Words  to  Pica  .49 


No.  38E.     Book  Arrangement  C 
Composition  Matrices 

10  Point  No.  38E,  10  Set  11  Point  No.  38E,  11  Set 


MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  comes 
after  a  sound  apprenticeship;  that  which  shall 
prove  to  be  the  blending  of  a  firm  conception 
of  all  useful  precedent  and  the  progressive  ten- 
dencies of  an  able  mind.  For,  let  a  man  be  as 
able  and  original  as  he  may,  he  cannot  afford  to 
discard  knowledge  of  what  has  gone  before  or  what 
is  now  going  on  in  his  own  trade  and  profes- 
sion. If  the  printers  of  today  do  not  wish  to  be 
esteemed  arrogant  when  they  term  this  calling  of 
theirs  an  art,  they  must  be  willing,  and  show  that 
they  are  willing,  to  subject  it  to  such  laws  as  have 
made  its  sister  arts  so  free.  All  those  who  are 
concerned  in  what  are  accepted  as  the  fine  arts, 
the  learned  sciences,  and  the  professions  surround 
themselves  with  the  history,  the  literature,  and 
concrete  examples  of  the  work  with  which  they  are 
particularly  engaged.  Yet  it  is  only  in  rare  instances 
that  such  an  atmosphere,  with  its  material  appurlen- 

12345        abcdefghijklmnopqrstuvwxyz      67890$ 
ABCDEFGHIJKLMNOPQRSTUVWXYZ 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

/  2345          abcdefghijklmnopqrstuvwxyz        6/8go$ 
ABCDEFGHIJKLMNOPQRSTUVWXYZ 


MONOTYPE  FACES 

The  very  best  kind  of  originality  is  that  which 
comes  after  a  thorough  apprenticeship;  that 
which  shall  prove  to  be  the  blending  of  a 
firm  conception  of  all  useful  precedent  and 
the  progressive  tendencies  of  an  able  mind. 
For,  let  a  man  be  as  able  and  original  as  he 
may,  he  cannot  afford  to  discard  knowledge 
of  what  has  gone  before  or  what  is  now  going 
on  in  his  own  trade  and  profession.  If  the 
printers  of  today  do  not  wish  to  be  esteemed 
arrogant  when  they  term  this  calling  of  theirs 
an  art,  they  must  be  willing,  and  show  that 
they  are  willing,  to  subject  it  to  such  laws  as 
have  made  its  sister  arts  so  free.  All  those 
concerned  in  what  are  accepted  as  the  fine 
arts,  the  learned  sciences,  and  the  professions 
surround  themselves  with  the  history,  literature, 

12345  abcdefghijklmnopqrstuvwxyz  67890$ 
ABCDEFGHIJKLMNOPQRSTUVWXYZ 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

12345  abcdefghijklmnopqrstuvwxyz  67890$ 
ABCDEFGHIJKLMNOPQRSTUVWX  YZ 


Ems  a  to  z  12.83 


Words  to  Pica  .44 


Ems  a  to  z  12.83 


Words  to  Pica  .40 


12  Point  No.  38E,  12  Set 

MONOTYPE  FACES  MONOTYPE  FACES 


The  best  kind  of  originality  is  that  which 
comes  after  a  sound  apprenticeship ;  that 
which  shall  prove  to  be  the  blending  of 
a  firm  conception  of  all  useful  precedent 
and  the  progressive  tendencies  of  an  able 
mind.  For,  let  any  man  be  as  able  and 
original  as  he  may,  he  cannot  afford  to 
discard  knowledge  of  what  has  gone  be- 
fore or  what  is  now  going  on  in  his  own 
trade  and  profession.  If  the  printers  of 
today  do  not  wish  to  be  esteemed  arrogant 
when  they  term  this  calling  of  theirs  an  art. 


The  best  kind  of  originality  is  that  which 
comes  after  a  sound  apprenticeship ;  that 
which  shall  prove  to  be  the  blending  of 
a  firm  conception  of  all  useful  precedent 
and  the  progressive  tendencies  of  an  able 
mind.  For,  let  any  man  be  as  able  and 
original  as  he  may,  he  cannot  afford  to 
discard  knowledge  of  what  has  gone  be- 
fore or  what  is  now  going  on  in  his  own 
trade  and  profession.  If  the  printers  of 
today  do  not  wish  to  be  esteemed  arro- 
gant when  they  term  this  calling  of  theirs 
an  art,  they  must  be  willing,  and  show  that 
they  are  willing,  to  subject  it  to  such  laws 


12345       abcdefghijklmnopqrstuvwxyz     67890$ 
ABCDEFGHIJKLMNOPQRSTUVWXYZ 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

72345          abcdefghijklmnopqrstuvwxyz       67890$ 
ABCDEFGHIJKLMNOPQRSTUVWXYZ 


Ems  a  to  z  12.83 


Words  to  Pica  .37 


No.  38  Sorts  Matrices 

14  Point  No.  38 

THERE  IS  A  DIFFERENCE 

Between  what  any  Monotype  will  do  and  what  other  Machines  can  do. 

No  other  Machine  will  do  half  what  it  does 

$1234567890 

18  Point  No.  38 

OUR  REPEAT  ORDER  RECORD 

Thirty- eight  out  of  Every  Hundred  Monotypes  sold  to 

Satisfied  Customers  on  Repeat  Orders 

$1234567890 


24  Point  No.  38 


TYPE  CASTER  TIPS 

Don't  Consider  a  Machine  without  a  Visible 

Supply  of  its  own  Matrices 

$1234567890 


30  Point  No.  38 


CAST  TYPE  QUICKLY 

It  Pays  Better  to  make  New  Type 

than  to  Distribute 

$1234567890      .'".... 


36  Point  No.  38 


BUY  THE  MACHINE 
With  a  Repeat  Order  Record 

$1234567890 


No.  381  Sorts  Matrices 

14  Point  No.  381 

SEVEN  HUNDRED  AND  FIFTY  FONTS 

For  Use  on  the  Monotype;  a  Larger  Matrix  Equipment  than  that  of  all 
other  Type  Casters  and  Composing  Machines  Combined 

$1234567890 


18  Point  No.  381 


QUALITY  AND  PRODUCTION 

Are  Monotype  Type  Casting  Features  Equal  to  its  Adequate 

and  Varied  Matrix  Equipment 

$1234567890 


24  Point  No.  381 


PERFECTLY  JUSTIFIED  LINES 

Composed  on  Ordinary  Galleys  is  the  Only 

Way  and  the  Monotype  Way 

$1234567890 


30  Point  No.  381 


MONOTYPE  LINE 

Means  a  Uniform  Line  for  all  Sizes 

and  Faces  on  any  Body 

$1234567890 


36  Point  No.  381 


THE  DD  KEYBOARD 
Two  Products  for  the  One  Cost 

$1234567890 


No.  61E.     Book  Arrangement  C 
Composition  Matrices 


6  Point  No.  6 IE,  7  Set 
MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  comes  after  a  sound  appren- 
ticeship; that  which  shall  prove  itself  to  be  the  blending  of  a  firm  con- 
ception of  useful  precedent  and  the  progressive  tendencies  of  an  able 
mind.  For  let  a  man  be  as  able  and  original  as  he  may,  he  cannot 
afford  to  discard  knowledge  of  what  has  gone  before  or  what  is  now 
going  on  in  his  own  trade  and  profession.  If  the  printers  of  today  do 
not  wish  to  be  esteemed  arrogant  when  they  term  this  calling  of  theirs 
an  art,  they  must  be  willing,  and  show  that  they  are  willing,  to  subject 
it  to  such  laws  as  have  made  its  sister  arts  so  free.  All  those  con- 
cerned in  what  are  accepted  as  the  fine  arts,  the  learned  sciences,  and 
professions  surround  themselves  with  the  history,  literature,  and  con- 
crete examples  of  the  work  with  which  they  are  particularly  engaged. 
Yet  it  is  only  in  rare  instances  that  such  an  atmosphere,  with  its  ma- 
terial appurtenances,  is  to  be  found  in  a  printing  office.  Art  does  not 
flourish  in  hidden  places,  nor  under  restraint,  nor  in  ignorance  of  what 
talent  and  genius  have  accomplished  and  are  accomplishing  throughout 
the  world.  For  to  follow  precedent  wisely  does  not  mean  to  imitate 
slavishly  one  great  exemplar,  but  to  study  all  masters  faithfully,  letting 
their  great  achievements  sink  slowly  into  the  mind  in  order  that  we 
may  patiently  derive  from  the  richness  of  our  acquired  knowledge  and 
organized  system  an  attitude  of  our  own.  The  sprightly  minded  young 
man,  who  with  his  first  business  breath  projects  the  new  and  startling, 
inevitably  becomes  tiresome,  and  is  driven  to  an  early  disappearance; 
while  the  slower,  more  sojidly  endowed  student  will  at  Jeast  spend  as 
much  of  his  time  in  avoiding  mistakes  as  in  evolving  brilliant  schemes 
wherewith  to  dazzle  his  contemporaries.^  The  best  kind_of  originality 
is  that  which  comes  after  a  sound  apprenticeship;  that  which  shall  prove 
to  be  the  blending  of  a  firm  conception  of  all  useful  precedent  and  the 
progressive  tendencies  of  an  able  mind.  For,  let  a  man  be  as  able  and 
original  as  he  may,  he  cannot  afford  to  discard  knowledge  of  what  has  gone 
before  or  what  is  now  going  on  in  his  own  trade  and  profession.  If  the 
12345  abcdefghijklmnopqrstuvwxyz  67890$ 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 


ABCDEFGHIJKLMNOPQRSTUVWXYZ 

abcde  fgh  ijklmnopqrstu  vwxyz 
ABCDEFGHIJKLMNOPQRSTUVIYXYZ 


67890$ 


1  Point  No.  61E,  8  Set 
MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  conies  after  a  sound 
apprenticeship;  that  which  shall  prove  to  be  the  blending  of  a 
firm,  conception  of  all  useful  precedent  and  the  progressive 
tendencies  of  an  able  mind.  For,  let  a  man  be  as  able  and 
original  as  lie  may,  he  cannot  afford  to  discard  knowledge  of 
what  has  gone  before  or  what  is  now  going  on  in  his  own  trade 
and  profession.  If  the  printers  of  today  do  not  wish  to  be 
esteemed  arrogant  when  they  term  this  calling  of  theirs  an 
art,  they  must  be  willing,  and  show  that  they  are  willing,  to 
subject  it  to  such  laws  as  have  made  its  sister  arts  so  free. 
All  those  concerned  in  what  are  accepted  as  the  fine  arts,  the 
learned  sciences,  and  professions,  surround  themselves  with  the 
history,  the  literature,  and  concrete  examples  of  the  work 
with  which  they  may  be  particularly  engaged.  Yet  it  is 
only  in  rare  instances  that  such  an  atmosphere,  with  its  ma- 
terial appurtenances,  is  to  be  found  in  a  printing  office.  Art 
does  not  flourish  in  hidden  places,  nor  under  restraint,  nor  in 
ignorance  of  what  talent  and  genius  have  accomplished  and 
are  now  accomplishing  throughout  the  world.  For  to  follow 
precedent  wisely  does  not  mean  to  imitate  slavishly  one  great 
exemplar,  but  to  study  all  the  masters  faithfully,  letting  their 
great  achievements  sink  slowly  into  the  mind  in  order  that  we 
may  patiently  derive  from  the  richness  of  our  acquired  knowl- 
edge and  organized  system  an  attitude  of  our  own.  The 
sprightly  minded  young  man,  who  with  his  first  business  breath 
projects  the  new  and  startling,  inevitably  becomes  tiresome,  and 
is  driven  to  an  early  disappearance;  while  the  slower,  more  solidly 

12345  abcdefghijklmnopqrstuvwxyz  67890$ 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

12345  abcdefghijklmnopqrstuvwxyz  67890$ 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 


8  Point  No.  61E,  8%  Set 
MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  comes  after  a 
sound  apprenticeship;  that  which  shall  prove  to  be  the 
blending  of  a  firm  conception  of  all  useful  precedent  and 
the  progressive  tendencies  of  an  able  mind.  For,  let  a 
man  be  as  able  and  original  as  he  may,  he  cannot  afford 
to  discard  knowledge  of  what  has  gone  before  or  what 
is  now  going  on  in  his  own  trade  and  profession.  If  the 
printers  of  today  do  not  wish  to  be  esteemed  arrogant 
when  they  term  this  calling  of  theirs  an  art,  they  must  be 
willing,  and  show  that  they  are  willing,  to  subject  it  to 
such  laws  as  have  made  its  sister  arts  so  free.  All  those 
concerned  in  what  are  accepted  as  the  fine  arts,  the  learned 
sciences,  and  professions  surround  themselves  with  the 
history,  the  literature,  and  concrete  examples  of  the  work 
with  which  they  may  be  particularly  engaged.  Yet  it  is 
only  in  rare  instances  that  such  an  atmosphere,  with  its 
material  appurtenances,  is  to  be  found  in  a  printing  office. 
Art  does  not  flourish  in  hidden  places,  nor  under  restraint, 
nor  in  ignorance  of  what  talent  and  genius  have  accom- 
plished and  are  now  accomplishing  throughout  the  world. 
For  to  follow  precedent  wisely  does  not  mean  to  imitate 
slavishly  one  great  exemplar,  but  to  study  all  the  masters 
Jaithjully,  Idling  their  great  achievements  Jink  slowly  into 
the  mind  in  order  that  we  may  patiently  derive  jrom  the 

12545  abcdcfghijklmnopqrstuvwxyz  67890$ 

ABCDEFGHI JKLMNOPQRSTUVWXYZ 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

abcdejghijklmnopqrsluvwxyz  67890$ 

ABCDEFG1UJKLMNOPQRST1J  V  WXYZ 


9  Point  No.  61E,  9  Set 

MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  comes  after  a 
sound  apprenticeship;  that  which  shall  prove  to  be  the 
blending  of  a  firm  conception  of  all  useful  precedent  and 
the  progressive  tendencies  of  an  able  mind.  For,  let  a 
man  be  as  able  and  original  as  he  may,  he  cannot  afford 
to  discard  knowledge  of  what  has  gone  before  or  what 
is  now  going  on  in  his  own  trade  and  profession.  If.the 
printers  of  today  do  not  wish  to  be  esteemed  arrogant 
when  they  term  this  calling  of  theirs  an  art,  they  must 
be  willing,  and  show  that  they  are  willing,  to  subject  it 
to  such  laws  as  have  made  its  sister  arts  so  free.  All 
those  concerned  in  what  are  accepted  as  the  fine  arts, 
the  learned  sciences,  and  professions  surround  them- 
selves with  the  history,  the  literature,  and  concrete  ex- 
amples of  the  work  with  which  they  may  be  particularly 
engaged.  Yet  it  is  only  in  rare  instances  that  such  an 
atmosphere,  with  its  material  appurtenances,  is  to  be 
found  in  a  printing  office.  Art  does  not  flourish  in 
hidden  places,  nor  under  restraint,  nor  in  ignorance  of 
what  talent  and  genius  have  accomplished  and  are  now 
accomplishing  throughout  the  world.  For  to  Jollow  pre- 
cedent wisely  does  not  mean  to  imitate  slavishly  one  great 

12345  abcdefghijklmnopqrstu  vwxyz  67890$ 

A  BCDEFGHI J  KLMNOPQRSTUV  WX  YZ 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

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ABCDEFGHIJKLMNOPQRSTU  VWXYZ 


No.  61E.     Book  Arrangement  C 
Composition  Matrices 


10  Point  No.  61E,  10  Set 

MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  comes 
after  a  sound  apprenticeship;  that  which  shall 
prove  to  be  the  blending  of  a  firm  conception  of 
all  useful  precedent  and  the  progressive  tenden- 
cies of  an  able  mind.  For,  let  a  man  be  as  able 
and  original  as  he  may,  he  cannot  afford  to  dis- 
card knowledge  of  what  has  gone  before  or  what 
is  now  going  on  in  his  own  trade  and  profession. 
If  the  printers  of  today  do  not  wish  to  be  es- 
teemed arrogant  when  they  term  this  calling  of 
theirs  an  art,  they  must  be  willing,  and  show  that 
they  are  willing,  to  subject  it  to  such  laws  as 
have  made  its  sister  arts  so  free.  All  those  con- 
cerned in  what  are  accepted  as  the  fine  arts,  the 
learned  sciences,  and  professions  surround  them- 
selves with  the  history,  the  literature,  and  con- 
crete examples  of  the  work  with  which  they  may 
be  particularly  engaged.  Yet  it  is  only  in  rare  in- 
stances that  such  an  atmosphere,  with  its  material 


10  Point  No.  61E,  10  Set 

MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  comes 
after  a  sound  apprenticeship;  that  which  shall 
prove  to  be  the  blending  of  a  firm  conception  of 
all  useful  precedent  and  the  progressive  tenden- 
cies of  an  able  mind.  For,  let  a  man  be  as  able 
and  original  as  he  may,  he  cannot  afford  to  dis- 
card knowledge  of  what  has  gone  before  or  what 
is  now  going  on  in  his  own  trade  and  profession. 
If  the  printers  of  today  do  not  wish  to  be  es- 
teemed arrogant  when  they  term  this  calling  of 
theirs  an  art,  they  must  be  willing,  and  show  that 
they  are  willing,  to  subject  it  to  such  laws  as 
have  made  its  sister  arts  so  free.  All  those  con- 
cerned in  what  are  accepted  as  the  fine  arts,  the 
learned  sciences,  and  professions  surround  them- 
selves with  the  history,  the  literature,  and  .concrete 


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ABCDEFGHIJKLMNOPORSTUVWXYZ 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

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ABCDEFGHIJKLMNOPQRSTUVWXYZ 


12  Point  No.  61E,  12  Set 

MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which 
conies  after  a  sound  apprenticeship;   that 


12  Point  No.  61E,  12  Set 

MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which 
conies  after  a  sound  apprenticeship;   that 


which  shall  prove  to  be  the  blending  of       wnjcn  snall  prove  to  be  the  blending  of 

a  firm  conception  of  all  useful  precedent 
and  the  progressive  tendencies  of  an  able 
mind.  For,  let  any  man  be  as  able  and 
original  as  he  may,  he  cannot  afford  to 
discard  knowledge  of  what  has  gone  be- 
fore or  what  is  now  going  on  in  his  own 
trade  and  profession.  If  the  printers  of 
today  do  not  wish  to  be  esteemed  arro- 
gant when  they  term  this  calling  of  theirs 
an  art,  they  mast  be  willing,  and  show  that 


a  firm  conception  of  all  useful  precedent 
and  the  progressive  tendencies  of  an  able 
mind.  For,  let  any  man  be  as  able  and 
original  as  he  may,  he  cannot  afford  to 
discard  knowledge  of  what  has  gone  be- 
fore or  what  is  now  going  on  in  his  own 
trade  and  profession.  If  the  printers  of 
today  do  not  wish  to  be  esteemed  arro- 
gant when  they  term  this  calling  of  theirs 
an  art,  they  must  be  willing,  and  show  that 
they  are  willing,  to  subject  it  to  such  laws 
as  have  made  its  sister  arts  so  Jree.  All 
those  concerned  in  what  are  accepted  as  the 


they  are  witting,  to  subject  it  to  such  laws 

12345         abcdefghijklmnopqrstuvwxyz         67890$ 
ABCDEFGHIJKLMNOPORSTUVW 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

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ABCDEFGHIJKLMNOPORSTUVW 


No.  61  Electro  Display  Matrices 

14  Point  No.  61 

THIS  SERIES  IS  EXCLUSIVELY 

Monotype  and  is  Modelled  After  the  Best  Motifs  of  the  French  School 

and  is  bound  to  prove  a  popular  face 

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18  Point  No.   61 

READING  MATTER  COMPOSED 

With  Close-fitting  Letters  is  read  with  more  Speed 
and  with  much  better  Understanding 

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24  Point  No.  61 


SINCE  THE  DAYS  OF  GUTENBERG 

the  Best  Printing  has  always  been 

Produced  with  Single  Types 

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30  Point  No.  61 


THE  HIGH  GRADE 

Magazines  of  America  are 
Composed  on  the  Monotype 

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36  Point  No.  61 


YOU  WASTE 

Money  when  you  buy  type 

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No.  611  Electro  Display  Matrices 

14  Point  No.   611 

IN  PRODUCING  THIS  SERIES  AND 

Ornamental  Borders  to  correspond,  every  effort  has  been  made  to  retain  the 
Simplicity  and  Refinement  of  copper  plate  Engraving 

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18  Point  No.  611 


THE  61  SERIES,  A  NEW  FACE 

for  Book  Work  which  Possesses  the  Charm  of  the  Engraved 

Pages  of  the  Early  French  Masters 

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24  Point  No.   611 


THERE  IS  NO  MACHINE 

made,  nor  a  Combination  of  Machines,  that 

can  do  what  the  Monotype  does 

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30  Point  No.  611 


DISTRIBUTING  TYPE 

is  waste,  New  Type  for  Every  Job 

insures  Perfect  work 

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36  Point  No.   611 


MONOTYPE  SYSTEM 

Means  Continuous  Production 

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THE  MONOTYPE 
MATRIX  LIBRARY 

MONOTYPE  MATRICES  AVAILABLE  ON  RENTAL  BASIS. 
Any  font  shown  in  the  Monotype  Specimen  Book 
furnished  on  rental,  except  as  noted  on  specimen  sheets 
in  Specimen  Book.  Approximately  1800  fonts  from 
which  to  make  a  selection — and  new  fonts  are  being 
added  daily. 

THERE  is  NO  TYPE  DEMAND  from  five  to  thirty-six  point 
that  our  Matrix  Library  will  not  fill.  //  gives  the  printer 
the  type-founder's  profit,  keeping  both  the  cases  and  the 
cash  drawer  full — it  saves  time  and  type  bills. 

THE  MONOTYPE  ELIMINATES  IDLE  TIME — the  sink-hole  of 
profits — using  Library  Matrices  to  turn  idle  time  and 
old  type  into  new  and  up-to-date  type  faces  when 
your  casting-machine  is  not  busy  on  composition. 


IT  COSTS  LESS  TO  MAKE  NEW  TYPE 

ON  THE  MONOTYPE 
THAN  TO  DISTRIBUTE  USED  TYPE 


No.  7 IE.     Book  Arrangement  C 


Composition  Matrices 


6  Point  No.  7 IE,  7  Set 


MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  comes  after  a  sound  appren- 
ticeship; that  which  shall  prove  itself  to  be  the  blending  of  a  firm 
conception  of  useful  precedent  and  the  progressive  tendencies  of  an  able 
mind.  For,  let  a  man  be  as  able  and  original  as  he  may,  he  cannot 
afford  to  discard  knowledge  of  what  has  gone  before  or  what  is  now 
going  on  in  his  own  trade  and  profession.  If  the  printers  of  today 
do  not  wish  to  be  esteemed  arrogant  when  they  term  this  calling  of 
theirs  an  art,  they  must  be  willing,  and  show  that  they  are  willing, 
to  subject  it  to  such  laws  as  have  made  its  sister  arts  so  free.  All 
those  concerned  in  what  are  accepted  as  the  fine  arts,  the  learned 
sciences,  and  professions  surround  themselves  with  the  history,  litera- 
ture, and  concrete  examples  of  work  with  which  they  are  particularly 
engaged.  Yet  it  is  only  in  very  rare  instances  that  such  an  atmosphere, 
with  its  material  appurtenances,  is  to  be  found  in  the  printing  office. 
Art  does  not  flourish  in  hidden  places,  nor  under  restraint,  nor  in 
ignorance  of  what  talent  and  genius  have  accomplished  and  are  ac- 
complishing throughout  the  world.  For  to  follow  precedent  wisely 
does  not  mean  to  imitate  slavishly  one  great  exemplar,  but  to  study 
all  masters  faithfully,  letting  their  great  achievements  sink  slowly 
into  the  mind  in  order  that  we  may  patiently  derive  from  the  richness 
of  our  acquired  knowledge  and  organized  system  an  attitude  of  our 
own.  The  sprightly  minded  young  man,  who  with  his  first  business 
breath  projects  the  new  and  startling,  inevitably  becomes  tiresome, 
and  is  driven  to  an  early  disappearance;  while  the  slower  and  more 
solidly  endowed  student  will  at  least  spend  as  much  of  his  time  in 
avoiding  mistakes  as  in  evolving  brilliant  schemes  wherewith  to  dazzle 
his  contemporaries.  The  best  kind  of  originality  is  that  which  comes 
after  a  sound  apprenticeship;  that  which  shall  prove  itself  to  be  the 
blending  of  a  firm  conception  of  all  useful  precedent  and  the  progressive 
tendencies  of  an  able  mind.  For,  let  a  man  be  as  able  and  original  as  he 

12345  abcdefghijklmnopqrstuvwxyz  67890$ 

ABCDEFGH I J  KLMNOPQ  RSTUVWX  YZ 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

12J45  abcdefghijklmnopqrstuvwxyi  67890$ 

ABCDEFGHIJKLMNOPQRSTUYWXYZ 


8  Point  No.  71E,  8£  Set 
MONOTYPE  FACES 


The  best  kind  of  originality  is  that  which  comes  after  a 
sound  apprenticeship;  that  which  shall  prove  to  be  the 
blending  of  a  firm  conception  of  all  useful  precedent  and 
the  progressive  tendencies  of  an  able  mind.  For,  let  a 
man  be  as  able  and  original  as  he  may,  he  cannot  afford 
to  discard  knowledge  of  what  has  gone  before  or  what  is 
now  going  on  in  his  own  trade  and  profession.  If  the 
printers  of  today  do  not  wish  to  be  esteemed  arrogant 
when  they  term  this  calling  of  theirs  an  art,  they  must  be 
willing,  and  show  that  they  are  willing,  to  subject  it  to 
such  laws  as  have  made  its  sister  arts  so  free.  All  those 
concerned  in  what  are  accepted  as  the  fine  arts,  the  learned 
sciences,  and  the  professions  surround  themselves  with  the 
history,  the  literature,  and  concrete  examples  of  the  work 
with  which  they  are  particularly  engaged.  Yet  it  is  only 
in  very  rare  instances  that  such  an  atmosphere,  with  its 
material  appurtenances,  is  to  be  found  in  a  printing  office. 
Art  does  not  flourish  in  hidden  places,  nor  under  restraint, 
nor  in  ignorance  of  what  talent  and  genius  have  accom- 
plished and  are  now  accomplishing  throughout  the  world. 
For  to  follow  all  precedent  wisely  does  not  mean  to  imitate 
slavishly  one  great  exemplar,  but  to  study  all  masters  faith- 


12345  abcdefghijklmnopqrstuvwxyz 

ABCDEFGH  I J  KLMNOPQRSTU  VWX  YZ 

ABCDEFGH  I JKLMNOPQRSTUVWXYZ 

12345  abcdefghijklmnopqrstuvwxyz  67890$ 

ABCDEFGH 1 JKLMNOPQRSTUVWXYZ 


10  Point  No.  71E,  10  Set 


MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  comes 
after  a  sound  apprenticeship;  that  which  shall 
prove  to  be  the  blending  of  a  firm  conception 
of  all  useful  precedent  and  the  progressive  ten- 
dencies of  an  able  mind.  For,  let  a  man  be  as 
able  and  original  as  he  may,  he  cannot  afford  to 
discard  knowledge  of  what  has  gone  before  or 
what  is  now  going  on  in  his  own  trade  and  pro- 
fession. If  the  printers  of  today  do  not  wish  to 
be  esteemed  arrogant  when  they  term  this  calling 
of  theirs  an  art,  they  must  be  willing,  and  show 
that  they  are  willing,  to  subject  it  to  such  laws 
as  have  made  its  sister  arts  so  free.  All  those 
concerned  in  what  are  accepted  as  the  fine  arts, 
the  learned  sciences,  and  the  professions  surround 
themselves  with  the  history,  the  literature,  and  con- 
crete examples  of  the  work  with  which  they  are 


MONOTYPE  FACES 


The  best  kind  of  originality  is  that  which  comes 
after  a  sound  apprenticeship;  that  which  shall 
prove  to  be  the  blending  of  a  firm  conception 
of  all  useful  precedent  and  the  progressive  ten- 
dencies of  an  able  mind.  For,  let  a  man  be  as 
able  and  original  as  he  may,  he  cannot  afford  to 
discard  knowledge  of  what  has  gone  before  or 
what  is  now  going  on  in  his  own  trade  and  pro- 
fession. If  the  printers  of  today  do  not  wish  to 
be  esteemed  arrogant  when  they  term  this  calling 
of  theirs  an  art,  they  must  be  willing,  and  show 
that  they  are  willing,  to  subject  it  to  such  laws 
as  have  made  its  sister  arts  so  free.  All  those 
concerned  in  what  are  accepted  as  the  fine  arts, 
the  learned  sciences,  and  the  professions  surround 
themselves  with  the  history,  literature,  and  con- 
crete examples  of  the  work  with  which  they  are 
particularly  engaged.  Yet  it  is  only  in  rare  in- 
stances  that  such  an  atmosphere,  with  its  material 
appurtenances,  is  to  be  found  in  a  printing  office. 


12345       abcdefghijklmnopqrstuvwxyz     67890$ 
ABCDEFGHIJKLMNOPQRSTUVWXYZ 

ABCDEFGH  I J  KLMNOPQRSTU  VWX  YZ 

12345        abcdefghijklmnopqrstuvwxyz       67890$ 
ABCDEFGHIJKLMNOPQRSTUVWX  YZ 


No.  7 IE.     Book  Arrangement  C 
Composition  Matrices 


MONOTYPE  FACES 

The  very  best  kind  of  originality  is  that  which 
comes  after  a  thorough  apprenticeship;  that 
which  shall  prove  to  be  the  blending  of  a 
firm  conception  of  all  useful  precedent  and 
the  progressive  tendencies  of  an  able  mind. 
For,  let  a  man  be  as  able  and  original  as  he 
may,  he  cannot  afford  to  discard  knowledge 
of  what  has  gone  before  or  what  is  now  going 
on  in  his  own  trade  and  profession.  If  the 
printers  of  today  do  not  wish  to  be  esteemed 
arrogant  when  they  term  this  calling  of  theirs 
an  art,  they  must  be  willing,  and  show  that 
they  are  willing,  to  subject  it  to  such  laws  as 
have  made  its  sister  arts  so  free.  All  those 
concerned  in  what  are  accepted  as  the  fine  arts, 


11  Point  No.  71E,  11  Set 

MONOTYPE  FACES 

The  very  best  kind  of  originality  is  that  which 
comes  after  a  thorough  apprenticeship;  that 
which  shall  prove  to  be  the  blending  of  a 
firm  conception  of  all  useful  precedent  and 
the  progressive  tendencies  of  an  able  mind. 
For,  let  a  man  be  as  able  and  original  as  he 
may,  he  cannot  afford  to  discard  knowledge 
of  what  has  gone  before  or  what  is  now  going 
on  in  his  own  trade  and  profession.  If  the 
printers  of  today  do  not  wish  to  be  esteemed 
arrogant  when  they  term  this  calling  of  theirs 
an  art,  they  must  be  willing,  and  show  that 
they  are  willing,  to  subject  it  to  such  laws  as 
have  made  its  sister  arts  so  free.  All  those 
concerned  in  what  are  accepted  as  the  fine 
arts,  the  learned  sciences,  and  professions  sur- 
round  themselves  with  the  history,  literature,  and 
concrete  examples  of  work  with  which  they  are 


the  learned  sciences,  and  professions  surround 

12345   abcdefghijklmnopqrstuvwxyz  67890$ 
ABCDEFGH I J  KLMNOPQRSTUVWXYZ 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

12345     abcdefghijklmnopqrstuvwxyz     67890$ 
ABCDEFGHIJKLMNOPQRSTUVWXYZ 


12  Point  No.  71E,  12  Set 

MONOTYPE  FACES  MONOTYPE  FACES 


The  best  kind  of  originality  is  that  which 
comes  after  a  sound  apprenticeship;  that 
which  shall  prove  to  be  the  blending  of 
a  firm  conception  of  all  useful  precedent 
and  the  progressive  tendencies  of  an  able 
mind.  For,  let  any  man  be  as  able  and 
original  as  he  may,  he  cannot  afford  to 
discard  knowledge  of  what  has  gone  be- 
fore or  what  is  now  going  on  in  his  own 
trade  and  profession.  If  the  printers  of 
today  do  not  wish  to  be  esteemed  arro- 
gant when  they  term  this  calling  of  theirs 


The  best  kind  of  originality  is  that  which 
comes  after  a  sound  apprenticeship;  that 
which  shall  prove  to  be  the  blending  of 
a  firm  conception  of  all  useful  precedent 
and  the  progressive  tendencies  of  an  able 
mind.  For,  let  any  man  be  as  able  and 
original  as  he  may,  he  cannot  afford  to 
discard  knowledge  of  what  has  gone  be- 
fore or  what  is  now  going  on  in  his  own 
trade  and  profession.  If  the  printers  of 
today  do  not  wish  to  be  esteemed  arro- 
gant when  they  term  this  calling  of  theirs 
an  art,  they  must  be  willing,  and  show  that 
they  are  willing,  to  subject  it  to  such  laws 


12345      abcdefghijklmnopqrstuvwxyz     67890$ 
ABCDEFGH  I J  KLMNOPQRSTUVWXYZ 

ABCDEFGH  I J  KLMNOPQRSTU  VWXYZ 

12345        abcdefghijklmnopqrstuvwxyi       67890$ 
ABCDEFGHIJKLMNOPQRSTUVWXYZ 


No.  71  Electro  Display  Matrices 

18  Point  No.  71 

SAVES  ELECTROTYPING  EXPENSE 

The  Monotype  will  put  this  Money  in  Your  Own  Pocket,  Besides 
what  You  Save  on  New  Type  Bills 

$1234567890 


24  Point  No.  71 


ALL  SPACES  AND  QUADS 

From  5  Point  to  36  Point  are  Cast  on  the 

Monotype  from  Waste  Metal 

$1234567890 


30  Point  No.  71 


60  EMS  PICA 

The  Unequalled  Range  of  the  Busy 
and  Versatile  Monotype 

$1234567890 


36  Point  No.  71 


NEW  TYPE 

Think  of  it!  Nothing  but  New 
Type  for  Every  Job 

$1234567890 


No.  134E.     Book  Arrangement  C 


Composition  Matrices 


6  Point  No.  134E,  6  Set 

MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  comes  after  a  sound  apprenticeship; 
that  which  shall  prove  to  be  the  blending  of  a  firm  conception  of  all  useful  pre- 
cedent and  the  progressive  tendencies  of  an  able  mind.  For,  let  a  man  be  as  able 
and  original  as  he  may,  he  cannot  afford  to  discard  knowledge  of  what  has  gone 
before  or  what  is  now  going  on  in  his  own  trade  and  profession.  If  the  printers 
of  today  do  not  wish  to  be  esteemed  arrogant  when  they  term  this  calling  of  theirs 
an  art,  they  must  be  willing,  and  show  that  they  are  willing,  to  subject  it  to  such 
laws  as  have  made  its  sister  arts  so  free.  All  those  concerned  in  what  are  accepted 
as  the  fine  arts,  the  learned  sciences,  and  professions  surround  themselves  with  the 
history,  literature,  and  concrete  examples  of  the  work  with  which  they  are  particu- 
larly engaged.  Yet  it  is  only  in  rare  instances  that  such  an  atmosphere,  with  its 
material  appurtenances,  is  to  be  found  in  a  printing  office.  Art  does  not  flourish 
in  hidden  places,  nor  under  restraint,  nor  in  ignorance  of  what  talent  and  genius 
have  accomplished  and  are  accomplishing  throughout  the  world.  For  to  follow 
precedent  wisely  does  not  mean  to  imitate  slavishly  one  great  exemplar,  but  to 
study  all  masters  faithfully,  letting  their  great  achievements  sink  slowly  into  the 
mind  in  order  that  we  may  patiently  derive  from  the  richness  of  our  acquired 
knowledge  and  organized  system  an  attitude  of  our  own.  The  sprightly  minded 
young  man,  who  with  his  first  business  breath  projects  the  new  and  startling, 
inevitably  becomes  tiresome,  and  is  driven  to  an  early  disappearance;  while  the 
slower,  more  solidly  endowed  student  will  at  least  spend  as  much  of  his  time  in 
avoiding  mistakes  as  in  evolving  the  brilliant  schemes  wherewith  to  dazzle  his 
contemporaries.  The  best  kind  of  originality  is  that  which  comes  after  a  sound 
apprenticeship;  that  which  shall  prove  to  be  the  blending  of  a  firm  conception  of 
all  useful  precedent  and  the  progressive  tendencies  of  an  able  mind.  For,  let  a 
man  be  as  able  and  original  as  he  may,  he  cannot  afford  to  discard  knowledge  of 
what  has  gone  before  or  what  is  now  going  on  in  his  own  trade  and  profession. 
If  the  printers  of  today  do  not  wish  to  be  esteemed  arrogant  when  they  term  this 
calling  of  theirs  an  art,  they  must  be  willing,  and  show  that  they  are  willing,  to 

abcdefghijklmnopqrstuvwxyz 
ABCDEFGHIJKLMNOPQRSTUVWXYZ 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 
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8  Point  No.  134E,  8  Set 


MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  comes  after  a  sound 
apprenticeship;  that  which  shall  prove  to  be  the  blending  of 
a  firm  conception  of  all  useful  precedent  and  the  progressive 
tendencies  of  an  able  mind.  For,  let  a  man  be  as  able  and 
original  as  he  may,  he  cannot  afford  to  discard  knowledge 
of  what  has  gone  before  or  what  is  now  going  on  in  his  own 
trade  and  profession.  If  the  printers  of  today  do  not  wish 
to  be  esteemed  arrogant  when  they  term  this  calling  of  theirs 
an  art,  they  must  be  willing,  and  show  that  they  are  willing, 
to  subject  it  to  such  laws  as  have  made  its  sister  arts  so  free. 
All  those  concerned  in  what  are  accepted  as  the  fine  arts, 
the  learned  sciences,  and  the  professions  surround  themselves 
with  the  history,  the  literature,  and  concrete  examples  of  the 
work  with  which  they  are  more  particularly  engaged.  Yet  it 
is  only  in  rare  instances  that  such  an  atmosphere,  with  its 
material  appurtenances,  is  to  be  found  in  a  printing  office. 
Art  does  not  flourish  in  hidden  places,  nor  under  restraint, 
nor  in  ignorance  of  what  talent  and  genius  have  accomplished 
and  are  accomplishing  throughout  the  world.  For  to  follow 
precedent  wisely  does  not  mean  to  imitate  slavishly  one  great 
exemplar,  but  to  study  all  masters  faithfully,  letting  their  great 
achievements  sink  slowly  into  the  mind  in  order  that  we  may 

abcdefghi  j  klmnopqrstuvwxyz 
ABCDEFGHIJKLMNOPQRSTUVWXYZ 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

$1234567890 


10  Point  No.  134E,  9£  Set 

MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  comes  after 
a  sound  apprenticeship;  that  which  shall  prove  to 
be  the  blending  of  a  firm  conception  of  all  useful 
precedent  and  the  progressive  tendencies  of  an  able 
mind.  For,  let  a  man  be  as  able  and  original  as  he 
may,  he  cannot  afford  to  discard  knowledge  of  what 
has  gone  before  or  what  is  now  going  on  in  his  own 
trade  and  profession.  If  the  printers  of  today  do  not 
wish  to  be  esteemed  too  arrogant  when  they  term 
this  calling  of  theirs  an  art,  they  must  be  willing, 
and  show  that  they  are  willing,  to  subject  it  to  such 
laws  as  have  made  its  sister  arts  so  free.  All  those 
concerned  in  what  are  accepted  as  the  fine  arts,  the 
learned  sciences,  and  professions  surround  themselves 
with  the  history,  literature,  and  concrete  examples  of 
the  work  with  which  they  are  particularly  engaged. 
Yet  it  is  only  in  rare  instances  that  such  an  atmos- 
phere, with  all  its  material  appurtenances,  is  to  be 
found  in  a  printing  office.  Art  does  not  flourish  in 
hidden  places,  nor  under  restraint,  nor  in  ignorance 
of  what  talent  and  genius  have  accomplished  and 

abcdefghi  j  klmnopqrstuvwxyz 
ABCDEFGHIJKLMNOPQRSTUVWXYZ 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

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12  Point  No.  134E,  11 J  Set 

MONOTYPE  FACES 
The  best  kind  of  originality  is  that  which 
comes  after  a  sound  apprenticeship;  that 
which  shall  prove  to  be  the  blending  of 
a  firm  conception  of  all  useful  precedent 
and  the  progressive  tendencies  of  an  able 
mind.  For,  let  any  man  be  as  able  and 
original  as  he  may,  he  cannot  afford  to 
discard  knowledge  of  what  has  gone  before 
or  what  is  now  going  on  in  his  own  trade 
and  profession.  If  the  printers  of  today  do 
not  wish  to  be  esteemed  too  arrogant  when 
they  term  this  calling  of  theirs  an  art,  they 
must  be  willing,  and  show  that  they  are 
willing,  to  subject  it  to  such  laws  as  have 
made  its  sister  arts  so  free.  All  those  con- 
cerned in  what  are  accepted  as  the  fine  arts, 
the  learned  sciences,  and  the  professions  sur- 
round themselves  with  the  history,  the  liter- 

abcdef ghij  klmnopqrstuvwxyz 
ABCDEFGHIJKLMNOPQRSTUVWX 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

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Type  Storage  Equipment 


TYPE  STORAGE  BOXES 
One-half  Size 


type  boxes  and  cabinets  embody  our 
-*•  experience  in  installing   the  Non-Distribution 
System  in  hundreds  of  printing  offices. 

We  originated  Non-Distribution,  the  greatest 
composing-room  economy  since  the  invention  of 
composing  machines,  and  when  it  comes  to  equip- 
ment for  use  with  this  system:  We  don't  guess — 
we  know. 


The  cabinet  shown  here  is 
so  proportioned  that  three, 
side  by  side,  will  go  back 
of  a  standard  frame.  For 
storage  against  a  wall  they 
may  be  placed  one  above 
the  other,  the  feet  of  the 
upper  cabinet  fitting  into 
pockets  in  the  lower  unit. 
They  are  strongly  built 
of  electrically  welded  steel 
and  will  last  a  lifetime. 


The  boxes,  which  are  made 
in  three  sizes  (see  above) 
may  be  arranged  so  that  a 
cabinet  will  store  one  font 
of  450  pounds,  or  two  fonts 
of  225  pounds  each,  or  three 
fonts  of  150  pounds  each. 

The  back  of  the  box  is 
made  scoop-shape  to  make 
the  filling  of  cases  easier. 

Letter  labels  furnished 
without  extra  charge. 


SINGLE  CABINET  UNIT 
37  >4  x  23  x  6fi  inches 


The  prices  of  this  steel  storage  equipment  are  so  low  that  no  printer  need 
deny  himself  the  great  convenience  of  Non-Distribution 


No.  157E.     Book  Arrangement  C 


Composition  Matrices 


6  Point  No.  157E,  7  Set 


8  Point  No.  157E,  8J  Set 


MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  comes  after  a  sound  appren- 
ticeship; that  which  shall  prove  itself  to  be  the  blending  of  a  firm 
conception  of  useful  precedent  and  the  progressive  tendencies  of  an  able 
mind.  For,  let  a  man  be  as  able  and  original  as  he  may,  he  cannot 
afford  to  discard  knowledge  of  what  has  gone  before  or  what  is  now 
going  on  in  his  own  trade  and  profession.  If  the  printers  of  today 
do  not  wish  to  be  esteemed  arrogant  when  they  term  this  calling  of 
theirs  an  art,  they  must  be  willing,  and  show  that  they  are  willing, 
to  subject  it  to  such  laws  as  have  made  its  sister  arts  so  free.  All 
those  concerned  in  what  are  accepted  as  the  fine  arts,  the  learned 
sciences,  and  professions  surround  themselves  with  the  history,  litera- 
ture, and  concrete  examples  of  work  with  which  they  are  particularly 
engaged.  Yet  it  is  only  in  rare  instances  that  such  an  atmosphere, 
with  its  material  appurtenances,  is  to  be  found  in  the  printing  office. 
Art  does  not  flourish  in  the  hidden  places,  nor  under  restraint,  nor  in 
ignorance  of  what  talent  and  genius  have  accomplished  and  are  now 
accomplishing  throughout  the  world.  For  to  follow  precedent  wisely 
does  not  mean  to  imitate  slavishly  one  great  exemplar,  but  to  study 
all  the  masters  faithfully,  letting  their  great  achievements  sink  slowly 
into  the  mind  in  order  that  we  may  .patiently  derive  from  the  richness 
of  our  acquired  knowledge  and  organized  system  an  attitude  of  our 
own.  The  sprightly  minded  young  man,  who  with  his  first  business 
breath  projects  the  new  and  startling,  inevitably  becomes  tiresome, 
and  is  driven  to  an  early  disappearance;  while  the  slower  and  more 
solidly  endowed  student  will  at  least  spend  as  much  of  his  time  in 
avoiding  mistakes  as  in  evolving  brilliant  schemes  wherewith  to  dazzle 
his  contemporaries.  The  best  kind  of  originality  is  that  which  comes 
after  a  sound  apprenticeship;  that  which  shall  prove  itself  to  be  the 
blending  of  a  firm  conception  of  all  useful  precedent  and  the  progressive 
tendencies  oj  an  able  mind.  For,  let  any  man  be  as  able  and  original  as  he 

12345  abcdefghijklmnopqrstuvwxyz  67890$ 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

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ABCDEFGHIJKLMNOPQRSTUVWXYZ 


MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  comes  after  a 
sound  apprenticeship;  that  which  shall  prove  to  be  the 
blending  of  a  firm  conception  of  all  useful  precedent  and 
the  progressive  tendencies  of  an  able  mind.  For,  let  a 
man  be  as  able  and  original  as  he  may,  he  cannot  afford 
to  discard  knowledge  of  what  has  gone  before  or  what  is 
now  going  on  in  his  own  trade  and  profession.  If  the 
printers  of  today  do  not  wish  to  be  esteemed  arrogant 
when  they  term  this  calling  of  theirs  an  art,  they  must  be 
willing,  and  show  that  they  are  willing,  to  subject  it  to 
such  laws  as  have  made  its  sister  arts  so  free.  All  those 
concerned  in  what  are  accepted  as  the  fine  arts,  the  learned 
sciences,  and  the  professions  surround  themselves  with  the 
history,  the  literature,  and  concrete  examples  of  the  work 
with  which  they  are  particularly  engaged.  Yet  it  is  only 
in  very  rare  instances  that  such  an  atmosphere,  with  its 
material  appurtenances,  is  to  be  found  in  a  printing  office. 
Art  does  not  flourish  in  hidden  places,  nor  under  restraint, 
nor  in  ignorance  of  what  talent  and  genius  have  accom- 
plished and  are  now  accomplishing  throughout  the  world. 
For  to  follow  all  precedent  wisely  does  not  mean  to  imitate 
slavishly  one  great  exemplar,  but  to  study  all  masters  faith- 

12345  abcdefghijklmnopqrstuvwxyz  67890$ 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

12345  abcdefghijklmnopqrstuvwxyz  67890$ 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 


10  Point  No.  157E,  10i  Set 

MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  comes 
after  a  sound  apprenticeship;  that  which  shall 
prove  to  be  the  blending  of  a  firm  conception 
of  all  useful  precedent  and  the  progressive  ten- 
dencies of  an  able  mind.  For,  let  a  man  be  as 
able  and  original  as  he  may,  he  cannot  afford 
to  discard  knowledge  of  what  has  gone  before 
or  what  is  now  going  on  in  his  own  trade  and 
profession.  If  the  printers  of  today  do  not  wish 
to  be  esteemed  arrogant  when  they  term  this 
calling  of  theirs  an  art,  they  must  be  willing, 
and  show  that  they  are  willing,  to  subject  it  to 
such  laws  as  have  made  its  sister  arts  so  free. 
All  those  concerned  in  what  are  accepted  as 
the  fine  arts,  the  learned  sciences,  and  the  pro- 
fessions surround  themselves  with  the  history, 
the  literature,  and  concrete  examples  of  the  work 
with  which  they  are  particularly  engaged.  Yet  it 

12345      abcdefghijklmnopqrstuvwxyz    67890$ 
ABCDEFGHIJKLMNOPQRSTUVWXYZ 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

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ABCDEFGHIJKLMNOPQRSTUVWXYZ 


11  Point  No.  157E,  11  Set 

MONOTYPE  FACES 
The  best  kind  of  originality  is  that  which 
comes  after  a  sound  apprenticeship;  that 
which  shall  prove  to  be  the  blending  of  a  firm 
conception  of  all  useful  precedent  and  the 
progressive  tendencies  of  an  able  mind.  For, 
let  a  man  be  as  able  and  original  as  he  may, 
he  cannot  afford  to  discard  knowledge  of 
what  has  gone  before  or  what  is  now  going 
on  in  his  own  trade  and  profession.  If  the 
printers  of  today  do  not  wish  to  be  esteemed 
too  arrogant  when  they  term  this  calling  of 
theirs  an  art,  they  must  be  willing,  and  show 
that  they  are  willing,  to  subject  it  to  such 
laws  as  have  made  its  sister  arts  so  free. 
All  those  concerned  in  what  are  accepted  as 
the  fine  arts,  the  learned  sciences,  and  profes- 

12345    abcdefghijklmnopqrstuvwxyz  67890$ 
ABCDEFGHIJKLMNOPQRSTUVWXYZ 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

12345      abcdefghijklmnopqrstuvwxyz    67890$ 
ABCDEFGHIJKLMNOPQRSTUVWXYZ 


No.  157E.     Book  Arrangement  C 


Composition  Matrices 


12  Point  No. 

MONOTYPE  FACES 
The  best  kind  of  originality  is  that  which 
comes  after  a  sound  apprenticeship;  that 
which  shall  prove  to  be  the  blending  of 
a  firm  conception  of  all  useful  precedent 
and  the  progressive  tendencies  of  an  able 
mind.  For,  let  any  man  be  as  able  and 
original  as  he  may,  he  cannot  afford  to 
discard  knowledge  of  what  has  gone  be- 
fore or  what  is  now  going  on  in  his  own 
trade  and  profession.  If  the  printers  of 
today  do  not  wish  to  be  esteemed  arro- 
gant when  they  term  this  calling  of  theirs 
an  art,  they  must  be  willing,  and  show 
that  they  are  willing,  to  subject  it  to  such 
laws  as  have  made  its  sister  arts  so  free. 


157E,  12  Set 


MONOTYPE  FACES 


The  best  kind  of  originality  is  that  which 
comes  after  a  sound  apprenticeship;  that 
which  shall  prove  to  be  the  blending  of 
a  firm  conception  of  all  useful  precedent 
and  the  progressive  tendencies  of  an  able 
mind.  For,  let  any  man  be  as  able  and 
original  as  he  may,  he  cannot  afford  to 
discard  knowledge  of  what  has  gone  be- 
fore or  what  is  now  going  on  in  his  own 
trade  and  profession.  If  the  printers  of 
today  do  not  wish  to  be  esteemed  arro- 
gant when  they  term  this  calling  of  theirs 
an  art,  they  must  be  willing,  and  show 
that  they  are  willing,  to  subject  it  to  such 
laws  as  have  made  its  sister  arts  so  free. 
All  those  concerned  in  what  are  accepted  as 
the  fine  arts,  the  learned  sciences,  and  the 


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ABCDEFGHIJKLMNOPQRSTUVWXYZ 

ABCDEFGH I JKLMNOPQRSTU  VWX  YZ 

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ABCDEFGHIJKLMNOPQRSTUVWXYZ 


No.  157  Electro  Display  Matrices 

14  Point  No.  157 

THE  STYLE  DD  KEYBOARD 

In  the  Composing  Room,  on  any  Class  of  Work,  is  an  Ordinary  Style  D 

Keyboard  with  a  College  Education 

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18  Point  No.  157 

TWO  SIZES  OF  TYPE 

And  Two  Entirely  Different  Measures  Are  But  a 

Small  Part  of  Its  Qualifications 

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24  Point  No.  157 

"USE  TYPE  TO  FILL" 
Means  With  the  DD  That  It  Will  Follow 

Your  Instructions 
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30  Point  No.  157 


THE  OPERATOR 

Finds  His  Work  Is  Made  Easier 

Instead  of  Harder 

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36  Point  No.  157 


THE  OUTPUT 

Is  Often  Nearly  Doubled 

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Quality  and  Service 
Command  the  Price 

THE  MONOTYPE  IS  NOT  SOLD  ON  PRICE 

Discriminating  Printers  purchase  it  for 
the  quality  of  the  composition  and  type 
it  produces  and  the  service  it  gives  in 
converting  machine  hours  into  profitable 
sold  hours. 


QUALITY  pays  hand- 
somely— it  is  the  only 
solid  foundation  on  which  to 
build  a  business.  The  cus- 
tomer you  get  by  low  prices 
is  here  today  and  gone  to- 
morrow; the  customer  you 
get  by  Service  and  Quality  is 
bound  to  you — he  is  one  of 
the  assets  of  your  business. 


SERVICE  is  giving  the  cus- 
tomer what  he  wants 
when  he  wants  it — if  you  talk 
him  into  taking  what  he 
doesn't  want,  you  are  wasting 
your  time  and  his  good-will. 
The  talk  that  gets  Repeat 
Orders  is  the  continuous  con- 
versation of  the  good  job  that 
speaks  for  itself. 


The  Monotype,  by  its  unit  construction  and  flexible 
Matrix  System,  fits  the  needs  of  the  printer  better 
than  any  other  composing  machine. 

Its  Type-&-RuIe  Caster  supplies  every  workman 
with  all  the  material  needed  to  carry  out  the  Non- 
distribution  System  and  thus  produce  the  maximum 
number  of  salable  hours  with  the  minimum  amount  of 
physical  effort. 

Incidentally,  the  service  feature  of  the  Monotype 
is  a  big  help  to  the  salesman.  It  attracts  work  to 
the  office  and  creates  satisfied  customers,  while  the 
quality  of  the  product  commands  the  price. 


No.  172E.     Book  Arrangement  C 


Composition  Matrices 


6  Point  No.  172E,  7  Set 


MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  comes  after  a  sound  appren- 
ticeship; that  which  shall  prove  to  be  the  blending  of  a  firm  concep- 
tion of  all  useful  precedent  and  the  progressive  tendencies  of  an  able 
mind.  For,  let  a  man  be  as  able  and  original  as  he  may,  he  cannot 
afford  to  discard  knowledge  of  what  has  gone  before  or  what  is  now 
going  on  in  his  own  trade  or  his  profession.  If  the  printers  of  today 
do  not  wish  to  be  esteemed  arrogant  when  they  term  this  calling  of 
theirs  an  art,  they  must  be  willing,  and  show  that  they  are  willing, 
to  subject  it  to  such  laws  as  have  made  its  sister  arts  so  free.  All 
those  concerned  in  what  are  accepted  as  the  fine  arts,  the  learned 
sciences,  and  professions  surround  themselves  with  the  history,  litera- 
ture, and  concrete  examples  of  the  work  with  which  they  are  particu- 
larly engaged.  Yet  it  is  only  in  rare  instances  that  such  an  atmos- 
phere, with  its  material  appurtenances,  is  to  be  found  in  a  printing 
office.  Art  does  not  flourish  in  hidden  places,  nor  under  restraint, 
nor  in  ignorance  of  what  talent  and  genius  have  accomplished  and  are 
accomplishing  throughout  the  world.  For  to  follow  precedent  wisely 
does  not  mean  to  imitate  slavishly  one  great  exemplar,  but  to  study 
all  the  masters  faithfully,  letting  their  great  achievements  sink  slowly 
into  the  mind  in  order  that  we  may  patiently  derive  from  the  richness 
of  our  acquired  knowledge  and  organized  system  an  attitude  of  our 
own.  The  sprightly  minded  young  man,  who  with  his  first  busi- 
ness breath  projects  the  new  and  startling,  inevitably  becomes  tire- 
some, and  is  driven  to  an  early  disappearance;  while  the  slower,  more 
solidly  endowed  student  will  at  least  spend  as  much  of  his  time  in 
avoiding  mistakes  as  in  evolving  brilliant  schemes  wherewith  to  dazzle 
his  contemporaries.  The  best  kind  of  originality  is  that  which  comes 
after  a  sound  apprenticeship;  that  which  shall  prove  to  be  the  blend- 
ing of  a  firm  conception  oj  all  usejul  precedent  and  the  progressive  ten- 
dencies of  an  able  mind.  For,  let  a  man  be  as  able  and  original  as  be 

12345  abcdefghijklmnopqrstuvwxyz  67890$ 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

I2)4f  abcdejgbijklmnopqrstuvwxyz  67890$ 

A  BCDEFGHIJKLMNOPQRSTUVWX  YZ 


7  Point  No.  172E,  8  Set 


MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  comes  after  a  sound 
apprenticeship;  that  which  shall  prove  to  be  the  blending  of 
a  firm  conception  of  all  useful  precedent  and  the  progressive 
tendencies  of  an  able  mind.  For,  let  a  man  be  as  able  and 
original  as  he  may,  he  cannot  afford  to  discard  knowledge  of 
what  has  gone  before  or  what  is  now  going  on  in  his  own  trade 
and  profession.  If  the  printers  of  today  do  not  wish  to  be 
esteemed  arrogant  when  they  term  this  calling  of  theirs  an 
art,  they  must  be  willing,  and  show  that  they  are  willing,  to 
subject  it  to  such  laws  as  have  made  its  sister  arts  so  free.  AH 
those  concerned  in  what  are  accepted  as  the  fine  arts,  the 
learned  sciences,  and  the  professions  surround  themselves  with 
the  history,  literature,  and  concrete  examples  of  the  work  with 
which  they  are  particularly  engaged.  Yet  it  is  only  in  rare 
instances  that  such  an  atmosphere,  with  its  material  appur- 
tenances, is  to  be  found  in  a  printing  office.  A_rt  does  not 
flourish  in  hidden  places,  nor  under  restraint,  nor  in  ignorance 
of  what  talent  and  genius  have  accomplished  and  are  accom- 
plishing throughout  the  world.  For  to  follow  precedent  wisely 
does  not  mean  to  imitate  slavishly  one  great  exemplar,  but  to 
study  all  masters  faithfully,  letting  their  great  achievements 
sink  slowly  into  the  mind  in  order  that  we  may  patiently 
derive  from  the  richness  of  our  acquired  knowledge  and  organ- 
ized system  an  attitude  of  our  own.  The  sprightly  minded 
young  man,  who  with  bis  first  business  breath  projects  the  new 
and  startling,  inevitably  becomes  tiresome,  and  is  driven  to  an 

abcdefghijklmnopqrstuvwxyz  67890$ 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

abcde/gbijklmnopqrstuvwxyz  67890$ 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 


12345 


8  Point  No.  172E,  8|  Set 

MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  comes  after  a 
sound  apprenticeship;  that  which  shall  prove  to  be  the 
blending  of  a  firm  conception  of  all  useful  precedent  and 
the  progressive  tendencies  of  an  able  mind.  For,  let  a 
man  be  as  able  and  original  as  he  may,  he  cannot  afford 
to  discard  knowledge  of  what  has  gone  before  or  what  is 
now  going  on  in  his  own  trade  and  profession.  If  the 
printers  of  today  do  not  wish  to  be  esteemed  arrogant 
when  they  term  this  calling  of  theirs  an  art,  they  must 
be  willing,  and  show  that  they  are  willing,  to  subject  it  to 
such  laws  as  have  made  its  sister  arts  so  free.  All  those 
concerned  in  what  are  accepted  as  the  fine  arts,  the  learned 
sciences,  and  the  professions  surround  themselves  with  the 
history,  the  literature,  and  concrete  examples  of  the  work 
with  which  they  may  be  particularly  engaged.  Yet  it  is 
only  in  rare  instances  that  such  an  atmosphere,  with  its 
material  appurtenances,  is  to  be  found  in  a  printing  office. 
Art  does  not  flourish  in  hidden  places,  nor  under  restraint, 
nor  in  ignorance  of  what  talent  and  genius  have  accom- 
plished and  are  now  accomplishing  throughout  the  world. 
For  to  follow  all  precedent  wisely  does  not  mean  to  imitate 
slavishly  one  great  exemplar,  but  to  study  all  masters  faith- 
Jully,  letting  their  great  achievements  sink  slowly  into  the 
mind  in  order  that  we  may  patiently  derive  Jrom  the  richness 

12345  abcdefghijklmnopqrstuvwxyz  67890$ 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

72345  abcdejgbijklmnopqrstuvwxyz  67890$ 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 


9  Point  No.  172E,  9  Set 

MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  comes  after 
a  sound  apprenticeship;  that  which  shall  prove  to  be 
the  blending  of  a  firm  conception  of  all  useful  precedent 
and  the  progressive  tendencies  of  an  able  mind.  For, 
let  a  man  be  as  able  and  original  as  he  may,  he  cannot 
afford  to  discard  knowledge  of  what  has  gone  before  or 
what  is  now  going  on  in  his  own  trade  and  profession. 
If  the  printers  of  today  do  not  wish  to  be  esteemed  too 
arrogant  when  they  term  this  calling  of  theirs  an  art, 
they  must  be  willing,  and  show  that  they  are  willing, 
to  subject  it  to  such  laws  as  have  made  its  sister  arts 
so  free.  All  those  concerned  in  what  are  accepted  as 
the  fine  arts,  the  learned  sciences,  and  the  professions 
surround  themselves  with  the  history,  the  literature,  and 
concrete  examples  of  the  work  with  which  they  may  be 
particularly  engaged.  Yet  it  is  only  in  rare  instances 
that  such  an  atmosphere,  with  its  material  appurte- 
nances, is  to  be  found  in  a  printing  office.  Art  does  not 
flourish  in  hidden  places,  nor  under  restraint,  nor  in 
ignorance  oj  what  talent  and  genius  have  accomplished 
and  are  now  accomplishing  throughout  the  world.  For  to 

12345  abcdefghijklmnopqrstuvwxyz  67890$ 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

72345  abcdejgbijklmnopqrstuvwxyz  67890$ 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 


Old  Style  Figures 

THE  characteristic  of  the  old  style  figure 
which  has  been  handed  down  to  us  from  the 
earliest  designs  of  old  style  type  faces  has 
been  the  irregularity  of  ascending  and  descending 
characters,  usually  termed  old  style  or  "hanging" 
figures.  Consequently,  most  of  our  old  style  faces 
are  shown  here  with  the  proper  figures,  that  is, 
the  old  style  or  hanging  figures,  as  part  of  the  font. 
Recognizing  that  some  printers  desire  to  use  a 
lining  figure,  we  have  designed  old  style  lining 
figures  for  most  of  our  old  style  faces.  Specimens 
of  these  will  be  found  in  the  section  of  this  speci- 
men book  devoted  to  figures  and  can  be  identified 
by  the  symbol  G  following  the  point  size  in  place 
of  F.  In  cases  where  an  old  style  lining  figure 
has  not  been  designed  specially  for  the  face 
selected  the  figure  specimen  sheets  will  show  the 
face  that  is  the  best  match. 

In  ordering  old  style  matrices,  whether  in 
partial  or  complete  fonts,  be  sure  and  specify 
old  style  lining  figures  if  desired,  giving  their 
proper  symbol;  otherwise  we  always  furnish 
standard  old  style  figures  if  made. 


No.  172E.     Book  Arrangement  C 
Composition  Matrices 

10  Point  No.  172E,  10  Set  11  Point  No.  172E,  11  Set 


MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  comes 
after  a  sound  apprenticeship;  that  which  shall 
prove  to  be  the  blending  of  a  firm  conception 
of  all  useful  precedent  and  the  progressive  ten- 
dencies of  an  able  mind.  For,  let  a  man  be  as 
able  and  original  as  he  may,  he  cannot  afford 
to  discard  knowledge  of  what  has  gone  before 
or  what  is  now  going  on  in  his  own  trade  and 
profession.  If  the  printers  of  today  do  not  wish 
to  be  esteemed  arrogant  when  they  term  this 
calling  of  theirs  an  art,  they  must  be  willing, 
and  show  that  they  are  willing,  to  subject  it  to 
such  laws  as  have  made  its  sister  arts  so  free. 
All  those  who  are  concerned  in  what  are  accepted 
as  the  fine  arts,  the  learned  sciences,  and  the  pro- 
fessions surround  themselves  with  the  history,  lit- 
erature, and  concrete  examples  of  the  work  with 
which  they  are  particularly  engaged.  Yet  it  is 
only  in  rare  instances  that  such  an  atmosphere, 
with  its  material  appurtenances,  is  to  be  found  in 

12345         abcdefghijklmnopqrstuvwxyz       67890$ 
ABCDEFGHIJKLMNOPQRSTUVWXYZ 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

12345          abcdefghijklmnopqrstuvwxyz         67890$ 
ABCDEFGHIJKLMNOPQRSTUVWXYZ 


MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which 
comes  after  a  sound  apprenticeship;  that 
which  shall  prove  to  be  the  blending  of  a  firm 
conception  of  all  useful  precedent  and  of  the 
progressive  tendencies  of  an  able  mind.  For, 
let  a  man  be  as  able  and  original  as  he  may, 
he  cannot  afford  to  discard  all  knowledge  of 
what  has  gone  before  or  what  is  now  going 
on  in  his  own  trade  and  profession.  If  the 
printers  of  today  do  not  wish  to  be  esteemed 
too  arrogant  when  they  term  this  calling  of 
theirs  an  art,  they  must  be  willing,  and  show 
that  they  are  willing,  to  subject  it  to  such  laws 
as  have  made  its  sister  arts  so  free.  All  those 
who  are  concerned  in  what  are  accepted  as 
the  fine  arts,  the  learned  sciences,  and  the 
professions  surround  themselves  with  the  history, 
the  literature,  and  concrete  examples  of  the  work 

12345    abcdefghijklmnopqrstuvwxyz    67890$ 
ABCDEFGHIJKLMNOPQRSTUVWXYZ 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

12345      abcdefghijklmnopqrstuvwxyz     67890$ 
ABCDEFGHIJKLMNOPQRSTUVWXYZ 


12  Point  No.  172E,  12  Set 

MONOTYPE  FACES  MONOTYPE  FACES 


The  best  kind  of  originality  is  that  which 
comes  after  a  sound  apprenticeship;  that 
which  shall  prove  to  be  the  blending  of 
a  firm  conception  of  all  useful  precedent 
and  the  progressive  tendencies  of  an  able 
mind.  For,  let  a  man  be  as  able  and  as 
original  as  he  may,  he  cannot  afford  to 
discard  knowledge  of  what  has  gone  be- 
fore or  what  is  now  going  on  in  his  own 
trade  and  profession.  IJ  the  printers  of 


The  best  kind  of  originality  is  that  which 
comes  after  a  sound  apprenticeship;  that 
which  shall  prove  to  be  the  blending  of 
a  firm  conception  of  all  useful  precedent 
and  the  progressive  tendencies  of  an  able 
mind.  For,  let  a  man  be  as  able  and 
original  as  he  may,  he  cannot  afford  to 
discard  knowledge  of  what  has  gone  be- 
fore or  what  is  now  going  on  in  his  own 
trade  and  profession.  If  the  printers  of 
today  do  not  wish  to  be  esteemed  arro- 
gant  when  they  term  this  calling  oj  theirs 


j  j  'II  I  6*»***       I««W»I»      HJVy        kVf  >r»      »IV»O      irtMfrtfMC      \JI       C.A/tH.3 

today  do  not  wish  to  be  esteemed  arrogant       an  artf  they  must  be  wiuing)  and  show  that 

12345        abcdefghijklmnopqrstuvwxyz 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

12345  abcdefghijklmnopqrstuvwxyz 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 


No.  172  Electro  Display  Matrices 

14  Point  No.   172 

MATRIX  LIBRARY  MEMBERS 

Keep  Fonts  on  Hand  for  Use  When  they  Please  as  Long  as  They  Please 

to  Convert  Idle  Time  into  Money 
$1234567890 

18  Point  No.   172 

CHANGE  OUR  TYPE  CASTER 

Into  a  Composing  Machine  when  you  Need  it  Without 

the  Loss  of  a  Single  Penny 
$1234567890 


24  Point  No.  172 


THE  MONOTYPE  KEYBOARD 

It  Separates  Type  Setting  from  Making 

and  Casting  Type 
$1234567890 


30  Point  No.   172 


SIMPLE  JUSTIFICATION 

The  width  of  every  Character  is 

Automatically  Registered 

$1234567890 


36  Point  No.   172 


CHANGE  THE  FACE 

But  not  the  Key  Arrangement 

1234^67800 


No.  242E.    Book  Arrangement  C 


Composition  Matrices 


6  Point  No.  242E,  7  Set 
MONOTYPE  FACES 


8  Point  No.  242E,  8^  Set 


The  best  kind  of  originality  is  that  which  comes  after  a  sound  appren- 
ticeship; that  which  shall  prove  itself  to  be  the  blending  of  a  firm 
conception  of  useful  precedent  and  the  progressive  tendencies  of  an  able 
mind.  For,  let  a  man  be  as  able  and  original  as  he  may,  he  cannot 
afford  to  discard  knowledge  of  what  has  gone  before  or  what  is  now 
going  on  in  his  own  trade  and  profession.  If  the  printers  of  today 
do  not  wish  to  be  esteemed  arrogant  when  they  term  this  calling  of 
theirs  an  art,  they  must  be  willing,  and  show  that  they  are  willing, 
to  subject  it  to  such  laws  as  have  made  its  sister  arts  so  free.  All 
those  concerned  in  what  are  accepted  as  the  fine  arts,  the  learned 
sciences,  and  professions  surround  themselves  with  the  history,  litera- 
ture,  and  concrete  examples  of  work  with  which  they  are  particularly 
engaged.  Yet  it  is  only  in  very  rare  instances  that  such  an  atmosphere, 
with  its  material  appurtenances,  is  to  be  found  in  the  printing  office. 
Art  does  not  flourish  in  hidden  places,  nor  under  restraint,  nor  in 
ignorance  of  what  talent  and  genius  have  accomplished  and  are  ac- 
complishing throughout  the  world.  For  to  follow  precedent  wisely 
does  not  mean  to  imitate  slavishly  one  great  exemplar,  but  to  study 
all  masters  faithfully,  letting  their  great  achievements  sink  slowly 
into  the  mind  in  order  that  we  may  patiently  derive  from  the  richness 
of  our  acquired  knowledge  and  organized  system  an  attitude  of  our 
own.  The  sprightly-minded  young  man,  who  with  his  first  business 
breath  projects  the  new  and  startling,  inevitably  becomes  tiresome, 
and  is  driven  to  an  early  disappearance,  while  the  slower  and  more 
solidly  endowed  student  will  at  least  spend  as  much  of  his  time  in 
avoiding  mistakes  as  in  evolving  brilliant  schemes  wherewith  to  dazzle 
his  contemporaries.  The  best  kind  of  originality  is  that  which  comes 
after  a  sound  apprenticeship;  that  which  shall  prove  itself  to  be  the 
blending  of  a  firm  conception  of  all  usejul  precedent  and  the  progressive 
tendencies  of  an  able  mind.  For,  let  a  man  be  as  able  and  original  as  he 

12345  abcdefghijklmnopqrstuvwxyz  .         67890$ 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

72345  abcdefghijklmnopqrstuvwxyz  67890$ 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 


MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  comes  after  a 
sound  apprenticeship;  that  which  shall  prove  to  be  the 
blending  of  a  firm  conception  of  all  useful  precedent  and 
the  progressive  tendencies  of  an  able  mind.  For,  let  a 
man  be  as  able  and  original  as  he  may,  he  cannot  afford 
to  discard  knowledge  of  what  has  gone  before  or  what  is 
now  going  on  in  his  own  trade  and  profession.  If  the 
printers  of  today  do  not  wish  to  be  esteemed  arrogant 
when  they  term  this  calling  of  theirs  an  art,  they  must  be 
willing,  and  show  that  they  are  willing,  to  subject  it  to 
such  laws  as  have  made  its  sister  arts  so  free.  All  those 
concerned  in  what  are  accepted  as  the  fine  arts,  the  learned 
sciences,  and  the  professions  surround  themselves  with  the 
history,  the  literature,  and  concrete  examples  of  the  work 
with  which  they  are  particularly  engaged.  Yet  it  is  only 
in  very  rare  instances  that  such  an  atmosphere,  with  its 
material  appurtenances,  is  to  be  found  in  a  printing  office. 
Art  does  not  flourish  in  hidden  places,  nor  under  restraint, 
nor  in  ignorance  of  what  talent  and  genius  have  accom- 
plished and  are  now  accomplishing  throughout  the  world. 
For  to  follow  precedent  wisely  does  not  mean  to  imitate 
slavishly  one  great  exemplar,  but  to  study  all  masters 
faithfully,  letting  their  great  achievements  sink  slowly  into  the 
mind  in  order  that  we  may  patiently  derive  from  the  richness 

12345  abcdefghijklmnopqrstuvwxyz  67890$ 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

12345  abcdefghijklmnopqrstuvwxyz  67890$ 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 


10  Point  No.  242E,  10^  Set 

MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  comes 
after  a  sound  apprenticeship;  that  which  shall 
prove  to  be  the  blending  of  a  firm  conception 
of  all  useful  precedent  and  the  progressive  ten- 
dencies of  an  able  mind.  For,  let  a  man  be  as 
able  and  original  as  he  may  he  cannot  afford  to 
discard  knowledge  of  what  has  gone  before  or  what 
is  now  going  on  in  his  own  trade  and  profes- 
sion. If  the  printers  of  today  do  not  wish  to  be 
esteemed  arrogant  when  they  term  this  calling  of 
theirs  an  art,  they  must  be  willing,  and  show  that 
they  are  willing,  to  subject  it  to  such  laws  as  have 
made  its  sister  arts  so  free.  All  those  who  are 
concerned  in  what  are  accepted  as  the  fine  arts, 
the  learned  sciences,  and  the  professions  surround 
themselves  with  the  history,  the  literature,  and 
concrete  examples  of  the  work  with  which  they  are 
particularly  engaged.  Yet  it  is  only  in  rare  in- 

12345       abcdefghijklmnopqrstuvwxyz     67890$ 
ABCDEFGHIJKLMNOPQRSTUVWXYZ 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

12345        abcdefghijklmnopqrstuvwxyz        67890$ 
ABCDEFGHIJKLMNOPQRSTUVWXYZ 


12  Point  No.  242E,  12  Set 

MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which 
comes  after  a  sound  apprenticeship;  that 
which  shall  prove  to  be  the  blending  of  a 
firm  conception  of  all  useful  precedent  and 
the  progressive  tendencies  of  an  able 
mind.  For,  let  a  man  be  as  able  and 
original  as  he  may,  he  cannot  afford  to 
discard  knowledge  of  what  has  gone  be- 
fore or  what  is  now  going  on  in  his  own 
trade  and  profession.  If  the  printers  of 
today  do  not  wish  to  be  esteemed  arrogant 
when  they  term  this  calling  of  theirs  an 
art,  they  must  be  willing,  and  show  that 
they  are  willing,  to  subject  it  to  such  laws 
as  have  made  its  sister  arts  so  free.  All 
12345  abcdefghijklmnopqrstu  67890$ 
ABCDEFGHIJKLMNOPQRSTUVWX 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

72345     abcdefghijklmnopqrstuvw     67890$ 
ABCDEFGHIJKLMNOPQRSTUVWX 


No.  242  Electro  Display  Matrices 

14  Point  No.  242 

THIS  FACE  IS  BASED 

On  an  Early  Model  of  Nicolas  Jenson,  a  Renowned  Printer  of  Venice, 

Engraver  of  Coins  and  Medals 
$1234567890 


18  Point  No.  242 

THE  ROMAN  LETTERS 

Of  Today  are  the  Prototypes  of  Those  of  the  Early 

Italian  Master  Printers 
$1234567890 


24  Point  No.  242 

99 


JENSON'S  "PLINY 
Printed  in  the  Year  1476,  Gave  to  Posterity 
the  First  Roman  Type 
$1234567890 


30  Point  No.  242 


EXQUISITELY 

Proportioned  Pages,  Beautiful  in 

Detail  also  in  the  Mass 

$1234567890 


36  Point  No.  242 


JENSON'S  LAST 
Publication  Appeared  in  1481 

$1234567890 

The  display  italic  of  this  seriesjs  now  complete  and  specimen  sheets  are  being  prepared.     The  italic  is  symbolled  2421 


No.  64J.     Book  Arrangement  C 


Composition  Matrices 


6  Point  No.  64J,  6  Set 


8  Point  No.  64J,  1\  Set 


MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  comes  after  a  sound  apprenticeship; 
that  which  shall  prove  to  be  the  blending  of  a  firm  conception  of  all  useful  precedent 
and  the  progressive  tendencies  of  an  able  mind.  For,  let  a  man  be  as  able  and 
original  as  he  may,  he  cannot  afford  to  discard  knowledge  of  what  has  gone  before 
or  what  is  now  going  on  in  his  own  trade  and  profession.  If  the  printers  of  today 
do  not  wish  to  be  esteemed  arrogant  when  they  term  this  calling  of  theirs  an  art, 
they  must  be  willing,  and  show  that  they  are  willing,  to  subject  it  to  such  laws  as 
have  made  its  sister  arts  so  free.  All  those  concerned  in  what  are  accepted  as  the 
fine  arts,  the  learned  sciences  and  the  professions,  surround  themselves  with  the 
history,  literature,  and  concrete  examples  of  the  work  with  which  they  are  par- 
ticularly engaged.  Yet  it  is  only  in  rare  instances  that  such  an  atmosphere,  with 
its  material  appurtenances,  is  to  be  found  in  a  printing  office.  Art  does  not  flourish 
in  hidden  places,  nor  under  restraint,  nor  in  ignorance  of  what  talent  and  genius 
have  accomplished  and  are  accomplishing  throughout  the  world.  For  to  follow 
precedent  wisely  does  not  mean  to  imitate  slavishly  one  great  exemplar,  but  to 
study  all  masters  faithfully,  letting  their  great  achievements  sink  slowly  into  the 
mind  in  order  that  we  may  patiently  derive  from  the  richness  of  our  acquired 
knowledge  and  organized  system  an  attitude  of  our  own.  The  sprightly  minded 
young  man,  who  with  his  first  business  breath  projects  the  new  and  startling, 
inevitably  becomes  tiresome,  and  is  driven  to  an  early  disappearance;  while  the 
slower,  more  solidly  endowed  student  will  at  least  spend  as  much  of  his  time  in 
avoiding  mistakes  as  in  evolving  brilliant  schemes  wherewith  to  dazzle  his  con- 
temporaries. The  best  kind  of  originality  is  that  which  comes  after  a  sound 
apprenticeship;  that  which  shall  prove  to  be  the  blending  of  a  firm  conception  of 
all  useful  precedent  and  the  progressive  tendencies  of  an  able  mind.  For,  let  a 
man  be  as  able  and  original  as  he  may,  he  cannot  afford  to  discard  knowledge  of 
what  has  gone  before  or  what  is  now  going  on  in  his  own  trade  and  profession. 
If  the  printers  of  today  do  not  wish  to  be  esteemed  arrogant  when  they  term  this 
calling  of  theirs  an  art,  they  must  be  willing,  and  show  that  they  are  willing,  to 
subject  it  to  such  laws  as  have  made  its  sister  arts  so  free.  All  those  concerned 
in  what  are  accepted  as  the  fine  arts,  the  learned  sciences  and  professions,  surround 

abcdefghijklmnopqrstuvwxyz 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

$1234567890 


MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  comes  after  a  sound  ap- 
prenticeship; that  which  shall  prove  to  be  the  blending  of  a  firm 
conception  of  all  useful  precedent  and  the  progressive  tendencies  of 
an  able  mind.  For,  let  a  man  be  as  able  and  original  as  he  may, 
he  cannot  afford  to  discard  knowledge  of  what  has  gone  before  or 
what  is  now  going  on  in  his  own  trade  and  profession.  If  the  print- 
ers of  today  do  not  wish  to  be  esteemed  arrogant  when  they  term 
this  calling  of  theirs  an  art,  they  must  be  willing,  and  show  that 
they  are  willing,  to  subject  it  to  such  laws  as  have  made  its  sister 
arts  so  free.  All  those  concerned  in  what  are  accepted  as  the  fine 
arts,  the  learned  sciences  and  the  professions,  surround  themselves 
with  the  history,  the  literature,  and  concrete  examples  of  the  work 
with  which  they  are  particularly  engaged.  Yet  it  is  only  in  rare 
instances  that  such  an  atmosphere,  with  its  material  appurtenances, 
is  to  be  found  in  a  printing  office.  Art  does  not  flourish  in  hidden 
places,  nor  under  restraint,  nor  in  ignorance  of  what  talent  and 
genius  have  accomplished  and  are  accomplishing  throughout  the 
world.  For  to  follow  precedent  wisely  does  not  mean  to  imitate 
slavishly  one  great  exemplar,  but  to  study  all  masters  faithfully, 
letting  their  great  achievements  sink  slowly  into  the  mind  in  order 
that  we  may  patiently  derive  from  the  richness  of  our  acquired 
knowledge  and  organized  system  an  attitude  of  our  own.  The 
sprightly  minded  young  man,  who  with  his  first  business  breath 
projects  the  new  and  startling,  inevitably  becomes  tiresome,  and  is 

abcdefghijklmnopqrstuvwxyz 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

$1234567890 


10  Point  No.  64 J,  9  Set 

MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  comes  after 
a  sound  apprenticeship;  that  which  shall  prove  to  be 
the  blending  of  a  firm  conception  of  all  useful  precedent 
and  the  progressive  tendencies  of  an  able  mind.  For, 
let  a  man  be  as  able  and  original  as  he  may,  he  cannot 
afford  to  discard  knowledge  of  what  has  gone  before  or 
what  is  now  going  on  in  his  own  trade  and  profession. 
If  the  printers  of  today  do  not  wish  to  be  esteemed 
arrogant  when  they  term  this  calling  of  theirs  an  art, 
they  must  be  willing,  and  show  that  they  are  willing, 
to  subject  it  to  such  laws  as  have  made  its  sister  arts 
so  free.  All  those  concerned  in  what  are  accepted  as 
the  fine  arts,  the  learned  sciences  and  the  professions, 
surround  themselves  with  the  history,  literature,  and 
concrete  examples  of  the  work  with  which  they  are 
particularly  engaged.  Yet  it  is  only  in  rare  instances 
that  such  an  atmosphere,  with  its  material  appurten- 
ances, is  to  be  found  in  a  printing  office.  Art  does  not 
flourish  in  hidden  places,  nor  under  restraint,  nor  in 
ignorance  of  what  talent  and  genius  have  accomplished 
and  are  accomplishing  throughout  the  world.  For  to 
follow  precedent  wisely  does  not  mean  to  imitate  slav- 

abcdefghijklmnopqrstuvwxyz 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

$1234567890 


12  Point  No.  64 J,  10£  Set 

MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  comes 
after  a  sound  apprenticeship  ;  that  which  shall 
prove  to  be  the  blending  of  a  firm  conception 
of  all  useful  precedent  and  the  progressive  ten- 
dencies of  an  able  mind.  For,  let  a  man  be  as 
able  and  original  as  he  may,  he  cannot  afford 
to  discard  knowledge  of  what  has  gone  before 
or  what  is  now  going  on  in  his  own  trade  and 
profession.  If  the  printers  of  today  do  not 
wish  to  be  esteemed  arrogant  when  they  term 
this  calling  of  theirs  an  art,  they  must  be  will- 
ing, and  show  that  they  are  willing,  to  subject 
it  to  such  laws  as  have  made  its  sister  arts  so 
free.  All  those  concerned  in  what  are  accepted 
as  the  fine  arts,  the  learned  sciences  and  pro- 
fessions, surround  themselves  with  the  history, 
literature,  and  concrete  examples  of  the  work 
with  which  they  are  particularly  engaged.  Yet 

abcdefghijklmnopqrstuvwxyz 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

$1234567890 


No.  64  Electro  Display  Matrices 

14  Point  No.  64 

BETTER  THAN  FOUNDRY  TYPE  ONCE  USED 
Monotype  Product  is  Always  New.    It  is  Always  Ready  to  Print  and  Ready  to 

Sell  to  your  Satisfied  Customer  at  a  Profit 
$1234567890 

18  Point  No.  64 

THE  MONOTYPE  WILL  DO 

Anything  that  a  Compositor  at  the  Case  can  do,  and  not  only  do 

it  Better  but  will  do  it  More  Quickly 

$1234567890 


24  Point  No.  64 


RAILROAD  TARIFFS 

And  Intricate  Tables  Composed  Exclusively  on  The 
Versatile  and  Accurate  Monotype 

$1234567890 


30  Point  No.  64 


FACE  OR  MEASURE 

Changed  Simply,  Like  Setting  a  Stick,  and 
with  Just  as  Much  Speed 

$1234567890 


36  Point  No.  64 


SAVES  TYPE  BILLS 

And  Time  Lost  Waiting  for  Sorts 

$1234567890 


No.  64K.     Book  Arrangement  C 


Composition  Matrices 


6  Point  No.  64K,  6  Set 


MONOTYPE  FACES 

The  test  $iW  of  originality  ii  that  which  comes  after  a  sound  apprenticeship;  that 
which  shall  prove  to  be  the  blending  of  a  firm  conception  of  all  useful  precedent  and  the 
progressive  tendencies  of  an  able  mind.  For,  let  a  man  be  as  able  and  original  as  he 
may,  he  cannot  afford  to  discard  knowledge  of  what  has  gone  before  or  what  is  now 
going  on  in  his  own  trade  and  profession.  If  the  printers  of  today  do  not  Wish  to  be 
esteemed  arrogant  when  they  term  this  calling  of  theirs  an  art,  they  must  be  willing, 
and  show  that  they  are  willing,  to  subject  it  to  such  laws  as  have  made  its  sister  arts  so 
free.  All  those  concerned  in  what  are  accepted  as  the  fine  arts,  the  learned  sciences 
and  the  professions,  surround  themselves  With  the  history,  literature,  and  concrete  ex- 
amples of  the  mark  with  which  they  are  particularly  engaged.  Yet  it  is  only  in  rare 
instances  that  such  an  atmosphere,  With  its  material  appurtenances,  is  to  be  found 
in  a  printing  office.  Art  does  not  flourish  in  hidden  places,  nor  under  restraint,  nor 
in  ignorance  of  what  talent  and  genius  have  accomplished  and  are  now  accomplishing 
throughout  the  world.  For  to  follow  precedent  Wisely  does  not  mean  to  imitate  slavishly 
one  great  exemplar,  but  to  study  all  masters  faithfully,  letting  their  great  achievements 
sink  slowly  into  the  mind  in  order  that  we  may  patiently  derive  from  the  richness  of 
our  acquired  knowledge  and  organized  system  an  attitude  of  our  own.  The  sprightly 
minded  young  man,  who  with  his  first  business  breath  projects  the  new  and  startling, 
inevitably  becomes  tiresome,  and  is  driven  to  an  early  disappearance;  while  the  slower, 
more  solidly  endowed  student  Will  at  least  spend  as  much  of  his  lime  in  avoiding  mistakes 
as  in  evolving  brilliant  schemes  wherewith  to  dazzle  his  contemporaries.  The  Very  best 
kind  of  originality  is  that  which  comes  after  a  sound  apprenticeship;  that  which  shall 
prove  to  be  the  blending  of  a  firm  conception  of  all  useful  precedent  and  the  progressive 
tendencies  of  an  able  mind.  For,  let  any  man  be  as  able  and  original  as  he  may,  he 
cannot  afford  to  discard  knowledge  of  what  has  gone  before  or  what  is  now  going  on  in 
hii  own  trade  and  profession.  If  the  printers  of  today  do  not  wish  to  be  esteemed  loo 
arrogant  when  they  term  this  calling  of  theirs  an  art,  they  must  be  willing,  and  show 
that  they  are  Willing,  to  subject  it  to  such  laws  as  have  made  its  sister  arts  so  free.  All 
those  concerned  in  what  are  accepted  as  the  fine  arts,  the  learned  sciences  and  pro- 
fessions, surround  themselves  with  the  history,  literature,  and  concrete  examples  of 
the  Work  "'"*  which  they  are  particularly  engaged.  Yet  it  is  only  in  rare  instances 

abcdcfghijklmnopqrstuowxyz 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

$1234567890 


8  Point  No.  64K,  7\  Set 
MONOTYPE  FACES 


The  best  kind  of  originality  is  thai  which  comes  after  a  sound  appren- 
ticeship; that  which  shall  proee  to  be  the  blending  of  a  firm  conception 
of  all  useful  precedent  and  the  progressive  tendencies  of  an  able  mind. 
For,  let  any  man  be  as  able  and  original  as  he  may,  he  cannot  afford 
to  discard  all  knowledge  of  what  has  gone  before  or  what  is  now  going 
on  in  his  own  trade  and  profession.  If  the  printers  of  today  do  not 
wish  to  be  esteemed  loo  arrogant  when  they  term  this  calling  of  theirs  an 
art,  they  must  be  willing,  and  also  show  that  they  are  willing,  to  subject 
it  to  such  laws  as  have  made  its  sister  arts  so  free.  All  those  concerned 
in  what  are  accepted  as  the  fine  arts,  the  learned  sciences  and  professions, 
surround  themselves  with  the  history,  literature,  and  concrete  examples 
of  the  Wor^  ""'^  which  they  are  particularly  engaged.  Yet  it  is  only 
in  rare  instances  that  such  an  atmosphere,  with  its  material  appurten- 
ances, is  to  be  found  in  the  printing  office.  Art  does  not  flourish  in 
hidden  places,  nor  under  restraint,  nor  in  ignorance  of  what  talent  and 
genius  have  accomplished  and  are  accomplishing  throughout  the  World. 
For  to  follow  precedent  wisely  does  not  mean  to  imitate  slavishly  one 
great  exemplar,  but  to  study  all  masters  faithfully,  letting  their  great 
achievements  sink  slowly  into  Ike  mind  in  order  that  we  may  patiently 
derive  from  the  Very  richness  of  our  acquired  knowledge  and  organized 
system  an  attitude  of  our  own.  The  sprightly  minded  young  man,  who 
with  his  first  business  breath  projects  the  new  and  startling,  inevitably 
becomes  tiresome,  and  is  driven  to  an  early  disappearance;  while  the 
slower,  more  solidly  endowed  student  will  at  least  spend  as  much  time 

abcdefghijklmnopqrstuvwxyz 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

$1234567890 


10  Point  No.  64K,  9  Set 

MONOTYPE  FACES 

The  best  £iW  of  originality  is  that  which  comes  after  a 
sound  apprenticeship;  that  which  shall  prove  to  be  the 
blending  of  a  firm  conception  of  all  useful  precedent  and 
the  progressive  tendencies  of  an  able  mind.  For,  let  a 
man  be  as  able  and  original  as  he  may,  he  cannot  afford 
to  discard  £nou)/«/ge  of  what  has  gone  before  or  what  is 
now  going  on  in  his  own  trade  and  profession.  If  the 
printers  of  today  do  not  wish  to  be  esteemed  too  arrogant 
when  they  term  this  calling  of  theirs  an  art,  they  must  be 
willing,  and  show  that  they  are  willing,  to  subject  it  to 
such  laws  as  hate  made  its  sister  arts  so  free.  All  those 
concerned  in  what  are  accepted  as  the  fine  arts,  the  learned 
sciences  and  professions,  surround  themselves  with  the 
history,  literature,  and  concrete  examples  of  the  work  "^ 
which  they  are  particularly  engaged.  Yet  it  is  only  in 
rare  instances  that  such  an  atmosphere,  with  its  material 
appurtenances,  is  to  be  found  in  a  printing  office.  Art 
does  not  flourish  in  hidden  places,  nor  under  restraint,  nor 
in  ignorance  of  what  talent  and  genius  have  accomplished 
and  are  accomplishing  throughout  the  world.  For  to  follow 
precedent  wisely  does  not  mean  to  imitate  slavishly  one 
great  exemplar,  but  to  study  all  masters  faithfully,  letting 

abcdefghijklmnopqrstuvwxyz 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

$1234567890 


12  Point  No.  64K,  10^  Set 

MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  comes 
after  a  sound  apprenticeship;  that  which  shall 
prove  to  be  -the  blending  of  a  firm  conception  of 
all  useful  precedent  and  the  progressive  tendencies 
of  an  able  mind.  For,  let  a  man  be  as  able  and 
original  as  he  may,  he  cannot  afford  to  discard 
knowledge  of  what  has  gone  before  or  what  is  now 
going  on  in  his  own  trade  and  profession.  If  the 
printers  of  today  do  not  wish  to  be  esteemed  arro- 
gant when  they  term  this  calling  of  theirs  an  art, 
they  must  be  willing,  and  show  that  they  are  will- 
ing, to  subject  it  to  such  laws  as  have  made  its 
sister  arts  so  free.  All  those  concerned  in  what 
are  accepted  as  the  fine  arts,  the  learned  sciences, 
and  the  professions,  surround  themselves  with  the 
history,  literature,  and  concrete  examples  of  the 
wor^  with  which  they  are  particularly  engaged. 
Yet  it  is  only  in  very  rare  instances  that  such  an 

abcdefghijklmnopqrstuvwxyz 

ABCDEFGHIJKLMNOPQRSTUyWXYZ 

$1234567890 


No.  641  Electro  Display  Matrices 

14  Point  No.  641 

THE  MONOTYPE  PROTECTS  YOUR  FUTURE 
For  some  day  You  will  want  to  JKCafce  ^ype  on  the  Galley  in  Justified  Lines 

instead  of  for  the  Case 
$1234567890 

18  Point  No.  641 

TYPE  CASTER  TIPS 

See  that  the  Mold  as  Well  as  the  Machine  is  thoroughly  Water 
Cooled  like  the  Versatile  Monotype 

$1234567890 

24  Point  No.  641 

}  A  SELF-CONTAINED  MOLD 

That's  just  the  kind  we  furnish  with  the  Monotype 

It  Maintains  Accuracy 

$1234567890 


30  Point  No.  641 


FREE  MONOTYPE  SCHOOL 

Ambitious  Compositors  Can  MaJ^e  Better 
Pay  and  Worfy  Shorter  Hours 

$1234567890 


36  Point  No.  641 


THE  MACHINE 

That  Ma^es  the  Type  Trust  Peevish 

$1234567890 


No.  164J.     Book  Arrangement  C 


Composition  Matrices 

10  Point  No.  164J,  10  Set 

MONOTYPE  FACES      * 

The  best  kind  of  originality  is  that  which  comes 
after  a  sound  apprenticeship;  that  which  shall 
prove  to  be  the  blending  of  a  firm  conception 
of  all  useful  precedent  and  the  progressive  ten- 
dencies of  an  able  mind.  For,  let  a  man  be  as 
able  and  original  as  he  may,  he  cannot  afford 
to  discard  knowledge  of  what  has  gone  before 
or  what  is  now  going  on  in  his  own  trade  and 
profession.  If  the  printers  of  today  do  not  wish 

™,TAT°RSL,IAV,S^LY o°EFr«E°T  ™EMPL!RTBUTTOYST°DV        to  ke  esteemed  too  arrogant  when  they  term  this 

calling  of  theirs  an  art,  they  must  be  willing, 
and  show  that  they  are  willing,  to  subject  it  to 
such  laws  as  have  made  its  sister  arts  so  free. 
All  those  concerned  in  what  are  accepted  as  the 
fine  arts,  the  learned  sciences  and  the  professions, 
surround  themselves  with  the  history,  literature, 

AND  CONCRETE  EXAMPLES  OF  THE  WORK  WITH 
WHICH  THEY  ARE  PARTICULARLY  ENGAGED.  YET 
IT  IS  ONLY  IN  RARE  INSTANCES  THAT  SUCH  AN 
ATMOSPHERE,  WITH  ALL  ITS  MATERIAL  APPURTEN- 

$12345       abcdefghijklmnopqrstuvwxyz         67890 
ABCDEFGHIJKLMNOPQRSTUVWXYZ 


6  Point  No.  164J,  7  Set 

MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  conies  after  a  sound  appren- 
ticeship; that  which  shall  prove  itself  to  be  the  blending  of  a  firm 
conception  of  useful  precedent  and  the  progressive  tendencies  of  an  able 
mind.  For,  let  a  man  be  as  able  and  original  as  he  may.  he  cannot 
afford  to  discard  knowledge  of  what  has  gone  before  or  what  is  now 
going  on  in  his  own  trade  and  profession.  If  the  printers  of  today  do 
not  wish  to  be  esteemed  arrogant  when  they  term  this  calling  of  theirs 
an  art.  they  must  be  willing,  and  show  that  they  are  willing,  to  subject 
it  to  such  laws  as  have  made  its  sister  arts  so  free.  All  those  con- 
cerned in  what  are  accepted  as  the  fine  arts,  the  learned  sciences,  and 
professions  surround  themselves  with  the  history,  literature,  and  con- 
crete examples  of  the  work  with  which  they  are  particularly  engaged. 
Yet  it  is  only  in  rare  instances  that  such  an  atmosphere,  with  its  ma- 
terial appurtenances,  is  to  be  found  in  a  printing  office.  Art  does  not 
flourish  in  hidden  places,  nor  under  restraint,  nor  in  ignorance  of  what 

TALENT    AND     GENIUS     HAVE    ACCOMPLISHED     AND     ARE     ACCOMPLISHING 


ALL   MASTERS    FAITHFULLY,    LETTING   THEIR    GREAT  ACHIEVEMENTS   SINK 

$12345  abcdefghijklmnopqrstuvwxyz  67890 

ABCDEFGH I J  KLM  NOPQRSTUV  WX  YZ 

ABCDEFCHIJKLMNOPQRSTUVWXYZ 


7  Point  No.  164J,  8  Set 

MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  conies  after  a  sound 
apprenticeship;  that  which  shall  prove  to  be  the  blending  of 
a  firm  conception  of  all  useful  precedent  and  the  progressive 
tendencies  of  an  able  mind.  For,  let  a  man  be  as  able  and 
original  as  he  may,  he  cannot  afford  to  discard  knowledge  of 
what  has  gone  before  or  what  is  now  going  on  in  his  own  trade 
and  profession.  If  the  printers  of  today  do  not  wish  to  be 
esteemed  arrogant  when  they  term  this  calling  of  theirs  an 
art,  they  must  be  willing,  and  show  that  they  are  willing,  to 
subject  it  to  such  laws  as  have  made  its  sister  arts  so  free.  All 
those  concerned  in  what  are  accepted  as  the  fine  arts,  the 
learned  sciences,  and  the  professions  surround  themselves  with 

THE  HISTORY,  LITERATURE,  AND  THE  CONCRETE  EXAMPLES  OF 
THE  WORK  WITH  WHICH  THEY  ARE  PARTICULARLY  ENCAGED. 
YET  IT  IS  ONLY  IN  RARE  INSTANCES  THAT  SUCH  AN  ATMOSPHERE. 
WITH  ITS  MATERIAL  APPURTENANCES,  IS  TO  BE  FOUND  IN  A 

$12345  abcdefghijklmnopqrstuvwxyz  67890 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 


8  Point  No.  164J,  8£  Set 

MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  comes  after  a 
sound  apprenticeship;  that  which  shall  prove  to  be  the 
blending  of  a  firm  conception  of  all  useful  precedent  and 
the  progressive  tendencies  of  an  able  mind.  For,  let  a 
man  be  as  able  and  original  as  he  may,  he  cannot  afford 
to  discard  knowledge  of  what  has  gone  before  or  what  is 
now  going  on  in  his  own  trade  and  profession.  If  the 
printers  of  today  do  not  wish  to  be  esteemed  arrogant 
when  they  term  this  calling  of  theirs  an  art,  they  must  be 

WILLING,  AND  SHOW  THAT  THEY  ARE  WILLING,  TO  SUBJECT 
IT  TO  SUCH  LAWS  AS  HAVE  MADE  ITS  SISTER  ARTS  SO  FREE. 
ALL  THOSE  CONCERNED  IN  WHAT  ARE  ACCEPTED  AS  THE 
FINE  ARTS,  THE  LEARNED  SCIENCES,  AND  THE  PROFESSIONS 

$12345  abcdefghijklmnopqrstuvwxyz  67890 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 


ABCDEFGHIJKLMNOPQRSTUVWXYZ 


12  Point  No.  164J,  12  Set 

MONOTYPE  FACES 
The  best  kind  of  originality  is  that  which 
comes  after  a  sound  apprenticeship;  that 
which  shall  prove  to  be  the  blending  of 
a  firm  conception  of  all  useful  precedent 
and  the  progressive  tendencies  of  an  able 
mind.  For,  let  any  man  be  as  able  and 
original  as  he  may,  he  cannot  afford  to 
discard  knowledge  of  what  has  gone  be- 
fore or  what  is  now  going  on  in  his  own 
trade  and  profession.  If  the  printers  of 
today  do  not  wish  to  be  esteemed  arro- 
gant when  they  term  this  calling  of  theirs 

AN  ART,  THEY  MUST  BE  WILLING,  AND 
ALSO  SHOW  THAT  THEY  ARE  WILLING,  TO 
SUBJECT  IT  TO  SUCH  LAWS  AS  HAVE  MADE 

abcdefghijklmnopqrstuvwxyz 
ABCDEFGHIJKLMNOPQRSTUVWX 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

$1234567890 


No.  164  Display  Matrices 

14  Point  No.  164 

MONOTYPE  LOW  QUADS  AND  SPACES 

Save  Time  in  the  Press  Room  on  Make-ready  and  Running,  and  makes 

the  Job  Profitable  for  the  Boss 
$1234567890 

18  Point  No.   164 

INTELLIGENT  COMPpSITORS 

Learn  to  Operate  the  Monotype.     It  is  the  Most  Productive 
and  Healthful  Composing  Room  Work 

$1234567890 


24  Point  No.  164 


GAS  AND  METAL  FUMES 


Do  Not  Belong  to  the  Composing  Room  in  the 


Monotype  Printing  Shop 


$1234567890 


30  Point  No.  164 


NO  PIECED  SLUGS 

Or  Sawing,  Corrections  Made  the  Same 
as  with  Foundry  Type 

$1234567890 


36  Point  No.  164 


SEVEN  ALPHABETS 

At  Your  Operator's  Command 

$ 1 234567890 


No.  164J.     Book  Arrangement  S500 
Composition  Matrices 

14  Point  No.  164J,  14  Set 

MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  comes  after  a  sound  appren- 
ticeship; that  which  shall  prove  to  be  the  blending  of  a  firm  conception 
of  all  useful  precedent  and  the  progressive  tendencies  of  an  able  mind. 
For,  let  a  man  be  as  able  and  original  as  he  may,  he  cannot  afford  to  dis- 
card knowledge  of  what  has  gone  before  or  what  is  now  going  on  in  his 
own  trade  and  profession.  If  the  printers  of  today  do  not  wish  to  be 
esteemed  arrogant  when  they  term  this  calling  of  theirs  an  art,  they 
must  be  willing,  and  show  that  they  are  willing,  to  subject  it  to  such  laws 
as  have  made  its  sister  arts  so  free.  All  those  concerned  in  what  are  ac- 
cepted as  the  fine  arts,  the  learned  sciences,  and  professions  surround 
themselves  with  the  history,  the  literature  and  concrete  examples  of  the 
work  with  which  they  are  particularly  engaged.  Yet  it  is  only  in  rare 
instances  that  such  an  atmosphere  with  its  material  appurtenances,  is 

abcdef  ghij  klmnopq  rs  tu  vwxyz 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

$1234567890 

Ems  a  to  z  13.39  Words  to  Pica  .24 

18  Point  No.  164J,  18  Set 

MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  conies  after 
a  sound  apprenticeship;  that  which  shall  prove  to  be 
the  blending  of  a  firm  conception  of  all  useful  precedent 
and  the  progressive  tendencies  of  an  able  mind.  For, 
let  any  man  be  as  able  and  original  as  he  may,  he  cannot 
afford  to  discard  knowledge  of  what  has  gone  before  or 
what  is  now  going  on  in  his  own  trade  and  profession. 
If  the  printers  of  today  do  not  wish  to  be  esteemed  ar- 
rogant when  they  term  this  calling  of  theirs  an  art,  they 
must  be  willing,  and  show  that  they  are  willing,  to  sub- 

abcdef  ghij  klmnopq  rstu  vwxyz 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

$1234567890 

Ems  a  to  z  13.39  Words  to  Pica  .19 

Class  C  Matrices.  Fonts  shown  on  this  page  not  included  in  Library  and  will  not  be  leased.  To  use  these 
faces  for  composing  matter  in  justified  lines  S500  stop  bars  are  required.  Use  left  keybars  QC;  use  right 
key  bars  QC  when  combined  with  Italic;  use  right  keybars  QC2  when  combined  with  Boldface;  use  standard 
keybanks.  The  18-point  attachment  and  S500  wedges  are  required  for  casting. 


No.  164K.     Book  Arrangement  C  [italic] 


Composition  Matrices 


6  Point  No.  164K,  7  Set 


8  Point  No.  164K,  8i  Set 


MONOTYPE  FACES 

The  best  l(ind  of  originality  is  that  which  comes  after  a  sound  apprentice- 
ship; that  which  shall  prooe  itself  to  be  the  blending  of  a  firm  conception 
of  useful  precedent  and  the  progressive  tendencies  of  an  able  mind.  For, 
let  a  man  be  as  able  and  original  as  he  may,  he  cannot  afford  to  discard 
knowledge  of  what  has  gone  before  or  what  is  now  going  on  in  his  own  trade 
and  profession.  If  the  printers  of  today  do  not  wish  to  be  esteemed  arro- 
gant when  they  term  this  calling  of  theirs  an  art,  they  must  be  willing,  and 
show  that  they  are  willing,  to  subject  it  to  such  laws  as  have  made  its  sister 
arts  so  free.  All  those  concerned  in  what  are  accepted  as  the  fine  arts,  the 
learned  sciences,  and  professions  surround  themselves  with  the  history, 
literature,  and  concrete  examples  of  work  with  which  they  are  particularly 
engaged.  Yet  it  is  only  in  very  rare  instances  that  such  an  atmosphere, 
with  its  material  appurtenances,  is  to  be  found  in  the  printing  office.  Art 
does  not  flourish  in  hidden  places,  nor  under  restraint,  nor  in  ignorance 
of  what  talent  and  genius  have  accomplished  and  are  accomplishing  through- 
out the  world.  For  to  follow  precedent  wisely  does  not  mean  to  imitate 
slavishly  one  great  exemplar,  but  to  study  all  the  masters  faithfully,  letting 
their  great  achievements  sink  slowly  into  the  mind  in  order  that  we  may 
patiently  derive  from  the  richness  of  our  acquired  knowledge  and  organized 
system  an  altitude  of  our  own.  The  sprightly  minded  young  man,  who 
with  his  first  business  breath  projects  the  new  and  startling,  inevitably  be- 
comes tiresome,  and  is  driven  to  an  early  disappearance;  while  the  slower 
and  more  solidly  endowed  student  will  at  least  spend  as  much  of  his  time  in 
avoiding  mistakes  as  in  evolving  brilliant  schemes  wherewith  to  dazzle 
his  contemporaries.  The  best  kind  of  originality  is  that  which  comes  after 
a  sound  apprenticeship;  that  which  shall  prove  to  be  the  blending  of  a  firm 
conception  of  all  useful  precedent  and  the  progressive  tendencies  of  an  able 
mind.  For,  let  any  man  be  as  able  and  original  as  he  may,  he  cannot  afford 
to  discard  knowledge  of  what  has  gone  before  or  what  is  now  going  on  in  his 
own  trade  and  profession.  If  the  printers  of  today  do  not  wish  to  be  es- 
teemed arrogant  when  they  term  this  calling  of  theirs  an  art,  they  must  be 

abcdefghijklmnopqrsluowxyz 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

$1234567890 


MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  comes  after  a  sound 
apprenticeship;  that  which  shall  prooe  to  be  the  blending  of  a 
firm  conception  of  all  useful  precedent  and  the  progressive 
tendencies  of  an  able  mind.  For,  let  a  man  be  as  able  and 
original  as  he  may,  he  cannot  afford  to  discard  knowledge 
of  what  has  gone  before  or  what  is  now  going  on  in  his  own 
trade  and  profession.  If  the  printers  of  today  do  not  wish 
to  be  esteemed  arrogant  when  they  term  this  calling  of  theirs 
an  art,  they  must  be  willing,  and  show  that  they  are  willing, 
to  subject  it  to  such  laws  as  have  made  its  sister  arts  so  free. 
All  those  concerned  in  what  are  accepted  as  the  fine  arts,  the 
learned  sciences,  and  the  professions  surround  themselves 
with  the  history,  the  literature,  and  concrete  examples  of  the 
work  with  which  they  are  particularly  engaged.  Yet  it  is 
only  in  eery  rare  instances  that  such  an  atmosphere,  with  its 
material  appurtenances,  is  to  be  found  in  a  printing  office. 
Art  does  not  flourish  in  hidden  places,  nor  under  restraint, 
nor  in  ignorance  of  what  talent  and  genius  have  accomplished 
and  are  now  accomplishing  throughout  the  world.  For  to 
follow  all  precedent  wisely  does  not  mean  to  imitate  slavishly 
one  great  exemplar,  but  to  study  all  masters  faithfully,  letting 
their  great  achievements  sink  slowly  into  the  mind  in  order 
that  we  may  patiently  derive  from  the  richness  of  our  acquired 
knowledge  and  organized  system  an  attitude  of  our  own.  The 

abcdefghijklmnopqrstuvwxyz 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

$1234567890 


10  Point  No.  164K,  10  Set 

MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  comes  after 
a  sound  apprenticeship;  that  which  shall  prove  to 
be  the  blending  of  a  firm  conception  of  all  useful 
precedent  and  the  progressive  tendencies  of  an  able 
mind.  For,  let  a  man  be  as  able  and  original  as  he 
may,  he  cannot  afford  to  discard  knowledge  of  what 
has  gone  before  or  what  is  now  going  on  in  his  own 
trade  and  profession.  If  the  printers  of  today  do 
not  wish  to  be  esteemed  arrogant  when  they  term 
this  calling  of  theirs  an  art,  they  must  be  willing, 
and  show  that  they  are  willing,  to  subject  it  to  such 
laws  as  have  made  its  sister  arts  so  free.  All  those 
who  are  concerned  in  what  are  accepted  as  the  fine 
arts,  the  learned  sciences,  and  the  professions  sur- 
round themselves  with  the  history,  the  literature,  and 
concrete  examples  of  the  work  with  which  they  are 
particularly  engaged.  Yet  it  is  only  in  rare  in- 
stances that  such  an  atmosphere,  with  its  material 
appurtenances,  is  to  be  found  in  a  printing  office. 
Art  does  not  flourish  in  hidden  places,  nor  under 
restraint,  nor  in  ignorance  of  what  talent  and  genius 
have  accomplished  and  are  now  accomplishing  in 

abcdefghijklmnopqrstuvwxyz 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

$1234567890 


12  Point  No.  164K,  12  Set 

MONOTYPE  FACES 
The  best  kind  of  originality  is  that  which 
comes  after  a  sound  apprenticeship;  that 
which  shall  prove  to  be  the  blending  of  a 
firm  conception  of  all  useful  precedent  and 
the  progressive  tendencies  of  an  able  mind. 
For,  let  any  man  be  as  able  and  original 
as  he  may,  he  cannot  afford  to  discard 
knowledge  of  what  has  gone  before  or  what 
is  now  going  on  in  his  own  trade  and  pro- 
fession. If  the  printers  of  today  do  not 
wish  to  be  esteemed  arrogant  when  they 
term  this  calling  of  theirs  an  art,  they  must 
be  willing,  and  show  that  they  are  willing, 
to  subject  it  to  such  laws  as  have  made  its 
sister  arts  so  free.  All  those  who  are  con- 
cerned in  what  are  accepted  as  the  fine  arts, 
the  learned  sciences,  and  the  professions  sur- 
round themselves  with  the  history,  the  liter- 

abcdefgh  ij^lmnopqrstuvwxyz 

ABCDEFGHIJKLMNOPQRSTUVWX 

$1234567890 


No.  1641  Electro  Display  Matrices 

14  Point  No.  1641 

THE  MONOTYPE  IS  MUCH  MORE 

Than  a  Composing  Machine,  it  is  also  a  Complete  Type  Foundry.    It 

Furnishes  all  Material  for  Hand  Compositors 

$1234567890 

18  Point  No.  1641 

IT  HAS  BEEN  PROVED 

Repeatedly  that  it  is  Impossible  to  get  Efficiency  From 

Compositors  Using  Bought  Type 

$1234567890 


24  Point  No.  1641 


THE  MONOTYPE 

System   Increases  the  Efficiency  of  Every 

Composing-Room  Employee 

$1234567890 


30  Point  No.  1641 


NO  MECHANICAL 

Limitations  Restrict   the  Designers 
of  Monotype  Faces 

$1234567890 


36  Point  No.  1641 


GOOD  RULE 

Is  a  Product  of  the  Monotype 

$1234567890 


No.  264J.     Book  Arrangement  C 


Composition  Matrices 


8  Point  No.  264J,  6£  Set 


MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  comes  after  a  sound  apprenticeship; 
that  which  shall  prove  to  be  the  blending  of  a  firm  conception  of  all  useful 
precedent  and  the  progressive  tendencies  of  an  able  mind.  For,  let  a  man 
be  as  able  and  original  as  he  may,  he  cannot  afford  to  discard  knowledge  of 
what  has  gone  before  or  what  is  now  going  on  in  his  own  trade  or  his  profes- 
sion. If  the  printers  of  today  do  not  wish  to  be  esteemed  arrogant  when  they 
term  this  calling  of  theirs  an  art,  they  must  be  willing,  and  show  that  they 
are  willing,  to  subject  it  to  such  laws  as  have  made  its  sister  arts  so  free.  All 
those  concerned  in  what  are  accepted  as  the  fine  arts,  the  learned  sciences  and 
the  professions,  surround  themselves  with  the  history,  the  literature,  and 
concrete  examples  of  the  work  with  which  they  are  particularly  engaged. 
Yet  it  is  only  in  very  rare  instances  that  such  an  atmosphere,  with  its  ma- 
terial appurtenances,  is  to  be  found  in  a  printing  office.  Art  does  not  flourish 
in  hidden  places,  nor  under  restraint,  nor  in  ignorance  of  what  talent  and 
genius  have  accomplished  and  are  now  accomplishing  throughout  the  world. 
For  to  follow  precedent  wisely  does  not  mean  to  imitate  slavishly  one  great 
exemplar,  but  to  study  all  the  masters  faithfully,  letting  their  great  achieve- 
ments sink  slowly  into  the  mind  in  order  that  we  may  patiently  derive  from 
the  richness  of  our  acquired  knowledge  and  organized  system  an  attitude  of 
our  own.  The  sprightly  minded  young  man,  who  with  his  first  business 
breath  projects  the  new  and  startling,  inevitably  becomes  tiresome,  and  is 
driven  to  an  early  disappearance;  while  the  slower,  more  solidly  endowed 
student  will  at  least  spend  as  much  of  his  time  in  avoiding  mistakes  as  in 
evolving  brilliant  schemes  wherewith  to  dazzle  his  contemporaries.  The 

abcdefghijklmnopqrstuvwxyz 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

$1234567890 


10  Point  No.  264J,  8  Set 


Ems  a  to  z  10.43 


Words  to  Pica  .68 


MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  comes  after  a  sound 
apprenticeship;  that  which  shall  prove  to  be  the  blending  of  a 
firm  conception  of  all  useful  precedent  and  the  progressive  ten- 
dencies of  an  able  mind.  For,  let  a  man  be  as  able  and  original 
as  he  may,  he  cannot  afford  to  discard  knowledge  of  what  has 
gone  before  or  what  is  now  going  on  in  his  own  trade  and  pro- 
fession. If  the  printers  of  today  do  not  wish  to  be  esteemed 
arrogant  when  they  term  this  calling  of  theirs  an  art,  they  must 
be  willing,  and  show  that  they  are  willing,  to  subject  it  to  such 
laws  as  have  made  its  sister  arts  so  free.  All  those  concerned 
in  what  are  accepted  as  the  fine  arts,  the  learned  sciences  and 
the  professions,  surround  themselves  with  the  history,  the 
literature,  and  concrete  examples  of  the  work  with  which  they 
are  particularly  engaged.  Yet  it  is  only  in  very  rare  instances 
that  such  an  atmosphere,  with  all  its  material  appurtenances, 
is  to  be  found  in  a  printing  office.  Art  does  not  flourish  in 
hidden  places,  nor  under  restraint,  nor  in  ignorance  of  what 
talent  and  genius  have  accomplished  and  are  now  accomplish- 
ing throughout  the  world.  For  to  follow  precedent  wisely 

abcdefghij  klmnopqrstuvwxyz 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

$1234567890 

Ems  a  to  z  10.27  Words  to  Pica  .55 


12  Point  No.  264J,  9j  Set 

MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  comes  after 
a  sound  apprenticeship;  that  which  shall  prove  to 
be  the  blending  of  a  firm  conception  of  all  useful 
precedent  and  the  progressive  tendencies  of  an  able 
mind.  For,  let  a  man  be  as  able  and  original  as 
he  may,  he  cannot  afford  to  discard  knowledge  of 
what  has  gone  before  or  what  is  now  going  on  in  his 
own  trade  and  profession.  If  the  printers  of  today 
do  not  wish  to  be  esteemed  arrogant  when  they  term 
this  calling  of  theirs  an  art,  they  must  be  willing,  and 
show  that  they  are  willing,  to  subject  it  to  such  laws 
as  have  made  its  sister  arts  so  free.  All  those  con- 
cerned in  what  are  accepted  as  the  fine  arts,  the 
learned  sciences  and  the  professions,  surround  them- 
selves with  the  history,  the  literature,  and  concrete 
examples  of  the  work  with  which  they  are  particu- 

abcdefghijklmnopqrstuvwxyz 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

$1234567890 

Ems  a  to  z  10.16  Words  to  Pica  .46 


MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  comes  after 
a  sound  apprenticeship;  that  which  shall  prove  to 
be  the  blending  of  a  firm  conception  of  all  useful 
precedent  and  the  progressive  tendencies  of  an  able 
mind.  For,  let  a  man  be  as  able  and  original  as 
he  may,  he  cannot  afford  to  discard  knowledge  of 
what  has  gone  before  or  what  is  now  going  on  in  his 
own  trade  and  profession.  If  the  printers  of  today 
do  not  wish  to  be  esteemed  arrogant  when  they  term 
this  calling  of  theirs  an  art,  they  must  be  willing,  and 
show  that  they  are  willing,  to  subject  it  to  such  laws 
as  have  made  its  sister  arts  so  free.  All  those  con- 
cerned in  what  are  accepted  as  the  fine  arts,  the 
learned  sciences  and  the  professions,  surround  them- 
selves with  the  history,  the  literature,  and  concrete 
examples  of  the  work  with  which  they  are  particu- 
larly engaged.  Yet  it  is  only  in  very  rare  instances 
that  such  an  atmosphere,  with  all  its  material  ap- 


No.  264  Sorts  Matrices 

14  Point  No.  264 

THIS  IS  AN  AGE  OF  PRODUCTION 

Keep  Your  Compositors  Producing — Not  Spending  One-third  Their  Time  Supplying 

Themselves  with  Material  with  which  to  Work 

$1234567890 


18  Point  No.  264 

THEIR  WORK  IS  CONSTRUCTIVE 

Your  Hand  Compositors  have  spent  Years  of  Diligent  Labor  to  become 

Skilled  at  Their  Trade 

$1234567890 


24  Point  No.  264 


DON'T  DISTRIBUTE 

Let  Your  Compositors  be  Producers  All  the  Time 

They  will  Appreciate  It 

$1234567890 


30  Point  No.  264 


NEW  MATERIAL 

Compositors  Need  Full  Cases  of  New  Type  and 

Plenty  of  New  Rule 

$1234567890 


36  Point  No.  264 


The  Monotype  Factory 

THE  MONOTYPE,  from  a  small  beginning,  has  grown  to 
be  a  great  industry.  When  the  tiny  floor  space  which  we 
found  ample  less  than  fourteen  years  ago  is  compared  with 
the  vast  floor  space  of  our  present  factory,  it  shows  a  most 
convincing  record  of  steady  growth — the  kind  of  growth  that 
means  something  more  than  life  in  this  modern  business 
world — it  means  merit. 

Our  Success  is  built,  first  of  all,  upon  the  superiority  of  the 
Monotype  in  performance;  second,  upon  broad-gauge  and 
straightforward  selling  methods;  third,  upon  a  policy  of  giving 
old  customers  the  benefit  of  every  improvement  made  in  the 
machine.  There  is  only  one  model  Monotype — the  latest. 

The  Monotype  Composing  Machine — Type-&-Rule  Caster 
is  the  machine  that  makes  quality  a  tangible,  practical  factor 
which  the  printer  turns  into  cash.  In  short,  the  Monotype 
puts  the  remunerative  features  of  taste  and  beauty  into  ma- 
chine composition.  Ask  Monotype  printers  who  know.  They 
will  tell  you  why  the  Monotype  is  endorsed  by  the  big  and  little 
printers  who  make  their  composing  rooms  pay. 

LANSTON  MONOTYPE  MACHINE  COMPANY   -    PHILADELPHIA 


No.  86J.     Job  Arrangement  C2 


Composition  Matrices 


5  Point  No.  86J,  6  Set 


6  Point  No.  86J,  7  Set 


MONOTYPE  FACES 

The  belt  kind  of  originality  it  that  which  comet  after  a  sound  apprentice- 
ship; that  which  shall  prove  to  be  the  blending  of  a  firm  conception  of  all 
useful  precedent  and  the  progressive  tendencies  of  an  able  mind.  For, 
let  a  man  be  as  able  and  original  as  he  may,  he  cannot  afford  to  discard 
knowledge  of  what  has  gone  before  or  what  is  now  going  on  in  his  own  trade 
and  profession.  If  the  printers  of  today  do  not  wish  be  esteemed  arro- 
gant when  they  term  this  calling  of  theirs  an  art,  they  must  be  willing,  and 
show  that  they  are  willing,  to  subject  it  to  such  laws  as  have  made  its  sister 
arts  so  free.  All  those  concerned  in  what  are  accepted  as  the  fine  arts,  the 
learned  sciences,  and  professions  surround  themselves  with  the  history, 
literature,  and  concrete  examples  of  the  work  with  which  they  may  be 
particularly  engaged.  Yet  it  is  only  in  rare  instances  that  such  an  atmos- 
phere, with  its  material  appurtenances,  is  to  be  found  in  a  printing  office. 
Art  does  not  nourish  in  hidden  places,  nor  under  restraint,  nor  even  in 
ignorance  of  what  talent  and  genius  have  accomplished  and  are  accom- 
plishing throughout  the  world.  For  to  follow  precedent  wisely  does  not 
mean  to  imitate  slavishly  one  great  exemplar,  but  to  study  all  masters 
faithfully,  letting  their  great  achievements  sink  slowly  into  the  mind  in 
order  that  we  may  patiently  derive  from  the  richness  of  our  acquired 
knowledge  and  organized  system  an  attitude  of  our  own.  The  sprightly 
minded  young  man,  who  with  his  first  business  breath  projects  the  new 
and  startling,  inevitably  becomes  tiresome,  and  is  driven  to  an  early  dis- 
appearance; while  the  slower,  more  solidly  endowed  student  will  at  least 
spend  as  much  of  his  time  in  avoiding  mistakes  as  in  evolving  brilliant 
schemes  wherewith  to  dazzle  his  contemporaries.  The  best  kind  of  origi- 
nality is  that  which  comes  after  a  sound  apprenticeship;  that  which  shall 
prove  to  be  the  blending  of  a  firm  conception  of  all  useful  precedent  and 
the  progressive  tendencies  of  an  able  mind.  For,  let  a  man  be  as  able  and 
original  as  he  may,  he  cannot  afford  to  discard  knowledge  of  what  has  gone 
before  or  what  is  now  going  on  in  his  own  trade  and  profession.  If  the 
printers  of  today  do  not  wish  to  be  esteemed  arrogant  when  they  term  this 
calling  of  theirs  an  art,  they  must  be  willing,  and  show  that  they  are  will- 
ing, to  subject  it  to  such  laws  as  have  made  its  sister  arts  so  free.  All 
those  concerned  in  what  are  accepted  as  the  fine  arts,  the  learned  sciences, 
and  the  professions  surround  themselves  with  the  history,  literature,  and 
concrete  examples  of  the  work  with  which  they  are  particularly  engaged. 
Yet  it  is  only  in  rare  instances  that  such  an  atmosphere,  with  its  material 

abcdefghijklmnopqrstuvwxyz 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

$1234567890 

Ems  a  to  z  17.21  Words  to  Pica  .57 


MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  comes  after  a  sound 
apprenticeship;  that  which  shall  prove  to  be  the  blending  of  a 
firm  conception  of  all  useful  precedent  and  the  progressive 
tendencies  of  an  able  mind.  For,  let  a  man  be  as  able  and 
original  as  he  may,  he  cannot  afford  to  discard  knowledge  of 
what  has  gone  before  or  what  is  now  going  on  in  his  own  trade 
and  profession.  If  the  printers  of  today  do  not  wish  to  be 
esteemed  arrogant  when  they  term  this  calling  of  theirs  an  art, 
they  must  be  willing,  and  show  that  they  are  willing,  to  sub- 
ject it  to  such  laws  as  have  made  its  sister  arts  so  free.  All 
those  concerned  in  what  are  accepted  as  the  fine  arts,  the 
learned  sciences,  and  professions  surround  themselves  with  the 
history,  literature,  and  concrete  examples  of  the  work  with 
which  they  are  particularly  engaged.  Yet  it  is  only  in  very  rare 
instances  that  this  atmosphere,  with  its  material  appurten- 
ances, is  to  be  found  in  a  printing  office.  Art  does  not  flourish 
in  hidden  places,  nor  under  restraint,  nor  in  ignorance  of  what 
talent  and  genius  have  accomplished  and  are  accomplishing 
throughout  the  world.  For  to  follow  precedent  wisely  does 
not  mean  to  imitate  slavishly  one  great  exemplar,  but  to 
study  all  masters  faithfully,  letting  their  great  achievements 
sink  slowly  into  the  mind  in  order  that  we  may  patiently  de- 
rive from  the  richness  of  our  acquired  knowledge  and  organ- 
ized system  an  attitude  of  our  own.  The  sprightly  minded 
young  man,  who  with  his  first  business  breath  projects  the  new 
and  startling,  inevitably  becomes  tiresome,  and  is  driven  to  an 
early  disappearance;  while  the  slower,  more  solidly  endowed 
student  will  at  least  spend  as  much  of  his  time  in  avoiding 
mistakes  as  in  evolving  brilliant  schemes  wherewith  to  dazzle 
his  contemporaries.  The  best  kind  of  originality  is  that  which 
conies  after  a  sound  apprenticeship;  that  which  shall  prove  to 

abcdefghijklmnopqrstuvwxyz 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

$1234567890 

Ems  a  to  z  16.72  Words  to  Pica  .49 


7  Point  No.  86J,  8  Set 

MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  conies  after 
a  sound  apprenticeship;  that  which  shall  prove  to  be 
the  blending  of  a  firm  conception  of  all  useful  pre- 
cedent and  the  progressive  tendencies  of  an  able  mind. 
For,  let  a  man  be  as  able  and  original  as  he  may,  he 
cannot  afford  to  discard  knowledge  of  what  has  gone 
before  or  what  is  now  going  on  in  his  own  trade  and 
profession.  If  the  printers  of  today  do  not  wish  to  be 
esteemed  too  arrogant  when  they  term  this  calling  of 
theirs  an  art,  they  must  be  willing,  and  show  that  they 
are  willing,  to  subject  it  to  such  laws  as  have  made 
its  sister  arts  so  free.  All  those  concerned  in  what  are 
accepted  as  the  fine  arts,  the  learned  sciences,  and  the 
professions  surround  themselves  with  the  history,  the 
literature,  and  concrete  examples  of  the  work  with 
which  they  are  particularly  engaged.  Yet  it  is  only  in 
very  rare  instances  that  such  an  atmosphere,  with  its 
material  appurtenances,  is  to  be  found  in  a  printing 
office.  Art  does  not  flourish  in  the  hidden  places,  nor 
under  restraint,  nor  in  ignorance  of  what  talent  and 
Cenius  have  accomplished  and  are  now  accomplishing 
throughout  the  world.  For  to  follow  precedent  wisely 
does  not  mean  to  imitate  slavishly  one  great  exemplar, 
but  to  study  all  masters  faithfully,  letting  their  great 
achievements  sink  slowly  into  the  mind  in  order  that 
we  may  patiently  derive  from  the  richness  of  our  ac- 
quired knowledge  and  organized  system  an  attitude  of 
our  own.  The  sprightly  minded  young  man,  who  with 
his  first  business  breath  projects  the  new  and  startling, 
inevitably  becomes  tiresome,  and  is  driven  to  an  early 
disappearance;  while  the  slower,  more  solidly  endowed 

abcdefghijklmnopqrstuvwxyz 
ABCDEFGHIJKLMNOPQRSTUVWXYZ 

$1234567890 
Ems  a  to  z  16.38  Words  to  Pica  .43 


8  Point  No.  86J,  8^  Set 

MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  comes 
after  a  sound  apprenticeship;  that  which  shall 
prove  to  be  the  blending  of  a  firm  conception  of  all 
useful  precedent  and  the  progressive  tendencies  of 
an  able  mind.  For,  let  a  man  be  as  able  and  original 
as  he  may,  he  cannot  afford  to  discard  knowledge 
of  what  has  gone  before  or  what  is  now  going  on 
in  his  own  trade  and  profession.  If  the  printers  of 
today  do  not  wish  to  be  esteemed  arrogant  when 
they  term  this  calling  of  theirs  an  art,  they  must  be 
willing,  and  show  that  they  are  willing,  to  subject 
it  to  such  laws  as  have  made  its  sister  arts  so  free. 
All  those  concerned  in  what  are  accepted  as  the  fine 
arts,  the  learned  sciences,  and  professions  surround 
themselves  with  the  history,  literature,  and  con- 
crete examples  of  the  work  with  which  they  are 
particularly  engaged.  Yet  it  is  only  in  very  rare  in- 
stances that  such  an  atmosphere,  with  its  material 
appurtenances,  is  to  be  found  in  a  printing  office. 
Art  does  not  flourish  in  hidden  places,  nor  under 
restraint,  nor  in  ignorance  of  what  talent  and  genius 
have  accomplished  and  are  accomplishing  through- 
out the  world.  For  to  follow  precedent  wisely  does 
not  mean  to  imitate  slavishly  one  great  exemplar, 
but  to  study  all  of  the  masters  faithfully,  letting 
their  great  achievements  sink  slowly  into  the  mind 
in  order  that  we  may  patiently  derive  from  the  rich- 

abcdefghijklmnopqrstuvwxyz 
ABCDEFGHIJKLMNOPQRSTUVWXYZ 

$1234567890 
Ems  a  to  z  15.20  Words  to  Pica  .40 


No.  86J.     Job  Arrangement  C2 


Composition  Matrices 


9  Point  No.  86J,  9  Set 


10  Point  No.  86J,  10i  Set 


MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  conies 
after  a  sound  apprenticeship;  that  which  shall 
prove  to  be  the  blending  of  a  firm  conception  of 
all  useful  precedent  and  of  the  progressive  ten- 
dencies of  an  able  mind.  For,  let  a  man  be  as 
able  and  original  as  he  may,  he  cannot  afford  to 
discard  knowledge  of  what  has  gone  before  or 
what  is  now  going  on  in  his  own  trade  and  pro- 
fession. If  the  printers  of  today  do  not  wish  to 
be  esteemed  arrogant  when  they  term  this  calling 
of  theirs  an  art,  they  must  be  willing,  and  show 
that  they  are  willing,  to  subject  it  to  such  laws 
as  have  made  its  sister  arts  so  free.  All  those 
concerned  in  what  are  accepted  as  the  fine  arts, 
the  learned  sciences,  and  professions  surround 
themselves  with  the  history,  the  literature,  and 
concrete  examples  of  the  work  with  which  they 
are  particularly  engaged.  Yet  it  is  only  in  rare 
instances  that  such  an  atmosphere,  with  its  ma- 
terial appurtenances,  is  to  be  found  in  a  printing 
office.  Art  does  not  flourish  in  hidden  places,  nor 

abcdefghijklmnopqrstuvwxyz 
ABCDEFGHIJKLMNOPQRSTUVWXYZ 

$1234567890 
Ems  a  to  z  14.34  Words  to  Pica  .38 

11  Point  No.  86J,  11  Set 

MONOTYPE  FACES 

The  very  best  kind  of  originality  is  that 
which  conies  after  a  sound  apprentice- 
ship; that  which  shall  prove  itself  to  be 
the  blending  of  a  firm  conception  of  all 
useful  precedent  and  the  progressive  ten- 
dencies of  an  able  mind.  Let  any  man 
be  as  able  and  original  as  he  may,  he 
cannot  afford  to  discard  knowledge  of 
what  has  gone  before  or  what  is  now 
going  on  in  his  own  trade  and  profes- 
sion. If  the  printers  of  today  do  not 
wish  to  be  esteemed  arrogant  when  they 
term  this  calling  of  theirs  an  art,  they 
must  be  willing,  and  show  that  they  are 
willing,  to  subject  it  to  such  laws  as  have 
made  its  sister  arts  so  free.  All  those 
concerned  in  what  are  accepted  as  the 
fine  arts,  the  learned  sciences,  and  pro- 
fessions surround  themselves  with  the 
history,  literature,  and  concrete  exam- 

abcdefghijklmnopqrstuvwxyz 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

$123456789 

Ems  a  to  z  14.34  Words  to  Pica  .31 


MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which 
conies  after  a  sound  apprenticeship;  that 
which  shall  prove  to  be  the  blending  of 
a  firm  conception  of  all  useful  precedent 
and  the  progressive  tendencies  of  an  able 
mind.  For,  let  any  man  be  as  able  and 
original  as  he  may,  he  cannot  afford  to  dis- 
card knowledge  of  what  has  gone  before 
or  what  is  now  going  on  in  his  own  trade 
and  profession.  If  the  printers  of  today 
do  not  wish  to  be  esteemed  too  arrogant 
when  they  term  this  calling  of  theirs  an 
art,  they  must  be  willing,  and  show  that 
they  are  willing,  to  subject  it  to  such  laws 
as  have  made  its  sister  arts  so  very  free. 
All  those  concerned  in  what  are  accepted 
as  the  fine  arts,  the  learned  sciences,  and 
professions  surround  themselves  with  the 
history,  literature,  and  concrete  examples 

abcdefghijklmnopqrstuvwxyz 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

$1234567890 

Ems  a  to  z  14.70  Words  to  Pica  .33 

12  Point  No.  86J,  12  Set 

MONOTYPE  FACES 
The  best  kind  of  originality  is  that 
which  conies  after  a  sound  appren- 
ticeship; that  which  shall  prove  to 
be  the  blending  of  a  firm  conception 
of  all  useful  precedent  and  the  pro- 
gressive tendencies  of  an  able  mind. 
For,  let  a  man  be  as  able  and  original 
as  he  may,  he  cannot  afford  to  dis- 
card a  knowledge  of  what  has  gone 
before  or  what  is  now  going  on  in 
his  own  trade  and  profession.  If  the 
printers  of  today  do  not  wish  to  be 
esteemed  arrogant  when  they  term 
this  calling  of  theirs  an  art,  they 
must  be  willing,  and  show  that  they 
are  willing,  to  subject  it  to  such  laws 
as  have  made  its  sister  arts  so  free. 
All  those  who  are  concerned  in  what 

abcdefghijklmnopqrstuvwxyz 
ABCDEFGHIJKLMNOPQRSTUVW 


$1234567890 


Ems  a  to  z  14.34 


Words  to  Pica  .28 


No.  86  Sorts  Matrices 

14  Point  No.  86 

BUILT  ON  THE  UNIT  SYSTEM 

Like  Elastic  Filing  Cabinets.     Add  the  Units  as  You  Want  Them 

It  Helps  You  Grow  and  Grows  with  You 

$1234567890 

18  Point  No.  86 

DISPLAY  TYPE  AND  BORDERS 
Spaces  and  Quads  can  be  Cast  at  a  Minimum  Cost  for 

a  High  Quality  Product 
$1234567890 


24  Point  No.  86 


EASILY  CORRECTED 


Monotype  Type  is  Corrected  Like  Foundry 


Type.     No  Machine  Expense 


$1234567890 


30  Point  No.  86 


TWO  IN  ONE 

The  Monotype  is  the  Type  Foundry 

Composing  Machine 

$1234567890 


36  Point  No.  86 


A  LABOR  SAVING 

Profit-maker  for  all  Printers 

$1234567890 


No.  86J.     Job  Arrangement  S500 
Composition  Matrices 

14  Point  No.  86J,  14  Set 

MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  conies  after  a  sound  appren- 
ticeship, that  which  shall  prove  to  he  the  blending  of  a  firm  conception 
of  all  useful  precedent  and  the  progressive  tendencies  of  an  able 
mind.  For,  let  any  man  be  as  able  and  original  as  he  may,  he  can- 
not afford  to  discard  knowledge  of  what  has  gone  before  or  what  is 
now  going  on  in  his  own  trade  and  profession.  If  the  printers  of 
today  do  not  wish  to  be  esteemed  too  arrogant  when  they  term  this 
calling  of  theirs  an  art,  they  must  be  willing,  and  show  that  they  are 
willing,  to  subject  it  to  such  laws  as  have  made  its  sister  arts  so  free. 
All  those  concerned  in  what  are  accepted  as  the  fine  arts,  the  learned 
sciences,  and  the  professions  surround  themselves  with  the  history, 
the  literature  and  concrete  examples  of  the  work  with  which  they  are 
particularly  engaged.  Yet  it  is  only  in  very  rare  instances  that  such 

abcdefghijklmnopqrstuvwxyz 

ABCDEFGH IJKLMNOPQRSTUVWXYZ 

$1234567890 

18  Point  No.  86J,   18  Set 

MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  conies  after 
a  sound  apprenticeship ;  that  which  shall  prove  to  be 
the  blending  of  a  firm  conception  of  all  useful  pre- 
cedent and  the  progressive  tendencies  of  an  able 
mind.  For,  let  any  man  be  as  able  and  original  as  he 
may,  he  cannot  afford  to  discard  knowledge  of  what 
has  gone  before  or  what  is  now  going  on  in  his  own 
trade  and  profession.  If  the  printers  of  today  do  not 
wish  to  be  esteemed  arrogant  when  they  term  this 
calling  of  theirs  an  art,  they  must  be  willing,  and  show 

abcdefghijklmnopqrstuvwxyz 
ABCDEFGHIJKLMNOPQRSTUVWXYZ 

$1234567890 

Class  C  Matrices.  Fonts  shown  on  this  page  not  included  in  Library  and  will  not  be 
leased.  To  use  these  faces  for  composing  matter  in  justified  lines  S500  stop  bars  are  re- 
quired. Use  left  keybars  QC  for  the  Roman;  use  right  keybars  QC2  for  the  Boldface; 
use  standard  keybanks.  The  18  point  attachment  and  S500  wedges  are  required  for  casting. 


No.  86K.     Job  Arrangement  QC2 
Composition  Matrices 

14  Point  No.  86K,  14  Set 

MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  comes  after  a  sound  appren- 
ticeship, that  which  shall  prove  to  be  the  blending  of  a  firm  conception 
of  all  useful  precedent  and  the  progressive  tendencies  of  an  able 
mind.  For,  let  any  man  be  as  able  and  original  as  he  may,  he  can- 
not afford  to  discard  knowledge  of  what  has  gone  before  or  what  is 
now  going  on  in  his  own  trade  and  profession.  If  the  printers  of 
today  do  not  wish  to  be  esteemed  too  arrogant  when  they  term  this 
calling  of  theirs  an  art,  they  must  be  willing,  and  show  that  they  are 
willing,  to  subject  it  to  such  laws  as  have  made  its  sister  arts  so  free. 
All  those  concerned  in  what  are  accepted  as  the  fine  arts,  the  learned 
sciences,  and  the  professions  surround  themselves  with  the  history, 
the  literature  and  concrete  examples  of  the  work  with  which  they  are 
particularly  engaged.  Yet  it  is  only  in  very  rare  instances  that  such 

a  bcdefghijklmnopqrstu  vwxyz 
ABCDEFGHIJKLMNOPQRSTUVWXYZ 

$1234567890 

18  Point  No.  86K,  18  Set 

MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  comes  after 
a  sound  apprenticeship,  that  which  shall  prove  to  be 
the  blending  of  a  firm  conception  of  all  useful  pre- 
cedent and  the  progressive  tendencies  of  an  able 
mind.  For,  let  any  man  be  as  able  and  original  as  he 
may,  he  cannot  afford  to  discard  knowledge  of  what 
has  gone  before  or  what  is  now  going  on  in  his  own 
trade  and  profession.  If  the  printers  of  today  do  not 
wish  to  be  esteemed  arrogant  when  they  term  this 
calling  of  theirs  an  art,  they  must  be  willing,  and  show 

abcdefghijklmnopqrstuvwxyz 
ABCDEFGHIJKLMNOPQRSTUVWXYZ 

$1234567890 

Class  C  Matrices.  Fonts  shown  on  this  page  not  included  in  Library  and  will  not  be 
leased.  To  use  these  faces  for  composing  matter  in  justified  lines  S500  stop  bars  are  re- 
quired. Use  left  keybars  QC  for  the  Roman;  use  right  keybars  QC2  for  the  Boldface  Italic; 
use  standard  keybanks.  The  18  point  attachment  and  S500  wedges  are  required  for  casting. 


No.  86K.     Job  Arrangement  C2 


Composition  Matrices 


5  Point  No.  86K,  6  Set 


MONOTYPE  FACES 

The  best  kind  of  originality  it  that  which  comet  after  a  sound  apprentice- 
ship; that  which  shall  prove  to  be  the  blending  of  a  firm  conception  of 
all  useful  precedent  and  the  progressive  tendencies  of  an  able  mind.  For, 

knowledge  of  what  hat  gone  before  or  what  it  now  going  on  in  hit  own 
trade  or  hit  profession.  If  the  printers  of  today  do  not  with  to  be 
esteemed  arrogant  when  they  term  thit  calling  of  theirs  an  art,  they  must 
be  willing,  and  show  that  they  are  willing,  to  subject  it  to  such  laws  at 
have  made  itt  titter  arts  to  free.  All  those  concerned  in  what  are  accepted 
at  the  fine  artt,  the  learned  tciencet  and  professions,  surround  them- 
teloet  with  the  history,  the  literature,  and  concrete  examples  of  the  work 
with  which  they  are  particularly  engaged.  Yet  it  is  only  in  very  rare 
instances  that  such  an  atmosphere,  with  its  material  appurtenances,  it 

accomplished  and  are  accomplishing  throughout  the  world.  For  to  follow 
all  precedent  wisely  does  not  mean  to  imitate  slavishly  one  great  exemplar, 
but  to  study  all  masters  faithfully,  letting  their  great  achievements  sink 
slowly  into  the  mind  in  order  that  we  may  patiently  derive  from  the  rich- 
ness of  our  acquired  knowledge  and  organized  syttem  an  attitude  of  our 
own.  The  sprightly  minded  young  man,  who  with  hit  first  butinett  breath 
projecti  the  new  and  ttartling,  inevitably  becomes  tiresome  and  it  driven 
to  an  early  disappearance;  while  the  slower,  more  solidly  endowed  student 

abcdefghijhlmnopqrstuvwxyz 

ABCDEFGHIJKLMNOPQRSTUVWXYZ  . 

$1234567890 


6  Point  No.  86K,  7  Set 

MONOTYPE  FACES 

The  bett  kind  of  originality  i*  that  which  come*  after  a  sound 
apprenticethip;  that  which  shall  prove  to  be  the  blending  of 
a  firm  conception  of  all  useful  precedent  and  the  progressive 
tendencies  of  an  able  mind.  For,  let  a  man  be  as  able  and 
original  as  he  may,  he  cannot  afford  to  discard  knowledge  of 
what  has  gone  before  or  what  is  now  going  on  in  his  own  trade 
or  his  profession.  If  the  printers  of  today  do  not  wish  to  be 
esteemed  arrogant  when  they  term  this  calling  of  theirs  an  art, 
they  must  be  willing,  and  show  that  they  are  willing,  to  sub- 
ject it  to  such  laws  as  have  made  its  sister  arts  so  free.  All 
those  concerned  in  what  are  accepted  as  the  fine  arts,  the 
learned  sciences  and  professions,  surround  themselves  with  the 
history,  the  literature,  and  concrete  examples  of  the  work  with 
which  they  are  particularly  engaged.  Yet  it  is  only  in  very  rare 
instances  that  such  an  atmosphere,  with  its  material  appurten- 
ances, is  to  be  found  in  a  printing  office.  Art  does  not  flourish 
in  hidden  places,  nor  under  restraint,  nor  in  ignorance  of  what 
talent  and  genius  have  accomplished  and  are  accomplishing 
throughout  the  world.  For  to  follow  all  precedent  wisely  does 

abcdefghijklmnopqrstuvwxyz 
ABCDEFCHIJKLMNOPQRS  TUVWX  YZ 

$1234567890 


8  Point  No.  86K,  8£  Set 

MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  comes 
after  a  thorough  apprenticeship;  that  which  shall 
prove  to  be  the  blending  of  a  firm  conception  of  all 
useful  precedent  and  the  progressive  tendencies  of 
an  able  mind.  For,  let  a  man  be  as  able  and  original 
as  he  may,  he  cannot  afford  to  discard  knowledge 
of  what  has  gone  before  or  what  is  now  going  on  in 
his  own  trade  or  his  profession.  If  the  printers  of 
today  do  not  wish  to  be  esteemed  arrogant  when 
they  term  this  calling  of  theirs  an  art,  they  must  be 
willing,  and  show  that  they  are  willing,  to  subject 
it  to  such  laws  as  have  made  its  sister  arts  so  free. 
All  those  concerned  in  what  are  accepted  as  the  fine 
arts,  the  learned  sciences,  and  professions,  surround 

abcdefghijklmnopqrstuvwxyz 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

$1234567890 


10  Point  No.  86K,  10}  Set 

MONOTYPE  FACES 


The  best  kind  of  originality  is  that  which 
comes  after  a  thorough  apprenticeship; 
that  which  shall  prove  to  be  the  blending  of 
a  firm  conception  of  all  useful  precedent 
and  the  progressive  tendencies  of  an  able 
mind.  For,  let  a  man  be  as  able  and  original 
as  he  may,  he  cannot  afford  to  discard 
knowledge  of  what  has  gone  before  or  what 
is  now  going  on  in  his  own  trade  and  pro- 
fession. If  the  printers  of  today  do  not 
wish  to  be  esteemed  too  arrogant  when  they 
term  this  calling  of  theirs  an  art,  they  must 
be  willing,  and  show  that  they  are  willing, 
to  subject  it  to  such  laws  as  have  made  its 
sister  arts  so  free.  All  those  concerned  in 
what  are  accepted  as  the  fine  arts,  the 
learned  sciences  and  professions,  surround 
themselves  with  the  history,  literature,  and 
concrete  examples  of  the  work  with  which 
they  are  particularly  engaged.  Yet  it  is  only 

abcdefghijklmnopqrstuvwxyz 
ABCDEFGHIJKLMNOPQRSTUVWXYZ 

$1234567890 


12  Point  No.  86K,  12  Set 

MONOTYPE  FACES 
The  best  kind  of  originality  is  that 
which  comes  after  a  sound  appren- 
ticeship; that  which  shall  prove  to 
be  the  blending  of  a  firm  conception 
of  all  useful  precedent  and  the  pro- 
gressive tendencies  of  an  able  mind. 
For,  let  a  man  be  as  able  and  original 
as  he  may,  he  cannot  afford  to  dis- 
card a  knowledge  of  what  has  gone 
before  or  what  is  now  going  on  in 
his  own  trade  and  profession.  If  the 
printers  of  today  do  not  wish  to  be 
esteemed  arrogant  when  they  term 
this  calling  of  theirs  an  art,  they 
must  be  willing,  and  show  that  they 
are  willing,  to  subject  it  to  such  laws 
as  have  made  its  sister  arts  so  free. 

abcdefghijklmnopqrstuvwxyz 

ABCDEFGHIJKLMNOPQRS  TUVW 

$1234567890 


No.  861  Electro  Display  Matrices 

14  Point  No.  861 

MONOTYPE  MATRIX  EQUIPMENT 

Greater  than  that  of  any  other  Machine;  it  enables  its  user  to  Make 

all  of  his  own  Type  just  when  he  wants  it 

$1234567890 

18  Point  No.  861 

DON'T  BUY  A  TYPE  CASTER 
If  it  doesn't  supply  every  Typographical  Requirement 

for  all  Varieties  of  Work 
$1234567890 


24  Point  No.  861 


FOUNDRY  TYPE 

Once  Used  is  Never  as  Good  as  New  Type 

Cast  on  the  Monotype 

$1234567890 


30  Point  No.  861 


CUT  OUT  LOSSES 

Due  to  Your  Limited  Facilities  and 

Your  Worn-out  Faces 

$1234567890 


36  Point  No.  861 


FLEXIBILITY 

Endless  Matrix  Combination 
$1234567890 


No.  186J.     Job  Arrangement  Cl 


Composition  Matrices 


5  Point  No.  186J,  6  Set 


MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  comes  after  a  sound  apprenticeship; 
that  which  shall  prove  to  be  the  blending  of  a  firm  conception  of  all  useful  pre- 
cedent and  the  progressive  tendencies  of  an  able  mind.  For,  let  a  man  be  as  able 
and  oiiginal  as  he  may,  he  cannot  afford  to  discard  knowledge  of  what  has  gone 
before  or  what  is  now  going  on  in  his  own  trade  and  profession.  If  the  printers 
of  today  do  not  wish  to  be  esteemed  arrogant  when  they  term  this  calling  of  theirs 
an  art,  they  must  be  willing,  and  show  that  they  are  willing,  to  subject  it  to  such 
laws  as  have  made  its  sister  arts  so  free.  All  those  concerned  in  what  are  accepted 
as  the  fine  arts,  the  learned  sciences,  and  professions  surround  themselves  with 
the  history,  literature,  and  concrete  examples  of  the  work  with  which  they  are 
particularly  engaged.  Yet  it  is  only  in  rare  instances  that  such  an  atmosphere, 
with  its  material  appurtenances,  is  to  be  found  in  a  printing  office.  Art  does  not 
flourish  in  hidden  places,  nor  under  restraint,  nor  in  ignorance  of  what  talent 
and  genius  have  accomplished  and  are  now  accomplishing  throughout  the  world. 
For  to  follow  precedent  wisely  does  not  mean  to  imitate  slavishly  one  great  ex- 
emplar, but  to  study  all  masters  faithfully,  letting  their  great  achievements  sink 
slowly  into  the  mind  in  order  that  we  may  patiently  derive  from  the  richness  of 
our  acquired  knowledge  and  organized  system  an  attitude  of  our  own.  The 
sprightly  minded  young  man,  who  with  his  first  business  breath  projects  the  new 
and  startling,  inevitably  becomes  tiresome,  and  is  driven  to  an  early  disappearance; 
while  the  slower,  more  solidly  endowed  student  will  at  least  spend  as  much  of 
his  time  in  avoiding  mistakes  as  in  evolving  brilliant  schemes  wherewith  to  dazzle 
his  contemporaries.  The  very  best  kind  of  originality  is  that  which  comes  after  a 
sound  apprenticeship;  that  which  shall  prove  to  be  the  blending  of  a  firm  con- 
ception of  all  useful  precedent  and  the  progressive  tendencies  of  an  able  mind. 
For,  let  a  man  be  as  able  and  original  as  he  may,  he  cannot  afford  to  discard  knowl- 
edge of  what  has  gone  before  or  what  is  now  going  on  in  his  own  trade  and  pro- 
fession. If  the  printers  of  today  do  not  wish  to  be  esteemed  arrogant  when  they 
term  this  calling  of  theirs  an  art,  they  must  be  willing,  and  show  that  they  are 
willing,  to  subject  it  to  such  laws  as  have  made  its  sister  arts  so  free.  All  those 
concerned  in  what  are  accepted  as  the  fine  arts,  the  learned  sciences,  and  pro- 
fessions surround  themselves  with  the  history,  literature,  and  concrete  examples 
of  the  work  with  which  they  are  particularly  engaged.  Yet  it  is  only  in  rare  in- 


th  its 


al  e 


to  be  found 


i  a  printing  office.     Art  does  not  flourish  in  hidden  places,  nor  under  restraint, 
ce  of   what   talent  and_genius   have  accomplished  and 

nean 


or  in  ignorance  of   what   talent  and  genius   have  accomplished  and  are  noi 
implishing  throughout  the  world.     For  to  follow  precedent  wisely  does  not  i 


abcdefghijklmnopqrstuvwxyz 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

$1234567890 


6  Point  No.  186J,  7  Set 


MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  conies  after  a  sound  appren- 
ticeship; that  which  shall  prove  itself  to  be  the  blending  of  a  firm 
conception  of  useful  precedent  and  the  progressive  tendencies  of  an  able 
mind.  For,  let  a  man  be  as  able  and  original  as  he  may,  he  cannot 
afford  to  discard  knowledge  of  what  has  gone  before  or  what  is  now 
going  on  in  his  own  trade  and  profession.  If  the  printers  of  today  do 
not  wish  to  be  esteemed  arrogant  when  they  term  this  calling  of  theirs 
an  art,  they  must  be  willing,  and  show  that  they  are  willing,  to  subject 
it  to  such  laws  as  have  made  its  sister  arts  so  free.  All  those  con- 
cerned in  what  are  accepted  as  the  fine  arts,  the  learned  sciences  and 
professions,  surround  themselves  with  the  history,  literature,  and  con- 
crete examples  of  the  work  with  which  they  are  particularly  engaged. 
Yet  it  is  only  in  rare  instances  that  such  an  atmosphere,  with  its  ma- 
terial appurtenances,  is  to  be  found  in  a  printing  office.  Art  does  not 
flourish  in  hidden  places,  nor  under  restraint,  nor  in  ignorance  of  what 
talent  and  genius  have  accomplished  and  are  accomplishing  throughout 
the  world.  For  to  follow  precedent  wisely  does  not  mean  to  imitate 
slavishly  one  great  exemplar,  but  to  study  all  masters  faithfully,  letting 
their  great  achievements  sink  slowly  into  the  mind  in  order  that  we 
may  patiently  derive  from  the  richness  of  our  acquired  knowledge  and 
organized  system  an  attitude  of  our  own.  The  sprightly  minded  young 
man,  who  with  his  first  business  breath  projects  the  new  and  startling, 
inevitably  becomes  tiresome,  and  is  driven  to  an  early  disappearance; 
while  the  slower,  more  solidly  endowed  student  will  at  least  spend  as 
much  of  his  time  in  avoiding  mistakes  as  in  evolving  brilliant  schemes 
wherewith  to  dazzle  his  contemporaries.  The  best  kind  of  originality 
is  that  which  comes  after  a  sound  apprenticeship;  that  which  shall  prove 
to  be  the  blending  of  a  firm  conception  of  all  useful  precedent  and  the 
progressive  tendencies  of  an  able  mind.  For,  let  a  man  be  as  able  and 
original  as  he  may,  he  cannot  afford  to  discard  knowledge  of  what  has 
gone  before  or  what  is  now  going  on  in  his  own  trade  and  profession. 

abcdef  ghij  klmnopqrstuv  wxyz 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

$1234567890 


7  Point  No.  186J,  8  Set 

MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  comes  after  a  sound 
apprenticeship;  that  which  shall  prove  itself  to  be  the  blend- 
ing of  a  firm  conception  of  useful  precedent  and  the  progressive 
tendencies  of  an  able  mind.  For,  let  a  man  be  as  able  and 
original  as  he  may,  he  cannot  afford  to  discard  knowledge  of 
what  has  gone  before  or  what  is  now  going  on  in  his  own  trade 
and  profession.  If  the  printers  of  today  do  not  wish  to  be 
esteemed  arrogant  when  they  term  this  calling  of  theirs  an 
art,  they  must  be  willing,  and  show  that  they  are  willing,  to 
subject  it  to  such  laws  as  have  made  its  sister  arts  so  free. 
AH  those  concerned  in  what  are  accepted  as  the  fine  arts,  the 
learned  sciences,  and  the  professions  surround  themselves 
with  the  history,  the  literature,  and  concrete  examples  of  the 
work  with  which  they  are  particularly  engaged.  Yet  it  is  only 
in  rare  instances  that  such  an  atmosphere,  with  its  material 
appurtenances,  is  to  be  found  in  a  printing  office.  Art  does 
not  flourish  in  hidden  places,  nor  under  restraint,  nor  in 
ignorance  of  what  talent  and  genius  have  accomplished  and 
are  accomplishing  throughout  the  world.  For  to  follow  pre- 
cedent wisely  does  not  mean  to  imitate  slavishly  one  great 
exemplar,  but  to  study  all  the  masters  faithfully,  letting  their 
great  achievements  sink  slowly  into  the  mind  in  order  that  we 
may  patiently  derive  from  the  richness  of  our  acquired  knowl- 
edge and  organized  system  an  attitude  of  our  own.  The  very 
sprightly  minded  young  man,  who  with  his  first  business 
breath  projects  the  new  and  startling,  inevitably  becomes  tire- 
some, and  is  driven  to  an  early  disappearance;  while  the 
slower,  more  solidly  endowed  student  will  at  least  spend  as 
much  of  his  time  in  avoiding  mistakes  as  in  evolving  brilliant 
schemes  wherewith  to  dazzle  his  contemporaries.  The  best 

abcdefghijklmnopqrstuvwxyz 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

$1234567890 


8  Point  No.  186J,  8£  Set 

MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  comes  after  a 
sound  apprenticeship;  that  which  shall  prove  to  be  the 
blending  of  a  firm  conception  of  all  useful  precedent  and 
the  progressive  tendencies  of  an  able  mind.  For,  let  a 
man  be  as  able  and  original  as  he  may,  he  cannot  afford 
to  discard  knowledge  of  what  has  gone  before  or  what 
is  now  going  on  in  his  own  trade  and  profession.  If  the 
printers  of  today  do  not  wish  to  be  esteemed  arrogant 
when  they  term  this  calling  of  theirs  an  art,  they  must  be 
willing,  and  show  that  they  are  willing,  to  subject  it  to 
such  laws  as  have  made  its  sister  arts  so  free.  All  those 
concerned  in  what  are  accepted  as  the  fine  arts,  the  learned 
sciences  and  professions,  surround  themselves  with  the 
history,  the  literature,  and  concrete  examples  of  the  work 
with  which  they  may  be  particularly  engaged.  Yet  it  is 
only  in  rare  instances  that  such  an  atmosphere,  with  its 
material  appurtenances,  is  to  be  found  in  a  printing  office. 
Art  does  not  flourish  in  hidden  places,  nor  under  restraint, 
nor  in  ignorance  of  what  talent  and  genius  have  accom- 
plished and  are  now  accomplishing  throughout  the  world. 
For  to  follow  precedent  wisely  does  not  mean  to  imitate 
slavishly  one  great  exemplar,  but  to  study  all  the  masters 
faithfully,  letting  their  great  achievements  sink  slowly  into 
the  mind  in  order  that  we  may  patiently  derive  from  the 
richness  of  our  acquired  knowledge  and  organized  system 
an  attitude  of  our  own.  The  sprightly  minded  young  man, 
who  with  his  first  business  breath  projects  the  new  and 

abcdefghijklmnopqrstuvwxyz 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

$1234567890 


No.  186J.     Job  Arrangement  Cl 


Composition  Matrices 


9  Point  No.  186J,  9  Set 


10  Point  No.  186J,  10  Set 


MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  comes  after  a 
sound  apprenticeship;  that  which  shall  prove  to  be  the 
blending  of  a  firm  conception  of  all  useful  precedent 
and  the  progressive  tendencies  of  an  able  mind.  For, 
let  a  man  be  as  able  and  original  as  he  may,  he  cannot 
afford  to  discard  knowledge  of  what  has  gone  before  or 
what  is  now  going  on  in  his  own  trade  and  profession. 
If  the  printers  of  today  do  not  wish  to  be  esteemed 
arrogant  when  they  term  this  calling  of  theirs  an  art, 
they  must  be  willing,  and  show  that  they  are  willing,  to 
subject  it  to  such  laws  as  have  made  its  sister  arts  so 
free.  All  those  concerned  in  what  are  accepted  as  the 
fine  arts,  the  learned  sciences  and  professions,  surround 
themselves  with  the  history,  the  literature,  and  con- 
crete examples  of  the  work  with  which  they  may  be 
particularly  engaged.  Yet  it  is  only  in  rare  instances 
that  such  an  atmosphere,  with  all  its  material  appur- 
tenances, is  to  be  found  in  the  printing  office.  Art 
does  not  flourish  in  hidden  places,  nor  under  restraint, 
nor  in  ignorance  of  what  talent  and  genius  have  ac- 
complished and  are  now  accomplishing  throughout  the 
world.  For  to  follow  precedent  wisely  does  not  mean 
to  imitate  slavishly  one  great  exemplar,  but  to  study  all 

abcdef  ghij  klmnopqrstuvwxyz 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

$1234567890 


MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  comes 
after  a  sound  apprenticeship;  that  which  shall 
prove  to  be  the  blending  of  a  firm  conception 
of  all  useful  precedent  and  the  progressive  ten- 
dencies of  an  able  mind.  For,  let  a  man  be  as 
able  and  original  as  he  may,  he  cannot  afford 
to  discard  knowledge  of  what  has  gone  before 
or  what  is  now  going  on  in  his  own  trade  and 
profession.  If  the  printers  of  today  do  not  wish 
to  be  esteemed  arrogant  when  they  term  this 
calling  of  theirs  an  art,  they  must  be  willing, 
and  show  that  they  are  willing,  to  subject  it  to 
such  laws  as  have  made  its  sister  arts  so  free. 
All  those  concerned  in  what  are  accepted  as  the 
fine  arts,  the  learned  sciences,  and  professions 
surround  themselves  with  the  history,  literature, 
and  concrete  examples  of  the  work  with  which 
they  are  particularly  engaged.  Yet  it  is  only  in 
rare  instances  that  such  an  atmosphere,  with  its 
material  appurtenances,  is  to  be  found  in  a  print- 
ing office.  Art  does  not  flourish  in  hidden  places 

abcdef  ghij  klmnopqrstuvwxyz 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

$1234567890 


11  Point  No.  186J,  11  Set 

MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which 
comes  after  a  sound  apprenticeship;  that 
which  shall  prove  to  be  the  blending  of  a 
firm  conception  of  all  useful  precedent  and 
the  progressive  tendencies  of  an  able  mind. 
For,  let  any  man  be  as  able  and  original  as 
he  may,  he  cannot  afford  to  discard  knowl- 
edge of  what  has  gone  before  or  what  is  now 
going  on  in  his  own  trade  and  profession. 
If  the  printers  of  today  do  not  wish  to  be  es- 
teemed too  arrogant  when  they  term  this 
calling  of  theirs  an  art,  they  must  be  willing, 
and  show  that  they  are  willing,  to  subject  it 
to  such  laws  as  have  made  its  sister  arts  so 
free.  All  those  concerned  in  what  are  ac- 
cepted as  the  fine  arts,  the  learned  sciences 
and  professions,  surround  themselves  with 

abcdef  ghij  klmnopqrstuvwxyz 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

$1234567890 


12  Point  No.  186J,  12  Set 

MONOTYPE  FACES 
The  best  kind  of  originality  is  that  which 
comes  after  a  sound  apprenticeship ;  that 
which  shall  prove  to  be  the  blending  of 
a  firm  conception  of  all  useful  precedent 
and  the  progressive  tendencies  of  an  able 
mind.  For,  let  any  man  be  as  able  and 
original  as  he  may,  he  cannot  afford  to 
discard  knowledge  of  what  has  gone  be- 
fore or  what  is  now  going  on  in  his  own 
trade  and  profession.  If  the  printers  of 
today  do  not  wish  to  be  esteemed  too 
arrogant  when  they  term  this  calling  of 
theirs  an  art,  they  must  be  willing,  and 
show  that  they  are  willing,  to  subject  it 
to  such  laws  as  have  made  its  sister  arts 
so  free.  All  those  concerned  in  what  are 

abcdef  ghij  klmnopqrstuvwxyz 

ABCDEFGHIJKLMNOPQRSTUVWX 

$1234567890 


No.  186  Electro  Display  Matrices 

14  Point  No.  186 

NO  PRINTER  CAN  AFFORD 

To  Refuse  to  Investigate  advantages  of  the  Monotype  Non-Distribution 
System,  which  is  Indorsed  by  Hundreds  of  Users 

$1234567890 

18  Point  No.  186 

THE  MONOTYPE 

Eliminates  Non-productive  Time  in  the  Composing  Room 

and  Increases  Output  in  Press  Room 

$1234567890 


24  Point  No.  186 


MANY  MAGAZINES 

of  Latin  Europe  are  Produced  entirely  on  the 

Monotype  Composing  Machine 

$1234567890 


30  Point  No.  186 


NON-DISTRIBUTION 

Reduces  the  Cost  of  producing  Good 

Advertising  Composition 

$1234567890 


36  Point  No.  186 


WORKMEN 

Will  Appreciate  Its  Advantages 

$1234567890 


No.  88J.     Job  Arrangement  Cl 


Composition  Matrices 


5  Point  No.  88J,  5  Set 


MONOTYPE  FACES 
The  but  kind  of  originality  is  that  which  comes  after  a  sound  apprenticeship;    that  which  shall 


prove  lo  be  the  blending  of  a  firm  conception  of  all  useful  precedent 
of  an  able  mind.     For,  let  a  man  be  as  able  and  original  as  he  m 
knowledge  of  what  has  gone  before  or  what  is  now  going  on  in  his  ow 
printers  of  today  do  not  wish  to  be  esteemed  arrogant  when  they  te 
they  must  be  willing,  and  show  that  they  are  willing,  to  subject  it  to  < 
arts  so  free.     All  those  concerned  in  what  are  accepted  as  the  fine 
professions  surround  themselves  with  the  history,  literature,  and 

nd  the  progressive  tendencies 
y,  he  cannot  afford  to  discard 
trade  and  profession.     If  the 
m  this  calling  of  theirs  an  art, 
h  laws  as  have  made  its  sister 
rts,  the  learned  sciences,  and 
ncrete  examples  of  the  work 

with  which  they  are  particularly  engaged.  Yet  it  is  only  in  rare  instances  that  such  an  atmosphere, 
with  its  material  appurtenances,  is  lo  be  found  in  a  printing  office.  Art  does  not  flourish  in  hidden 
places,  nor  under  restraint,  nor  in  ignorance  of  what  talent  and  genius  have  accomplished  and  are 
now  accomplishing  throughout  the  world.  For  to  follow  precedent  wisely  does  not  mean  to  imitate 
slavishly  one  great  exemplar,  but  to  study  all  masters  faithfully,  letting  their  great  achievements  sink 
slowly  into  the  mind  in  order  that  we  may  patiently  derive  from  the  richness  of  our  acquired  knowl- 
edge and  organized  system  an  altitude  of  our  own.  The  sprightly  minded  young  man,  who  with 

abcdefghijklmnopqrstuvwxyz 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

{1234567890 


6  Point  No.  88J,  6  Set 


MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  comes  after  a  sound  apprenticeship; 
that  which  shall  prove  to  be  the  blending  of  a  firm  conception  of  all  useful  pre- 
cedent and  the  progressive  tendencies  of  an  able  mind.  For,  let  a  man  be  as  able 
and  original  as  he  may,  he  cannot  afford  to  discard  knowledge  of  what  has  gone 
before  or  what  is  now  going  on  in  his  own  trade  and  profession.  If  the  printers 
of  today  do  not  wish  to  be  esteemed  arrogant  when  they  term  this  calling  of  theirs 
an  art,  they  must  be  willing,  and  show  that  they  are  willing,  to  subject  it  to  such 
laws  as  have  made  its  sister  arts  so  free.  All  those  concerned  in  what  are  accepted 
as  the  fine  arts,  the  learned  sciences,  and  professions  surround  themselves  with 
the  history,  literature,  and  concrete  examples  of  the  work  with  which  they  are 
particularly  engaged.  Yet  it  is  only  in  rare  instances  that  such  an  atmosphere, 
with  its  material  appurtenances,  is  to  be  found  in  a  printing  office.  Art  does  not 

abcdefghijklmnopqrstuvwxyz 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

$1234567890 


8  Point  No.  88J,  7  Set 

MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  comes  after  a  sound  appren- 
ticeship; that  which  shall  prove  itself  to  be  the  blending  of  a  firm 
conception  of  useful  precedent  and  the  progressive  tendencies  of  an  able 
mind.  For,  let  a  man  be  as  able  and  original  as  he  may,  he  cannot 
afford  to  discard  knowledge  of  what  has  gone  before  or  what  is  now 
going  on  in  his  own  trade  and  profession.  If  the  printers  of  today  do 
not  wish  to  be  esteemed  arrogant  when  they  term  this  calling  of  theirs 
an  art,  they  must  be  willing,  and  show  that  they  are  willing,  to  subject 
it  to  such  laws  as  have  made  its  sister  arts  so  free.  All  those  con- 
cerned in  what  are  accepted  as  the  fine  arts,  the  learned  sciences,  and 
professions  surround  themselves  with  the  history,  literature,  and  con- 
crete examples  of  the  work  with  which  they  are  particularly  engaged. 
Yet  it  is  only  in  rare  instances  that  such  an  atmosphere,  with  its  ma- 

abcdefghijklmnopqrstuvwxyz 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

$1234567890 


10  Point  No.  88J,  8j  Set 

MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  conies  after  a 
sound  apprenticeship;  that  which  shall  prove  to  be  the 
blending  of  a  firm  conception  of  all  useful  precedent  and 
the  progressive  tendencies  of  an  able  mind.  For,  let  a 
man  be  as  able  and  original  as  he  may,  he  cannot  afford 
to  discard  knowledge  of  what  has  gone  before  or  what  is 
now  going  on  in  his  own  trade  and  profession.  If  the 
printers  of  today  do  not  wish  to  be  esteemed  arrogant 
when  they  term  this  calling  of  theirs  an  art,  they  must  be 
willing,  and  show  that  they  are  willing,  to  subject  it  to 

abcdefghijklmnopqrstuvwxyz 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

$1234567890 


12  Point  No.  88 J,  10  Set 

MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  comes 
after  a  sound  apprenticeship;  that  which  shall 
prove  to  be  the  blending  of  a  firm  conception 
of  all  useful  precedent  and  the  progressive  ten- 
dencies of  an  able  mind.  For,  let  a  man  be  as 
able  and  original  as  he  may,  he  cannot  afford 
to  discard  knowledge  of  what  has  gone  before 
or  what  is  now  going  on  in  his  own  trade  and 
profession.  If  the  printers  of  today  do  not  wish 
to  be  esteemed  arrogant  when  they  term  this 
calling  of  theirs  an  art,  they  must  be  willing, 
and  show  that  they  are  willing,  to  subject  it  to 


MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  comes 
after  a  sound  apprenticeship;  that  which  shall 
prove  to  be  the  blending  of  a  firm  conception 
of  all  useful  precedent  and  the  progressive  ten- 
dencies of  an  able  mind.  For,  let  a  man  be  as 
able  and  original  as  he  may,  he  cannot  afford 
to  discard  knowledge  of  what  has  gone  before 
or  what  is  now  going  on  in  his  own  trade  and 
profession.  If  the  printers  of  today  do  not  wish 
to  be  esteemed  arrogant  when  they  term  this 
calling  of  theirs  an  art,  they  must  be  willing, 
and  show  that  they  are  willing,  to  subject  it  to 
such  laws  as  have  made  its  sister  arts  so  free. 
All  those  concerned  in  what  are  accepted  as  the 


abcdefghijklmnopqrstuvwxyz 
ABCDEFGHIJKLMNOPQRSTUVWXYZ 

$1234567890 


No.  88  Electro  Display  Matrices 

14  Point  No.  88 

GET  A  FAIR  PRICE  FOR  YOUR  WORK 

You  can  Easily  do  this  without  being  a  Cost  Expert  by  Building  up  Quality  with 
a  Monotype.  The  Work  sells  Itself  at  a  Profit  Making  Price 

$1234567890 

18  Point  No.  88 

ONE  NEWSPAPER  CUSTOMER  SAYS 

Since  the  Monotypes  were  Installed  they  haven't  bought  a  Dollar's 

Worth  of  Type,  Spacing  Material  or  Borders 

$1234567890 

24  Point  No.  88 

"PRINTING  FOR  PROFIT" 

Is  Our  Answer  to  that  Interesting  Query,  "What  is 

the  Matter  with  the  Printing  Business?" 

$1234567890 


30  Point  No.  88 


QUALITY  PAYS  HANDSOMELY 


It  is  the  Best  and  Only  Lever  to  Raise  Prices 


and  Increase  Your  Profits 


$1234567890 


36  Point  No.  88 


ALL  YOU  CLAIM  FOR  IT 

And  More  Says  a  Satisfied  Monotyper 

$1234567890 


No.  88K.     Job  Arrangement  Cl 


Composition  Matrices 


6  Point  No.  88K,  6  Set 


MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  comes  after  a  sound  apprenticeship; 
that  which  shall  prove  to  be  the  blending  of  a  firm  conception  of  all  useful  pre- 
cedent and  the  progressive  tendencies  of  an  able  mind.  For,  let  a  man  be  as  able 
and  original  as  he  may,  he  cannot  afford  to  discard  knowledge  of  what  has  gone 
before  or  what  is  now  going  on  in  his  own  trade  and  profession.  If  the  printers 
of  today  do  not  wish  to  be  esteemed  arrogant  when  they  term  this  calling  of  theirs 
an  art,  they  must  be  willing,  and  show  that  they  are  willing,  to  subject  it  to  such 
laus  as  have  made  its  sister  arts  so  free.  All  those  concerned  in  what  are  accepted 
as  the  fine  arts,  the  learned  sciences,  and  professions  surround  themselves  with 
the  history,  literature,  and  concrete  examples  of  the  work  with  which  they  are 
particularly  engaged.  Yet  it  is  only  in  rare  instances  that  such  an  atmosphere, 
with  its  material  appurtenances,  is  to  be  found  in  a  printing  office.  Art  does  not 
flourish  in  hidden  places,  nor  under  restraint,  nor  in  ignorance  of  what  talent 
and  genius  have  accomplished  and  are  now  accomplishing  throughout  the  world. 
For  to  follow  precedent  wisely  does  not  mean  to  imitate  slavishly  one  great  ex- 
tplar,  but  to  study  all  masters  faithfully,  letting  their  great  achievements  sink 
lowly  into  the  mind  in  order  that  we  may  patiently  derive  from  the  richness  of 
ur  acquired  knowledge  and  organized  system  an  attitude  of  our  own.  The 
prightly  minded  young  man,  who  with  his  first  business  breath  projects  the  new 
nd  startling,  inevitably  becomes  tiresome,  and  is  driven  to  an  early  disappearance; 
while  the  slower,  more  solidly  endowed  student  will  at  least  spend  as  much  of 
his  time  in  avoiding  mistakes  as  in  evolving  brilliant  schemes  wherewith  to  dazzle 
his  contemporaries.  The  best  kind  of  originality  is  that  which  comes  after  a 
sound  apprenticeship;  that  which  shall  prove  to  be  the  blending  of  a  firm  con- 
ception of  all  useful  precedent  and  the  progressive  tendencies  of  an  able  mind. 
For,  let  a  man  be  as  able  and  original  as  he  may,  he  cannot  afford  to  discard 
knowledge  of  what  has  gone  before  or  what  is  now  going  on  in  his  own  trade  and 
profession.  If  the  printers  of  today  do  not  wish  be  to  esteemed  arrogant  when 
they  term  this  calling  of  theirs  an  art,  they  must  be  willing,  and  show  that  they 
are  willing,  to  subject  it  to  such  laws  as  have  made  its  sister  arts  so  free.  All 
those  concerned  in  what  are  accepted  as  the  fine  arts,  the  learned  sciences,  and 

abcdefghijklmnopqrstuvwxyz 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

f 1234567 890 


8  Point  No.  88K,  7  Set 
MONOTYPE  FACES 


The  best  kind  of  originality  is  that  which  comes  after  a  sound  appren- 
ticeship; that  which  shall  prove  itself  to  be  the  blending  of  a  firm 
conception  of  useful  precedent  and  the  progressive  tendencies  of  an  able 
mind.  For,  let  a  man  be  as  able  and  original  as  he  may,  he  cannot 
afford  to  discard  knowledge  of  what  has  gone  before  or  what  is  now 
going  on  in  his  own  trade  and  profession.  If  the  printers  of  today  do 
not  wish  to  be  esteemed  arrogant  when  they  term  this  calling  of  theirs 
an  art,  they  must  be  willing,  and  show  that  they  are  willing,  to  subject 
it  to  such  laws  as  have  made  its  sister  arts  so  free.  All  those  con- 
cerned in  what  are  accepted  as  the  fine  arts,  the  learned  sciences,  and 
professions  surround  themselves  with  the  history,  literature,  and  con- 
crete examples  of  the  work  with  which  they  are  particularly  engaged. 
Yet  it  is  only  in  rare  instances  that  such  an  atmosphere,  with  its  ma- 
terial appurtenances,  is  to  be  found  in  a  printing  office.  Art  does  not 
nourish  in  hidden  places,  nor  under  restraint,  nor  in  ignorance  of  what 
talent  and  genius  have  accomplished  and  are  accomplishing  throughout 
the  world.  For  to  follow  precedent  wisely  does  not  mean  to  imitate 
slavishly  one  great  exemplar,  but  to  study  all  masters  faithfully,  letting 
their  great  achievements  sink  slowly  into  the  mind  in  order  that  we 
may  patiently  derive  from  the  richness  of  our  acquired  knowledge  and 
organized  system  an  attitude  of  our  own.  The  sprightly  minded  young 
man,  who  with  his  first  business  breath  projects  the  new  and  startling, 
inevitably  becomes  tiresome,  and  is  driven  to  an  early  disappearance; 
while  the  slower,  more  solidly  endowed  student  will  at  least  spend  as 

abcdefghijklmnopqrstuvwxyz 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

$1234567890 


10  Point  No.  88K,  8i  Set 

MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  comes  after  a 
sound  apprenticeship;  that  which  shall  prove  to  be  the 
blending  of  a  firm  conception  of  all  useful  precedent  and 
the  progressive  tendencies  of  an  able  mind.  For,  let  a 
man  be  as  able  and  original  as  he  may,  he  cannot  afford 
to  discard  knowledge  of  what  has  gone  before  or  what  is 
now  going  on  in  his  own  trade  and  profession.  If  the 
printers  of  today  do  not  wish  to  be  esteemed  arrogant 
when  they  term  this  calling  of  theirs  an  art,  they  must  be 
willing,  and  show  that  they  are  willing,  to  subject  it  to 
such  laws  as  have  made  its  sister  arts  so  free.  All  those 
concerned  in  what  are  accepted  as  the  fine  arts,  the  learned 
sciences,  and  professions  surround  themselves  with  the 
history,  the  literature,  and  concrete  examples  of  the  work 
with  which  they  may  be  particularly  engaged.  Yet  it  is 
only  in  rare  instances  that  such  an  atmosphere,  with  its 
material  appurtenances,  is  to  be  found  in  a  printing  office. 
Art  does  not  nourish  in  hidden  places,  nor  under  restraint, 
nor  in  ignorance  of  what  talent  and  genius  have  accom- 
plished and  are  now  accomplishing  throughout  the  world. 
For  to  follow  precedent  wisely  does  not  mean  to  imitate 
slavishly  one  great  exemplar,  but  to  study  all  the  masters 

abcdefghijklmnopqrstuvwxyz 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

$1234567890 


12  Point  No.  88K,  10  Set 

MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  comes 
after  a  sound  apprenticeship;  that  which  shall 
prove  to  be  the  blending  of  a  firm  conception 
of  all  useful  precedent  and  the  progressive  ten- 
dencies of  an  able  mind.  For,  let  a  man  be  as 
able  and  original  as  he  may,  he  cannot  afford 
to  discard  knowledge  of  what  has  gone  before 
or  what  is  now  going  on  in  his  own  trade  and 
profession.  If  the  printers  of  today  do  not  wish 
to  be  esteemed  arrogant  when  they  term  this 
calling  of  theirs  an  art,  they  must  be  willing, 
and  show  that  they  are  willing,  to  subject  it  to 
such  laws  as  have  made  its  sister  arts  so  free. 
All  those  concerned  in  what  are  accepted  as  the 
fine  arts,  the  learned  sciences,  and  professions 
surround  themselves  with  the  history,  literature, 
and  concrete  examples  of  the  work  with  which 
they  are  particularly  engaged.  Yet  it  is  only  in 

abcdefghijklmnopqrstuvwxyz 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

$1234567890 


No.  881  Electro  Display  Matrices 

14  Point  No.  881 

ALL  ROMAN,  ITALIC  AND  BOLDFACES 

On  Standard  Monotype  Line  for  all  Point  Sizes  from  5  Point  to  12  Point  Inclusive 

can  be  cast  to  Line  at  One  Operation 
$1234567890 

18  Point  No.  881 

TWO-LINE  OR  THREE-LINE  BOLDFACE  FIGURES 

Combined  with  any  size  Roman  for  Newspaper  Ad.  and  Catalogue 

Work.  This  is  not  a  Slag  Makeshift 

$1234567890 


24  Point  No.  881 


EXTRA  CHARACTERS  FOR  SPECIAL  WORK 

Easily  Inserted  in  the  Monotype  Flexible  Matrix  Case 

No  Extra  Attachments  Required 

$1234567890 


30  Point  No.  881 


MONOTYPE  MATRICES 

Combined  in  an  Endless  Variety  of  Ways  for 

an  Endless  Variety  of  Work 

$1234567890 


36  Point  No.  881 


POINT,  FACE  &  MEASURE 

Quickly  Changed  with  the  Monotype 

$1234567890 


No.  141J.     Job  Arrangement  Cl 


Composition  Matrices 


6  Point  No.  141 J,  5  Set 


8  Point  No.  141J,  6  Set 


MONOTYPE  FACES 

The  best  kind  of  originality  is  thai  which  comes  after  a  sound  apprenticeship;  that  which  shall 
prove  to  be  the  blending  of  a  firm  conception  of  all  useful  precedent  and  the  progressive  tendencies 
of  an  able  mind.  For,  let  a  man  be  as  able  and  original  as  he  may,  he  cannot  afford  to  discard 
knowledge  of  what  has  gone  before  or  what  is  now  going  on  in  his  own  trade  and  profession.  If 
the  printers  of  today  do  not  wish  to  be  esteemed  arrogant  when  they  term  this  calling  of  theirs  an 
art,  they  must  be  willing,  and  show  that  they  are  willing,  to  subject  it  to  such  laws  as  have  made 
its  sister  arts  so  free.  All  those  concerned  in  what  are  accepted  as  the  fine  arts,  the  learned  sci- 
ences, and  professions  surround  themselves  with  the  history,  literature,  and  concrete  examples 
of  the  work  which  they  are  particularly  engaged.  Yet  it  is  only  in  rare  instances  that  such  an  atmos- 
phere, with  its  material  appurtenances,  is  to  be  found  in  a  printing  office.  Art  does  not  flourish  in 
hidden  places,  nor  under  restraint,  nor  in  ignorance  of  what  talent  and  genius  have  accomplished 
and  are  accomplishing  throughout  the  world.  For  to  follow  precedent  wisely  does  not  mean  to 
imitate  slavishly  one  great  exemplar,  but  to  study  all  masters  faithfully,  letting  their  great  achieve- 
ments sink  slowly  into  the  mind  in  order  that  we  may  patiently  derive  from  the  richness  of  our  ac- 
quired knowledge  and  organized  system  an  attitude  of  our  own.  The  sprightly  minded  young  man, 
who  with  his  first  business  breath  projects  the  new  and  startling,  inevitably  becomes  tiresome,  and 
is  driven  to  an  early  disappearance;  while  the  slower,  more  solidly  endowed  student  will  at  least 
spend  as  much  of  his  time  in  avoiding  mistakes  as  in  evolving  brilliant  schemes  wherewith  to  dazzle 
his  contemporaries.  The  best  kind  of  originality  is  that  which  comes  after  a  sound  apprenticeship; 
that  which  shall  prove  to  be  the  blending  of  a  firm  conception  of  all  useful  precedent  and  the  progres- 
sive tendencies  of  an  able  mind.  For,  let  a  man  be  as  able  and  original  as  he  may,  he  cannot  afford 
to  discard  knowledgeof  what  has  gone  before  or  what  is  now  going  on  in  his  own  trade  and  profession. 
If  the  printers  of  today  do  not  wish  to  be  esteemed  arrogant  when  they  term  this  calling  of  theirs 
an  art,  they  must  be  willing,  and  show  that  they  are  willing,  to  subject  it  to  such  laws  as  have  made 
its  sister  arts  so  free.  All  those  concerned  in  what  are  accepted  as  the  fine  arts,  the  learned  sciences, 
and  professions  surround  themselves  with  the  history,  literature,  and  concrete  examples  of  the  work 
with  which  they  are  particularly  engaged.  Yet  it  is  only  in  rare  instances  that  such  an  atmosphere, 
with  its  material  appurtenances,  is  to  be  found  in  a  printing  office.  Art  does  not  flourish  in  hidden 
places,  nor  under  restraint,  nor  in  ignorance  of  what  talent  and  genius  have  accomplished  and  are 
accomplishing  throughout  the  world.  For  to  follow  precedent  wisely  does  not  mean  to  imitate 
slavishly  one  great  exemplar,  but  to  study  all  masters  faithfully,  letting  their  great  achievements 

abcdefghijklmnopqrstuvwxyz 
ABCDEFGHIJKLMNOPQRSTUVWXYZ 

$1234567890 


MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  comes  after  a  sound  apprenticeship; 
that  which  shall  prove  to  be  the  blending  of  a  firm  conception  of  all  useful  pre- 
cedent and  the  progressive  tendencies  of  an  able  mind.  For,  let  a  man  be  as  able 
and  original  as  he  may,  he  cannot  afford  to  discard  knowledge  of  what  has  gone 
before  or  what  is  now  going  on  in  his  own  trade  and  profession.  If  the  printers 
of  today  do  not  wish  to  be  esteemed  arrogant  when  they  term  this  calling  of  theirs 
an  art,  they  must  be  willing,  and  show  that  they  are  willing,  to  subject  it  to  such 
laws  as  have  made  its  sister  arts  so  free.  AH  those  concerned  in  what  are  accepted 
as  the  fine  arts,  the  learned  sciences,  and  professions  surround  themselves  with 
the  history,  literature,  and  concrete  examples  of  the  work  with  which  they  are 
particularly  engaged.  Yet  it  is  only  in  rare  instances  that  such  an  atmosphere, 
with  its  material  appurtenances,  is  to  be  found  in  a  printing  office.  Art  does  not 
flourish  in  hidden  places,  nor  under  restraint,  nor  in  ignorance  of  what  talent 
and  genius  have  accomplished  and  are  now  accomplishing  throughout  the  world. 
For  to  follow  precedent  wisely  does  not  mean  to  imitate  slavishly  one  great  ex- 
emplar, but  to  study  all  masters  faithfully,  letting  their  great  achievements  sink 
slowly  into  the  mind  in  order  that  we  may  patiently  derive  from  the  richness  of 
our  acquired  knowledge  and  organized  system  an  attitude  of  our  own.  The 
sprightly  minded  young  man,  who  with  his  first  business  breath  projects  the  new 
and  startling,  inevitably  becomes  tiresome,  and  is  driven  to  an  early  disappearance, 
while  the  slower,  more  solidly  endowed  student  will  at  least  spend  as  much  of 
his  time  in  avoiding  mistakes  as  in  evolving  brilliant  schemes  wherewith  to  dazzle 
his  contemporaries.  The  best  kind  of  originality  is  that  which  comes  after  a 
sound  apprenticeship;  that  which  shall  prove  to  be  the  blending  of  a  firm  con- 

abcdefghijklmnopqrstuvwxyz 
ABCDEFGHI JKLM  NOPQRSTUVWXYZ 

$1234567890 


10  Point  No.  141J,  7  Set 

MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  conies  after  a  sound  appren- 
ticeship; that  which  shall  prove  itself  to  be  the  blending  of  a  firm 
conception  of  useful  precedent  and  the  progressive  tendencies  of  an  able 
mind.  For,  let  a  man  be  as  able  and  original  as  he  may,  he  cannot 
afford  to  discard  knowledge  of  what  has  gone  before  or  what  is  now 
going  on  in  his  own  trade  and  profession.  If  the  printers  of  today  do 
not  wish  to  be  esteemed  arrogant  when  they  term  this  calling  of  theirs 
an  art,  they  must  be  willing,  and  show  that  they  are  willing,  to  subject 
it  to  such  laws  as  have  made  its  sister  arts  so  free.  AH  those  con- 
cerned in  what  are  accepted  as  the  fine  arts,  the  learned  sciences,  and 
professions  surround  themselves  with  the  history,  literature,  and  con- 
crete examples  of  the  work  with  which  they  are  particularly  engaged. 
Yet  it  is  only  in  rare  instances  that  such  an  atmosphere,  with  its  ma- 
terial appurtenances,  is  to  be  found  in  a  printing  office.  Art  does  not 
flourish  in  hidden  places,  nor  under  restraint,  nor  in  ignorance  of  what 
talent  and  genius  have  accomplished  and  are  accomplishing  throughout 
the  world.  For  to  follow  precedent  wisely  does  not  mean  to  imitate 
slavishly  one  great  exemplar,  but  to  study  all  masters  faithfully,  letting 
their  great  achievements  sink  slowly  into  the  mind  in  order  that  we 
may  patiently  derive  from  the  richness  of  our  acquired  knowledge  and 
organized  system  an  attitude  of  our  own.  The  sprightly  minded  young 
man,  who  with  his  first  business  breath  projects  the  new  and  startling 

abcdefghijklmnopqrstuvwxyz 
ABCDEFGHIJKLMNOPQRSTUVWXYZ 

$1234567890 


12  Point  No.  141J,  8  Set 

MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  comes  after  a  sound 
apprenticeship;  that  which  shall  prove  itself  to  be  the  blend- 
ing of  a  firm  conception  of  useful  precedent  and  the  progressive 
tendencies  of  an  able  mind.  For,  let  a  man  be  as  able  and 
original  as  he  may,  he  cannot  afford  to  discard  knowledge  of 
what  has  gone  before  or  what  is  now  going  on  in  his  own  trade 
and  profession.  If  the  printers  of  today  do  not  wish  to  be 
esteemed  arrogant  when  they  term  this  calling  of  theirs  an 
art,  they  must  be  willing,  and  show  that  they  are  willing,  to 
subject  it  to  such  laws  as  have  made  its  sister  arts  so  free. 
All  those  concerned  in  what  are  accepted  as  the  fine  arts,  the 
learned  sciences,  and  professions  surround  themselves  with 
the  history,  the  literature,  and  concrete  examples  of  the  work 
with  which  they  are  particularly  engaged.  Yet  it  is  only  in 
rare  instances  that  such  an  atmosphere,  with  its  material 
appurtenances,  is  to  be  found  in  a  printing  office.  Art  does 
not  flourish  in  hidden  places,  nor  under  restraint,  nor  in 
ignorance  of  what  talent  and  genius  have  accomplished  and 

abcdefghijklmnopqrstuvwxyz 
ABCDEFGHIJKLMNOPQRSTUVWXYZ 

$1234567890 


No.  141  Electro  Display  Matrices 

14  Point  No.  141 

COST  OF  LEADS  AND  LEADING  BY  HAND 

Wholly  Overcome  with  the  Monotype.    You  can  Cast  any  Face  on  a  Larger  Body  to  Fit  the  Space 

$1234567890 

18  Point  No.  141 

THE  ONLY  MACHINE  TO  CONSIDER 

For  any  Kind  of  Matter  to  be  kept  Standing  and  Corrected  for  Later  Editions 

$1234567890 

24  Point  No.  141 

ALTERATIONS  EASILY  MADE 

As  with  Foundry  Type,  and  the  Investment  is  Less  by  80  per  cent. 

$1234567890 


30  Point  No.  141 


MONOTYPE  CORRECTIONS 
Never  Stop  the  Production  from  Keyboard  or  Caster 

$1234567890 


36  Point  No.  141 


FURNISHES  FACILITIES 

For  all  Kinds  of  Plain  and  Intricate  Work 

$1234567890 


36H4  Point  No.  141 


SUPPLY  A  FACE  TO  FIT  THE  SPACE 

$1234567890 


No.  285 


1< 
< 


Electro  Display  Matrices 


18  Point  No.  285 


12341 


24  Point  No.  285 


AZH 

1  in 


T< 


30  Point  No.  285 


O  n     O 


I! 


36  Point  No.  285 


No.  286 


Electro  Display  Matrices 


24  Point  No.  286 


1 


30  Point  No.  286 


E 


1 


"Continuous  Production  is  Possible 
Only  with  the  Monotype" 

THE  MONOTYPE 

is  essential  to  the  success  of  any  practical 
system  of  composing-room  efficiency :  it  is 
the  one  machine  that  provides  for  all  kinds 
of  composition  from  the  plainest  straight 
matter  to  the  most  intricate  work :  it  is 
practically  without  limit  as  a  composing 
machine:  as  a  producer  of  type  and  ma- 
terial for  hand  composition  it  is  without  a 
peer:  it  is  not  only  continuously  produc- 
tive but  provides  the  material  to  make  the 
entire  composing-room  continuously  pro- 
ductive :  it  eliminates  almost  all  the  non- 
productive operations  and  makes  all  the 
productive  operations  more  productive: 
its  effect  is  noticeable  immediately  after 
installation  and  its  savings  and  efficiency 
are  cumulative.  True  composing-room 
efficiency  is  absolutely  impossible  without 

THE  MONOTYPE 


The  Biggest  Profit  Maker  Ever 
Offered  the  Printer 


No.  25J.     Job  Arrangement  Cl 


Composition  Matrices 


5  Point  No.  25J,  6£  Set 


MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  comes  after  a  sound  apprenticeship; 
that  which  shall  prove  to  be  the  blending  of  a  firm  conception  of  all  useful 
precedent  and  the  progressive  tendencies  of  an  able  mind.  For,  let  a  man 
be  as  able  and  original  as  he  may,  he  cannot  afford  to  discard  knowledge  of 
what  has  gone  before  or  what  is  now  going  on  in  his  own  trade  and  profession. 
If  the  printers  of  today  do  not  wish  to  be  esteemed  arrogant  when  they  term 
this  calling  of  theirs  an  art,  they  must  be  willing,  and  show  that  they  are  willing, 
to  subject  it  to  such  laws  as  have  made  its  sister  arts  so  free.  All  those  con- 
cerned in  what  are  accepted  as  the  fine  arts,  the  learned  sciences  and  profes- 
sions, surround  themselves  with  the  history,  literature,  and  concrete  examples 
of  the  work  with  which  they  are  particularly  engaged.  Yet  it  is  only  in  rare 
instances  that  such  an  atmosphere,  with  its  material  appurtenances,  is  to 
be  found  in  a  printing  office.  Art  does  not  flourish  in  hidden  places,  nor 
under  restraint,  nor  in  ignorance  of  what  talent  and  genius  have  accomplished 
and  are  now  accomplishing  throughout  the  world.  For  to  follow  precedent 
wisely  does  not  mean  to  imitate  slavishly  one  great  exemplar,  but  to  study 
all  masters  faithfully,  letting  their  great  achievements  sink  slowly  into  the 
mind  in  order  that  we  may  patiently  derive  from  the  richness  of  our  acquired 
knowledge  and  organized  system  an  attitude  of  our  own.  The  sprightly 
minded  young  man,  who  with  his  first  business  breath  projects  the  new  and 
startling,  inevitably  becomes  tiresome,  and  is  driven  to  an  early  disappear- 
ance; while  the  slower,  more  solidly  endowed  student  will  at  least  spend  as 
much  of  his  time  in  avoiding  mistakes  as  in  evolving  brilliant  schemes  where- 

abcdefghijklmnopqrstuvwxyz 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

$1234567890 


6  Point  No.  25J,  7  Set 

MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  comes  after  a  sound  appren- 
ticeship; that  which  shall  prove  itself  to  be  the  blending  of  a  firm 
conception  of  useful  precedent  and  the  progressive  tendencies  of  an  able 
mind.  For,  let  a  man  be  as  able  and  original  as  he  may,  he  cannot 
afford  to  discard  knowledge  of  what  has  gone  before  or  what  is  now 
going  on  in  his  own  trade  and  profession.  If  the  printers  of  today  do 
not  wish  to  be  esteemed  arrogant  when  they  term  this  calling  of  theirs 
an  art,  they  must  be  willing,  and  show  that  they  are  willing,  to  subject 
it  to  such  laws  as  have  made  its  sister  arts  so  free.  All  those  con- 
cerned in  what  are  accepted  as  the  fine  arts,  the  learned  sciences  and 
professions,  surround  themselves  with  the  history,  literature,  and  con- 
crete examples  of  the  work  with  which  they  are  particularly  engaged. 
Yet  it  is  only  in  rare  instances  that  such  an  atmosphere,  with  its  ma- 
terial appurtenances,  is  to  be  found  in  a  printing  office.  Art  does  not 
flourish  in  hidden  places,  nor  under  restraint,  nor  in  ignorance  of  what 
talent  and  genius  have  accomplished  and  are  accomplishing  throughout 
the  world.  For  to  follow  precedent  wisely  does  not  mean  to  imitate 
slavishly  one  great  exemplar,  but  to  study  all  masters  faithfully,  letting 
their  great  achievements  sink  slowly  into  the  mind  in  order  that  we 

abcdefghijklmnopqrstuvwxyz 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

$1234567890 


7  Point  No.  25J,  7f  Set 

MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  comes  after  a  sound 
apprenticeship;  that  which  shall  prove  to  be  the  blending  of  a 
firm  conception  of  all  useful  precedent  and  the  progressive  ten- 
dencies of  an  able  mind.  For,  let  a  man  be  as  able  and  original 
as  he  may,  he  cannot  afford  to  discard  knowledge  of  what  has 
gone  before  or  what  is  now  going  on  in  his  own  trade  and  pro- 
fession. If  the  printers  of  today  do  not  wish  to  be  esteemed 
arrogant  when  they  term  this  calling  of  theirs  an  art,  they  must 
be  willing,  and  show  that  they  are  willing,  to  subject  it  to  such 
laws  as  have  made  its  sister  arts  so  free.  All  those  concerned 
in  what  are  accepted  as  the  fine  arts,  the  learned  sciences  and 
professions  surround  themselves  with  the  history,  literature, 
and  concrete  examples  of  the  work  with  which  they  are  particu- 
larly engaged.  Yet  it  is  only  in  very  rare  instances  that  such  an 
atmosphere,  with  its  material  appurtenances,  is  to  be  found  in 
a  printing  office.  Art  does  not  flourish  in  hidden  places,  nor 

abcdefghijklmnopqrstuvwxyz 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

$1234567890 


8  Point  No.  25J,  8£  Set 
MONOTYPE  FACES 


The  best  kind  of  originality  is  that  which  comes  after  a 
sound  apprenticeship;  that  which  shall  prove  to  be  the 
blending  of  a  firm  conception  of  all  useful  precedent  and 
the  progressive  tendencies  of  an  able  mind.  For,  let  a 
man  be  as  able  and  original  as  he  may,  he  cannot  afford 
to  discard  knowledge  of  what  has  gone  before  or  what 
is  now  going  on  in  his  own  trade  and  profession.  If  the 
printers  of  today  do  not  wish  to  be  esteemed  arrogant 
when  they  term  this  calling  of  theirs  an  art,  they  must  be 
willing,  and  show  that  they  are  willing,  to  subject  it  to 
such  laws  as  have  made  its  sister  arts  so  free.  All  those 
concerned  in  what  are  accepted  as  the  fine  arts,  the  learned 
sciences  and  professions,  surround  themselves  with  the 
history,  the  literature,  and  concrete  examples  of  the  work 
with  which  they  may  be  particularly  engaged.  Yet  it  is 
only  in  rare  instances  that  such  an  atmosphere,  with  its 
material  appurtenances,  is  to  be  found  in  a  printing  office. 
Art  does  not  flourish  in  hidden  places,  nor  under  retraint, 
nor  in  ignorance  of  what  talent  and  genius  have  accom- 
plished and  are  now  accomplishing  throughout  the  world. 
For  to  follow  precedent  wisely  does  not  mean  to  imitate 
slavishly  one  great  exemplar,  but  to  study  all  the  masters 
faithfully,  letting  their  great  achievements  sink  slowly  into 
the  mind  in  order  that  we  may  patiently  derive  from  the 
richness  of  our  acquired  knowledge  and  organized  system 

abcdefghijklmnopqrstuvwxyz 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

$1234567890 


9  Point  No.  25J,  9i  Set 

MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  comes  after 
a  sound  apprenticeship;  that  which  shall  prove  to 
be  the  blending  of  a  firm  conception  of  all  useful 
precedent  and  the  progressive  tendencies  of  an  able 
mind.  For,  let  a  man  be  as  able  and  original  as  he 
may,  he  cannot  afford  to  discard  knowledge  of  what 
has  gone  before  or  what  is  now  going  on  in  his  own 
trade  and  profession.  If  the  printers  of  today  do 
not  wish  to  be  esteemed  arrogant  when  they  term 
this  calling  of  theirs  an  art,  they  must  be  willing, 
and  show  that  they  are  willing,  to  subject  it  to  such 
laws  as  have  made  its  sister  arts  so  free.  All  those 
concerned  hi  what  are  accepted  as  the  fine  arts,  the 
learned  sciences  and  professions,  surround  them- 
selves with  the  history,  the  literature,  and  concrete 
examples  of  the  work  with  which  they  may  be  par- 
ticularly engaged.  Yet  it  is  only  in  rare  instances 
that  such  an  atmosphere,  with  its  material  appur- 
tenances, is  to  be  found  in  the  printing  office.  Art 
does  not  flourish  hi  hidden  places,  nor  under  re- 
straint, nor  hi  ignorance  of  what  talent  and  genius 
have  accomplished  and  are  accomplishing  through- 

abcdefghijklmnopqrstuvwxyz 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

$1234567890 


Old  Style  Figures 

THE  characteristic  of  the  old  style  figure 
which  has  been  handed  down  to  us  from  the 
earliest  designs  of  old  style  type  faces  has 
been  the  irregularity  of  ascending  and  descending 
characters,  usually  termed  old  style  or  "hanging" 
figures.  Consequently,  most  of  our  old  style  faces 
are  shown  here  with  the  proper  figures,  that  is, 
the  old  style  or  hanging  figures,  as  part  of  the  font. 
Recognizing  that  some  printers  desire  to  use  a 
lining  figure,  we  have  designed  old  style  lining 
figures  for  most  of  our  old  style  faces.  Specimens 
of  these  will  be  found  in  the  section  of  this  speci- 
men book  devoted  to  figures  and  can  be  identified 
by  the  symbol  G  following  the  point  size  in  place 
of  F.  In  cases  where  an  old  style  lining  figure 
has  not  been  designed  specially  for  the  face 
selected  the  figure  specimen  sheets  will  show  the 
face  that  is  the  best  match. 

In  ordering  old  style  matrices,  whether  in 
partial  or  complete  fonts,  be  sure  and  specify 
old  style  lining  figures  if  desired,  giving  their 
proper  symbol;  otherwise  we  always  furnish 
standard  old  style  figures  if  made. 


No.  25J.     Job  Arrangement  Cl 
Composition  Matrices 

10  Point  No.  25J,  10  Set  11  Point  No.  25J,  lit  Set 


MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  comes 
after  a  sound  apprenticeship;  that  which  shall 
prove  to  be  the  blending  of  a  firm  conception 
of  all  useful  precedent  and  the  progressive  ten- 
dencies of  an  able  mind.  For,  let  a  man  be  as 
able  and  original  as  he  may,  he  cannot  afford 
to  discard  knowledge  of  what  has  gone  before 
or  what  is  now  going  on  in  his  own  trade  and 
profession.  If  the  printers  of  today  do  not  wish 
to  be  esteemed  arrogant  when  they  term  this 
calling  of  theirs  an  art,  they  must  be  willing, 
and  show  that  they  are  willing,  to  subject  it  to 
such  laws  as  have  made  its  sister  arts  so  free. 
All  those  concerned  in  what  are  accepted  as  the 
fine  arts,  the  learned  sciences  and  professions, 
surround  themselves  with  the  history,  literature, 
and  concrete  examples  of  the  work  with  which 
they  are  particularly  engaged.  Yet  it  is  only  in 
rare  instances  that  such  an  atmosphere,  with  its 

abcdefghijklmnopqrstuvwxyz 
ABCDEFGHIJKLMNOPQRSTUVWXYZ 
$1234567890 


MONOTYPE  FACES 
The  best  kind  of  originality  is  that  which 
comes  after  a  sound  apprenticeship;  that 
which  shall  prove  to  be  the  blending  of  a 
firm  conception  of  all  useful  precedent  and 
the  progressive  tendencies  of  an  able  mind. 
For,  let  a  man  be  as  able  and  original  as  he 
may,  he  cannot  afford  to  discard  knowledge 
of  what  has  gone  before  or  what  is  now  going 
on  in  his  own  trade  and  profession.  If  the 
printers  of  today  do  not  wish  to  be  esteemed 
arrogant  when  they  term  this  calling  of  theirs 
an  art,  they  must  be  willing,  and  show  that 
they  are  willing,  to  subject  it  to  such  laws  as 
have  made  its  sister  arts  so  free.  All  those 
concerned  in  what  are  accepted  as  the  fine 
arts,  the  learned  sciences  and  professions, 
surround  themselves  with  the  history,  liter- 

abcdefghijklmnopqrstuvwxyz 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

$1234567890 


12  Point  No.  25J,  12  Set 


MONOTYPE  FACES 
The  best  kind  of  originality  is  that  which 
comes  after  a  sound  apprenticeship ;  that 
which  shall  prove  to  be  the  blending  of 
a  firm  conception  of  all  useful  precedent 
and  the  progressive  tendencies  of  an  able 
mind.  For,  let  any  man  be  as  able  and 
original  as  he  may,  he  cannot  afford  to 
discard  knowledge  of  what  has  gone  be- 
fore or  what  is  now  going  on  in  his  own 
trade  and  profession.  If  the  printers  of 
today  do  not  wish  to  be  esteemed  arro- 
gant when  they  term  this  calling  of  theirs 
an  art,  they  must  be  willing,  and  show  that 
they  are  willing,  to  subject  it  to  such  laws 
as  have  made  its  sister  arts  so  free.  All 
those  concerned  in  what  are  accepted  as 


MONOTYPE  FACES 


The  best  kind  of  originality  is  that  which 
comes  after  a  sound  apprenticeship ;  that 
which  shall  prove  to  be  the  blending  of 
a  firm  conception  of  all  useful  precedent 
and  the  progressive  tendencies  of  an  able 
mind.  For,  let  any  man  be  as  able  and 
original  as  he  may,  he  cannot  afford  to 
discard  knowledge  of  what  has  gone  be- 
fore or  what  is  now  going  on  in  his  own 
trade  and  profession.  If  the  printers  of 
today  do  not  wish  to  be  esteemed  arro- 
gant when  they  term  this  calling  of  theirs 
an  art,  they  must  be  willing,  and  show  that 
they  are  willing,  to  subject  it  to  such  laws 
as  have  made  its  sister  arts  so  free.  All 
those  concerned  in  what  are  accepted  as 
the  fine  arts,  the  learned  sciences  and 
professions,  surround  themselves  with  the 


abcdefghijklmnopqrstuvwxyz 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

$1234567890 


No.  25  Electro  Display  Matrices 

14  Point  No.  25 

QUITE  ALONE  IN  THE  FIELD 

For  School  and  College  Text  Books,  Fine  Editions,  Catalogues  and 

all  Work  Requiring  Mechanical  Accuracy 

$1234567890 

18  Point  No.  25 

PERFECT  PRINTING  SURFACE 
On  Every  Letter  cast  on  the  Monotype  Means  Minimum 

Make-ready  on  the  Press 
$1234567890 


24  Point  No.  25 


ACCURATE  JUSTIFICATION 
And  Uniform  Alignment;  the  Hall-marks 

of  Monotype  Product 
$1234567890 


30  Point  No.  25 


USEFUL  FACES 

Borders  and  Ornaments;  New  Ones 

Added  Every  Week 

$1234567890 


36  Point  No.  25 


IDLE  TIME 

Converted  Into  Real  Money 

$1234567890 


What  the  great  magazines  long 
|e{  ago  discovered  about  the  Monotype,  jeii 
|s»  ^*e  newspapers  are  just  beginning  j!j 
jgj  to  ./znd  out. 

*  We  /iave  learned  that  there  is  such  a  thing 

as  a  newspaper   standard  of  quality.      This  J;Q| 


standard  is  high  enough  to  convince  us  that 


f/ze  Monotype  System  is  the  only  one  that    ;®<! 
can  establish  and  maintain  this  standard. 

Many  newspapers  found  out  for  themselves 
f/zaf  //ze  Monotype  was  not  only  an  invalu- 
a6/e  —  almost  indispensable  —  help  in  the  ad- 
room,  but  that  it  was  also  the  most  satisfactory 
J5t   machine  on  STRAIGHT  MATTER.  J 

J!r:*  *° 

{!::{  Every  newspaper  plant  using  Monotypes  has  machines 

JSt    u;/2/c/2  are  NEVER  idle. 
*  4»r  j 

*S!  The  Monotype  is  THE  complete  machine  for  the  news- 

}j2j    /)a/?er  o^ce  because  it  is  the  only  machine  that  is  both  a 

}S|  TYPE  CASTER  and  TYPE  SETTER. 

*^1 

*j^{  T/?e  Monotype  maintains  the  newspaper  standard  of 

{£>{    Quality  because  it  provides  a  new  dress  of  type  for  every 
issue. 

Loo/?  into  it!    Let  us  send  you  the  actual  proof  of 
the  Monotype's  newspaper  record  on  news  and  ads. 

e 


No.  25K.     Job  Arrangement  Cl 


Composition  Matrices 


6  Point  No.  25K,  7  Set 


7  Point  No.  25K,  7f  Set 


MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  comes  after  a  sound  appren- 
ticeship; that  which  shall  prove  itself  to  be  the  blending  of  a  firm 
conception  of  useful  precedent  and  the  progressive  tendencies  of  an  able 
mind.  For,  let  a  man  be  as  able  and  original  as  he  may,  he  cannot 
afford  to  discard  knowledge  of  what  has  gone  before  or  what  is  now 
going  on  in  his  own  trade  and  profession.  If  the  printers  of  today  do 
not  wish  to  be  esteemed  arrogant  when  they  term  this  calling  of  theirs 
an  art,  they  must  be  willing,  and  show  that  they  are  willing,  to  subject 
it  to  such  laws  as  have  made  its  sister  arts  so  free.  All  those  con- 
cerned in  what  are  accepted  as  the  fine  arts,  the  learned  sciences  and 
professions,  surround  themselves  with  the  history,  literature,  and  con- 
crete examples  of  the  work  with  which  they  are  particularly  engaged. 
Yet  it  is  only  in  rare  instances  that  such  an  atmosphere,  with  all  its 
material  appurtenances,  is  to  be  found  in  a  printing  office.  Art  does  not 
flourish  in  hidden  places,  nor  under  restraint,  nor  in  ignorance  of  what 
talent  and  genius  have  accomplished  and  are  accomplishing  throughout 
the  world.  For  to  follow  precedent  wisely  does  not  mean  to  imitate 
slavishly  one  great  exemplar,  but  to  study  all  masters  faithfully,  letting 
their  great  achievements  sink  slowly  into  the  mind  in  order  that  we 
may  patiently  derive  from  the  richness  of  our  acquired  knowledge  and 
organized  system  an  attitude  of  our  own.  The  sprightly  minded  young 
man,  who  with  his  first  business  breath  projects  the  new  and  startling, 
inevitably  becomes  tiresome,  and  is  driven  to  an  early  disappearance; 
while  the  slower,  more  solidly  endowed  student  will  at  least  spend  as 
much  of  his  time  in  avoiding  mistakes  as  in  evolving  brilliant  schemes 
wherewith  to  dazzle  his  contemporaries.  The  best  kind  of  originality 
is  that  which  comes  after  a  sound  apprenticeship;  that  which  shall  prove 
to  be  the  blending  of  a  firm  conception  of  all  useful  precedent  and  the 
progressive  tendencies  of  an  able  mind.  For,  let  a  man  be  as  able  and 
original  as  he  may,  he  cannot  afford  to  discard  knowledge  of  what  has 
gone  before  or  what  is  now  going  on  in  his  own  trade  and  profession. 

abcdefghijklmnopqrstuvwxyz 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

$1234567890 


MONOTYPE  FACES 

The  best  kind  of  originality,  is  that  which  comes  after  a  sound 
apprenticeship;  that  which  shall  prove  to  be  the  blending  of  a 
firm  conception  of  all  useful  precedent  and  the  progressive  ten- 
dencies of  an  able  mind.  For,  let  a  man  be  as  able  and  original 
as  he  may,  he  cannot  afford  to  discard  knowledge  of  what  has 
gone  before  or  what  is  now  going  on  in  his  own  trade  and  pro- 
fession. If  the  printers  of  today  do  not  wish  to  be  esteemed 
arrogant  when  they  term  this  calling  of  theirs  an  art,  they  must 
be  willing,  and  show  that  they  are  willing,  to  subject  it  to  such 
laws  as  have  made  its  sister  arts  so  free.  All  those  concerned 
in  what  are  accepted  as  the  fine  arts,  the  learned  sciences  and 
professions,  surround  themselves  with  the  history,  the  literature, 
and  concrete  examples  of  the  work  with  which  they  are  particu- 
larly engaged.  Yet  it  is  only  in  very  rare  instances  that  such  an 
atmosphere,  with  its  material  appurtenances,  is  to  be  found  in 
a  printing  office.  Art  does  not  flourish  in  hidden  places,  nor 
under  restraint,  nor  in  ignorance  of  what  talent  and  genius  have 
accomplished  and  are  accomplishing  throughout  the  world.  For 
to  follow  precedent  wisely  does  not  mean  to  imitate  slavishly  one 
great  exemplar,  but  to  study  all  masters  faithfully,  letting  their 
great  achievements  sink  slowly  into  the  mind  in  order  that  we 
may  patiently  derive  from  the  richness  of  our  acquired  knowledge 
and  organized  system  an  attitude  of  our  own.  The  sprightly 
minded  young  man,  who  with  his  first  business  breath  projects 
the  new  and  startling,  inevitably  becomes  tiresome,  and  is  driven 
to  an  early  disappearance;  while  the  slower,  more  solidly  en- 
dowed student  will  at  least  spend  as  much  of  his  time  in  avoiding 

abcdefghijklmnopqrstuvwxyz 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

$1234567890 


8  Point  No.  25K,  8£  Set 

MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  comes  after  a 
sound  apprenticeship;  that  which  shall  prove  to  be  the 
blending  of  a  firm  conception  of  all  useful  precedent  and 
the  progressive  tendencies  of  an  able  mind.  For,  let  a 
man  be  as  able  and  original  as  he  may,  he  cannot  afford 
to  discard  knowledge  of  what  has  gone  before  or  what 
is  now  going  on  in  his  own  trade  and  profession.  If  the 
printers  of  today  do  not  wish  to  be  esteemed  arrogant 
when  they  term  this  calling  of  theirs  an  art,  they  must  be 
willing,  and  show  that  they  are  willing,  to  subject  it  to 
such  laws  as  have  made  its  sister  arts  so  free.  All  those 
concerned  in  what  are  accepted  as  the  fine  arts,  the  learned 
sciences  and  professions,  surround  themselves  with  the 
history,  the  literature,  and  concrete  examples  of  the  work 
with  which  they  may  be  particularly  engaged.  Yet  it  is 
only  in  rare  instances  that  such  an  atmosphere,  with  its 
material  appurtenances,  is  to  be  found  in  a  printing  office. 
Art  does  not  flourish  in  hidden  places,  nor  under  restraint, 
nor  in.  ignorance  of  what  talent  and  genius  have  accom- 
plished and  are  now  accomplishing  throughout  the  world. 
For  to  follow  precedent  wisely  does  not  mean  to  imitate 
slavishly  one  great  exemplar,  but  to  study  all  the  masters 
faithfully,  letting  their  great  achievements  sink  slowly  into 
the  mind  in  order  that  we  may  patiently  derive  from  the 
richness  of  our  acquired  knowledge  and  organized  system 
an  attitude  of  our  own.  The  sprightly  minded  young  man, 
who  with  his  first  business  breath  projects  the  new  and 
startling,  inevitably  becomes  tiresome,  and  is  driven  to  an 

abcdefghijklmnopqrstuvwxyz 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

$1234567890 


9  Point  No.  25K,  9  Set 

MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  comes  after  a 
sound  apprenticeship;  that  which  shall  prove  to  be  the 
blending  of  a  firm  conception  of  all  useful  precedent 
and  the  progressive  tendencies  of  an  able  mind.  For, 
let  a  man  be  as  able  and  original  as  he  may,  he  cannot 
afford  to  discard  knowledge  of  what  has  gone  before  or 
what  is  now  going  on  in  his  own  trade  and  profession. 
If  the  printers  of  today  do  not  wish  to  be  esteemed 
arrogant  when  they  term  this  calling  of  theirs  an  art, 
they  must  be  willing,  and  show  that  they  are  willing,  to 
subject  it  to  such  laws  as  have  made  its  sister  arts  so 
free.  All  those  concerned  in  what  are  accepted  as  the 
fine  arts,  the  learned  sciences  and  professions,  surround 
themselves  with  the  history,  the  literature,  and  con- 
crete examples  of  the  work  with  which  they  may  be 
particularly  engaged.  Yet  it  is  only  in  rare  instances 
that  such  an  atmosphere,  with  all  its  material  appur- 
tenances, is  to  be  found  in  the  printing  office.  Art 
does  not  flourish  in  hidden  places,  nor  under  restraint, 
nor  in  ignorance  of  what  talent  and  genius  have  ac- 
complished and  are  now  accomplishing  throughout  the 
world.  For  to  follow  precedent  wisely  does  not  mean 
to  imitate  slavishly  one  great  exemplar,  but  to  study  all 
the  masters  faithfully,  letting  their  great  achievements 
sink  slowly  into  the  mind  in  order  that  we  may  patiently 

abcdefghijklmnopqrstuvwxyz 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

$1234567890 


No.  25K.     Job  Arrangement  Cl 
Composition  Matrices 

10  Point  No.  25K,  10  Set  11  Point  No.  25K,  11  Set 


MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  comes 
after  a  sound  apprenticeship;  that  which  shall 
prove  to  be  the  blending  of  a  firm  conception 
of  all  useful  precedent  and  the  progressive  ten- 
dencies of  an  able  mind.  For,  let  a  man  be  as 
able  and  original  as  he  may,  he  cannot  afford 
to  discard  knowledge  of  what  has  gone  before 
or  what  is  now  going  on  in  his  own  trade  and 
profession.  If  the  printers  of  today  do  not  wish 
to  be  esteemed  arrogant  when  they  term  this 
calling  of  theirs  an  art,  they  must  be  willing, 
and  show  that  they  are  willing,  to  subject  it  to 
such  laws  as  have  made  its  sister  arts  so  free. 
All  those  concerned  in  what  are  accepted  as  the 
fine  arts,  the  learned  sciences,  and  the  profes- 
sions, surround  themselves  with  the  history,  the 
literature,  and  concrete  examples  of  the  work 
with  which  they  are  particularly  engaged.  Yet 
it  is  only  in  rare  instances  that  such  an  atmos- 

abcdefghijklmnopqrstuvwxyz 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

$1234567890 


MONOTYPE  FACES 

The  very  best  kind  of  originality  is  that  which 
comes  after  a  thorough  apprenticeship;  that 
which  shall  prove  to  be  the  blending  of  a 
firm  conception  of  all  useful  precedent  and 
the  progressive  tendencies  of  an  able  mind. 
For,  let  a  man  be  as  able  and  original  as  he 
may,  he  cannot  afford  to  discard  knowledge 
of  what  has  gone  before  or  what  is  now  going 
on  in  his  own  trade  and  profession.  If  the 
printers  of  today  do  not  wish  to  be  esteemed 
arrogant  when  they  term  this  calling  of  theirs 
an  art,  they  must  be  willing,  and  show  that 
they  are  willing,  to  subject  it  to  such  laws  as 
have  made  all  its  sister  arts  so  free.  All  those 
concerned  in  what  are  accepted  as  the  fine 
arts,  the  learned  sciences,  and  the  professions, 
surround  themselves  with  the  history,  liter- 

abcdefghijklmnopqrstuvwxyz 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

$1234567890 


12  Point  No.  25K,  12  Set 


MONOTYPE  FACES 
The  best  kind  of  originality  is  that  which 
comes  after  a  sound  apprenticeship;  that 
which  shall  prove  to  be  the  blending  of 
a  firm  conception  of  all  useful  precedent 
and  the  progressive  tendencies  of  an  able 
mind.  For,  let  any  man  be  as  able  and 
original  as  he  may,  he  cannot  afford  to 
discard  knowledge  of  what  has  gone  be- 
fore or  what  is  now  going  on  in  his  own 
trade  and  profession.  If  the  printers  of 
today  do  not  wish  to  be  esteemed  too 
arrogant  when  they  term  this  calling  of 
theirs  an  art,  they  must  be  willing,  and 
show  that  they  are  willing,  to  subject  it 
to  such  laws  as  have  made  its  sister  arts 
so  free.  All  those  concerned  in  what  are 


MONOTYPE  FACES 


The  best  kind  of  originality  is  that  which 
comes  after  a  sound  apprenticeship;  that 
which  shall  prove  to  be  the  blending  of 
a  firm  conception  of  all  useful  precedent 
and  the  progressive  tendencies  of  an  able 
mind.  For,  let  any  man  be  as  able  and 
original  as  he  may,  he  cannot  afford  to 
discard  knowledge  of  what  has  gone  be- 
fore or  what  is  now  going  on  in  his  own 
trade  and  profession.  If  the  printers  of 
today  do  not  wish  to  be  esteemed  too 
arrogant  when  they  term  this  calling  of 
theirs  an  art,  they  must  be  willing,  and 
show  that  they  are  willing,  to  subject  it 
to  such  laws  as  have  made  its  sister  arts 
so  free.  All  those  concerned  in  what  are 
accepted  as  the  fine  arts,  and  the  learned 
sciences  and  professions  surround  them- 


abcdefghijklmnopqrstuvwxyz 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

$1234567890 


No.  251  Electro  Display  Matrices 

14  Point  No.  251 

THERE  NEED  BE  NOTHING  THE  MATTER 

With  the  Printing  Business  when  you  get  Your  Profits  Out  of 

Quality  and  not  out  of  Low  Selling  Prices 

$1234567890 


18  Point  No.  251 

COSTS  MAY  BE  REDUCED 

And  Quality  Greatly  Raised  by  One  Operation  through 

the  Use  of  the  Monotype 
$1234567890 


24  Point  No.  251 


KEEP  UP  THE  QUALITY 

And  Your  Customers  Will  Pay  an  Extra 

Good  Profit  for  Extra  Good  Work 

$1234567890 


30  Point  No.  251 


FOR  ECONOMY 

And  for  Superiority  the  Monotype 

is  in  a  Field  by  Itself 

$1234567890 


36  Point  No.  251 


THE  MONOTYPE 
Answers  the  Cost  Problem 

$1234567890 


No.  26J.     Job  Arrangement  C2 


Composition  Matrices 


5  Point  No.  26J,  6  Set 


6  Point  No.  26J,  7  Set 


MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  comes  after  a  sound  apprentice- 
ship ;  that  which  shall  prove  to  be  the  blending  of  a  firm  conception  of  all 
useful  precedent  and  the  progressive  tendencies  of  an  able  mind.  For, 
let  a  man  be  as  able  and  original  as  he  may,  he  cannot  afford  to  discard 
knowledge  of  what  has  gone  before  or  what  is  now  going  on  in  his  own  trade 
and  profession.  If  the  printers  of  today  do  not  wish  to  be  esteemed  too 
arrogant  when  they  term  this  calling  of  theirs  an  art,  they  must  be  willing, 
and  show  that  they  are  willing,  to  subject  it  to  such  laws  as  have  made  its 
sister  arts  so  free.  All  those  concerned  in  what  are  accepted  as  the  fine 
arts,  the  learned  sciences,  and  the  professions  surround  themselves  with 
the  history,  the  literature,  and  concrete  examples  of  the  work  with  which 
they  are  particularly  engaged.  Yet  it  is  only  in  rare  instances  that  such 
an  atmosphere,  with  its  material  appurtenances,  is  to  be  found  in  a  print- 
ing office.  Art  does  not  flourish  in  hidden  places,  nor  under  restraint, 
nor  in  ignorance  of  what  talent  and  genius  have  accomplished  and  are 
now  accomplishing  throughout  the  world.  For  to  follow  precedent  wisely 
does  not  mean  to  imitate  slavishly  one  great  exemplar,  but  to  study  all 
masters  faithfully,  letting  their  great  achievements  sink  slowly  into  the 
mind  in  order  that  we  may  patiently  derive  from  the  richness  of  our 
acquired  knowledge  and  organized  system  an  attitude  of  our  own.  The 
sprightly  minded  young  man,  who  with  his  first  business  breath  projects 
the  new  and  startling,  inevitably  becomes  tiresome,  and  is  driven  to  an 
early  disappearance;  while  the  slower,  more  solidly  endowed  student  will 
at  least  spend  as  much  of  his  time  in  avoiding  mistakes  as  in  evolving 
brilliant  schemes  wherewith  to  dazzle  his  contemporaries.  The  best  kind 
of  originality  is  that  which  comes  after  a  sound  apprenticeship;  that  which 
shall  prove  to  be  the  blending  of  a  firm  conception  of  all  useful  precedent 
and  the  progressive  tendencies  of  an  able  mind.  For,  let  a  man  be  as  able 
and  original  as  he  may,  he  cannot  afford  to  discard  knowledge  of  what 
has  gone  before  or  what  is  now  going  on  in  his  own  trade  and  profession. 
If  the  printers  of  today  do  not  wish  to  be  esteemed  too  arrogant  when  they 
term  this  calling  of  theirs  an  art,  they  must  be  willing,  and  show  that  they 
are  willing,  to  subject  it  to  such  laws  as  have  made  its  sister  arts  so  free. 
All  those  concerned  in  what  are  accepted  as  the  fine  arts,  the  learned 
sciences,  and  the  professions  surround  themselves  with  the  history,  the 
literature,  and  concrete  examples  of  the  work  with  which  they  are  par- 
ticularly engaged.  Yet  it  is  only  in  rare  instances  that  such  an  atmos- 

abcdefghijklmnopqrstuvwxyz 

ABCDEFOHIJKLMNOPQR5TUVWXYZ 

$1234567890 


MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  conies  after  a  sound 
apprenticeship;  that  which  shall  prove  to  be  the  blending  of 
a  firm  conception  of  all  useful  precedent  and  the  progressive 
tendencies  of  an  able  mind.  For,  let  a  man  be  as  able  and 
original  as  he  may,  he  cannot  afford  to  discard  knowledge  of 
what  has  gone  before  or  what  is  now  going  on  in  his  own  trade 
and  profession.  If  the  printers  of  today  do  not  wish  to  be 
esteemed  arrogant  when  they  term  this  calling  of  theirs  an  art, 
they  must  be  willing,  and  show  that  they  axe  willing,  to  sub- 
ject it  to  such  laws  as  have  made  its  sister  arts  so  free.  AH 
those  concerned  in  what  are  accepted  as  the  fine  arts,  the 
learned  sciences,  and  professions  surround  themselves  with  the 
history,  the  literature,  and  concrete  examples  of  the  work  with 
which  they  are  particularly  engaged.  Yet  it  is  only  in  very  rare 
instances  that  such  an  atmosphere,  with  its  material  appurten- 
ances, is  to  be  found  in  a  printing  office.  Art  does  not  nourish 
in  hidden  places,  nor  under  restraint,  nor  in  ignorance  of  what 
talent  and  genius  have  accomplished  and  are  accomplishing 
throughout  the  world.  For  to  follow  all  precedent  wisely  does 
not  mean  to  imitate  too  slavishly  one  great  exemplar,  but  to 
study  all  masters  faithfully,  letting  their  great  achievements 
sink  slowly  into  the  mind  in  order  that  we  may  patiently 
derive  from  the  richness  of  our  acquired  knowledge  and  organ- 
ized system  an  attitude  of  our  own.  The  sprightly  minded 
young  man,  who  with  his  first  business  breath  projects  the  new 
and  startling,  inevitably  becomes  tiresome,  and  is  driven  to  an 
early  disappearance;  while  the  slower,  more  solidly  endowed 
student  will  at  least  spend  as  much  of  his  time  in  avoiding 
mistakes  as  in  evolving  brilliant  schemes  wherewith  to  dazzle 
his  contemporaries.  The  best  kind  of  originality  is  that  which 
comes  after  a  sound  apprenticeship ;  that  which  shall  prove  to 

abcdefghijklmnopqrstuvwxyz 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

$1234567890 


7  Point  No.  26J,  8  Set 

MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  comes  after 
a  sound  apprenticeship;  that  which  shall  prove  to  be 
the  blending  of  a  firm  conception  of  all  the  useful  pre- 
cedent and  the  progressive  tendencies  of  an  able  mind. 
For,  let  a  man  be  as  able  and  original  as  he  may,  he 
cannot  afford  to  discard  knowledge  of  what  has  gone 
before  or  what  is  now  going  on  in  his  own  trade  and 
profession.  If  the  printers  of  today  do  not  wish  to  be 
esteemed  too  arrogant  when  they  term  this  calling  of 
theirs  an  art,  they  must  be  willing,  and  show  that  they 
are  willing,  to  subject  it  to  such  laws  as  have  made 
its  sister  arts  so  free.  All  those  concerned  in  what  are 
accepted  as  the  fine  arts,  the  learned  sciences,  and  the 
professions  surround  themselves  with  the  history,  the 
literature,  and  the  concrete  examples  of  the  work  with 
which  they  are  particularly  engaged.  Yet  it  is  only  in 
very  rare  instances  that  such  an  atmosphere,  with  its 
material  appurtenances,  is  to  be  found  in  a  printing 
office.  Art  does  not  flourish  in  the  hidden  places,  nor 
under  restraint,  nor  in  ignorance  of  what  talent  and 
genius  have  accomplished  and  are  now  accomplishing 
throughout  the  world.  For  to  follow  precedent  wisely 
does  not  mean  to  imitate  slavishly  one  great  exemplar, 
but  to  study  all  masters  faithfully,  letting  their  great 
achievements  sink  slowly  into  the  mind  in  order  that 
we  may  patiently  derive  from  the  richness  of  our  ac- 
quired knowledge  and  organized  system  an  attitude  of 
our  own.  The  sprightly  minded  young  man,  who  with 
his  first  business  breath  projects  the  new  and  startling, 
inevitably  becomes  tiresome,  and  is  driven  to  an  early 
disappearance ;  while  the  slower,  more  solidly  endowed 

abcdefghijklmnopqrstuvwxyz 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

$1234567890 


8  Point  No.  26J,  8j  Set 

MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  comes 
after  a  thorough  apprenticeship;  that  which  shall 
prove  to  be  the  blending  of  a  firm  conception  of  all 
useful  precedent  and  the  progressive  tendencies  of 
an  able  mind.  For,  let  a  man  be  as  able  and  original 
as  he  may,  he  cannot  afford  to  discard  knowledge 
of  what  has  gone  before  or  what  is  now  going  on 
in  his  own  trade  and  profession.  If  the  printers  of 
today  do  not  wish  to  be  esteemed  arrogant  when 
they  term  this  calling  of  theirs  an  art,  they  must  be 
willing,  and  show  that  they  are  willing,  to  subject 
it  to  such  laws  as  have  made  its  sister  arts  so  free. 
All  those  concerned  in  what  are  accepted  as  the  fine 
arts,  the  learned  sciences,  and  professions  surround 
themselves  with  the  history,  the  literature,  and  the 
concrete  examples  of  the  work  with  which  they  are 
particularly  engaged.  Yet  it  is  only  in  very  rare  in- 
stances that  such  an  atmosphere,  with  its  material 
appurtenances,  is  to  be  found  in  a  printing  office. 
Art  does  not  nourish  in  hidden  places,  nor  under 
restraint,  nor  in  ignorance  of  what  talent  and  genius 
have  accomplished  and  are  accomplishing  through- 
out the  world.  For  to  follow  precedent  wisely  does 
not  mean  to  imitate  slavishly  one  great  exemplar, 
but  to  study  all  the  masters  faithfully,  letting  their 
great  achievements  sink  slowly  into  the  mind  in 
order  that  we  may  patiently  derive  from  the  richness 

abcdefghijklmnopqrstuvwxyz 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

$1234567890 


No.  26J.     Job  Arrangement  C2 


Composition  Matrices 


9  Point  No.  26J,  9  Set 
MONOTYPE  FACES 


The  best  kind  of  originality  is  that  which  conies 
after  a  sound  apprenticeship;  that  which  shall 
prove  to  be  the  blending  of  a  firm  conception  of 
all  useful  precedent  and  of  the  progressive  ten- 
dencies of  an  able  mind.  For,  let  a  man  be  as 
able  and  original  as  he  may,  he  cannot  afford  to 
discard  knowledge  of  what  has  gone  before  or 
what  is  now  going  on  in  his  own  trade  and  pro- 
fession. If  the  printers  of  today  do  not  wish  to 
be  esteemed  arrogant  when  they  term  this  calling 
of  theirs  an  art,  they  must  be  willing,  and  show 
that  they  are  willing,  to  subject  it  to  such  laws 
as  have  made  its  sister  arts  so  free.  All  those 
concerned  in  what  are  accepted  as  the  fine  arts, 
the  learned  sciences,  and  professions  surround 
themselves  with  the  history,  the  literature,  and 
concrete  examples  of  the  work  with  which  they 
are  particularly  engaged.  Yet  it  is  only  in  rare 
instances  that  such  an  atmosphere,  with  its  ma- 
terial appurtenances,  is  to  be  found  in  a  printing 
office.  Art  does  not  flourish  in  hidden  places,  nor 

abcdefghijklmnopqrstuvwxyz 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

$1234567890 


10  Point  No.  26 J,  10  Set 

MONOTYPE  FACES 


The  best  kind  of  originality  is  that  which 
conies  after  a  sound  apprenticeship;  that 
which  shall  prove  to  be  the  blending  of  a 
firm  conception  of  all  useful  precedent  and 
the  progressive  tendencies  of  an  able  mind. 
For,  let  a  man  be  as  able  and  original  as  he 
may,  he  cannot  afford  to  discard  knowledge 
of  what  has  gone  before  or  what  is  now  going 
on  in  his  own  trade  and  profession.  If  the 
printers  of  today  do  not  wish  to  be  esteemed 
too  arrogant  when  they  term  this  calling  of 
theirs  an  art,  they  must  be  willing,  and  show 
that  they  are  willing,  to  subject  it  to  such 
laws  as  have  made  its  sister  arts  so  free.  All 
those  concerned  in  what  are  accepted  as  the 
fine  arts,  the  learned  sciences,  and  the  profes- 
sions surround  themselves  with  the  history, 
literature,  and  concrete  examples  of  the  work 
with  which  they  are  particularly  engaged.  Yet 

abcdefghijklmnopqrstuvwxyz 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

$1234567890 


12  Point  No. 

MONOTYPE  FACES 

The  best  kind  of  originality  is  that 
which  conies  after  a  sound  appren- 
ticeship; that  which  shall  prove  to 
be  the  blending  of  a  firm  conception 
of  all  useful  precedent  and  the  pro- 
gressive tendencies  of  an  able  mind. 
For,  let  a  man  be  as  able  and  original 
as  he  may,  he  cannot  well  afford  to 
discard  knowledge  of  what  has  gone 
before  or  what  is  now  going  on  in 
his  own  trade  and  profession.  If  the 
printers  of  today  do  not  wish  to  be 
esteemed  arrogant  when  they  term 
this  calling  of  theirs  an  art,  they 
must  be  willing,  and  show  that  they 
are  willing,  to  subject  it  to  such  laws 


26  J,  12  Set 

MONOTYPE  FACES 

The  best  kind  of  originality  is  that 
which  comes  after  a  sound  appren- 
ticeship; that  which  shall  prove  to 
be  the  blending  of  a  firm  conception 
of  all  useful  precedent  and  the  pro- 
gressive tendencies  of  an  able  mind. 
For,  let  a  man  be  as  able  and  original 
as  he  may,  he  cannot  well  afford  to 
discard  knowledge  of  what  has  gone 
before  or  what  is  now  going  on  in 
his  own  trade  and  profession.  If  the 
printers  of  today  do  not  wish  to  be 
esteemed  arrogant  when  they  term 
this  calling  of  theirs  an  art,  they 
must  be  willing,  and  show  that  they 
are  willing,  to  subject  it  to  such  laws 
as  have  made  its  sister  arts  so  free. 
All  those  who  are  concerned  in  what 


abcdefghijklmnopqrstuvwxyz 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

$1234567890 


No.  76J.     Job  Arrangement  Cl 
Composition  Matrices 


5  Point  No.  76 J,  5^  Set 


MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  comes  after  a  sound  apprenticeship;  that  which 
shall  prove  to  be  the  blending  c!  a  firm  conception  of  all  useful  precedent  and  the  progres- 
sive tendencies  of  an  able  mind.  For,  let  a  man  be  as  able  and  original  as  he  may,  he  can- 
not aSord  to  discard  knowledge  of  what  has  gone  before  or  what  is  now  going  on  in  his  own 
trade  and  profession.  If  the  printers  of  today  do  not  wish  to  be  esteemed  arrogant  when 
they  term  this  calling  of  theirs  an  art,  they  must  be  willing  and  show  that  they  are  willing, 
to  subject  it  to  such  laws  as  have  made  its  sister  arts  so  free  All  those  concerned  in  what 
are  accepted  as  the  fine  arts,  the  learned  sciences  and  professions,  surround  themselves 
with  the  history,  literature,  and  concrete  examples  of  the  work  with  which  they  are  par- 
ticularly engaged.  Yet  it  is  only  in  rare  instances  that  such  an  atmosphere,  with  its  ma- 
terial appurtenances,  is  to  be  found  in  a  printing  office.  Art  does  not  flourish  in  hidden 
places,  nor  under  restraint,  nor  in  ignorance  of  what  talent  and  genius  have  accomplished 
and  are  now  accomplishing  throughout  the  world.  For  to  follow  precedent  wisely  does  not 
mean  to  imitate  slavishly  one  great  exemplar,  but  to  study  all  masters  faithfully,  letting 
their  great  achievements  sink  slowly  into  the  mind  in  order  that  we  may  patiently  derive 
from  the  richness  of  our  acquired  knowledge  and  organized  system  an  attitude  of  our  own 
The  sprightly  minded  young  man  who  with  his  first  business  breath  projects  the  new  and 
startling,  inevitably  becomes  tiresome,  and  is  driven  to  an  early  disappearance ;  while  the 
slower,  more  solidly  endowed  student  will  at  least  spend  as  much  of  his  time  in  avoiding 
mistakes  as  in  evolving  brilliant  schemes  wherewith  to  dazzle  his  contemporaries.  The 
very  best  kind  of  originality  is  that  which  comes  after  a  sound  apprenticeship;  that  which 
shall  prove  to  be  the  blending  of  a  firm  conception  of  all  useful  precedent  and  the  pro- 
gressive tendencies  of  an  able  mind  For,  leta  man  be  as  able  and  original  as  he  may,  he 
cannot  afford  to  discard  knowledge  of  what  has  gone  before  or  what  is  now  going  on  in  his 
own  trade  and  profession.  If  the  printers  of  today  do  not  wish  to  be  esteemed  arrogant 
when  they  term  this  calling  of  theirs  an  art,  they  must  be  willing  and  show  that  they  are 
willing,  to  subject  it  to  such  laws  as  have  made  its  sister  arts  so  free  All  those  concerned 
in  what  are  accepted  as  the  fine  arts,  the  learned  sciences  and  professions,  surround  them- 
selves with  the  history,  literature,  and  concrete  examples  of  the  work  with  which  they  are 
particularly  engaged  Yet  it  is  only  in  rare  instances  that  such  an  atmosphere,  with  its 
material  appurtenances,  is  to  be  found  in  a  printing  office  Art  does  not  flourish  in  hidden 
places,  nor  under  restraint,  nor  in  ignorance  of  what  talent  and  genius  have  accomplished 
and  are  now  accomplishing  throughout  the  world.  For  to  follow  precedent  wisely  does  not 
mean  to  imitate  slavishly  one  great  exemplar,  but  to  study  all  masters  faithfully,  letting 
their  great  achievements  sink  slowly  into  the  mind  in  order  that  we  may  patiently  derive 
from  the  richness  of  our  acquired  knowledge  and  organized  system  an  attitude  of  our  own. 
The  sprightly  minded  young  man  who  with  his  first  business  breath  projects  the  new  and 

abcdefghijklmnopqrstuvwxyz 

ABCDEFOHLIKLMNOPQRSTUVWXYZ 

$1234667890 


6  Point  No.  76J,  7  Set 

MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  comes  after  a  sound  appren- 
ticeship; that  which  shall  prove  itself  to  be  the  blending  of  a  firm 
conception  of  useful  precedent  and  the  progressive  tendencies  of  an  able 
mind.  For,  let  a  man  be  as  able  and  original  as  he  may,  he  cannot 
afford  to  discard  knowledge  of  what  has  gone  before  or  what  is  now 
going  on  in  his  own  trade  and  profession.  If  the  printers  of  today  do 
not  wish  to  be  esteemed  arrogant  when  they  term  this  calling  of  theirs 
an  art,  they  must  be  willing,  and  show  that  they  are  willing,  to  subject 
it  to  such  laws  as  have  made  its  sister  arts  so  free.  All  those  con- 
cerned in  what  are  accepted  as  the  fine  arts,  the  learned  sciences  and 
professions,  surround  themselves  with  the  history,  literature,  and  con- 
crete examples  of  the  work  with  which  they  are  particularly  engaged. 
Yet  it  is  only  in  rare  instances  that  such  an  atmosphere,  with  its  ma- 
terial appurtenances,  is  to  be  found  in  a  printing  office.  Art  does  not 
flourish  in  hidden  places,  nor  under  restraint,  nor  in  ignorance  of  what 
talent  and  genius  have  accomplished  and  are  accomplishing  throughout 
the  world.  For  to  follow  precedent  wisely  does  not  mean  to  imitate 
slavishly  one  great  exemplar,  but  to  study  all  masters  faithfully,  letting 
their  great  achievements  sink  slowly  into  the  mind  in  order  that  we 
may  patiently  derive  from  the  richness  of  our  acquired  knowledge  and 
organized  system  an  attitude  of  our  own.  The  sprightly  minded  young 
man,  who  with  his  first  business  breath  projects  the  new  and  startling, 
inevitably  becomes  tiresome,  and  is  driven  to  an  early  disappearance ; 
while  the  slower,  more  solidly  endowed  student  will  at  least  spend  as 
much  of  his  time  in  avoiding  mistakes  as  in  evolving  brilliant  schemes 
wherewith  to  dazzle  his  contemporaries.  The  best  kind  of  originality 
is  that  which  comes  after  a  sound  apprenticeship ;  that  which  shall  prove 
to  be  the  blending  of  a  firm  conception  of  all  useful  precedent  and  the 
progressive  tendencies  of  an  able  mind.  For,  let  a  man  be  as  able  and 
original  as  he  may,  he  cannot  afford  to  discard  knowledge  of  what  has 
gone  before  or  what  is  now  going  on  in  his  own  trade  and  profession. 

abcdefghijklmnopqrstuvwxyz 

ABCDEFQHIJKLMNOPQRSTUVWXYZ 

$1234567890 


7  Point  No.  76J,  8  Set 

MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  comes  after  a  sound 
apprenticeship ;  that  which  shall  prove  itself  to  be  the  blend- 
ing of  a  firm  conception  of  useful  precedent  and  the  progressive 
tendencies  of  an  able  mind.  For,  let  a  man  be  as  able  and 
original  as  he  may,  he  cannot  afford  to  discard  knowledge  of 
what  has  gone  before  or  what  is  now  going  on  in  his  own  trade 
and  profession.  If  the  printers  of  today  do  not  wish  to  be 
esteemed  arrogant  when  they  term  this  calling  of  theirs  an 
art,  they  must  be  willing,  and  show  that  they  are  willing,  to 
subject  it  to  such  laws  as  have  made  its  sister  arts  so  free. 
All  those  concerned  in  what  are  accepted  as  the  fine  arts,  the 
learned  sciences  and  the  profession,  surround  themselves  with 
the  history,  the  literature,  and  concrete  examples  of  the  work 
with  which  they  are  particularly  engaged.  Yet  it  is  only  in 
rare  instances  that  such  an  atmosphere,  with  its  material 
appurtenances,  is  to  be  found  in  a  printing  office.  Art  does 
not  flourish  in  hidden  places,  nor  under  restraint,  nor  in 
ignorance  of  what  talent  and  genius  have  accomplished  and 
are  accomplishing  throughout  the  world.  For  to  follow  pre- 
cedent wisely  does  not  mean  to  imitate  slavishly  one  great 
exemplar  but  to  study  all  the  masters  faithfully,  letting  their 
great  achievements  sink  slowly  into  the  mind  in  order  that  we 
may  patiently  derive  from  the  richness  of  our  acquired  knowl- 
edge and  organized  system  an  attitude  of  our  own.  The  very 
sprightly  minded  young  man,  who  with  his  first  business 
breath  projects  the  new  and  startling,  inevitably  becomes  tire- 
some, and  is  driven  to  an  early  disappearance;  while  the 

abcdefghijklmnopqrstuvwxyz 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

$1234567890 


8  Point  No.  76J.  8j  Set 

MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  comes  after  a 
sound  apprenticeship;  that  which  shall  prove  to  be  the 
blending  of  a  firm  conception  of  all  useful  precedent  and 
the  progressive  tendencies  of  an  able  mind.  For,  let  a 
man  be  as  able  and  original  as  he  may,  he  cannot  afford 
to  discard  knowledge  of  what  has  gone  before  or  what 
is  now  going  on  in  his  own  trade  and  profession.  If  the 
printers  of  today  do  not  wish  to  be  esteemed  arrogant 
when  they  term  this  calling  of  theirs  an  art,  they  must  be 
willing,  and  show  that  they  are  willing,  to  subject  it  to 
such  laws  that  have  made  its  sister  arts  so  free.  All  those 
concerned  in  what  are  accepted  as  the  fine  arts,  the  learned 
sciences  and  professions,  surround  themselves  with  the 
history,  the  literature,  and  concrete  examples  of  the  work 
with  which  they  may  be  particularly  engaged.  Yet  it  is 
only  in  rare  instances  that  such  an  atmosphere,  with  its 
material  appurtenances,  is  to  be  found  in  a  printing  office. 
Art  does  not  flourish  in  hidden  places,  nor  under  restraint, 
nor  in  ignorance  of  what  talent  and  genius  have  accom- 
plished and  are  now  accomplishing  throughout  the  world. 
For  to  follow  precedent  wisely  does  not  mean  to  imitate 
slavishly  one  great  exemplar,  but  to  study  all  the  masters 
faithfully,  letting  their  great  achievements  sink  slowly  into 
the  mind  in  order  that  we  may  patiently  derive  from  the 

abcdefghijklmnopqrstuvwxyz 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

$1234567890 


No.  76J.     Job  Arrangement  Cl 
Composition  Matrices 


9  Point  No.  76J,  9  Set 

MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  comes  after  a 
sound  apprenticeship ;  that  which  shall  prove  to  be  the 
blending  of  a  firm  conception  of  all  useful  precedent 
and  the  progressive  tendencies  of  an  able  mind.  For, 
let  a  man  be  as  able  and  original  as  he  may,  he  cannot 
afford  to  discard  knowledge  of  what  has  gone  before  or 
what  is  now  going  on  in  his  own  trade  and  profession. 
If  the  printers  of  today  do  not  wish  to  be  esteemed 
arrogant  when  they  term  this  calling  of  theirs  an  art, 
they  must  be  willing,  and  show  that  they  are  willing,  to 
subject  it  to  such  laws  as  have  made  its  sister  arts  so 
free.  All  those  concerned  in  what  are  accepted  as  the 
fine  arts,  the  learned  sciences  and  professions,  surround 
themselves  with  the  history,  the  literature,  and  con- 
crete examples  of  the  work  with  which  they  may  be 
particularly  engaged.  Tet  it  is  only  in  rare  instances 
that  such  an  atmosphere,  with  all  its  material  appur- 
tenances, is  to  be  found  in  the  printing  office.  Art 
does  not  flourish  in  hidden  places,  nor  under  restraint, 
nor  in  ignorance  of  what  talent  and  genius  have  ac- 
complished and  are  now  accomplishing  throughout  the 

abcdef  ghi  j  klmnopqrstuv  wxyz 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

$1234567890 


10  Point  No.  76J,  10  Set 

MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  comes 
after  a  sound  apprenticeship;  that  which  shall 
prove  to  be  the  blending  of  a  firm  conception 
of  all  useful  precedent  and  the  progressive  ten- 
dencies of  an  able  mind.  For,  let  a  man  be  as 
able  and  original  as  he  may,  he  cannot  afford 
to  discard  konwledge  of  what  has  gone  before 
or  what  is  now  going  on  in  his  own  trade  and 
profession.  If  the  printers  of  today  do  not  wish 
to  be  esteemed  arrogant  when  they  term  this 
calling  of  theirs  an  art,  they  must  be  willing, 
and  show  that  they  are  willing,  to  subject  it  to 
such  laws  as  have  made  its  sister  arts  so  free. 
All  those  concerned  in  what  are  accepted  as  the 
fine  arts,  the  learned  sciences  and  professions, 
surround  themselves  with  the  history,  literature, 
and  concrete  examples  of  the  work  with  which 
they  are  particularly  engaged.  Yet  it  is  only  in 
rare  instances  that  such  an  atmosphere,  with  its 

abcdefghijklmnopqrstuvwxyz 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

$1234567890 


12  Point  No.  76 J,  12  Set 


MONOTYPE  FACES 
The  best  kind  of  originality  is  that  which 
comes  after  a  sound  apprenticeship ;  that 
which  shall  prove  to  be  the  blending  of 
a  firm  conception  of  all  useful  precedent 
and  the  progressive  tendencies  of  an  able 
mind.  For,  let  any  man  be  as  able  and 
original  as  he  may,  he  cannot  afford  to 
discard  knowledge  of  what  has  gone  be- 
fore or  what  is  now  going  on  in  his  own 
trade  and  profession.  If  the  printers  of 
today  do  not  wish  to  be  esteemed  arro- 
gant when  they  term  this  calling  of  theirs 
an  art,  they  must  be  willing,  and  show  that 
they  are  willing,  to  subject  it  to  such  laws 
as  have  made  its  sister  arts  so  free.  All 


MONOTYPE  FACES 


The  best  kind  of  originality  is  that  which 
comes  after  a  sound  apprenticeship ;  that 
which  shall  prove  to  be  the  blending  of 
a  firm  conception  of  all  useful  precedent 
and  the  progressive  tendencies  of  an  able 
mind.  For,  let  any  man  be  as  able  and 
original  as  he  may,  he  cannot  afford  to 
discard  knowledge  of  what  has  gone  be- 
fore or  what  is  now  going  on  in  his  own 
trade  and  profession.  If  the  printers  of 
today  do  not  wish  to  be  esteemed  arro- 
gant when  they  term  this  calling  of  theirs 
an  art,  they  must  be  willing,  and  show  that 
they  are  willing,  to  subject  it  to  such  laws 
as  have  made  its  sister  arts  so  free.  All 
those  concerned  in  what  are  accepted  as 
the  fine  arts,  the  learned  sciences  and  the 


abcdefghijklmnopqrstuvwxyz 

ABCDEFGHIJKLMNOPQRSTUVWXY 

$1234567890 


No.  45 J.     Job  Arrangement  Cl 


Composition  Matrices 

8  Point  No.  45J,  8i  Set 
MONOTYPE  FACES 

The  best  kind  of  originality  is  that  •which  conies  after  a 
sound  apprenticeship ;  that  which  shall  prove  to  be  the 
blending  of  a  firm  conception  of  all  useful  precedent  and 
the  progressive  tendencies  of  an  able  mind.  For,  let  a 
man  be  as  able  and  original  as  he  may,  he  cannot  afford 
to  discard  knowledge  of  what  has  gone  before  or  what  is 
now  going  on  in  his  own  trade  and  profession.  If  the 
printers  of  today  do  not  wish  to  be  esteemed  arrogant 
when  they  term  this  calling  of  theirs  an  art,  they  must  be 
willing,  and  show  that  they  are  willing,  to  subject  it  to 
such  laws  as  have  made  its  sister  arts  so  free.  All  those 
concerned  in  what  are  accepted  as  the  fine  arts,  the  learned 
sciences,  and  professions  surround  themselves  with  the 
history,  the  literature,  and  concrete  examples  of  the  work 
with  which  they  may  be  particularly  engaged.  Yet  it  is 
only  in  rare  instances  that  such  an  atmosphere,  with  its 
material  appurtenances,  is  to  be  found  in  a  printing  office. 
Art  does  not  flourish  in  hidden  places,  nor  under  restraint, 
nor  in  ignorance  of  what  talent  and  genius  have  accom- 
plished and  are  now  accomplishing  throughout  the  world. 
For  to  follow  precedent  wisely  does  not  mean  to  imitate 
slavishly  one  great  exemplar,  but  to  study  all  the  masters 
faithfully,  letting  their  greatest  achievements  sink  slowly 
into  the  mind  in  order  that  we  may  patiently  derive  from 

abcdef  ghij  klmnopqrstu  vwxyz 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 
$1234567890 


Ems  a  to  z  13.45 


Words  to  Pica  .55 


10  Point  No.  45  J,  10  Set 

MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  comes 
after  a  sound  apprenticeship ;  that  which  shall 
prove  to  be  the  blending  of  a  firm  conception 
of  all  useful  precedent  and  the  progressive  ten- 
dencies of  an  able  mind.  For,  let  a  man  be  as 
able  and  original  as  he  may,  he  cannot  afford 
to  discard  knowledge  of  what  has  gone  before 
or  what  is  now  going  on  in  his  own  trade  and 
profession.  If  the  printers  of  today  do  not  wish 
to  be  esteemed  arrogant  when  they  term  this 
calling  of  theirs  an  art,  they  must  be  willing, 
and  show  that  they  are  willing,  to  subject  it  to 
such  laws  as  have  made  its  sister  arts  so  free. 
All  those  concerned  in  what  are  accepted  as  the 
fine  arts,  the  learned  sciences  and  professions, 
surround  themselves  with  the  history,  literature, 
and  concrete  examples  of  the  work  with  which 
they  are  particularly  engaged.  Yet  it  is  only  in 
rare  instances  that  such  an  atmosphere,  with  its 

abcdef  ghij  klmnopqrstu  vwxyz 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

$1234567890 
Ems  a  to  z  12.66  Words  to  Pica  .42 


12  Point  No. 

MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which 
conies  after  a  sound  apprenticeship ;  that 
which  snail  prove  to  t>e  the  blending  of 
a  firm  conception  of  all  useful  precedent 
and  the  progressive  tendencies  of  an  able 
mind.  For,  let  any  man  be  as  able  and 
original  as  he  may,  he  cannot  afford  to 
discard  knowledge  of  what  has  gone  be- 
fore or  what  is  now  going  on  in  his  own 
trade  and  profession.  If  the  printers  of 
today  do  not  wish  to  be  esteemed  arro- 
gant when  they  term  this  calling  of  theirs 
an  art,  they  must  be  willing,  and  show  that 
they  are  willing,  to  subject  it  to  such  laws 
as  have  made  its  sister  arts  so  free.  All 
those  concerned  in  what  are  accepted  as 


45 J,  12  Set 

MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which 
comes  after  a  sound  apprenticeship ;  that 
which  shall  prove  to  be  the  blending  of 
a  firm  conception  of  all  useful  precedent 
and  the  progressive  tendencies  of  an  able 
mind.  For,  let  any  man  be  as  able  and 
original  as  he  may,  he  cannot  afford  to 
discard  knowledge  of  what  has  gone  be- 
fore or  what  is  now  going  on  in  his  own 
trade  and  profession.  If  the  printers  of 
today  do  not  wish  to  be  esteemed  arro- 
gant when  they  term  this  calling  of  theirs 
an  art,  they  must  be  willing,  and  show  that 
they  are  willing,  to  subject  it  to  such  laws 
as  have  made  its  sister  arts  so  free.  All 
those  concerned  in  what  are  accepted  as 
the  fine  arts  and  the  learned  sciences  and 
professions,  surround  themselves  with  the 


abcdef  ghij  klmnopqrstu  vwxyz 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

$1234567890 


Ems  a  to  z  12.66 


Words  to  Pica  .35 


No.  45  Sorts  Matrices 

14  Point  No.  45 

MONOTYPE  TYPE  IS  GOOD  TYPE 

No  Foundry  Type  Made  is  More  Solid  or  Has  a  Better  Face  than  Type 

Cast  on  the  Monotype 
$1234567890 

18  Point  No.  45 

QUALITY  CATALOGUES 

If  Machine  Set  Must  be  Monotype  Set  "There's  a 

Reason 

$1234567890 


24  Point  No  45 


THEORIES  DO  NOT  APPLY 

To  the  Monotype,  but  Conditions,  Which  It 
Is  Always  Ready  to  Fuml 

$1234567890 


30  Point  No.  45 


THE  BEST  WAY  TO 

Answer  the  Sorts  and  Composition 
Problem  Is  the  Monotype  Way 

$1234567890 


36  Point  No.  45 


AT  EVERY  POINT 

The  Monotype  Is  on  the  Job 

$1234567890 


No.  56J.     Job  Arrangement  C2 


Composition  Matrices 


5  Point  No.  56J,  6£  Set 


MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  comes  after  a  sound  ap- 
prenticeship: that  which  shall  prove  to  be  the  blending  of  a  firm 
conception  of  all  useful  precedent  and  the  progressive  tendencies  of 
an  atle  mind.  For.  let  a  man  be  as  able  and  original  as  he  may.  he 
cannot  afford  to  discard  knowledge  of  what  has  gone  before  or  what 
is  now  going  on  in  his  own  trade  and  profession.  If  the  printers 
of  today  do  not  wish  to  be  esteemed  arrogant  when  they  term  this 
calling  of  theirs  an  art.  they  must  be  willing,  and  show  that  they 
are  willing,  to  subject  it  to  such  laws  as  have  made  its  sister  arts 
so  free.  All  those  concerned  in  what  are  accepted  as  the  fine  arts, 
the  learned  sciences,  and  professions  surround  themselves  with  the 
history,  literature,  and  concrete  examples  of  the  work  with  which 
they  are  engaged.  Yet  it  is  only  in  rare  instances  that  such  an  atmos- 
phere, with  its  material  appurtenances,  is  to  be  found  in  a  printing 
office.  Art  does  not  flourish  in  hidden  places,  nor  under  restraint. 
nor  in  ignorance  of  what  talent  and  genius  have  accomplished  and 
are  now  accomplishing  throughout  the  world.  For  to  follow  prece- 
dent wisely  does  not  mean  to  imitate  slavishly  one  great  exemplar, 
but  to  study  all  masters  faithfully,  letting  their  great  achievements 
sink  slowly  into  the  mind  in  order  that  we  may  patiently  derive 
from  the  richness  of  our  acquired  knowledge  and  organized  system 
an  attitude  of  our  own.  The  sprightly  minded  young  man,  who 
with  his  first  business  breath  projects  the  new  and  startling,  inevit- 
ably becomes  tiresome,  and  is  driven  to  an  early  disappearance: 
while  the  slower,  more  solidly  endowed  student  will  at  least  spend  as 
much  of  his  time  in  avoiding  mistakes  as  in  evolving  brilliant  schemes 
wherewith  to  dazzle  his  contemporaries.  The  best  kind  of  origin- 
ality is  that  which  conies  after  a  sound  apprenticeship :  that  which 
shall  prove  to  be  the  blending  of  a  firm  conception  of  all  useful  pre- 
cedent and  the  progressive  tendencies  of  an  able  mind.  For,  let 
a  man  be  as  able  and  original  as  he  may.  he  cannot  afford  to  discard 
knowledge  of  what  has  gone  before  or  what  is  now  going  on  in  his 
own  trade  and  profession.  If  the  printers  of  today  do  not  wish  to  be 
esteemed  arrogant  when  they  term  this  calling  of  theirs  an  art.  they 
must  be  willing,  and  show  that  they  are  willing,  to  subject  it  to  such 
laws  as  have  made  its  sister  arts  so  free.  All  those  concerned  in  what 
are  accepted  as  the  fine  arts,  the  learned  sciences  and  the  professions 

abcdef  ghtj  klmnopqrstuvwxy  z 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

$1234567890 


Point  No.  56J,  7  Set 


MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  comes  after  a  sound 
apprenticeship:  that  which  shall  prove  to  be  the  blending  of 
a  firm  conception  of  all  useful  precedent  and  the  progressive 
tendencies  of  an  able  mind.  For.  let  a  man  be  as  able  and 
original  as  he  may.  he  cannot  afford  to  discard  knowledge  of 
what  has  gone  before  or  what  is  now  going  on  in  his  own  trade 
and  profession.  If  the  printers  of  today  do  not  wish  to  be 
esteemed  arrogant  when  they  term  this  calling  of  theirs  an  art, 
they  must  be  willing,  and  show  that  they  are  willing,  to  sub- 
ject it  to  such  laws  as  have  made  it£  sister  arts  so  free.  All 
those  concerned  in  what  are  now  accepted  as  the  fine -arts,  the 
learned  sciences,  and  professions  surround  themselves  with  the 
history,  literature,  and  the  concrete  examples  of  the  work  with 
which  they  are  particularly  engaged.  Yet  it  is  only  in  very  rare 
instances  that  this  atmosphere,  with  its  material  appurten- 
ances, is  to  be  found  in  a  printing  office.  Art  does  not  flourish 
in  hidden  places,  nor  under  restraint,  nor  in  ignorance  of  what 
talent  and  genius  have  accomplished  and  are  accomplishing 
throughout  the  world.  For  to  follow  all  precedent  wisely  does 
not  mean  to  imitate  too  slavishly  one  great  exemplar,  but  to 
study  all  masters  faithfully,  letting  their  great  achievements 
sink  slowly  into  the  mind  in  order  that  we  may  patiently 
derive  from  the  richness  of  our  acquired  knowledge  and  organ- 
ized system  an  attitude  of  our  own.  The  sprightly  minded 
young  man.  who  with  his  first  business  breath  projects  the  new 
and  startling,  inevitably  becomes  tiresome,  and  is  driven  to  an 
early  disappearance:  while  the  slower,  more  solidly  endowed 
student  will  at  least  spend  as  much  of  his  time  in  avoiding 
mistakes  as  in  evolving  brilliant  schemes  wherewith  to  dazzle 
his  contemporaries.  The  best  kind  of  originality  is  that  which 
comes  after  a  sound  apprenticeship :  that  which  shall  prove  to 
be  the  blending  of  a  firm  conception  of  all  useful  precedent 
and  the  progressive  tendencies  of  an  able  mind.  For.  let  any 
man  be  as  able  and  as  original  as  he  may.  he  cannot  afford  to 

abcdef  ghijklmnopqrstuvwxyz 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

$1234567890 


6  Point  No.  56J,  7{  Set 

MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  comes  after  a  sound 
apprenticeship :  that  which  shall  prove  to  be  the  blending  of 
a  firm  conception  of  all  useful  precedent  and  the  progressive 
tendencies  of  an  able  mind.  For,  let  a  man  be  as  able  and 
original  as  he  may,  he  cannot  afford  to  discard  knowledge  of 
what  has  gone  before  or  what  is  now  going  on  in  his  own  trade 
and  profession.  If  the  printers  of  today  do  not  wish  to  be 
esteemed  arrogant  when  they  term  this  calling  of  theirs  an 
art.  they  must  be  willing,  and  show  that  they  are  willing,  to 
subject  it  to  such  laws  as  have  made  its  sister  arts  so  free. 
All  those  concerned  in  what  are  accepted  as  the  fine  arts,  the 
learned  sciences,  and  professions  surround  themselves  with 
the  history,  the  literature,  and  concrete  examples  of  the  work 
with  which  they  are  particularly  engaged.  Yet  it  is  only  in 
rare  instances  that  such  an  atmosphere,  with  its  material 
appurtenances,  is  to  be  found  in  a  printing  office.  Art  does 
not  flourish  in  hidden  places,  nor  under  restraint,  nor  in  ig- 
norance of  what  talent  and  genius  have  accomplished  and 
are  accomplishing  throughout  the  world.  For  to  follow  pre- 
cedent wisely  does  not  mean  to  imitate  slavishly  one  great 
exemplar,  but  to  study  all  masters  faithfully,  letting  their 
great  achievements  sink  slowly  into  the  mind  hi  order  that 
we  may  patiently  derive  from  the  richness  of  our  acquired 
knowledge  and  organized  system  an  attitude  of  our  own. 
The  sprightly  minded  young  man.  who  with  his  first  business 
breath  projects  the  new  and  startling,  inevitably  becomes 
tiresome,  and  is  driven  to  an  early  disappearance :  while  the 
slower,  more  solidly  endowed  student  will  at  least  spend  as 
much  of  his  time  in  avoiding  mistakes  as  in  evolving  brilliant 
schemes  wherewith  to  dazzle  his  contemporaries.  The  best 
kind  of  originality  is  that  which  comes  after  a  sound  appren- 
ticeship: that  which  shall  prove  to  be  the  blending  of  a  firm 
conception  of  all  useful  precedent  and  the  progressive  tenden- 
cies of  an  able  mind.  For.  let  a  man  be  as  able  and  original 
as  he  may,  he  cannot  afford  to  discard  knowledge  of  what  has 
gone  before  or  what  is  now  going  on  in  his  own  trade  and 

abcdef  ghij  klmnonqrstu  vwxyz 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

$1234567890 


7  Point  No.  56J,  7J  Set 

MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  comes  after  a 
sound  apprenticeship;  that  which  shall  prove  to  be  the 
blending  of  a  firm  conception  of  all  useful  precedent  and 
the  progressive  tendencies  of  an  able  mind.  For,  let  any 
man  be  as  able  and  original  as  he  may,  he  cannot  afford 
to  discard  knowledge  of  what  has  gone  before  or  what  is 
now  going  on  in  his  own  trade  and  profession.  If  the 
printers  of  today  do  not  wish  to  be  esteemed  arrogant 
when  they  term  this  calling  of  theirs  an  art,  they  must 
be  willing,  and  show  that  they  are  willing,  to  subject  it 
to  such  laws  as  have  made  its  sister  arts  so  free.  All 
those  concerned  in  what  are  accepted  as  the  fine  arts,  the 
learned  sciences,  and  the  professions  surround  themselves 
with  the  history,  the  literature,  and  concrete  examples  of 
the  work  with  which  they  are  particularly  engaged.  Yet 
it  is  only  in  rare  instances  that  such  an  atmosphere,  with 
its  material  appurtenances,  is  to  be  found  in  a  printing 
office.  Art  does  not  flourish  in  hidden  places,  nor  under 
restraint,  nor  in  ignorance  of  all  that  talent  and  genius 
have  accomplished  and  are  now  accomplishing  throughout 
the  world.  For  to  follow  precedent  wisely  does  not  mean 
to  imitate  slavishly  one  great  exemplar,  but  to  study  all 
masters  faithfully,  letting  their  great  achievements  sink 
slowly  into  the  mind  in  order  that  we  may  patiently  de- 
rive from  the  richness  of  our  acquired  knowledge  and 
organized  system  an  attitude  of  our  own.  The  sprightly 
minded  young  man,  who  with  his  first  business  breath 
projects  the  new  and  startling,  inevitably  becomes  tire- 
some, and  is  driven  to  an  early  disappearance;  while  the 
slower,  more  solidly  endowed  student  will  at  least  spend  as 
much  of  his  time  in  avoiding  mistakes  as  in  evolving  bril- 

abcdef  ghlj  klmnopqrstuvwxyz 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

$1234567890 


No.  56J.     Job  Arrangement  C2 
Composition  Matrices 


8  Point  No. 
MONOTYPE  FACES 

The  very  best  kind  of  originality  is  that  which  comes 
after  a  thorough  apprenticeship;  that  which  shall 
prove  to  be  the  blending  of  a  firm  conception  of  all 
useful  precedent  and  the  progressive  tendencies  of 
an  able  mind.  For,  let  a  man  be  as  able  and  original 
as  he  may,  he  cannot  afford  to  discard  knowledge 
of  what  has  gone  before  or  what  is  now  going  on 
in  his  own  trade  and  profession.  If  the  printers  of 
today  do  not  wish  to  be  esteemed  arrogant  when 
they  term  this  calling  of  theirs  an  art,  they  must  be 
willing,  and  show  that  they  are  willing,  to  subject 
it  to  such  laws  as  have  made  its  sister  arts  so  free. 
All  those  concerned  in  what  are  accepted  as  the  fine 
arts,  the  learned  sciences,  and  professions  surround 
themselves  with  the  history,  the  literature,  and  the 
concrete  examples  of  the  work  with  which  they  are 
particularly  engaged.  Yet  it  is  only  in  very  rare  in- 
stances that  such  an  atmosphere,  with  its  material 
appurtenances,  is  to  be  found  in  a  printing  office. 
Art  does  not  flourish  in  the  hidden  places,  nor  under 
restraint,  nor  in  ignorance  of  what  talent  and  genius 
have  accomplished  and  are  accomplishing  through- 
out the  world.  For  to  follow  precedent  wisely  does 
not  mean  to  imitate  slavishly  one  great  exemplar, 
but  to  study  all  masters  faithfully,  letting  their  great 


56J,  8i  Set 


MONOTYPE  FACES 


The  very  best  kind  of  originality  is  that  which  comes 
after  a  thorough  apprenticeship;  that  which  shall 
prove  to  be  the  blending  of  a  firm  conception  of  all 
useful  precedent  and  the  progressive  tendencies  of 
an  able  mind.  For,  let  a  man  be  as  able  and  original 
as  he  may,  he  cannot  afford  to  discard  knowledge 
of  what  has  gone  before  or  what  is  now  going  on 
in  his  own  trade  and  profession.  If  the  printers  of 
today  do  not  wish  to  be  esteemed  arrogant  when 
they  term  this  calling  of  theirs  an  art,  they  must  be 
willing,  and  show  that  they  are  willing,  to  subject 
it  to  such  laws  as  have  made  its  sister  arts  so  free. 
All  those  concerned  in  what  are  accepted  as  the  fine 
arts,  the  learned  sciences,  and  professions  surround 
themselves  with  the  history,  the  literature,  and  the 
concrete  examples  of  the  work  with  which  they  are 
particularly  engaged.  Yet  it  is  only  in  very  rare  in- 
stances that  such  an  atmosphere,  with  its  material 
appurtenances,  is  to  be  found  in  a  printing  office. 
Art  does  not  flourish  in  the  hidden  places,  nor  under 
restraint,  nor  in  ignorance  of  what  talent  and  genius 
have  accomplished  and  are  accomplishing  through- 
out the  world.  For  to  follow  precedent  wisely  does 
not  mean  to  imitate  slavishly  one  great  exemplar, 
but  to  study  all  masters  faithfully,  letting  their  great 
achievements  sink  slowly  into  the  mind  in  order 
that  we  may  patiently  derive  from  the  richness  of 
all  our  acquired  knowledge  and  organized  system  an 
attitude  of  our  own.  The  sprightly  minded  young 
man,  who  with  his  first  business  breath  projects  the 
new  and  startling,  inevitably  becomes  tiresome,  and 


abcdefghijklmnopqrstuvwxyz 

AB  CDEFGHI JKLMNOPQRSTUVWXYZ 

$1234567890 


No.  156J.     Job  Arrangement  C2 
Composition  Matrices 


5  Point  No.  156J,  6J  Set 


MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  conies  after  a  sound  ap- 
prenticeship; that  which  shall  prove  to  be  the  blending  of  a  firm 
conception  of  all  useful  precedent  and  the  progressive  tendencies  of 
an  able  mind.  For,  let  a  man  be  as  able  and  original  as  he  may,  he 
cannot  afford  to  discard  knowledge  of  what  has  gone  before  or  what 
is  now  going  on  In  his  own  trade  and  profession.  If  the  printers 
of  today  do  not  wish  to  be  esteemed  arrogant  when  they  term  this 
calling  of  theirs  an  art,  they  must  be  willing,  and  show  that  they 
are  willing,  to  subject  it  to  such  laws  as  have  made  its  sister  arts 
so  free.  All  those  concerned  in  what  are  accepted  as  the  fine  arts, 
the  learned  sciences,  and  professions  surround  themselves  with  the 
history,  literature,  and  concrete  examples  of  the  work  with  which 
they  are  engaged.  Yet  it  is  only  in  rare  instances  that  such  an  atmos- 
phere, with  its  material  appurtenances,  is  to  be  found  in  a  printing 
office.  Art  does  not  flourish  in  hidden  places,  nor  under  restraint, 
nor  in  ignorance  of  what  talent  and  genius  have  accomplished  and 
are  now  accomplishing  throughout  the  world.  For  to  follow  prece- 
dent wisely  does  not  mean  to  imitate  slavishly  one  great  exemplar, 
but  to  study  all  masters  faithfully,  letting  their  great  achievements 
sink  slowly  into  the  mind  in  order  that  we  may  patiently  derive 
from  the  richness  of  our  acquired  knowledge  and  organized  system 
an  attitude  of  our  own.  The  sprightly  minded  young  man,  who 
with  his  first  business  breath  projects  the  new  and  startling,  inevit- 
ably becomes  tiresome,  and  is  driven  to  an  early  disappearance; 
while  the  slower,  more  solidly  endowed  student  will  at  least  spend  as 
much  of  his  time  in  avoiding  mistakes  as  in  evolving  brilliant  schemes 
wherewith  to  dazzle  his  contemporaries.  The  best  kind  of  origin- 
ality is  that  which  comes  after  a  sound  apprenticeship;  that  which 
shall  prove  to  be  the  blending  of  a  firm  conception  of  all  useful  pre- 
cedent and  the  progressive  tendencies  of  an  able  mind.  For,  let 
a  man  be  as  able  and  original  as  he  may,  he  cannot  afford  to  discard 
knowledge  of  what  has  gone  before  or  what  is  now  going  on  in  his 


MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  comes  after  a  sound  ap- 
prenticeship; that  which  shall  prove  to  be  the  blending  of  a  firm 
conception  of  all  useful  precedent  and  the  progressive  tendencies  of 
an  able  mind.  For,  let  a  man  be  as  able  and  original  as  he  may,  he 
cannot  afford  to  discard  knowledge  of  what  has  gone  before  or  what 
is  now  going  on  in  his  own  trade  and  profession.  If  the  printers 
of  today  do  not  wish  to  be  esteemed  arrogant  when  they  term  this 
calling  of  theirs  an  art,  they  must  be  willing,  and  show  that  they 
are  willing,  to  subject  it  to  such  laws  as  have  made  its  sister  arts 
so  free.  All  those  concerned  in  what  are  accepted  as  the  fine  arts, 
the  learned  sciences,  and,professions  surround  themselves  with  the 
history,  literature,  and  concrete  examples  of  the  work  with  which 
they  are  engaged.  Yet  it  is  only  In  rare  instances  that  such  an  atmos- 
phere, with  its  material  appurtenances,  is  to  be  found  in  a  printing 
office.  Art  does  not  flourish  in  hidden  places,  nor  under  restraint, 
nor  in  ignorance  of  what  talent  and  genius  have  accomplished  and 
are  now  accomplishing  throughout  the  world.  For  to  follow  prece- 
dent wisely  does  not  mean  to  imitate  slavishly  one  great  exemplar, 
but  to  study  all  masters  faithfully,  letting  their  great  achievements 
sink  slowly  into  the  mind  in  order  that  we  may  patiently  derive 
from  the  richness  of  our  acquired  knowledge  and  organized  system 
an  attitude  of  our  own.  The  sprightly  minded  young  man,  who 
with  his  first  business  breath  projects  the  new  and  startling,  inevit- 
ably becomes  tiresome,  and  is  driven  to  an  early  disappearance; 
while  the  slower,  more  solidly  endowed  student  will  at  least  spend  as 
much  ofhis  time  in  avoiding  mistakes  as  in  evolving  brilliant  schemes 
wherewith  to  dazzle  his  contemporaries.  The  best  kind  of  origi- 
nality is  that  which  comes  after  a  sound  apprenticeship;  that  which 
shall  prove  to  be  the  blending  of  a  firm  conception  of  all  useful  pre- 
cedent and  the  progressive  tendencies  of  an  able  mind.  For,  let 
a  man  be  as  able  and  original  as  he  may,  he  cannot  afford  to  discard 
knowledge  of  what  has  gone  before  or  what  is  now  going  on  in  his 
own  trade  and  profession.  If  the  printers  of  today  do  not  wish  to  be 
esteemed  arrogant  when  they  term  this  calling  of  theirs  an  art,  they 
must  be  willing,  and  show  that  they  are  willing,  to  subject  it  to  such 
laws  as  have  made  its  sister  arts  so  free.  All  those  concerned  in  what 
are  accepted  as  the  fine  arts,  the  learned  sciences,  and  professions 
surround  themselves  with  the  history,  literature,  and  concrete  ex- 
amples of  the  work  with  which  they  are  engaged.  Yet  It  is  only  in 
rare  instances  that  such  an  atmosphere,  with  its  material  appurten- 
ances, is  to  be  found  in  a  printing  office.  Art  does  not  flourish  in 
hidden  places,  nor  under  restraint,  nor  in  ignorance  of  what  talent 
and  genius  have  accomplished  and  are  now  accomplishing  through- 
out the  world.  For  to  follow  precedent  wisely  does  not  mean  to 


abcdefghijklmnopqrstuvwxyz 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

$1234567890 


6  Point  No.  156J,  7|  Set 


MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  conies  after  a 
sound  apprenticeship;  that  which  shall  prove  to  be  the 
blending  of  a  firm  conception  of  all  useful  precedent  and 
the  progressive  tendencies  of  an  able  mind.  For,  let  a  man 
be  as  able  and  original  as  he  may,  he  cannot  afford  to  dis- 
card knowledge  of  what  has  gone  before  or  what  is  now 
going  on  in  his  own  trade  and  profession.  If  the  printers  of 
today  do  not  wish  to  be  esteemed  arrogant  when  they  term 
this  calling  of  theirs  an  art,  they  must  be  willing,  and  show 
that  they  are  willing,  to  subject  it  to  such  laws  as  have 
made  its  sister  arts  so  free.  All  those  concerned  in  what 
are  accepted  as  the  fine  arts,  the  learned  sciences,  and  pro- 
fessions surround  themselves  with  the  history, -literature, 
and  concrete  examples  of  the  work  with  which  they  are 
particularly  engaged.  Yet  it  is  only  in  rare  instances  that 
such  an  atmosphere,  with  its  material  appurtenances,  is  to 
be  found  in  a  printing  office.  Art  does  not  flourish  in  hid- 
den places,  nor  under  restraint,  nor  in  ignorance  of  what 
talent  and  genius  have  accomplished  and  are  accomplishing 
throughout  the  world.  For  to  follow  precedent  wisely  does 
not  mean  to  imitate  slavishly  one  great  exemplar,  but  to 
study  all  masters  faithfully,  letting  their  great  achieve- 
ments sink  slowly  into  the  mind  in  order  that  we  may 
patiently  derive  from  the  richness  of  our  acquired  knowl- 
edge and  organized  system  an  attitude  of  our  own.  The 
sprightly  minded  young  man,  who  with  his  first  business 
breath  projects  the  new  and  startling,  inevitably  becomes 
tiresome,  and  is  driven  to  an  early  disappearance;  while 
the  slower,  more  solidly  endowed  student  will  at  least  spend 
as  much  of  his  time  In  avoiding  mistakes  as  in  evolving 
brilliant  schemes  wherewith  to  dazzle  his  contemporaries. 


MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  comes  after  a 
sound  apprenticeship;  that  which  shall  prove  to  be  the 
blending  of  a  firm  conception  of  all  useful  precedent  and 
the  progressive  tendencies  of  an  able  mind.  For,  let  a  man 
be  as  able  and  original  as  he  may,  he  cannot  afford  to  dis- 
card knowledge  of  what  has  gone  before  or  what  is  now 
going  on  in  his  own  trade  and  profession.  If  the  printers  of 
today  do  not  wish  to  be  esteemed  arrogant  when  they  term 
this  calling  of  theirs  an  art,  they  must  be  willing,  and  show 
that  they  are  willing,  to  subject  it  to  such  laws  as  have 
made  its  sister  arts  so  free.  All  those  concerned  in  what 
are  accepted  as  the  fine  arts,  the  learned  sciences,  and  pro- 
fessions surround  themselves  with  the  history,  literature, 
and  concrete  examples  of  the  work  with  which  they  are 
particularly  engaged.  Yet  it  Is  only  in  rare  instances  that 
such  an  atmosphere,  with  its  material  appurtenances,  is  to 
be  found  in  a  printing  office.  Art  does  not  flourish  in  hid- 
den places,  nor  under  restraint,  nor  in  ignorance  of  what 
talent  and  genius  have  accomplished  and  are  accomplishing 
throughout  the  world.  For  to  follow  precedent  wisely  does 
not  mean  to  imitate  slavishly  one  great  exemplar,  but  to 
study  all  masters  faithfully,  letting  their  great  achieve- 
ments sink  slowly  into  the  mind  in  order  that  we  may 
patiently  derive  from  the  richness  of  our  acquired  knowl- 
edge and  organized  system  an  attitude  of  our  own.  The 
sprightly  minded  young  man,  who  with  his  first  business 
breath  projects  the  new  and  startling,  inevitably  becomes 
tiresome,  and  is  driven  to  an  early  disappearance;  while 
the  slower,  more  solidly  endowed  student  will  at  least  spend 
as  much  of  his  time  in  avoiding  mistakes  as  in  evolving 
brilliant  schemes  wherewith  to  dazzle  his  contemporaries. 
The  best  kind  of  originality  Is  that  which  comes  after  a 
sound  apprenticeship;  that  which  shall  prove  to  be  the 
blending  of  a  firm  conception  of  all  useful  precedent  and 
the  progressive  tendencies  of  an  able  mind.  For,  let  a  man 
be  as  able  and  original  as  he  may,  he  cannot  afford  to  dis- 
card knowledge  of  what  has  gone  before  or  what  is  now 
going  on  in  his  own  trade  and  profession.  If  the  printers  of 
today  do  not  wish  to  be  esteemed  arrogant  when  they  term 
this  calling  of  theirs  an  art,  they  must  be  willing,  and  show 
that  they  are  willing,  to  subject  it  to  such  laws  as  have 


abcdef  ghi  J  klmnopqrstu  vwxyz 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

$1234567890 


No.  25 6 J.     Book  Arrangement  C 
Composition  Matrices 


6  Point  No.  256J,  8  Set 


MONOTYPE   FACES 

The  best  kind  of  originality  is  that  which  comes  after  a  sound 
apprenticeship;  that  which  shall  prove  to  be  the  blending  of 
a  firm  conception  of  all  useful  precedent  and  the  progressive 
tendencies  of  an  able  mind.  For,  let  a  man  be  as  able  and 
original  as  he  may,  he  cannot  afford  to  discard  knowledge  of 
what  has  gone  before  or  -what  is  now  going  on  in  his  own  trade 
and  profession.  If  the  printers  of  today  do  not  wish  to  be 
esteemed  arrogant  when  they  term  this  calling  of  theirs  an 
art,  they  must  be  willing,  and  show  that  they  are  willing,  to 
subject  it  to  such  laws  as  have  made  its  sister  arts  so  free.  All 
those  concerned  in  what  are  accepted  as  the  fine  arts,  the 
learned  sciences,  and  the  professions  surround  themselves  with 
the  history,  literature,  and  the  concrete  examples  of  the  work 
with  which  they  are  particularly  engaged.  Yet  it  is  only  in 
rare  instances  that  such  an  atmosphere,  with  its  material  ap- 
purtenances, is  to  be  found  in  a  printing  office.  Art  does  not 
nourish  in  hidden  places,  nor  under  restraint,  nor  in  ignorance 
of  what  talent  and  genius  have  accomplished  and  are  accom- 
plishing throughout  the  world.  For  to  follow?  precedent  wisely 
does  not  mean  to  imitate  slavishly  one  great  exemplar,  but  to 
study  all  masters  faithfully,  letting  their  great  achievements 
sink  slowly  into  the  mind  in  order  that  we  may  patiently 
derive  from  the  richness  of  our  acquired  knowledge  and  or- 
ganized system  an  attitude  of  our  own.  The  sprightly  minded 
young  man,  who  with  his  first  business  breath  projects  the 
new  and  startling,  inevitably  becomes  tiresome,  and  is  driven 
to  an  early  disappearance;  while  the  slower,  more  solidly  en- 
dowed student  will  at  least  spend  as  much  of  his  time  in  avoid- 
ing mistakes  as  in  evolving  brilliant  schemes  wherewith  to 
dazzle  his  contemporaries.  The  best  kind  of  originality  is 
that  which  comes  after  a  sound  apprenticeship;  that  -which 
shall  prove  to  be  the  blending  of  a  firm  conception  of  all  useful 


MONOTYPE   FACES 

The  best  kind  of  originality  is  that  which  comes  after  a  sound 
apprenticeship;  that  which  shall  prove  to  be  the  blending  of 
a  firm  conception  of  all  useful  precedent  and  the  progressive 
tendencies  of  an  able  mind.  For,  let  a  man  be  as  able  and 
original  as  he  may,  he  cannot  afford  to  discard  knowledge  of 
what  has  gone  before  or  what  is  now  going  on  in  his  own  trade 
and  profession.  If  the  printers  of  today  do  not  wish  to  be 
esteemed  arrogant  when  they  term  this  calling  of  theirs  an 
art,  they  must  be  willing,  and  show  that  they  are  willing,  to 
subject  it  to  such  laws  as  have  made  its  sister  arts  so  free.  AH 
those  concerned  in  what  are  accepted  as  the  fine  arts,  the 
learned  sciences,  and  the  professions  surround  themselves  with 
the  history,  literature,  and  the  concrete  examples  of  the  work 
with  which  they  are  particularly  engaged.  Yet  it  is  only  in 
rare  instances  that  such  an  atmosphere,  with  its  material  ap- 
purtenances, is  to  be  found  in  a  printing  office.  Art  does  not 
flourish  in  hidden  places,  nor  under  restraint,  nor  in  ignorance 
of  what  talent  and  genius  have  accomplished  and  are  accom- 
plishing throughout  the  world.  For  to  follow  precedent  wisely 
does  not  mean  to  imitate  slavishly  one  great  exemplar,  but  to 
study  all  masters  faithfully,  letting  their  great  achievements 
sink  slowly  into  the  mind  in  order  that  we  may  patiently 
derive  from  the  richness  of  our  acquired  knowledge  and  or- 
ganized system  an  attitude  of  our  own.  The  sprightly  minded 
young  man,  -who  with  his  first  business  breath  projects  the 
new  and  startling,  inevitably  becomes  tiresome,  and  is  driven 
to  an  early  disappearance;  while  the  slower,  more  solidly  en- 
dowed student  will  at  least  spend  as  much  of  his  time  in  avoid- 
ing mistakes  as  in  evolving  brilliant  schemes  wherewith  to 
dazzle  his  contemporaries.  The  best  kind  of  originality  is 
that  which  comes  after  a  sound  apprenticeship;  that  which 
shall  prove  to  be  the  blending  of  a  firm  conception  of  all  useful 
precedent  and  the  progressive  tendencies  of  an  able  mind. 
For,  let  a  man  be  as  able  and  original  as  he  may,  he  cannot 
afford  to  discard  knowledge  of  what  has  gone  before  or  what 
is  now  going  on  in  his  own  trade  and  profession.  If  the  print- 
ers of  today  do  not  wish  to  be  esteemed  arrogant  -when  they 
term  this  calling  of  theirs  an  art,  they  must  be  willing,  and  show 
that  they  are  willing,  to  subject  it  to  such  laws  as  have  made 
its  sister  arts  so  free.  All  those  concerned  in  what  are  accepted 
as  the  fine  arts,  the  learned  sciences,  and  the  professions  sur- 
round themselves  with  the  history,  literature,  and  the  concrete 


abcdefghijklmnopqrstuvwxyz 

ABCDEFOHIJKXMNOPQRSTUVWXYZ 

$1234667890 


No.  58J.     Job  Arrangement  Cl 


Composition  Matrices 


6  Point  No.  58J,  7  Set 


8  Point  No.  58J,  8i  Set 


MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  comes  after  a  sound  appren- 
ticeship; that  which  shall  prove  itself  to  be  the  blending  of  a  firm 
conception  of  useful  precedent  and  the  progressive  tendencies  of  an  able 
mind.  For,  let  a  man  be  as  able  and  original  as  he  may,  he  cannot 
afford  to  discard  knowledge  of  what  has  gone  before  or  what  is  now 
going  on  in  his  own  trade  and  profession.  If  the  printers  of  today  do 
not  wish  to  be  esteemed  arrogant  when  they  term  this  calling  of  theirs 
an  art,  they  must  be  willing,  and  show  that  they  are  willing,  to  subject 
it  to  such  laws  as  have  made  its  sister  arts  so  free.  All  those  con- 
cerned in  what  are  accepted  as  the  fine  arts,  the  learned  sciences,  and 
professions  surround  themselves  with  the  history,  literature,  and  con- 
crete examples  of  the  work  with  which  they  are  particularly  engaged. 
Yet  it  is  only  in  rare  instances  that  such  an  atmosphere,  with  its  ma- 
terial appurtenances,  is  to  be  found  in  a  printing  office.  Art  does  not 
flourish  in  hidden  places,  nor  under  restraint,  nor  in  ignorance  of  what 
talent  and  genius  have  accomplished  and  are  accomplishing  throughout 
the  world.  For  to  follow  precedent  wisely  does  not  mean  to  imitate 
slavishly  one  great  exemplar,  but  to  study  all  masters  faithfully,  letting 
their  great  achievements  sink  slowly  into  the  mind  in  order  that  we 
may  patiently  derive  from  the  richness  of  our  acquired  knowledge  and 
organized  system  an  attitude  of  our  own.  The  sprightly  minded  young 
man,  who  with  his  first  business  breath  projects  the  new  and  startling, 
inevitably  becomes  tiresome,  and  is  driven  to  an  early  disappearance; 
while  the  slower,  more  solidly  endowed  student  will  at  least  spend  as 
much  of  his  time  in  avoiding  mistakes  as  in  evolving  brilliant  schemes 
wherewith  to  dazzle  his  contemporaries.  The  best  kind  of  originality 
is  that  which  conies  after  a  sound  apprenticeship;  that  which  shall  prove 
to  be  the  blending  of  a  firm  conception  of  all  useful  precedent  and  the 
progressive  tendencies  of  an  able  mind.  For,  let  a  man  be  as  able  and 
original  as  he  may,  he  cannot  afford  to  discard  knowledge  of  what  has 
gone  before  or  what  is  now  going  on  in  his  own  trade  and  profession. 

abcdefghijklmnopqrstuvwxyz 
ABCDEFGHIJKLMNOPQRSTUVWXYZ 
$1234567890 


MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  comes  after  a 
sound  apprenticeship;  that  which  shall  prove  to  be  the 
blending  of  a  firm  conception  of  all  useful  precedent  and 
the  progressive  tendencies  of  an  able  mind.  For,  let  a 
man  be  as  able  and  original  as  he  may,  he  cannot  afford 
to  discard  knowledge  of  what  has  gone  before  or  what  is 
now  going  on  in  his  own  trade  and  profession.  If  the 
printers  of  today  do  not  wish  to  be  esteemed  arrogant 
when  they  term  this  calling  of  theirs  an  art,  they  must  be 
willing,  and  show  that  they  are  willing,  to  subject  it  to 
such  laws  as  have  made  its  sister  arts  so  free.  All  those 
concerned  in  what  are  accepted  as  the  fine  arts,  the  learned 
sciences,  and  professions  surround  themselves  with  the 
history,  the  literature,  and  concrete  examples  of  the  work, 
with  which  they  may  be  particularly  engaged.  Yet  it  is 
only  in  rare  instances  that  such  an  atmosphere,  with  its 
material  appurtenances,  is  to  be  found  in  a  printing  office. 
Art  does  not  flourish  in  hidden  places,  nor  under  restraint, 
nor  in  ignorance  of  what  talent  and  genius  have  accom- 
plished and  are  now  accomplishing  throughout  the  world. 
For  to  follow  precedent  wisely  does  not  mean  to  imitate 
slavishly  one  great  exemplar,  but  to  study  all  the  masters 
faithfully,  letting  their  greatest  achievements  sink  slowly 
into  the  mind  in  order  that  we  may  patiently  derive  from 

abcdef  ghi  j  klmnopqr  stuvwxyz 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

$1234567890 


10  Point  No.  58 J,  10  Set 

MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  comes 
after  a  sound  apprenticeship;  that  which  shall 
prove  to  be  the  blending  of  a  firm  conception 
of  all  useful  precedent  and  the  progressive  ten- 
dencies of  an  able  mind.  For,  let  a  man  be  as 
able  and  original  as  he  may,  he  cannot  afford 
to  discard  knowledge  of  what  has  gone  before 
or  what  is  now  going  on  in  his  own  trade  and 
profession.  If  the  printers  of  today  do  not  wish 
to  be  esteemed  arrogant  when  they  term  this 
calling  of  theirs  an  art,  they  must  be  willing, 
and  show  that  they  are  willing,  to  subject  it  to 
such  laws  as  have  made  its  sister  arts  so  free. 
All  those  concerned  in  what  are  accepted  as  the 
fine  arts,  the  learned  sciences  and  professions, 
surround  themselves  with  the  history,  literature, 
and  concrete  examples  of  the  work  with  which 
they  are  particularly  engaged.  Yet  it  is  only  in 
rare  instances  that  such  an  atmosphere,  with  its 
material  appurtenances,  is  to  be  found  in  the 
printing  office.  Art  does  not  flourish  in  hidden 
places,  nor  under  restraint,  nor  in  ignorance  of 

abcdefghijklmnopqrstuvwxyz 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

$1234567890 


12  Point  No.  58 J,  12  Set 

MONOTYPE  FACES 
The  best  kind  of  originality  is  that  which 
comes  after  a  sound  apprenticeship ;  that 
which  shall  prove  to  be  the  blending  of 
a  firm  conception  of  all  useful  precedent 
and  the  progressive  tendencies  of  an  able 
mind*  Fort  let  any  man  be  as  able  and 
original  as  he  may,  he  cannot  afford  to 
discard  knowledge  of  what  has  gone  be- 
fore or  what  is  now  going  on  in  his  own 
trade  and  profession*  If  the  printers  of 
today  do  not  wish  to  be  esteemed  arro- 
gant when  they  term  this  calling  of  theirs 
an  art,  they  must  be  willing,  and  also  show 
that  they  are  willing,  to  subject  it  to  such 
laws  as  have  made  its  sister  arts  so  free* 
All  those  concerned  in  what  are  accepted 
as  the  fine  arts,  and  the  learned  sciences 
and  professions  surround  themselves  with 

abcdefghijklmnopqrstuvwxyz 

ABCDEFGHIJKLMNOPQRSTUVWXY 

$1234567890 


No.  58  Electro  Display  Matrices 

14  Point  No.  58 

CASTS  ALL  SPACING  MATERIAL 

From  the  5-point  Thin  Space  to  the  36-point  Em  Quad  and  all  the 

Intermediate  Point  and  Set  Sizes 
$1234567890 

18  Point  No.  58 

SETS  STRAIGHT  MATTER 

Better,  Quicker  and  More  Economically  than  by  Any  Other 

Method  of  Mechanical  Composition 

$1234567890 


24  Point  No.  58 


HE  LEADING  MAGAZINES 


Are  Practically  all  Composed  and  Cast  on  the 


Monotype  Machine 


$1234567890 


30  Point  No.  58 


MONOTYPE  PRODUCT 

Sells  for  the  Same  Price  as  Similar  Kinds 
of  Matter  Set  by  Hand 

$1234567890 


36  Point  No.  58 


LONG  RUNS 

Direct  from  Type  show  Less  Wear 

$1234567890 


No.  60J.     Job  Arrangement  C2 


Composition  Matrices 


6  Point  No.  60J,  7^  Set 

MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  comes  after  a 
sound  apprenticeship:  that  which  shall  prove  to  be  the 
blending  of  a  firm  conception  of  all  useful  precedent  and 
the  progressive  tendencies  of  an  able  mind.  For.  let  a  man 
be  as  able  and  original  as  he  may,  he  cannot  afford  to  dis- 
card knowledge  of  what  has  gone  before  or  what  is  now 
going  on  in  his  own  trade  and  profession.  If  the  printers  of 
today  do  not  wish  to  be  esteemed  arrogant  when  they  term 
this  calling  of  theirs  an  art.  they  must  be  willing,  and  show 
that  they  are  willing,  to  subject  it  to  such  laws  as  have 
made  its  sister  arts  so  free.  All  those  concerned  in  what 
are  accepted  as  the  fine  arts,  the  learned  sciences,  and  pro- 
fessions surround  themselves  with  the  history,  literature, 
and  concrete  examples  of  the  work  with  which  they  are 
particularly  engaged.  Yet  it  is  only  in  rare  instances  that 
such  an  atmosphere,  with  its  material  appurtenances,  is  to 
be  found  in  a  printing  office.  Art  does  not  flourish  in  hid- 
den places,  nor  under  restraint,  nor  in  ignorance  of  what 
talent  and  genius  have  accomplished  and  are  accomplishing 
throughout  the  world.  For  to  follow  precedent  wisely  does 
not  mean  to  imitate  slavishly  one  great  exemplar,  but  to 
study  all  masters  faithfully,  letting  their  great  achieve- 
ments sink  slowly  into  the  mind  in  order  that  we  may 
patiently  derive  from  the  richness  of  our  acquired  knowl- 
edge and  organized  system  an  attitude  of  our  own.  The 
sprightly  minded  young  man  who  with  his  first  business 
breath  projects  the  new  and  startling,  inevitably  becomes 
tiresome,  and  is  driven  to  an  early  disappearance;  while 
the  slower,  more  solidly  endowed  student  will  at  least  spend 
as  much  of  his  time  in  avoiding  mistakes  as  in  evolving 
brilliant  schemes  wherewith  to  dazzle  his  contemporaries. 

abcdefghijklmnopqrotuvwxyz 
ABCDEFG  H IJ  KLMNOPQ  RSTUV  WX  YZ 

$1234567890 
Ems  a  to  z  17.92  Words  to  Pica  .45 

10  Point  No.  60 J,  11  Set 

MONOTYPE  FACES 

The  very  best  kind  of  originality  is  that 
which  comes  after  a  sound  apprentice- 
ship: that  which  shall  prove  itself  to  be 
the  blending  of  a  firm  conception  of  all 
useful  precedent  and  the  progressive  ten- 
dencies of  an  able  mind.  Let  any  man 
be  as  able  and  original  as  he  may,  he 
cannot  afford  to  discard  knowledge  of 
what  has  gone  before  or  what  is  now 
going  on  in  his  own  trade  and  profes- 
sion. If  the  printers  of  today  do  not 
wish  to  be  esteemed  arrogant  when  they 
term  this  calling  of  theirs  an  art,  they 
must  be  willing,  and  show  that  they  are 
willing,  to  subject  it  to  such  laws  as  have 
made  its  sister  arts  so  free.  All  those 
concerned  in  what  are  accepted  as  the 
fine  arts,  the  learned  sciences,  and  pro- 
fessions surround  themselves  with  the 
history,  literature,  and  concrete  exam- 
ples of  the  work  with  which  they  are 
particularly  engaged.  Yet  it  is  only  in 

abcdefghijklmnopqrstuvwxyz 
ABCDEFG  H  IJ  KLMNOPQRSTU  V  WX  YZ 

$1234567890 

Ems  a  to  z  15. 77  Words  to  Pica  .31 


8  Point  No.  60J,  9  Set 
MONOTYPE  FACES 


The  best  kind  of  originality  is  that  which  comes 
after  a  sound  apprenticeship;  that  which  shall 
prove  to  be  the  blending  of  a  firm  conception  of 
all  useful  precedent  and  of  the  progressive  ten- 
dencies of  an  able  mind.  For,  let  a  man  be  as 
able  and  original  as  he  may,  he  cannot  afford  to 
discard  knowledge  of  what  has  gone  before  or 
what  is  now  going  on  in  his  own  trade  and  pro- 
fession. If  the  printers  of  today  do  not  wish  to 
be  esteemed  arrogant  when  they  term  this  calling 
of  theirs  an  art,  they  must  be  willing,  and  show 
that  they  are  willing,  to  subject  it  to  such  laws 
as  have  made  its  sister  arts  so  free.  All  those 
concerned  in  what  are  accepted  as  the  fine  arts, 
the  learned  sciences,  and  professions  surround 
themselves  with  the  history,  the  literature,  and 
concrete  examples  of  the  work  with  which  they 
are  particularly  engaged.  Yet  it  is  only  in  rare 
instances  that  such  an  atmosphere,  with  its  ma- 
terial appurtenances,  is  to  be  found  in  a  printing 
office.  Art  does  not  flourish  in  hidden  places,  nor 
under  restraint,  nor  in  ignorance  of  what  talent 
and  genius  have  already  accomplished  and  are 
accomplishing  throughout  all  the  world.  For  to 

abcdefghijklmnopqrstuvwxyz 
ABCDEFGH IJKLMNOPQ  RSTUVWXYZ 

$1234567890 


Ems  a  to  z  16.12 


Words  to  Pica  .38 


12  Point  No.  60 J,  12£  Set 

MONOTYPE  FACES 

The  best  kind  of  originality  is  that 
which  comes  after  a  sound  appren- 
ticeship: that  which  shall  prove  to 
be  the  blending  of  a  firm  concep- 
tion of  all  useful  precedent  and  the 
progressive  tendencies  of  a  clever 
mind.  For,  let  a  man  be  as  able 
and  original  as  he  may,  he  cannot 
afford  to  discard  a  knowledge  of 
what  has  gone  before  or  what  is 
now  going  on  in  his  own  trade  and 
profession.  If  the  printers  of  today 
do  not  wish  to  be  esteemed  arro- 
gant when  they  term  this  calling  of 
theirs  an  art,  they  must  be  willing, 
and  show  that  they  are  willing,  to 
subject  it  to  such  laws  as  have  made 
its  sister  arts  so  free.  All  those  who 

abcdefghijklmnopqrstuvwxyz 
ABCDEFGHIJKLMNOPQRSTUVW 

$1234567890 

Ems  a  to  z  14.93  Words  to  Pica  .27 


No.  60  Sorts  Matrices 

14  Point  No.  60 

A  GREATER  PRODUCTION 

On  a  Larger  Variety  of  Profitable  Work  with  Lower  Wage 

and  Overhead  Expense 
$1234567890 


18  Point  No.  60 

ELIMINATES  COMPETITION 

On  Catalog  a.rvd  Job  Work,  Variety  of  Face 

a.rvd  Quality  of  Work  Unexcelled 

$1234567890 

24  Point  No.  60 

THE  LOGICAL  WAY 

To  Set  Railway  Tariffs  and  Time 
Tables  with  Nut  Body  Figures 

$1234567890 


30  Point  No.  60 


STRAIGHT  MATTER 

Of  the  Simplest  Kind  can  be 

Handled  at  a.  Profit 

$1234567890 


36  Point  No.  60 


ARTISTIC  FACES 

For  Use  on  Morvotypes 
$1234567890 


No.  60K.     Job  Arrangement  C2 


Composition  Matrices 


6  Point  No.  60K,  1\  Set 


FACES 

The  bet1  kind  of  originality  if  that  tohich  comes  after  a 
sound  apprenticeship;  that  tvhich  shall  proc'e  to  be  the 
blending  of  a  firm  conception  of  all  useful  precedent  and 
the  progressive  tendencies  of  an  able  mind.  For,  let  a 
man  be  as  able  and  original  as  he  may,  he  cannot  afford 
to  discard  knotaledge  of  tahat  has  gone  before  or  tahat  is 
note  going  on  in  his  otvn  trade  and  his  profession.  If  the 
printers  of  today  do  not  toish  to  be  esteemed  too  arrogant 
tohen  they  term  this  calling  of  theirs  an  art,  they  must 
be  ^ailling,  and  shoto  that  they  are  toilling,  to  subject  it 
to  such  tatas  as  hatie  made  its  sister  arts  so  free.  All  those 
concerned  in  tohat  are  accepted  as  the  fine  arts,  the  learned 
sciences,  and  the  professions  surround  themselves  tvith  the 
history,  the  literature,  and  concrete  examples  of  the  tuork 
taith  tvhich  they  are  particularly  engaged,  yet  it  is  only 
in  rare  instances  that  such  an  atmosphere^,  toith  its  material 
appurtenances^,  is  to  be  found  in  a  printing  office.  Art 
does  not  flourish  in  hidden  places,  nor  under  restraint,  nor 
in  ignorance  of  tvhat  talent  and  genius  have  accomplished 
and  are  not*>  accomplishing  throughout  the  tvorld.  For  to 
foliate  precedent  tuisely  does  not  mean  to  imitate  slavishly 
one  great  exemplar.  but  to  study  all  the  masters  faithfully, 
letting  their  great  achievements  sink  s/otvly  into  the  mind 
in  order  that  toe  may  patiently  derive  from  the  richness  of 
our  acquired  knotvledge  and  organized  system  an  attitude 
of  our  oton.  The  sprightly  minded  young  man  toho  t*>ith 
his  first  business  breath  projects  the  neto  and  the  startling 
inevitably  becomes  tiresome,  and  he  is  driven  to  an  early 
disappearance;  tohile  the  s/otver  and  more  so/idly  endotoed 
student  toil!  at  least  spend  as  much  of  his  time  in  avoiding" 
mistakes  as  in  evolving  brilliant  schemes  taheretoith  to  dazzle 

abcdefghijklmnopqrstuVtuxyf 


8  Point  No.  60K,  9  Set 


fI234567890 


MOJVOTyPE  FACES 

The  best  kind  of  originality  is  that  tohich  comes 
after  a  sound  apprenticeship;  that  tahich  shall 
pro-Ce  to  be  the  blending  of  a  firm  conception  of 
all  useful  precedent  and  of  the  progressive  ten- 
dencies of  an  able  mind.  For,  let  a  man  be  as 
able  and  original  as  he  may,  he  cannot  afford  to 
discard  knowledge  of  tvhat  has  gone  before  or 
tvhat  is  notv  going  on  in  his  otun  trade  and  pro- 
fession. If  the  printers  of  today  do  not  tvish  to 
be  esteemed  arrogant  tvhen  they  term  this  calling 
of  theirs  an  art,  they  must  be  builling,  and  shotv 
that  they  are  tvilling,  to  subject  it  to  such  latvs 
as  hade  made  its  sister  arts  so  free.  All  those  con- 
cerned in  tvhat  are  accepted  as  the  fine  arts,  the 
learned  sciences,  and  professions  surround  them- 
selves tvith  the  history,  the  literature  and  con- 
crete examples  of  the  tvorfc  tvith  tvhich  they  are 
particularly  engaged,  yet  it  is  only  in  rare  in- 
stances that  such  an  atmosphere,  tuith  its  ma- 
terial appurtenances,  is  to  be  found  in  a  printing 
office.  Art  does  not  flourish  in  hidden  places,  nor 
under  restraint,  nor  in  ignorance  of  tvhat  talent 
and  genius  haCe  accomplished  and  are  accom- 
plishing throughout  the  tvorld.  For  to  follotv 

abcdefghijk.lmnopqrstuVtoxyz 

A'BCDEFGHIJK.LMFQTQ'RSTUVWXyZ 

$1234567890 


10  Point  No.  60K,  11  Set 

MOJVOTyPE  FACES 

The  -Very  best  kind  of  originality  is  that 
Which  comes  after  a  sound  apprentice- 
ship; that  Which  shall  pro-tie  itself  to  be 
the  blending  of  a  firm  conception  of  all 
useful  precedent  and  the  progressive  ten- 
dencies of  an  able  mind.  Let  any  man 
be  as  able  and  original  as  he  may,  he 
cannot  afford  to  discard  knowledge  of 
What  has  gone  before  or  What  is  noW 
going  on  in  his  oWn  trade  and  profes- 
sion. If  the  printers  of  today  do  not 
Wish  to  be  esteemed  arrogant  When  they 
term  this  calling  of  theirs  an  art,  they 
must  be  Willing,  and  show  that  they  are 
Willing,  to  subject  it  to  such  laWs  as  hade 
made  its  sister  arts  so  free.  All  those 
concerned  in  What  are  accepted  as  the 
fine  arts,  the  learned  sciences,  and  pro- 
fessions surround  themselves  With  the 
history,  literature,  and  concrete  exam- 
ples of  the  Work  with  which  they  are 
particularly  engaged,  yet  it  is  only  in 

abcdefg'hijklmnopqrstU'OWxyz 


12  Point  No.  60K,  12^  Set 


$1254567890 


FACES 

The  best  kind  of  originality  is  that 
tvhich  comes  after  a  sound  appren- 
ticeship; that  tohich  shall  pro-tie  to 
be  the  blending  of  a  firm  concep- 
tion of  all  useful  precedent  and  the 
progressive  tendencies  of  a  de-tier 
mind.  For,  let  any  man  be  as  able 
and  original  as  he  may,  he  cannot 
afford  to  discard  a  knowledge  of 
\ji)hat  has  gone  before  or  tehat  is 
note)  going  on  in  his  oton  trade  and 
profession.  If  the  printers  of  today 
do  not  tuish  to  be  esteemed  arro- 
gant tohen  they  term  this  calling  of 
theirs  an  art,  they  must  be  billing, 
and  shotv  that  they  are  billing,  to 
subject  it  to  such  latvs  as  ha-Ce  made 
its  sister  arts  so  free.  All  those  tvho 

abcdefghijklm  nopqrstu-Cteyyz 
A'BCDEFGHIJK.LMFOTQ'RSTVVW 

$1234567890 


No.  601  Electro  Display  Matrices 

14  Point  No.  601 

JULES  VERNE  Ml  HIS  BEST 

Never  Described  a  More  Wonderful  Machine  Than  the 

Style  DD  Monotype  Keyboard 

$1234567890 


18  Point  No.  601 

WILL  COMPOSE  TWO  MEASURES 
As  Well  as  Two  Sizes  at  One  Operation.   And  This 

Is  but  One  Point 
$1234567890 


24  Point  No.  601 


TWITCH  THE  SWITCH 

To  Change  Face,  Measure,  Point  Size  and 

Kjsep  Always  on  Live  Copy 

$1234567890 


30  Point  No.  601 


WIDE  MEASURES 

Jlnd  Narrow  Measures  at  One 

Time  Easy  for  Style  DD 

$1234567890 


36  Point  No.  601 


ITS  LIMIT 

Has  Clever  Yet  Been  Reached 

$1234567890 


No.  62  Sorts  Matrices 

18  Point  No.  62 

OPERATING  EFFICIENCY 

And  High  duality  Product  Combined  with  Low 
Cost  of  Production  is  the  Monotype  Way 

$1234567890 


24  Point  No.  62 


QUALITY  CONTROLS 


The  Selling  Price  and  Attracts  Buyers 


Who  Are  Discriminating  and 


Know  Good  Printing 


$1234567890 


30  Point  No.  62 


NO  COMPOSITION 

Commands  a  Higher  Selling  Price 

than  Monotype  Product 

$1234567890 


36  Point  No.  62 


MONOTYPE  TYPE 
Endorsed  by  Type  Founders 

$1234567890 


No.  63  J.     Job  Arrangement  C2 


Composition  Matrices 


6  Point  No.  63J,  1\  Set 


8  Point  No.  63J,  9  Set 


MONOTYPE   FACES 

The  best  kind  of  originality  is  that  which  comes  after  a 
sound  apprenticeship;  that  which  shall  prove  to  be  the 
blending  of  a  firm  conception  of  all  useful  precedent  and 
the  progressive  tendencies  of  an  able'  mind.  For,  let  a 
man  be  as  able  and  original  as  he  may,  he  cannot  afford 
to  discard  knowledge  of  what  has  gone  before  or  what  is 
now  going  on  in  his  own  trade  and  his  profession.  If  the 
printers  of  today  do  not  wish  to  be  esteemed  too  arrogant 
when  they  term  this  calling  of  theirs  an  art,  they  must 
be  willing,  and  show  that  they  are  willing,  to  subject  it 
to  such  laws  as  have  made  its  sister  arts  so  free.  All  those 
concerned  in  what  are  accepted  as  the  fine  arts,  the  learned 
sciences,  and  the  professions  surround  themselves  with  the 
history,  the  literature,  and  concrete  examples  of  the  work 
with  which  they  are  particularly  engaged.  Yet  it  is  only 
in  rare  instances  that  such  an  atmosphere,  with  its  material 
appurtenances,  is  to  be  found  in  a  printing  office.  Art 
does  not  flourish  in  hidden  places,  nor  under  restraint,  nor 
in  ignorance  of  what  talent  and  genius  have  accomplished 
and  are  now  accomplishing  throughout  the  world.  For  to 
follow  precedent  wisely  does  not  mean  to  imitate  slavishly 
one  great  exemplar,  but  to  study  all  the  masters  faithfully, 
letting  their  great  achievements  sink  slowly  into  the  mind 
in  order  that  we  may  patiently  derive  from  the  richness  of 
our  acquired  knowledge  and  organized  system  an  attitude 
of  our  own.  The  sprightly  minded  young  man  who  with 
his  first  business  breath  projects  the  new  and  the  startling 
inevitably  becomes  tiresome,  and  he  is  driven  to  an  early 
disappearance;  while  the  slower  and  more  solidly  endowed 
student  will  at  least  spend  as  much  of  his  time  in  avoiding 
mistakes  as  in  evolving  the  brilliant  schemes  wherewith  to 

abcdef  gh  i  j  kl  m  nopq  rstu  vwxyz 
ABCDEFGHUKLMNOPQRSTUVWXYZ 

$1234567890 
Ems  a  to  z  17.92  Words  to  Pica  .45 


MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  comes 
after  a  sound  apprenticeship;  that  which  shall 
prove  to  be  the  blending  of  a  firm  conception  of 
all  useful  precedent  and  of  the  progressive  ten- 
dencies of  an  able  mind.  For,  let  a  man  be  as 
able  and  original  as  he  may,  he  cannot  afford  to 
discard  knowledge  of  what  has  gone  before  or 
what  is  now  going  on  in  his  own  trade  and  pro- 
fession. If  the  printers  of  today  do  not  wish  to 
be  esteemed  arrogant  when  they  term  this  calling 
of  theirs  an  art,  they  must  be  willing,  and  show 
that  they  are  willing,  to  subject  it  to  such  laws 
as  have  made  its  sister  arts  so  free.  All  those  con- 
cerned in  what  are  accepted  as  the  fine  arts,  the 
learned  sciences,  and  professions  surround  them- 
selves with  the  history,  the  literature  and  con- 
crete examples  of  the  work  with  which  they  are 
particularly  engaged.  Yet  it  is  only  in  rare  in- 
stances that  such  an  atmosphere,  with  its  ma- 
terial appurtenances,  is  to  be  found  in  a  printing 
office..  Art  does  not  flourish  in  hidden  places,  nor 
under  restraint,  nor  in  ignorance  of  what  talent 
and  genius  have  accomplished  and  are  accom- 
plishing throughout  the  world.  For  to  follow 

abcdefghij  klmnopqrstuvwxyz 
ABCDEFGHUKLMNOPQRSTUVWXYZ 

$1234567890 
Ems  a  to  z  16.12  Words  to  Pica  .38 


10  Point  No.  63 J,  11  Set 

MONOTYPE  FACES 
The  very  best  kind  of  originality  is  that 
which  comes  after  a  sound  apprentice- 
ship; that  which  shall  prove  itself  to  be 
the  blending  of  a  firm  conception  of  all 
useful  precedent  and  the  progressive  ten- 
dencies of  an  able  mind.  For,  let  a  man 
be  as  able  and  as  original  as  he  may,  he 
cannot  afford  to  discard  all  knowledge  of 
what  has  gone  before  or  what  is  now 
going  on  in  his  own  trade  and  profes- 
sion. If  the  printers  of  today  do  not 
wish  to  be  esteemed  arrogant  when  they 
term  this  calling  of  theirs  an  art,  they 
must  be  willing,  and  show  that  they  are 
willing,  to  subject  it  to  such  laws  as  have 
made  its  sister  arts  so  free.  All  those 
concerned  in  what  are  accepted  as  the 
fine  arts,  the  learned  sciences,  and  pro- 
fessions surround  themselves  with  the 
history,  the  literature,  and  concrete  ex- 
amples of  the  work  with  which  they  are 
particularly  engaged.  Yet  it  is  only  in 

abcdef  gh  i  j  kl  m  nopq  rstu  vwxyz 

ABCDEFGHUKLMNOPQRSTUVWXYZ 

$1234567890 

Ems  a  to  z  15.77  Words  to  Pica  .31 


12  Point  No.  63 J,  12^  Set 

MONOTYPE  FACES 
The  best  kind  of  originality  is  that 
which  comes  after  a  sound  appren- 
ticeship; that  which  shall  prove  to 
be  the  blending  of  a  firm  concep- 
tion of  all  useful  precedent  and  the 
progressive  tendencies  of  a  clever 
mind.  For,  let  any  man  be  as  able 
and  original  as  he  may,  he  cannot 
afford  to  discard  a  knowledge  of 
what  has  gone  before  or  what  is 
now  going  on  in  his  own  trade  and 
profession.  If  the  printers  of  today 
do  not  wish  to  be  esteemed  arro- 
gant when  they  term  this  calling  of 
theirs  an  art,  they  must  be  willing, 
and  show  that  they  are  willing,  to 
subject  it  to  such  laws  as  have  made 
its  sister  arts  so  free.  AI 1  those  who 

abcdefghij  klmnopqrstuvwxyz 
ABCDEFGHIJKLMNOPQRSTUVW 

$1234567890 


Ems  a  to  z  14.93 


Words  to  Pica  .27 


No.  63  Sorts  Matrices 

14  Point  No.  63 

ONE  SWEETLY  SOLEMN  THOUGHT 

Which  Comes  to  the  Monotype  Owner  Is  That  He  Is  Prepared 

for  Any  and  Every  Job  That  Comes  In 

$  1 23456789O 

18  Point  No.  63 

NOTHING  IS  TOO  HARD 

For  the  Versatile  Monotype,  Either  in  Quality 

or  Technical  Requirements 

$1234567890 

24  Point  No.  63 

FOR  ELECTROTYPING 

The  Matter  May  Be  Run  with  High 

Spaces  and  Quads  Throughout 

$ 1 23456789O 


30  Point  No.  63 


FOR  LETTERPRESS 


The  Same  Ribbon  Will  Give 


Low  Quads  and  Spaces 


$  1  234567890 


36  Point  No.  63 


FOR  DISPLAY 

Cast  Sorts  on  Monotype 

$1234567890 


No.  68J.     Job  Arrangement  Cl 


Composition  Matrices 


6  Point  No.  68J,  7  Set 


MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  comes  after  a  sound  appren- 
ticeship; that  which  shall  prove  itself  to  be  the  blending  of  a  firm 
conception  of  useful  precedent  and  the  progressive  tendencies  of  an  able 
mind.  For,  let  a  man  be  as  able  and  original  as  he  may,  he  cannot 
afford  to  discard  knowledge  of  what  has  gone  before  or  what  is  now 
going  on  in  his  own  trade  and  profession.  If  the  printers  of  today  do 
not  wish  to  be  esteemed  arrogant  when  they  term  this  calling  of  theirs 
an  art,  they  must  be  willing,  and  show  that  they  are  willing,  to  subject 
it  to  such  laws  as  have  made  its  sister  arts  so  free.  All  those  con- 
cerned in  what  are  accepted  as  the  fine  arts,  the  learned  sciences,  and 
professions  surround  themselves  with  the  history,  literature,  and  con- 
crete examples  of  the  work  with  which  they  are  particularly  engaged. 
Yet  it  is  only  in  rare  instances  that  such  an  atmosphere,  with  its  ma- 
terial appurtenances,  is  to  be  found  in  a  printing  office.  Art  does  not 
flourish  in  hidden  places,  nor  under  restraint,  nor  in  ignorance  of  what 
talent  and  genius  have  accomplished  and  are  accomplishing  throughout 
the  world.  For  to  follow  precedent  wisely  does  not  mean  to  imitate 
slavishly  one  great  exemplar,  but  to  study  all  masters  faithfully,  letting 
their  great  achievements  sink  slowly  into  the  mind  in  order  that  we 
may  patiently  derive  from  the  richness  of  our  acquired  knowledge  and 
organized  system  an  attitude  of  our  own.  The  sprightly  minded  young 
man,  who  with  his  first  business  breath  projects  the  new  and  startling, 
inevitably  becomes  tiresome,  and  is  driven  to  an  early  disappearance; 
while  the  slower,  more  solidly  endowed  student  will  at  least  spend  as 
much  of  his  time  in  avoiding  mistakes  as  in  evolving  brilliant  schemes 
wherewith  to  dazzle  his  contemporaries.  The  best  kind  of  originality 
is  that  which  comes  after  a  sound  apprenticeship;  that  which  shall  prove 
to  be  the  blending  of  a  firm  conception  of  all  useful  precedent  and  the 
progressive  tendencies  of  an  able  mind.  For,  let  a  man  be  as  able  and 
original  as  he  may,  he  cannot  afford  to  discard  knowledge  of  what  has 
gone  before  or  what  is  now  going  on  in  his  own  trade  and  profession. 

abcdefghijklmnopqrstuvwxyz 
ABCDEFGHIJKLMNOPQRSTUVWXYZ 

$1234567890 
Ems  a  to  z  14.78  Words  to  Pica  .60 


8  Point  No.  68J,  8$  Set 


MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  conies  after  a 
sound  apprenticeship;  that  which  shall  prove  to  be  the 
blending  of  a  firm  conception  of  all  useful  precedent  and 
the  progressive  tendencies  of  an  able  mind.  For,  let  a 
man  be  as  able  and  original  as  he  may,  he  cannot  afford 
to  discard  knowledge  of  what  has  gone  before  or  what  is 
now  going  on  in  his  own  trade  and  profession.  If  the 
printers  of  today  do  not  wish  to  be  esteemed  arrogant 
when  they  term  this  calling  of  theirs  an  art,  they  must  be 
willing,  and  show  that  they  are  willing,  to  subject  it  to 
such  laws  as  have  made  its  sister  arts  so  free.  All  those 
concerned  in  what  are  accepted  as  the  fine  arts,  the  learned 
sciences,  and  professions  surround  themselves  with  the 
history,  the  literature,  and  concrete  examples  of  the  work 
with  which  they  may  be  particularly  engaged.  Yet  it  is 
only  in  rare  instances  that  such  an  atmosphere,  with  its 
material  appurtenances,  is  to  be  found  in  a  printing  office. 
Art  does  not  flourish  in  hidden  places,  nor  under  restraint, 
nor  in  ignorance  of  what  talent  and  genius  have  accom- 
plished and  are  now  accomplishing  throughout  the  world. 
For  to  follow  precedent  wisely  does  not  mean  to  imitate 
slavishly  one  great  exemplar,  but  to  study  all  the  masters 
faithfully,  letting  their  greatest  achievements  sink  slowly 
into  the  mind  in  order  that  we  may  patiently  derive  from 

abcdefghijklmnopqrstuvwxyz 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

$1234567890 


Ems  a  to  z  13.45 


Words  to  Pica  .50 


10  Point  No.  68J,  10i  Set 

MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  comes 
after  a  sound  apprenticeship;  that  which  shall 
prove  to  be  the  blending  of  a  firm  conception 
of  all  useful  precedent  and  the  progressive  ten- 
dencies of  an  able  mind.  For,  let  a  man  be  as 
able  and  original  as  he  may,  he  cannot  afford 
to  discard  knowledge  of  what  has  gone  before 
or  what  is  now  going  on  in  his  own  trade  and 
profession.  If  the  printers  of  today  do  not  wish 
to  be  esteemed  arrogant  when  they  term  this 
calling  of  theirs  an  art,  they  must  be  willing, 
and  show  that  they  are  willing,  to  subject  it  to 
such  laws  as  have  made  its  sister  arts  so  free. 
All  those  concerned  in  what  are  accepted  as  the 
fine  arts,  the  learned  sciences,  and  professions 
surround  themselves  with  the  history,  litera- 
ture, and  concrete  examples  of  the  work  with 
which  they  are  particularly  engaged.  Yet  it  is 
only  in  rare  instances  that  such  an  atmosphere, 
with  its  material  appurtenances,  is  to  be  found  in 
a  printing  office.  Art  does  not  flourish  in  hidden 
places,  nor  under  restraint,  nor  in  ignorance  of 

abcdefghijklmnopqrstuvwxyz 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

$1234567890 

Ems  a  to  z  12.99  Words  to  Pica  .42 


12  Point  No.  68 J,  12  Set 

MONOTYPE  FACES 
The  best  kind  of  originality  is  that  which 
comes  after  a  sound  apprenticeship ;  that 
which  shall  prove  to  be  the  blending  of 
a  firm  conception  of  all  useful  precedent 
and  the  progressive  tendencies  of  an  able 
mind.  For,  let  any  man  be  as  able  and 
original  as  he  may,  he  cannot  afford  to 
discard  knowledge  of  what  has  gone  be- 
fore or  what  is  now  going  on  in  his  own 
trade  and  profession.  If  the  printers  of 
today  do  not  wish  to  be  esteemed  arro- 
gant when  they  term  this  calling  of  theirs 
an  art,  they  must  be  willing,  and  show  that 
they  are  willing,  to  subject  it  to  such  laws 
as  have  made  its  sister  arts  so  free.  All 
those  concerned  in  what  are  accepted  as 
the  fine  arts,  and  the  learned  sciences  and 
professions  surround  themselves  with  the 

abcdefghi  j  klmnopqrstuvwxyz 
ABCDEFGHIJKLMNOPQRSTUVW 


$1234567890 


Ems  a  to  z  12.66 


Words  to  Pica  .35 


No.  68  Sorts  Matrices 

14  Point  No.  68 

TYPE  RUN  ROUND  CUTS  AND  INITIALS 

Like  straight  Matter,  just  as  Accurately  as  with  Matter  Composed  by  and 
Run  Round  by  Hand  in  the  Old  Way 

$1234567890 

18  Point  No.  68 

ABSOLUTELY  NO  ADJUSTMENT 

Required  on  the  Monotype  Keyboard  to  Change  the  Point  Size. 

Measure  Changed  Like  Setting  a  Stick 

$1234567890 

24  Point  No.  68 

EXTRA  CHARACTERS 

Easily  Inserted  in  Monotype  Matrix  Case 

for  any  Kind  of  Special  Work 

$1234567890 


30  Point  No.  68 


MONOTYPE  TYPE 

Is  Finished  Complete  in  the  Mold. 

It  is  not  Shaved  or  Dressed 

$1234567890 


36  Point  No.  68 


REDUCES  COST 
Without  Reducing  the  Price 

$1234567890 


No.  69 J.     Job  Arrangement  Cl 


Composition  Matrices 


6  Point  No.  69J,  6  Set 


MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  comes  after  a  sound  apprenticeship; 
that  which  shall  prove  to  be  the  blending  of  a  firm  conception  of  all  useful  pre- 
cedent and  the  progressive  tendencies  of  an  able  mind.  For,  let  a  man  be  as  able 
and  original  as  he  may,  he  cannot  afford  to  discard  knowledge  of  what  has  gone 
before  or  what  is  now  going  on  in  his  own  trade  and  profession.  If  the  printers 
of  today  do  not  wish  to  be  esteemed  arrogant  when  they  term  this  calling  of  theirs 
an  art,  they  must  be  willing,  and  show  that  they  are  willing,  to  subject  it  to  such 
laws  as  have  made  its  sister  arts  so  free.  All  those  concerned  in  what  are  accepted 
as  the  fine  arts,  the  learned  sciences,  and  professions  surround  themselves  with 
the  history,  literature,  and  concrete  examples  of  the  work  with  which  they  are 
particularly  engaged.  Yet  it  is  only  in  rare  instances  that  such  an  atmosphere, 
with  its  material  appurtenances,  is  to  be  found  in  a  printing  office.  Art  does  not 
flourish  in  hidden  places,  nor  under  restraint,  nor  in  ignorance  of  what  talent 
and  genius  have  accomplished  and  are  now  accomplishing  throughout  the  world. 
For  to  follow  precedent  wisely  does  not  mean  to  imitate  slavishly  one  great  ex- 
emplar, but  to  study  all  masters  faithfully,  letting  their  great  achievements  sink 
slowly  into  the  mind  in  order  that  we  may  patiently  derive  from  the  richness  of 
our  acquired  knowledge  and  organized  system  an  attitude  of  our  own.  The 
sprightly  minded  young  man,  who  with  his  first  business  breath  projects  the  new 
and  startling,  inevitably  becomes  tiresome,  and  is  driven  to  an  early  disappearance; 
while  the  slower,  more  solidly  endowed  student  will  at  least  spend  as  much  of 
his  time  in  avoiding  mistakes  as  in  evolving  brilliant  schemes  wherewith  to  dazzle 
his  contemporaries.  The  best  kind  of  originality  is  that  which  comes  after  a 
sound  apprenticeship;  that  which  shall  prove  to  be  the  blending  of  a  firm  con- 
ception of  all  useful  precedent  and  the  progressive  tendencies  of  an  able  mind. 
For.  let  a  man  be  as  able  and  original  as  he  may,  he  cannot  afford  to  discard 
knowledge  of  what  has  gone  before  or  what  is  now  going  on  in  his  own  trade  and 
profession.  If  the  printers  of  today  do  not  wish  to  be  esteemed  arrogant  when 
they  term  this  calling  of  theirs  an  art,  they  must  be  willing,  and  show  that  they 
are  willing,  to  subject  it  to  such  laws  as  have  made  its  sister  arts  so  free.  All 
those  concerned  in  what  are  accepted  as  the  fine  arts,  the  learned  sciences,  and 

abcdefghijklmnopqrstuvwxyz 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

$1234567890 


8  Point  No.  69J,  7  Set 


MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  comes  after  a  sound  appren- 
ticeship; that  which  shall  prove  itself  to  be  the  blending  of  a  firm 
conception  of  useful  precedent  and  the  progressive  tendencies  of  an  able 
mind.  For,  let  a  man  be  as  able  and  original  as  he  may,  he  cannot 
afford  to  discard  knowledge  of  what  has  gone  before  or  what  is  now 
going  on  in  his  own  trade  and  profession.  If  the  printers  of  today  do 
not  wish  to  be  esteemed  arrogant  when  they  term  this  calling  of  theirs 
an  art,  they  must  be  willing,  and  show  that  they  are  willing,  to  subject 
it  to  such  laws  as  have  made  its  sister  arts  so  free.  All  those  con- 
cerned in  what  are  accepted  as  the  fine  arts,  the  learned  sciences,  and 
professions  surround  themselves  with  the  history,  literature,  and  con- 
crete examples  of  the  work  with  which  they  are  particularly  engaged. 
Yet  it  is  only  in  rare  instances  that  such  an  atmosphere,  with  its  ma- 
terial appurtenances,  is  to  be  found  in  a  printing  office.  Art  does  not 
flourish  in  hidden  places,  nor  under  restraint,  nor  in  ignorance  of  what 
talent  and  genius  have  accomplished  and  are  accomplishing  throughout 
the  world.  For  to  follow  precedent  wisely  does  not  mean  to  imitate 
slavishly  one  great  exemplar,  but  to  study  all  masters  faithfully,  letting 
their  great  achievements  sink  slowly  into  the  mind  in  order  that  we 
may  patiently  derive  from  the  richness  of  our  acquired  knowledge  and 
organized  system  an  attitude  of  our  own.  The  sprightly  minded  young 
man,  who  with  his  first  business  breath  projects  the  new  and  startling, 
inevitably  becomes  tiresome,  and  is  driven  to  an  early  disappearance; 
while  the  slower,  more  solidly  endowed  student  will  at  least  spend  as 

abcdefghi  j  kl  mnopqrstuvwxyz 
ABCDEFGH I J  KLMNOPQRSTUVWXYZ 

$1234567890 


10  Point  No.  69J,  8J  Set 

MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  comes  after  a 
sound  apprenticeship;  that  which  shall  prove  to  be  the 
blending  of  a  firm  conception  of  all  useful  precedent  and 
the  progressive  tendencies  of  an  able  mind.  For,  let  a 
man  be  as  able  and  original  as  he  may,  he  cannot  afford 
to  discard  knowledge  of  what  has  gone  before  or  what  is 
now  going  on  in  his  own  trade  and  profession.  If  the 
printers  of  today  do  not  wish  to  be  esteemed  arrogant 
when  they  term  this  calling  of  theirs  an  art,  they  must  be 
willing,  and  show  that  they  are  willing,  to  subject  it  to 
such  laws  as  have  made  its  sister  arts  so  free.  All  those 
concerned  in  what  are  accepted  as  the  fine  arts,  the  learned 
sciences,  and  professions  surround  themselves  with  the 
history,  the  literature,  and  concrete  examples  of  the  work 
with  which  they  may  be  particularly  engaged.  Yet  it  is 
only  in  rare  instances  that  such  an  atmosphere,  with  its 
material  appurtenances,  is  to  be  found  in  a  printing  office. 
Art  does  not  flourish  in  hidden  places,  nor  under  restraint 
nor  in  ignorance  of  what  talent  and  genius  have  accom- 
plished and  are  now  accomplishing  throughout  the  world. 
For  to  follow  precedent  wisely  does  not  mean  to  imitate 
slavishly  one  great  exemplar,  but  to  study  all  masters 

abcdefghi  j  kl  mnopq  rstuvwxyz 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

$1234567890 


12  Point  No.  69J,  10  Set 

MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  comes 
after  a  sound  apprenticeship;  that  which  shall 
prove  to  be  the  blending  of  a  firm  conception 
of  all  useful  precedent  and  the  progressive  ten- 
dencies of  an  able  mind.  For,  let  a  man  be  as 
able  and  original  as  he  may,  he  cannot  afford 
to  discard  knowledge  of  what  has  gone  before 
or  what  is  now  going  on  in  his  own  trade  and 
profession.  If  the  printers  of  today  do  not  wish 
to  be  esteemed  arrogant  when  they  term  this 
calling  of  theirs  an  art,  they  must  be  willing, 
and  show  that  they  are  willing,  to  subject  it  to 
such  laws  as  have  made  its  sister  arts  so  free. 
All  those  concerned  in  what  are  accepted  as  the 
fine  arts,  the  learned  sciences,  and  professions, 
surround  themselves  with  the  history,  literature, 
and  concrete  examples  of  the  work  with  which 
they  are  particularly  engaged.  Yet  it  is  only  in 

abcdefghijklmnopqrstuvwxyz 
ABCDEFGHIJKLMNOPQRSTUVWXYZ 

$1234567890 


No.  69  Electro  Display  Matrices 

14  Point  No.  69 

ARE  YOU  FISHING  FOR  MINNOWS? 

Don't  be  Satisfied  with  the  Small  Jobs  While  Your  Competitor  Walks  off  with  the 

Large  ones,  Because  he  uses  Monotype 
$1234567800 


18  Point  No.  69 

BAIT  WITH  A  MONOTYPE 

If  you  are  not  Satisfied  with  your  Present  Profits  or  with  the  Present 

Quality  of  your  Printing 
$1234567890 


24  Point  No.  69 


FISH  FOR  WHALES 

Get  the  Big  Jobs  and  the  Long  Runs  You  are  Now 

Losing  to  your  Competitor 

$1234567890 


30  Point  No.  69 


THEY  WILL  BITE 

At  the  Quality  and  the  Speed.  It  Always 

Pays  Well  to  Be  Prompt 

$1234567890 


36  Point  No.  69 


DROP  A  LINE 


If  You  Want  Us  to  Help  Catch  'Em 


$1234567890 


No.  78J.     Job  Arrangement  Cl 


Composition  Matrices 


6  Point  No.  78J,  7i  Set 


MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  comes  after  a  sound  appren- 
ticeship; that  which  shall  prove  itself  to  be  the  blending  of  a  firm 
conception  of  useful  precedent  and  the  progressive  tendencies  of  an  able 
mind.  For,  let  a  man  be  as  able  and  original  as  he  may,  he  cannot 
afford  to  discard  knowledge  of  what  has  gone  before  or  what  is  now 
going  on  in  his  own  trade  and  profession.  If  the  printers  of  today  do 
not  wish  to  be  esteemed  arrogant  when  they  term  this  calling  of  theirs 
an  art,  they  must  be  willing,  and  show  that  they  are  willing,  to  subject 
it  to  such  laws  as  have  made  its  sister  arts  so  free.  All  those  concerned 
in  what  are  accepted  as  the  fine  arts,  the  learned  sciences  and  the 
professions,  surround  themselves  with  the  history,  literature,  and  con- 
crete examples  of  the  work  with  which  they  are  particularly  engaged. 
Yet  it  is  only  in  rare  instances  that  such  an  atmosphere,  with  its  ma- 
terial appurtenances,  is  to  be  found  in  the  printing  office.  Art  does  not 
flourish  in  hidden  places,  nor  under  restraint,  nor  in  ignorance  of  what 
talent  and  genius  accomplish  and  are  now  accomplishing  throughout 
the  world.  For  to  follow  all  precedent  wisely  does  not  mean  to  imitate 
slavishly  one  great  exemplar,  but  to  study  all  the  masters  faithfully, 
letting  their  greatest  achievements  sink  slowly  into  the  mind  in  order 
that  we  may  patiently  derive  from  the  richness  of  our  acquired  knowl- 
edge and  organized  system  an  attitude  of  our  very  own.  The  sprightly 
minded  young  man,  who  with  his  first  business  breath  projects  the 
new  and  startling,  inevitably  becomes  tiresome,  and  is  driven  to  an 
early  disappearance ;  while  the  slower,  more  solidly  endowed  student 
will  at  least  spend  as  much  of  his  time  in  avoiding  mistakes  as  in 
evolving  brilliant  schemes  wherewith  to  dazzle  all  his  contemporaries. 
The  best  kind  of  originality  is  that  which  comes  after  a  sound  appren- 
ticeship; that  which  shall  prove  itself  to  be  the  blending  of  a  firm 
conception  of  useful  precedent  and  the  progressive  tendencies  of  an  able 
mind.  For,  let  any  man  be  as  able  and  original  as  he  may,  he  cannot 
afford  to  discard  knowledge  of  what  has  gone  before  or  what  is  now 

abcdef  ghij  klmnopqrstuvwxyz 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

$1234567890 


8  Point  No.  78J,  8j  Set 


MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  comes  after  a 
sound  apprenticeship ;  that  which  shall  prove  to  be  the 
blending  of  a  firm  conception  of  all  useful  precedent  and 
the  progressive  tendencies  of  an  able  mind.  For,  let  a 
man  be  as  able  and  original  as  he  may,  he  cannot  afford 
to  discard  knowledge  of  what  has  gone  before  or  what  is 
now  going  on  in  his  own  trade  and  profession.  If  the 
printers  of  today  do  not  wish  to  be  esteemed  arrogant 
when  they  term  this  calling  of  theirs  an  art,  they  must  be 
willing,  and  show  that  they  are  willing,  to  subject  it  to 
such  laws  as  have  made  its  sister  arts  so  free.  All  those 
concerned  in  what  are  accepted  as  the  fine  arts,  the 
learned  sciences  and  professions,  surround  themselves 
with  the  history,  the  literature  and  concrete  examples  of 
the  work  with  which  they  may  be  particularly  engaged. 
Yet  it  is  only  in  rare  instances  that  such  an  atmosphere, 
with  its  material  appurtenances,  is  to  be  found  in  the 
printing  office.  Art  does  not  flourish  in  hidden  places, 
nor  under  restraint,  nor  in  ignorance  of  what  talent  and 
genius  have  accomplished  and  are  still  accomplishing 
throughout  the  world.  For  to  follow  precedent  wisely 
does  not  mean  to  imitate  slavishly  one  great  exemplar, 
but  to  study  all  the  masters  faithfully,  letting  their  great 
achievements  sink  slowly  into  the  mind  in  order  that  we 

abcdef  ghij  klmnopqrstuvwxyz 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

$1234567890 


10  Point  No.  78 J,  10i  Set 

MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  conies 
after  a  sound  apprenticeship ;  that  which  shall 
prove  to  be  the  blending  of  a  firm  conception 
of  all  useful  precedent  and  the  progressive  ten- 
dencies of  an  able  mind.  For,  let  a  man  be  as 
able  and  original  as  he  may,  he  cannot  afford 
to  discard  knowledge  of  what  has  gone  before 
or  what  is  now  going  on  in  his  own  trade  and 
profession.  If  the  printers  of  today  do  not  wish 
to  be  esteemed  arrogant  when  they  term  this 
calling  of  theirs  an  art,  they  must  be  willing, 
and  show  that  they  are  willing,  to  subject  it  to 
such  laws  as  have  made  its  sister  arts  so  free. 
All  those  concerned  in  what  are  accepted  as  the 
fine  arts,  the  learned  sciences,  and  professions 
surround  themselves  with  the  history,  litera- 
ture, and  concrete  examples  of  the  work  with 
which  they  are  particularly  engaged.  Yet  it  is 
only  in  rare  instances  that  such  an  atmosphere, 
with  its  material  appurtenances,  is  to  be  found  in 
a  printing  office.  Art  does  not  flourish  in  hidden 
places,  nor  under  restraint,  nor  even  in  ignorance 

abcdef  ghij  klmnopqrstuvwxyz 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

$1234567890 


12  Point  No.  78J,  12  Set 

MONOTYPE  FACES 
The  best  kind  of  originality  is  that  which 
conies  after  a  sound  apprenticeship ;  that 
which  shall  prove  to  be  the  blending  of 
a  firm  conception  of  all  useful  precedent 
and  the  progressive  tendencies  of  an  able 
mind.  For,  let  any  man  be  as  able  and 
original  as  he  may,  he  cannot  afford  to 
discard  knowledge  of  what  has  gone  be- 
fore or  what  is  now  going  on  in  his  own 
trade  and  profession.  If  the  printers  of 
today  do  not  wish  to  be  esteemed  arro- 
gant when  they  term  this  calling  of  theirs 
an  art,  they  must  be  willing,  and  show  that 
they  are  willing,  to  subject  it  to  such  laws 
as  have  made  its  sister  arts  so  free.  All 
those  concerned  in  what  are  accepted  as 
the  fine  arts,  the  learned  sciences  and  the 
professions,  surround  themselves  with  the 

abcdef  ghij  klmnopqrstuvwxyz 

ABCDEFGHIJKLMNOPQRSTUVW 

$1234567890 


No.  78  Electro  Display  Matrices 

14  Point  No.  78 

THE  MONOTYPE  TYPE  CASTER 

Is  the  only  one  that  is   Convertible,  and  can  be  Quickly  changed  into  a 

Standard  Composing  Machine 
$1234567890 

• 

18  Point  No.  78 

AS  A  COMPOSING  MACHINE 

Monotype   Product  is   Identical  with   the   Highest 

Class  of  Work  set  by  Hand 

$1234567890 

24  Point  No.  78 

THE  LEADING  DAILIES 

All   Use   the   Monotype    Successfully   in 

their  Advertising  Departments 

$1234567890 


30  Point  No.  78 


THE  LITTLE  PRINTER 

Gets  into  the  Big  Class  with  the 

Versatile  Monotype 

$1234567890 


36  Point  No.  78 


750  FONTS 

Now  in  our  Matrix  Library 

$1234567890 


No.  78K.     Job  Arrangement  Cl 


6  Point  No.  78K,  7  Set 

MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  comes  after  a  sound  appren- 
ticeship; that  which  shall  prove  itself  to  be  the  blending  of  a  firm  con- 
ception of  useful  precedent  and  the  progressive  tendencies  of  an  able 
mind.  For,  let  a  man  be  as  able  and  original  as  he  may,  he  cannot 
afford  to  discard  knowledge  of  what  has  gone  before  or  what  is  now 
going  on  in  his  own  trade  and  profession.  If  the  printers  of  today  do 
not  wish  to  be  esteemed  arrogant  when  they  term  this  calling  of  theirs 
an  art,  they  must  be  willing,  and  show  that  they  are  willing,  to  subject 
it  to  such  laws  as  have  made  its  sister  arts  so  free.  All  those  concerned 
in  what  are  accepted  as  'he  fine  arts,  the  learned  sciences,  and  the 
professions,  surround  themselves  with  the  history,  literature,  and  con- 
crete examples  of  the  work  with  which  they  are  particularly  engaged. 
Yet  it  is  only  in  rare  instances  that  such  an  atmosphere,  with  its 
material  appurtenances,  is  to  be  found  in  the  printing  office.  Art  does  not 
flourish  in  hidden  places,  nor  under  restraint,  nor  in  ignorance  of  what 
talent  and  genius  accomplish  and  are  now  accomplishing  throughout 
the  world.  For  to  follow  precedent  wisely  does  not  mean  to  imitate 
slavishly  one  great  exemplar,  but  to  study  all  the  masters  faithfully, 
letting  their  great  achievements  sink  slowly  into  the  mind  in  order 
that  we  may  patiently  derive  from  the  richness  of  our  acquired  knowl- 
edge and  organized  system  an  attitude  of  our  very  own.  The  sprightly 
minded  young  man,  who  with  his  first  business  breath  projects  the 
new  and  startling,  inevitably  becomes  tiresome,  and  is  driven  to  an 
early  disappearance;  while  the  slower,  more  solidly  endowed  student 
will  at  least  spend  as  much  of  his  time  in  avoiding  mistakes  as  in 
evolving  brilliant  schemes  wherewith  to  dazzle  all  his  contemporaries. 
The  best  kind  of  originality  is  that  which  comes  after  a  sound  appren- 
ticeship; that  which  shall  prove  itself  to  be  the  blending  of  a  firm  con- 
ception of  useful  precedent  and  the  progressive  tendencies  of  an  able 
mind.  For,  let  any  man  be  as  able  and  original  as  he  may,  he  cannot 
afford  to  discard  knowledge  of  what  has  gone  before  or  what  is  now 

abcdefghijklmnopqrstuvwxyg 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

$1234567890 

Ems  a  to  z  14.78 


Composition  Matrices 

8  Point  No.  78K,  8f  Set 

MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  comes  after  a 
sound  apprenticeship;  that  which  shall  prove  to  be  the 
blending  of  a  firm  conception  of  all  useful  precedent  and 
the  progressive  tendencies  of  an  able  mind.  For,  let  a 
man  be  as  able  and  original  as  he  may,  he  cannot  afford 
to  discard  knowledge  of  what  has  gone  before  or  what  is 
now  going  on  in  his  own  trade  and  profession.  If  the 
printers  of  today  do  not  wish  to  be  esteemed  arrogant 
when  they  term  this  calling  of  theirs  an  art,  they  must  be 
willing,  and  show  that  they  are  willing,  to  subject  it  to 
such  laws  as  have  made  its  sister  arts  so  free.  All  those 
concerned  in  what  are  accepted  as  the  fine  arts,  the 
learned  sciences,  and  professions,  surround  themselves 
with  the  history,  the  literature  and  concrete  examples  of 
the  work  with  which  they  may  be  particularly  engaged. 
Yet  it  is  only  in  rare  instances  that  such  an  atmosphere, 
with  its  material  appurtenances,  is  to  be  found  in  the 
printing  office.  Art  does  not  flourish  in  hidden  places, 
nor  under  restraint,  nor  in  ignorance  of  what  talent  and 
genius  have  accomplished  and  are  still  accomplishing 
throughout  the  world.  For  to  follow  precedent  wisely 
does  not  mean  to  imitate  slavishly  one  great  exemplar, 
but  to  study  all  the  masters  faithfully,  letting  their  great 
achievements  sink  slowly  into  the  mind  in  order  that  we 

abcdefghijklmnopqrstuvwxyz 
ABCDEFGHIJKLMNOPQRS  TUVWXYZ 

$1234567890 
Words  to  Pica  .57          Ems  a  to  z  13.85  Words  to  Pica  .48 


10  Point  No.  78K,  10£  Set 

MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  comes 
after  a  sound  apprenticeship;  that  which  shall 
prove  to  be  the  blending  of  a  firm  conception  of 
all  useful  precedent  and  the  progressive  ten- 
dencies of  an  able  mind.  For,  let  a  man  be  as 
able  and  original  as  he  may,  he  cannot  afford 
to  discard  knowledge  of  what  has  gone  before 
or  what  is  now  going  on  in  his  own  trade  and 
profession.  If  the  printers  of  today  do  not  wish 
to  be  esteemed  arrogant  when  they  term  this 
calling  of  theirs  an  art,  they  must  be  willing, 
and  show  that  they  are  willing,  to  subject  it  to 
such  laws  as  have  made  its  sister  arts  so  free. 
All  those  concerned  in  what  are  accepted  as  the 
fine  arts,  the  learned  sciences,  and  professions 
surround  themselves  with  the  history,  litera- 
ture, and  concrete  examples  of  the  work  with 
which  they  are  particularly  engaged.  Yet  it  is 
only  in  rare  instances  that  such  an  atmosphere, 
with  its  material  appurtenances,  is  to  be  found 
in  a  printing  office.  Art  does  not  flourish  in 
hidden  places,  nor  under  restraint,  nor  even  in 

abcdefghijklmnopqrstuvwxyz 
ABCDEFGHIJKLMNOPORS  TUVWXYZ 

$1234567890 
Ems  a  to  z  13.30  Words  to  Pica  .40 


12  Point  No.  78K,  12  Set 

MONOTYPE  FACES 
The  best  kind  of  originality  is  that  which 
comes  after  a  sound  apprenticeship;  that 
which  shall  prove  to  be  the  blending  of 
a  firm  conception  of  all  useful  precedent 
and  the  progressive  tendencies  of  an  able 
mind.  For,  let  any  man  be  as  able  and 
original  as  he  may,  he  cannot  afford  to 
discard  knowledge  of  what  has  gone 
before  or  what  is  now  going  on  in  his  own 
trade  and  profession.  If  the  printers  of 
today  do  not  wish  to  be  esteemed  arro- 
gant when  they  term  this  calling  of  theirs 
an  art,  they  must  be  willing,  and  show  that 
they  are  willing,  to  subject  it  to  such  laws 
as  have  made  its  sister  arts  so  free.  All 
those  concerned  in  what  are  accepted  as 
the  fine  arts,  the  learned  sciences,  and  the 
professions,  surround  themselves  with  the 

abcdefghijklmnopqrstuvwxyz 

ABCDEFGHIJKLMNOPQRSTUVW 

$1234567890 

Ems  a  to  z  12.66  Words  to  Pica  .35 


No.  781  Sorts  Matrices 

14  Point  No.  781 

THE  TYPECASTING  PROPOSITION 

Is  an  Important  Development  of  the  Monotype,  and  is  but  One  of  its 
Many  Strong  and  Desirable  Features 
$1234567890 

18  Point  No.  781 

ASK  YOUR  PRESSMEN 

For  Their  Opinion  Regarding  the  Saving  Made 

on  Makeready  with  Monotype  Type 

$1234567890 


24  Point  No.  781 


AGAIN  ASK  THEM 
About  the  Many  Advantages  of  the  Low 

Quads  and  Spaces 
$1234567890 


30  Point  No.  781 


FOR  ELECTROS 

The  Same  Mold  Delivers  High 

or  Low  Quads  &  Spaces 

$1234567890 


36  Point  No.  781 


NO  EXTRAS 

Are  Necessary  for  This 

$1234567890 


No.  81J.     Job  Arrangement  C4 


Composition  Matrices 


6  Point  No.  81J,  7  Set 


MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  comes  after  a  sound  appren- 
ticeship ;  that  which  shall  prove  itself  to  be  the  blending  of  a  firm  con- 
ception of  useful  precedent  and  the  progressive  tendencies  of  an  able 
mind.  For,  let  a  man  be  as  able  and  original  as  he  may,  he  cannot 
afford  to  discard  knowledge  of  what  has  gone  before  or  what  is  now 
going  on  in  his  own  trade  and  profession.  If  the  printers  of  today  do 
not  wish  to  be  esteemed  arrogant  when  they  term  this  calling  of  theirs 
an  art,  they  must  be  willing,  and  show  that  they  are  willing,  to  subject 
it  to  such  laws  as  have  made  its  sister  arts  so  free.  All  those  con- 
cerned in  what  are  accepted  as  the  fine  arts,  the  learned  sciences,  and 
professions  surround  themselves  with  the  history,  literature,  and  con- 
crete examples  of  the  work  with  which  they  are  particularly  engaged. 
Yet  it  is  only  in  rare  instances  that  such  an  atmosphere,  with  its  ma- 
terial appurtenances,  is  to  be  found  in  a  printing  office.  Art  does  not 
flourish  in  hidden  places,  nor  under  restraint,  nor  in  ignorance  of  what 
talent  and  genius  have  accomplished  and  are  accomplishing  throughout 
the  world.  For  to  follow  precedent  wisely  does  not  mean  to  imitate 
slavishly  one  great  exemplar,  but  to  study  all  masters  faithfully,  letting 
their  great  achievements  sink  slowly  into  the  mind  in  order  that  we 
may  patiently  derive  from  the  richness  of  our  acquired  knowledge  and 
organized  system  an  attitude  of  our  own.  The  sprightly  minded  young 
man,  who  with  his  first  business  breath  projects  the  new  and  startling, 
inevitably  becomes  tiresome,  and  is  driven  to  an  early  disappearance; 
while  the  slower,  more  solidly  endowed  student  will  at  least  spend  as 
much  of  his  time  in  avoiding  mistakes  as  in  evolving  brilliant  schemes 
wherewith  to  dazzle  his  contemporaries.  The  best  kind  of  originality 
is  that  which  comes  after  a  sound  apprenticeship;  that  which  shall 
prove  to  be  the  blending  of  a  firm  conception  of  all  useful  precedent  and 
the  progressive  tendencies  of  an  able  mind.  For,  let  a  man  be  as  able 
and  original  as  he  may,  he  cannot  afford  to  discard  knowledge  of  what 
has  gone  before  or  what  is  now  going  on  in  his  own  trade  and  profession. 

abcdefghijklmnopqrstuvwxyz 
ABCDEFGHIJKLMNOPQRSTUVWXYZ 

$1234567890 
Ems  a  to  z  14.91  Words  to  Pica  .60 


8  Point  No.  81J,  8£  Set 
MONOTYPE  FACES 


The  best  kind  of  originality  is  that  which  comes  after  a 
sound  apprenticeship;  that  which  shall  prove  to  be  the 
blending  of  a  firm  conception  of  all  useful  precedent  and 
the  progressive  tendencies  of  an  able  mind.  For,  let  a 
man  be  as  able  and  original  as  he  may,  he  cannot  afford 
to  discard  knowledge  of  what  has  gone  before  or  what  is 
now  going  on  in  his  own  trade  and  profession.  If  the 
printers  of  today  do  not  wish  to  be  esteemed  arrogant 
when  they  term  this  calling  of  theirs  an  art,  they  must  be 
willing,  and  show  that  they  are  willing,  to  subject  it  to 
such  laws  as  have  made  its  sister  arts  so  free.  All  those 
concerned  in  what  are  accepted  as  the  fine  arts,  the  learned 
sciences,  and  professions  surround  themselves  with  the 
history,  the  literature,  and  concrete  examples  of  the  work, 
with  which  they  may  be  particularly  engaged.  Yet  it  is 
only  in  rare  instances  that  such  an  atmosphere,  with  its 
material  appurtenances,  is  to  be  found  in  a  printing  office. 
Art  does  not  flourish  in  hidden  places,  nor  under  restraint, 
nor  in  ignorance  of  what  talent  and  genius  have  accom- 
plished and  are  now  accomplishing  throughout  the  world. 
For  to  follow  precedent  wisely  does  not  mean  to  imitate 
slavishly  one  great  exemplar,  but  to  study  all  the  masters 
faithfully,  letting  their  greatest  achievements  sink  slowly 
into  the  mind  in  order  that  we  may  patiently  derive  from 

abcdefghijklmnopqrstuvwxyz 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

$1234567890 


Ems  a  to  z  13.58 


Words  to  Pica  .50 


10  Point  No.  81J,  10  Set 

MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  conies 
after  a  sound  apprenticeship;  that  which  shall 
prove  to  be  the  blending  of  a  firm  conception 
of  all  useful  precedent  and  the  progressive  ten- 
dencies of  an  able  mind.  For,  let  a  man  be  as 
able  and  original  as  he  may,  he  cannot  afford 
to  discard  knowledge  of  what  has  gone  before 
or  what  is  now  going  on  in  his  own  trade  and 
profession.  If  the  printers  of  today  do  not  wish 
to  be  esteemed  arrogant  when  they  term  this 
calling  of  theirs  an  art,  they  must  be  willing, 
and  show  that  they  are  willing,  to  subject  it  to 
such  laws  as  have  made  its  sister  arts  so  free. 
All  those  concerned  in  what  are  accepted  as  the 
fine  arts,  the  learned  sciences  and  professions, 
surround  themselves  with  the  history,  literature, 
and  concrete  examples  of  the  work  with  which 
they  are  particularly  engaged.  Yet  it  is  only  in 
rare  instances  that  such  an  atmosphere,  with  its 
material  appurtenances,  is  to  be  found  in  the 
printing  office.  Art  does  not  flourish  in  hidden 
places,  nor  under  restraint,  nor  in  ignorance  of 

abcdefghijklmnopqrstuvwxyz 
ABCDEFGHIJKLMNOPQRSTUVWXYZ 

$1234567890 
Ems  a  to  z  12. 78  Words  to  Pica  .42 


12  Point  No.  81 J,  12  Set 

MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which 
comes  after  a  sound  apprenticeship ;  that 
which  shall  prove  to  be  the  blending  of 
a  firm  conception  of  all  useful  precedent 
and  the  progressive  tendencies  of  an  able 
mind.  For,  let  any  man  be  as  able  and 
original  as  he  may,  he  cannot  afford  to 
discard  knowledge  of  what  has  gone  be- 
fore or  what  is  now  going  on  in  his  own 
trade  and  profession.  If  the  printers  of 
today  do  not  wish  to  be  esteemed  arro- 
gant when  they  term  this  calling  of  theirs 
an  art,  they  must  be  willing,  and  also  show 
that  they  are  willing,  to  subject  it  to  such 
laws  as  have  made  its  sister  arts  so  free. 
All  those  concerned  in  what  are  accepted 
as  the  fine  arts,  and  the  learned  sciences 
and  professions  surround  themselves  with 

abcdefghijklmnopqrstuvwxyz 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

$1234567890 

Ems  a  to  z  12.78  Words  to  Pica  .35 


No.  81  Sort  Matrices 

18  Point  No.  81 

YOUR  INVESTMENT  IS  PROTECTED 
If  you  don't  Handicap  yourself  with  a  Machine  that  can  Never  be 

Anything  but  a  Type  Caster 

$1234567890 


24  Point  No.  81 


ASK  US  TO  PROVE  OUR  CLAIM 

That  the  Monotype  is  the  Cheapest,  because  it  is  the 

Best  Type  Caster  and  Composing  Machine 

$1234567890 


No.  94  Electro  Display  Matrices 

18  Point  No.  94 

THE  SOUL  OF  A  TYPECASTER  IS  THE  MOLD 

To  Combine  Speed  and  Quality  the  Mold  Must  be  Easily  Adjusted  to  Take  Dp  Wear  and  be 

Properly  Cooled  to  Produce  Solid  Type 


24  Point  No.  94 


THE  RECIPROCATING  MONOTYPE  MOLD 

Combines  Ease  oi  Adjustment,  Water  Cooling  and  All  of  the  Correct 

Principles  oi  Typecasting 
$1234567890 


30  Point  No.  94 


HIGH  SPEED  IS  MADE  POSSIBLE 

With  Marvelous  Accuracy  Through  the  Mechanical 
Methods  Designed  for  It  Alone 

$i234567890 


36  Point  No.  94 


TYPE  THAT  IS  RIGHT 
Perfect  In  Both  Body  and  Face  Is  the  Result 

$1234567890 


No.  97J.     Job  Arrangement  C2 


Composition  Matrices 


6  Point  No.  97J,  7  Set 


8  Point  No.  97J,  8£  Set 


MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  comes  after  a  sound 
apprenticeship;  that  which  shall  prove  to  be  the  blending  of  a 
firm  conception  of  all  useful  precedent  and  the  progressive 
tendencies  of  an  able  mind.  For.  let  a  man  be  as  able  and 
original  as  he  may,  he  cannot  afford  to  discard  knowledge  of 
what  has  gone  before  or  what  is  now  going  on  in  his  own  trade 
and  profession.  If  the  printers  of  today  do  not  wish  to  be 
esteemed  arrogant  when  they  term  this  calling  of  theirs  an  art, 
they  must  be  willing,  and  show  that  they  are  willing,  to  sub- 
ject it  to  such  laws  as  have  made  its  sister  arts  so  free.  All 
those  concerned  in  what  are  accepted  as  the  fine  arts,  the 
learned  sciences,  and  professions  surround  themselves  with  the 
history,  literature,  and  the  concrete  examples  of  the  work  with 
which  they  are  particularly  engaged.  Yet  it  is  only  in  very  rare 
instances  that  this  atmosphere,  with  its  material  appurten- 
ances, is  to  be  found  in  a  printing  office.  Art  does  not  flourish 
in  hidden  places,  nor  under  restraint,  nor  in  ignorance  of  what 
talent  and  genius  have  accomplished  and  are  accomplishing 
throughout  the  world.  For  to  follow  precedent  wisely  does 
not  mean  to  imitate  slavishly  one  great  exemplar,  but  to 
study  all  masters  faithfully;  letting  their  great  achievements 
sink  slowly  into  the  mind  in  order  that  we  may  patiently 
derive  from  the  richness  of  our  acquired  knowledge  and  organ- 
ized system  an  attitude  of  our  own.  The  sprightly  minded 
young  man.  who  with  his  first  business  breath  projects  the  new 
and  startling,  inevitably  becomes  tiresome,  and  is  driven  to  an 
early  disappearance;  while  the  slower,  more  solidly  endowed 
student  will  at  least  spend  as  much  of  his  time  in  avoiding 
mistakes  as  in  evolving  brilliant  schemes  wherewith  to  dazzle 
his  contemporaries.  The  best  kind  of  originality  is  that  which 
comes  after  a  sound  apprenticeship;  that  which  shall  prove  to 

abcdefghijklmnopqrstuvwxyz 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

$1234567890 


MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  conies 
after  a  sound  apprenticeship;  that  which  shall 
prove  to  be  the  blending  of  a  firm  conception  of  all 
useful  precedent  and  the  progressive  tendencies  of 
an  able  mind.  For,  let  a  man  be  as  able  and  original 
as  he  may,  he  cannot  afford  to  discard  knowledge 
of  what  has  gone  before  or  what  is  now  going  on  in 
his  own  trade  and  profession.  If  the  printers  of 
today  do  not  wish  to  be  esteemed  arrogant  when 
they  term  this  calling  of  theirs  an  art,  they  must  be 
willing,  and  show  that  they  are  willing,  to  subject 
it  to  such  laws  as  have  made  its  sister  arts  so  free. 
All  those  concerned  in  what  are  accepted  as  the  fine 
arts,  the  learned  sciences,  and  professions  surround 
themselves  with  the  history,  literature,  and  con- 
crete examples  of  the  work  with  which  they  are 
particularly  engaged.  Yet  it  is  only  in  rare  in- 
stances that  such  an  atmosphere,  with  its  material 
appurtenances,  is  to  be  found  in  a  printing  office. 
Art  does  not  flourish  in  hidden  places,  nor  under 
restraint,  nor  in  ignorance  of  what  talent  and  genius 
have  accomplished  and  are  accomplishing  through- 
out the  world.  For  to  follow  precedent  wisely  does 
not  mean  to  imitate  slavishly  one  great  exemplar, 

abcdefghijklmnopqrstuvwxyz 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

$1234567890 


10  Point  No.  97J,  10i  Set 

MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which 
comes  after  a  sound  apprenticeship;  that 
which  shall  prove  to  be  the  blending  of 
a  firm  conception  of  all  useful  precedent 
and  the  progressive  tendencies  of  an  able 
mind.  For,  let  any  man  be  as  able  and 
original  as  he  may,  he  cannot  afford  to 
discard  knowledge  of  what  has  gone  before 
or  what  is  now  going  on  in  his  own  trade 
and  profession.  If  the  printers  of  today 
do  not  wish  to  be  esteemed  too  arrogant 
when  they  term  this  calling  of  theirs  an 
art,  they  must  be  willing,  and  show  that 
they  are  willing,  to  subject  it  to  such 
laws  as  have  made  its  sister  arts  so  free. 
All  those  concerned  in  what  are  accepted 
as  the  fine  arts,  the  learned  sciences,  and 
professions  surround  themselves  with  the 
history,  literature,  and  concrete  examples 
of  the  work  with  which  they  are  particu- 
larly engaged.  Yet  it  is  only  in  very  rare 
instances  that  such  an  atmosphere,  with 

abcdefghijklmnopqrstuvwxyz 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

$1234567890 


12  Point  No.  97 J,  12  Set 

MONOTYPE  FACES 
The  best  kind  of  originality  is  that 
which  conies  after  a  sound  appren- 
ticeship; that  which  shall  prove  to 
be  the  blending  of  a  firm  conception 
of  all  useful  precedent  and  the  pro- 
gressive tendencies  of  an  able  mind. 
For,  let  a  man  be  as  able  and  original 
as  he  may,  he  cannot  afford  to  dis- 
card a  knowledge  of  what  has  gone 
before  or  what  is  now  going  on  in 
his  own  trade  and  profession.  If  the 
printers  of  today  do  not  wish  to  be 
esteemed  arrogant  when  they  term 
this  calling  of  theirs  an  art,  they 
must  be  willing,  and  show  that  they 
are  willing,  to  subject  it  to  such  laws 
as  have  made  its  sister  arts  so  free. 
All  those  who  are  concerned  in  what 

abcdefghijklmnopqrstuvwxyz 

ABCDEFGHIJKLMNOPQRSTUVW 

$1234567890 


No.  97  Electro  Display  Matrices 

14  Point  No.  97 

SIXTY  EMS  OF  PICA 

Is  the  Monotype  Measure  for  Composition.     You  can  Set  any  Job 

Within  this  Limit  in  any  Size  Type 

$1234567890 

18  Point  No.  97 

SETS  SEVEN  ALPHABETS 

Roman.  Italic  and  Boldface,  Caps  and  Lower  Case 

and  Roman  Small  Caps  at  Once 

$1234567890 


24  Point  No.  97 


THE  MATRIX  LIBRARY 


Gives  you  Quickly  the  Face  you  "Want 


WTien  you  Really  "Want  it 


$1234567890 


30  Point  No.  97 


CORRECTIONS  MADE 

By  Hand  While  the  Monotype 

Runs  on  Original  Copy 

$1234567890 


36  Point  No.  97 


No.  97K.     Job  Arrangement  C2 


Composition  Matrices 


6  Point  No.  97K,  7  Set 


MONOTYPE   FACES 

The  best  kind  of  originality  is  that  which  comes  after  a  sound 
apprenticeship;  that  which  shall  prove  to  be  the  blending  of  a 
firm  conception  of  all  useful  precedent  and  the  progressive 
tendencies  of  an  able  mind.  For,  let  a  man  be  as  able  and 
original  as  he  may,  he  cannot  afford  to  discard  knowledge  of 
what  has  gone  before  or  what  is  now  going  on  in  his  own  trade 
and  profession.  If  the  printers  of  today  do  not  wish  to  be 
esteemed  arrogant  when  they  term  this  calling  of  theirs  an  art, 
they  must  be  willing,  and  show  that  they  are  willing,  to  sub- 
ject it  to  such  laws  as  have  made  its  sister  arts  so  free.  All 
those  concerned  in  what  are  accepted  as  the  fine  arts,  the 
learned  sciences,  and  professions  surround  themselves  with  the 
history,  literature,  and  the  concrete  examples  of  the  work  with 
which  they  are  particularly  engaged.  Yet  it  is  only  in  very  rare 
instances  that  this  atmosphere,  with  its  material  appurten- 
ances, is  to  be  found  in  a  printing  office.  Art  does  not  flourish 
in  hidden  places,  nor  under  restraint,  nor  in  ignorance  of  what 
talent  and  genius  have  accomplished  and  are  accomplishing 
throughout  the  world.  For  to  follow  precedent  wisely  does 
not  mean  to  imitate  slavishly  one  great  exemplar,  but  to 
study  all  masters  faithfully,  letting  their  great  achievements 
sink  slowly  into  the  mind  in  order  that  we  may  patiently 
derive  from  the  richness  of  our  acquired  knowledge  and  organ- 
ized system  an  attitude  of  our  own.  The  sprightly  minded 
young  man,  who  with  his  first  business  breath  projects  the  new 
and  startling,  inevitably  becomes  tiresome,  and  is  driven  to  an 
early  disappearance;  while  the  slower,  more  solidly  endowed 
student  will  at  least  spend  as  much  of  his  time  in  avoiding 
mistakes  as  in  evolving  brilliant  schemes  wherewith  to  dazzle 
his  contemporaries.  The  best  kind  of  originality  is  that  which 
comes  after  a  sound  apprenticeship;  that  which  shall  prove  to 

abcdefghijklmnopqrstuvwxyz 

ABCDEFGHIJKLMNOPQRSTVVWXYZ 

$1234567890 


8  Point  No.  97K,  8£  Set 


MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  comes 
after  a  sound  apprenticeship;  that  which  shall 
prove  to  be  the  blending  of  a  firm  conception  of  all 
useful  precedent  and  the  progressive  tendencies  of 
an  able  mind.  For,  let  a  man  be  as  able  and  original 
as  he  may,  he  cannot  afford  to  discard  knowledge 
of  what  has  gone  before  or  what  is  now  going  on  in 
his  own  trade  and  profession.  If  the  printers  of 
today  do  not  wish  to  be  esteemed  arrogant  when 
they  term  this  calling  of  theirs  an  art,  they  must  be 
willing,  and  show  that  they  are  willing,  to  subject 
it  to  such  laws  as  have  made  its  sister  arts  so  free. 
All  those  concerned  in  what  are  accepted  as  the  fine 
arts,  the  learned  sciences,  and  professions  surround 
themselves  with  the  history,  literature,  and  con- 
crete examples  of  the  work  with  which  they  are 
particularly  engaged.  Yet  it  is  only  in  rare  in- 
stances that  such  an  atmosphere,  with  its  material 
appurtenances,  is  to  be  found  in  a  printing  office. 
Art  does  not  flourish  in  hidden  places,  nor  under 
restraint,  nor  in  ignorance  of  what  talent  and  genius 
have  accomplished  and  are  accomplishing  through- 
out the  world.  For  to  follow  precedent  wisely  does 
not  mean  to  imitate  slavishly  one  great  exemplar, 

abcdefghijklmnopqrstuvwxyz 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

$1234567890 


10  Point  No.  97K,  10  Set 

MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which 
comes  after  a  sound  apprenticeship;  that 
which  shall  prove  to  be  the  blending  of 
a  firm  conception  of  all  useful  precedent 
and  the  progressive  tendencies  of  an  able 
mind.  For,  let  any  man  be  as  able  and 
original  as  he  may,  he  cannot  afford  to 
discard  knowledge  of  what  has  gone  before 
or  what  is  now  going  on  in  his  own  trade 
and  profession.  If  the  printers  of  today 
do  not  wish  to  be  esteemed  too  arrogant 
when  they  term  this  calling  of  theirs  an 
art,  they  must  be  willing,  and  show  that 
they  are  willing,  to  subject  it  to  such 
laws  as  have  made  its  sister  arts  so  free. 
All  those  concerned  in  what  are  accepted 
as  the  fine  arts,  the  learned  sciences,  and 
professions  surround  themselves  with  the 
history,  literature,  and  concrete  examples 
of  the  work  with  which  they  are  particu- 
larly engaged.  Yet  it  is  only  in  very  rare 
instances  that  such  an  atmosphere,  with 

abcdefghijklmnopqrstuvwxyz 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

$1234567890 


12  Point  No.  97K,  12  Set 

MONOTYPE  FACES 
The  best  kind  of  originality  is  that 
which  comes  after  a  sound  appren- 
ticeship; that  which  shall  prove  to 
be  the  blending  of  a  firm  conception 
of  all  useful  precedent  and  the  pro- 
gressive tendencies  of  an  able  mind. 
For,  let  a  man  be  as  able  and  original 
as  he  may,  he  cannot  afford  to  dis- 
card a  knowledge  of  what  has  gone 
before  or  what  is  now  going  on  in 
his  own  trade  and  profession.  If  the 
printers  of  today  do  not  wish  to  be 
esteemed  arrogant  when  they  term 
this  calling  of  theirs  an  art,  they 
must  be  willing,  and  show  that  they 
are  willing,  to  subject  it  to  such  laws 
as  have  made  its  sister  arts  so  free. 
All  those  who  are  concerned  in  what 

abcdefghijklmnopqrstuvwxyz 

ABCDEFGHIJKLMNOPQRSTUVW 

$1234567890 


No.  971  Electro-Display  Matrices 

14  Point  No.  971 

OUR  TYPE  &  RULE  CASTER 

will  Produce  one-third  More  Pounds  of  Type,  Spaces  and  Quads 

per  Hour  than  any  Other  Type  Caster 

$1234567890 


18  Point  No.  971 


TYPE  THAT  IS  NEW 


When  Placed  in  the  Cases  will  Mean  Less  Trouble 


for  Compositors  and  Pressmen 


$1234567890 


24  Point  No.  971 


READING  MATTER 

Composed  with  Single  Letters  is  read 

with  less  Conscious  Effort 

$1234567890 


30  Point  No.  971 


MAKE  YOUR 

Hand  Compositors  as  Efficient 

as  Machine  Operators 

$1234567890 


36  Point  No".  971 


SINGLE  TYPES 

Have  a  Prideful  Ancestry 

$1234567890 


No.  98J.     Book  Arrangement  C 


6  Point  No.  98J,  ?i  Set 

MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  conies  after  a  sound  ap- 
prenticeship; that  which  shall  prove  to  be  the  blending  of  a  firm 
conception  of  all  useful  precedent  and  the  progressive  tendencies  of 
an  able  mind.  For,  let  a  man  be  as  able  and  original  as  he  may, 
he  cannot  afford  to  discard  knowledge  of  what  has  gone  before  or 
what  is  now  going  on  in  his  own  trade  and  profession.  If  the 
printers  of  today  do  not  wish  to  be  esteemed  arrogant  when  they 
term  this  calling  of  theirs  an  art,  they  must  be  willing,  and  show 
that  they  are  willing,  to  subject  it  to  such  laws  as  have  made  its 
sister  arts  so  free.  All  those  concerned  in  what  are  accepted  as  the 
fine  arts,  the  learned  sciences  and  professions,  surround  themselves 
with  the  history,  the  literature,  and  concrete  examples  of  the  work 
with  which  they  are  particularly  engaged.  Yet  it  is  only  in  rare 
instances  that  such  an  atmosphere,  with  its  material  appurtenances, 
is  to  be  found  in  a  printing  office.  Art  does  not  nourish  in  hid- 
den places,  nor  under  restraint,  nor  in  ignorance  of  what  talent 
and  genius  have  accomplished  and  are  accomplishing  throughout 
the  world.  For  to  follow  precedent  wisely  does  not  mean  to  imitate 
slavishly  one  great  exemplar,  but  to  study  all  masters  faithfully, 

abcdefghijklmnopqrstuvwxyz 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

$1234567890 


8  Point  No.  98J,  8£  Set 


MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  conies  after  a 
sound  apprenticeship;  that  which  shall  prove  to  be  the 
blending  of  a  firm  conception  of  all  useful  precedent  and 
the  progressive  tendencies  of  an  able  mind.  For,  let  a 
man  be  as  able  and  original  as  he  may,  he  cannot  afford 
to  discard  knowledge  of  what  has  gone  before  or  what  is 
now  going  on  in  his  own  trade  and  profession.  If  the 
printers  of  today  do  not  wish  to  be  esteemed  arrogant 
when  they  term  this  calling  of  theirs  an  art,  they  must  be 
willing,  and  show  that  they  are  willing,  to  subject  it  to 
such  laws  as  have  made  its  sister  arts  so  free.  All  those 
concerned  in  what  are  accepted  as  the  fine  arts,  the  learned 
sciences  and  the  professions,  surround  themselves  with  the 

abcdef ghi  j  klmnopqrstuvwxy  z 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

$1234567890 


9  Point  No.  98J,  9  Set 

MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  comes  after 
a  sound  apprenticeship;  that  which  shall  prove  to  be 
the  blending  of  a  firm  conception  of  all  useful  precedent 
and  the  progressive  tendencies  of  an  able  mind.  For, 
let  a  man  be  as  able  and  original  as  he  may,  he  cannot 
afford  to  discard  knowledge  of  what  has  gone  before  or 
what  is  now  going  on  in  his  own  trade  and  profession. 
If  the  printers  of  today  do  not  wish  to  be  esteemed 
arrogant  when  they  term  this  calling  of  theirs  an  art, 
they  must  be  willing,  and  show  that  they  are  willing, 
to  subject  it  to  such  laws  as  have  made  its  sister  arts 

abcdefghijklmnopqrstuvwxyz 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

$1234567890 


Composition  Matrices 

10  Point  No.  98J,  10£  Set 

MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  comes 
after  a  sound  apprenticeship;  that  which  shall 
prove  to  be  the  blending  of  a  firm  conception 
of  all  useful  precedent  and  the  progressive  ten- 
dencies of  an  able  mind.  For,  let  a  man  be  as 
able  and  original  as  he  may,  he  cannot  afford 
to  discard  knowledge  of  what  has  gone  before 
or  what  is  now  going  on  in  his  own  trade  and 
profession.  If  the  printers  of  today  do  not  wish 
to  be  esteemed  arrogant  when  they  term  this 
calling  of  theirs  an  art,  they  must  be  willing, 
and  show  that  they  are  willing,  to  subject  it  to 
such  laws  as  have  made  its  sister  arts  so  free. 
All  those  concerned  in  what  are  accepted  as  the 
fine  arts,  the  learned  sciences  and  professions, 
surround  themselves  with  the  history,  literature, 
and  concrete  examples  of  the  work  with  which 
they  are  particularly  engaged.  Yet  it  is  only  in 
very  rare  instances  that  such  an  atmosphere,  with 
its  material  appurtenances,  is  to  be  found  in  a 

abcdef  ghi  j  klmnopqrstuvwxyz 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

$1234567890 


12  Point  No.  98J,  12  Set 

MONOTYPE  FACES 
The  best  kind  of  originality  is  that  which 
comes  after  a  sound  apprenticeship;  that 
which  shall  prove  to  be  the  blending  of 
a  firm  conception  of  all  useful  precedent 
and  the  progressive  tendencies  of  an  able 
mind.  For,  let  any  man  be  as  able  and 
original  as  he  may,  he  cannot  afford  to 
discard  knowledge  of  what  has  gone  be- 
fore or  what  is  now  going  on  in  his  own 
trade  and  profession.  If  the  printers  of 
today  do  not  wish  to  be  esteemed  arro- 
gant when  they  term  this  calling  of  theirs 
an  art,  they  must  be  willing,  and  show 
that  they  are  willing,  to  subject  it  to  such 
laws  as  have  made  its  sister  arts  so  free. 
All  those  concerned  in  what  are  accepted 
as  the  fine  arts,  the  learned  sciences  and 

abcdefghijklmnopqrstuvwxyz 

ABCDEFGHIJKLMNOPQRSTUVW 

$1234567890 


No.  98  Electro  Display  Matrices 

14  Point  No.  98 

THE  MONOTYPE  WILL  ALLOW  DUPLICATION 
Of  Forms  for  Long  Runs  without  Loss  of  Time  for  Electrotyping  or 

Resetting  the  Job  by  Hand 
$1234567890 

18  Point  No.  98 

NO  MACHINE  THE  PRINTER  USES 
Will  Save  as  Much  Time  and  Money  as  the  Monotype. 

It  Produces  all  the  Time 
$1234567890 

24  Point  No.  98 

EACH  TYPE  CAST 

Separately,  like  Foundry  Type,  and 

with  Greater  Accuracy 

$1234567890 


30  Point  No.  98 


ALL  PROGRESSIVE 

Printers  use  a  Versatile  Monotype 

for  all  kinds  of  work 

$1234567890 


36  Point  No.  98 


TABULAR  MATTER 
Composed  like  plain  matter 

$1234567890 


No.  98K.     Job  Arrangement  C2 


Composition  Matrices 


6  Point  No.  98K,  7  Set 


10  Point  No.  98K,  10  Set 


MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  comes  after  a  sound 
apprenticeship;  that  which  shall  prove  to  be  the  blending  of 
a  firm  conception  of  all  useful  precedent  and  the  progressive 
tendencies  of  an  able  mind.  For,  let  a  man  be  as  able  and 
original  as  he  may,  he  cannot  afford  to  discard  knowledge  of 
what  has  gone  before  or  what  is  now  going  on  in  his  own  trade 
or  his  profession.  If  the  printers  of  today  do  not  wish  to  be 
esteemed  arrogant  when  they  term  this  calling  of  theirs  an  art, 
they  must  be  willing,  and  show  that  they  are  willing,  to  sub- 
ject it  to  such  laws  as  have  made  its  sister  arts  so  free.  All 
those  concerned  in  what  are  accepted  as  the  fine  arts,  the 
learned  sciences,  and  professions  surround  themselves  with  the 
history,  the  literature,  and  concrete  examples  of  the  work  with 
which  they  are  particularly  engaged.  Yet  it  is  only  in  very  rare 
instances  that  such  an  atmosphere,  with  its  material  appurten- 
ances, is  to  be  found  in  a  printing  office.  Art  does  not  flourish 
in  hidden  places,  nor  under  restraint,  nor  in  ignorance  of  what 
talent  and  genius  have  accomplished  and  are  accomplishing 
throughout  the  world.  For  to  follow  all  precedent  wisely  does 

abcdefghijklmnopqrstuvwxyz 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

$1234567890 


8  Point  No.  98K,  8i  Set 

MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  comes 
after  a  thorough  apprenticeship;  that  which  shall 
prove  to  be  the  blending  of  a  firm  conception  of  all 
useful  precedent  and  the  progressive  tendencies  of 
an  able  mind.  For,  let  a  man  be  as  able  and  original 
as  he  may,  he  cannot  afford  to  discard  knowledge 
of  what  has  gone  before  or  what  is  now  going  on  in 
his  own  trade  or  his  profession.  If  the  printers  of 
today  do  not  wish  to  be  esteemed  arrogant  when 
they  term  this  calling  of  theirs  an  art,  they  must  be 
willing,  and  show  that  they  are  willing,  to  subject 
it  to  such  laws  as  have  made  its  sister  arts  so  free. 
All  those  concerned  in  what  are  accepted  as  the  fine 
arts,  the  learned  sciences,  and  professions,  surround 

abcdefghijklmnopqrstuvwxyz 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

$1234567890 


9  Point  No.  98K,  9  Set 

MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  comes 
after  a  sound  apprenticeship;  that  which  shall 
prove  to  be  the  blending  of  a  firm  conception  of 
all  useful  precedent  and  of  the  progressive  ten- 
dencies of  an  able  mind.  For,  let  a  man  be  as 
able  and  original  as  he  may,  he  cannot  afford  to 
discard  knowledge  of  what  has  gone  before  or 
what  is  now  going  on  in  his  own  trade  and  pro- 
fession. If  the  printers  of  today  do  not  wish  to 
be  esteemed  arrogant  when  they  term  this  calling 
of  theirs  an  art,  they  must  be  willing,  and  show 
that  they  are  willing,  to  subject  it  to  such  laws 

abcdefghijklmnopqrstuvwxyz 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

$1234567890 


MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which 
comes  after  a  thorough  apprenticeship;  that 
which  shall  prove  to  be  the  blending  of  a 
firm  conception  of  all  useful  precedent  and 
the  progressive  tendencies  of  an  able  mind. 
For,  let  a  man  be  as  able  and  original  as  he 
may,  he  cannot  afford  to  discard  knowledge 
of  what  has  gone  before  or  what  is  now  going 
on  in  his  own  trade  and  profession.  If  the 
printers  of  today  do  not  wish  to  be  esteemed 
too  arrogant  when  they  term  this  calling  of 
theirs  an  art,  they  must  be  willing,  and  show 
that  they  are  willing,  to  subject  it  to  such 
laws  as  have  made  its  sister  arts  so  free.  All 
those  concerned  in  what  are  accepted  as  the 
fine  arts,  the  learned  sciences,  and  profes- 
sions surround  themselves  with  the  history, 
literature,  and  concrete  examples  of  the  work 
with  which  they  are  particularly  engaged. 
Yet  it  is  only  in  rare  instances  that  such  an 

abcdefghijklmnopqrstuvwxyz 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

$1234567890 


12  Point  No.  98K,  12  Set 

MONOTYPE  FACES 
The  best  kind  of  originality  is  that 
which  comes  after  a  sound  appren- 
ticeship; that  which  shall  prove  to 
be  the  blending  of  a  firm  conception 
of  all  useful  precedent  and  the  pro- 
gressive tendencies  of  an  able  mind. 
For,  let  a  man  be  as  able  and  original 
as  he  may,  he  cannot  afford  to  dis- 
card a  knowledge  of  what  has  gone 
before  or  what  is  now  going  on  in 
his  own  trade  and  profession.  If  the 
printers  of  today  do  not  wish  to  be 
esteemed  arrogant  when  they  term 
this  calling  of  theirs  an  art,  they 
must  be  willing,  and  show  that  they 
are  willing,  to  subject  it  to  such  laws 
as  have  made  its  sister  arts  so  free. 

abcdefghijklmnopqrstuvwxyz 

ABCDEFGHIJKLMNOPQRSTUVW 

$1234567890 


No.  981  Electro-Display  Matrices 

14  Point  No.  981 

PARTIAL   USE  OF  THE  MONOTYPE 

System  for  Composition,  -without  Type  and  Rule  Sort  Casting, 

'will  give  only  Partial  Benefits 
$1234567890 

18  Point  No.  981 

HUNDREDS  OF  MONOTYPE 
Lead  and  Rule  Attachments  now  supply  Printers 

with  Necessary  Material 
$1234567890 

24  Point  No.  981 

ALL  MONOTYPES 

Are  Cutting  Composing  Room  Costs 

and  Increasing  Profits 

$1234567890 


30  Point  No.  981 


THE  MONOTYPE 

Keyboard  is  as  Easy  to  Learn 
as  any  Typewriter 

$1234567890 


36  Point  No.  981 


No.  298J.     Job  Arrangement  C4 
Composition  Matrices 


MONOTYPE  FACES 

THE  BEST  KIND  OF  ORIGINALITY  IS  THAT 
WHICH  COMES  AFTER  A  SOUND  APPRENTICE- 
SHIP; THAT  WHICH  SHALL  PROVE  TO  BE  THE 
BLENDING  OF  A  FIRM  CONCEPTION  OF  ALL 
USEFUL  PRECEDENT  AND  THE  PROGRESSIVE 
TENDENCIES  OF  AN  ABLE  MIND.  FOR,  LET  A 
MAN  BE  AS  ABLE  AND  ORIGINAL  AS  HE  MAY, 
HE  CANNOT  AFFORD  TO  DISCARD  KNOWLEDGE 
OF  WHAT  HAS  GONE  BEFORE  OR  WHAT  IS  NOW 
GOING  ON  IN  HIS  OWN  TRADE  AND  PROFES- 
SION. IF  THE  PRINTERS  OF  TODAY  DO  NOT 
WISH  TO  BE  ESTEEMED  ARROGANT  WHEN  THEY 
TERM  THIS  CALLING  OF  THEIRS  AN  ART,  THEY 
MUST  BE  WILLING,  AND  SHOW  THAT  THEY  ARE 
WILLING,  TO  SUBJECT  IT  TO  SUCH  LAWS  AS 
HAVE  MADE  ITS  SISTER  ARTS  SO  FREE.  ALL 
THOSE  CONCERNED  IN  WHAT  ARE  ACCEPTED 
AS  THE  FINE  ARTS,  THE  LEARNED  SCIENCES 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 
$1234567890 


12  Point  No.  298J,  10  Set 

MONOTYPE  FACES 

THE  BEST  KIND  OF  ORIGINALITY  IS  THAT 
WHICH  COMES  AFTER  A  SOUND  APPRENTICE- 
SHIP; THAT  WHICH  SHALL  PROVE  TO  BE  THE 
BLENDING  OF  A  FIRM  CONCEPTION  OF  ALL 
USEFUL  PRECEDENT  AND  THE  PROGRESSIVE 
TENDENCIES  OF  AN  ABLE  MIND.  FOR,  LET  A 
MAN  BE  AS  ABLE  AND  ORIGINAL  AS  HE  MAY, 
HE  CANNOT  AFFORD  TO  DISCARD  KNOWLEDGE 
OF  WHAT  HAS  GONE  BEFORE  OR  WHAT  IS  NOW 
GOING  ON  IN  HIS  OWN  TRADE  AND  PROFES- 
SION. IF  THE  PRINTERS  OF  TODAY  DO  NOT 
WISH  TO  BE  ESTEEMED  ARROGANT  WHEN  THEY 
TERM  THIS  CALLING  OF  THEIRS  AN  ART,  THEY 
MUST  BE  WILLING,  AND  SHOW  THAT  THEY  ARE 
WILLING,  TO  SUBJECT  IT  TO  SUCH  LAWS  AS 
HAVE  MADE  ITS  SISTER  ARTS  SO  FREE.  ALL 
THOSE  CONCERNED  IN  WHAT  ARE  ACCEPTED 
AS  THE  FINE  ARTS,  THE  LEARNED  SCIENCES 
AND  THE  PROFESSIONS,  SURROUND  THEM- 
SELVES WITH  THE  HISTORY,  LITERATURE,  AND 
THE  CONCRETE  EXAMPLES  OF  THE  WORK  WITH 


Ems  A  to  Z  13.66 


Words  to  Pica  .29 


NOTB:  The  figures  and  dollar  mark  are  symboled  12  point  No  98J 


No.  298  Sorts  Matrices 

14  Point  No.  298 

NEW  COLUMN  RULE  CAN  BE  CAST 

ON  THE  MONOTYPE  TYPE-&-RULE  CASTER  IN  JUST  THE  LENGTH  AND  QUANTITY 
YOU  DESIRE;  ALSO  BORDER,  RULES,  LEADS  AND  SLUGS 

$1234567890 

18  Point  No.  298 

MAKE  YOUR  OWN  TYPE 

FOR  THE  NON-DISTRIBUTION  WAY  IS  THE  EASIEST  WAY 

TO  OBTAIN  GOOD  TYPOGRAPHY 

$1234567890 

24  Point  No.   298 

NON-DISTRIBUTION 
GREATEST  PROFIT  MAKING  SYSTEM 

EVER  OFFERED 
$1234567890 


30  Point  No.  298 


WISE  PRINTERS 

CUT  COMPOSING  ROOM  COSTS 

AND  INCREASE  PROFITS 

$1234567890 


36  Point  No.  298 


THIS  SERIES 

CONTAINS  CAPS  &  POINTS 

$1234567890 

The  figures  shown  abotfe,  with  the  No.  298  series,  are  the  same  as  used  with  our  No.  98  series. 


No.  104  Electro  Display  Matrices 

18  Point  No.  104 

ADDING  FACES  EVERY  WEEK 

TO  KEEP  THE  MONOTYPE  EQUIPMENT  UP  TO  THE 

MINUTE  WITH  UP-TO-DATE  FACES 

$1234567890 


20  Point  No.  104 


A  CONVERTIBLE  MACHINE 
FROM  A  TYPE  CASTER  TO  A  COMPOSING 

MACHINE 
$1234567890 


24  Point  No.  104 


YOUR  INVESTMENT 
PROTECTED  BY  THIS  CONVERTIBLE 

FEATURE 
$1234567890 


No.  117J.     Job  Arrangement  Cl 


Composition  Matrices 


6  Point  No.  1173,7  Set 


8  Point  No.  117J,  8J  Set 


MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  comes  after  a  sound  appren- 
ticeship; that  which  shall  prove  itself  to  be  the  blending  of  a  firm  con- 
ception of  useful  precedent  and  the  progressive  tendencies  of  an  able 
mind.  For,  let  a  man  be  as  able  and  original  as  he  may,  he  cannot 
afford  to  discard  knowledge  of  what  has  gone  before  or  what  is  now 
going  on  in  his  own  trade  and  profession.  If  the  printers  of  today  do 
not  wish  to  be  esteemed  arrogant  when  they  term  this  calling  of  theirs 
an  art,  they  must  be  willing,  and  show  that  they  are  willing,  to  subject 
it  to  such  laws  as  have  made  its  sister  arts  so  free.  All  those  con- 
cerned in  what  are  accepted  as  the  fine  arts,  the  learned  sciences,  and 
professions  surround  themselves  with  the  history,  literature,  and  con- 
crete examples  of  the  work  with  which  they  are  particularly  engaged. 
Yet  it  is  only  in  rare  instances  that  such  an  atmosphere,  with  its  ma- 
terial appurtenances,  is  to  be  found  in  a  printing  office.  Art  does  not 
flourish  in  hidden  places,  nor  under  restraint,  nor  in  ignorance  of  what 
talent  and  genius  have  accomplished  and  are  accomplishing  throughout 
the  world.  For  to  follow  precedent  wisely  does  not  mean  to  imitate 
slavishly  one  great  exemplar,  but  to  study  all  masters  faithfully,  letting 
their  great  achievements  sink  slowly  into  the  mind  in  order  that  we 
may  patiently  derive  from  the  richness  of  our  acquired  knowledge  and 
organized  system  an  attitude  of  our  own.  The  sprightly  minded  young 
man,  who  with  his  first  business  breath  projects  the  new  and  startling, 
inevitably  becomes  tiresome,  and  is  driven  to  an  early  disappearance; 
while  the  slower,  more  solidly  endowed  student  will  at  least  spend  as 
much  of  his  time  in  avoiding  mistakes  as  in  evolving  brilliant  schemes 
wherewith  to  dazzle  his  contemporaries.  The  best  kind  of  originality 
is  that  which  comes  after  a  sound  apprenticeship;  that  which  shall  prove 
to  be  the  blending  of  a  firm  conception  of  all  useful  precedent  and  the 
progressive  tendencies  of  an  able  mind.  For,  let  a  man  be  as  able  and 
original  as  he  may,  he  cannot  afford  to  discard  knowledge  of  what  has 
gone  before  or  what  is  now  going  on  in  his  own  trade  and  profession. 

abcdefghijklmnopqrstuvwxyz 
ABCDEFGH1 J  KLMNOPQRSTUVWXYZ 

$1234567890 
Ems  a  to  z  14.78  Words  to  Pica  .60 


MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  comes  after  a 
sound  apprenticeship;  that  which  shall  prove  to  be  the 
blending  of  a  firm  conception  of  all  useful  precedent  and 
the  progressive  tendencies  of  an  able  mind.  For,  let  a 
man  be  as  able  and  original  as  he  may,  he  cannot  afford 
to  discard  knowledge  of  what  has  gone  before  or  what 
is  now  going  on  in  his  own  trade  and  profession.  Jf  the 
printers  of  today  do  not  wish  to  be  esteemed  arrogant 
when  they  term  this  calling  of  theirs  an  art,  they  must  be 
willing,  and  show  that  they  are  willing,  to  subject  it  to 
such  laws  as  have  made  its  sister  arts  so  free.  All  those 
concerned  in  what  are  accepted  as  the  fine  arts,  the  learned 
sciences,  and  professions  surround  themselves  with  the 
history,  the  literature,  and  concrete  examples  of  the  work 
with  which  they  may  be  particularly  engaged.  Yet  it  is 
only  in  rare  instances  that  such  an  atmosphere,  with  its 
material  appurtenances,  is  to  be  found  in  a  printing  office. 
Art  does  not  flourish  in  hidden  places,  nor  under  restraint, 
nor  in  ignorance  of  what  talent  and  genius  have  accom- 
plished and  are  now  accomplishing  throughout  the  world. 
For  to  follow  precedent  wisely  does  not  mean  to  imitate 
slavishly  one  great  exemplar,  but  to  study  all  the  masters 
faithfully,  letting  their  great  achievements  sink  slowly  into 
the  mind  in  order  that  we  may  patiently  derive  from  the 

abcdefghijklmnopqrstuvwxyz 
ABCDEFGHIJKLMNOPQRSTUVWXYZ 

$1234567890 
Ems  a  to  z  13.45  Words  to  Pica  .50 


10  Point  No.  117J,  10  Set 

MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  comes 
after  a  sound  apprenticeship;  that  which  shall 
prove  to  be  the  blending  of  a  firm  conception 
of  all  useful  precedent  and  the  progressive  ten- 
dencies of  an  able  mind.  For,  let  a  man  be  as 
able  and  original  as  he  may,  he  cannot  afford 
to  discard  knowledge  of  what  has  gone  before 
or  what  is  now  going  on  in  his  own  trade  and 
profession.  If  the  printers  of  today  do  not  wish 
to  be  esteemed  arrogant  when  they  term  this 
calling  of  theirs  an  art,  they  must  be  willing, 
and  show  that  they  are  willing,  to  subject  it  to 
such  laws  as  have  made  its  sister  arts  so  free. 
All  those  concerned  in  what  are  accepted  as  the 
fine  arts,  the  learned  sciences,  and  professions 
surround  themselves  with  the  history,  literature, 
and  concrete  examples  of  the  work  with  which 
they  are  particularly  engaged.  Yet  it  is  only  in 
rare  instances  that  such  an  atmosphere,  with  its 
material  appurtenances,  is  to  be  found  in  a  print- 
ing office.  Art  does  not  flourish  in  hidden  places, 
nor  under  restraint,  nor  even  in  ignorance  of  what 

abcdefghijklmnopqrstuvwxyz 
ABCDEFGHI J  KLMNOPQRSTUVWXYZ 

$1234567890 

Ems  a  to  z  12.66  Words  to  Pica  .42 


12  Point  No.  117J,  12  Set 

MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which 
comes  after  a  sound  apprenticeship ;  that 
which  shall  prove  to  be  the  blending  of 
a  firm  conception  of  all  useful  precedent 
and  the  progressive  tendencies  of  an  able 
mind.  For,  let  any  man  be  as  able  and 
original  as  he  may,  he  cannot  afford  to 
discard  knowledge  of  what  has  gone  be- 
fore or  what  is  now  going  on  in  his  own 
trade  and  profession.  If  the  printers  of 
today  do  not  wish  to  be  esteemed  arro- 
gant when  they  term  this  calling  of  theirs 
an  art,  they  must  be  willing,  and  show  that 
they  are  willing,  to  subject  it  to  such  laws 
as  have  made  its  sister  arts  so  free.  All 
those  concerned  in  what  are  accepted  as 
the  fine  arts,  the  learned  sciences,  and  the 
professions,  surround  themselves  with  the 

abcdefghijklmnopqrstuvwxyz 
ABCDEFGH1 J  KLMNOPQRSTUVW 

$1234567890 

Ems  a  to  z  12.66  Words  to  Pica  .35 


No.  117  Sorts  Matrices 

14  Point  No.  117 

THERE  IS  A  BIG  DIFFERENCE 

Between  the  Actual  Cost  and  the  Selling  Price  of  Monotype  Composition 

Quality  Certainly  Pays  Handsomely 
$1234567890 


18  Point  No.  117 

THE  CELLULAR  MATRIX 

The  most  Radical  and  the  most  Costly  Improvement  Ever 

Made  in  Composing  Machinery 

$1234567890 

24  Point  No.  117 

THE  QUALITY  MACHINE 

That  Pleases  Quality  Customers  and  Keeps 

Cost  Down  and  Price  Up 

$1234567890 


30  Point  No.  117 


ATTRACTIVE  FACES 

Infinite  Variety  and  Artistic  Design 

Producing  Work  that  Sells 

$1234567890 


36  Point  No.  117 


LOW  QUAD  MOLD 
Saves  Time  in  Press  Room 

$1234567890 


No.  13  9 J.     Job  Arrangement  Cl 
Composition  Matrices 

6  Point  No.  139J,  6|  Set  8  Point  No.  139J,  8  Set 


MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  comes  after  a  sound  apprentice- 
ship; that  which  shall  prove  to  be  the  blending  of  a  firm  conception  of  all 
useful  precedent  and  the  progressive  tendencies  of  an  able  mind.  For, 
let  a  man  be  as  able  and  original  as  he  may  he  cannot  afford  to  discard 
knowledge  of  what  has  gone  before  or  what  is  now  going  on  in  his  own  trade 
and  profession.  If  the  printers  of  today  do  not  wish  to  be  esteemed  arro- 
gant when  they  they  term  this  calling  of  theirs  an  art,  they  must  be  willing, 
and  show  that  they  are  willing,  to  subject  it  to  such  laws  as  have  made 
its  sister  arts  so  free.  All  those  concerned  in  what  are  accepted  as  the  fine 
arts,  the  learned  sciences,  and  professions  surround  themselves  with  the 
history,  literature,  and  concrete  examples  of  the  work  with  which  they 
are  particularly  engaged.  Yet  it  is  only  in  rare  instances  that  such  an 
atmosphere,  with  its  material  appurtenances,  is  to  be  found  in  a  printing 
office.  Art  does  not  flourish  in  hidden  places,  nor  under  restraint,  nor  in 
ignorance  of  what  talent  and  genius  have  accomplished  and  are  accom- 
plishing throughout  the  world.  For  to  follow  precedent  wisely  does  not 
mean  to  imitate  slavishly  one  great  exemplar,  but  to  study  all  masters 
faithfully,  letting  their  great  achievements  sink  slowly  into  the  mind  in 
order  that  we  may  patiently  derive  from  the  richness  of  our  acquired  knowl- 
edge and  organized  system  an  attitude  of  our  own.  The  sprightly  minded 
young  man,  who  with  his  first  business  breath  projects  the  new  and  start- 
ling, inevitably  becomes  tiresome  and  is  driven  to  an  early  disappearance; 
while  the  slower,  more  solidly  endowed  student  will  at  least  spend  as  much 
of  his  time  in  avoiding  mistakes  as  in  evolving  brilliant  schemes  wherewith 
to  dazzle  his  contemporaries.  The  best  kind  of  originality  is  that  which 
comes  after  a  sound  apprenticeship;  that  which  shall  prove  to  be  the  blend- 
ing of  a  firm  conception  of  all  useful  precedent  and  the  progressive  tendencies 
of  an  able  mind.  For,  let  a  man  be  as  able  and  original  as  he  may,  he 
cannot  afford  to  discard  knowledge  of  what  has  gone  before  or  what  is 
now  going  on  in  his  own  trade  and  profession.  If  the  printers  of  today 
do  not  wish  to  be  esteemed  arrogant  when  they  term  this  calling  of  theirs 

abcdefghijklmnopqrstuvwxyz 

ABCDEFGHLJKLMNOPQRSTUVWXYZ 

$123456r890 


MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  comes  after  a  sound 
apprenticeship;  that  which  shall  prove  itself  to  be  the  blend- 
ing of  a  firm  conception  of  useful  precedent  and  the  progressive 
tendencies  of  an  able  mind.  For,  let  a  man  be  as  able  and 
original  as  he  may,  he  cannot  afford  to  discard  knowledge  of 
what  has  gone  before  or  what  is  now  going  on  in  his  own  trade 
and  profession.  If  the  printers  of  today  do  not  wish  to  be 
esteemed  arrogant  when  they  term  this  calling  of  theirs  an 
art,  they  must  be  willing,  and  show  that  they  are  willing,  to 
subject  it  to  such  laws  as  have  made  its  sister  arts  so  free. 
All  those  concerned  in  what  are  accepted  as  the  fine  arts,  the 
learned  sciences,  and  professions  surround  themselves  with 
the  history,  literature,  and  concrete  examples  of  the  work 
with  which  they  are  particularly  engaged.  Yet  it  is  only  in 
rare  instances  that  such  an  atmosphere,  with  its  material 
appurtenances,  is  to  be  found  in  a  printing  office.  Art  does 
not  flourish  in  hidden  places,  nor  under  restraint,  nor  in 
ignorance  of  what  talent  and  genius  have  accomplished  and 
are  accomplishing  throughout  the  world.  For  to  follow  pre- 
cedent wisely  does  not  mean  to  imitate  slavishly  one  great 
exemplar,  but  to  study  all  the  masters  faithfully,  letting  their 
great  achievements  sink  slowly  into  the  mind  in  order  that  we 
may  patiently  derive  from  the  richness  of  our  acquired  knowl- 
edge and  organized  system  an  attitude  of  our  own.  The  very 

abcdefghij  klmnopqrstuvwxyz 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

$1234567890 


10  Point  No.  139J,  9|  Set 

MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  comes 
after  a  sound  apprenticeship;  that  which  shall 
prove  to  be  the  blending  of  a  firm  conception  of  all 
useful  precedent  and  the  progressive  tendencies  of 
an  able  mind.  For,  let  a  man  be  as  able  and  origi- 
nal as  he  may,  he  cannot  afford  to  discard  knowledge 
of  what  has  gone  before  or  what  is  now  going  on  in 
his  own  trade  and  profession.  If  the  printers  of 
today  do  not  wish  to  be  esteemed  arrogant  when 
they  term  this  calling  of  theirs  an  art,  they  must  be 
willing,  and  show  that  they  are  willing,  to  subject  it 
to  such  laws  as  have  made  its  sister  arts  so  free. 
All  those  concerned  in  what  are  accepted  as  the 
fine  arts,  the  learned  sciences,  and  professions  sur- 
round themselves  with  the  history,  literature,  and 
concrete  examples  of  the  work  with  which  they  are 
particularly  engaged.  Yet  it  is  only  in  rare  instances 
that  such  an  atmosphere,  with  its  material  appur- 
tenances, is  to  be  found  in  a  printing  office.  Art 
does  not  flourish  in  hidden  places,  nor  under  re- 
straint, nor  even  in  ignorance  of  what  talent  and 
genius  have  accomplished  and  are  accomplishing 

abcdefghijklmnopqrstuvwxyz 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

$1234567890 


12  Point  No.  139J,  11  Set 

MONOTYPE  FACES 

The  very  best  kind  of  originality  is  that  which 
comes  after  a  thorough  apprenticeship;  that 
which  shall  prove  itself  to  be  the  blending  of 
a  firm  conception  of  all  useful  precedent  and 
the  progressive  tendencies  of  an  able  mind. 
For,  let  a  man  be  as  able  and  original  as  he 
may,  he  cannot  afford  to  discard  knowledge 
of  what  has  gone  before  or  what  is  now  going 
on  in  his  own  trade  and  profession.  If  the 
printers  of  today  do  not  wish  to  be  esteemed 
arrogant  when  they  term  this  calling  of  theirs 
an  art,  they  must  be  willing,  and  show  that 
they  are  willing,  to  subject  it  to  such  laws  as 
have  made  its  sister  arts  so  free.  All  those 
concerned  in  what  are  accepted  as  the  fine 
arts,  the  learned  sciences,  and  the  professions 
surround  themselves  with  the  history,  litera- 
ture, and  concrete  examples  of  the  work  with 

abcdefghijklmnopqrstuvwxyz 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

$123456r890 


No.  139  Electro  Display  Matrices 

24  Point  No.  139 

MONOTYPE   RELIABILITY 

The  Machine  That  is  Equal  to  the  Most  Exacting 
Typographical  Requirements 

$123456r890 


30  Point  No.  139 


OUR  MONOTYPE  MATRIX 

Will  Cast  Figures  as  Large  as  36  Point 

and  in  Justified  Lines 

$1234567890 


36  Point  No.  139 


FOR  MORE  PROFIT 

Always  Use  Monotype  Composition 

$1234567890 


NOTE:  The  capitals  R,  M,  and  O  in  the  above  series  are  made  in  two  styles.     Both  styles  are  included  in  the  fonts. 

Minimum  fonts  contain  75  matrices. 


No.  142J.     Job  Arrangement  C2 


Composition  Matrices 


Point  No.  142J,  7J  Set 


MONOTYPE  FACES 

The  hest  kind  of  originality  Is  that  which  conies  after  a  sound 
apprenticeship;  that  which  shall  prove  to  be  the  blending  of 
a  firm  conception  of  all  useful  precedent  and  the  progressive 
tendencies  of  an  able  mind.  For,  let  a  man  be  as  able  and 
original  as  he  may,  he  cannot  afford  to  discard  knowledge  of 
what  has  gone  before  or  what  Is  now  going  on  In  his  own  trade 
and  profession.  If  the  printers  of  today  do  not  wish  to  be 
esteemed  arrogant  when  they  term  this  calling  of  theirs  an 
art,  they  must  be  willing,  and  show  that  they  are  willing,  to 
subject  it  to  such  laws  as  have  made  Its  sister  arts  so  free. 
All  those  concerned  in  what  are  accepted  as  the  fine  arts,  the 
learned  sciences,  and  professions  surround  themselves  with 
the  history,  the  literature,  and  concrete  examples  of  the  work 

abcdefghijklmnopqrstuvwxyz 
ABCDEFGHIJKLMNOPQRSTUVWXYZ 

$1234567890 


6  Point  No.  142 J,  7|  Set 


MONOTYPE  FACES 

The  best  kind  of  originality  Is  that  which  comes  after  a 
sound  apprenticeship;  that  which  shall  prove  to  be  the 
blending  of  a  firm  conception  of  all  useful  precedent  and 
the  progressive  tendencies  of  an  able  mind.  For,  let  any 
man  be  as  able  and  original  as  he  may,  he  cannot  afford 
to  discard  knowledge  of  what  has  gone  before  or  what  Is 
now  going  on  In  his  own  trade  and  profession.  If  the 
printers  of  today  do  not  wish  to  be  esteemed  arrogant 
when  they  term  this  calling  of  theirs  an  art,  they  must 
be  willing,  and  show  that  they  are  willing,  to  subject  It 
to  such  laws  as  have  made  Its  sister  arts  so  free.  All 
those  concerned  In  what  are  accepted  as  the  nne  arts,  the 

abcdefghllklmnopqrstuvwxyz 
ABCDEFGHIJKLMNOPQRSTUVWXYZ 

$1234567890 


8  Point  No.  142J,  9^  Set 

MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  comes 
after  a  sound  apprenticeship;  that  which  shall 
prove  to  be  the  blending  of  a  firm  conception  of 
all  useful  precedent  and  the  progressive  ten- 
dencies of  an  able  mind.  For,  let  a  man  be  as 
able  and  original  as  he  may,  he  cannot  afford  to 
discard  knowledge  of  what  has  gone  before  or 
what  is  now  going  on  in  his  own  trade  and  pro- 
fession. If  the  printers  of  today  do  not  wish  to 
be  esteemed  arrogant  when  they  term  this  call- 
Ing  of  theirs  an  art,  they  must  be  willing,  and 
show  that  they  are  willing,  to  subject  It  to  such 
laws  as  have  made  its  sister  arts  so  free.  All 

abcdefghijklmnopqrstuvwxyz 
ABCDEFGHIJKLMNOPQRSTUVWXYZ 

$1234567890 


10  Point  No.  142J,  11  Set 

MONOTYPE  FACES 
The  very  best  kind  of  originality  is  that 
which  conies  after  a  sound  apprentice- 
ship; that  which  shall  prove  itself  to  be 
the  blending  of  a  firm  conception  of  all 
useful  precedent  and  the  progressive  ten- 
dencies of  an  able  mind.  For,  let  a  man 
be  as  able  and  as  original  as  he  may,  he 
cannot  afford  to  discard  all  knowledge  of 
what  has  gone  before  or  what  is  now 
going  on  in  his  own  trade  and  profes- 

abcdefghijklmnopqrstuvwxyz 
ABCDEFGHIJKLMNOPQRSTUVWXYZ 

$1234567890 


12  Point  No. 

MONOTYPE  FACES 
The  best  kind  of  originality  is  that 
which  comes  after  a  sound  appren- 
ticeship; that  which  shall  prove  to 
be  the  blending  of  a  firm  conception 
of  all  useful  precedent  and  the  pro- 
gressive tendencies  of  an  able  mind. 
For,  let  a  man  be  as  able  and  original 
as  he  may,  he  cannot  afford  to  dis- 
card a  knowledge  of  what  has  gone 
before  or  what  is  now  going  on  in 
his  own  trade  and  profession.  If  the 
printers  of  today  do  not  wish  to  be 


142J,  12  Set 


MONOTYPE  FACES 


The  best  kind  of  originality  is  that 
which  comes  after  a  sound  appren- 
ticeship; that  which  shall  prove  to 
be  the  blending  of  a  firm  conception 
of  all  useful  precedent  and  the  pro- 
gressive tendencies  of  an  able  mind. 
For,  let  a  man  be  as  able  and  original 
as  he  may,  he  cannot  afford  to  dis- 
card a  knowledge  of  what  has  gone 
before  or  what  is  now  going  on  in 
his  own  trade  and  profession.  If  the 
printers  of  today  do  not  wish  to  be 
esteemed  arrogant  when  they  term 
this  calling  of  theirs  an  art,  they 


abcdefghijklmnopqrstuvwxyz 
ABCDEFGHIJKLMNOPQRSTUVWXYZ 

1234567890$ 


No.  144  Electro  Display  Matrices 

14  Point  No.  144 

YOU  DON'T  HAVE  TO  BUY 

Special  Attachments,  Rules  and  Furniture  to  Handle 

out  of  the  Ordinary  Work 
$1234567890 

18  Point  No.  144 

SAYING  ON  MAKE-READY 

With  Always  New  Type  is  a  Double  Saving; 

Press  Time  and  Man  Time 

$1234567890 

24  Point  No.  144 

TIME,  MONEY,  WORRY 

Saved  on  Composition,  Supervision 

&  Corrections  with  Monotype 

$1234567890 


30  Point  No.  144 


QUALITY  FAMOUS 

But  Not  Wanting  on  Quantity 

Under  All  Conditions 

$1234567890 


36  Point  No.  144 


PRESS  CHANGES 

Easy  with  Separate  Type 

$1234567890 


No.  143J.     Book  Arrangement  C 


Composition  Matrices 


6  Point  No.  143J,  7  Set 


MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  comes  after  a  sound  appren- 
ticeship; that  which  shall  prove  itself  to  be  the  blending  of  a  firm 
conception  of  useful  precedent  and  the  progressive  tendencies  of  an  able 
mind.  For,  let  a  man  be  as  able  and  original  as  he  may,  he  cannot 
afford  to  discard  knowledge  of  what  has  gone  before  or  what  is  now 
going  on  in  his  own  trade  and  profession.  If  the  printers  of  today  do 
not  wish  to  be  esteemed  arrogant  when  they  term  this  calling  of  theirs 
an  art,  they  must  be  willing,  and  show  that  they  are  willing,  to  subject 
it  to  such  laws  as  have  made  its  sister  arts  so  free.  All  those  con- 
cerned in  what  are  accepted  as  the  fine  arts,  the  learned  sciences,  and 
professions  surround  themselves  with  the  history,  literature,  and  con- 
crete examples  of  the  work  with  which  they  are  particularly  engaged. 
Yet  it  is  only  in  rare  instances  that  such  an  atmosphere,  with  its  ma- 
terial appurtenances,  is  to  be  found  in  a  printing  office.  Art  does  not 
flourish  in  hidden  places,  nor  under  restraint,  nor  in  ignorance  of  what 
talent  and  genius  have  accomplished  and  are  accomplishing  throughout 
the  world.  For  to  follow  precedent  wisely  does  not  mean  to  imitate 
slavishly  one  great  exemplar,  but  to  study  all  masters  faithfully,  letting 
their  great  achievements  sink  slowly  into  the  mind  in  order  that  we 
may  patiently  derive  from  the  richness  of  our  acquired  knowledge  and 
organized  system  an  attitude  of  our  own.  The  sprightly  minded  young 
man,  who  with  his  first  business  breath  projects  the  new  and  startling, 
inevitably  becomes  tiresome,  and  is  driven  to  an  early  disappearance; 
while  the  slower,  more  solidly  endowed  student  will  at  least  spend  as 
much  of  his  time  in  avoiding  mistakes  as  in  evolving  brilliant  schemes 
wherewith  to  dazzle  his  contemporaries.  The  best  kind  of  originality 
is  that  which  comes  after  a  sound  apprenticeship;  that  which  shall  prove 
to  be  the  blending  of  a  firm  conception  of  all  useful  precedent  and  the 
progressive  tendencies  of  an  able  mind.  For,  let  a  man  be  as  able  and 
original  as  he  may,  he  cannot  afford  to  discard  knowledge  of  what  has 
gone  before  or  what  is  now  going  on  in  his  own  trade  and  profession. 

abcdefghijklmnopqrstuvwxyz 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

$1234567890 


8  Point  No.  143J,  8J  Set 


MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  comes  after  a 
sound  apprenticeship;  that  which  shall  prove  to  be  the 
blending  of  a  firm  conception  of  all  useful  precedent  and 
the  progressive  tendencies  of  an  able  mind.  For,  let  a 
man  be  as  able  and  original  as  he  may,  he  cannot  afford 
to  discard  knowledge  of  what  has  gone  before  or  what  is 
now  going  on  in  his  own  trade  and  profession.  If  the 
printers  of  today  do  not  wish  to  be  esteemed  arrogant 
when  they  term  this  calling  of  theirs  an  art,  they  must  be 
willing,  and  show  that  they  are  willing,  to  subject  it  to 
such  laws  as  have  made  its  sister  arts  so  free.  All  those 
concerned  in  what  are  accepted  as  the  fine  arts,  the  learned 
sciences,  and  the  professions  surround  themselves  with  the 
history,  the  literature,  and  concrete  examples  of  the  work 
with  which  they  may  be  particularly  engaged.  Yet  it  is 
only  in  rare  instances  that  such  an  atmosphere,  with  its 
material  appurtenances,  is  to  be  found  in  a  printing  office. 
Art  does  not  flourish  in  hidden  places,  nor  under  restraint, 
nor  in  ignorance  of  what  talent  and  genius  have  accom- 
plished and  are  now  accomplishing  throughout  the  world. 
For  to  follow  precedent  wisely  does  not  mean  to  imitate 
slavishly  one  great  exemplar,  but  to  study  all  the  masters 
faithfully,  letting  their  greatest  achievements  sink  slowly 
into  the  mind  in  order  that  we  may  patiently  derive  from 

abcdef  ghi  j  klmnopqr  stuvwxyz 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

$1234567890 


10  Point  No.  143J,  10  Set 

MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  comes 
after  a  sound  apprenticeship;  that  which  shall 
prove  to  be  the  blending  of  a  firm  conception 
of  all  useful  precedent  and  the  progressive  ten- 
dencies of  an  able  mind.  For,  let  a  man  be  as 
able  and  original  as  he  may,  he  cannot  afford 
to  discard  knowledge  of  what  has  gone  before 
or  what  is  now  going  on  in  his  own  trade  and 
profession.  If  the  printers  of  today  do  not  wish 
to  be  esteemed  too  arrogant  when  they  term  this 
calling  of  theirs  an  art,  they  must  be  willing, 
and  show  that  they  are  willing,  to  subject  it  to 
such  laws  as  have  made  its  sister  arts  so  free. 
All  those  concerned  in  what  are  accepted  as  the 
fine  arts,  the  learned  sciences  and  the  professions, 
surround  themselves  with  the  history,  literature, 
and  concrete  examples  of  the  work  with  which 
they  are  particularly  engaged.  Yet  it  is  only  in 
rare  instances  that  such  an  atmosphere,  with  its 
material  appurtenances,  is  to  be  found  in  the 
printing  office.  Art  does  not  flourish  in  hidden 
places,  nor  under  restraint,  nor  in  ignorance  of 

abcdef  ghi  j  klmnopqrstu  vwxyz 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

$1234567890 


12  Point  No.  143 J,  12  Set 

MONOTYPE  FACES 
The  best  kind  of  originality  is  that  which 
comes  after  a  sound  apprenticeship;  that 
which  shall  prove  to  be  the  blending  of 
a  firm  conception  of  all  useful  precedent 
and  the  progressive  tendencies  of  an  able 
mind.  For,  let  any  man  be  as  able  and 
original  as  he  may,  he  cannot  afford  to 
discard  knowledge  of  what  has  gone  be- 
fore or  what  is  now  going  on  in  his  own 
trade  and  profession.  If  the  printers  of 
today  do  not  wish  to  be  esteemed  arro- 
gant when  they  term  this  calling  of  theirs 
an  art,  they  must  be  willing,  and  also  show 
that  they  are  willing,  to  subject  it  to  such 
laws  as  have  made  its  sister  arts  so  free. 
All  those  concerned  in  what  are  accepted 
as  the  fine  arts,  and  the  learned  sciences 
and  professions  surround  themselves  with 

abcdef  ghi  j  klmnopqrstuvwxyz 

ABCDEFGHIJKLMNOPQRSTUVWX 

$1234567890 


No.  143  Electro  Display  Matrices 

14  Point  No.  143 

ALL  MATTER  IS  STRAIGHT  MATTER 

Tariff,  Tabular  and  Intricate  Catalogue  Composition  Handled  like 

Straight  Matter  on  the  Monotype 

$1234567890 


18  Point  No.  143 

GET  A  TYPE  CASTER 

Convert  it  into  a  Composing  Machine  for  Casting  all 
Kinds  of  Justified  Ready-to-print  Matter 

$1234567890 


24  Point  No.  143 


THE  ONLY  MACHINE 
Having  a  Complete  and  Varied  Assortment 

of  its  own  Matrices 
$1234567890 


30  Point  No.  143 


A  MATRIX  LIBRARY 

All  Faces  Leased  to  Customers,  just 

like  a  Circulating  Library 

$1234567890 


36  Point  No.  143 


BUY  A  MACHINE 
With  a  Repeat-order  Record 

$1234567890 


No.  145J.     Job  Arrangement  C2 


Composition  Matrices 


6  Point  No.  145J,  7  Set 


MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  conies  after  a  sound 
apprenticeship;  that  which  shall  prove  to  be  the  blending  of 
a  firm  conception  of  all  useful  precedent  and  the  progressive 
tendencies  of  an  able  mind.  For,  let  a  man  be  as  able  and 
original  as  he  may,  he  cannot  afford  to  discard  knowledge  of 
what  has  gone  before  or  what  is  now  going  on  in  his  own  trade 
or  his  profession.  If  the  printers  of  today  do  not  wish  to  be 
esteemed  arrogant  when  they  term  this  calling  of  theirs  an  art, 
they  must  be  willing,  and  show  that  they  are  willing,  to  sub- 
ject it  to  such  laws  as  have  made  its  sister  arts  so  free.  All 
those  concerned  in  what  are  accepted  as  the  fine  arts,  the 
learned  sciences,  and  professions  surround  themselves  with  the 
history,  the  literature,  and  concrete  examples  of  the  work  with 
which  they  are  particularly  engaged.  Yet  it  is  only  in  very  rare 
instances  that  such  an  atmosphere,  with  its  material  appurten- 
ances, is  to  be  found  in  a  printing  office.  Art  does  not  flourish 
in  hidden  places,  nor  under  restraint,  nor  in  ignorance  of  what 
talent  and  genius  have  accomplished  and  are  accomplishing 
throughout  the  world.  For  to  follow  all  precedent  wisely  does 
not  mean  to  imitate  too  slavishly  one  great  exemplar,  but  to 
study  all  masters  faithfully,  letting  their  great  achievements 
sink  slowly  into  the  mind  in  order  that  we  may  patiently  de- 
rive from  the  richness  of  our  acquired  knowledge  and  organ- 
ized system  an  attitude  of  our  own.  The  sprightly  minded 
young  man,  who  with  his  first  business  breath  projects  the  new 
and  startling,  inevitably  becomes  tiresome,  and  is  driven  to  an 
early  disappearance;  while  the  slower,  more  solidly  endowed 
student  will  at  least  spend  as  much  of  his  time  in  avoiding 
mistakes  as  in  evolving  brilliant  schemes  wherewith  to  dazzle 
his  contemporaries.  The  best  kind  of  originality  is  that  which 
comes  after  a  sound  apprenticeship;  that  which  shall  prove  to 

abcdefghijklmnopqrstuvwxyz 
ABCDEFGHIJKLMNOPQRSTUVWXYZ 

$1234567890 


8  Point  No.  145J,  8$  Set 

MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  comes 
after  a  thorough  apprenticeship;  that  which  shall 
prove  to  be  the  blending  of  a  firm  conception  of  all 
useful  precedent  and  the  progressive  tendencies  of 
an  able  mind.  For,  let  a  man  be  as  able  and  original 
as  he  may,  he  cannot  afford  to  discard  knowledge 
of  what  has  gone  before  or  what  is  now  going  on  in 
his  own  trade  or  his  profession.  If  the  printers  of 
today  do  not  wish  to  be  esteemed  arrogant  when 
they  term  this  calling  of  theirs  an  art,  they  must  be 
willing,  and  show  that  they  are  willing,  to  subject 
it  to  such  laws  as  have  made  its  sister  arts  so  free. 
All  those  concerned  in  what  are  accepted  as  the  fine 
arts,  the  learned  sciences,  and  professions  surround 
themselves  with  the  history,  the  literature,  and  the 
concrete  examples  of  the  work  with  which  they  are 
particularly  engaged.  Yet  it  is  only  hi  very  rare  in- 
stances that  such  an  atmosphere,  with  its  material 
appurtenances,  is  to  be  found  in  a  printing  office. 
Art  does  not  flourish  in  hidden  places,  nor  under 
restraint,  nor  in  ignorance  of  what  talent  and  genius 
have  accomplished  and  are  accomplishing  through- 
out the  world.  For  to  follow  precedent  wisely  does 
not  mean  to  imitate  slavishly  one  great  exemplar, 

abcdefghijklmnopqrstuvwxyz 
ABCDEFGHIJKLMNOPQRSTUVWXYZ 

$1234567890 


Ems  a  to  z  16.72 


Words  to  Pica  .49 


Ems  a  to  z  15.20 


Words  to  Pica  .40 


10  Point  No.  145J,  10  Set 

MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which 
comes  after  a  thorough  apprenticeship;  that 
which  shall  prove  to  be  the  blending  of  a 
firm  conception  of  all  useful  precedent  and 
the  progressive  tendencies  of  an  able  mind. 
For,  let  a  man  be  as  able  and  original  as  he 
may,  he  cannot  afford  to  discard  knowledge 
of  what  has  gone  before  or  what  is  now  going 
on  in  his  own  trade  and  profession.  If  the 
printers  of  today  do  not  wish  to  be  esteemed 
too  arrogant  when  they  term  this  calling  of 
theirs  an  art,  they  must  be  willing,  and  show 
that  they  are  willing,  to  subject  it  to  such 
laws  as  have  made  its  sister  arts  so  free.  All 
those  concerned  in  what  are  accepted  as  the 
fine  arts,  the  learned  sciences,  and  profes- 
sions surround  themselves  with  the  history, 
literature,  and  concrete  examples  of  the  work 
with  which  they  are  particularly  engaged. 
Yet  it  is  only  in  rare  instances  that  such  an 
atmosphere,  with  these  material  appurten- 
ances, is  to  be  found  in  the  printing  office. 

abcdefghijklmnopqrstuvwxyz 
ABCDEFGHIJKLMNOPQRSTUVWXYZ 

$1234567890 

Ems  a  to  z  14.34  Words  to  Pica  .34 


12  Point  No.  145J,  12  Set 

MONOTYPE  FACES 
The  best  kind  of  originality  is  that 
which  comes  after  a  sound  appren- 
ticeship; that  which  shall  prove  to 
be  the  blending  of  a  firm  conception 
of  all  useful  precedent  and  the  pro- 
gressive tendencies  of  an  able  mind. 
For,  let  a  man  be  as  able  and  original 
as  he  may,  he  cannot  afford  to  dis- 
card a  knowledge  of  what  has  gone 
before  or  what  is  now  going  on  in 
his  own  trade  and  profession.  If  the 
printers  of  today  do  not  wish  to  be 
esteemed  arrogant  when  they  term 
this  calling  of  theirs  an  art,  they 
must  be  willing,  and  show  that  they 
are  willing,  to  subject  it  to  such  laws 
as  have  made  its  sister  arts  so  free. 
All  those  who  are  concerned  in  what 

abcdefghijklmnopqrstuvwxyz 
ABCDEFGHIJKLMNOPQRSTUVW 

$1234567890 


Ems  a  to  z  14.34 


Words  to  Pica  .28 


No.  145  Sorts  Matrices 

14  Point  No.  145 

MONOTYPE  PROMOTES  EXPANSION 

Along  the  Lines  of  Least  Resistance  and  Greatest  Profit  to  its 

Owner.  It  Produces  all  the  Time 
$1234567890 

18  Point  No.  145 


THE  BEST  PAYING  SPECIALTY 


Is  Quality.  Monotype  Quality  Gets  the  Work  and  Insures 


a  Good  Price  on  the  Job 


$1234567890 


24  Point  No.  145 


TURNS  OUT  THE  WORK 

Doesn't  Turn  Down  the  Order  from  Lack 

of  Proper  Facilities 
$1234567890 


30  Point  No.  145 


FOREIGN  LANGUAGE  WORK 

Changes  from  one  Language  to 
Another  Made  Easily 

$1234567890 


36  Point  No.  145 


THE  ELASTIC  MACHINE 

Makes  the  Face  Fit  the  Space 

$1234567890 


No.  153  J.     Job  Arrangement  C2 


Composition  Matrices 


6  Point  No.  153J,  7  Set 


MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  comes  after  a  sound 
apprenticeship;  that  which  shall  prove  to  be  the  blending  of 
a  firm  conception  of  all  useful  precedent  and  the  progressive 
tendencies  of  an  able  mind.  For,  let  a  man  be  as  able  and 
original  as  he  may,  he  cannot  afford  to  discard  knowledge  of 
what  has  gone  before  or  what  is  now  going  on  in  his  own  trade 
and  profession.  If  the  printers  of  today  do  not  wish  to  be 
esteemed  arrogant  when  they  term  this  calling  of  theirs  an  art, 
they  must  be  willing,  and  show  that  they  are  willing,  to  sub- 
ject it  to  such  laws  as  have  made  its  sister  arts  so  free.  All 
those  concerned  in  what  are  accepted  as  the  fine  arts,  the 
learned  sciences,  and  professions  surround  themselves  with  the 
history,  the  literature,  and  concrete  examples  of  the  work  with 
which  they  are  particularly  engaged.  Yet  it  is  only  in  very  rare 
instances  that  such  an  atmosphere,  with  its  material  appurte- 
nances, is  to  be  found  in  a  printing  office.  Art  does  not  flourish 
in  hidden  places,  nor  under  restraint,  nor  in  ignorance  of  what 
talent  and  genius  have  accomplished  and  are  accomplishing 
throughout  the  world.  For  to  follow  precedent  wisely  does 
not  mean  to  imitate  too  slavishly  one  great  exemplar,  but  to 
study  all  masters  faithfully,  letting  their  great  achievements 
sink  slowly  into  the  mind  in  order  that  we  may  patiently 
derive  from  the  richness  of  our  acquired  knowledge  and  organ- 
ized system  an  attitude  of  our  own.  The  sprightly  minded 
young  man,  who  with  his  first  business  breath  projects  the  new 
and  startling,  inevitably  becomes  tiresome,  and  is  driven  to  an 
early  disappearance;  while  the  slower,  more  solidly  endowed 
student  will  at  least  spend  as  much  of  his  time  in  avoiding  mis- 
takes as  in  evolving  brilliant  schemes  wherewith  to  dazzle  his 
contemporaries.  The  best  kind  of  originality  is  that  which 
comes  after  a  sound  apprenticeship;  that  which  shall  prove  to 

abcdefghijklmnopqrstuvwxyz 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

$1234567890 

Ems  a  to  z  16.72  Words  to  Pica  .49 


7  Point  No.  153J,  8  Set 


MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  comes  after  a 
sound  apprenticeship;  that  which  shall  prove  to  be  the 
blending  of  a  firm  conception  of  all  useful  precedent  and 
the  progressive  tendencies  of  an  able  mind.  For,  let  a 
man  be  as  able  and  original  as  he  may,  he  cannot  afford 
to  discard  knowledge  of  what  has  gone  before  or  what  is 
now  going  on  in  his  own  trade  and  profession.  If  the 
printers  of  today  do  not  wish  to  be  esteemed  arrogant 
when  they  term  this  calling  of  theirs  an  art,  they  must 
be  willing,  and  show  that  they  are  willing,  to  subject 
it  to  such  laws  as  have  made  its  sister  arts  so  free.  All 
those  concerned  in  what  are  accepted  as  the  fine  arts, 
the  learned  sciences,  and  professions  surround  them- 
selves with  the  history,  the  literature,  and  concrete 
examples  of  the  work  with  which  they  are  particularly 
engaged.  Yet  it  is  only  in  very  rare  instances  that  such 
an  atmosphere,  with  its  material  appurtenances,  is  to 
be  found  in  a  printing  office.  Art  does  not  flourish  in 
hidden  places,  nor  under  restraint,  nor  in  ignorance  of 
what  talent  and  genius  have  accompoished  and  are 
accomplishing  throughout  the  world.  For  to  follow 
precedent  wisely  does  not  mean  to  imitate  too  slavishly 
one  great  exemplar,  but  to  study  all  masters  faithfully, 
letting  their  great  achievements  sink  slowly  into  the 
mind  in  order  that  we  may  patiently  derive  from  the 
richness  of  our  acquired  knowledge  and  organized  sys- 
tem an  attitude  of  our  own.  The  sprightly  minded 

abcdef  ghi  j  klmnopqrstuvwxyz 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

$1234567890 


Ems  a  to  z  16.38 


Words  to  Pica  .43 


8  Point  No.  153J,  8J  Set 


MONOTYPE  FACES 

The  very  best  kind  of  originality  is  that  which  comes 
after  a  thorough  apprenticeship;  that  which  shall 
prove  to  be  the  blending  of  a  firm  conception  of  all 
useful  precedent  and  the  progressive  tendencies  of 
an  able  mind.  For,  let  a  man  be  as  able  and  original 
as  he  may,  he  cannot  afford  to  discard  knowledge 
of  what  has  gone  before  or  what  is  now  going  on 
in  his  own  trade  and  profession.  If  the  printers  of 
today  do  not  wish  to  be  esteemed  arrogant  when 
they  term  this  calling  of  theirs  an  art,  they  must  be 
willing,  and  show  that  they  are  willing,  to  subject 
it  to  such  laws  as  have  made  its  sister  arts  so  free. 
All  those  concerned  in  what  are  accepted  as  the  fine 
arts,  the  learned  sciences,  and  professions  surround 
themselves  with  the  history,  the  literature,  and  the 
concrete  examples  of  the  work  with  which  they  are 
particularly  engaged.  Yet  it  is  only  in  very  rare  in- 
stances that  such  an  atmosphere,  with  its  material 
appurtenances,  is  to  be  found  in  a  printing  office. 
Art  does  not  flourish  in  the  hidden  places,  nor  under 
restraint,  nor  in  ignorance  of  what  talent  and  genius 
have  accomplished  and  are  accomplishing  through- 
out the  world.  For  to  follow  precedent  wisely  does 
not  mean  to  imitate  slavishly  one  great  exemplar, 


MONOTYPE  FACES 

The  very  best  kind  of  originality  is  that  which  comes 
after  a  thorough  apprenticeship;  that  which  shall 
prove  to  be  the  blending  of  a  firm  conception  of  all 
useful  precedent  and  the  progressive  tendencies  of 
an  able  mind.  For,  let  a  man  be  as  able  and  original 
as  he  may,  he  cannot  afford  to  discard  knowledge 
of  what  has  gone  before  or  what  is  now  going  on 
in  his  own  trade  and  profession.  If  the  printers  of 
today  do  not  wish  to  be  esteemed  arrogant  when 
they  term  this  calling  of  theirs  an  art,  they  must  be 
willing,  and  show  that  they  are  willing,  to  subject 
it  to  such  laws  as  have  made  its  sister  arts  so  free. 
All  those  concerned  in  what  are  accepted  as  the  fine 
arts,  the  learned  sciences,  and  professions  surround 
themselves  with  the  history,  the  literature,  and  the 
concrete  examples  of  the  work  with  which  they  are 
particularly  engaged.  Yet  it  is  only  in  very  rare  in- 
stances that  such  an  atmosphere,  with  its  material 
appurtenances,  is  to  be  found  in  a  printing  office. 
Art  does  not  flourish  in  the  hidden  places,  nor  under 
restraint,  nor  in  ignorance  of  what  talent  and  genius 
have  accomplished  and  are  accomplishing  through- 
out the  world.  For  to  follow  precedent  wisely  does 
not  mean  to  imitate  slavishly  one  great  exemplar, 
but  to  study  all  masters  faithfully,  letting  their  great 
achievements  sink  slowly  into  the  mind  in  order 
that  we  may  patiently  derive  from  the  richness  of 
all  our  acquired  knowledge  and  organized  system  an 
attitude  of  our  own.  The  sprightly  minded  young 
man,  who  with  his  first  business  breath  projects  the 


abcdefghijklmnopqrstuvwxyz 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

$1234667890 


Ems  a  to  z  15.20 


Words  to  Pica  .40 


No.  159J.     Job  Arrangement  C2 


Composition  Matrices 


6  Point  No.  159J,  7  Set 


MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  comes  after  a  sound 
apprenticeship;  that  which  shall  prove  to  be  the  blending  of 
a  firm  conception  of  all  useful  precedent  and  the  progressive 
tendencies  of  an  able  mind.  For,  let  a  man  be  as  able  and 
original  as  he  may,  he  cannot  afford  to  discard  knowledge  of 
what  has  gone  before  or  what  is  now  going  on  in  his  own  trade 
or  his  profession.  If  the  printers  of  today  do  not  wish  to  be 
esteemed  arrogant  when  they  term  this  calling  of  theirs  an  art, 
they  must  be  willing,  and  show  that  they  are  willing,  to  sub- 
ject it  to  such  laws  as  have  made  its  sister  arts  so  free.  All 
those  concerned  in  what  are  accepted  as  the  fine  arts,  the 
learned  sciences,  and  professions  surround  themselves  with  the 
history,  the  literature,  and  concrete  examples  of  the  work  with 
which  they  are  particularly  engaged.  Yet  it  is  only  in  very  rare 
instances  that  such  an  atmosphere,  with  its  material  appurten- 
ances, is  to  be  found  in  a  printing  office.  Art  does  not  flourish 
in  hidden  places,  nor  under  restraint,  nor  in  ignorance  of  what 
talent  and  genius  have  accomplished  and  are  accomplishing 
throughout  the  world.  For  to  follow  all  precedent  wisely  does 
not  mean  to  imitate  too  slavishly  one  great  exemplar,  but  to 
study  all  masters  faithfully,  letting  their  great  achievements 
sink  slowly  into  the  mind  in  order  that  we  may  patiently 
derive  from  the  richness  of  our  acquired  knowledge  and  organ- 
ized system  an  attitude  of  our  own.  The  sprightly  minded 
young  man,  who  with  his  first  business  breath  projects  the  new 
and  startling,  inevitably  becomes  tiresome,  and  is  driven  to  an 
early  disappearance;  while  the  slower,  more  solidly  endowed 
student  will  at  least  spend  as  much  of  his  time  in  avoiding 
mistakes  as  in  evolving  brilliant  schemes  wherewith  to  dazzle 
his  contemporaries.  The  best  kind  of  originality  is  that  which 
comes  after  a  sound  apprenticeship;  that  which  shall  prove  to 

abcdefghijklmnopqrstuvwxyz 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

$1234567890 


8  Point  No.  159J,  8^  Set 


MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  conies 
after  a  thorough  apprenticeship;  that  which  shall 
prove  to  be  the  blending  of  a  firm  conception  of  all 
useful  precedent  and  the  progressive  tendencies  of 
an  able  mind.  For,  let  a  man  be  as  able  and  original 
as  he  may,  he  cannot  afford  to  discard  knowledge 
of  what  has  gone  before  or  what  is  now  going  on  in 
his  own  trade  or  his  profession.  If  the  printers  of 
today  do  not  wish  to  be  esteemed  too  arrogant  when 
they  term  this  calling  of  theirs  an  art,  they  must  be 
willing,  and  show  that  they  are  willing,  to  subject 
it  to  such  laws  as  have  made  its  sister  arts  so  free. 
All  those  concerned  in  what  are  accepted  as  the  fine 
arts,  the  learned  sciences,  and  professions  surround 
themselves  with  the  history,  the  literature,  and  the 
concrete  examples  of  the  work  with  which  they  are 
particularly  engaged.  Yet  it  is  only  in  very  rare  in- 
stances that  such  an  atmosphere,  with  its  material 
appurtenances,  is  to  be  found  in  a  printing  office. 
Art  does  not  flourish  in  hidden  places,  nor  under 
restraint,  nor  in  ignorance  of  what  talent  and  genius 
have  accomplished,  and  are  accomplishing  through- 
out the  world.  For  to  follow  precedent  wisely  does 
not  mean  to  imitate  slavishly  one  great  exemplar, 

abcdefghijklmnopqrstuvwxyz 
ABCDEFGHIJKLMNOPQRSTUVWXYZ 

$1234567890 


10  Point  No.  159J,  10J  Set 

MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which 
conies  after  a  sound  apprenticeship;  that 
which  shall  prove  to  be  the  blending  of 
a  firm  conception  of  all  useful  precedent 
and  the  progressive  tendencies  of  an  able 
mind.  For,  let  a  man  be  as  able  and 
original  as  he  may,  he  cannot  afford  to 
discard  knowledge  of  what  has  gone  before 
or  what  is  now  going  on  in  his  own  trade 
and  profession.  If  the  printers  of  today 
do  not  wish  to  be  esteemed  too  arrogant 
when  they  term  this  calling  of  theirs  an 
art,  they  must  be  willing,  and  show  that 
they  are  willing,  to  subject  it  to  just  such 
laws  as  have  made  its  sister  arts  so  free. 
All  those  concerned  in  what  are  accepted 
as  the  fine  arts,  the  learned  sciences,  and 
professions  surround  themselves  with  the 
history,  literature,  and  concrete  examples 
of  the  work  with  which  they  are  particu- 
larly engaged.  Yet  it  is  only  in  very  rare 
instances  that  such  an  atmosphere,  with 

abcdefghijklmnopqrstuvwxyz 
ABCDEFGHIJKLMNOPQRSTUVWXYZ 

$1234567890 


12  Point  No.  159J,  12  Set 

MONOTYPE  FACES 
The  best  kind  of  originality  is  that 
which  conies  after  a  sound  appren- 
ticeship; that  which  shall  prove  to 
be  the  blending  of  a  firm  conception 
of  all  useful  precedent  and  the  pro- 
gressive tendencies  of  an  able  mind. 
For,  let  a  man  be  as  able  and  orig- 
inal as  he  may,  he  cannot  afford  to 
discard  knowledge  of  what  has  gone 
before  or  what  is  now  going  on  in 
his  own  trade  and  profession.  If  the 
printers  of  today  do  not  wish  to  be 
esteemed  arrogant  when  they  term 
this  calling  of  theirs  an  art,  they 
must  be  willing,  and  show  that  they 
are  willing,  to  subject  it  to  such  laws 
as  have  made  its  sister  arts  so  free. 
All  those  who  are  concerned  in  what 

abcdefghijklmnopqrstuvwxyz 

ABCDEFGHIJKLMNOPQRSTUVW 

$1234567890 


No.  159  Electro  Display  Matrices 

14  Point  No.  159 

ABCDEFGHIJKLMNOPQRSTUVWXYZ&  JE  CE 

abcdefghijklmnopqrstuvwxyz  se  oe  ff  fi  fl  ffi  ffl 

$1234567890  .,-';:?! 

each  font  consists  of  81  characters  as  shown  above 
18  Point  No.  159 

ONE  MACHINE  WILL  DO 

Everything  that  all  other  kinds  of  Composing  or 

Material  Making  Machines  will  do 

$1234567890 


24  Point  No.  159 


A  DISPLAY  LETTER 

Strong  and  Rugged  Combines  Legible 

and  Artistic  Qualities 

$1234567890 


30  Point  No.  159 


THIS  FACE  IS 

Designed  to  Harmonize  with 

our  Number  38  Series 

$1234567890 


36  Point  No.  159 


MONOTYPE  MATTER 
Stands  up  for  Long  Runs 

$1234567890 


No.  163J.     Job  Arrangement  C2 


Composition  Matrices 


6  Point  No.  163J,  7  Set 


MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  comes  after  a  sound 
apprenticeship;  that  which  shall  prove  to  be  the  blending  of  a 
firm  conception  of  all  useful  precedent  and  the  progressive 
tendencies  of  an  able  mind.  For,  let  a  man  be  as  able  and 
original  as  he  may,  he  cannot  afford  to  discard  knowledge  of 
what  has  gone  before  or  what  is  now  going  on  in  his  own  trade 
and  profession.  If  the  printers  of  today  do  not  wish  to  be 
esteemed  arrogant  when  they  term  this  calling  of  theirs  an  art, 
they  must  be  willing,  and  show  that  they  are  willing,  to  sub- 
ject it  to  such  laws  as  have  made  its  sister  arts  so  free.  All 
those  concerned  in  what  are  accepted  as  the  fine  arts,  the 
learned  sciences,  and  professions  surround  themselves  with  the 
history,  literature,  and  the  concrete  examples  of  the  work  with 
which  they  are  particularly  engaged.  Yet  it  is  only  in  very  rare 
instances  that  this  atmosphere,  with  its  material  appurten- 
ances, is  to  be  found  in  a  printing  office.  Art  does  not  nourish 
in  hidden  places,  nor  under  restraint,  nor  in  ignorance  of  what 
talent  and  genius  have  accomplished  and  are  accomplishing 
throughout  the  world.  For  to  follow  precedent  wisely  does 
not  mean  to  imitate  slavishly  one  great  exemplar,  but  to 
study  all  masters  faithfully,  letting  their  great  achievements 
sink  slowly  into  the  mind  in  order  that  we  may  patiently 
derive  from  the  richness  of  our  acquired  knowledge  and  organ- 
ized system  an  attitude  of  our  own.  The  sprightly  minded 
young  man,  who  with  his  first  business  breath  projects  the  new 
and  startling,  inevitably  becomes  tiresome,  and  is  driven  to  an 
early  disappearance;  while  the  slower,  more  solidly  endowed 
student  will  at  least  spend  as  much  of  his  time  in  avoiding 
mistakes  as  in  evolving  brilliant  schemes  wherewith  to  dazzle 
his  contemporaries.  The  best  kind  of  originality  is  that  which 
comes  after  a  sound  apprenticeship;  that  which  shall  prove  to 

abcdefghijklmnopqrstuvwxyz 
ABCDEFGHIJKLMNOPQRSTUVWXYZ 

$1234567890 
Ems  a  to  z  16.72  Words  to  Pica  .49 


8  Point  No.  163J,  8j  Set 


MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  comes 
after  a  sound  apprenticeship;  that  which  shall 
prove  to  be  the  blending  of  a  firm  conception  of  all 
useful  precedent  and  the  progressive  tendencies  of 
an  able  mind.  For,  let  a  man  be  as  able  and  original 
as  he  may,  he  cannot  afford  to  discard  knowledge 
of  what  has  gone  before  or  what  is  now  going  on  in 
his  own  trade  and  profession.  If  the  printers  of 
today  do  not  wish  to  be  esteemed  arrogant  when 
they  term  this  calling  of  theirs  an  art,  they  must  be 
willing,  and  show  that  they  are  willing,  to  subject 
it  to  such  laws  as  have  made  its  sister  arts  so  free. 
All  those  concerned  in  what  are  accepted  as  the  fine 
arts,  the  learned  sciences,  and  professions  surround 
themselves  with  the  history,  literature,  and  con- 
crete examples  of  the  work  with  which  they  are 
particularly  engaged.  Yet  it  is  only  in  rare  in- 
stances that  such  an  atmosphere,  with  its  material 
appurtenances,  is  to  be  found  in  a  printing  office. 
Art  does  not  flourish  in  hidden  places,  nor  under 
restraint,  nor  in  ignorance  of  what  talent  and  genius 
have  accomplished  and  are  accomplishing  through- 
out the  world.  For  to  follow  precedent  wisely  does 
not  mean  to  imitate  slavishly  one  great  exemplar, 

abcdefghijklmnopqrstuvwxyz 
ABCDEFGHIJKLMNOPQRSTUVWXYZ 

$1234567890 


Ems  a  to  z  15.20 


Words  to  Pica  .40 


10  Point  No.  163J,  10  Set 

MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which 
comes  after  a  sound  apprenticeship;  that 
which  shall  prove  to  be  the  blending  of  a 
firm  conception  of  all  useful  precedent  and 
the  progressive  tendencies  of  an  able  mind. 
For,  let  a  man  be  as  able  and  original  as  he 
may,  he  cannot  afford  to  discard  knowledge 
of  what  has  gone  before  or  what  is  now  going 
on  in  his  own  trade  and  profession.  If  the 
printers  of  today  do  not  wish  to  be  esteemed 
too  arrogant  when  they  term  this  calling  of 
theirs  an  art,  they  must  be  willing,  and  show 
that  they  are  willing,  to  subject  it  to  such 
laws  as  have  made  its  sister  arts  so  free.  All 
those  concerned  in  what  are  accepted  as  the 
fine  arts,  the  learned  sciences,  and  profes- 
sions surround  themselves  with  the  history, 
literature,  and  concrete  examples  of  the  work 
with  which  they  are  particularly  engaged. 
Yet  it  is  only  in  rare  instances  that  such  an 
atmosphere,  with  these  material  appurten- 
ances, is  to  be  found  in  a  printing  office. 

abcdef  ghi  j  klmnopqrstu  vwxyz 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

$1234567890 

Ems  a  to  z  14.34  Words  to  Pica  .34 


12  Point  No.  163J,  12  Set 

MONOTYPE  FACES 
The  best  kind  of  originality  is  that 
which  comes  after  a  sound  appren- 
ticeship; that  which  shall  prove  to 
be  the  blending  of  a  firm  conception 
of  all  useful  precedent  and  the  pro- 
gressive tendencies  of  an  able  mind. 
For,  let  a  man  be  as  able  and  original 
as  he  may,  he  cannot  afford  to  dis- 
card a  knowledge  of  what  has  gone 
before  or  what  is  now  going  on  in 
his  own  trade  and  profession.  If  the 
printers  of  today  do  not  wish  to  be 
esteemed  arrogant  when  they  term 
this  calling  of  theirs  an  art,  they 
must  be  willing,  and  show  that  they 
are  willing,  to  subject  it  to  such  laws 
as  have  made  its  sister  arts  so  free. 
All  those  who  are  concerned  in  what 

abcdefghijklmnopqrstuvwxyz 
ABCDEFGHIJKLMNOPQRSTUVW 

$1234567890 


Ems  a  to  z  14.34 


Words  to  Pica  .28 


No.  163  Sorts  Matrices 

14  Point  No.  163 

MONOTYPE  TYPE  IS  GOOD  TYPE 

No  Foundry  Type  Made  is  More  Solid  or  Has  a  Better  Face  than 

Type  Cast  on  the  Monotype 
$1234567890 

18  Point  No.  163 

THE  BUSINESS  BUILDER 

The  Monotype  is  all  the  Time  on  Live  Copy,  and 

Taking  the  Work  as  it  Gomes 

$1234567890 


24  Point  No.  163 


ALWAYS  READY 


To  Handle  the  Regular  and  the  Rush 


Job  in  the  Shortest  Time 


$1234567890 


30  Point  No.  163 


THE  BEST  WAY 

To  Answer  the  Sorts  Problem  is 

to  Monotype  it 

$1234567890 


36  Point  No.  163 


AT  EVERY  POINT 

A  Monotype  is  on  the  Job 

$1234567890 


No.  173E.     Book  Arrangement  C 


Composition  Matrices 


6  Point  No.  173E,  7  Set 


MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  conies  after  a  sound  appren- 
ticeship; that  which  shall  prove  itself  to  be  the  blending  of  a  firm  con- 
ception of  useful  precedent  and  the  progressive  tendencies  of  an  able 
mind.  For,  let  a  man  be  as  able  and  original  as  he  may,  he  cannot 
afford  to  discard  knowledge  of  what  has  gone  before  or  what  is  now 
going  on  in  his  own  trade  and  profession.  If  the  printers  of  today 
do  not  wish  to  be  esteemed  arrogant  when  they  term  this  calling  of 
theirs  an  art,  they  must  be  willing,  and  show  that  they  are  willing, 
to  subject  it  to  such  laws  as  have  made  its  sister  arts  so  free.  All 
those  concerned  in  what  are  accepted  as  the  fine  arts,  the  learned 
sciences,  and  professions  surround  themselves  with  the  history,  the  litera- 
ture, and  concrete  examples  of  work  with  which  they  are  particularly 
engaged.  Yet  it  is  only  in  very  rare  instances  that  such  an  atmos- 
phere, with  its  material  appurtenances,  is  to  be  found  in  the  printing 
office.  Art  does  not  flourish  in  hidden  places,  nor  under  restraint, 
nor  in  ignorance  of  what  talent  and  genius  have  accomplished  and  are 
accomplishing  throughout  the  world.  For  to  follow  precedent  wisely 
does  not  mean  to  imitate  slavishly  one  great  exemplar,  but  to  study 
all  the  masters  faithfully,  letting  their  great  achievements  sink  slowly 
into  the  mind  in  order  that  we  may  patiently  derive  from  the  richness 
of  our  acquired  knowledge  and  organized  system  an  attitude  of  our 
own.  The  sprightly  minded  young  man,  who  with  his  first  business 
breath  projects  the  new  and  startling,  inevitably  becomes  tiresome, 
and  is  driven  to  an  early  disappearance;  while  the  slower  and  more 
solidly  endowed  student  will  at  least  spend  as  much  of  his  time  in 
avoiding  mistakes  as  in  evolving  brilliant  schemes  wherewith  to  dazzle 
his  contemporaries.  The  best  kind  of  originality  is  that  which  comes 
after  a  sound  apprenticeship;  that  which  shall  prove  itself  to  be  the 
blending  of  a  firm  conception  of  all  useful  precedent  and  the  progressive 
tendencies  of  an  able  mind.  For,  let  any  man  be  as  able  and  original  as 
he  may,  he  cannot  afford  to  discard  knowledge  of  what  has  gone  before 
or  what  is  now  going  on  in  his  own  trade  and  profession.  If  the  printers 

abcdefghijklmnopqrstuvwxyz 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

$1234567890 


8  Point  No.  173E,  8£  Set 


MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  conies  after  a 
sound  apprenticeship;  that  which  shall  prove  to  be  the 
blending  of  a  firm  conception  of  all  useful  precedent  and 
the  progressive  tendencies  of  an  able  mind.  For,  let  a 
man  be  as  able  and  original  as  he  may,  he  cannot  afford 
to  discard  knowledge  of  what  has  gone  before  or  what  is 
now  going  on  in  his  own  trade  or  his  profession.  If  the 
printers  of  today  do  not  wish  to  be  esteemed  arrogant 
when  they  term  this  calling  of  theirs  an  art,  they  must  be 
willing,  and  show  that  they  are  willing,  to  subject  it  to 
such  laws  as  have  made  its  sister  arts  so  free.  .All  those 
concerned  in  what  are  accepted  as  the  fine  arts,  the  learned 
sciences,  and  the  professions  surround  themselves  with  the 
history,  the  literature,  and  concrete  examples  of  the  work 
with  which  they  are  particularly  engaged.  Yet  it  is  only 
in  very  rare  instances  that  such  an  atmosphere,  with  its 
material  appurtenances,  is  to  be  found  in  a  printing  office. 
Art  does  not  flourish  in  hidden  places,  nor  under  restraint, 
nor  in  ignorance  of  what  talent  and  genius  have  accom- 
plished and  are  now  accomplishing  throughout  the  world. 
For  to  follow  precedent  wisely  does  not  mean  to  imitate 
slavishly  one  great  exemplar,  but  to  study  all  the  masters 
faithfully,  letting  their  great  achievements  sink  slowly  into 
the  mind  in  order  that  we  may  patiently  derive  from  the 

abcdefghijklmnopqrstuvwxyz 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

$1234567890 


10  Point  No.  173E,  10  Set 

MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  conies 
after  a  sound  apprenticeship;  that  which  shall 
prove  to  be  the  blending  of  a  firm  conception 
of  all  useful  precedent  and  the  progressive  ten- 
dencies of  an  able  mind.  For,  let  a  man  be  as 
able  and  original  as  he  may,  he  cannot  afford  to 
discard  knowledge  of  what  has  gone  before  or 
what  is  now  going  on  in  his  own  trade  and  pro- 
fession. If  the  printers  of  today  do  not  wish  to 
'be  esteemed  arrogant  when  they  term  this  calling 
of  theirs  an  art,  they  must  be  willing,  and  show 
that  they  are  willing,  to  subject  it  to  such  laws 
as  have  made  its  sister  arts  so  free.  All  those 
concerned  in  what  are  accepted  as  the  fine  arts, 
the  learned  sciences,  and  the  professions  surround 
themselves  with  the  history,  the  literature,  and 
concrete  examples  of  the  work  with  which  they  are 
particularly  engaged.  Yet  it  is  only  in  very  rare 
instances  that  such  an  atmosphere,  with  all  its 
material  appurtenances,  is  to  be  found  in  the  print- 
ing office.  Art  does  not  flourish  in  hidden  places, 
nor  under  restraint,  nor  in  ignorance  of  what  talent 

abcdefghijklmnopqrstuvwxyz 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 
$1234567890 


12  Point  No.  173E,  12  Set 

MONOTYPE  FACES 
The  best  kind  of  originality  is  that  which 
comes  after  a  sound  apprenticeship;  that 
which  shall  prove  to  be  the  blending  of 
a  firm  conception  of  all  useful  precedent 
and  the  progressive  tendencies  of  an  able 
mind.  For,  let  any  man  be  as  able  and 
original  as  he  may,  he  cannot  afford  to 
discard  knowledge  of  what  has  gone  be- 
fore or  what  is  now  going  on  in  his  own 
trade  and  profession.  If  the  printers  of 
today  do  not  wish  to  be  esteemed  arro- 
gant when  they  term  this  calling  of  theirs 
an  art,  they  must  be  willing,  and  show 
that  they  are  willing,  to  subject  it  to  such 
laws  as  have  made  its  sister  arts  so  free. 
All  those  concerned  in  what  are  accepted 
as  the  fine  arts,  the  learned  sciences,  and 
professions  surround  themselves  with  the 

abcdefghijklmnopqrstuvwxyz 

ABCDEFGHIJKLMNOPQRSTUVW 

$1234567890 


No.  174E.     Book  Arrangement  C 
Composition  Matrices 

10  Point  No.  174E,  10  Set 

MQNQTYPE  FACES  MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  comes  The  best  kind  of  originality  is  that  which  comes 

after  a  sound  apprenticeship;    that  which  shall  after  a  sound  apprenticeship;    that  which  shall 

prove  "to  "b7 1^  blending  p?  a  "firm  "conception  Ppv,f  &  !?f  ^e-  fending  of  a  firm  conception 

"  ."":  "  j""i"      ""j  "  °r  all  useful  precedent  and  the  progressive  ten- 

of  all  useful  precedent  and  the  progressive  ten:  ;jencies"  of  an  able'  mind;""FOTt~  let"  a'  m^n"be"as 

dencies  of  an  able  mind.     For,  let  a  man  be  as  able  and  original  as  he  may,  he  cannot  afford  to 

able  and  original  as  he  may,  he  cannot  afford  to  discard  knowledge  of  what  has  gone  before  or  what 

discard  knowledge  of  what  has  gone  before  or  what  !§  now  going  on   in   his  own   trade  and  profes: 

is"  now  going"in"  in  "his  own   trade  and  profes-  ^°-n:     V.  -^e-  Printers  of  tpday  dp  not  wish  to  be 

••"..:"'  "","  "T"   "T"  "."  i T"  esteemed  arrogant  when  they  term  this  calling  of 

sipn:     If  the  printers  of  today  dp  not  wish  to  be  thdrs  an  arti"  they  must" be" willingi"  and' show  that 

esteemed  arrogant  when  they  term  this  calling  of  they  are  willing,  to  subject  it  to  such  laws  as  have 

theirs  an  art,  they  must  be  willing,  and  show  that  made  its  sister  arts  so  free.     All  those  who  are 

they  are  willing,  to  subject  it  to  such  laws  as  have  concerned  in  what  are  accepted  as  the  fine  arts, 

made'itV'sister  arts"  so  "free"  "~  All"  those  who  are  *e  learned  science?,  and  the  professions  surround 

"", "'•  """   """, />""  themselves  with  the  history,  the  literature,  and 

concerned  m  what  are  accepted  as  the  fine  arts,  cpr^rete  examples  of  the "££rk  ^ith  ^hich'ithey  are 

the  learned  sciences,  and  the  professions  surround  particujariy  engaged.     Yet  it  is  only  in  very  rare 

therns.e!\>es  with  the  history,  the  literature,  and  instances  that  such  an  atmosphere,  with  its  mate: 

concrete  examples  of  the  work  with  which  they  are  r.iaj  appurtenances,  is  to  be  found  in  the  printing 

particuiarly'engaged."" Yet'Tt  is'only  in  Very  rare  tig*     A--^  ^  n°t  flpurjsh  in  hidden  places  nor 

...    .  .  .  ..  under  restraint,  nor  in  ignorance  of  what  talent 

instances  that  such  an  atmosphere,  with  its  mate:  and "genius' ha^e  accpmplished'and  are  accpmpM: 

rjaj  appurtenances,  is  to  be  found  in  the  printing  ing  throughput  the  world.    For  to  fpllpw  precedent 

abcdef  ghi  j  klmnppgrstu  vwxyz 
IKLMNQPQi 
$1.2.3.4567820 


No.  174  Electro  Display  Matrices 

14  Point  No.  174 

THE  TYPECASTING  PROPOSITION 

Is  an  Important    Development  of   the  Monotype,  and  is   but  One   of 
its  Many  Strom*  and  Desirable  .Features 


No.  220J.     Job  Arrangement  C2 


Composition  Matrices 


10  Point  No. 

MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which 
comes  after  a  thorough  apprenticeship;  that 
which  shall  prove  to  be  the  blending  of  a 
firm  conception  of  all  useful  precedent  and 
the  progressive  tendencies  of  an  able  mind. 
For,  let  a  man  be  as  able  and  original  as  he 
may,  he  cannot  afford  to  discard  knowledge 
of  what  has  gone  before  or  what  is  now  going 
on  in  his  own  trade  and  profession.  If  the 
printers  of  today  do  not  wish  to  be  esteemed 
too  arrogant  when  they  term  this  calling  of 
theirs  an  art,  they  must  be  willing,  and  show 
that  they  are  willing,  to  subject  it  to  such 
laws  as  have  made  its  sister  arts  so  free.  All 
those  concerned  in  what  are  accepted  as  the 
fine  arts,  the  learned  sciences,  and  profes- 
sions surround  themselves  with  the  history, 
literature,  and  concrete  examples  of  the  work 


220J,  10  Set 


MONOTYPE  FACES 


The  best  kind  of  originality  is  that  which 
comes  after  a  thorough  apprenticeship,-  that 
which  shall  prove  to  be  the  blending  of  a 
firm  conception  of  all  useful  precedent  and 
the  progressive  tendencies  of  an  able  mind. 
For,  let  a  man  be  as  able  and  original  as  he 
may,  he  cannot  afford  to  discard  knowledge 
of  what  has  gone  before  or  what  is  now  going 
on  in  his  own  trade  and  profession.  If  the 
printers  of  today  do  not  wish  to  be  esteemed 
too  arrogant  when  they  term  this  calling  of 
theirs  an  art,  they  must  be  willing,  and  show 
that  they  are  willing,  to  subject  it  to  such 
laws  as  have  made  its  sister  arts  so  free.  All 
those  concerned  in  what  are  accepted  as  the 
fine  arts,  the  learned  sciences,  and  profes- 
sions surround  themselves  with  the  history, 
literature,  and  concrete  examples  of  the  work 
with  which  they  are  particularly  engaged. 
Yet  it  is  only  in  rare  instances  that  such  an 
atmosphere,  with  these  material  appurte- 


abcdef ghi  j  klmnopqrstu  v  wxyz 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

$1234567890 


12  Point  No. 

MONOTYPE  FACES 
The  best  kind  of  originality  is  that 
which  comes  after  a  sound  appren- 
ticeship; that  which  shall  prove  to 
be  the  blending  of  a  firm  conception 
of  all  useful  precedent  and  the  pro- 
gressive tendencies  of  an  able  mind. 
For,  let  a  man  be  as  able  and  original 
as  he  may,  he  cannot  afford  to  dis- 
card a  knowledge  of  what  has  gone 
before  or  what  is  now  going  on  in 
his  own  trade  and  profession.  If  the 
printers  of  today  do  not  wish  to  be 
esteemed  arrogant  when  they  term 
this  calling  of  theirs  an  art,  they 
must  be  willing,  and  show  that  they 
are  willing,  to  subject  it  to  such  laws 


220J,  12  Set 


MONOTYPE  FACES 


The  best  kind  of  originality  is  that 
which  comes  after  a  sound  appren- 
ticeship; that  which  shall  prove  to 
be  the  blending  of  a  firm  conception 
of  all  useful  precedent  and  the  pro- 
gressive tendencies  of  an  able  mind. 
For,  let  a  man  be  as  able  and  original 
as  he  may,  he  cannot  afford  to  dis- 
card a  knowledge  of  what  has  gone 
before  or  what  is  now  going  on  in 
his  own  trade  and  profession.  If  the 
printers  of  today  do  not  wish  to  be 
esteemed  arrogant  when  they  term 
this  calling  of  theirs  an  art,  they 
must  be  willing,  and  show  that  they 
are  willing,  to  subject  it  to  such  laws 
as  have  made  its  sister  arts  so  free. 
All  those  who  are  concerned  in  what 


abcdefghij  klmnopqrstu  vwxyz 

ABCDEFGHIJKLMNOPQRSTUVW 

$1234567890 


No.  220  Electro  Display  Matrices 

14  Point  No.  220 

OUR  TYPE-&-RULE  CASTER 

Makes  the  contents  of  the  Hell  Box  into  new  type,  spaces, 

borders,  rules,  leads  and  slugs 

$1234567890 

18  Point  No.  220 

FURNISH  THE  TOOLS 

Your  Compositors  Need  to  Work  Efficiently— type, 
rules,  leads,  slugs  and  space  material 

$1234567890 


24  Point  No.  220 


NON-DISTRIBUTION 
It  costs  less  to  make  new  type  than  to 

distribute  used  type 
$123456?890 


30  Point  No.  220 


MONOTYPE  PRODUCT 
High  Quality  and  low  Hour  Cost 

go  hand  in  hand 
$1234567890 


36  Point  No.  220 


GOOD  WORK 
Monotype  type  and  rule 

$1234567890 


No.  23 1J.     Book  Arrangement  C 


Composition  Matrices 


6  Point  No.  231J,  6  Set 


MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  comes  after  a  sound  apprenticeship; 
that  which  shall  prove  to  be  the  blending  of  a  firm  conception  of  all  useful  precedent 
and  the  progressive  tendencies  cf  an  able  mind.  For,  let  a  man  be  as  able  and 
original  as  he  may,  he  cannot  afford  to  discard  knowledge  of  what  has  gone  befcre 
or  what  is  now  going  on  in  his  own  trade  and  profession.  If  the  printers  of  today 
do  not  wish  to  be  esteemed  arrogant  when  they  term  this  calling  of  theirs  an  art, 
they  must  be  willing,  and  show  that  they  are  willing,  to  subject  it  to  such  laws  as 
have  made  its  sister  arts  so  free.  All  those  concerned  in  what  are  accepted  as  the 
fine  arts,  the  learned  sciences  and  the  professions,  surround  themselves  with  the 
histcry,  literature,  and  concrete  exarrples  cf  the  work  with  which  they  are  par- 
ticularly engaged.  Yet  it  is  only  in  rare  instances  that  such  an  atmosphere,  with 
its  material  appurtenances,  is  to  be  found  in  a  printing  office.  Art  does  not  flourish 
in  hidden  places,  nor  under  restraint,  nor  in  ignorance  of  what  talent  and  genius 
have  accomplished  and  are  accomplishing  throughout  the  world.  For  to  follow 
precedent  wisely  does  not  mean  to  imitate  slavishly  one  great  exemplar,  but  to 
study  all  masters  faithfully,  letting  their  great  achievements  sink  slowly  into  the 
mind  in  order  that  we  may  patiently  derive  from  the  richness  of  our  acquired 
knowledge  and  organized  system  an  attitude  of  our  own.  The  sprightly  minded 
young  man,  who  with  his  first  business  breath  projects  the  new  and  startling, 
inevitably  becomes  tiresome,  and  is  driven  to  an  early  disappearance;  while  the 
slower,  more  solidly  endowed  student,  will  at  least  spend  as  much  cf  his  time  in 
avoiding  mistakes  as  in  evolving  brilliant  schemes  wherewith  to  dazzle  his  con- 
temporaries. The  best  kind  of  originality  is  that  which  comes  after  a  sound 
apprenticeship;  that  which  shall  prove  to  be  the  blending  of  a  firm  conception  of 
all  useful  precedent  and  the  progressive  tendencies  of  an  able  mind.  For,  let  a 
man  be  as  able  and  original  as  he  may,  he  cannot  afford  to  discard  knowledge  of 
what  has  gone  before  or  what  is  now  going  on  in  his  own  trade  and  profession. 
If  the  printers  of  today  do  not  wish  to  be  esteemed  arrogant  when  they  term  this 
calling  of  theirs  an  art,  they  must  be  willing,  and  show  that  they  are  willing,  to 
subject  it  to  such  laws  as  have  made  its  sister  arts  so  free.  All  those  concerned 
in  what  are  accepted  as  the  fine  arts,  the  learned  sciences  and  professions,  surround 

abcdef gh  i  j  k  Imnopq  rstu  vwxyz 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

$1234567890 


8  Point  No.  23 1J,  8  Set 
MONOTYPE  FACES 


The  best  kind  of  originality  is  that  which  comes  after  a  sound 
apprenticeship;  that  which  shall  prove  to  be  the  blending  of  a 
firm  conception  of  all  useful  precedent  and  the  progressive 
tendencies  of  an  able  mind.  For,  let  a  man  be  as  able  and 
original  as  he  may,  he  cannot  afford  to  discard  knowledge  of 
what  has  gone  before  or  what  is  now  going  on  in  his  own  trade 
and  profession.  If  the  printers  of  today  do  not  wish  to  be 
esteemed  arrogant  when  they  term  this  calling  of  theirs  an  art, 
they  must  be  willing,  and  show  that  they  are  willing,  to  subject 
it  to  such  laws  as  have  made  its  sister  arts  so  free.  All  those 
concerned  in  what  are  accepted  as  the  fine  arts,  the  learned 
sciences  and  the  professions,  surround  themselves  with  the 
history,  the  literature,  and  concrete  examples  of  the  work  with 
which  they  are  particularly  engaged.  Yet  it  is  only  in  rare 
instances  that  such  an  atmosphere,  with  its  material  appur- 
tenances,  is  to  be  found  in  a  printing  office.  Art  does  not  flour- 
ish  in  hidden  places,  nor  under  restraint,  nor  in  ignorance  of 
what  talent  and  genius  have  accomplished  and  are  accomplish' 
ing  throughout  the  world.  For  to  follow  precedent  wisely  does 
not  mean  to  imitate  slavishly  one  great  exemplar,  but  to  study 
all  masters  faithfully,  letting  their  great  achievements  sink 
slowly  into  the  mind  in  order  that  we  may  patiently  derive 
from  the  richness  of  our  acquired  knowledge  and  organized 
system  an  attitude  of  our  own.  The  sprightly  minded  young 

abcdefgh  i  j  k  I  m  nopqrs  tu  vwxyz 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

$1234567890 


10  Point  No.  231  J,  9j  Set 

MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  comes 
after  a  sound  apprenticeship;  that  which  shall  prove 
to  be  the  blending  of  a  firm  conception  of  all  useful 
precedent  and  the  progressive  tendencies  of  an  able 
mind.  For,  let  a  man  be  as  able  and  original  as  he 
may,  he  cannot  afford  to  discard  knowledge  of  what 
has  gone  before  or  what  is  now  going  on  in  his  own 
trade  and  profession.  If  the  printers  of  today  do 
not  wish  to  be  esteemed  arrogant  when  they  term 
this  calling  of  theirs  an  art,  they  must  be  willing,  and 
show  that  they  are  willing,  to  subject  it  to  such  laws 
as  have  made  its  sister  arts  so  free.  All  those  con' 
cerned  in  what  are  accepted  as  the  fine  arts,  the 
learned  sciences  and  the  professions,  surround  them' 
selves  with  the  history,  literature,  and  concrete 
examples  of  the  work  with  which  they  are  particu' 
larly  engaged.  Yet  it  is  only  in  rare  instances  that 
such  an  atmosphere,  with  all  its  material  appurte- 
nances, is  to  be  found  in  a  printing  office.  Art  does 
not  flourish  in  hidden  places,  nor  under  restraint, 
nor  in  ignorance  of  what  talent  and  genius  have  ac- 
complished  and  are  accomplishing  throughout  the 

abcdefghijklmnopqrstuvwxyz 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

$1234567890 


12  Point  No.  23 1J,  11  Set 

MONOTYPE  FACES 
The  best  kind  of  originality  is  that  which 
comes  after  a  sound  apprenticeship;  that 
which  shall  prove  to  be  the  blending  of  a  firm 
conception  of  all  useful  precedent  and  the 
progressive  tendencies  of  an  able  mind.  For, 
let  a  man  be  as  able  and  original  as  he  may, 
he  cannot  afford  to  discard  knowledge  of 
what  has  gone  before  or  what  is  now  going  on 
in  his  own  trade  and  profession.  If  the  print' 
ers  of  today  do  not  wish  to  be  esteemed  arro- 
gant when  they  term  this  calling  of  theirs  an 
art,  they  must  be  willing,  and  show  that  they 
are  willing,  to  subject  it  to  such  laws  as  have 
made  its  sister  arts  so  free.  All  those  con- 
cerned in  what  are  accepted  as  the  fine  arts, 
the  learned  sciences  and  professions,  surround 
themselves  with  the  history,  literature,  and 
concrete  examples  of  the  work  with  which 

abcdefghijklmnopqrstuvwxyz 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

$1234567890 


No.  231  Display  Matrices 

14  Point  No.  231 

TO  THE  ADVERTISING  MAN 

Your  Clients  are  Critical;   You   must   Keep   their   Enthusiastic  Good 
Will,  and  Good  Type  is  Second  Only  to  Good  Copy 

$1234567890 


18  Point  No.  231 


IF  YOU  SPECIFY  RIGHT 

You  are  Assured  of  New  Type,  with  Clear,  Sharp  Faces 
and  Clean,  Readable  Presswork 

$1234567890 


24  Point  No.  231 


MONOTYPE  AD  COMPOSITION 

Will  Give  Your  Copy  a  more  Artistic  Effect 

and  a  Better  Finished  Product 

$1234567890 


30  Point  No.  231 


ALWAYS  AVAILABLE 

Suitable  Monotype  Faces  for  Every 

Kind  of  Advertising  Copy 

$1234567890 


36  Point  No.  231 


ARE  YOU 
Getting  the  Best  Right  Now? 

$1234567890 


No.  360J.     Job  Arrangement  C4 
Composition  Matrices 


12  Point  No. 

MONOTYPE  FACES 
The  very  best  Kind  of  originality  is  that 
which  comes  after  a  sound  apprentice- 
ship; that  which  shall  prove  to  be  the 
blending  of  a  firm  conception  of  all  use- 
ful precedent  and  the  progressive  tend- 
encies of  an  able  mind.  For,  let  a  man 
be  as  able  and  original  as  he  may,  he 
cannot  afford  to  discard  Knowledge  of 
what  has  gone  before  or  what  is  now 
going  on  in  his  own  trade  and  profes- 
sion. If  the  good  printers  of  today  do 
not  wish  to  be  esteemed  too  arrogant 
when  they  term  this  calling  of  theirs  an 
art,  they  must  be  willing,  and  show  that 
they  are  willing,  to  subject  it  to  such 
laws  as  have  made  its  sister  arts  so 
free.  All  those  concerned  in  what  are 


360 J,  12^  Set 


MONOTYPE  FACES 


The  very  best  Kind  of  originality  is  that 
which  comes  after  a  sound  apprentice- 
ship; that  which  shall  prove  to  be  the 
blending  of  a  firm  conception  of  all  use- 
ful precedent  and  the  progressive  tend- 
encies of  an  able  mind.  For,  let  a  man 
be  as  able  and  original  as  he  may,  he 
cannot  afford  to  discard  Knowledge  of 
what  has  gone  before  or  what  is  now 
going  on  in  his  own  trade  and  profes- 
sion. If  the  good  printers  of  today  do 
not  wish  to  be  esteemed  too  arrogant 
when  they  term  this  calling  of  theirs  an 
art,  they  must  be  willing,  and  show  that 
they  are  willing,  to  subject  it  to  such 
laws  as  have  made  its  sister  arts  so 
free.  All  those  concerned  in  what  are 
accepted  as  the  fine  arts,  the  learned 
sciences  and  the  professions,  surround 
themselves  with  the  history,  the  litera- 


abcdefghijKlmnopqrstuvwxyz 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

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No.  360  Electro  Display  Matrices 

14  Point  No.  360 

THE  MONOTYPE  COMPOSING  MACHINE 

Sets  all  Kinds  of  Matter,  Plain  or  Intricate,  in  any  Measure  up  to 

60  Picas,  in  all  sizes  from  5  to  18  Point 

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18  Point  No.  360 

A  COMPLETE  MONOTYPE 

Is  much  more  than  a  Composing  Machine;  it  furnishes 
all  the  Equipment  used  by  Hand  Compositors 

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24  Point  No.  360 


THE  MONOTYPE  PRINTER 

Who  Casts  his  own  Material  makes  Large 

Savings  in  Time  and  Money 

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30  Point  No.  360 


RAISING  THE  STANDARD 

of  Workmanship  throughout  the  Plant 

is  Easy  with  the  Monotype 

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36  Point  No.  360 


A  GOOD  START 
is  a  Step  in  the  Right  Direction 

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BB1 

One  of  the  Truly  Great 

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Developments  in  the  Printing  Industry 

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No.  11J.     Job  Arrangement  C2 


Composition  Matrices 


5  Point  No.  11J,  6  Set 


MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  comes  after  a  sound  apprentice- 
ship; that  which  shall  prove  to  be  the  blending  of  a  firm  conception  of  all 
useful  precedent  and  the  progressive  tendencies  of  an  able  mind.  For, 
let  a  man  be  as  able  and  original  as  he  may,  he  cannot  afford  to  discard 
knowledge  of  what  has  gone  before  or  what  is  now  going  on  in  his  own  trade 
and  profession.  If  the  printers  of  today  do  not  wish  to  be  esteemed  arro- 
gant when  they  term  this  calling  of  theirs  an  art,  they  must  be  willing,  and 
show  that  they  are  willing,  to  subject  it  to  such  laws  as  have  made  its  sister 
arts  so  free.  All  those  concerned  in  what  are  accepted  as  the  fine  arts,  the 
learned  sciences,  and  professions  surround  themselves  with  the  history, 
literature,  and  concrete  examples  of  the  work  with  which  they  may  be 
particularly  engaged.  Yet  it  is  only  in  rare  instances  that  such  an  atmos- 
phere, with  its  material  appurtenances,  is  to  be  found  in  a  printing  office. 
Art  does  not  flourish  in  hidden  places,  nor  under  restraint,  nor  even  in 
ignorance  of  what  talent  and  genius  have  accomplished  and  are  accom- 
plishing throughout  the  world.  For  to  follow  precedent  wisely  does  not 
mean  to  imitate  slavishly  one  great  exemplar,  but  to  study  all  masters 
faithfully,  letting  their  great  achievements  sink  slowly  into  the  mind  in 
order  that  we  may  patiently  derive  from  the  richness  of  our  acquired 
knowledge  and  organized  system  an  attitude  of  our  own.  The  sprightly 
minded  young  man,  who  with  his  first  business  breath  projects  the  new 
and  startling,  inevitably  becomes  tiresome,  and  is  driven  to  an  early  dis- 
appearance; while  the  slower,  more  solidly  endowed  student  will  at  least 
spend  as  much  of  his  time  in  avoiding  mistakes  as  in  evolving  brilliant 
schemes  wherewith  to  dazzle  his  contemporaries.  The  best  kind  of  origi- 
nality is  that  which  comes  after  a  sound  apprenticeship;  that  which  shall 
prove  to  be  the  blending  of  a  firm  conception  of  all  useful  precedent  and 
the  progressive  tendencies  of  an  able  mind.  For,  let  a  man  be  as  able  and 
original  as  he  may,  he  cannot  afford  to  discard  knowledge  of  what  has  gone 
before  or  what  is  now  going  on  in  his  own  trade  and  profession.  If  the 
printers  of  today  do  not  wish  to  be  esteemed  arrogant  when  they  term  this 
calling  of  theirs  an  art,  they  must  be  willing,  and  show  that  they  are  will- 
ing, to  subject  it  to  such  laws  as  have  made  its  sister  arts  so  free.  All 
those  concerned  in  what  are  accepted  as  the  fine  arts,  the  learned  sciences, 
and  the  professions  surround  themselves  with  the  history,  literature,  and 
concrete  examples  of  the  work  with  which  they  are  particularly  engaged. 
Yet  it  is  only  in  rare  instances  that  such  an  atmosphere,  with  its  material 

abcdefghijklmnopqrstuvwxyz 

ABCDEFQHIJKLMNOPQRSTUVWXYZ 

$1234567890 


6  Point  No.  11J,  7  Set 


MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  comes  after  a  sound 
apprenticeship;  that  which  shall  prove  to  be  the  blending  of  a 
firm  conception  of  all  useful  precedent  and  the  progressive 
tendencies  of  an  able  mind.  For,  let  a  man  be  as  able  and 
original  as  he  may,  he  cannot  afford  to  discard  knowledge  of 
what  has  gone  before  or  what  is  now  going  on  in  his  own  trade 
and  profession.  If  the  printers  of  today  do  not  wish  to  be 
esteemed  arrogant  when  they  term  this  calling  of  theirs  an  art, 
they  must  be  willing,  and  show  that  they  are  willing,  to  sub- 
ject  it  to  such  laws  as  have  made  its  sister  arts  so  free.  All 
those  concerned  in  what  are  accepted  as  the  fine  arts,  the 
learned  sciences,  and  professions  surround  themselves  with  the 
history,  literature,  and  concrete  examples  of  the  work  with 
which  they  are  particularly  engaged.  Yet  it  is  only  in  very  rare 
instances  that  such  an  atmosphere,  with  its  material  appurten- 
ances, is  to  be  found  in  a  printing  office.  Art  does  not  flourish 
in  hidden  places,  nor  under  restraint,  nor  in  ignorance  of  what 
talent  and  genius  have  accomplished  and  are  accomplishing 
throughout  the  world.  For  to  follow  all  precedent  wisely  does 
not  mean  to  imitate  too  slavishly  one  great  exemplar,  but  to 
study  all  masters  faithfully,  letting  their  great  achievements 
sink  slowly  into  the  mind  in  order  that  we  may  patiently 
derive  from  the  richness  of  our  acquired  knowledge  and  organ- 
ized system  an  attitude  of  our  own.  The  sprightly  minded 
young  man,  who  with  his  first  business  breath  projects  the  new 
and  startling,  inevitably  becomes  tiresome,  and  is  driven  to  an 
early  disappearance;  while  the  slower,  more  solidly  endowed 
student  will  at  least  spend  as  much  of  his  time  in  avoiding 
mistakes  as  in  evolving  brilliant  schemes  wherewith  to  dazzle 
his  contemporaries.  The  best  kind  of  originality  is  that  which 
comes  after  a  sound  apprenticeship;  that  which  shall  prove  to 

abcdefghijklmnopqrstuvwxyz 

ABCDEFQHIJKLMNOPQRSTUVWXYZ 

$1234567890 


8  Point  No.  11J,  8J  Set 

MONOTYPE  FACES 

The  very  best  kind  of  originality  is  that  which  comes 
after  a  thorough  apprenticeship;  that  which  shall 
prove  to  be  the  blending  of  a  firm  conception  of  all 
useful  precedent  and  the  progressive  tendencies  of 
an  able  mind.  For,  let  a  man  be  as  able  and  original 
as  he  may,  he  cannot  afford  to  discard  knowledge 
of  what  has  gone  before  or  what  is  now  going  on 
in  his  own  trade  and  profession.  If  the  printers  of 
today  do  not  wish  to  be  esteemed  arrogant  when 
they  term  this  calling  of  theirs  an  art,  they  must  be 
willing,  and  show  that  they  are  willing,  to  subject 
it  to  such  laws  as  have  made  its  sister  arts  so  free. 
All  those  concerned  in  what  are  accepted  as  the  fine 
arts,  the  learned  sciences,  and  professions  surround 
themselves  with  the  history,  the  literature,  and  the 
concrete  examples  of  the  work  with  which  they  are 
particularly  engaged.  Yet  it  is  only  in  very  rare  in- 
stances that  such  an  atmosphere,  with  its  material 
appurtenances,  is  to  be  found  in  a  printing  office. 
Art  does  not  flourish  in  hidden  places,  nor  under 
restraint,  nor  in  ignorance  of  what  talent  and  genius 
have  accomplished  and  are  accomplishing  through- 
out the  world.  For  to  follow  precedent  wisely  does 
not  mean  to  imitate  slavishly  one  great  exemplar, 
but  to  study  all  the  masters  faithfully,  letting  their 
greatest  achievements  sink  slowly  into  the  mind  in 
order  that  we  may  patiently  derive  from  the  richness 

abcdefghijklmnopqrstuvwxyz 

ABCDEFQHIJKLMNOPQRSTUVWXYZ 

$1234567890 


10  Point  No.  11J,  10  Set 

MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which 
comes  after  a  sound  apprenticeship;  that 
which  shall  prove  to  be  the  blending  of 
a  firm  conception  of  all  useful  precedent 
and  the  progressive  tendencies  of  an  able 
mind.  For,  let  any  man  be  as  able  and 
original  as  he  may,  he  cannot  afford  to 
discard  knowledge  of  what  has  gone  before 
or  what  is  now  going  on  in  his  own  trade 
and  profession.  If  the  printers  of  today 
do  not  wish  to  be  esteemed  too  arrogant 
when  they  term  this  calling  of  theirs  an 
art,  they  must  be  willing,  and  show  that 
they  are  willing,  to  subject  it  to  just  such 
laws  as  have  made  its  sister  arts  so  free. 
All  those  concerned  in  what  are  accepted 
as  the  fine  arts,  the  learned  sciences,  and 
professions  surround  themselves  with  the 
history,  literature,  and  concrete  examples 
of  the  work  with  which  they  are  particu= 
larly  engaged.  Yet  it  is  only  in  very  rare 
instances  that  such  an  atmosphere,  with 

abcdefghijklmnopqrstuvwxyz 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

$1234567890 


Composition  Matrices 
5£  Point  No.  211J,  7  Set  Job  Arrangement  C2 

MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  comes  after  a  sound 
apprenticeship;  that  which  shall  prove  to  be  the  blending  of 
a  firm  conception  of  all  useful  precedent  and  the  progressive 
tendencies  of  an  able  mind.  For,  let  a  man  be  as  able  and 
original  as  he  may,  he  cannot  afford  to  discard  knowledge  of 
what  has  gone  before  or  what  is  now  going  on  in  his  own  trade 
and  profession.  If  the  printers  of  today  do  not  wish  to  be 
esteemed  arrogant  when  they  term  this  calling  of  theirs  an  art, 
they  must  be  willing,  and  show  that  they  are  willing,  to  >uh 
ject  it  to  such  laws  as  have  made  its  sister  arts  so  free.  All 
those  concerned  in  what  are  now  accepted  as  the  fine  arts,  the 
learned  sciences,  and  professions  surround  themselves  with  the 
history,  literature,  and  the  concrete  examples  of  the  work  with 
which  they  are  particularly  engaged.  Yet  it  is  only  in  very  rare 
instances  that  this  atmosphere,  with  its  material  appurte- 
nances, is  to  be  found  in  a  printing  office.  Art  does  not  flourish 
in  hidden  places,  nor  under  restraint,  nor  in  ignorance  of  what 
talent  and  genius  have  accomplished  and  are  now  accomplishing 
throughout  the  world.  For  to  follow  all  precedent  wisely  does 
not  mean  to  imitate  too  slavishly  one  great  exemplar,  but  to 
study  all  masters  faithfully,  letting  their  great  achievements 
sjnk  slowly  into  the  mind  in  order  that  we  may  patiently  de= 
rive  from  the  richness  of  our  acquired  knowledge  and  organized 
system  an  attitude  of  our  own.  The  sprightly  minded  young 
man,  who  with  his  first  business  breath  projects  the  new  and 
startling,  inevitably  becomes  tiresome,  and  is  driven  to  an  early 
disappearance;  while  the  slower,  more  solidly  endowed  student 
will  at  least  spend  as  much  of  his  time  in  avoiding  mistakes  as 
in  evolving  brilliant  schemes  wherewith  to  dazzle  his  contem- 
poraries. The  best  kind  of  originality  is  that  which  comes 
after  a  sound  apprenticeship;  that  which  shall  prove  to  be  the 
blending  of  a  firm  conception  of  all  useful  precedent  and  the 
progressive  tendencies  of  an  able  mind.  For,  let  any  man  be 
as  able  and  as  original  as  he  may,  he  cannot  afford  to  discard 
knowledge  of  what  has  gone  before  or  what  is  now  going  on  in 

abcdefghijklmnopqrstuvwxyz 
ABCDEFGHUKLMNOPQRSTUVWXYZ 


No.  11J.     Job  Arrangement  C2 
Composition  Matrices 


11  Point  No.  11J,  11  Set 


MONOTYPE  FACES 


The  very  best  kind  of  originality  is  that 
which  comes  after  a  sound  apprentice- 
ship;  that  which  shall  prove  itself  to  be 
the  blending  of  a  firm  conception  of  all 
useful  precedent  and  the  progressive  ten= 
dencies  of  an  able  mind.  Let  any  man 
be  as  able  and  original  as  he  may,  he 
cannot  afford  to  discard  knowledge  of 
what  has  gone  before  or  what  is  now 
going  on  in  his  own  trade  and  profes= 
sion.  If  the  printers  of  today  do  not 
wish  to  be  esteemed  arrogant  when  they 
term  this  calling  of  theirs  an  art,  they 
must  be  willing,  and  show  that  they  are 
willing,  to  subject  it  to  such  laws  as  have 


MONOTYPE  FACES 


The  very  best  kind  of  originality  is  that 
which  comes  after  a  sound  apprentice- 
ship;  that  which  shall  prove  itself  to  be 
the  blending  of  a  firm  conception  of  all 
useful  precedent  and  the  progressive  ten= 
dencies  of  an  able  mind.  Let  any  man 
be  as  able  and  original  as  he  may,  he 
cannot  afford  to  discard  knowledge  of 
what  has  gone  before  or  what  is  now 
going  on  in  his  own  trade  and  profes= 
sion.  If  the  printers  of  today  do  not 
wish  to  be  esteemed  arrogant  when  they 
term  this  calling  of  theirs  an  art,  they 
must  be  willing,  and  show  that  they  are 
willing,  to  subject  it  to  such  laws  as  have 
made  its  sister  arts  so  free.  All  those 
concerned  in  what  are  accepted  as  the 


abcdefghijklmnopqrstuvwxyz 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

$1234567890 


12  Point  No. 

MONOTYPE  FACES 
The  best  kind  of  originality  is  that 
which  comes  after  a  sound  appren= 
ti ex-ship:  that  which  shall  prove  to 
be  the  blending  of  a  firm  conception 
of  all  useful  precedent  and  the  pro= 
gressive  tendencies  of  an  able  mind. 
For,  let  a  man  be  as  able  and  original 
as  he  may,  he  cannot  afford  to  dis= 
card  a  knowledge  of  what  has  gone 
before  or  what  is  now  going  on  in 
his  own  trade  and  profession.  If  the 
printers  of  today  do  not  wish  to  be 
esteemed  arrogant  when  they  term 
this  calling  of  theirs  an  art,  they 
must  be  willing,  and  show  that  they 
are  willing,  to  subject  it  to  such  laws 
as  have  made  its  sister  arts  so  free. 


11J,  12  Set 


MONOTYPE  FACES 


The  best  kind  of  originality  is  that 
which  comes  after  a  sound  appren= 
ticeship;  that  which  shall  prove  to 
be  the  blending  of  a  firm  conception 
of  all  useful  precedent  and  the  pro= 
gressive  tendencies  of  an  able  mind. 
For,  let  a  man  be  as  able  and  original 
as  he  may,  he  cannot  afford  to  dis= 
card  a  knowledge  of  what  has  gone 
before  or  what  is  now  going  on  in 
his  own  trade  and  profession.  If  the 
printers  of  today  do  not  wish  to  be 
esteemed  arrogant  when  they  term 
this  calling  of  theirs  an  art,  they 
must  be  willing,  and  show  that  they 
are  willing,  to  subject  it  to  such  laws 
as  have  made  its  sister  arts  so  free. 
All  those  who  are  concerned  in  what 
are  now  accepted  as  the  fine  arts, 


abcdefghijklmnopqrstuvwxyz 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

$1234567890 


No.  11  Electro-Display  Matrices 

14  Point  No.  11 

FIGURE  THE  COST 

Of  the  Machines  and  Accessories  Offered  to  do  Approximately 

what  any  Monotype  will  do 
$1234567890 

18  Point  No.  11 

THE  TYPEWRITER  KEYBOARD 
Easy  to  Learn,  Easy  to  Operate,  just  the  same  as 

the  Standard  Typewriter 
$1234567890 


24  Point  No.  11 


QUICK  CHANGE 

Of  Measure  and  Mold  Keeps  up  Product 

and  Keeps  down  Cost 

$1234567890 


30  Point  No.  11 


HIGH  OR  LOW  SPACES 

Produced   by  the  Monotype  at 

the  Will  of  the  Operator 

$1234567890 


36  Point  No.  11 


OUR  TYPE  CASTER 
A  Complete  Type  Foundry 

$1234567890 


No.  UK.     Job  Arrangement  C2 


Composition  Matrices 


8  Point  No.  UK,  8|  Set 


MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  comes 
after  a  sound  apprenticeship;  that  which  shall 
prove  to  be  the  blending  of  a  firm  conception  of  all 
useful  precedent  and  the  progressive  tendencies  of 
an  able  mind.  For,  let  any  man  be  as  able  and 
original  as  he  may,  he  cannot  afford  to  discard 
knowledge  of  what  has  gone  before  or  what  is  now 
going  on  in  his  own  trade  and  profession.  If  the 
printers  of  today  do  not  wish  to  be  esteemed  too 
arrogant  when  they  term  this  calling  of  theirs  an 
art,  they  must  be  willing,  and  show  that  they  are 
willing,  to  subject  it  to  such  laws  as  have  made  its 
sister  arts  so  very  free.  All  those  concerned  in  what 
are  accepted  as  the  fine  arts,  the  learned  sciences 
and  professions,  surround  themselves  with  the  his- 
tory, literature,  and  concrete  examples  of  the  work 
with  which  they  are  particularly  engaged.  Yet  it 
is  only  in  very  rare  instances  that  such  an  atmos- 
phere, with  its  material  appurtenances,  is  to  be 
found  in  a  printing  office.  Art  does  not  flourish  in 
hidden  places,  nor  under  restraint,  nor  in  ignorance 
of  what  talent  and  genius  have  accomplished  and 
are  now  accomplishing  throughout  the  world.  For 
to  follow  precedent  wisely  does  not  mean  to  imitate 

abcdefghijklmnopqrstuvwxyz 

ABCDEFGH1JKLMNOPQRSTUVWXYZ 

$1234567890 


10  Point  No.  UK,  10  Set 


MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which 
comes  after  a  sound  apprenticeship;  that 
which  shall  prove  to  be  the  blending  of  a 
firm  conception  of  all  useful  precedent  and 
the  progressive  tendencies  of  an  able  mind. 
For,  let  any  man  be  as  able  and  original  as 
he  may,  he  cannot  afford  to  discard  knowh 
edge  of  what  has  gone  before  or  what  is  now 
going  on  in  his  own  trade  and  profession. 
If  the  printers  of  today  do  not  wish  to  be  es= 
teemed  too  arrogant  when  they  term  this 
calling  of  theirs  an  art,  they  must  be  willing, 
and  show  that  they  are  willing,  to  subject  it 
to  such  laws  as  have  made  its  sister  arts  so 
very  free.  All  those  concerned  in  what  are 
accepted  as  the  fine  arts,  the  learned  sciences 
and  professions,  surround  themselves  with 
the  history,  literature,  and  the  concrete  ex= 
amples  of  the  work  with  which  they  are  par- 

abcdefghijklmnopqrstuvwxyz 
ABCDEFGHIJKLMNOPQRSTUVWXYZ 

$1234567890 


12  Point  No.  UK,  12  Set 


MONOTYPE  FACES 
The  best  kind  of  originality  is  that 
which  comes  after  a  sound  appren- 
ticeship; that  which  shall  prove  to 
be  the  blending  of  a  firm  conception 
of  all  useful  precedent  and  the  pro- 
gressive tendencies  of  an  able  mind. 
For,  let  a  man  be  as  able  and  original 
as  he  may,  he  cannot  afford  to  dis- 
card a  knowledge  of  what  has  gone 
before  or  what  is  now  going  on  in 
his  own  trade  and  profession.  If  the 
printers  of  today  do  not  wish  to  be 
esteemed  arrogant  when  they  term 
this  calling  of  theirs  an  art,  they 
must  be  willing,  and  show  that  they 
are  willing,  to  subject  it  to  such  laws 


MONOTYPE  FACES 
The  best  kind  of  originality  is  that 
which  comes  after  a  sound  appren- 
ticeship; that  which  shall  prove  to 
be  the  blending  of  a  firm  conception 
of  all  useful  precedent  and  the  pro- 
gressive tendencies  of  an  able  mind. 
For,  let  a  man  be  as  able  and  original 
as  he  may,  he  cannot  afford  to  dis- 
card a  knowledge  of  what  has  gone 
before  or  what  is  now  going  on  in 
his  own  trade  and  profession.  If  the 
printers  of  today  do  not  wish  to  be 
esteemed  arrogant  when  they  term 
this  calling  of  theirs  an  art,  they 
must  be  willing,  and  show  that  they 
are  willing,  to  subject  it  to  such  laws 
as  have  made  its  sister  arts  so  free. 
All  those  concerned  in  what  are  ac- 


abcdefghijklmnopqrstuvwxyz 
ABCDEFGHIJKLMNOPQRSTUVWXYZ 

$1234567890 


No.  1111  Electro  Display  Matrices 

14  Point  No.  1111 

THE  COMPLETE  MONOTYPE 

Is  the  Only  Machine  that  will  Supply  All  of  the  Material 

Needed  in  the  Composing  Room 

$1234567890 

18  Point  No.  1111 


INCREASED  PRODUCTION 


With  System  and  Economy  are  Always  to  be 


Found  Where  There  is  a  Monotype 


$1234567890 


24  Point  No.  1111 


WITH  HIGH  QUALITY 

As  an  Asset,  Satisfaction  is  Assured 

from  Your  Monotype 

$1234567890 


30  Point  No.  1111 


POOR  WORKMANSHIP 

Is  Dear  at  any  Price:   Offer 

the  Best— Monotype 

$1234567890 


36  Point  No.  1111 


MONOTYPE 


No.  Ill  Electro  Display  Matrices 

14  Point  No.  Ill 

YOU  MAY  BE  ABLE  TO  MAKE  MONEY 

Without  Owning  and  Operating  a  Monotype  or  Keeping  your  Plant  up=to=date 
with  the  Modern  Improvements  of  the  Printing  Business 

$1234567890 

18  Point  No.  Ill 

BUT  YOU  ARE  WASTING  ENERGY 
Which  Could  and  Should  Easily  Pay  you  Greater  Dividends  with 
Considerably  Less  Effort  and  Worry 
$1234567890 


24  Point  No.  Ill 


A  MONOTYPE  EQUIPMENT 

Will  Easily  Save  Many  Composing  and  Pressroom 

Expenses  Now  Thought  Necessary 

$1234567890 


30  Point  No.  Ill 


TIME  IS  MONEY 

And  the  Monotype  Will  Save  Both.    It 

is  a  Steady  Producer 

$1234567890 


36  Point  No.  Ill 


LABOR  COSTS 

Are  Reduced  to  a  Large  Extent 

$1234567890 


No.  28J.     Job  Arrangement  C2 


Composition  Matrices 


Point  No.  28J,  6i  Set 


MONOTYPE  FACES 

The  best  kind  of  originality  Is  that  which  comes  after  a  sound  ap- 
prenticeship; that  which  shall  prove  to  be  the  blending  of  a  flrm 
conception  of  all  useful  precedent  and  the  progressive  tendencies  of 
an  able  mind.  For,  let  a  man  be  as  able  and  original  as  he  may,  he 
cannot  afford  to  discard  knowledge  of  what  has  gone  before  or  what 
Is  now  going  on  In  his  own  trade  and  profession.  If  the  printers 
of  today  do  not  wish  to  be  esteemed  arrogant  when  they  term  this 
calling  of  theirs  an  art,  they  must  be  willing,  and  show  that  they 
are  willing,  to  subject  it  to  such  laws  as  have  made  Its  sister  arts 
so  free.  All  those  concerned  in  what  are  accepted  as  the  fine  arts, 
the  learned  sciences,  and  professions  surround  themselves  with  the 
history,  literature,  and  concrete  examples  of  the  work  with  which 
they  are  engaged.  Yet  it  is  only  In  rare  Instances  that  such  an  atmos- 
phere, with  Its  material  appurtenances,  Is  to  be  found  in  a  printing 
office.  Art  does  not  flourish  in  hidden  places,  nor  under  restraint, 
nor  In  Ignorance  of  what  talent  and  genius  have  accomplished  and 
are  now  accomplishing  throughout  the  world.  For  to  follow  prece- 
dent wisely  does  not  mean  to  imitate  slavishly  one  great  exemplar, 
but  to  study  all  masters  faithfully,  letting  their  great  achievements 
-Ink  slowly  Into  the  mind  In  order  that  we  may  patiently  derive 
from  the  richness  of  our  acquired  knowledge  and  organized  system 
an  attitude  of  our  own.  The  sprightly  minded  young  man,  who 
with  his  first  business  breath  projects  the  new  and  startling,  inevi- 
tably becomes  tiresome,  and  Is  driven  to  an  early  disappearance; 
while  the  slower,  more  solidly  endowed  student  will  at  least  spend  as 
much  of  his  time  in  avoiding  mistakes  as  In  evolving  brilliant  schemes 
wherewith  to  dazzle  his  contemporaries.  The  best  kind  of  origin- 
ality Is  that  which  comes  after  a  sound  apprenticeship;  that  which 
shall  prove  to  be  the  blending  of  a  firm  conception  of  all  useful  pre- 
cedent and  the  progressive  tendencies  of  an  able  mind.  For,  let 
a  man  be  as  able  and  original  as  he  may,  he  cannot  afford  to  discard 
knowledge  of  what  has  gone  before  or  what  Is  now  going  on  In  his 
own  trade  and  profession.  If  the  printers  of  today  do  not  wish  to  be 
esteemed  arrogant  when  they  term  this  calling  of  theirs  an  art,  they 

abcdefghljklmnopqrstuvwxyz 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

$1334567890 


6  Point  No.  28J,  7  Set 


MONOTYPE  FACES 

The  best  kind  of  originality  Is  that  which  conies  after  a  sound 
apprenticeship;  that  which  shall  prove  to  be  the  blending  of  a 
flrm  conception  of  all  useful  precedent  and  the  progressive 
tendencies  of  an  able  mind.  For,  let  a  man  be  as  able  and 
original  as  he  may,  he  cannot  afford  to  discard  knowledge  of 
what  has  gone  before  or  what  Is  now  going  on  in  his  own  trade 
and  profession.  If  the  printers  of  today  do  not  wish  to  be 
esteemed  arrogant  when  they  term  this  calling  of  theirs  an  art, 
they  must  be  willing,  and  show  that  they  are  willing,  to  sub- 
ject it  to  such  laws  as  have  made  its  sister  arts  so  free.  All 
those  concerned  In  what  are  accepted  as  the  line  arts,  the 
learned  sciences,  and  professions  surround  themselves  with  the 
history,  literature,  and  concrete  examples  of  the  work  with 
which  they  are  particularly  engaged.  Yet  it  is  only  in  very  rare 
Instances  that  such  an  atmosphere,  with  its  material  appurten- 
ances, is  to  be  found  in  a  printing  office.  Art  does  not  flourish 
in  bidden  places,  nor  under  restraint,  nor  in  ignorance  of  what 
talent  and  genius  have  accomplished  and  are  accomplishing 
throughout  the  world.  For  to  follow  precedent  wisely  does 
not  mean  to  imitate  slavishly  one  great  exemplar,  but  to 
study  all  masters  faithfully,  letting  their  great  achievements 
sink  slowly  into  the  mind  in  order  that  we  may  patiently 
derive  from  the  richness  of  our  acquired  knowledge  and  organ- 
ized system  an  attitude  of  our  own.  The  sprightly  minded 
young  man,  who  with  his  first  business  breath  projects  the  new 
and  startling,  inevitably  becomes  tiresome,  and  Is  driven  to  an 
early  disappearance;  while  the  slower,  more  solidly  endowed 
student  will  at  least  spend  as  much  of  his  time  In  avoiding 
mistakes  as  in  evolving  brilliant  schemes  wherewith  to  dazzle 
his  contemporaries.  The  best  kind  of  originality  is  that  which 
comes  after  a  sound  apprenticeship;  that  which  shall  prove  to 


7  Point  No.  28J,  8  Set 

MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  conies  after 
a  sound  apprenticeship;  that  which  shall  prove  to  be 
the  blending  of  a  flrm  conception  of  all  useful  pre- 
cedent and  the  progressive  tendencies  of  an  able  mind. 
For,  let  a  man  be  as  able  and  original  as  he  may,  he 
cannot  afford  to  discard  knowledge  of  what  has  gone 
before  or  what  is  now  going  on  in  his  own  trade  and 
profession.  If  the  printers  of  today  do  not  wish  to  be 
esteemed  too  arrogant  when  they  term  this  calling  of 
theirs  an  art,  they  must  be  willing,  and  show  that  they 
are  willing,  to  subject  It  to  such  laws  as  have  made  Its 
sister  arts  so  free.  All  those  concerned  in  what  are 
accepted  as  the  line  arts,  the  learned  sciences,  and 
the  professions  surround  themselves  with  the  history, 
the  literature,  and  concrete  examples  of  the  work  with 
which  they  are  particularly  engaged.  Yet  It  is  only 
In  rare  Instances  that  such  an  atmosphere,  with  Its 
material  appurtenances,  Is  to  be  found  In  a  printing 
office.  Art  does  not  flourish  In  hidden  places,  nor 
under  restraint,  nor  In  ignorance  of  what  talent  and 
Kcnlus  have  accomplished  and  are  now  accomplishing 
throughout  the  world.  For  to  follow  precedent  wisely 
does  not  mean  to  Imitate  slavishly  one  great  exemplar, 
but  to  study  all  masters  faithfully,  letting  their  great 
achievements  sink  slowly  Into  the  mind  In  order  that 
we  may  patiently  derive  from  the  richness  of  our  ac- 
quired knowledge  and  organized  system  an  attitude  of 
our  own.  The  sprightly  minded  young  man,  who  with 
his  first  business  breath  projects  the  new  and  startling. 
Inevitably  become*)  tiresome,  and  Is  driven  to  an  early 
disappearance;  while  the  slower,  more  solidly  endowed 

abcdefghljklmnopqrstuvwxyz 
ABCDEFGHIJKLMNOPQRSTUVWXYZ 

91234567890 


8  Point  No.  28J,  8J  Set 

MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  conies 
after  a  sound  apprenticeship;  that  which  shall 
prove  to  be  the  blending  of  a  flrm  conception  of  all 
useful  precedent  and  the  progressive  tendencies  of 
an  able  mind.  For,  let  a  man  be  as  able  and  original 
as  he  may,  he  cannot  afford  to  discard  knowledge 
of  what  has  gone  before  or  what  Is  now  going  on 
In  his  own  trade  and  profession.  If  the  printers  of 
today  do  not  wish  to  be  esteemed  arrogant  when 
they  term  this  calling  of  theirs  an  art,  they  must  be 
willing,  and  show  that  they  are  willing,  to  subject 
It  to  such  laws  as  have  made  Its  sister  arts  so  free. 
All  those  concerned  In  what  are  accepted  as  the  flne 
arts,  the  learned  sciences,  and  professions  surround 
themselves  with  the  history,  literature,  and  con- 
crete examples  of  the  work  with  which  they  are 
particularly  engaged.  Yet  It  Is  only  In  very  rare  In- 
stances that  such  an  atmosphere,  with  Its  material 
appurtenances,  Is  to  be  found  in  a  printing  office. 
Art  does  not  flourish  In  hidden  places,  nor  under 
restraint,  nor  In  Ignorance  of  what  talent  and  genius 
have  accomplished  and  are  accomplishing  through- 
out the  world.  For  to  follow  precedent  wisely  does 
not  mean  to  Imitate  slavishly  one  great  exemplar, 
but  to  study  all  the  masters  faithfully,  letting  their 
great  achievements  sink  slowly  Into  the  mind  In 
order  that  we  may  patiently  derive  from  the  richness 

abcdefghljklmnopqrstuvwxyz 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

$1234567890 


No.  28J.     Job  Arrangement  C2 


Composition  Matrices 


10  Point  No.  28J,  10i  Set 

MONOTYPE  FACES 


12  Point  No.  28J,  12  Set 


The  best  kind  of  originality  is  that  which 
comes  after  a  sound  apprenticeship;  that 
which  shall  prove  to  be  the  blending  of 
a  firm  conception  of  all  useful  precedent 
and  the  progressive  tendencies  of  an  able 
mind.  For,  let  a  man  be  as  able  and  as 
original  as  he  may,  he  cannot  afford  to 
discard  knowledge  of  what  has  gone  be- 
fore or  what  is  now  going  on  in  his  own 
trade  and  profession.  If  the  printers  of  to- 
day do  not  wish  to  be  esteemed  arrogant 
when  they  term  this  calling  of  theirs  an 
art,  they  must  be  willing,  and  show  that 
they  are  willing,  to  subject  it  to  such  laws 
as  have  made  its  sister  arts  so  free.  All 
those  concerned  in  what  are  accepted  as 
the  fine  arts,  the  learned  sciences,  and  the 
professions  surround  themselves  with  the 
history,  literature,  and  concrete  examples 
of  the  work  with  which  they  are  particu- 
larly engaged.  Yet  it  is  only  in  rare  in- 
stances that  such  an  atmosphere,  with  its 

abcdefghijklmnopqrstuvwxyz 
ABCDEFGHIJKLMNOPQRSTUVWXYZ 

$1234567890 


MONOTYPE  FACES 

The  best  kind  of  originality  is  that 
which  comes  after  a  sound  appren- 
ticeship; that  which  shall  prove  to 
be  the  blending  of  a  firm  conception 
of  all  useful  precedent  and  the  pro- 
gressive tendencies  of  an  able  mind. 
For,  let  a  man  be  as  able  and  original 
as  he  may,  he  cannot  well  afford  to 
discard  knowledge  of  what  has  gone 
before  or  what  is  now  going  on  in 
his  own  trade  and  profession.  If  the 
printers  of  today  do  not  wish  to  be 
esteemed  arrogant  when  they  term 
this  calling  of  theirs  an  art,  they 
must  be  willing,  and  show  that  they 
are  willing,  to  subject  it  to  such  laws 
as  have  made  its  sister  arts  so  free. 
All  those  who  are  concerned  in  what 

abcdefghijklmnopqrstuvwxyz 
ABCDEFGHIJKLM1VOPQRSTUVW 

$1234567890 


No.  128J.     Job  Arrangement  Cl 
Composition  Matrices 


6  Point  No.  128J,  8£  Set 

MONOTYPE   FACES 

The  best  kind  of  originality  is  that  which  comes  after  a 
sound  apprenticeship;  that  which  shall  prove  to  be  the 
blending  of  a  firm  conception  of  all  useful  precedent  and 
the  progressive  tendencies  of  an  able  mind.  For,  let  a 
man  be  as  able  and  original  as  he  may,  he  cannot  afford 
to  discard  knowledge  of  what  has  gone  before  or  what  is 
now  going  on  in  his  own  trade  and  profession.  If  the 
printers  of  today  do  not  wish  to  be  esteemed  arrogant 
when  they  term  this  calling  of  theirs  an  art,  they  must  be 
willing,  and  show  that  they  are  willing,  to  subject  it  to 
such  laws  as  have  made  its  sister  arts  so  free.  All  those 
concerned  in  what  are  accepted  as  the  fine  arts,  the  learned 
sciences,  and  professions  surround  themselves  with  the 
history,  the  literature,  and  concrete  examples  of  the  work 
with  which  they  may  be  particularly  engaged.  Yet  it  Is 
only  in  rare  instances  that  such  an  atmosphere,  with  its 
material  appurtenances,  is  to  be  found  in  a  printing  office. 
Art  does  not  flourish  in  hidden  places,  nor  under  restraint, 
nor  in  ignorance  of  what  talent  and  genius  have  accom- 
plished and  are  now  accomplishing  throughout  the  world. 
For  to  follow  precedent  wisely  does  not  mean  to  imitate 
slavishly  one  great  exemplar,  but  to  study  all  the  masters 
faithfully,  letting  their  greatest  achievements  sink  slowly 
into  the  mind  in  order  that  we  may  patiently  derive  from 
the  richness  of  our  acquired  knowledge  and  organized 
system  an  attitude  of  our  own.  The  sprightly  minded 
young  man,  who  with  his  first  business  breath  projects  the 
new  and  startling,  inevitably  becomes  tiresome,  and  is 
driven  to  an  early  disappearance;  while  the  slower,  more 
solidly  endowed  student  will  at  least  spend  as  much  of  his 
time  in  avoiding  mistakes  as  in  evolving  brilliant  schemes 
wherewith  to  dazzle  his  contemporaries.  The  best  kind 
of  originality  is  that  which  comes  after  a  sound  apprentice- 
ship; that  which  shall  prove  to  be  the  blending  of  a  firm 
conception  of  all  useful  precedent  and  the  progressive  ten- 
dencies of  an  able  mind.  For,  let  a  man  be  as  able  and 
original  as  he  may,  he  cannot  afford  to  discard  knowledge 

abcdefghijklmnopqrstuvwxyz 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

C1234567890 


8  Point  No.  128J,  10  Set 

MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  comes 
after  a  sound  apprenticeship;  that  which  shall 
prove  to  be  the  blending  of  a  linn  conception 
of  all  useful  precedent  and  the  progressive  ten- 
dencies of  an  able  mind.  For,  let  a  man  be  as 
able  and  original  as  he  may,  he  cannot  afford 
to  discard  knowledge  of  what  has  gone  before 
or  what  is  now  going  on  in  his  own  trade  and 
profession.  If  the  printers  of  today  do  not  wish 
to  be  esteemed  too  arrogant  when  they  term  this 
calling  of  theirs  an  art,  they  must  be  willing, 
and  show  that  they  are  willing,  to  subject  it  to 
such  laws  as  have  made  its  sister  arts  so  free. 
All  those  concerned  in  what  are  accepted  as  the 
fine  arts,  the  learned  sciences,  and  professions, 
surround  themselves  with  the  history,  literature, 
and  concrete  examples  of  the  work  with  which 
they  are  particularly  engaged.  Yet  it  is  only  in 
rare  instances  that  such  an  atmosphere,  with  its 
material  appurtenances,  is  to  be  found  in  a  print- 
ing office.  Art  does  not  flourish  in  hidden  places, 
nor  under  restraint,  nor  even  in  ignorance  of  what 
talent  and  genius  have  accomplished  and  are  just 
now  accomplishing  throughout  the  world.  For  to 
follow  precedent  wisely  does  not  mean  to  imitate 
slavishly  one  great  exemplar,  but  to  study  all  the 
masters  faithfully,  letting  their  greatest  achieve- 
ments sink  slowly  into  the  mind  in  order  that  we 


10  Point  No.  128J,  12  Set 


MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which 
comes  after  a  sound  apprenticeship;  that 
which  shaU  prove  to  be  the  blending  of 
a  firm  conception  of  all  useful  precedent 
and  the  progressive  tendencies  of  an  able 
mind.  For,  let  any  man  be  as  able  and 
original  as  he  may,  he  cannot  afford  to 
discard  knowledge  of  what  has  gone  be- 
fore or  what  is  now  going  on  in  his  own 
trade  and  profession.  If  the  printers  of 
today  do  not  wish  to  be  esteemed  arro- 
gant when  they  term  this  calling  of  theirs 
an  art,  they  must  be  willing,  and  show  that 
they  are  willing,  to  subject  it  to  such  laws 
as  have  made  its  sister  arts  so  free.  All 
those  concerned  in  what  are  accepted  as 


MONOTYPE  FACES 


The  best  kind  of  originality  is  that  which 
comes  after  a  sound  apprenticeship ;  that 
which  shall  prove  to  be  the  blending  of 
a  firm  conception  of  all  useful  precedent 
and  the  progressive  tendencies  of  an  able 
mind.  For,  let  any  man  be  as  able  and 
original  as  he  may,  he  cannot  afford  to 
discard  knowledge  of  what  has  gone  be- 
fore or  what  is  now  going  on  in  his  own 
trade  and  profession.  If  the  printers  of 
today  do  not  wish  to  be  esteemed  arro- 
gant when  they  term  this  calling  of  theirs 
an  art,  they  must  be  willing,  and  show  that 
they  are  willing,  to  subject  it  to  such  laws 
as  have  made  its  sister  arts  so  free.  All 
those  concerned  in  what  are  accepted  as 
the  flne  arts,  the  learned  sciences  and 
professions  surround  themselves  with 
the  history*  literature,  and  concrete  <  \- 


abcdefghijklmnopqrstuvwxyz 
ABCDEFGHIJKLMNOPQRSTUVWXYZ 

81234567890 


No.  39J.     Job  Arrangement  C2 


Composition  Matrices 


5  Point  No.  39J,  6i  Set 


MONOTYPE   FACES 

The  best  kind  of  originality  is  that  which  comes  after  a  sound  ap- 
prenticeship; that  which  shall  prove  to  be  the  blending  of  a  firm 
conception  of  all  useful  precedent  and  the  progressive  tendencies  of 
an  able  mind.  For,  let  a  man  be  as  able  and  original  as  he  may,  he 
cannot  afford  to  discard  knowledge  of  what  has  gone  before  or  what 
is  now  going  on  in  his  own  trade  and  profession.  If  the  printers  of 
today  do  not  wish  to  be  esteemed  arrogant  when  they  term  this  call- 
ing of  theirs  an  art,  they  must  be  willing,  and  show  that  they  are 
willing,  to  subject  it  to  such  laws  as  have  made  its  sister  arts  so  free. 
All  those  concerned  in  what  are  accepted  as  the  fine  arts,  the  learned 
sciences  and  the  professions,  surround  themselves  with  the  history, 
literature,  and  the  concrete  examples  of  the  work  with  which  they 
are  particularly  engaged.  Yet  it  is  only  in  rare  instances  that  such 
an  atmosphere,  with  its  material  appurtenances,  is  to  be  found  in  a 
printing  office.  Art  does  not  flourish  in  hidden  places,  nor  under 
restraint,  nor  in  ignorance  of  what  talent  and  genius  have  accom- 
plished and  are  accomplishing  throughout  the  world.  For  to  follow 
precedent  wisely  does  not  mean  to  imitate  slavishly  one  great  exem- 
plar, but  to  study  all  masters  faithfully,  letting  their  great  achieve- 
ments sink  slowly  into  the  mind  in  order  that  we  may  patiently  de- 
rive from  the  richness  of  our  acquired  knowledge  and  organized 
system  an  attitude  of  our  own.  The  sprightly  minded  young  man, 

abcdefghijklmnopqrstuvwxyz 
ABCDEFGHIJKLMNOPQRSTUVWXYZ 

$1234567890 


Ems  a  to  z  18.63 


Words  to  Pica  .52 


6  Point  No.  39J,  1\  Set 

MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  conies  after  a 
sound  apprenticeship;  that  which  shall  prove  to  be  the 
blending  of  a  firm  conception  of  all  useful  precedent  and 
the  progressive  tendencies  of  an  able  mind.  For,  let  a  man 
be  as  able  and  original  as  he  may,  he  cannot  afford  to  dis- 
card knowledge  of  what  has  gone  before  or  what  Is  now 
going  on  in  his  own  trade  and  his  profession.  If  the  print- 
ers of  today  do  not  wish  to  be  esteemed  too  arrogant  when 
they  term  this  calling  of  theirs  an  art,  they  must  be  will- 
ing, and  show  that  they  are  willing,  to  subject  it  to  such 
laws  as  have  made  its  sister  arts  so  free.  All  those  concerned 
in  what  are  accepted  as  the  fine  arts,  the  learned  sciences, 
and  the  professions  surround  themselves  with  the  history, 
the  literature,  and  concrete  examples  of  the  work  with 
which  they  are  particularly  engaged.  Yet  it  is  only  in  rare 
instances  that  such  an  atmosphere,  with  its  material  ap- 
purtenances, is  to  be  found  in  a  printing  office.  Art  does 
not  flourish  in  hidden  places,  nor  under  restraint,  nor  in 
ignorance  of  what  talent  and  genius  have  accomplished 

abcdefghijklmnopqrstuvwxyz 
ABCDEFGHIJKLMNOPQRSTUVWXYZ 

$1234367890 


Ems  a  to  z  17.92 


Words  to  Pica  .45 


8  Point  No.  39J,  9  Set 

MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  conies 
after  a  sound  apprenticeship;  that  which  shall 
prove  to  be  the  blending  of  a  firm  conception  of  all 
useful  precedent  and  of  the  progressive  tendencies 
of  an  able  mind.  For,  let  a  man  be  as  able  and 
original  as  he  may,  he  cannot  afford  to  discard 
knowledge  of  what  has  gone  before  or  what  is  now 
going  on  in  his  own  trade  and  profession.  If  the 
printers  of  today  do  not  wish  to  be  esteemed  arro- 
gant when  they  term  this  calling  of  theirs  an  art 
they  must  be  willing,  and  show  that  they  are  will- 
ing, to  subject  it  to  such  laws  as  have  made  its 
sister  arts  so  free.  All  those  concerned  in  what 
are  accepted  as  the  fine  arts,  the  learned  sciences, 
and  professions  surround  themselves  with  the 

abcdefghijklmnopqrstuvwxyz 
ABCDEFGHIJKLM1NOPQRSTUVWXYZ 

$1234567890 

Em*  a  to  z  16.12  Words  to  Pica  .38 


10  Point  No.  39 J,  11  Set 

MONOTYPE  FACES 

The  very  best  kind  of  originality  is  that 
which  conies  after  a  sound  apprentice- 
ship; that  which  shall  prove  itself  to  be 
the  blending  of  a  firm  conception  of  all 
useful  precedent  and  the  progressive  ten- 
dencies of  an  able  mind.  For,  let  a  man 
be  as  able  and  original  as  he  may,  he 
cannot  afford  to  discard  knowledge  of 
what  has  gone  before  or  what  is  now 
going  on  in  his  own  trade  and  profes- 
sion. If  the  printers  of  today  do  not 
wish  to  be  esteemed  arrogant  when  they 
term  this  calling  of  theirs  an  art,  they 
must  be  willing,  and  show  that  they  are 
willing,  to  subject  it  to  such  laws  as  have 
made  its  sister  arts  so  free.  All  those 
concerned  in  what  are  accepted  as  the 
fine  arts,  the  learned  sciences,  and  pro- 
fessions surround  themselves  with  the 
history,  literature,  and  concrete  exam- 

abcdefghijklmnopqrstuvwxyz 
ABCDEFGHIJKLMNOPQRSTUVWXYZ 

$1234567890 

Ems  a  to  z  15. 77  Words  to  Pica  .31 

12  Point  No.  39 J,  12^  Set 

MONOTYPE  FACES 
The  best  kind  of  originality  is  that 
which  conies  after  a  sound  appren- 
ticeship; that  which  shall  prove  to 
be  the  blending  of  a  firm  concep- 
tion of  all  useful  precedent  and  the 
progressive  tendencies  of  a  clever 
mind.  For,  let  any  man  be  as  able 
and  original  as  he  may,  he  cannot 
afford  to  discard  a  knowledge  of 
what  has  gone  before  or  what  is 
now  going  on  in  his  own  trade  and 
profession.  If  the  printers  of  today 
do  not  wish  to  be  esteemed  arro- 
gant when  they  term  this  calling  of 
theirs  an  art,  they  must  be  willing, 
and  show  that  they  are  willing,  to 

abcdef  ghij  klmnopqrstuvwxyz 
ABCDEFGHIJKLMNOPQRSTUVW 

$1234567890 

Ems  a  to  z  14.93  Words  to  Pica  .27 


No.  39  Sorts  Matrices 

14  Point  No.  39 

THE  MATRIX  LIBRARY 

Supplies  85O  Different  Fonts  of  Attractive  Faces  for  Use 

when  You  Please  as  Long  as  You  Please 

$1234567890 

18  Point  No.  39 

1OO  POUNDS  A  DAY 
Of  Assorted  Type.   This   is   the   Record  of  a 

Washington  Newspaper  Plant 
$1234567890 


24  Point  No.  39 


ALL  OLD  TYPE 

Converted  into  New  and  Usable  Faces 

for  Newspaper  Ads. 

$1234567890 


30  Point  No.  39 


MATRIX 


Satisfies  all  Library  Members 
throughout  the  Country 

$1234567890 


36  Point  No.  39 


MONOTYPE  USERS 

Will  Tell  You;  They  Know 
$1234567890 


Matrix  Box  for  Display  Matrices 


This  Improved  Matrix  Box  is  offered 
to  meet  the  demand  of  operators 
for  a  box  that  will  enable  them  to 
quickly  locate  any  desired  matrix 
when  sorting  up  the  cases.  It  keeps 
each  matrix  separate  and  easily  ac- 
cessible, and  will  prove  a  time  saver 
in  the  caster  room. 
The  new  box  is  about  &1A  inches  long 
by  2%  inches  wide  and  15£  inches 
high  over  all.  It  is  divided  into  83  in- 
dividual compartments  for  holding 
one  matrix  each  and  a  compartment 
for  the  line  standard.  These  com- 
partments are  in  two  rows  and  the 
wide  central  division  between  car- 
ries a  printed  label  which  indicates 
opposite  each  compartment  the 


character  to  be  kept  in  it.  The  par- 
titions are  of  wood  and  the  inside  of 
the  cover  is  plush-lined  so  that  in- 
jury to  the  matrices  is  practically 
impossible.  The  box  is  covered  with 
imitation  leather  and  the  cover  is 
held  shut  with  two  snap  fasteners. 
It  is  neat,  strong,  and  well  made 
throughout. 

The  saving  of  time  in  handling  of 
matrices  will  soon  pay  for  the  re- 
placing of  the  old  style  box  by  these 
new  and  very  much  more  convenient 
ones,  and  every  Monotype  user 
should  investigate  it  at  once.  The 
price  has  been  placed  so  low  that  the 
saving  of  one  using  will  almost  cover 
it,  while  the  convenience  is  priceless. 


LANSTON  MONOTYPE  MACHINE  COMPANY 
PHILADELPHIA 


NEW  YORK 


BOSTON  CHICAGO 

Monotype  Company  of  California,  SAN  FRANCISCO 


TORONTO 


No.  79J.     Job  Arrangement  C2 


Composition  Matrices 


5  Point  No.  79 J,  6i  Set 


6  Point  No.  79J,  7  Set 


MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  conies  after  a  sound  ap- 
prenticeship: that  which  shall  prove  to  be  the  blending  of  a  firm 
conception  of  all  useful  precedent  and  the  progressive  tendencies  of 
an  able  mind.  For,  let  a  man  be  as  able  and  original  as  he  may,  he 
cannot  afford  to  discard  knowledge  of  what  has  gone  before  or  what 
is  now  going  on  in  his  own  trade  and  profession.  If  the  printers 
of  today  do  not  wish  to  be  esteemed  arrogant  when  they  term  this 
calling  of  theirs  an  art,  they  must  be  willing,  and  show  that  they 
are  willing,  to  subject  it  to  such  laws  as  have  made  its  sister  arts 
so  free.  All  those  concerned  in  what  are  accepted  as  the  fine  arts, 
the  learned  sciences,  and  professions  surround  themselves  with  the 
history,  literature,  and  concrete  examples  of  the  work  with  which 
they  are  engaged.  Yet  It  is  only  in  rare  instances  that  such  an  atmos- 
phere, with  its  material  appurtenances,  is  to  be  found  in  a  printing 
office.  Art  does  not  flourish  in  hidden  places,  nor  under  restraint, 
nor  in  Ignorance  of  what  talent  and  genius  have  accomplished  and 
are  now  accomplishing  throughout  the  world.  For  to  follow  prece- 
dent wisely  does  not  mean  to  imitate  slavishly  one  great  exemplar, 
but  to  study  all  masters  faithfully,  letting  their  great  achievements 
sink  slowly  into  the  mind  in  order  that  we  may  patiently  derive 
from  the  richness  of  our  acquired  knowledge  and  organized  system 
an  attitude  of  our  own.  The  sprightly  minded  young  man,  who 
with  his  first  business  breath  projects  the  new  and  startling,  inevit- 
ably becomes  tiresome,  and  is  driven  to  an  early  disappearance; 
while  the  slower,  more  solidly  endowed  student  will  at  least  spend  as 
much  of  his  time  in  avoiding  mistakes  as  in  evolving  brilliant  schemes 
wherewith  to  dazzle  his  contemporaries.  The  best  kind  of  origi- 
nality is  that  which  comes  after  a  sound  apprenticeship;  that  which 
shall  prove  to  be  the  blending  of  a  firm  conception  of  all  useful  pre- 
cedent and  the  progressive  tendencies  of  an  able  mind.  For,  let  a 
man  be  as  able  and  original  as  he  may,  he  cannot  afford  to  discard 
knowledge  of  what  has  gone  before  or  what  is  now  going  on  in  his 
own  trade  and  profession.  If  the  printers  of  today  do  not  wish  to  be 
esteemed  arrogant  when  they  term  this  calling  of  theirs  an  art,  they 
must  be  willing,  and  show  that  they  are  willing,  to  subject  it  to  just 
such  laws  as  have  made  its  sister  arts  so  free.  All  those  concerned 
in  what  are  accepted  as  the  fine  arts,  the  learned  sciences,  and  pro- 

abcdefghijklmnopqrstuvwxyz 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

$123456789 


MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  conies  after  a  sound 
apprenticeship;  that  which  shall  prove  to  be  the  blending  of  a 
firm  conception  of  all  useful  precedent  and  the  progressive 
tendencies  of  an  able  mind.  For,  let  a  man  be  as  able  and 
original  as  he  may,  he  cannot  afford  to  discard  knowledge  of 
what  has  gone  before  or  what  is  now  going  on  in  his  own  trade 
and  profession.  If  the  printers  of  today  do  not  wish  to  be 
esteemed  arrogant  when  they  term  this  calling  of  theirs  an  art, 
they  must  be  willing,  and  show  that  they  are  willing,  to  sub- 
ject it  to  such  laws  as  have  made  its  sister  arts  so  free.  All 
those  concerned  in  what  are  accepted  as  the  fine  arts,  the 
learned  sciences,  and  professions  surround  themselves  with  the 
history,  the  literature,  and  concrete  examples  of  the  work  with 
which  they  are  particularly  engaged.  Yet  it  is  only  in  very  rare 
instances  that  such  an  atmosphere,  with  its  material  appurten- 
ances, is  to  be  found  in  a  printing  office.  Art  does  not  nourish 
in  hidden  places,  nor  under  restraint,  nor  in  ignorance  of  what 
talent  and  genius  have  accomplished  and  are  accomplishing 
throughout  the  world.  For  to  follow  all  precedent  wisely  does 
not  mean  to  imitate  slavishly  one  great  exemplar,  but  to 
study  all  masters  faithfully,  letting  their  great  achievements 
sink  slowly  into  the  mind  in  order  that  we  may  patiently  de- 
rive from  the  richness  of  our  acquired  knowledge  and  organ- 
ized system  an  attitude  of  our  own.  The  sprightly  minded 
young  man,  who  with  his  first  business  breath  projects  the  new 
and  startling,  inevitably  becomes  tiresome,  and  is  driven  to  an 
early  disappearance;  while  the  slower,  more  solidly  endowed 
student  will  at  least  spend  as  much  of  his  time  in  avoiding 
mistakes  as  in  evolving  brilliant  schemes  wherewith  to  dazzle 
his  contemporaries.  The  best  kind  of  originality  is  that  which 
conies  after  a  sound  apprenticeship;  that  which  shall  prove  to 

abcdefghijklmnopqrstuvwxyz 
ABCDEFGHIJKLMNOPQRSTUVWXYZ 

$1234567890 


7  Point  No.  79J,  8  Set 

MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  conies  after 
a  sound  apprenticeship;  that  which  shall  prove  to  be 
the  blending  of  a  firm  conception  of  all  useful  pre- 
cedent and  the  progressive  tendencies  of  an  able  mind. 
For,  let  a  man  be  as  able  and  original  as  he  may,  he 
cannot  afford  to  discard  knowledge  of  what  has  gone 
before  or  what  is  now  going  on  in  his  own  trade  and 
profession.  If  the  printers  of  today  do  not  wish  to  be 
esteemed  too  arrogant  when  they  term  this  calling  of 
theirs  an  art,  they  must  be  willing,  and  show  that  they 
are  willing,  to  subject  it  to  such  laws  as  have  made 
its  sister  arts  so  free.  All  those  concerned  in  what  are 
accepted  as  the  fine  arts,  the  learned  sciences,  and  the 
professions  surround  themselves  with  the  history,  the 
literature,  and  concrete  examples  of  the  work  with 
which  they  are  particularly  engaged.  Yet  it  is  only  in 
very  rare  instances  that  such  an  atmosphere,  with  its 
material  appurtenances,  is  to  be  found  in  a  printing 
office.  Art  does  not  flourish  in  the  hidden  places,  nor 
under  restraint,  nor  in  ignorance  of  what  talent  and 
genius  have  accomplished  and  are  now  accomplishing 
throughout  the  world.  For  to  follow  precedent  wisely 
does  not  mean  to  imitate  slavishly  one  great  exemplar, 
but  to  study  all  masters  faithfully,  letting  their  great 
achievements  sink  slowly  into  the  mind  in  order  that 
we  may  patiently  derive  from  the  richness  of  our  ac- 
quired knowledge  and  organized  system  an  attitude  of 
our  own.  The  sprightly  minded  young  man,  who  with 
his  first  business  breath  projects  the  new  and  startling, 
inevitably  becomes  tiresome,  and  is  driven  to  an  early 
disappearance;  while  the  slower,  more  solidly  endowed 

abcdefghijklmnopqrstuvwxyz 

ABCDEFGHIJ  KLMNOPQRSTUV  WX  YZ 

$1234567890 


8  Point  No.  79J,  8}  Set 

MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  conies 
after  a  sound  apprenticeship;  that  which  shall 
prove  to  be  the  blending  of  a  firm  conception  of  all 
useful  precedent  and  the  progressive  tendencies  of 
an  able  mind.  For,  let  a  man  be  as  able  and  original 
as  he  may,  he  cannot  afford  to  discard  knowledge 
of  what  has  gone  before  or  what  is  now  going  on 
in  his  own  trade  and  profession.  If  the  printers  of 
today  do  not  wish  to  be  esteemed  arrogant  when 
they  term  this  calling  of  theirs  an  art,  they  must  be 
willing,  and  show  that  they  are  willing,  to  subject 
it  to  such  laws  as  have  made  its  sister  arts  so  free. 
All  those  concerned  in  what  are  accepted  as  the  fine 
arts,  the  learned  sciences,  and  professions  surround 
themselves  with  the  history,  the  literature,  and  con- 
crete examples  of  the  work  with  which  they  are 
particularly  engaged.  Yet  it  is  only  in  very  rare  in- 
stances that  such  an  atmosphere,  with  its  material 
appurtenances,  is  to  be  found  in  a  printing  office. 
Art  does  not  nourish  in  hidden  places,  nor  under 
restraint,  nor  in  ignorance  of  what  talent  and  genius 
have  accomplished  and  are  accomplishing  through- 
out the  world.  For  to  follow  precedent  wisely  does 
not  mean  to  imitate  slavishly  one  great  exemplar, 
but  to  study  all  the  masters  faithfully,  letting  their 
great  achievements  sink  slowly  into  the  mind  in 
order  that  we  may  patiently  derive  from  the  richness 

abcdefghijklmnopqrstuvwxyz 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

$1234567890 


No.  79J.     Job  Arrangement  C2 


Composition  Matrices 


9  Point  No.  79 J,  9  Set 


MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  comes 
after  a  sound  apprenticeship;  that  which  shall 
prove  to  be  the  blending  of  a  firm  conception  of 
all  useful  precedent  and  of  the  progressive  ten- 
dencies of  an  able  mind.  For,  let  a  man  be  as 
able  and  original  as  he  may,  he  cannot  afford  to 
discard  knowledge  of  what  has  gone  before  or 
what  is  now  going  on  in  his  own  trade  and  pro- 
fession. If  the  printers  of  today  do  not  wish  to 
be  esteemed  arrogant  when  they  term  this  calling 
of  theirs  an  art,  they  must  be  willing,  and  show 
that  they  are  willing,  to  subject  it  to  such  laws 
as  have  made  its  sister  arts  so  free.  All  those 
concerned  in  what  are  accepted  as  the  fine  arts, 
the  learned  sciences,  and  professions  surround 
themselves  with  the  history,  the  literature,  and 
concrete  examples  of  the  work  with  which  they 
are  particularly  engaged.  Yet  it  is  only  in  rare 
instances  that  such  an  atmosphere,  with  its  ma- 
terial appurtenances,  is  to  be  found  in  a  printing 
office.  Art  does  not  flourish  in  hidden  places,  nor 

abcdefghijklmnopqrstuvwxyz 
ABCDEFGHIJKLMNOPQRSTUVWXYZ 

$1234567890 


10  Point  No.  79J,  10}  Set 


MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which 
comes  after  a  sound  apprenticeship;  that 
which  shall  prove  to  be  the  blending  of 
a  firm  conception  of  all  useful  precedent 
and  the  progressive  tendencies  of  an  able 
mind.  For,  let  any  man  be  as  able  and 
original  as  he  may,  he  cannot  afford  to 
discard  knowledge  of  what  has  gone  before 
or  what  is  now  going  on  in  his  own  trade 
and  profession.  If  the  printers  of  today 
do  not  wish  to  be  esteemed  too  arrogant 
when  they  term  this  calling  of  theirs  an 
art,  they  must  be  willing,  and  show  that 
they  are  willing,  to  subject  it  to  just  such 
laws  as  have  made  its  sister  arts  so  free. 
All  those  concerned  in  what  are  accepted 
as  the  fine  arts,  the  learned  sciences,  and 
professions  surround  themselves  with  the 
history,  literature,  and  concrete  examples 

abcdefghijklmnopqrstuvwxyz 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

$1234567890 


11  Point  No.  79J,  11  Set 

MONOTYPE  FACES 
The  very  best  kind  of  originality  is  that 
which  conies  after  a  sound  apprentice- 
ship; that  which  shall  prove  itself  to  be 
the  blending  of  a  firm  conception  of  all 
useful  precedent  and  the  progressive  ten- 
dencies of  an  able  mind.  Let  any  man 
be  as  able  and  original  as  he  may,  he 
cannot  afford  to  discard  knowledge  of 
what  has  gone  before  or  what  is  now 
going  on  in  his  own  trade  and  profes- 
sion. If  the  printers  of  today  do  not 
wish  to  be  esteemed  arrogant  when  they 
term  this  calling  of  theirs  an  art,  they 
must  be  willing,  and  show  that  they  are 
willing,  to  subject  it  to  such  laws  as  have 
made  its  sister  arts  so  free.  All  those 
concerned  in  what  are  accepted  as  the 
fine  arts,  the  learned  sciences,  and  pro- 
fessions surround  themselves  with  the 
history,  literature,  and  concrete  exam- 

abcdefghijklmnopqrstuvwxyz 

ABCDEFGHIJ  KLMNOPQRSTU  V  WX  YZ 

$1234567890 


12  Point  No.  79 J,  12  Set 

MONOTYPE  FACES 
The  best  kind  of  originality  is  that 
which  conies  after  a  sound  appren- 
ticeship; that  which  shall  prove  to 
be  the  blending  of  a  firm  conception 
of  all  useful  precedent  and  the  pro- 
gressive tendencies  of  an  able  mind. 
For,  let  a  man  be  as  able  and  original 
as  he  may,  he  cannot  afford  to  dis- 
card a  knowledge  of  what  has  gone 
before  or  what  is  now  going  on  in 
his  own  trade  and  profession.  If  the 
printers  of  today  do  not  wish  to  be 
esteemed  arrogant  when  they  term 
this  calling  of  theirs  an  art,  they 
must  be  willing,  and  show  that  they 
are  willing,  to  subject  it  to  such  laws 
as  have  made  its  sister  arts  so  free. 
All  of  those  concerned  in  what  are 

abcdefghijklmnopqrstuvwxyz 

ABCDEFGHIJ  KLMNOPQRSTUVW 

$1234567890 


No.  79  Electro  Display  Matrices 

14  Point  No.  79 

A  SAVING  ON  YOUR  INVESTMENT 

No  other  Composing  Room  Machine  will  Produce  a  Greater 

Return  for  the  Same  Money 
$1234567890 

18  Point  No.  79 

REDUCES  IDLE  TIME 

Casts  Type,  Borders,  and  Spaces  when  not  used 

as  a  Composing  Machine 

$1234567890 


24  Point  No.  79 


NEW  FOUNDRY  TYPE 

Is  Identically  the  Same  as  the  Monotype 

Product,  but  Costs  More 

$1234567890 


30  Point  No.  79 


HIGH  OR  LOW  QUADS 

And  Spaces  Optional  with  the 

Monotype  Operator 

$1234567890 


36  Point  No.  79 


IMPROVEMENTS 
Easily  Applied  as  Required 

1234567890 


No.  79  J.     Job  Arrangement  S500 
Composition  Matrices 

14  Point  No.  79 J,  14  Set 

MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  conies  after  a  sound  appren- 
ticeship, that  which  shall  prove  to  be  the  blending  of  a  firm  conception 
of  all  useful  precedent  and  the  progressive  tendencies  of  an  able 
mind.  For,  let  any  man  be  as  able  and  original  as  he  may,  he  can- 
not afford  to  discard  knowledge  of  what  has  gone  before  or  what  is 
now  going  on  in  his  own  trade  and  profession.  If  the  printers  of 
today  do  not  wish  to  be  esteemed  too  arrogant  when  they  term  this 
calling  of  theirs  an  art,  they  must  be  willing,  and  show  that  they  are 
willing,  to  subject  it  to  such  laws  as  have  made  its  sister  arts  so  free. 
All  those  concerned  in  what  are  accepted  as  the  fine  arts,  the  learned 
sciences,  and  the  professions  surround  themselves  with  the  history, 
the  literature  and  concrete  examples  of  the  work  with  which  they  are 
particularly  engaged.  Yet  it  is  only  hi  very  rare  instances  that  such 

abcdefghijklmnopqrstuvwxyz 
ABCDEFGHIJKLMNOPQRSTUVWXYZ 

$1234567890 

18  Point  No.  79J,  18  Set 

MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  conies  after 
a  sound  apprenticeship ;  that  which  shall  prove  to  be 
the  blending  of  a  firm  conception  of  all  useful  pre- 
cedent and  the  progressive  tendencies  of  an  able 
mind.  For,  let  any  man  be  as  able  and  original  as  he 
may,  he  cannot  afford  to  discard  knowledge  of  what 
has  gone  before  or  what  is  now  going  on  in  his  own 
trade  and  profession.  If  the  printers  of  today  do  not 
wish  to  be  esteemed  arrogant  when  they  term  this 
calling  of  theirs  an  art,  they  must  be  willing,  and  show 

abcdefghijklmnopqrstuvwxyz 
ABCDEFGHIJKLMNOPQRSTUVWXYZ 

$1234567890 

Class  B  Matrices.  Fonts  shown  on  this  page  not  included  in  Library  and  will  not  be  leased. 
To  use  these  faces  for  composing  matter  in  justified  lines  S500  stop  bars  are  required.  Use 
left  key  bars  QC  for  the  Roman;  use  right  key  bars  QC2  for  the  Boldface;  use  standard  key- 
banks.  The  18  point  attachment  and  S500  wedges  are  required  for  casting. 


No.  89J.     Job  Arrangement  Cl 


Composition  Matrices 


6  Point  No.  89 J,  7  Set 


8  Point  No.  89 J,  8i  Set 


MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  comes  after  a  sound  appren- 
ticeship; that  which  shall  prove  itself  to  be  the  blending  of  a  firm 
conception  of  useful  precedent  and  the  progressive  tendencies  of  an  able 
mind.  For,  let  a  man  be  as  able  and  original  as  he  may,  he  cannot 
afford  to  discard  knowledge  of  what  has  gone  before  or  what  is  now 
going  on  in  his  own  trade  and  profession.  If  the  printers  of  today  do 
not  wish  to  be  esteemed  arrogant  when  they  term  this  calling  of  theirs 
an  art,  they  must  be  willing,  and  show  that  they  are  willing,  to  subject 
it  to  such  laws  as  have  made  its  sister  arts  so  free.  AH  those  con- 
cerned in  what  are  accepted  as  the  fine  arts,  the  learned  sciences  and 
professions,  surround  themselves  with  the  history,  literature,  and  con- 
crete examples  of  the  work  with  which  they  are  particularly  engaged. 
Yet  it  is  only  in  rare  instances  that  such  an  atmosphere,  with  its  ma- 
terial appurtenances,  is  to  be  found  in  a  printing  office.  Art  does  not 
flourish  in  hidden  places,  nor  under  restraint,  nor  in  ignorance  of  what 
talent  and  genius  have  accomplished  and  are  accomplishing  throughout 
the  world.  For  to  follow  precedent  wisely  does  not  mean  to  imitate 
slavishly  one  great  exemplar,  but  to  study  all  masters  faithfully,  letting 
their  great  achievements  sink  slowly  into  the  mind  in  order  that  we 
may  patiently  derive  from  the  richness  of  our  acquired  knowledge  and 
organized  system  an  attitude  of  our  own.  The  sprightly  minded  young 
man,  who  with  his  first  business  breath  projects  the  new  and  startling, 
inevitably  becomes  tiresome,  and  is  driven  to  an  early  disappearance; 
while  the  slower,  more  solidly  endowed  student  will  at  least  spend  as 
much  of  his  time  in  avoiding  mistakes  as  in  evolving  brilliant  schemes 
wherewith  to  dazzle  his  contemporaries,  The  best  kind  of  originality 
is  that  which  comes  after  a  sound  apprenticeship ;  that  which  shall  prove 
to  be  the  blending  of  a  firm  conception  of  all  useful  precedent  and  the 
progressive  tendencies  of  an  able  mind.  For,  let  a  man  be  as  able  and 
original  as  he  may,  he  cannot  afford  to  discard  knowledge  of  what  has 
gone  before  or  what  is  now  going  on  in  his  own  trade  and  profession. 

abcdefghijklmnopqrstuvwxyz 
ABCDEFGHIJKLMNOPQRSTUVWXYZ 

$1234567890 
Ems  a  to  z  14.78  Words  to  Pica  .60 


10  Point  No.  89 J,  10  Set 

MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  conies 
after  a  sound  apprenticeship;  that  which  shall 
prove  to  be  the  blending  of  a  firm  conception 
of  all  useful  precedent  and  the  progressive  ten- 
dencies of  an  able  mind.  For,  let  a  man  be  as 
able  and  original  as  he  may,  he  cannot  afford 
to  discard  knowledge  of  what  has  gone  before 
or  what  is  now  going  on  in  his  own  trade  and 
profession.  If  the  printers  of  today  do  not  wish 
to  be  esteemed  too  arrogant  when  they  term  this 
calling  of  theirs  an  art,  they  must  be  willing,  and 
show  that  they  are  willing,  to  subject  it  to  just 
such  laws  as  have  made  its  sister  arts  so  free. 
All  those  concerned  in  what  are  accepted  as  the 
fine  arts,  the  learned  sciences  and  professions, 
surround  themselves  with  the  history,  literature, 
and  concrete  examples  of  the  work  with  which 
they  are  particularly  engaged.  Yet  it  is  only  in 
rare  instances  that  such  an  atmosphere,  with  its 
material  appurtenances,  is  to  be  found  in  a  print- 
ing office.  Art  does  not  flourish  in  hidden  places, 
nor  under  restraint,  nor  in  ignorance  of  what  talent 

abcdef  ghi  j  klmnopqrstuvwxyz 
ABCDEFGHIJKLMNOPQRSTUVWXYZ 

$1234567890 

Ems  a  to  z  12.66  Words  to  Pica  .42 


MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  comes  after  a 
sound  apprenticeship;  that  which  shall  prove  to  be  the 
blending  of  a  firm  conception  of  all  useful  precedent  and 
the  progressive  tendencies  of  an  able  mind.  For,  let  a 
man  be  as  able  and  original  as  he  may,  he  cannot  afford 
to  discard  knowledge  of  what  has  gone  before  or  what 
is  now  going  on  in  his  own  trade  and  profession.  If  the 
printers  of  today  do  not  wish  to  be  esteemed  arrogant 
when  they  term  this  calling  of  theirs  an  art,  they  must  be 
willing,  and  show  that  they  are  willing,  to  subject  it  to 
such  laws  as  have  made  its  sister  arts  so  free.  All  those 
concerned  in  what  are  accepted  as  the  fine  arts,  the  learned 
sciences  and  professions,  surround  themselves  with  the 
history,  the  literature,  and  concrete  examples  of  the  work 
with  which  they  may  be  particularly  engaged.  Yet  it  is 
only  in  rare  instances  that  such  an  atmosphere,  with  its 
material  appurtenances,  is  to  be  found  in  a  printing  office. 
Art  does  not  flourish  in  hidden  places,  nor  under  restraint, 
nor  in  ignorance  of  what  talent  and  genius  have  accom- 
plished and  are  now  accomplishing  throughout  the  world. 
For  to  follow  precedent  wisely  does  not  mean  to  imitate 
slavishly  one  great  exemplar,  but  to  study  all  the  masters 
faithfully,  letting  their  great  achievements  sink  slowly  into 
the  mind  in  order  that  we  may  patiently  derive  from  the 

abcdefghijklmnopqrstuvwxyz 
ABCDEFGHIJKLMNOPQRSTUVWXYZ 

$1234567890 


Ems  a  to  z  13.45 


Words  to  Pica  .49 


12  Point  No.  89 J,  12  Set 

MONOTYPE  FACES 
The  best  kind  of  originality  is  that  which 
comes  after  a  sound  apprenticeship ;  that 
which  shall  prove  to  be  the  blending  of 
a  firm  conception  of  all  useful  precedent 
and  the  progressive  tendencies  of  an  able 
mind.  For,  let  any  man  be  as  able  and 
original  as  he  may,  he  cannot  afford  to 
discard  knowledge  of  what  has  gone  be- 
fore or  what  is  now  going  on  in  his  own 
trade  and  profession.  If  the  printers  of 
today  do  not  wish  to  be  esteemed  arro- 
gant when  they  term  this  calling  of  theirs 
an  art,  they  must  be  willing,  and  show  that 
they  are  willing,  to  subject  it  to  such  laws 
as  have  made  its  sister  arts  so  free.  All 
those  concerned  in  what  are  accepted  as 
the  fine  arts,  the  learned  sciences  and  the 
professions,  surround  themselves  with  the 

abcdef  ghi  j  klmnopqrstuvwxyz 

ABCDEFGHIJKLMNOPQRSTUVW 

$1234567890 


Ems  a  to  z  12.66 


Words  to  Pica  .35 


No.  89  Sorts  Matrices 

14  Point  No.  89 

THE  ONLY  TYPE  CASTER 

That  Makes  New  Type  and  Better  Type  Cheaper  than  Old  Type  can  be 

Distributed;  we  can  Prove  this 
$1234567890 

18  Point  No.  89 

ADDING  FACES  EVERY  WEEK 

To  Keep  the  Monotype  Equipment  up  to  the  Minute  with 

Attractive  and  Up-to-Date  Faces 

$1234567890 


24  Point  No.   89 


A  CONVERTIBLE  MACHINE 
From  a  Type  Caster  to  a  Composing  Machine 

just  when  you  want  it 
$1234567890 


30  Point  No.  89 


YOUR  INVESTMENT 

Protected  by  this  Convertible  Feature 

of  the  Busy  Monotype 

$1234567890 


36  Point  No.   89 


READY  TO  USE 
Doesn't  make  Near  Perfect  Type 

$1234567890 


No.  89K.     Job  Arrangement  Cl 


Composition  Matrices 


6  Point  No.  89K,  7  Set 


MONOTYPE  FACES 

The  best  kind  of  originality  is  thai  which  comes  after  a  sound  appren- 
ticeship; that  which  shall  prove  itself  to  be  the  blending  of  a  firm 
conception  of  useful  precedent  and  the  progressive  tendencies  of  an  able 
mind.  For,  let  a  man  be  as  able  and  original  as  he  may,  he  cannot 
afford  to  discard  knowledge  of  what  has  gone  before  or  what  is  now 
going  on  in  his  own  trade  and  profession.  If  the  printers  of  today  do 
not  wish  to  be  esteemed  arrogant  when  they  term  this  calling  of  theirs 
an  art,  they  must  be  willing,  and  show  that  they  are  willing,  to  subject 
it  to  such  laws  as  have  made  Us  sister  arts  so  free.  All  those  con- 
cerned in  what  are  accepted  as  the  fine  arts,  the  learned  sciences,  and 
professions  surround  themselves  with  the  history,  literature,  and  con- 
crete examples  of  the  work  with  which  they  are  particularly  engaged. 
Yet  it  is  only  in  rare  instances  that  such  an  atmosphere,  with  its  ma- 
terial appurtenances,  is  to  be  found  in  a  printing  office.  Art  does  not 
flourish  in  hidden  places,  nor  under  restraint,  nor  in  ignorance  of  what 
talent  and  genius  have  accomplished  and  are  accomplishing  throughout 
the  world.  For  to  follow  precedent  wisely  does  not  mean  to  imitate 
slavishly  one  great  exemplar,  but  to  study  all  masters  faithfully,  letting 
their  great  achievements  sink  slowly  into  the  mind  in  order  that  we 
may  patiently  derive  from  the  richness  of  our  acquired  knowledge  and 
organized  system  an  altitude  of  our  own.  The  sprightly  minded  young 
man,  who  with  his  first  business  breath  projects  the  new  and  startling, 
inevitably  becomes  tiresome,  and  is  driven  to  an  early  disappearance; 
while  the  slower,  more  solidly  endowed  student  will  at  least  spend  as 
much  of  his  lime  in  avoiding  mistakes  as  in  evolving  brilliant  schemes 
wherewith  to  dazzle  his  contemporaries.  The  best  kind  of  originality 
is  that  which  comes  after  a  sound  apprenticeship;  that  which  shall  prove 
to  be  the  blending  of  a  firm  conception  of  all  useful  precedent  and  the 
progressive  tendencies  of  an  able  mind.  For,  let  a  man  be  as  able  and 
original  as  he  may,  he  cannot  afford  to  discard  knowledge  of  what  has 
gone  before  or  what  is  now  going  on  in  his  own  trade  and  profession. 

abcdefghijklmnopqrstuvwxyz 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

$1234567890 


8  Point  No.  89K,  8i  Set 


MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  comes  after  a 
sound  apprenticeship;  that  which  shall  prove  to  be  the 
blending  of  a  firm  conception  of  all  useful  precedent  and 
the  progressive  tendencies  of  an  able  mind.  For,  let  a 
man  be  as  able  and  original  as  he  may,  he  cannot  afford 
to  discard  knowledge  of  what  has  gone  before  or  what  is 
now  going  on  in  his  own  trade  and  profession.  If  the 
printers  of  today  do  not  wish  to  be  esteemed  arrogant 
when  they  term  this  calling  of  theirs  an  art,  they  must 
be  willing,  and  show  that  they  are  willing,  to  subject  it  to 
such  laws  as  have  made  its  sister  arts  so  free.  All  those 
concerned  in  what  are  accepted  as  the  fine  arts,  the  learned 
sciences,  and  professions  surround  themselves  with  the 
history,  the  literature,  and  concrete  examples  of  the  work 
with  which  they  may  be  particularly  engaged.  Yet  it  is 
only  in  rare  instances  that  such  an  atmosphere,  with  its 
material  appurtenances,  is  to  be  found  in  a  printing  office. 
Art  does  not  flourish  in  hidden  places,  nor  under  restraint, 
nor  in  ignorance  of  what  talent  and  genius  have  accom- 
plished and  are  now  accomplishing  throughout  the  world. 
For  to  follow  precedent  wisely  does  not  mean  to  imitate 
slavishly  one  great  exemplar,  but  to  study  all  the  masters 
faithfully,  letting  their  greatest  achievements  sink  slowly 
into  the  mind  in  order  that  we  may  patiently  derive  from 

abcdefghijklmnopqrstuvwxyx 
ABCDEFGHIJKLMNOPQRSTUVWXYZ 

$1234567890 


10  Point  No.  89K,  10  Set 

MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  comes 
after  a  sound  apprenticeship;  that  which  shall 
prove  to  be  the  blending  of  a  firm  conception 
of  all  useful  precedent  and  the  progressive  ten- 
dencies of  an  able  mind.  For,  let  a  man  be  as 
able  and  original  as  he  may,  he  cannot  afford 
to  discard  knowledge  of  what  has  gone  before 
or  what  is  now  going  on  in  his  own  trade  and 
profession.  If  the  printers  of  today  do  not  wish 
to  be  esteemed  arrogant  when  they  term  this 
calling  of  theirs  an  art,  they  must  be  willing, 
and  show  that  they  are  willing,  to  subject  it  to 
such  laws  as  have  made  its  sister  arts  so  free. 
All  those  concerned  in  what  are  accepted  as  the 
fine  arts,  the  learned  sciences  and  professions, 
surround  themselves  with  the  history,  literature, 
and  concrete  examples  of  the  work  with  which 
they  are  particularly  engaged.  Yet  it  is  only  in 
rare  instances  that  such  an  atmosphere,  with  its 
material  appurtenances,  is  to  be  found  in  a  print- 
ing office.  Art  does  not  flourish  in  hidden  places, 
nor  under  restraint,  nor  in  ignorance  of  what  talent 

abcdefghijklmnopqrstuvwxyz 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

$1234567890 


12  Point  No.  89K,  12  Set 

MONOTYPE  FACES 
The  best  kind  of  originality  is  that  which 
comes  after  a  sound  apprenticeship;  that 
which  shall  prove  to  be  the  blending  of 
a  firm  conception  of  all  useful  precedent 
and  the  progressive  tendencies  of  an  able 
mind.  For,  let  a  man  be  as  able  and 
original  as  he  may,  he  cannot  afford  to 
discard  knowledge  of  what  has  gone  be- 
fore or  what  is  now  going  on  in  his  own 
trade  and  profession.  If  the  printers  of 
today  do  not  wish  to  be  esteemed  arro- 
gant when  they  term  this  calling  of  theirs 
an  art,  they  must  be  willing,  and  show  that 
they  are  willing,  to  subject  it  to  such  laws 
as  have  made  its  sister  arts  so  free.  All 
those  concerned  in  what  are  accepted  as 
the  fine  arts,  and  the  learned  sciences  and 
professions  surround  themselves  with  the 

abcdefghijklmnopqrstuvwxyz 
ABCDEFGH/JKLMNOPQRSTUVWXY 

$1234567890 


No.  891  Electro  Display  Matrices 

14  Point  No.  891 

THE  MONOTYPE  SYSTEM 

Forces  no  Fixed  Combinations  of  Faces  upon  the  Printer.  Any  Italic 

or  Boldface  may  be  used  as  Required 

$1234567890 

18  Point  No.  891 

THE  STYLE  "D"  KEYBOARD 
Accepted  as  One  of  the  Truly  Great  Developments  in 

the  Printing  Industry 
$1234567890 


24  Point  No.  891 


KEY  ARRANGEMENT 

And  Action  of  the  Monotype  are  the  Same 

as  All  Standard  Typewriters 

$1234567890 


30  Point  No.  891 


FLEXIBLE  FACILITIES 

And  High  Quality  are  Selling  Points 

for  the  Monotype  Printer 

$1234567890 


36  Point  No.  891 


QUALITY  COUNTS 

The  Salesman's  Best  Friend 

$1234567890 


No.  103  Sorts  Matrices 

18  Point  No.  103 

THE  ONLY  MACHINE  TO  CONSIDER 

For  any  kind  of  Matter  to  be  kept  Standing  and  Corrected  for  Later  Editions 
Directories,  Railway  Tariffs,  Time  Tables,  Club  Lists,  Etc. 

$1234567890 


24  Point  No.  103 


THE  MONOTYPE 

ENABLES  YOU  TO  DEVELOP  YOUR  BUSINESS  ALONG 

THE  LINE  OF  LEAST  RESISTANCE 

$1234567890 


No.  108  Sorts  Matrices 

14  Point  No.   108 

ALL  ROMAN,  ITALIC  AND  BOLD  FACES 

On  Standard  Monotype  Line  for  all  Point  Sizes  from  5  to  12  Point  Inclusive 

can  be  cast  to  Line  at  One  Operation 
$1234567890 

18  Point  No.    108 

TWO-LINE  OR  THREE-LINE  BOLDFACE  FIGURES 

Combined  with  any  size  Roman  for  Newspaper  Ad.  and  Catalogue 

Work.   This  is  not  a  Slug  Makeshift 

$1234567890 


No.  113J.     Job  Arrangement  Cl 
Composition  Matrices 


5  Point  No.  113J,  5  Set 

MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  comes  alter  a  sound  apprenticeship;  that  which  shall 
prove  to  be  the  blending  of  a  firm  conception  of  all  useful  precedent  and  the  progressive  tendencies 
of  in  able  mind.  For,  let  a  man  be  as  able  and  original  as  he  may.  he  cannot  afford  to  discard 
knowledge  of  what  has  gone  before  or  what  is  now  going  on  in  his  own  trade  or  his  profession.  If 
the  printers  of  today  do  not  wish  to  be  esteemed  arrogant  when  they  term  this  calling  of  theirs  an 
art.  they  mnsl  be  willing,  and  show  that  they  are  willing,  to  subject  it  to  such  laws  as  have  made 
its  sister  arts  so  free.  All  those  concerned  in  what  are  accepted  as  the  fine  arts,  the  learned  sciences 
and  professions,  surround  themselves  with  the  history,  the  literature,  and  concrete  examples  of  the 
work  with  which  they  are  particularly  engaged.  Yet  it  is  only  in  very  rare  instances  that  such  an 
atmosphere,  with  its  material  appurtenances,  is  to  be  found  in  a  printing  office.  Art  does  not 
flourish  in  hidden  places,  nor  under  restraint,  nor  in  ignorance  of  what  talent  and  genius  have  ac- 
complished and  are  accomplishing  throughout  the  world.  For  to  follow  all  precedent  wisely  does 
not  mean  to  imitate  slavishly  one  great  exemplar,  but  to  study  all  masters  faithfully,  letting  their 
great  achievements  sink  slowly  into  the  mind  in  order  that  we  may  patiently  derive  from  the  rich- 
ness of  our  acquired  knowledge  and  organized  system  an  attitude  of  our  own.  The  sprightly 
minded  young  man.  who  with  his  first  business  breath  projects  the  new  and  startling,  inevitably 


irlv  di; 


ivhile  the  slo 


dowed  student  will  at  least  spend  as  much  of  his  time  in  avoiding  mistakes  as  in  evolving  brilliant 
schemes  wherewith  to  dazzle  his  contemporaries.  The  best  kind  of  originality  is  that  which  comes 
after  a  sound  apprenticeship;  thai  which  shall  prove  to  be  the  blending  of  a  firm  conception  of  all 

original  as  he  may,  he  cannot  afford  to  discard  knowledge  of  what  has  gone  before  or  what  is  now 
going  on  in  his  own  trade  and  his  profession.  If  the  printers  of  today  do  not  wish  to  be  esteemed 
arrogant  when  they  term  this  calling  of  theirs  an  art,  they  must  be  willing,  and  show  that  they  are 

abcdefghijklmnopqrstuvwxyz 
ABCDEFGHIJKLMNOPQRSTUVWXYZ 

$1234567890 


6  Point  No.  113J,  6  Set 

MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  comes  after  a  sound  apprenticeship;  that 
which  shall  prove  to  be  the  blending  of  a  firm  conception  of  all  useful  precedent  and 
the  progressive  tendencies  of  an  able  mind.  For,  let  a  man  be  as  able  and  original 
as  he  may,  he  cannot  afford  to  discard  knowledge  of  what  has  gone  before  or  what 
is  now  going  on  in  his  own  trade  and  profession.  If  the  printers  of  today  do  not 
wish  to  be  esteemed  too  arrogant  when  they  term  this  calling  of  theirs  an  art,  they 
must  be  willing,  and  show  that  they  are  willing,  to  subject  it  to  such  laws  as  have 
made  its  sister  arts  so  free.  All  those  concerned  in  what  are  accepted  as  the  fine 
arts,  the  learned  sciences  and  the  professions,  surround  themselves  with  the  his- 
tory, the  literature,  and  concrete  examples  of  the  work  with  which  they  are  particu- 
larly engaged.  Yet  it  is  only  in  very  rare  instances  that  such  an  atmosphere,  with 
its  material  appurtenances,  is  to  be  found  in  a  printing  office.  Art  does  not  flourish 
in  hidden  places,  nor  under  restraint,  nor  in  ignorance  of  what  talent  and  genius 
have  accomplished  and  are  accomplishing  throughout  the  world.  For  to  follow  all 
precedent  wisely  does  not  mean  to  imitate  slavishly  one  great  exemplar,  but  to 
study  all  masters  faithfully,  letting  their  great  achievements  sink  slowly  into  the 
mind  in  order  that  we  may  patiently  derive  from  the  richness  of  our  acquired  knowl- 
edge and  organized  system  an  attitude  of  our  own.  The  sprightly  minded  young 
man,  who  with  his  first  business  breath  projects  the  new  and  startling,  inevitably 

abcdefghijklmnopqrstuvwxyz 
ABCDEFGHIJKLMNOPQRSTUVWXYZ 

$1234567890 


8  Point  No.  113J,  8  Set 

MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  comes  after  a  sound 
apprenticeship;  that  which  shall  prove  to  be  the  blending  of 
a  firm  conception  of  all  useful  precedent  and  the  progressive 
tendencies  of  an  able  mind.  For,  let  a  man  be  as  able  and 
original  as  he  may,  he  cannot  afford  to  discard  knowledge  of 
what  has  gone  before  or  what  is  now  going  on  in  his  own  trade 
or  his  profession.  If  the  printers  of  today  do  not  wish  to  be 
esteemed  arrogant  when  they  term  this  calling  of  theirs  an  art, 
they  must  be  willing,  and  show  that  they  are  willing,  to  sub- 
ject it  to  such  laws  as  have  made  its  sister  arts  so  free.  All 
those  concerned  in  what  are  accepted  as  the  fine  arts,  the 
learned  sciences  and  professions,  surround  themselves  with 
the  history,  the  literature,  and  concrete  examples  of  the  work 

abcdefghijklmnopqrstuvwxyz 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

$1234567890 


10  Point  No.  113J,  9§  Set 

MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  comes 
after  a  thorough  apprenticeship;  that  which  shall 
prove  to  be  the  blending  of  a  firm  conception  of  all 
useful  precedent  and  the  progressive  tendencies  of 
an  able  mind.  For,  let  a  man  be  as  able  and  original 
as  he  may,  he  cannot  afford  to  discard  knowledge 
of  what  has  gone  before  or  what  is  now  going  on  in 
his  o\fn  trade  or  his  profession.  If  the  printers  of 
today  do  not  wish  to  be  esteemed  arrogant  when 
they  term  this  calling  of  theirs  an  art,  they  must  be 
willing,  and  show  that  they  are  willing,  to  subject 
it  to  such  laws  as  have  made  its  sister  arts  so  free. 
All  those  concerned  in  what  are  accepted  as  the  fine 
arts,  the  learned  sciences  and  professions,  surround 
themselves  with  the  history,  the  literature,  and 
concrete  examples  of  the  work  with  which  they  are 
particularly  engaged.  Yet  it  is  only  in  very  rare 
instances  that  such  an  atmosphere,  with  its  material 
appurtenances,  is  to  be  found  in  a  printing  office. 
Art  does  not  flourish  in  hidden  places,  nor  under 

abcdefghijklmnopqrstuvwxyz 
ABCDEFGHIJKLMNOPQRSTUVWXYZ 

$1234567890 


12  Point  No.  113J,  11  Set 

MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which 
comes  after  a  thorough  apprenticeship;  that 
which  shall  prove  to  be  the  blending  of  a 
firm  conception  of  all  useful  precedent  and 
the  progressive  tendencies  of  an  able  mind. 
For,  let  a  man  be  as  able  and  original  as  he 
may,  he  cannot  afford  to  discard  knowledge 
of  what  has  gone  before  or  what  is  now  going 
on  in  his  own  trade  and  profession.  If  the 
printers  of  today  do  not  wish  to  be  esteemed 
too  arrogant  when  they  term  this  calling  of 
theirs  an  art,  they  must  be  willing,  and  show 
that  they  are  willing,  to  subject  it  to  such 
laws  as  have  made  its  sister  arts  so  free.  All 
those  concerned  in  what  are  accepted  as  the 
fine  arts,  the  learned  sciences  and  profes- 
sions, surround  themselves  with  the  history, 

abcdefghijklmnopqrstuvwxyz 
ABCDEFGHIJKLMNOPQRSTUVWXYZ 

$1234567890 


No.  113  Display  Matrices 

14  Point  No.  113 

IF  YOU  NEED  BUT  ONE  TYPESETTING  MACHINE 

You  Will  Surely  Buy  a  Monotype  if  you  Thoroughly  Investigate  Its  Wide 

Range  of  Usefulness  on  All  Kinds  of  Work 

$1234567890 

18  Point  No.  113 

THE  MONOTYPE  IS  NEVER  IDLE 

For  When  Work  Is  Slack,  Sorts,  Borders,  Ornaments  and 

Spacing  Material  Can  Be  Cast  and  Put  Away 

$1234567890 


24  Point  No.  113 


LET  BUSINESS  BE  GOOD  OR  BAD 


In  Your  Composing  Room,  the  Monotype  is  Still 


Making  Money  in  the  Pressroom 


$1234567890 


30  Point  No.  113 


THE  SAVING  ON  MAKEREADY 

Is  a  Means  of  Profit  as  Well  as  the  Saving 

You  Make  on  Composition 

$1234567890 


36  Point  No.   113 


AND  FOR  LONG  RUNS 

Electrotyping  Costs  are  Avoided 

$1234567890 


THE  MATRIX  CASE 

THE  HEART  OF  THE  MONOTYPE 


This  little  magazine  car- 
ries the  matrices  which 
control  the  kind  of  type 
that  is  cast.  It  may  con- 
tain a  combination  of 
the  faces  required  for 
a  particular  job  or  an 
ordinary  font;  but  in 
every  Monotype  plant 
there  should  be  a  ma- 
trix case  for  each  font. 


The  price  of  these  ma- 
trix cases  is  so  slight 
that  the  cost  of  taking 
a  font  of  matrices  out  of 
the  case  and  replacing 
it  with  another  will  soon 
pay  the  bill  for  matrix 
cases  to  hold  every  font 
in  the  office,  especially 
when  these  cases  are 
ordered  with  the  fonts. 


YOU  PROVIDE  A  CASE  FOR 
EVERY  FONT  OF  TYPE;  WHY 
NOT  A  MATRIX  CASE  FOR 
EVERY  FONT  OF  MATRICES? 


Shortage  of  Tools  is  False  Economy 


No.  118J.     Job  Arrangement  Cl 


Composition  Matrices 


Point  No.  118J,  6|  Set 


6  Point  No.  118J,  7  Set 


MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  comes  after  a  sound  apprenticeship; 
that  which  shall  prove  to  be  the  blending  of  a  lirm  conception  of  all  useful 
precedent  and  the  progressive  tendencies  of  an  able  mind.  For,  let  a  man 
be  as  able  and  original  as  he  may,  he  cannot  afford  to  discard  knowledge  of 
what  has  gone  before  or  what  is  now  going  on  in  his  own  trade  and  profession. 
If  the  printers  of  today  do  not  wish  to  be  esteemed  arrogant  when  they  term 
this  calling  of  theirs  an  art,  they  must  be  willing,  and  show  that  they  are 
willing,  to  subject  it  to  such  laws  as  have  made  its  sister  arts  so  free.  All 
those  concerned  in  what  are  accepted  as  the  fine  arts,  the  learned  sciences, 
and  professions  surround  themselves  with  the  history,  literature,  and  con- 
crete examples  of  the  work  with  which  they  are  engaged.  Yet  it  is  only  in 
rare  instances  that  such  an  atmosphere,  with  its  material  appurtenances,  is 
to  be  found  in  a  printing  office.  Art  does  not  flourish  in  hidden  places,  nor 
under  restraint,  nor  in  ignorance  of  what  talent  and  genius  have  accomplished 
and  are  now  accomplishing  throughout  the  world.  For  to  follow  precedent 
wisely  does  not  mean  to  imitate  slavishly  one  great  exemplar,  but  to  study 
all  masters  faithfully,  letting  their  great  achievements  sink  slowly  into  the 
mind  in  order  that  we  may  patiently  derive  from  the  richness  of  our  acquired 
knowledge  and  organized  system  an  attitude  of  our  own.  The  sprightly 
minded  young  man,  who  with  his  first  business  breath  projects  the  new  and 
startling,  inevitably  becomes  tiresome,  and  is  driven  to  an  early  disappear- 
ance; while  the  slower,  more  solidly  endowed  student  will  at  least  spend  as 
much  of  his  time  in  avoiding  mistakes  as  in  evolving  brilliant  schemes  where- 
with to  dazzle  his  contemporaries.  The  best  kind  of  originality  is  that  which 
comes  after  a  sound  apprenticeship;  that  which  shall  prove  to  be  the  blending 
of  a  firm  conception  of  all  useful  precedent  and  the  progressive  tendencies  of 
an  able  mind.  For,  let  a  man  be  as  able  and  original  as  he  may,  he  cannot 
afford  to  discard  knowledge  of  what  has  gone  before  or  what  is  now  going  on 
in  his  own  trade  and  profession.  If  the  printers  of  today  do  not  wish  to  be 
esteemed  arrogant  when  they  term  this  calling  of  theirs  an  art,  they  must  be 
willing,  and  show  that  they  are  willing,  to  subject  it  to  such  laws  as  have  made 
its  sister  arts  so  free.  All  those  concerned  in  what  are  accepted  as  the  fine 
arts,  the  learned  sciences,  and  professions  surround  themselves  with  the 
history,  literature,  and  concrete  examples  of  the  work  with  which  they  are 

abcdefghijklmnopqrstuvwxyz 
ABCDEFGHUKLMNOPQRSTUVWXYZ 

$1234567890 


MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  comes  after  a  sound  appren- 
ticeship; that  which  shall  prove  itself  to  be  the  blending  of  a  firm 
conception  of  useful  precedent  and  the  progressive  tendencies  of  an  able 
mind.  For,  let  a  man  be  as  able  and  original  as  he  may,  he  cannot 
afford  to  discard  knowledge  of  what  has  gone  before  or  what  is  now 
going  on  in  his  own  trade  and  profession.  If  the  printers  of  today  do 
not  wish  to  be  esteemed  arrogant  when  they  term  this  calling  of  theirs 
an  art,  they  must  be  willing,  and  show  that  they  are  willing,  to  subject 
it  to  such  laws  as  have  made  its  sister  arts  so  free.  All  those  con- 
cerned in  what  are  accepted  as  the  fine  arts,  the  learned  sciences,  and 
professions,  surround  themselves  with  the  history,  literature,  and  con- 
crete examples  of  the  work  with  which  they  are  particularly  engaged. 
Yet  it  is  only  in  rare  instances  that  such  an  atmosphere,  with  its  ma- 
terial appurtenances,  is  to  be  found  in  a  printing  office.  Art  does  not 
flourish  in  hidden  places,  nor  under  restraint,  nor  in  ignorance  of  what 
talent  and  genius  have  accomplished  and  are  accomplishing  throughout 
the  world.  For  to  follow  precedent  wisely  does  not  mean  to  imitate 
slavishly  one  great  exemplar,  but  to  study  all  masters  faithfully,  letting 
their  great  achievements  sink  slowly  into  the  mind  in  order  that  we 
may  patiently  derive  from  the  richness  of  our  acquired  knowledge  and 
organized  system  an  attitude  of  our  own.  The  sprightly  minded  young 
man,  who  with  his  first  business  breath  projects  the  new  and  startling, 
inevitably  becomes  tiresome,  and  is  driven  to  an  early  disappearance; 
while  the  slower,  more  solidly  endowed  student  will  at  least  spend  as 
much  of  his  time  in  avoiding  mistakes  as  in  evolving  brilliant  schemes 
wherewith  to  dazzle  his  contemporaries.  The  best  kind  of  originality 
is  that  which  comes  after  a  sound  apprenticeship;  that  which  shall  prove 
to  be  the  blending  of  a  firm  conception  of  all  useful  precedent  and  the 
progressive  tendencies  of  an  able  mind.  For,  let  a  man  be  as  able  and 
original  as  he  may,  he  cannot  afford  to  discard  knowledge  of  what  has 
gone  before  or  what  is  now  going  on  in  his  own  trade  and  profession. 

abcdefghijklmnopqrstuvwxyz 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

$1234567890 


7  Point  No.  118J,  8  Set 

MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  comes  after  a  sound 
apprenticeship ;  that  which  shall  prove  to  be  the  blending  of  a 
firm  conception  of  all  useful  precedent  and  the  progressive 
tendencies  of  an  able  mind.  For,  let  a  man  be  as  able  and 
original  as  he  may,  he  cannot  afford  to  discard  knowledge  of 
what  has  gone  before  or  what  is  now  going  on  in  his  own  trade 
and  profession.  If  the  printers  of  today  do  not  wish  to  be 
esteemed  too  arrogant  when  they  term  this  calling  of  theirs  an 
art,  they  must  be  willing,  and  show  that  they  are  willing,  to 
subject  it  to  such  laws  as  have  made  its  sister  arts  so  free. 
All  those  concerned  in  what  are  accepted  as  the  fine  arts,  the 
learned  sciences,  and  the  professions  surround  themselves 
with  the  history,  the  literature,  and  concrete  examples  of  the 
work  with  which  they  are  particularly  engaged.  Yet  it  is 
only  in  rare  instances  that  such  an  atmosphere,  with  its  ma- 
terial appurtenances,  is  to  be  found  in  a  printing  office.  Art 
does  not  flourish  in  hidden  places,  nor  under  restraint,  nor  in 
ignorance  of  what  talent  and  genius  have  accomplished  and 
are  now  accomplishing  throughout  the  world.  For  to  follow 
precedent  wisely  does  not  mean  to  imitate  slavishly  one  great 
exemplar,  but  to  study  all  masters  faithfully,  letting  their 
great  achievements  sink  slowly  into  the  mind  in  order  that 
we  may  patiently  derive  from  the  richness  of  our  acquired 
knowledge  and  organized  system  an  attitude  of  our  own.  The 
sprightly  minded  young  man,  who  with  his  first  business 
breath  projects  the  new  and  startling,  inevitably  becomes  tire- 
some, and  is  driven  to  an  early  disappearance;  while  the 
slower,  more  solidly  endowed  student  will  at  least  spend  as 
much  of  his  time  in  avoiding  mistakes  as  in  evolving  brilliant 
schemes  wherewith  to  dazzle  his  contemporaries.  The  best 
kind  of  originality  is  that  which  comes  after  a  sound  appren- 

abcdefghijklmnopqrstuvwxyz 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

$1234567890 


8  Point  No.  118J,  8$  Set 

MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  comes  after  a 
sound  apprenticeship;  that  which  shall  prove  to  be  the 
blending  of  a  firm  conception  of  all  useful  precedent  and 
the  progressive  tendencies  of  an  able  mind.  For,  let  a 
man  be  as  able  and  original  as  he  may,  he  cannot  afford 
to  discard  knowledge  of  what  has  gone  before  or  what 
is  now  going  on  in  his  own  trade  and  profession.  If  the 
printers  of  today  do  not  wish  to  be  esteemed  arrogant 
when  they  term  this  calling  of  theirs  an  art,  they  must  be 
willing,  and  show  that  they  are  willing,  to  subject  it  to 
such  laws  as  have  made  its  sister  arts  so  free.  All  those 
concerned  in  what  are  accepted  as  the  fine  arts,  the  learned 
sciences  and  professions,  surround  themselves  with  the 
history,  the  literature,  and  concrete  examples  of  the  work 
with  which  they  may  be  particularly  engaged.  Yet  it  is 
only  in  rare  instances  that  such  an  atmosphere,  with  its 
material  appurtenances,  is  to  be  found  in  a  printing  office. 
Art  does  not  flourish  in  hidden  places,  nor  under  restraint, 
nor  in  ignorance  of  what  talent  and  genius  have  accom- 
plished and  are  now  accomplishing  throughout  the  world. 
For  to  follow  precedent  wisely  does  not  mean  to  imitate 
slavishly  one  great  exemplar,  but  to  study  all  masters 
faithfully,  letting  their  great  achievements  sink  slowly  into 
the  mind  in  order  that  we  may  patiently  derive  from  the 
richness  of  our  acquired  knowledge  and  organized  system 
an  attitude  of  our  own.  The  sprightly  minded  young  man, 
who  with  his  first  business  breath  projects  the  new  and 

abcdefghijklmnopqrstuvwxyz 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

$1234567890 


No.  118J.     Job  Arrangement  Cl 
Composition  Matrices 

9  Point  No.  118J,  9  Set  10  Point  No.  118J,  10  Set 


MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  comes  after  a 
sound  apprenticeship;  that  which  shall  prove  to  be  the 
blending  of  a  firm  conception  of  all  useful  precedent 
and  the  progressive  tendencies  of  an  able  mind.  For, 
let  a  man  be  as  able  and  original  as  he  may,  he  cannot 
afford  to  discard  knowledge  of  what  has  gone  before  or 
what  is  now  going  on  in  his  own  trade  and  profession. 
If  the  printers  of  today  do  not  wish  to  be  esteemed 
arrogant  when  they  term  this  calling  of  theirs  an  art, 
they  must  be  willing,  and  show  that  they  are  willing,  to 
subject  it  to  such  laws  as  have  made  its  sister  arts  so 
free.  All  those  concerned  in  what  are  accepted  as  the 
fine  arts,  the  learned  sciences  and  professions,  surround 
themselves  with  the  history,  the  literature,  and  con- 
crete examples  of  the  work  with  which  they  may  be 
particularly  engaged.  Yet  it  is  only  in  rare  instances 
that  such  an  atmosphere,  with  all  its  material  appur- 
tenances, is  to  be  found  in  the  printing  office.  Art 
does  not  flourish  in  hidden  places,  nor  under  restraint, 
nor  in  ignorance  of  what  talent  and  genius  have  ac- 
complished and  are  now  accomplishing  throughout  the 

abcdefghijklmnopqrstuvwxyz 
ABCDEFGHIJKLMNOPQRSTUVWXYZ 

$1234567890 


MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  comes 
after  a  sound  apprenticeship;  that  which  shall 
prove  to  be  the  blending  of  a  firm  conception 
of  all  useful  precedent  and  the  progressive  ten- 
dencies of  an  able  mind.  For,  let  a  man  be  as 
able  and  original  as  he  may,  he  cannot  afford 
to  discard  knowledge  of  what  has  gone  before 
or  what  is  now  going  on  in  his  own  trade  and 
profession.  If  the  printers  of  today  do  not  wish 
to  be  esteemed  arrogant  when  they  term  this 
calling  of  theirs  an  art,  they  must  be  willing, 
and  show 'that  they  are  willing,  to  subject  it  to 
such  laws  as  have  made  its  sister  arts  so  free. 
All  those  concerned  in  what  are  accepted  as  the 
fine  arts,  the  learned  sciences  and  professions, 
surround  themselves  with  the  history,  literature, 
and  concrete  examples  of  the  work  with  which 
they  are  particularly  engaged.  Yet  it  is  only  in 
rare  instances  that  such  an  atmosphere,  with  its 

abcdefghijklmnopqrstuvwxyz 
ABCDEFGHIJKLMNOPQRSTUVWXYZ 

$1234567890 


11  Point  No.  118J,  11  Set 

MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which 
comes  after  a  sound  apprenticeship;  that 
which  shall  prove  to  be  the  blending  of  a 
firm  conception  of  all  useful  precedent  and 
the  progressive  tendencies  of  an  able  mind. 
For,  let  a  man  be  as  able  and  original  as  he 
may,  he  cannot  afford  to  discard  knowledge 
of  what  has  gone  before  or  what  is  now  going 
on  in  his  own  trade  and  profession.  If  the 
printers  of  today  do  not  wish  to  be  esteemed 
arrogant  when  they  term  this  calling  of  theirs 
an  art,  they  must  be  willing,  and  show  that 
they  are  willing,  to  subject  it  to  such  laws  as 
have  made  its  sister  arts  so  free.  All  those 
concerned  in  what  are  accepted  as  the  fine 
arts,  the  learned  sciences  and  professions, 
surround  themselves  with  the  history,  liter- 
ature, and  concrete  examples  of  the  work 
with  which  they  are  particularly  engaged. 
Yet  it  is  only  in  rare  instances  that  such  an 

abcdefghijklmnopqrstuvwxyz 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

$1234567890 


12  Point  No.  118J,  12  Set 

MONOTYPE  FACES 
The  best  kind  of  originality  is  that  which 
comes  after  a  sound  apprenticeship;  that 
which  shall  prove  to  be  the  blending  of 
a  firm  conception  of  all  useful  precedent 
and  the  progressive  tendencies  of  an  able 
mind.  For,  let  any  man  be  as  able  and 
original  as  he  may,  he  cannot  afford  to 
discard  knowledge  of  what  has  gone  be- 
fore or  what  is  now  going  on  in  his  own 
trade  and  profession.  If  the  printers  of 
today  do  not  wish  to  be  esteemed  arro- 
gant when  they  term  this  calling  of  theirs 
an  art,  they  must  be  willing,  and  show  that 
they  are  willing,  to  subject  it  to  such  laws 
as  have  made  its  sister  arts  so  free.  All 
those  concerned  in  what  are  accepted  as 
the  fine  arts,  the  learned  sciences  and  the 
professions,  surround  themselves  with  the 

abcdefghijklmnopqrstuvwxyz 

ABCDEFGHIJKLMNOPQRSTUVW 

$1234567890 


No.  118  Electro  Display  Matrices 

14  Point  No.  118 

THE  MECHANICAL  PERFECTION 

Of  the  Cellular  Matrix  means  Low  Production  costs.  It  Eliminates 

Stoppages  and  Operating  Troubles 

$1234567890 

18  Point  No.  118 

ALL  MONOTYPE  IMPROVEMENTS 
Applied  to  any  Machine  at  Small  Cost,  Keeping  your 

Equipment  Up  to  Date 
$1234567890 


24  Point  No.  118 


MONOTYPE  FLEXIBILITY 

Stands  for  a  Machine  Equal  to  the  Most 

Exacting  Typographical  Needs 

$1234567890 


30  Point  No.  118 


THE  NEW  DOUBLE  MATRIX 


For  Producing  figures  as  large  as 


36  Point  in  Justified  Lines 


$1234567890 


36  Point  No.  118 


No.  118K.     Job  Arrangement  C2 


Composition  Matrices 


6  Point  No.  118K,  7  Set 


MONOTYPE  FACES 

The  beat  kind  of  originality  is  that  which  comes  after  a  sound 
apprenticeship;  that  which  shall  prove  to  be  the  blending  of  a 
firm  conception  of  all  useful  precedent  and  the  progressive 
tendencies  of  an  able  mind.  For,  let  a  man  be  as  able  and 
original  as  he  may,  he  cannot  afford  to  discard  knowledge  of 
what  has  gone  before  or  what  is  now  going  on  in  his  own  trade 
and  profession.  If  the  printers  of  today  do  not  wish  to  be 
esteemed  arrogant  when  they  term  this  calling  of  theirs  an  art, 
they  must  be  willing,  and  show  that  they  are  willing,  to  sub- 
ject it  to  such  laws  as  have  made  its  sister  arts  so  free.  All 
those  concerned  in  what  are  accepted  as  the  fine  arts,  the 
learned  sciences,  and  professions  surround  themselves  with  the 
history,  literature,  and  the  concrete  examples  of  the  work  with 
which  they  are  particularly  engaged.  Yet  it  is  only  in  very  rare 
instances  that  this  atmosphere,  with  its  material  appurten- 
ances, is  to  be  found  in  a  printing  office.  \rt  does  not  nourish 
in  hidden  places,  nor  under  restraint,  nor  in  ignorance  of  what 
talent  and  genius  have  accomplished  and  are  accomplishing 
throughout  the  world.  For  to  follow  precedent  wisely  does 
not  mean  to  imitate  too  slavishly  one  great  exemplar,  but  to 
study  all  masters  faithfully,  letting  their  great  achievements 
sink  slowly  into  the  mind  in  order  that  we  may  patiently 
derive  from  the  richness  of  our  acquired  knowledge  and  organ- 
ized system  an  attitude  of  our  own.  The  sprightly  minded 
young  man,  who  with  his  first  business  breath  projects  the  new 
and  startling,  inevitably  becomes  tiresome,  and  is  driven  to  an 
early  disappearance;  while  the  slower,  more  solidly  endowed 
student  will  at  least  spend  as  much  of  his  time  in  avoiding 
mistakes  as  in  evolving  brilliant  schemes  wherewith  to  dazzle 
his  contemporaries.  The  best  kind  of  originality  is  that  which 
comes  after  a  sound  apprenticeship;  that  which  shall  prove  to 

abcdefghijklmnopqrstuvwxyz 
ABCDEFGHUKLMNOPQRSTVVWXYZ 

$1234567890 


8  Point  No.  118K,  8*  Set 


MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  comes 
after  a  sound  apprenticeship;  that  which  shall 
prove  to  be  the  blending  of  a  firm  conception  of  all 
useful  precedent  and  the  progressive  tendencies  of 
an  able  mind.  For,  let  a  man  be  as  able  and  original 
as  he  may,  he  cannot  afford  to  discard  knowledge 
of  what  has  gone  before  or  what  is  now  going  on  in 
his  own  trade  or  his  profession.  If  the  printers  of 
today  do  not  wish  to  be  esteemed  arrogant  when 
they  term  this  calling  of  theirs  an  art,  they  must  be 
willing,  and  show  that  they  are  willing,  to  subject 
it  to  such  laws  as  have  made  its  sister  arts  so  free. 
All  those  concerned  in  what  are  accepted  as  the  fine 
arts,  the  learned  sciences,  and  professions  surround 
themselves  with  the  history,  the  literature,  and  the 
concrete  examples  of  the  work  with  which  they  are 
particularly  engaged.  Yet  it  is  only  in  very  rare  in- 
stances that  such  an  atmosphere,  with  its  material 
appurtenances,  is  to  be  found  in  a  printing  office. 
Art  does  not  flourish  in  hidden  places,  nor  under 
restraint,  nor  in  ignorance  of  what  talent  and  genius 
have  accomplished  and  are  accomplishing  through- 
out the  world.  For  to  follow  precedent  wisely  does 
not  mean  to  imitate  slavishly  one  great  exemplar, 

abcdefghijklmnopqrstuvwxyz 

ABCDEFGHIJKLMNOPQRSTUV  WX  YZ 

$1234567890 


10  Point  No.  118K,  10  Set 

MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which 
comes  after  a  sound  apprenticeship;  that 
which  shall  prove  to  be  the  blending  of  a 
firm  conception  of  all  useful  precedent  and 
the  progressive  tendencies  of  an  able  mind. 
For,  let  a  man  be  as  able  and  original  as  he 
may,  he  cannot  afford  to  discard  knowledge 
of  what  has  gone  before  or  what  is  now  going 
on  in  his  own  trade  and  profession.  If  the 
printers  of  today  do  not  wish  to  be  esteemed 
too  arrogant  when  they  term  this  calling  of 
theirs  an  art,  they  must  be  willing,  and  show 
that  they  are  willing,  to  subject  it  to  such 
laws  as  have  made  its  sister  arts  so  free.  All 
those  concerned  in  what  are  accepted  as  the 
fine  arts,  the  learned  sciences,  and  profes- 
sions surround  themselves  with  the  history, 
literature,  and  concrete  examples  of  the  work 
with  which  they  are  particularly  engaged. 
Yet  it  is  only  in  rare  instances  that  such 
an  atmosphere,  with  its  material  appurten- 
ances, is  to  be  found  in  the  printing  office. 

abcdefghijklmnopqrstuvwxyz 
ABCDEFGHIJKLMNOPQRSTUVWXYZ 

$1234567890 


12  Point  No.  118K,  12  Set 

MONOTYPE  FACES 
The  best  kind  of  originality  is  that 
which  comes  after  a  sound  appren- 
ticeship; that  which  shall  prove  to 
be  the  blending  of  a  firm  conception 
of  all  useful  precedent  and  the  pro- 
gressive tendencies  of  an  able  mind. 
For,  let  a  man  be  as  able  and  original 
as  he  may,  he  cannot  well  afford  to 
discard  knowledge  of  what  has  gone 
before  or  what  is  now  going  on  in 
his  own  trade  and  profession.  If  the 
printers  of  today  do  not  wish  to  be 
esteemed  arrogant  when  they  term 
this  calling  of  theirs  an  art,  they 
must  be  willing,  and  show  that  they 
are  willing,  to  subject  it  to  such  laws 
as  have  made  its  sister  arts  so  free. 
All  those  who  are  concerned  in  what 

abcdefghijklmnopqrstuvwxyz 

ABCDEFGHIJKLMNOPQRSTUVW 

$1234567890 


No.  1181  Electro  Display  Matrices 

14  Point  No.  1181 

ONE  MATRIX  FOR  EACH  LETTER 

Two  Letters  are  Never  Carried  on  the  Same  Matrix  in  the 

Flexible  Monotype  System 
$1234567890 

18  Point  No.  1181 

A  MATRIX  FOR  EACH  CHARACTER 
Each  Matrix  a  Unit,  these  Units  Combined  in  the 

Matrix  Case  as  Required 
$1234567890 


24  Point  No.  1181 


HAND  WORK  &  CORRECTING 

Are  done  by  a  Compositor  on  the  Monotype 

and  not  by  a  Machinist 

$1234567890 


30  Point  No.  1181 


THE  MONOTYPE  IS  NOT 
A  Stick  to  set  Matrices  by  Hand 

from  a  "pi  box" 
$1234567890 


36  Point  No.  1181 


ALL  FACES  5  TO  12  PT. 
Line  if  Cast  on  Same  Body 

$1234567890 


No.  119J.     Job  Arrangement  Cl 


Composition  Matrices 


6  Point  No.  119J,  6  Set 


MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  comes  after  a  sound  apprenticeship; 
that  which  shall  prove  to  be  the  blending  of  a  firm  conception  of  all  useful  pre- 
cedent and  the  progressive  tendencies  of  an  able  mind.  For,  let  a  man  be  as  able 
and  original  as  he  may,  he  cannot  afford  to  discard  knowledge  of  what  has  gone 
before  or  what  is  now  going  on  in  his  own  trade  and  profession.  If  the  printers 
of  today  do  not  wish  to  be  esteemed  arrogant  when  they  term  this  calling  of  theirs 
an  art,  they  must  be  willing,  and  show  that  they  are  willing,  to  subject  it  to  such 
laws  as  have  made  its  sister  arts  so  free.  All  those  concerned  in  what  are  accepted 
as  the  fine  arts,  the  learned  sciences,  and  professions  surround  themselves  with 
the  history,  literature,  and  concrete  examples  of  the  work  with  which  they  are 
particularly  engaged.  Yet  it  is  only  in  rare  instances  that  such  an  atmosphere, 
with  its  material  appurtenances,  is  to  be  found  in  a  printing  office.  Art  does  not 
flourish  in  hidden  places,  nor  under  restraint,  nor  in  ignorance  of  what  talent 
and  genius  have  accomplished  and  are  now  accomplishing  throughout  the  world. 
For  to  follow  precedent  wisely  does  not  mean  to  imitate  slavishly  one  great  ex- 
emplar, but  to  study  all  masters  faithfully,  letting  their  great  achievements  sink 
slowly  into  the  mind  in  order  that  we  may  patiently  derive  from  the  richness  of 
our  acquired  knowledge  and  organized  system  an  attitude  of  our  own.  The 
sprightly  minded  young  man,  who  with  his  first  business  breath  projects  the  new 
and  startling,  inevitably  becomes  tiresome,  and  is  driven  to  an  early  disappearance; 
while  the  slower,  more  solidly  endowed  student  will  at  least  spend  as  much  of 
his  time  in  avoiding  mistakes  as  in  evolving  brilliant  schemes  wherewith  to  dazzle 
his  contemporaries.  The  very  best  kind  of  originality  is  that  which  conies  after  a 
sound  apprenticeship;  that  which  shall  prove  to  be  the  blending  of  a  firm  con- 
ception of  all  useful  precedent  and  the  progressive  tendencies  of  an  able  mind. 
For,  let  a  man  be  as  able  and  original  as  he  may,  he  cannot  afford  to  discard 
knowledge  of  what  has  gone  before  or  what  is  now  going  on  in  his  own  trade  and 
profession.  If  the  printers  of  today  do  not  wish  to  be  esteemed  arrogant  when 
they  term  this  calling  of  theirs  an  art,  they  must  be  willing,  and  show  that  they 
are  willing,  to  subject  it  to  such  laws  as  have  made  its  sister  arts  so  free.  All 
those  concerned  in  what  are  accepted  as  the  fine  arts,  the  learned  sciences,  and 

abcdefghijklmnopqrstuvwxyz 
ABCDEFGHUKLMISOPQRSTUVWXYZ 

$1234567890 


8  Point  No.  119J,  7}  Set 


MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  conies  after  a  sound  appren- 
ticeship; that  which  shall  prove  to  be  the  blending  of  a  firm  concep- 
tion of  useful  precedent  and  the  progressive  tendencies  of  an  able 
mind.  For,  let  a  man  be  as  able  and  original  as  he  may,  he  cannot 
afford  to  discard  knowledge  of  what  has  gone  before  or  what  is  now 
going  on  in  his  own  trade  and  profession.  If  the  printers  of  today  do 
not  wish  to  be  esteemed  arrogant  when  they  term  this  calling  of  theirs 
an  art,  they  must  be  willing,  and  show  that  they  are  willing,  to  subject 
it  to  such  laws  as  have  made  its  sister  arts  so  free.  All  those  concerned 
in  what  are  accepted  as  the  fine  arts,  the  learned  sciences  and  the 
professions,  surround  themselves  with  the  history,  literature,  and  con- 
crete examples  of  the  work  with  which  they  are  particularly  engaged. 
Yet  it  is  only  in  rare  instances  that  such  an  atmosphere,  with  its  ma- 
terial appurtenances,  is  to  be  found  in  the  printing  office.  Art  does  not 
flourish  in  hidden  places,  nor  under  restraint,  nor  in  ignorance  of  what 
talent  and  genius  have  accomplished  and  are  now  accomplishing 
throughout  the  world.  For  to  follow  all  precedent  wisely  does  not  mean 
to  imitate  slavishly  one  great  exemplar,  but  to  study  all  the  masters 
faithfully,  letting  their  great  achievements  sink  slowly  into  the  mind 
in  order  that  we  may  patiently  derive  from  the  richness  of  our  acquired 
knowledge  and  organized  system  an  attitude  of  our  own.  The  sprightly 
minded  young  man,  who  with  his  first  business  breath  projects  the 
new  and  startling,  inevitably  becomes  tiresome,  and  is  driven  to  an 
early  disappearance;  while  the  slower,  more  solidly  endowed  student 

abcdefghijklmnopqrstuvwxyz 
ABCDEFGHIJKLMNOPQRSTUVWXYZ 

$1234567890 


10  Point  No.  119J,  9  Set 

MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  comes  after  a 
sound  apprenticeship;  that  which  shall  prove  to  be  the 
blending  of  a  firm  conception  of  all  useful  precedent  and 
the  progressive  tendencies  of  an  able  mind.  For,  let  a 
man  be  as  able  and  original  as  he  may,  he  cannot  afford 
to  discard  knowledge  of  what  has  gone  before  or  what  is 
now  going  on  in  his  own  trade  and  profession.  If  the 
printers  of  today  do  not  wish  to  be  esteemed  arrogant 
when  they  term  this  calling  of  theirs  an  art,  they  must 
be  willing,  and  show  that  they  are  willing,  to  subject  it 
to  such  laws  as  have  made  its  sister  arts  so  free.  All 
those  concerned  in  what  are  accepted  as  the  fine  arts, 
the  learned  sciences  and  professions,  surround  them- 
selves with  the  history,  the  literature  and  concrete 
examples  of  the  work  with  which  they  may  be  particu- 
larly engaged.  Yet  it  is  only  in  rare  instances  that  such 
an  atmosphere,  with  its  material  appurtenances,  is  to  be 
found  in  the  printing  office.  Art  does  not  flourish  in 
hidden  places,  nor  under  restraint,  nor  in  ignorance  of 
what  talent  and  genius  have  accomplished  and  are  still 
accomplishing  throughout  the  world.  For  to  follow  all 
precedent  wisely  does  not  mean  to  imitate  slavishly  one 

abcdefghijklmnopqrstuvwxyz 

ABCDEFGHIJKLM  NOPQRSTU  V  WXYZ 

$1234567890 


12  Point  No.  119J,  10$  Set 

MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  comes 
after  a  sound  apprenticeship;  that  which  shall 
prove  to  be  the  blending  of  a  firm  conception 
of  all  useful  precedent  and  the  progressive  ten- 
dencies of  an  able  mind.  For,  let  a  man  be  as 
able  and  original  as  he  may,  he  cannot  afford 
to  discard  knowledge  of  what  has  gone  before 
or  what  is  now  going  on  in  his  own  trade  and 
profession.  If  the  printers  of  today  do  not  wish 
to  be  esteemed  arrogant  when  they  term  this 
calling  of  theirs  an  art,  they  must  be  willing, 
and  show  that  they  are  willing,  to  subject  it  to 
such  laws  as  have  made  its  sister  arts  so  free. 
All  those  concerned  in  what  are  accepted  as  the 
fine  arts,  the  learned  sciences,  and  professions 
surround  themselves  with  the  history,  litera- 
ture, and  concrete  examples  of  the  work  with 
which  they  are  particularly  engaged.  Yet  it  is 

abcdefghijklmnopqrstuvwxyz 
ABCDEFGHIJKLMNOPQRSTUVWXYZ 

$1234567890 


No.  119  Electro  Display  Matrices 

14  Point  No.  119 

ASK  MONOTYPE  USERS:  THEY  KNOW 

That  the  Improvements  Constantly  being  Added  to  the  Monotype  Increase 

its  Earning  Power  and  Versatility 
$1234567890 

18  Point  No.  119 

THE  NEW  CELLULAR  MATRIX 

Establishes  a  Standard  of  the  Highest  Quality  that  Cannot  be 

Approached  by  Other  Machines 

$1234567890 


24  Point  No.  119 


HIGHER  SELLING  PRICES 
Quickly  Realized  with  the  Unequalled  Quality  of 

Monotype  Production 
$1234567890 


30  Point  No.  119 


OUR  LOW  QUAD  MOLD 

Will  Produce  Spaces  and  Quads  High  or 
Low  to  Suit  the  Job 

$1234567890 


36  Point  No.  119 


ACCURATE  JUSTIFICATION 

For  any  Measure  to  Sixty  Picas 


No.  146J.     Job  Arrangement  Cl 


Composition  Matrices 


8  Point  No.  146J,  8i  Set 


MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  comes  after  a 
sound  apprenticeship;  that  which  shall  prove  to  be  the 
blending  of  a  firm  conception  of  all  useful  precedent  and 
the  progressive  tendencies  of  an  able  mind.  For,  let  a 
man  be  as  able  and  original  as  he  may,  he  cannot  afford 
to  discard  knowledge  of  what  has  gone  before  or  what  is 
now  going  on  in  his  own  trade  and  profession.  If  the 
printers  of  today  do  not  wish  to  be  esteemed  arrogant 
when  they  term  this  calling  of  theirs  an  art,  they  must  be 
willing,  and  show  that  they  are  willing,  to  subject  it  to 
such  laws  as  have  made  its  sister  arts  so  free.  All  those 
concerned  in  what  are  accepted  as  the  fine  arts,  the  learned 
sciences,  and  professions  surround  themselves  with  the 
history,  the  literature,  and  concrete  examples  of  the  work 
with  which  they  may  be  particularly  engaged.  Yet  it  is 
only  in  rare  instances  that  such  an  atmosphere,  with  its 
material  appurtenances,  is  to  be  found  in  a  printing  office. 
Art  does  not  flourish  in  hidden  places,  nor  under  restraint, 
nor  in  ignorance  of  what  talent  and  genius  have  accom- 
plished and  are  now  accomplishing  throughout  the  world. 
For  to  follow  precedent  wisely  does  not  mean  to  imitate 
slavishly  one  great  exemplar,  but  to  study  all  the  masters 
faithfully,  letting  their  greatest  achievements  sink  slowly 
into  the  mind  in  order  that  we  may  patiently  derive  from 

abcdefghijklmnopqrstuvwxyz 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

$1234567890 


10  Point  No.  146 J,  10  Set 


MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  comes 
after  a  sound  apprenticeship;  that  which  shall 
prove  to  be  the  blending  of  a  firm  conception 
of  all  useful  precedent  and  the  progressive  ten- 
dencies of  an  able  mind.  For,  let  a  man  be  as 
able  and  original  as  he  may,  he  cannot  afford 
to  discard  knowledge  of  what  has  gone  before 
or  what  is  now  going  on  in  his  own  trade  and 
profession.  If  the  printers  of  today  do  not  wish 
to  be  esteemed  arrogant  when  they  term  this 
calling  of  theirs  an  art,  they  must  be  willing, 
and  show  that  they  are  willing,  to  subject  it  to 
such  laws  as  have  made  its  sister  arts  so  free. 
All  those  concerned  in  what  are  accepted  as  the 
fine  arts,  the  learned  sciences  and  professions, 
surround  themselves  with  the  history,  literature, 
and  concrete  examples  of  the  work  with  which 
they  are  particularly  engaged.  Yet  it  is  only  in 
rare  instances  that  such  an  atmosphere,  with  its 

abcdefghijklmnopqrstuvwxyz 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

$1234567890 


12  Point  No.  146 J,  12  Set 


MONOTYPE  FACES 
The  best  kind  of  originality  is  that  which 
comes  after  a  sound  apprenticeship ;  that 
which  shall  prove  to  be  the  blending  of 
a  firm  conception  of  all  useful  precedent 
and  the  progressive  tendencies  of  an  able 
mind.  For,  let  any  man  be  as  able  and 
original  as  he  may,  he  cannot  afford  to 
discard  knowledge  of  what  has  gone  be- 
fore or  what  is  now  going  on  in  his  own 
trade  and  profession.  If  the  printers  of 
today  do  not  wish  to  be  esteemed  arro- 
gant when  they  term  this  calling  of  theirs 
an  art,  they  must  be  willing,  and  show  that 
they  are  willing,  to  subject  it  to  such  laws 
as  have  made  its  sister  arts  so  free.  All 
those  concerned  in  what  are  accepted  as 


MONOTYPE  FACES 


The  best  kind  of  originality  is  that  which 
comes  after  a  sound  apprenticeship;  that 
which  shall  prove  to  be  the  blending  of 
a  firm  conception  of  all  useful  precedent 
and  the  progressive  tendencies  of  an  able 
mind.  For,  let  any  man  be  as  able  and 
original  as  he  may,  he  cannot  afford  to 
discard  knowledge  of  what  has  gone  be- 
fore or  what  is  now  going  on  in  his  own 
trade  and  profession.  If  the  printers  of 
today  do  not  wish  to  be  esteemed  arro- 
gant when  they  term  this  calling  of  theirs 
an  art,  they  must  be  willing,  and  show  that 
they  are  willing,  to  subject  it  to  such  laws 
as  have  made  its  sister  arts  so  free.  All 
those  concerned  in  what  are  accepted  as 
the  fine  arts,  and  the  learned  sciences  and 
professions  surround  themselves  with  the 


abcdefghijklmnopqrstuvwxyz 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

$1234567890 


No.  146  Electro  Display  Matrices 

14  Point  No.  146 

THE  "JUST  AS  GOOD"  MACHINE 

Cannot  Satisfy  the  Quality  Purchaser  of  Good  Printing  who  Knows  the 

Versatility  of  the  Monotype 
$1234567890 

18  Point  No.  146 

YOUK  INVESTMENT  IS  PROTECTED 

If  you  don't  Handicap  yourself  with  a  Machine  that  can  Never  be 

Anything  but  a  Type  Caster 
$1234567890 


20  Point  No.   146 


INSTALL  THE  VERSATILE  MONOTYPE 
Built  on  the  Unit  System,  like  Filing  Cabinets,  and  just  as 

Elastic  for  Steady  Growth 
$1234567890 


24  Point  No.  146 


ASK  US  TO  PROYE  OUR  CLAIM 

That  the  Monotype  is  the  Cheapest,  because  it  is  the  Best 

Type  Caster  and  Composing  Machine 

11234567890 


30  Point  No.  146 


BOTH  MOLD  AND  MACHINE 
Water  Cooled  to  Make  Solid  Bodies  &  Smooth  Faces 

11234567890 


36  Point  No.  146 


A  PBEFECTLT  SIMPLE 
Composing  Machine:  Style  D  Keyboard 

$1234567890 


No.  158J.     Job  Arrangement  C2 


Composition  Matrices 


5  Point  No.  158J,  6§  Set 


MONOTYPE  FACES 

(Thia  font  contains  caps,  lower  case  and  small  caps) 

The  best  kind  of  originality  is  that  which  comes  after  a  sound  ap- 
prenticeships that  which  shall  prove  to  be  the  blending  of  a  firm  con- 
ception of  all  useful  precedent  and  the  progressive  tendencies  of  an 
able  mind.  For,  let  a  man  be  as  able  and  original  as  he  may,  he 
cannot  afford  to  discard  knowledge  of  what  has  gone  before  or  what 
is  now  going  on  in  his  own  trade  and  profession.  If  the  printers  of 
today  do  not  wish  to  be  esteemed  arrogant  when  they  term  this  call- 
ing of  theirs  an  art,  they  must  be  willing,  and  show  that  they  are 
willing,  to  subject  it  to  such  laws  as  have  made  its  sister  arts  so  free. 
All  those  concerned  in  what  are  accepted  as  the  fine  arts,  the  learned 
sciences  and  professions,  surround  themselves  with  the  history. 


MONOTYPE    FACES. 


POINT    SMALL    CAPS 


LITERATURE,  AND  CONCRETE  EXAMPLES  OF  THE  WORK  WITH  WHICH  THEY 
MAY  BE  PARTICULARLY  I  N,.  ,.,|  ,,.  YET  IT  IS  ONLY  IN  RARE  INSTANCES  THAT 
SUCH  AN  ATMOSPHERE,  WITH  ITS  MATERIAL  APPURTENANCES,  IS  TO  BE  FOUND 
IN  A  PRINTING  OFFICE.  ART  DOES  NOT  FLOURISH  IN  HIDDEN  PLACES,  NOR 

abcdefghijklmnopqrstuvwxyz 
ABCDEFGHIJKL.MNOPQRSTUVWXYZ 

$1234567890 

ADCDEFOHIJKLMNOPqR.STUVWXYZ 

$1334587890 


6  Point  No.  158J,  7£  Set 
MONOTYPE  FACES 


(This  font  contains  caps,  lower  case  and  small  caps) 
The  best  kind  of  originality  is  that  which  comes  after  a 
sound  apprenticeship;  that  which  shall  prove  to  be  the 
blending  of  a  firm  conception  of  all  useful  precedent  and 
the  progressive  tendencies  of  an  able  mind.  For,  let  a  man 
be  as  able  and  original  as  he  may,  he  cannot  afford  to  dis- 
card knowledge  of  what  has  gone  before  or  what  is  now  going 
on  m  his  own  trade  and  profession.  If  the  printers  of  to- 
day do  not  wish  to  be  esteemed  arrogant  when  they  term 

MONOTYPE    FACES.       6    POINT    SMALL    CAPS 

THIS  CALLING  Of  THEIRS  AN  ART,  THEY  MUST  BE  WILLING,  AND 
SHOW  THAT  THEY  ARE  WILLING,  TO  SUBJECT  IT  TO  SUCH  LAWS  AS 
HAVE  MADE  ITS  SISTER  ARTS  SO  FREE.  ALL  THOSE  CONCERNED  IN 
WHAT  ARE  ACCEPTED  AS  THE  FINE  ARTS,  THE  LEARNED  SCIENCES 

abcdefghijklmnopqrstuvwxyz 
ABCDEFGIIIJKLMNOPQRSTUVWXYZ 

$1234567890 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

$1234567890 


8  Point  No.  158J,  9}  Set 

MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  conies 
after  a  sound  apprenticeship;  that  which  shall 
prove  to  be  the  blending  of  a  firm  conception 
of  all  useful  precedent  and  the  progressive  ten- 
dencies of  an  able  mind.  For,  let  a  man  be  as 
able  and  original  as  he  may,  he  cannot  afford  to 
discard  knowledge  of  what  has  gone  before  or 
what  is  now  going  on  in  his  own  trade  and  pro- 
fession. If  the  printers  of  today  do  not  wish  to 
be  esteemed  arrogant  when  they  term  this  call- 
ing of  theirs  an  art,  they  must  be  willing,  and 
show  that  they  are  willing,  to  subject  it  to  such 
laws  as  have  made  its  sister  arts  so  free.  AH 

abcdefghijklmnopqrstuvwxyz 
ABCDEFGHIJKLMNOPQRSTUVWXYZ 

$1234567890 


10  Point  No.  158J,  11  Set 

MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which 
comes  after  a  sound  apprenticeship; 
that  which  shall  prove  to  be  the  blend- 
ing of  a  firm  conception  of  all  useful  pre- 
cedent and  the  progressive  tendencies  of 
an  able  mind.  For,  let  any  man  be  as 
able  and  original  as  he  may,  he  cannot 
afford  to  discard  knowledge  of  what  has 
gone  before  or  what  is  now  going  on  in 
his  own  trade  and  profession.  If  the 

abcdefghijklmnopqrstuvwxyz 
ABCDEFGHIJKLMNOPQRSTUVWXYZ 

$1234567890 


11  Point  No.  158J,  12  Set 

MONOTYPE  FACES 

The  best  kind  of  originality  is  that 
which  comes  after  a  sound  appren- 
ticeship; that  which  shall  prove  to 
be  the  blending  of  a  firm  conception 
of  all  useful  precedent  and  the  pro- 
gressive tendencies  of  an  able  mind. 
For,  let  a  man  be  as  able  and  original 
as  he  may,  he  cannot  afford  to  dis- 
card knowledge  of  what  has  gone  be- 
fore or  what  is  now  going  on  in  his 
own  trade  and  profession.  If  the 

abcdefghijklmnopqrstuvwxyz 
ABCDEFGHIJKLMNOPQRSTUVWX 

$1234567890 


12  Point  No.  158J,  12§  Set 

MONOTYPE  FACES 

The  best  kind  of  originality  is  that 
which  comes  after  a  sound  appren- 
ticeship; that  which  shall  prove  to 
be  the  blending  of  a  firm  concep- 
tion of  all  useful  precedent  and  the 
progressive  tendencies  of  an  able 
mind.  For,  let  a  man  be  as  able  and 
original  as  he  may,  he  cannot  afford 
to  discard  a  knowledge  of  what  has 
gone  before  or  what  is  now  going  on 

abcdef  ghi  j  klmnopqrstuvwxyz 
ABCDEFGHIJKLMNOPQRSTUVW 

$1234567890 


No.  158  Electro  Display  Matrices 

14  Point  No.  158 

THE  DD  KEYBOARD 

A  Marvel  for  Duplicating  the  Product  with  One  Operating  Cost 

A  New  Field  for  Greater  Profits 

$1234567890 

18  Point  No.  158 

THE  REAL  PROFIT 

On  Your  Investment  is  the  Selling  Price  Minus 

Cost  of  Production 
$1234567890 

24  Point  No.  158 

THE  NEW  KEYBOARD 

It  is  the  only  one  with  a  Scientific 
Fin£erin£  Arrangement 

$1234567890 


30  Point  No.  158 


E     Y  PE  CAST  ER 


Can  Make  Type,  Spaces  and 


Quads  for  Job  Work 


$1234567890 


36  Point  No.  158 


MONOTYPERS 

Maintain  High  Quality 

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No.  161 J.     Job  Arrangement  C2     ^."/,\  •    •  I",;1;. •;;  ;•, j  :  , 


6  Point  No.  161J,  7  Set 

MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  conies  after  a  sound 
apprenticeship;  that  which  shall  prove  to  be  the  blending  of 
a  firm  conception  of  all  useful  precedent  and  the  progressive 
tendencies  of  an  able  mind.  For,  let  a  man  be  as  able  and 
original  as  he  may,  he  cannot  afford  to  discard  knowledge  of 
what  has  gone  before  or  what  is  now  going  on  in  his  own  trade 
or  his  profession.  If  the  printers  of  today  do  not  wish  to  be 
esteemed  arrogant  when  they  term  this  calling  of  theirs  an  art, 
they  must  be  willing,  and  show  tha_t  they  are  willing,  to  sub- 
ject it  to  such  laws  as  have  made  its  sister  arts  so  free.  All 
those  concerned  in  what  are  accepted  as  the  fine  arts,  the 
learned  sciences,  and  professions  surround  themselves  with  the 
history,  the  literature,  and  concrete  examples  of  the  work  with 
which  they  are  particularly  engaged.  Yet  it  is  only  in  very  rare 
instances  that  such  an  atmosphere,  with  its  material  appurten- 
ances, is  to  be  found  in  a  printing  office.  Art  does  not  flourish 
in  hidden  places,  nor  under  restraint,  nor  in  ignorance  of  what 
talent  and  genius  have  accomplished  and  are  accomplishing 
throughout  the  world.  For  to  follow  all  precedent  wisely  does 

abcdefghijklmnopqrstuvwxyz 
ABCDEFGHIJKLMNOPQRSTUVWXYZ 

$1234567890 


7  Point  No.  161J,  8  Set 

MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  conies  after 
a  sound  apprenticeship;  .that  which  shall  prove  to  be 
the  blending  of  a  firm  conception  of  all  useful  pre- 
cedent and  the  progressive  tendencies  of  an  able  mind. 
For,  let  a  man  be  as  able  and  original  as  he  may,  he 
cannot  afford  to  discard  knowledge  of  what  has  gone 
before  or  what  is  now  going  on  in  his  own  trade  and 
profession.  If  the  printers  of  today  do  not  wish  to  be 
esteemed  too  arrogant  when  they  term  this  calling  of 
theirs  an  art,  they  must  be  willing,  and  show  that  they 
are  willing,  to  subject  it  to  such  laws  as  have  made  its 
sister  arts  so  free.  All  those  concerned  in  what  are 
accepted  as  the  fine  arts,  the  learned  sciences,  and 
the  professions  surround  themselves  with  the  history, 
the  literature,  and  concrete  examples  of  the  work  with 
which  they  are  particularly  engaged.  Yet  it  is.  only 

abcdef  ghi  j  klmnopqrstuvwxyz 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

$1234567890 


8  Point  No.  161J,  8£  Set 

MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  comes 
after  a  thorough  apprenticeship;  that  which  shall 
prove  to  be  the  blending  of  a  firm  conception  of  all 
useful  precedent  and  the  progressive  tendencies  of 
an  able  mind.  For,  let  a  man  be  as  able  and  original 
as  he  may,  he  cannot  afford  to  discard  knowledge 
of  what  has  gone  before  or  what  is  now  going  on  in 
his  own  trade  or  his  profession.  If  the  printers  of 
today  do  not  wish  to  be  esteemed  arrogant  when 
they  term  this  calling  of  theirs  an  art,  they  must  be 
willing,  and  show  that  they  are  willing,  to  subject 
it  to  such  laws  as  have  made  its  sister  arts  so  free. 
All  those  concerned  in  what  are  accepted  as  the  fine 

abcdefghijklmnopqrstuvwxyz 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

$1234567890 


Composition  Matrices 

10  Point  No.  161  J,  10  Set 

MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which 
conies  after  a  thorough  apprenticeship;  that 
which  shall  prove  to  be  the  blending  of  a 
firm  conception  of  all  useful  precedent  and 
the  progressive  tendencies  of  an  able  mind. 
For,  let  a  man  be  as  able  and  original  as  he 
may,  he  cannot  afford  to  discard  knowledge 
of  what  has  gone  before  or  what  is  now  going 
on  in  his  own  trade  and  profession.  If  the 
printers  of  today  do  not  wish  to  be  esteemed 
too  arrogant  when  they  term  this  calling  of 
theirs  an  art,  they  must  be  willing,  and  show 
that  they  are  willing,  to  subject  it  to  such 
laws  as  have  made  its  sister  arts  so  free.  All 
those  concerned  in  what  are  accepted  as  the 
fine  arts,  the  learned  sciences,  and  profes- 
sions surround  themselves  with  the  history, 
literature,  and  concrete  examples  of  the  work 
with  which  they  are  particularly  engaged. 
Yet,  it  is  only  in  rare  instances  that  such  an 

abcdefghijklmnopqrstuvwxyz 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

$1234567890 


12  Point  No.  161  J,  12  Set 

MONOTYPE  FACES 
The  best  kind  of  originality  is  that 
which  conies  after  a  sound  appren- 
ticeship; that  which  shall  prove  to 
be  the  blending  of  a  firm  conception 
of  all  useful  precedent  and  the  pro- 
gressive tendencies  of  an  able  mind. 
For,  let  a  man  be  as  able  and  original 
as  he  may,  he  cannot  afford  to  dis- 
card a  knowledge  of  what  has  gone 
before  or  what  is  now  going  on  in 
his  own  trade  and  profession.  If  the 
printers  of  today  do  not  wish  to  be 
esteemed  arrogant  when  they  term 
this  calling  of  theirs  an  art,  they 
must  be  willing,  and  show  that  they 
are  willing,  to  subject  it  to  such  laws 
as  have  made  its  sister  arts  so  free. 

abcdef  ghi  j  klmnopqrstuvwxyz 

ABCDEFGHIJKLMNOPQRSTUVW 

$1234567890 


ov  1,  6;1  /  ;  1  •  Electro  Display  Matrices 

14  Point  No.  161 

MATRIX  LIBRARY  MEMBERS 

Keep  Fonts  on  Hand  for  Use  When  they  Please  as  Long  as  They 

Please  to  Convert  Idle  Time  into  Money 

$1234567890 

18  Point  No.  161 

CHANGE  OUR  TYPE  CASTER 
Into  a  Composing  Machine  when  you  Need  it  With- 

out the  loss  of  a  Penny 
$1234567890 


24  Point  No.  161 


THE  MONOTYPE  KEYBOARD 
Separates  Type  Setting  from  Making 

and  Casting  Type 
$1234567890 


30  Point  No.  161 


SIMPLE  JUSTIFICATION 


The  width  of  each  Character  is 


Automatically  Registered 


$1234567890 


36  Point  No.  161 


CHANGE  THE  FACE 
But  not  Key  Arrangement 

$1234567890 


No.  161K.     Job  Arrangement  C2  :'*,'  ,•;>,  > 


Composition  Matrices 


6  Point  No.  161K,  7  Set 


MONOTYPE  FACES 

The  best  /cine/  of  originality  is  that  which  comes  after  a  sound 
apprenticeship;  that  which  shall  prove  to  be  the  blending  of 
a  firm  conception  of  all  useful  precedent  and  the  progressive 
tendencies  of  an  able  mind.  For,  let  a  man  be  as  able  and 
original  as  he  may,  he  cannot  afford  to  discard  knowledge  of 
what  has  gone  before  or  what  is  now  going  on  in  his  own  trade 
or  his  profession.  If  the  printers  of  today  do  not  wish  to  be 
esteemed  arrogant  when  they  term  this  calling  of  theirs  an  art, 
they  must  be  willing,  and  show  that  they  are  willing,  to  sub- 
ject it  to  such  laws  as  have  made  its  sister  arts  so  free.  All 
those  concerned  in  what  are  accepted  as  the  fine  arts,  the 
learned  sciences,  and  professions  surround  themselves  with  the 
history,  the  literature,  and  concrete  examples  of  the  work  with 
which  they  are  particularly  engaged.  Yet  it  is  only  in  very  rare 
instances  that  such  an  atmosphere,  with  its  material  appurten- 
ances, is  to  be  found  in  a  printing  office.  Art  does  not  flourish 
in  hidden  places,  nor  under  restraint,  nor  in  ignorance  of  what 
talent  and  genius  have  accomplished  and  are  accomplishing 
throughout  the  world.  For  to  follow  all  precedent  wisely  does 
not  mean  to  imitate  too  slavishly  one  great  exemplar,  but  to 
study  all  masters  faithfully,  letting  their  great  achievements 
sink  slowly  into  the  mind  in  order  that  we  may  patiently 
derive  from  the  richness  of  our  acquired  knowledge  and  organ- 
ized system  an  attitude  of  our  own.  The  sprightly  minded 
young  man,  who  with  his  first  business  breath  projects  the  new 
and  startling,  inevitably  becomes  tiresome,  and  is  driven  to  an 
early  disappearance;  while  the  slower,  more  solidly  endowed 
student  will  at  least  spend  as  much  of  his  time  in  avoiding 
mistakes  as  in  evolving  brilliant  schemes  wherewith  to  dazzle 
his  contemporaries.  The  best  kind  of  originality  is  that  which 
comes  after  a  sound  apprenticeship;  that  which  shall  prove  to 

abcdefghijklmnopqrstuvwxyz 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

$1234567890 


8  Point  No.  161K,  8J  Set 


MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  comes 
after  a  thorough  apprenticeship;  that  which  shall 
prove  to  be  the  blending  of  a  firm  conception  of  all 
useful  precedent  and  the  progressive  tendencies  of 
an  able  mind.  For,  let  a  man  be  as  able  and  original 
as  he  may,  he  cannot  afford  to  discard  knowledge 
of  what  has  gone  before  or  what  is  now  going  on  in 
his  own  trade  or  his  profession.  If  the  printers  of 
today  do  not  wish  to  be  esteemed  arrogant  when 
they  term  this  calling  of  theirs  an  art,  they  must  be 
willing,  and  show  that  they  are  willing,  to  subject 
it  to  such  laws  as  have  made  its  sister  arts  so  free. 
All  those  concerned  in  what  are  accepted  as  the  fine 
arts,  the  learned  sciences,  and  professions  surround 
themselves  with  the  history,  the  literature,  and  the 
concrete  examples  of  the  work  with  which  they  are 
particularly  engaged.  Yet  it  is  only  in  very  rare  in- 
stances that  such  an  atmosphere,  with  its  material 
appurtenances,  is  to  be  found  in  a  printing  office. 
Art  does  not  flourish  in  hidden  places,  nor  under 
restraint,  nor  in  ignorance  of  what  talent  and  genius 
have  accomplished  and  are  accomplishing  through- 
out the  world.  For  to  follow  precedent  wisely  does 
not  mean  to  imitate  slavishly  one  great  exemplar, 

a  bcdefghijklmnopq  rstuvwxyz 
ABCDEFGHIJKLMNOPQRSTUVWXYZ 

$1234567890 


10  Point  No.  161K,  10  Set 

MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which 
comes  after  a  thorough  apprenticeship;  that 
which  shall  prove  to  be  the  blending  of  a 
firm  conception  of  all  useful  precedent  and 
the  progressive  tendencies  of  an  able  mind. 
For,  let  a  man  be  as  able  and  original  as  he 
may,  he  cannot  afford  to  discard  knowledge 
of  what  has  gone  before  or  what  is  now  going 
on  in  his  own  trade  and  profession.  If  the 
printers  of  today  do  not  wish  to  be  esteemed 
too  arrogant  when  they  term  this  calling  of 
theirs  an  art,  they  must  be  willing,  and  show 
that  they  are  willing,  to  subject  it  to  such 
laws  as  have  made  its  sister  arts  so  free.  All 
those  concerned  in  what  are  accepted  as  the 
fine  arts,  the  learned  sciences,  and  profes- 
sions surround  themselves  with  the  history, 
literature,  and  concrete  examples  of  the  work 
with  which  they  are  particularly  engaged. 
Yet  it  is  only  in  rare  instances  that  such  an 
atmosphere,  with  these  material  appurten- 
ances, is  to  be  found  in  the  printing  office. 

abcdefghijklmnopq  rstuvwxyz 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

$1234567890 


12  Point  No.  161K,  12  Set 

MONOTYPE  FACES 
The  best  kind  of  originality  is  that 
which  comes  after  a  sound  appren- 
ticeship; that  which  shall  prove  to 
be  the  blending  of  a  firm  conception 
of  all  useful  precedent  and  the  pro- 
gressive tendencies  of  an  able  mind. 
For,  let  a  man  be  as  able  and  original 
as  he  may,  he  cannot  afford  to  dis- 
card a  knowledge  of  what  has  gone 
before  or  what  is  now  going  on  in 
his  own  trade  and  profession.  If  the 
printers  of  today  do  not  wish  to  be 
esteemed  arrogant  when  they  term 
this  calling  of  theirs  an  art,  they 
must  be  willing,  and  show  that  they 
are  willing,  to  subject  it  to  such  laws 
as  have  made  its  sister  arts  so  free. 
All  those  who  are  concerned  in  what 

abcdefghijklmnopqrstuvwxyz 
ABCDEFGHIJKLMNOPQRSTUVW 

$1234567890 


No.  162J.     Job  Arrangement  C2 


Composition  Matrices 


5  Point  No.  162J,  6^  Set 


MONOTYPE   FACES 

The  best  kind  of  originality  is  that  which  conies  after  a  sound  appren- 
ticeship; that  which  shall  prove  itself  to  be  the  blending  of  a  8rm 
conception  of  useful  precedent  and  the  progressive  tendencies  of  an 
able  mind.  For,  let  a  mini  be  as  able  and  original  as  he  may,  he  can- 
not afford  to  discard  knowledge  of  what  has  gone  before  or  what  is 
now  going  on  in  his  own  trade  and  profession.  If  the  printers  of  to- 
day do  not  wish  to  be  esteemed  arrogant  when  they  term  this  calling 
of  theirs  an  art,  they  must  be  willing,  and  show  that  they  are  willing, 
to  subject  it  to  such  laws  as  have  made  its  sister  arts  so  free.  All 
those  concerned  in  what  are  accepted  as  the  fine  arts,  the  learned 

literature,  and  concrete  examples  of  _the  work  with  which  they  are 
particularly  engaged.  Yet  it  is  only  in  rare  instances  that  such  an 
atmosphere,  with  its  material  appurtenances,  is  to  be  found  in  a 
printing  office.  Art  does  not  nourish  in  hidden  places,  nor  under 

LOW  PRECEDENT  WISELY  DOES  NOT  MEAN  TO  IMITATE  SLAVISHLY  ONE  GREAT 
EXEMPLAR,  BUT  TO  STUDY  ALL  MASTERS  FAITHFULLY,  LETTING  Til  KIR  GREAT 

$12345  abcdefghijklmnopqrstuvwxyz  67890 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

ABCnEFOHIJKLMNOPQRBTUVWXYZ 
•OMMMM 


6  Point  No.  162J,  1\  Set 

MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  cornea  after  a 
sound  apprenticeship;  that  which  shall  prove  to  be  the 
blending  of  a  firm  conception  of  all  useful  precedent  and 
the  progressive  tendencies  of  an  able  mind.  For,  let  a  man 
be  as  able  and  original  as  he  may,  he  cannot  afford  to  dis- 
card knowledge  of  what  has  gone  before  or  what  is  now 
ffoing  on  in  his  own  trade  and  profession.  If  the  printers 
of  today  do  not  wish  to  be  esteemed  arrogant  when  they 
term  this  calling  of  theirs  an  art,  they  must  be  willing,  and 
show  that  they  are  willing,  to  subject  it  to  such  laws  as 
have  made  its  sister  arts  so  free.  All  those  concerned  in 
what  are  accepted  as  the  fine  arts,  the  learned  sciences  and 

THE  PROFESSIONS,  SURROUND  THEMSELVES  WITH  THE  HISTORY, 
LITERATURE,  AND  THE  CONCRETE  EXAMPLES  OF  THE  WORK  WITH 
WHICH  THEY  ARE  PARTICULARLY  ENGAGED.  YET  IT  IS  ONLY  IN 
RARE  INSTANCES  THAT  SUCH  AN  ATMOSPHERE,  WITH  ITS  MATERIAL 
APPURTENANCES,  IS  TO  BE  FOUND  IN  A  PRINTING  OFFICE.  ART 
DOES  NOT  FLOURISH  IN  HIDDEN  PLACES,  NOR  UNDER  RESTRAINT, 

$12345  abcdefghijklmnopqrstuvwxyz  67890 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

ABCDEFGIIIJKLMNOPQRSTUVWXYZ 

$1234567890 


8  Point  No.  162J,  9J  Set 

MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  comes 
after  a  sound  apprenticeship;  that  which  shall 
prove  to  be  the  blending  of  a  firm  conception  of 
all  useful  precedent  and  the  progressive  tenden- 
<•!<•-,  of  an  able  mind.  For,  let  a  man  be  as  able 
and  original  as  he  may,  he  cannot  afford  to  dis- 
card knowledge  of  what  has  gone  before  or  what 
is  now  going  on  in  his  own  trade  and  profession. 
If  the  printers  of  today  do  not  wish  to  be  esteemed 
arrogant  when  they  term  this  calling  of  theirs  an 
it  rt ,  t  hey  must  be  willing,  and  show  that  they  are 
willing,  to  subject  it  to  such  laws  as  have  made 
its  sister  arts  so  free.  All  those  concerned  in 
what  are  accepted  as  the  fine  arts,  the  learned 

abcdefghijklmnopqrstuvwxyz 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

S1&34567890 


10  Point  No.  162J,  11  Set 

MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which 
comes  after  a  sound  apprenticeship ;  that 
which  shall  prove  to  be  the  blending 
of  a  firm  conception  of  all  useful  prece- 
dent and  the  progressive  tendencies  of 
an  able  mind.  For,  let  a  man  be  as  able 
and  original  as  he  may,  he  cannot  afford 
to  discard  knowledge  of  what  has  gone 
before  or  what  is  now  going  on  in  his 
own  trade  and  profession.  If  the  print- 
ers of  today  do  not  wish  to  be  esteemed 
too  arrogant  when  they  term  this  calling 
of  theirs  an  art,  they  must  be  willing, 
and  show  that  they  are  willing,  to  sub- 
ject it  to  such  laws  as  have  made  its 
sister  arts  so  free.  All  those  concerned 
in  what  are  accepted  as  the  fine  arts,  the 
learned  sciences  and  the  professions,  sur- 
round themselves  with  the  history,  lit- 
erature, and  concrete  examples  of  the 

abcdef  ghi  j  klmnopqrs  tu  vwxyz 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

$1234567890 


12  Point  No.  162J,  12J  Set 

MONOTYPE  FACES 
The  best  kind  of  originality  is  that 
which  comes  after  a  sound  appren- 
ticeship; that  which  shall  prove  to 
be  the  blending  of  a  firm  conception 
of  all  useful  precedent  and  the  pro- 
gressive tendencies  of  an  able  mind. 
For,  let  any  man  be  as  able  and 
original  as  he  may,  he  cannot  afford 
to  discard  knowledge  of  what  has 
gone  before  or  what  is  now  ^oing  on 
in  his  own  trade  and  profession.  If 
the  printers  of  today  do  not  wish 
to  be  esteemed  arrogant  when  they 
term  this  calling  of  theirs  an  art, 
they  must  be  willing,  and  also  show 
that  they  are  willing,  to  subject  it 

abcdefghijklmnopqrstuvwxyz 

ABCDEFGHIJKLMNOPQRSTUVW 

$1234567890 


No.  162  Display  Matrices 

14  Point  No.  162 

THE  MONOTYPE 

Has  Never  Been  Equaled  for  Quality,  Speed,  Versatility 

and  Economy  of  Cost  Combined 

$1234567890 

18  Point  No.  162 


OVER  1400  FON::S 


From  Which  to  Select  the  Face  You  Want, 


and  Others  are  Added  Constantly 


$1234567890 


24  Point  No.  162 


THE  MATRIX  LIBRARY 

Supplies  the   Seldom  Used  Faces 

at  a  Minimum  Cost 

$1234567890 


30  Point  No.  162 


WHY  DISTRIBUTE 

When  New  Type  is  Available 

for  Every  Job? 

$1234567890 


36  Point  No.  162 


No.  21 OJ.     Job  Arrangement  C4 
Composition  Matrices 


MONOTYPE  FACES 


10  Point  No.  210J,  7  Set 


The  best  kind  of  originality  is  that  which  comes  after  a  sound  appren- 
ticeship; that  which  shall  prove  to  be  the  blending  of  a  firm  conception 
of  all  useful  precedent  and  the  progressive  tendencies  of  an  able  mind. 
For,  let  a  man  be  as  able  and  original  as  he  may,  he  cannot  afford  to 
discard  knowledge  of  what  has  gone  before  or  what  is  now  going  on  in 
his  own  trade  and  profession.  If  the  printers  of  today  do  not  wish  to  be 
esteemed  arrogant  when  the)'  term  this  calling  of  theirs  an  art,  they 
must  be  willing,  and  show  that  thcv  are  willing,  to  subject  it  to  such 
laws  as  have  made  its  sister  arts  so  free.  All  those  concerned  in  what 
are  accepted  as  the  fine  arts,  the  learned  sciences,  and  the  professions 
surround  themselves  with  the  history,  the  literature,  and  concrete 
examples  of  the  work  with  which  they  are  particularly  engaged.  Yet  it 
is  only  in  very  rare  instances  that  such  an  atmosphere,  with  its  material 
appurtenances,  is  to  be  found  in  a  printing  office.  Art  does  not  flourish 
in  hidden  places,  nor  under  restraint,  nor  in  ignorance  of  what  talent 
and  genius  have  accomplished  and  are  now  accomplishing  throughout 
the  world.  For  to  follow  precedent  wisely  does  not  mean  to  imitate 
slavishly  one  great  exemplar,  but  to  study  all  the  masters  faithfully, 


MONOTYPE  FACES 


The  best  kind  of  originality  is  that  which  comes  after  a  sound  appren- 
ticeship; that  which  shall  prove  to  be  the  blending  of  a  firm  conception 
of  all  useful  precedent  and  the  progressive  tendencies  of  an  able  mind. 
For,  let  a  man  be  as  able  and  original  as  he  may,  he  cannot  afford  to 
discard  knowledge  of  what  has  gone  before  or  what  is  now  going  on  in 
his  own  trade  and  profession.  If  the  printers  of  today  do  not  wish  to  be 
esteemed  arrogant  when  they  term  this  calling  of  theirs  an  art,  they 
must  be  willing,  and  show  that  they  are  willing,  to  subject  it  to  such 
laws  as  have  made  its  sister  arts  so  free.  All  those  concerned  in  what 
are  accepted  as  the  fine  arts,  the  learned  sciences,  and  the  professions 
surround  themselves  with  the  history,  the  literature,  and  concrete 
examples  of  the  work  with  which  they  are  particularly  engaged.  Yet  it 
is  only  in  very  rare  instances  that  such  an  atmosphere,  with  its  material 
appurtenances,  is  to  be  found  in  a  printing  office.  Art  does  not  flourish 
in  hidden  places,  nor  under  restraint,  nor  in  ignorance  of  what  talent 
and  genius  have  accomplished  and  are  now  accomplishing  throughout 
the  world.  For  to  follow  precedent  wisely  does  not  mean  to  imitate 
slavishly  one  great  exemplar,  but  to  study  all  the  masters  faithfully, 
letting  their  great  achievements  sink  slowly  into  the  mind  in  order  that 
we  may  patiently  derive  from  the  richness  of  our  acquired  knowledge 
and  organized  system  an  attitude  of  our  own.  The  sprightly  minded 


abcdefghijklmnopqrstuvwxyz 
ABCDEFGHIJKLMNOPQRSTUVWXYZ 

$1234567890 


12  Point  No.  210J,  8|  Set 

MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  comes  after  a 
sound  apprenticeship;  that  which  shall  prove  to  be  the 
blending  of  a  firm  conception  of  all  useful  precedent  and 
the  progressive  tendencies  of  an  able  mind.  For,  let  a  man 
be  as  able  and  original  as  he  may,  he  cannot  afford  to  dis= 
card  knowledge  of  what  has  gone  before  or  what  is  now 
going  on  in  his  own  trade  and  profession.  If  the  printers  of 
today  do  not  wish  to  be  esteemed  arrogant  when  they  term 
this  calling  of  theirs  an  art,  they  must  be  willing,  and  show 
that  they  are  willing,  to  subject  it  to  such  laws  as  have 
made  its  sister  arts  so  free.  All  those  concerned  in  what 
are  accepted  as  the  fine  arts,  the  learned  sciences  and  the 
professions,  surround  themselves  with  the  history,  the  lit- 
erature, and  concrete  examples  of  the  work  with  which 
they  are  particularly  engaged.  Yet  it  is  only  in  very  rare 
instances  that  such  an  atmosphere,  with  its  material  ;ip 

abcdefghijklmnopqrstuvwxyz 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

$1234567890 


MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  comes  after  a 
sound  apprenticeship;  that  which  shall  prove  to  be  the 
blending  of  a  firm  conception  of  all  useful  precedent  and 
the  progressive  tendencies  of  an  able  mind.  For,  let  a  man 
be  as  able  and  original  as  he  may,  he  cannot  afford  to  dis- 
card knowledge  of  what  has  gone  before  or  what  is  now 
going  on  in  his  own  trade  and  profession.  If  the  printers  of 
today  do  not  wish  to  be  esteemed  arrogant  when  they  term 
this  calling  of  theirs  an  art,  they  must  be  willing,  and  show 
that  they  are  willing,  to  subject  it  to  such  laws  as  have 
made  its  sister  arts  so  free.  All  those  concerned  in  what 
are  accepted  as  the  fine  arts,  the  learned  sciences  and  the 
professions,  surround  themselves  with  the  history,  the  lit 
erature,  and  concrete  examples  of  the  work  with  which 
they  are  particularly  engaged.  Yet  it  is  only  in  very  rare 
instances  that  such  an  atmosphere,  with  its  material  ;ip 
purtenances,  is  to  be  found  in  a  printing  office.  Art  does 
not  flourish  in  hidden  places,  nor  under  restraint,  nor  in 


No.  210  Display  Matrices 

14  Point  No.  210 

OUR  TYPE  AND  RULE  CASTER 

Furnishes  Better  Typography  to  Interest  your  Advertisers;  Eliminates  Distribution;  Supplies 

New  Type  and  New  Rule  for  Every  Ad 
$1234567890 

I   : 

18  Point  No.  210 

TYPE  OF  LARGER  POINT  SIZES 

And  Fatter  Faces  Provided  on  the  Monotype  Type  and  Rule  Caster  Creates  a 
Demand  for  More  Space  in  Your  Advertising  Columns 

$1234567890 


24  Point  No.  210 


MONOTYPE  QUALITY  IS  THE  BEST 
And  Only  Lever  to  Raise  Prices  and  Increase  Your  Profits.  New 
Type  Assures  Good  Press  Work 
$1234567890 


30  Point  No.  213 


COMPOSITORS  DO  NOT  STOP 


Productive  Work  to  Distribute  Lines  that  do  not  Fit 


the  Required  Measure 


$1234567890 


36  Point  No.  210 


TURNS  COMPOSING  ROOM 
Maintenance  into  Profit-not  an  Expense 

$1234567890 


No.  245  Electro  Display  Matrices 

14  Point  No.  245 

THE  MONOTYPE  IS  THE  ONLY 

Composing  Machine  that  Handles  Straight  Composition  and  the  Most  Intricate 

Tabular  Matter  with  Equal  Facility 
$1234567890 

18  Point  No.  245 

THE  MONOTYPE  NOT  ONLY  SUPPLIES 
Brand  New  Type  for  Every  Job,  but  it  also  Spaces  the  Lines  and 

Words  with  Perfect  Accuracy 
$1234567890 


24  Point  No.  245 


THE  MONOTYPE  IS  THE  ONLY 
Composing  Machine  that  Makes  the  Work  of  the 

Hand  Compositor  Easier 
$1234567890 


30  Point  No.  245 


NEW  MONOTYPE  MATERIAL 

For  Every  Form  Means  the  Minimum  of 

Expense  for  the  Make-up 

$1234567890 


36  Point  No.  245 


YOUR  OPERATOR 
Hits  Keys  Quicker  Than  He  Winks 

$1234567890 


No.  275J.     Job  Arrangement  C2 


Composition  Matrices 


6  Point  No.  275J,  7  Set 


MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  conies  after  a  sound 
apprenticeship;  that  which  shall  prove  to  be  the  blending  of 
a  firm  conception  of  all  useful  precedent  and  the  progressive 
tendencies  of  an  able  mind.  For,  let  a  man  be  as  able  and 
original  as  he  may,  he  cannot  afford  to  discard  knowledge  of 
what  has  gone  before  or  what  is  now  going  on  in  his  own  trade 
or  his  profession.  If  the  printers  of  today  do  not  wish  to  be 
esteemed  arrogant  when  they  term  this  calling  of  theirs  an  art, 
they  must  be  willing,  and  show  that  they  are  willing,  to  sub- 
ject it  to  such  laws  as  have  made  its  sister  arts  so  free.  All 
those  concerned  in  what  are  accepted  as  the  fine  arts,  the 
learned  sciences,  and  professions  surround  themselves  with  the 
history,  the  literature,  and  concrete  examples  of  the  work  with 
which  they  are  particularly  engaged.  Yet  it  is  only  in  very  rare 
instances  that  such  an  atmosphere,  with  its  material  appurten- 
ances, is  to  be  found  in  a  printing  office.  Art  does  not  flourish 
in  hidden  places,  nor  under  restraint,  nor  in  ignorance  of  what 
talent  and  genius  have  accomplished  and  are  accomplishing 
throughout  the  world.  For  to  follow  all  precedent  wisely  does 
not  mean  to  imitate  too  slavishly  one  great  exemplar,  but  to 
study  all  masters  faithfully,  letting  their  great  achievements 
sink  slowly  into  the  mind  in  order  that  we  may  patiently  de- 
rive from  the  richness  of  our  acquired  knowledge  and  organ- 
ized system  an  attitude  of  our  own.  The  sprightly  minded 
young  man,  who  with  his  first  business  breath  projects  the  new 
and  startling,  inevitably  becomes  tiresome,  and  is  driven  to  an 
early  disappearance;  while  the  slower,  more  solidly  endowed 
student  will  at  least  spend  as  much  of  his  time  in  avoiding 
mistakes  as  in  evolving  brilliant  schemes  wherewith  to  dazzle 
his  contemporaries.  The  best  kind  of  originality  is  that  which 
comes  after  a  sound  apprenticeship;  that  which  shall  prove  to 

abcdefghijklmnopqrstuvwxyz 
ABCDEFGHIJKLMNOPQRSTUVWXYZ 

$1234567890 


8  Point  No.  275J,  8£  Set 

MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  conies 
after  a  thorough  apprenticeship;  that  which  shall 
prove  to  be  the  blending  of  a  firm  conception  of  all 
useful  precedent  and  the  progressive  tendencies  of 
an  able  mind.  For,  let  a  man  be  as  able  and  original 
as  he  may,  he  cannot  afford  to  discard  knowledge 
of  what  has  gone  before  or  what  is  now  going  on  in 
his  own  trade  or  his  profession.  If  the  printers  of 
today  do  not  wish  to  be  esteemed  arrogant  when 
they  term  this  calling  of  theirs  an  art,  they  must  be 
willing,  and  show  that  they  are  willing,  to  subject 
it  to  such  laws  as  have  made  its  sister  arts  so  free. 
All  those  concerned  in  what  are  accepted  as  the  fine 
arts,  the  learned  sciences,  and  professions  surround 
themselves  with  the  history,  the  literature,  and  the 
concrete  examples  of  the  work  with  which  they  are 
particularly  engaged.  Yet  it  is  only  in  very  rare  in- 
stances that  such  an  atmosphere,  with  its  material 
appurtenances,  is  to  be  found  in  a  printing  office. 
Art  does  not  nourish  in  hidden  places,  nor  under 
restraint,  nor  in  ignorance  of  what  talent  and  genius 
have  accomplished  and  are  accomplishing  through- 
out the  world.  For  to  follow  precedent  wisely  does 
not  mean  to  imitate  slavishly  one  great  exemplar, 

abcdefghijklmnopqrstuvwxyz 
ABCDEFGHIJKLMNOPQRSTUVWXYZ 

$1234567890 


10  Point  No.  275J,  10  Set 

MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which 
conies  after  a  thorough  apprenticeship;  that 
which  shall  prove  to  be  the  blending  of  a 
firm  conception  of  all  useful  precedent  and 
the  progressive  tendencies  of  an  able  mind. 
For,  let  a  man  be  as  able  and  original  as  he 
may,  he  cannot  afford  to  discard  knowledge 
of  what  has  gone  before  or  what  is  now  going 
on  in  his  own  trade  and  profession.  If  the 
printers  of  today  do  not  wish  to  be  esteemed 
loo  arrogant  when  they  term  this  calling  of 
theirs  an  art,  they  must  be  willing,  and  show 
that  they  are  willing,  to  subject  it  to  such 
laws  as  have  made  its  sister  arts  s«  free.  All 
those  concerned  in  what  are  accepted  as  the 
fine  arts,  the  learned  sciences,  and  profes- 
sions surround  themselves  with  the  history, 
literature,  and  concrete  examples  of  the  work 
with  which  they  are  particularly  engaged. 
Yet  it  is  only  in  rare  instances  that  such  an 
atmosphere,  with  these  material  appurten- 
ances, is  to  be  found  in  the  printing  office. 

abcdefghijklmnopqrstuvwxyz 
ABCDEFGHIJKLMNOPQRSTUVWXYZ 

$1234567890 


12  Point  No.  275J,  12  Set 

MONOTYPE  FACES 
The  best  kind  of  originality  is  that 
which  conies  after  a  sound  appren- 
ticeship; that  which  shall  prove  to 
be  the  blending  of  a  firm  conception 
of  all  useful  precedent  and  the  pro- 
gressive tendencies  of  an  able  mind. 
For,  let  a  man  be  as  able  and  original 
as  he  may,  he  cannot  afford  to  dis- 
card a  knowledge  of  what  has  gone 
before  or  what  is  now  going  on  in 
his  own  trade  and  profession.  If  the 
printers  of  today  do  not  wish  to  be 
esteemed  arrogant  when  they  term 
this  calling  of  theirs  an  art,  they 
must  be  willing,  and  show  that  they 
are  willing,  to  subject  it  to  such  laws 
as  have  made  its  sister  arts  so  free. 
All  those  who  are  concerned  in  what 

abcdefghijklmnopqrstuvwxyz 

ABCDEFGHIJKLMNOPQRSTUVW 

$1234567890 


No.  275  Electro  Display  Matrices 

14  Point  No.  275 

NON-DISTRIBUTION  WILL  REPAY 

The  Investment  of  a  Monotype  in  Less  Than  Two  Years,  and  Keep  Right 

on  Giving  Profits  for  Many  Years  to  Come 

$1234567890 


18  Point  No.  275 


THROUGH  THIS  SYSTEM, 


Which  the  Monotype  Created,  it   Reduces  the  Actual 


Hour  Cost  of  Hand  Composition 


$1234567890 


24  Point  No.  275 


LEADS,  SLUGS  AND  RULES 

Made  on  Monotype  Lead  and  Slug  Attach- 
ment Always  True  to  Size 
$1234567890 


30  Point  No.  275 


OUR  TYPE-&-RULE 

Caster  Continuously  Supplies  Brand 

New  Type  for  the  Cases 

$1234567890 


36  Point  No.  275 


VERSATILITY  IS  ONLY 
One  of  the  Many  Good  Features 

$1234567890 


No.  275K.     Job  Arrangement  C2 


Composition  Matrices 


6  Point  No.  275K,  7  Set 


MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  comes  after  a  sound 
apprenticeship;  that  which  shall  prove  to  be  the  blending  of  a 
firm  conception  of  all  useful  precedent  and  the  progressive 
tendencies  of  an  able  mind.  For,  let  a  man  be  as  able  and 
original  as  he  may,  he  cannot  afford  to  discard  knowledge  of 
what  has  gone  before  or  what  is  now  going  on  in  his  own  trade 
and  profession.  If  the  printers  of  today  do  not  wish  to  be 
esteemed  arrogant  when  they  term  this  calling  of  theirs  an  art 
they  must  be  willing,  and  show  that  they  are  willing,  to  sub- 
ject it  to  such  laws  as  have  made  its  sister  arts  so  free.  All 
those  concerned  in  what  are  accepted  as  the  fine  arts,  the 
learned  sciences,  and  professions  surround  themselves  with  the 
history,  the  literature,  and  concrete  examples  of  the  work  with 
which  they  are  particularly  engaged.  Yet  it  is  only  in  very  rare 
instances  that  such  an  atmosphere,  with  its  material  appurten- 
ances, is  to  be  found  in  a  printing  office.  Art  does  not  flourish 
in  hidden  places,  nor  under  restraint,  nor  in  ignorance  of  what 
talent  and  genius  have  accomplished  and  are  accomplishing 
throughout  the  world.  For  to  follow  precedent  wisely  does 
not  mean  to  imitate  slavishly  one  great  exemplar,  but  to 
study  all  masters  faithfully,  letting  their  great  achievements 
sink  slowly  into  the  mind  in  order  that  we  may  patiently 
derive  from  the  richness  of  our  acquired  knowledge  and  organ- 
ised system  an  attitude  of  our  own.  The  sprightly  minded 
young  man,  who  with  his  first  business  breath  projects  the  new 
and  startling,  inevitably  becomes  tiresome,  and  is  driven  to  an 
early  disappearance;  while  the  slower,  more  solidly  endowed 
student  will  at  least  spend  as  much  of  his  time  in  avoiding 
mistakes  as  in  evolving  brilliant  schemes  wherewith  to  dazzle 
his  contemporaries.  The  best  kind  of  originality  is  that  which 
comes  after  a  sound  apprenticeship;  that  which  shall  prove  to 

abcdefghijklmnopqrstuvwxys 
ABCDEFGHIJKLMNOPQRSTUVWX  YZ 

$1234567890 


8  Point  No.  275K,  8£  Set 


MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  conies 
after  a  sound  apprenticeship;  that  which  shall 
prove  to  be  the  blending  of  a  firm  conception  of  all 
useful  precedent  and  the  progressive  tendencies  of 
an  able  mind.  For,  let  a  man  be  as  able  and  original 
as  he  may,  he  cannot  afford  to  discard  knowledge 
of  what  has  gone  before  or  what  is  now  going  on  in 
his  own  trade  or  his  profession.  If  the  printers  of 
today  do  not  wish  to  be  esteemed  arrogant  when 
they  term  this  calling  of  theirs  an  art,  they  must  be 
willing,  and  show  that  they  are  willing,  to  subject 
it  to  such  laws  as  have  made  its  sister  arts  so  free. 
All  those  concerned  in  what  are  accepted  as  the  fine 
arts,  the  learned  sciences,  and  professions  surround 
themselves  with  the  history,  the  literature,  and  the 
concrete  examples  of  the  work  with  which  they  are 
particularly  engaged.  Yet  it  is  only  in  very  rare  in- 
stances that  such  an  atmosphere,  with  its  material 
appurtenances,  is  to  be  found  in  a  printing  office. 
Art  does  not  flourish  in  hidden  places,  nor  under 
restraint,  nor  in  ignorance  of  what  talent  and  genius 
have  accomplished  and  are  accomplishing  through- 
out the  world.  For  to  follow  precedent  wisely  does 
not  mean  to  imitate  slavishly  one  great  exemplar, 

abcdefghijklmnopqrstuvwxyz 
ABCDEFGHIJKLMNOPQRSTUVWXYZ 

$1234567890 


10  Point  No.  275K,  10  Set 

MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which 
conies  after  a  sound  apprenticeship;  that 
which  shall  prove  to  be  the  blending  of  a 
firm  conception  of  all  useful  precedent  and 
the  progressive  tendencies  of  an  able  mind. 
For,  let  any  man  be  as  able  and  original 
as  he  may,  he  cannot  afford  to  entirely  dis- 
card knowledge  of  what  has  gone  before 
or  what  is  now  going  on  in  his  own  trade 
and  profession.  If  the  printers  of  today 
do  not  wish  to  be  esteemed  too  arrogant 
when  they  term  this  calling  of  theirs  an 
art,  they  must  be  willing,  and  show  that 
they  are  willing,  to  subject  it  to  such  laws 
as  have  made  its  sister  arts  so  free.  All 
those  concerned  in  what  are  accepted  as 
the  fine  arts,  the  learned  sciences,  and  the 
professions  surround  themselves  with  the 
history,  literature,  and  concrete  examples 
of  the  work  with  which  they  are  particu- 
larly engaged.  Yet  it  is  only  in  very  rare 
instances  that  such  an  atmosphere,  with 

abcdefghijklmnopqrstuvwxyz 
ABCDEFGHIJKLMNOPQRSTUVWXYZ 

$1234567890 


12  Point  No.  275K,  12  Set 

MONOTYPE  FACES 
The  best  kind  of  originality  is  that 
which  comes  after  a  sound  appren- 
ticeship; that  which  shall  prove  to 
be  the  blending  of  a  firm  conception 
of  all  useful  precedent  and  the  pro- 
gressive tendencies  of  an  able  mind. 
For,  let  a  man  be  as  able  and  original 
as  he  may,  he  cannot  afford  to  dis- 
card a  knowledge  of  what  has  gone 
before  or  what  is  now  going  on  in 
his  own  trade  and  profession.  If  the 
printers  of  today  do  not  wish  to  be 
esteemed  arrogant  when  they  term 
this  calling  of  theirs  an  art,  they 
must  be  willing,  and  show  that  they 
are  willing,  to  subject  it  to  such  laws 
as  have  made  its  sister  arts  so  free. 
All  those  who  are  concerned  in  what 

abcdefghijklmnopqrstuvwxyz 
ABCDEFGHIJKLMNOPQRSTUVW 

$1234567890 


No.  2751  Electro  Display  Matrices 

14  Point  No.  2751 

THE  FACTS  IN  THE  CASE 

The  Monotype  eliminates  Costly  Non-productive  Time  and  Reduces  the 

Cost  of  the  Work  done  in  the  Productive  Time 

$1234567890 


18  Point  No.  2751 

IN  THE  MONOTYPE  PLANT 

There  is  Never  any  Worry  by  the  Hurry  of  a  Rush  of 

Copy  at  the  Last  Minute 
$1234567890 

24  Point  No.  2751 

MONOTYPE  MATERIAL 

Makes  the  Modern  Composing  Room  a  Much 

Pleasanter  Place  to  Work  in 

$1234567890 


30  Point  No.  2751 


NON-DISTRIBUTION 

Saves  the  Time  of  your  High-Sala- 
ried., Skilled  Job  Compositors 
$1234567890 


36  Point  No.  2751 


DON'T  WASTE 
Your  Good  Coin  for  Lost  Time 

$1234567890 


No.  328J.     Job  Arrangement  C2 


Composition  Matrices 


6  Point  No.  328J,  8£  Set 


MONOTYPE   FACES 

The  very  best  kind  of  originality  Is  that  which  conies 
after  a  thorough  apprenticeship;  that  which  shall 
prove  to  be  the  blending  of  a  firm  conception  of  all 
useful  precedent  and  the  progressive  tendencies  of 
an  able  mind.  For,  let  a  man  be  as  able  and  original 
as  he  may,  he  cannot  afford  to  discard  knowledge 
of  what  has  gone  before  or  what  Is  now  going  on  In 
his  own  trade  or  his  profession.  If  the  printers  of 
today  do  not  wish  to  be  esteemed  arrogant  when 
they  term  this  calling  of  theirs  an  art,  they  must  be 
willing,  and  show  that  they  are  willing,  to  subject 
It  to  such  laws  as  have  made  Its  sister  arts  so  free. 
All  those  concerned  In  what  are  accepted  as  the  fine 
arts,  the  learned  sciences  and  professions  surround 
themselves  with  the  history,  the  literature,  and  the 
concrete  examples  of  the  work  with  which  they  are 
particularly  engaged.  Yet  It  Is  only  In  very  rare  In- 
stances that  such  an  atmosphere,  with  Its  material 
appurtenances,  Is  to  be  found  In  a  printing  office. 
Art  does  not  flourish  In  hidden  places,  nor  under 
restraint,  nor  In  Ignorance  of  what  talent  and  genius 
have  accomplished  and  are  accomplishing  through- 
out the  world.  For  to  follow  precedent  wisely  does 
not  mean  to  Imitate  slavishly  one  great  exemplar, 
but  to  study  all  masters  faithfully,  letting  their 
great  achievements  sink  slowly  Into  the  mind  In 
order  that  we  may  patiently  derive  from  the  richness 
of  our  acquired  knowledge  and  organized  system  an 
attitude  of  our  own.  The  sprightly  minded  young 
man,  who  with  his  first  business  breath  projects  the 


7  Point  No.  328J,  9\  Set 


Ems  a  to  z  19.70 


Words  to  Pica  .41 


MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  conies 
after  a  sound  apprenticeship;  that  which  shall 
prove  to  be  the  blending  of  a  firm  conception  of 
all  useful  precedent  and  the  progressive  ten- 
dencies of  an  able  mind.  For,  let  any  man  be  as 
able  and  original  as  he  may,  he  cannot  afford  to 
discard  knowledge  of  what  has  gone  before  or 
what  is  mm  going  on  in  his  own  trade  and  pro- 
fession. If  the  printers  of  today  do  not  wish  to 
be  esteemed  too  arrogant  when  they  term  this 
calling  of  theirs  an  art,  they  must  be  willing,  and 
show  that  they  are  willing,  to  subject  it  to  just 
such  laws  as  have  made  its  sister  arts  so  free. 
All  those  concerned  in  what  are  accepted  as  the 
fine  arts,  the  learned  sciences  and  professions 
surround  themselves  with  the  history,  literature, 
and  concrete  examples  of  the  work  with  which 
they  are  particularly  engaged.  Yet  it  is  only  in 
very  rare  instances  that  such  an  atmosphere, 
with  its  material  appurtenances,  is  to  be  found 
in  a  printing  office.  Art  does  not  flourish  in  hid- 
den places,  nor  under  restraint,  nor  in  ignorance 
of  what  talent  and  genius  have  accomplished 
and  are  accomplishing  throughout  the  world. 
To  follow  precedent  wisely  does  not  mean  to  imi- 
tate slavishly  one  great  exemplar,  but  to  study 

abcdefghijklmnopqrstuvwxyz 

ABCDEFGrHIJKLMNOPQRSTUVWXYZ 

$1234567890 

Ems  a  to  z  18.95  Words  to  Pica  .36 


8  Point  No.  328J,  9f  Set 


MONOTYPE  FACES 

The  very  best  kind  of  originality  is  that  which 
conies  after  a  sound  apprenticeship;  that 
which  shall  prove  to  be  the  blending  of  a  firm 
conception  of  all  useful  precedent  and  the 
progressive  tendencies  of  an  able  mind.  For, 
let  a  man  be  as  able  and  original  as  he  may,  he 
cannot  afford  to  discard  knowledge  of  what 
has  gone  before  or  what  is  now  going  on  in  his 
own  trade  and  profession.  If  the  printers  of 
today  do  not  wish  to  be  esteemed  arrogant 
when  they  term  this  calling  of  theirs  an  art, 
they  must  be  willing,  and  show  that  they  are 
willing,  to  subject  it  to  such  laws  as  have  made 
its  sister  arts  so  free.  All  those  concerned  in 
what  are  accepted  as  the  fine  arts,  the  learned 
sciences  and  professions,  surround  them- 
selves with  the  history,  literature,  and  con- 
crete examples  of  the  work  with  which  they 
are  particularly  engaged.  Yet  it  is  only  in 
rare  instances  that  such  an  atmosphere,  with 
Its  material  appurtenances,  is  to  be  found  in 
a  printing  office.  Art  does  not  flourish  in 
hidden  places,  nor  under  restraint,  nor  in  the 


MONOTYPE  FACES 

The  very  best  kind  of  originality  is  that  which 
comes  after  a  sound  apprenticeship;  that 
which  shall  prove  to  be  the  blending  of  a  firm 
conception  of  all  useful  precedent  and  the 
progressive  tendencies  of  an  able  mind.  For, 
let  a  man  be  as  able  and  original  as  he  may,  he 
cannot  afford  to  discard  knowledge  of  what 
has  gone  before  or  what  is  now  going  on  in  his 
own  trade  and  profession.  If  the  printers  of 
today  do  not  wish  to  be  esteemed  arrogant 
when  they  term  this  calling  of  theirs  an  art, 
they  must  be  willing,  and  show  that  they  are 
willing,  to  subject  it  to  such  laws  as  have  made 
its  sister  arts  so  free.  All  those  concerned  in 
what  are  accepted  as  the  fine  arts,  the  learned 
sciences  and  the  professions,  surround  them- 
selves with  the  history,  literature,  and  con- 
crete examples  of  the  work  with  which  they 
are  particularly  engaged.  Yet  it  is  only  in 
rare  instances  that  such  an  atmosphere,  with 
its  material  appurtenances,  is  to  be  found  in 
a  printing  office.  Art  does  not  flourish  in 
hidden  places,  nor  under  restraint,  nor  in 
Ignorance  of  what  talent  and  genius  have  ac- 
complished and  are  accomplishing  through- 
out the  world.  For  to  follow  precedent  wisely 
does  not  mean  to  imitate  slavishly  one  great 
exemplar,  but  to  study  all  masters  faithfully, 
letting  their  great  achievements  sink  slowly 


abcdefghljklmnopqrstuvwxyz 
ABCDEFGHIJKLMNOPQRSTUVWXYZ 

$1234567890 

Ems  a  to  z  17.45  Words  to  Pica  .34 


No.  616  Electro  Display  Matrices 

14  Point  No.  616 

FOUNDED  BY  GUSTAVE  PEIGNOT 

the  Foundry  of  G.  Peignot  &  Fils,  Paris,  has  Contributed  a 
great  deal  to  attractive  French  typography 

$1234567890 

18  Point  No.  616 

A  WORTHY  EXAMPLE 

is  the  Series  Called  Les  Cochins^  Based  On 

Eighteenth  Century  Engraving 

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24  Point  No.  616 


ABOtT       HE  YEAR  1914 


A  Brochure  Was  Issued  Describing 


and  Showing  These  Fonts 


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30  Point  No.  616 


THE  COCHIN  SERIES 

Has  Been  Used  with  Charming 

Effect  in  the  French 

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36  Point  No.  616 


MAGAZINE 

La  Gazette  du  Bon  Ton 
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*Monotype  61  and  611  Series  for  which  this  is  the  bold  face 


No.  616K.   Job  Arrangement  C2 


Composition  Matrices 


6  Point  No.  616K,  7  Set 


8  Point  No.  616K,  &*4  Set 


MONOTYPE  FACES 

The  bett  kind  of  originality  it  that  which  comet  ajter  a  found 
apprenticethip;  that  which  thalt  prove  to  be  the  blending  of  a 
firm  conception  of  all  uteful  precedent  and  the  progrettive 
tendenciet  of  an  able  mind.  For,  let  a  man  be  at  able  and 
original  at  he  may,  he  cannot  afford  to  ditcard  knowledge  of 
what  hat  gone  before  or  what  it  now  going  on  in  hit  own  trade 
and  profettion.  If  the  printert  of  today  do  not  with  to  be 
etteemed  arrogant  when  they  term  thit  calling  of  theirt  an  art, 
they  mutt  be  willing,  and  thow  that  they  are  willing,  to  tub- 
ject  it  to  tuch  lawt  at  have  made  itt  titter  artt  to  free.  All 
thote  concerned  in  what  are  accepted  at  the  fine  artt,  the 
learned  tciencet,  and  profettion*  turround  themtelvet  with  the 
hittory,  literature,  and  concrete  examplet  of  the  work  with 
which  they  are  particularly  engaged.  Yet  it  it  only  in  very  rare 
instances  that  tuch  an  atmotphere,  with  itt  material  appurten- 
ancet,  it  to  be  found  in  a  printing  office.  Art_  doet  not  flourith 
in  hidden  placet,  nor  under  restraint,  nor  in  ignorance  of^  what 
talent  and  geniut  have  accomplithed  and  are  accomplishing 
throughout  the  world.  For  to  follow  precedent  witely  doet 
not  mean  to  imitate  tlavithly  one  great  exemplar,  but  to 
ttudy  all  matter*  faithfully,  letting  their  great  achievement* 
tink  t  lowly  into  the  mind  in  order  that  we  may  patiently 
derive  from  the  richnett  of  our  acquired  knowledge  and  organ- 
ized tyttem  an  attitude  of  our  own.  The  tpnghtly-minded 
young  man,  who  with  hitfirtt  business  breath  project*  the  new 
and  ttartling,  inevitably  become*  tiretome,  and  i-r  driven  to  an 

ed 


mittaket  at  in  evolving  brilliant^  scheme*  wherewith  to  dazzle 
hit  conlemporariet.  The  bett  kind  of  originality  it  that  which 
comet  after  a  tound  apprenticethip;  that  which  thall  prove  to 

abcdefghijklmnopqrttuvwxyz 

ABCDEFGHIJKLMNOPQRSTVVWXYZ 

(12W67890 


MONOTYPE  FACES 

The  bett  kind  of  originality  it  that  which  comes 
after  a  tound  apprenticethip;  that  which  thall 
prove  to  be  the  blending  oj  a  firm  conception  of  all 
usejul  precedent  and  the  progrettive  tendenciet  of 
an  able  mind.  For,  let  a  man  be  at  able  and  original 
at  he  may,  he  cannot  afford  to  ditcard  knowledge 
oj  what  hat  gone  before  or  what  it  now  going  on  in 
hit  own  trade  or  hit  projettion.  //  the  printert  oj 
today  do  not  with  to  be  etteemed  too  arrogant  when 
they  term  thit  calling  oj  theirt  an  art,  they  mutt  be 
willing,  and  thow  that  they  are  willing,  to  tubject 
it  to  tuch  lawt  at  have  made  itt  titter  arts  to  jree. 
All  those  concerned  in  what  are  accepted  at  the  fine 
arts,  the  learned  tciencet,  and  professions  surround 
themselves  with  the  history,  the  literature,  and  the 
concrete  examples  oj  the  work  with  which  they  are 
particularly  engaged.  Yet  it  is  only  in  very  rare  in- 
stances that  such  an  atmosphere,  with  its  material 
appurtenances,  is  to  be  jound  in  a  printing  office. 
Art  does  not  flourish  in  hidden  places,  nor  under 
restraint,  nor  in  ignorance  oj  what  talent  and  genius 
have  accomplished,  and  are  accomplishing  through- 
out the  world.  For  to  jollow  precedent  wisely  does 
not  mean  to  imitate  slavishly  one  great  exemplar, 

abcdejghijklmnopqrstuvwxyz 

ABCDEFGHUKLMNOPQRSTUVWXYZ 

$1234567890 


10  Point  No.  616K,  10M  Set 

MONOTYPE  FACES 

The  best  kind  of  originality  if  that  which 
comes  after  a  sound  apprenticeship;  that 
which  shall  prove  to  be  the  blending  of 
a  firm  conception  oj  all  usejul  precedent 
and  the  progressive  tendencies  of  an  able 
mind.  For,  let  a  man  be  as  able  and 
original  as  he  may,  he  cannot  afford  to 
discard  knowledge  oj  what  has  gone  bejore 
or  what  is  now  going  on  in  his  own  trade 
and  projession.  If  the  printers  of  today 
do  not  wish  to  be  esteemed  too  arrogant 
when  they  term  this  calling  of  theirs  an 
art,  they  must  be  willing,  and  show  that 
they  are  willing,  to  subject  it  to  just  such 
laws  as  have  made  its  sister  arts  so  Jree. 
All  those  concerned  in  what  are  accepted 
as  the  fine  arts,  the  learned  sciences,  and 
professions  surround  themselves  with  the 
history,  literature,  and  concrete  examples 
of  the  work  with  which  they  are  particu- 
larly engaged.  Yet  it  is  only  in  very  rare 
instances  that  such  an  atmosphere,  with 

abcdejghijklmnopqrstu  vwxyz 

ABCDEFGHUKLMNOPQRSTUVWXYZ 

$1234567890 


12  Point  No.  616K,  12  Set 

MONOTYPE  FACES 
The  best  kind  oj  originality  is  that 
which  comes  after  a  sound  appren- 
ticeship; that  which  shall  prove  to 
be  the  blending  oj  a  firm  conception 
oj  all  usejul  precedent  and  the  pro- 
gressive tendencies  oj  an  able  mind. 
For,  let  a  man  be  as  able  and  origi- 
nal as  he  may,  he  cannot  afford  to 
discard  knowledge  oj  what  has  gone 
bejore  or  what  is  now  going  on  in 
his  own  trade  and  projession.  If  the 
printers  of  today  do  not  wish  to  be 
esteemed  arrogant  when  they  term 
this  calling  of  theirs  an  art,  they 
must  be  willing t  and  show  that  they 
are  willing,  to  subject  it  to  such  laws 
as  have  made  its  sister  arts  so  jree. 
All  those  who  are  concerned  in  what 

abcdejghijklmnopqrstuvwxyz 
ABCDEFGHUKLMNOPQRSTUVWX 
$1234567890 


No.  6161  Electro  Display  Matrices 

14  Point  No.  6161 

A  SPLENDID  BOLD  ITALIC 

Modeled  After  the  Cochin  Old  Style,  an  Especially  Pleasing 

Letter  for  Effective  Title  Pages 

$1234567890 

18  Point  No.  6161 

EARLY  EIGHTEENTH 

Century  Styles  in  Type  and  Ornaments  Have  Been 
Revived  with  Charming  Results 
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24  Point  No.  6161 


THE  RANK  AND  FILE 

of  the  Quartos  and  Octavos  of  this 

Period  Are  More  Legible 

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30  Point  No.  6161 


THE  ARRANGEMENT 

/«$•  Better  Than  Similar  Books 

of  the  17th  Century 

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36  Point  No.  6161 


NOT  AS  ANTIQUE 

and  Finer  in  Composition 

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No.  48J.     Book  Arrangement  C 


Composition  Matrices 


5  Point  No.  48J,  6  Set 

MONOTYPE  FACES 

THE  BEST  KIND  OF  ORIGINALITY  IS  THAT  WHICH  COMES  AFTER  A  SOUND  APPRENTICE- 
SHIP;  THAT  WHICH  SHALL  PROVE  TO  BE  THE  BLENDING  OF  A  FIRM  CONCEPTION  OF 
ALL  USEFUL  PRECEDENT  AND  THE  PROGRESSIVE  TENDENCIES  OF  AN  ABLE  MIND.  FOR. 
LET  A  MAN  BE  AS  ABLE  AND  ORIGINAL  AS  HE  MAY,  HE  CANNOT  AFFORD  TO  DISCARD 
KNOWLEDGE  OF  WHAT  HAS  GONE  BEFORE  OR  WHAT  IS  NOW  GOING  ON  IN  HIS  OWN 
TRADE  AND  PROFESSION.  IF  THE  PRINTERS  OF  TODAY  DO  NOT  WISH  TO  BE  ESTEEMED 
ARROGANT  WHEN  THEY  TERM  THIS  CALLING  OF  THEIRS  AN  ART,  THEY  MUST  BE  WILL- 
ING. AND  SHOW  THAT  THEY  ARE  WILLING,  TO  SUBJECT  IT  TO  SUCH  LAWS  AS  HAVE 
MADE  ITS  SISTER  ARTS  SO  FREE.  ALL  THOSE  CONCERNED  IN  WHAT  ARE  ACCEPTED  AS 
THE  FINE  ARTS,  THE  LEARNED  SCIENCES,  AND  PROFESSIONS  SURROUND  THEMSELVES 
WITH  THE  HISTORY,  LITERATURE,  AND  CONCRETE  EXAMPLES  OF  THE  WORK  WITH 
WHICH  THEY  ARE  PARTICULARLY  ENGAGED.  YET  IT  IS  ONLY  IN  RARE  INSTANCES 
THAT  SUCH  AN  ATMOSPHERE,  WITH  ITS  MATERIAL  APPURTENANCES,  IS  TO  BE  FOUND  IN 
A  PRINTING  OFFICE.  ART  DOES  NOT  FLOURISH  IN  HIDDEN  PLACES,  NOR  UNDER  RE- 
STRAINT. NOR  IN  IGNORANCE  OF  WHAT  TALENT  AND  GENIUS  HAVE  ACCOMPLISHED  AND 
ARE  ACCOMPLISHING  THROUGHOUT  THE  WORLD.  FOR  TO  FOLLOW  ALL  PRECEDENT 
WISELY  DOES  NOT  MEAN  TO  IMITATE  SLAVISHLY  ONE  GREAT  EXEMPLAR,  BUT  TO 
STUDY  ALL  THE  MASTERS  FAITHFULLY,  LETTING  THEIR  GREAT  ACHIEVEMENTS  SINK 
SLOWLY  INTO  THE  MIND  IN  ORDER  THAT  WE  MAY  PATIENTLY  DERIVE  FROM  THE  RICH- 
NESS OF  OUR  ACQUIRED  KNOWLEDGE  AND  ORGANIZED  SYSTEM  AN  ATTITUDE  OF  OUR 
OWN.  THE  SPRIGHTLY  MINDED  YOUNG  MAN,  WHO  WITH  HIS  FIRST  BUSINESS  BREATH 
PROJECTS  THE  NEW  AND  THE  STARTLING,  INEVITABLY  BECOMES  TIRESOME,  AND  IS 
DRIVEN  TO  AN  EARLY  DISAPPEARANCE,  WHILE  THE  SLOWER  AND  MORE  SOLIDLY  EN- 
DOWED STUDENT  WILL  AT  LEAST  SPEND  AS  MUCH  OF  HIS  TIME  IN  AVOIDING  A  MISTAKE 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 
SI  234567890 


6  Point  No.  48J,  7  Set 

MONOTYPE  FACES 

THE  BEST  KIND  OF  ORIGINALITY  IS  THAT  WHICH  COMES  AFTER  A  SOUND 
APPRENTICESHIP;  THAT  WHICH  SHALL  PROVE  TO  BE  THE  BLENDING  OF 
A  FIRM  CONCEPTION  OF  ALL  USEFUL  PRECEDENT  AND  THE  PROGRESSIVE 
TENDENCIES  OF  AN  ABLE  MIND.  FOR,  LET  A  MAN  BE  AS  ABLE  AND  ORIG- 
INAL AS  HE  MAY,  HE  CANNOT  AFFORD  TO  DISCARD  KNOWLEDGE  OF  WHAT 
HAS  GONE  BEFORE  OR  WHAT  IS  NOW  GOING  ON  IN  HIS  OWN  TRADE  AND 
PROFESSION.  IF  THE  PRINTERS  OF  TODAY  DO  NOT  WISH  TO  BE  ES- 
TEEMED ARROGANT  WHEN  THEY  TERM  THIS  CALLING  OF  THEIRS  AN  ART, 
THEY  MUST  BE  WILLING,  AND  SHOW  THAT  THEY  ARE  WILLING,  TO  SUB- 
JECT IT  TO  SUCH  LAWS  AS  HAVE  MADE  ITS  SISTER  ARTS  SO  FREE.  ALL 
THOSE  CONCERNED  IN  WHAT  ARE  ACCEPTED  AS  THE  FINE  ARTS,  THE 
LEARNED  SCIENCES.  AND  PROFESSIONS  SURROUND  THEMSELVES  WITH 
THE  HISTORY,  LITERATURE.  AND  CONCRETE  EXAMPLES  OF  THE  WORK 
WITH  WHICH  THEY  ARE  PARTICULARLY  ENGAGED.  YET  IT  IS  ONLY  IN 
RARE  INSTANCES  THAT  SUCH  AN  ATMOSPHERE,  WITH  ITS  MATERIAL  AP- 
PURTENANCES. IS  TO  BE  FOUND  IN  A  PRINTING  OFFICE.  ART  DOES  NOT 
FLOURISH  IN  HIDDEN  PLACES.  NOR  UNDER  RESTRAINT.  NOR  IN  IGNORANCE 
OF  WHAT  TALENT  AND  GENIUS  HAVE  ACCOMPLISHED  AND  ARE  ACCOM- 
PLISHING THROUGHOUT  THE  WORLD.  FOR  TO  FOLLOW  ALL  PRECEDENT 
WISELY  DOES  NOT  MEAN  TO  IMITATE  SLAVISHLY  ONE  GREAT  EXEMPLAR, 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 
SI  234567890 


7  Point  No.  48J,  8  Set 

MONOTYPE  FACES 

THE  BEST  KIND  OF  ORIGINALITY  IS  THAT  WHICH  COMES  AFTER 
A  SOUND  APPRENTICESHIP;  THAT  WHICH  SHALL  PROVE  TO  BE 
THE  BLENDING  OF  A  FIRM  CONCEPTION  OF  ALL  USEFUL  PRE- 
CEDENT AND  THE  PROGRESSIVE  TENDENCIES  OF  AN  ABLE  MIND. 
FOR.  LET  A  MAN  BE  AS  ABLE  AND  ORIGINAL  AS  HE  MAY,  HE 
CANNOT  AFFORD  TO  DISCARD  KNOWLEDGE  OF  WHAT  HAS  GONE 
BEFORE  OR  WHAT  IS  NOW  GOING  ON  IN  HIS  OWN  TRADE  AND 
PROFESSION.  IF  THE  PRINTERS  OF  TODAY  DO  NOT  WISH  TO  BE 
ESTEEMED  TOO  ARROGANT  WHEN  THEY  TERM  THIS  CALLING  OF 
THEIRS  AN  ART,  THEY  MUST  BE  WILLING,  AND  SHOW  THAT  THEY 
ARE  WILLING.  TO  SUBJECT  IT  TO  SUCH  LAWS  AS  HAVE  MADE 
ITS  SISTER  ARTS  SO  FREE.  ALL  THOSE  CONCERNED  IN  WHAT 
ARE  ACCEPTED  AS  THE  FINE  ARTS.  THE  LEARNED  SCIENCES. 
AND  PROFESSIONS  SURROUND  THEMSELVES  WITH  THE  HISTORY. 
LITERATURE.  AND  CONCRETE  EXAMPLES  OF  THE  WORK  WITH 
WHICH  THEY  ARE  PARTICULARLY  ENGAGED.  YET  IT  IS  ONLY 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 
SI  234567890 


8  Point  No.  48J,  8£  Set 


MONOTYPE  FACES 

THE  BEST  KIND  OF  ORIGINALITY  IS  THAT  WHICH  COMES 
AFTER  A  SOUND  APPRENTICESHIP;  THAT  WHICH  SHALL 
PROVE  TO  BE  THE  BLENDING  OF  A  FIRM  CONCEPTION  OF 
ALL  USEFUL  PRECEDENT  AND  THE  PROGRESSIVE  TENDEN- 
CIES OF  AN  ABLE  MIND.  FOR,  LET  ANY  MAN  BE  AS  ABLE 
AND  ORIGINAL  AS  HE  MAY,  HE  CANNOT  AFFORD  TO  DISCARD 
KNOWLEDGE  OF  WHAT  HAS  GONE  BEFORE  OR  WHAT  IS  NOW 
GOING  ON  IN  HIS  OWN  TRADE  AND  PROFESSION.  IF  THE 
PRINTERS  OF  TODAY  DO  NOT  WISH  TO  BE  ESTEEMED  ARRO- 
GANT WHEN  THEY  TERM  THIS  CALLING  OF  THEIRS  AN  ART, 
THEY  MUST  BE  WILLING,  AND  SHOW  THAT  THEY  ARE  WILL- 
ING, TO  SUBJECT  IT  TO  SUCH  LAWS  AS  HAVE  MADE  ITS  SISTER 
ARTS  SO  FREE.  ALL  THOSE  WHO  ARE  CONCERNED  IN  WHAT 
ARE  ACCEPTED  AS  THE  FINE  ARTS,  THE  LEARNED  SCIENCES, 
AND  PROFESSIONS  SURROUND  THEMSELVES  WITH  THE  HIS- 
TORY, LITERATURE,  AND  CONCRETE  EXAMPLES  OF  THE  WORK 
WITH  WHICH  THEY  ARE  PARTICULARLY  ENGAGED.  YET  IT 
IS  ONLY  IN  RARE  INSTANCES  THAT  SUCH  AN  ATMOSPHERE, 
WITH  ITS  MATERIAL  APPURTENANCES,  IS  TO  BE  FOUND  IN 
A  PRINTING  OFFICE.  ART  DOES  NOT  FLOURISH  IN  HIDDEN 
PLACES,  NOR  UNDER  RESTRAINT,  NOR  IN  IGNORANCE  OF 
WHAT  TALENT  AND  GENIUS  HAVE  ACCOMPLISHED  AND  ARE 
NOW  ACCOMPLISHING  THROUGHOUT  THE  WORLD.  FOR  TO 
FOLLOW  PRECEDENT  WISELY  DOES  NOT  MEAN  TO  IMITATE 
SLAVISHLY  ONE  GREAT  EXEMPLAR,  BUT  TO  STUDY  ALL  MAS- 
TERS FAITHFULLY,  LETTING  THEIR  GREAT  ACHIEVEMENTS 
SINK  SLOWLY  INTO  THE  MIND  IN  ORDER  THAT  WE  MAY 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 
$1234567890 


9  Point  No.  48 J,  9\  Set 

MONOTYPE  FACES 

THE  BEST  KIND  OF  ORIGINALITY  IS  THAT  WHICH  COMES 
AFTER  A  SOUND  APPRENTICESHIP;  THAT  WHICH  SHALL 
PROVE  TO  BE  THE  BLENDING  OF  A  FIRM  CONCEPTION 
OF  ALL  USEFUL  PRECEDENT  AND  OF  THE  PROGRESSIVE 
TENDENCIES  OF  AN  ABLE  MIND.  FOR,  LET  A  MAN  BE 
AS  ABLE  AND  ORIGINAL  AS  HE  MAY,  HE  CANNOT  AFFORD 
TO  DISCARD  KNOWLEDGE  OF  WHAT  HAS  GONE  BEFORE 
OR  WHAT  IS  NOW  GOING  ON  IN  HIS  OWN  TRADE  AND 
HIS  PROFESSION.  IF  THE  PRINTERS  OF  TODAY  DO  NOT 
WISH  TO  BE  ESTEEMED  ARROGANT  WHEN  THEY  TERM 
THIS  CALLING  OF  THEIRS  AN  ART,  THEY  MUST  BE  WILL- 
ING, AND  SHOW  THAT  THEY  ARE  WILLING,  TO  SUBJECT 
IT  TO  SUCH  LAWS  AS  HAVE  MADE  ITS  SISTER  ARTS  SO 
FREE.  ALL  THOSE  CONCERNED  IN  WHAT  ARE  AC- 
CEPTED AS  THE  FINE  ARTS,  THE  LEARNED  SCIENCES. 
AND  PROFESSIONS  SURROUND  THEMSELVES  WITH  THE 
HISTORY,  THE  LITERATURE,  AND  CONCRETE  EXAMPLES 
OF  THE  WORK  WITH  WHICH  THEY  ARE  PARTICULARLY 
ENGAGED.  YET  IT  IS  ONLY  IN  RARE  INSTANCES  THAT 
SUCH  AN  ATMOSPHERE,  WITH  ITS  MATERIAL  APPUR- 
TENANCES, IS  TO  BE  FOUND  IN  A  PRINTING  OFFICE. 
ART  DOES  NOT  FLOURISH  IN  HIDDEN  PLACES,  NOR  UNDER 
RESTRAINT,  NOR  IN  IGNORANCE  OF  WHAT  TALENT  AND 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 
$1234567890 


No.  48J.     Book  Arrangement  C 


Composition  Matrices 


10  Point  No.  48J,  10  Set 


MONOTYPE  FACES 

THE  BEST  KIND  OF  ORIGINALITY  IS  THAT  WHICH 
COMES  AFTER  A  SOUND  APPRENTICESHIP;  THAT 
WHICH  SHALL  PROVE  TO  BE  THE  BLENDING  OF  A 
FIRM  CONCEPTION  OF  ALL  USEFUL  PRECEDENT 
AND  THE  PROGRESSIVE  TENDENCIES  OF  AN  ABLE 
MIND.  FOR,  LET  A  MAN  BE  AS  ABLE  AND  ORIGINAL 
AS  HE  MAY,  HE  CANNOT  AFFORD  TO  DISCARD 
KNOWLEDGE  OF  WHAT  HAS  GONE  BEFORE  OR 
WHAT  IS  NOW  GOING  ON  IN  HIS  OWN  TRADE  AND 
PROFESSION.  IF  THE  PRINTERS  OF  TODAY  DO  NOT 
WISH  TO  BE  ESTEEMED  ARROGANT  WHEN  THEY 
TERM  THIS  CALLING  OF  THEIRS  AN  ART,  THEY 
MUST  BE  WILLING,  AND  SHOW  THAT  THEY  ARE 
WILLING,  TO  SUBJECT  IT  TO  SUCH  LAWS  AS  HAVE 
MADE  ITS  SISTER  ARTS  SO  FREE.  ALL  THOSE  CON- 
CERNED IN  WHAT  ARE  ACCEPTED  AS  THE  FINE 
ARTS,  THE  LEARNED  SCIENCES,  AND  PROFESSIONS 
SURROUND  THEMSELVES  WITH  THE  HISTORY,  THE 
LITERATURE,  AND  CONCRETE  EXAMPLES  OF  THE 
WORK  WITH  WHICH  THEY  ARE  PARTICULARLY 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

$1234567890 


11  Point  No.  48 J,  11  Set 


MONOTYPE  FACES 

THE  BEST  KIND  OF  ORIGINALITY  IS  THAT 
WHICH  COMES  AFTER  A  SOUND  APPRENTICE- 
SHIP; THAT  WHICH  SHALL  PROVE  TO  BE  THE 
BLENDING  OF  A  FIRM  CONCEPTION  OF  ALL 
USEFUL  PRECEDENT  AND  THE  PROGRESSIVE 
TENDENCIES  OF  AN  ABLE  MIND.  FOR,  LET  A 
MAN  BE  AS  ABLE  AND  ORIGINAL  AS  HE  MAY, 
HE  CANNOT  AFFORD  TO  DISCARD  KNOWLEDGE 
OF  WHAT  HAS  GONE  BEFORE  OR  WHAT  IS  NOW 
GOING  ON  IN  HIS  OWN  TRADE  AND  PROFES- 
SION. IF  THE  PRINTERS  OF  TODAY  DO  NOT 
WISH  TO  BE  ESTEEMED  ARROGANT  WHEN 
THEY  TERM  THIS  CALLING  OF  THEIRS  AN  ART, 
THEY  MUST  BE  WILLING,  AND  SHOW  THAT  THEY 
ARE  WILLING,  TO  SUBJECT  IT  TO  SUCH  LAWS 
AS  HAVE  MADE  ITS  SISTER  ARTS  SO  FREE. 
ALL  THOSE  WHO  ARE  CONCERNED  IN  WHAT 
ARE  ACCEPTED  AS  THE  FINE  ARTS,  AND  THE 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

$1234567890 


12  Point  No. 

MONOTYPE  FACES 

THE  BEST  KIND  OF  ORIGINALITY  IS  THAT 
WHICH  COMES  AFTER  A  SOUND  APPREN- 
TICESHIP; THAT  WHICH  SHALL  PROVE  TO 
BE  THE  BLENDING  OF  A  FIRM  CONCEPTION 
OF  ALL  USEFUL  PRECEDENT  AND  OF  THE 
PROGRESSIVE  TENDENCIES  OF  AN  ABLE 
MIND.  FOR,  LET  A  MAN  BE  AS  ABLE  AND 
ORIGINAL  AS  HE  MAY,  HE  CANNOT  AFFORD 
TO  DISCARD  KNOWLEDGE  OF  WHAT  HAS 
GONE  BEFORE  OR  WHAT  IS  NOW  GOING  ON 
IN  HIS  OWN  TRADE  AND  PROFESSION.  IF 
THE  PRINTERS  OF  TODAY  DO  NOT  WISH 
TO  BE  ESTEEMED  ARROGANT  WHEN  THEY 
TERM  THIS  CALLING  OF  THEIRS  AN  ART, 
THEY  MUST  BE  WILLING,  AND  SHOW  THAT 
THEY  ARE  WILLING,  TO  SUBJECT  IT  TO 
SUCH  LAWS  AS  HAVE  MADE  ITS  SISTER 
ARTS  SO  FREE.  ALL  THOSE  CONCERNED 


48J,  12  Set 

MONOTYPE  FACES 

THE  BEST  KIND  OF  ORIGINALITY  IS  THAT 
WHICH  COMES  AFTER  A  SOUND  APPREN- 
TICESHIP; THAT  WHICH  SHALL  PROVE  TO 
BE  THE  BLENDING  OF  A  FIRM  CONCEPTION 
OF  ALL  USEFUL  PRECEDENT  AND  OF  THE 
PROGRESSIVE  TENDENCIES  OF  AN  ABLE 
MIND.  FOR,  LET  A  MAN  BE  AS  ABLE  AND 
ORIGINAL  AS  HE  MAY,  HE  CANNOT  AFFORD 
TO  DISCARD  KNOWLEDGE  OF  WHAT  HAS 
GONE  BEFORE  OR  WHAT  IS  NOW  GOING  ON 
IN  HIS  OWN  TRADE  AND  PROFESSION.  IF 
THE  PRINTERS  OF  TODAY  DO  NOT  WISH 
TO  BE  ESTEEMED  ARROGANT  WHEN  THEY 
TERM  THIS  CALLING  OF  THEIRS  AN  ART, 
THEY  MUST  BE  WILLING,  AND  SHOW  THAT 
THEY  ARE  WILLING,  TO  SUBJECT  IT  TO 
SUCH  LAWS  AS  HAVE  MADE  ITS  SISTER 
ARTS  SO  FREE.  ALL  THOSE  CONCERNED 
IN  WHAT  ARE  ACCEPTED  AS  THE  FINE 
ARTS,  THE  LEARNED  SCIENCES,  AND  PRO- 
FESSIONS SURROUND  THEMSELVES  WITH 


ABCDEFGHIJKLMNOPQRSTUVWXYZ 

$1234567890 


No.  49 J.     Job  Arrangement  Cl 


Composition  Matrices 


6  Point  No.  49J,  6  Set 


MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  comes  after  a  sound  apprenticeship; 
that  which  shall  prove  to  be  the  blending  of  a  firm  conception  of  all  useful  pre- 
cedent and  the  progressive  tendencies  of  an  able  mind.  For,  let  a  man  be  as  able 
and  original  as  he  may,  he  cannot  afford  to  discard  knowledge  of  what  has  gone 
before  or  what  is  now  going  on  in  his  own  trade  and  profession.  If  the  printers 
of  today  do  not  wish  to  be  esteemed  arrogant  when  they  term  this  calling  of  theirs 
an  art,  they  must  be  willing,  and  show  that  they  are  willing,  to  subject  it  to  such 
laws  as  have  made  its  sister  arts  so  free.  All  those  concerned  in  what  are  accepted 
as  the  fine  arts,  the  learned  sciences,  and  professions  surround  themselves  with 
the  history,  literature,  and  concrete  examples  of  the  work  with  which  they  are 
particularly  engaged.  Yet  it  is  only  in  rare  instances  that  such  an  atmosphere, 
with  its  material  appurtenances,  is  to  be  found  in  a  printing  office.  Art  does  not 
flourish  in  hidden  places,  nor  under  restraint,  nor  in  ignorance  of  what  talent 
and  genius  have  accomplished  and  are  now  accomplishing  throughout  the  world. 
For  to  follow  precedent  wisely  does  not  mean  to  imitate  slavishly  one  great  ex- 
emplar, but  to  study  all  masters  faithfully,  letting  their  great  achievements  sink 
slowly  into  the  mind  in  order  that  we  may  patiently  derive  from  the  richness  of 
our  acquired  knowledge  and  organized  system  an  attitude  of  our  own.  The 
sprightly  minded  young  man,  who  with  his  first  business  breath  projects  the  new 
and  startling,  inevitably  becomes  tiresome,  and  is  driven  to  an  early  disappearance; 
while  the  slower,  more  solidly  endowed  student  will  at  least  spend  as  much  of 
his  time  in  avoiding  mistakes  as  in  evolving  brilliant  schemes  wherewith  to  dazzle 
his  contemporaries.  The  very  best  kind  of  originality  is  that  which  comes  after  a 
sound  apprenticeship;  that  which  shall  prove  to  be  the  blending  of  a  firm  con- 
ception of  all  useful  precedent  and  the  progressive  tendencies  of  an  able  mind. 
For,  let  a  man  be  as  able  and  original  as  he  may,  he  cannot  afford  to  discard 
knowledge  of  what  has  gone  before  or  what  is  now  going  on  in  his  own  trade  and 
profession.  If  the  printers  of  today  do  not  wish  to  be  esteemed  arrogant  when 
they  term  this  calling  of  theirs  an  art,  they  must  be  willing,  and  show  that  they 
are  willing,  to  subject  it  to  such  laws  as  have  made  its  sister  arts  so  free.  All 
those  concerned  in  what  are  accepted  as  the  fine  arts,  the  learned  sciences,  and 

abcdefghijklmnopqrstuvwxyz 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

$1234567890 


8  Point  No.  49J,  8  Set 


MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  comes  after  a  sound 
apprenticeship;  that  which  shall  prove  itself  to  be  the  blend- 
ing of  a  firm  conception  of  useful  precedent  and  the  progressive 
tendencies  of  an  able  mind.  For,  let  a  man  be  as  able  and 
original  as  he  may,  he  cannot  afford  to  discard  knowledge  of 
what  has  gone  before  or  what  is  now  going  on  in  his  own  trade 
and  profession.  If  the  printers  of  today  do  not  wish  to  be 
esteemed  arrogant  when  they  term  this  calling  of  theirs  an 
art,  they  must  be  willing,  and  show  that  they  are  willing,  to 
subject  it  to  such  laws  as  have  made  its  sister  arts  so  free. 
All  those  concerned  in  what  are  accepted  as  the  fine  arts,  the 
learned  sciences,  and  professions  surround  themselves  with 
the  history,  literature,  and  concrete  examples  of  the  work 
with  which  they  are  particularly  engaged.  Yet  it  is  only  in 
rare  instances  that  such  an  atmosphere,  with  its  material 
appurtenances,  is  to  be  found  in  a  printing  office.  Art  does 
not  flourish  in  hidden  places,  nor  under  restraint,  nor  in 
ignorance  of  what  talent  and  genius  have  accomplished  and 
are  accomplishing  throughout  the  world.  For  to  follow  pre- 
cedent wisely  does  not  mean  to  imitate  slavishly  one  great 
exemplar,  but  to  study  all  the  masters  faithfully,  letting  their 
great  achievements  sink  slowly  into  the  mind  in  order  that  we 
may  patiently  derive  from  the  richness  of  our  acquired  knowl- 
edge and  organized  system  an  attitude  of  our  own.  The  very 

abcdefghijklmnopqrstuvwxyz 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

$1234567890 


10  Point  No.  49J,  10  Set 

MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  comes 
after  a  sound  apprenticeship;  that  which  shall 
prove  to  be  the  blending  of  a  firm  conception 
of  all  useful  precedent  and  the  progressive  ten- 
dencies of  an  able  mind.  For,  let  a  man  be  as 
able  and  original  as  he  may,  he  cannot  afford 
to  discard  knowledge  of  what  has  gone  before 
or  what  is  now  going  on  in  his  own  trade  and 
profession.  If  the  printers  of  today  do  not  wish 
to  be  esteemed  arrogant  when  they  term  this 
calling  of  theirs  an  art,  they  must  be  willing, 
and  show  that  they  are  willing,  to  subject  it  to 
such  laws  as  have  made  its  sister  arts  so  free. 
All  those  concerned  in  what  are  accepted  as  the 
fine  arts,  the  learned  sciences,  and  professions 
surround  themselves  with  the  history,  literature, 
and  concrete  examples  of  the  work  with  which 
they  are  particularly  engaged.  Yet  it  is  only  in 
rare  instances  that  such  an  atmosphere,  with  its 
material  appurtenances,  is  to  be  found  in  a  print- 
ing office.  Art  does  not  flourish  in  hidden  places, 
nor  under  restraint,  nor  even  in  ignorance  of  what 

abcdefghijklmnopqrstuvwxyz 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

$1234567890 


12  Point  No.  49J,  12  Set 

MONOTYPE  FACES 
The  best  kind  of  originality  is  that  which 
comes  after  a  sound  apprenticeship;  that 
which  shall  prove  to  be  the  blending  of 
a  firm  conception  of  all  useful  precedent 
and  the  progressive  tendencies  of  an  able 
mind.  For,  let  any  man  be  as  able  and 
original  as  he  may,  he  cannot  afford  to 
discard  knowledge  of  what  has  gone  be- 
fore or  what  is  now  going  on  in  his  own 
trade  and  profession.  If  the  printers  of 
today  do  not  wish  to  be  esteemed  too 
arrogant  when  they  term  this  calling  of 
theirs  an  art,  they  must  be  willing,  and 
show  that  they  are  willing,  to  subject  it 
to  such  laws  as  have  made  its  sister  arts 
so  free.  All  those  concerned  in  what  are 
accepted  as  the  fine  arts,  the  learned 
sciences  and  professions,  surround  them- 

abcdefghijklmnopqrstuvwxyz 

ABCDEFGHIJKLMNOPQRSTUVW 

$1234567890 


No.  50 


Sorts  Matrices 


18  Point  No.  50 


II  GREAT  VARIETY  OF  NEWSPAPER  MING  STYLES 

May  lie  Designed  from  Monotype  Faces  shown  in  this  Specimen  Book,  and  New  Ones  are  Being  Added  Constantly 
Special  Faces  May  Be  Made  for  Particular  Job  and  Newspaper  Printers 


24  Point  No.   50 


NO  JOB  IS  TOO  LARGE  OR  TOO  COMPLEX 
Which  Cannot  be  Handled  Profitably  and  in  the  Simplest  Way  on  the 

One-Type-at-a-Time  Monotype 


30  Point  No.  50 


THE  MONOTYPE  PRINTER 
Mate  in  his  Own  Shop  all  of  the  Type,  Ooads  and  Spaces  he 

Requires,  Why  don't  you  do  it? 
'      iJi  ' 


36  Point  No.  50 


From 


UNI  MONOTYPE  WILL  GUST  TYPE 
with  Faces  Equal  to  the  Best  Foundry  Type 

j        j  i 


No.  51J.     Job  Arrangement  Cl 


Composition  Matrices 


6  Point  No.  51J,  5  Set 


MONOTYPE  FACES 

The  best  kind  of  originality  Is  that  which  comes  alter  a  sound  apprenticeship;  that  which  shall  prove 
to  be  the  blending  ol  a  firm  conception  ol  all  useful  precedent  and  the  progressive  tendencies  of  an 
able  mind.  For,  let  a  man  be  as  able  and  original  as  he  may,  he  cannot  afford  to  discard  knowledge 
ol  what  has  gone  before  or  what  is  now  going  on  in  his  own  trade  and  profession.  If  the  printers  of 
today  do  not  wish  to  be  esteemed  arrogant  when  they  term  this  calling  of  theirs  an  art,  they  must 
be  willing,  and  show  that  they  are  willing,  to  subject  it  to  such  laws  as  have  made  its  sister  arts  so 
free.  All  those  concerned  in  what  are  accepted  as  the  fine  arts,  the  learned  sciences  and  profes- 
sions, surround  themselves  with  the  history,  literature,  and  concrete  examples  of  the  work  with 
which  they  are  particularly  engaged.  Yet  it  is  only  in  rare  instances  that  such  an  atmosphere,  with 
Its  material  appurtenances,  is  to  be  found  in  a  printing  office.  Art  does  not  flourish  in  hidden  places, 
•or  under  restraint,  nor  in  ignorance  of  what  talent  and  genius  have  accomplished  and  are  now  ac- 
complishing throughout  the  world.  For  to  follow  precedent  wisely  does  not  mean  to  imitate  slav- 
ishly one  great  exemplar,  but  to  study  all  masters  faithfully,  letting  their  great  achievements  sink 
slowly  into  the  mind  in  order  that  we  may  patiently  derive  from  the  richness  ol  our  acquired  knowl- 
edge and  organized  system  an  attitude  of  our  own.  The  sprightly  minded  young  man,  who  with 
his  first  business  breath  projects  the  new  and  startling,  inevitably  becomes  tiresome,  and  is  driven 
to  an  early  disappearance;  while  the  slower,  more  solidly  endowed  student  will  at  least  spend  as 
much  of  his  time  in  avoiding  mistakes  as  in  evolving  brilliant  schemes  wherewith  to  dazzle  his  con- 
temporaries. The  very  best  kind  of  originality  Is  that  which  comes  alter  a  sound  apprenticeship; 
that  which  shall  prove  to  be  the  blending  of  a  firm  conception  of  all  useful  precedent  and  the  progres- 
sive tendencies  of  an  able  mind.  For,  let  a  man  be  as  able  and  original  as  he  may,  he  cannot  afford 
to  discard  knowledge  of  what  has  gone  before  or  what  is  now  going  on  in  his  own  trade  and  profes- 
sion. II  the  printers  of  today  do  not  wish  to  be  esteemed  arrogant  when  they  term  this  calling  of 
theirs  an  art,  they  must  he  willing,  and  show  that  they  are  willing,  to  subject  it  to  such  laws  as  have 
made  its  sister  arts  so  free.  All  those  concerned  in  what  are  accepted  as  the  fine  arts,  the  learned 
sciences  and  professions,  surround  themselves  with  the  history,  literature,  and  concrete  examples 
ol  the  work  with  which  they  are  particularly  engaged.  Yet  it  is  only  in  rare  instances  that  such  an 
atmosphere,  with  its  material  appurtenances,  is  to  be  lound  in  a  printing  office.  Art  does  not  flour- 
ish in  hidden  places,  nor  under  restraint,  nor  in  ignorance  ol  what  talent  and  genius  have  accom- 

abcdefghijklmnopqrstuvwxyz 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

$1234567890 


8  Point  No.  51J,  6  Set 


MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  comes  after  a  sound  apprenticeship; 
that  which  shall  prove  to  be  the  blending  of  a  firm  conception  of  all  useful  prec- 
edent and  the  progressive  tendencies  of  an  able  mind.  For,  let  a  man  be  as  able 
and  original  as  he  may,  he  cannot  afford  to  discard  knowledge  of  what  has  gone 
before  or  what  is  now  going  on  in  his  own  trade  and  profession.  If  the  printers 
of  today  do  not  wish  to  be  esteemed  arrogant  when  they  term  this  calling  of  theirs 
an  art  they  must  be  willing,  and  show  that  they  are  willing,  to  subject  it  to  such 
laws  as  have  made  its  sister  arts  so  free.  All  those  concerned  in  what  are  accepted 
as  the  fine  arts,  the  learned  sciences  and  professions,  surround  themselves  with 
the  history,  literature,  and  concrete  examples  of  the  work  with  which  they  are 
particularly  engaged.  Yet  it  is  only  in  rare  instances  that  such  an  atmosphere, 
with  its  material  appurtenances,  is  to  be  found  in  a  printing  office.  Art  does  not 
flourish  in  hidden  places,  nor  under  restraint,  nor  in  ignorance  of  what  talent 
and  genius  have  accomplished  and  are  now  accomplishing  throughout  the  world. 
For  to  follow  precedent  wisely  does  not  mean  to  imitate  slavishly  one  great  ex- 
emplar, but  to  study  all  masters  faithfully,  letting  their  great  achievements  sink 
slowly  into  the  mind  in  order  that  we  may  patiently  derive  from  the  richness  of 
our  acquired  knowledge  and  organized  system  an  attitude  of  our  own.  The 
sprightly  minded  young  man,  who  with  his  first  business  breath  projects  the  new 
and  startling,  inevitably  becomes  tiresome,  and  is  driven  to  an  early  disappearance; 
while  the  slower,  more  solidly  endowed  student  will  at  least  spend  as  much  of 
his  time  in  avoiding  mistakes  as  in  evolving  brilliant  schemes  wherewith  to  dazzle 


abcdefghijklmnopqrstuvwxyz 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

$1234567890 


Ems  a  to  z  10.55 


Words  to  Pica  .84         Ems  a  to  z  9.50 


Words  to  Pica  .70 


10  Point  No.  51J,  7  Set 

MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  comes  after  a  sound  appren- 
ticeship; that  which  shall  prove  itself  to  be  the  blending  of  a  firm  con- 
ception of  useful  precedent  and  the  progressive  tendencies  of  an  able 
mind.  For,  let  a  man  be  as  able  and  original  as  he  may,  he  cannot 
afford  to  discard  knowledge  of  what  has  gone  before  or  what  is  now 
going  on  in  his  own  trade  and  profession.  If  the  printers  of  today  do 
not  wish  to  be  esteemed  arrogant  when  they  term  this  calling  of  theirs 
an  art,  they  must  be  willing,  and  show  that  they  are  willing,  to  subject 
it  to  such  laws  as  have  made  its  sister  arts  so  free.  All  those  con- 
cerned in  what  are  accepted  as  the  fine  arts,  the  learned  sciences  and 
professions,  surround  themselves  with  the  history,  literature,  and  con- 
crete examples  of  the  work  with  which  they  are  particularly  engaged. 
Yet  it  is  only  in  rare  instances  that  such  an  atmosphere,  with  its  ma- 
terial appurtenances,  is  to  be  found  in  a  printing  office.  Art  does  not 
flourish  in  hidden  places,  nor  under  restraint,  nor  in  ignorance  of  what 
talent  and  genius  have  accomplished  and  are  accomplishing  throughout 
the  world.  For  to  follow  precedent  wisely  does  not  mean  to  imitate 
slavishly  one  great  exemplar,  but  to  study  all  the  masters  faithfully, 
letting  their  great  achievements  sink  slowly  into  the  mind  in  order  that 
we  may  patiently  derive  from  the  richness  of  our  acquired  knowledge 
and  organized  system  an  attitude  of  our  own.  The  very  sprightly 
minded  young  man,  who  with  his  first  business  breath  projects  the  new, 

abcdefghijklmnopqrstuvwxyz 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

$1234567890 

Ems  a  to  z  8.87  Words  to  Pica  .60 


12  Point  No.  51J,  8  Set 

MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  comes  after  a  sound 
apprenticeship;  that  which  shall  prove  itself  to  be  the  blend- 
ing of  a  firm  conception  of  useful  precedent  and  the  progressive 
tendencies  of  an  able  mind.  For,  let  a  man  be  as  able  and 
original  as  he  may,  he  cannot  afford  to  discard  knowledge  of 
what  has  gone  before  or  what  is  now  going  on  in  his  own  trade 
and  profession.  If  the  printers  of  today  do  not  wish  to  be 
esteemed  arrogant  when  they  term  this  calling  of  theirs  an 
art,  they  must  be  willing,  and  show  that  they  are  willing,  to 
subject  it  to  such  laws  as  have  made  its  sister  arts  so  free. 
All  those  concerned  in  what  are  accepted  as  the  fine  arts,  the 
learned  sciences  and  professions,  surround  themselves  with 
the  history,  literature,  and  concrete  examples  of  the  work 
with  which  they  are  particularly  engaged.  Yet  it  is  only  in 
rare  instances  that  such  an  atmosphere,  with  its  material 
appurtenances,  is  to  be  found  in  a  printing  office.  Art  does 
not  flourish  in  hidden  places,  nor  under  restraint,  nor  in 
ignorance  of  what  talent  and  genius  have  accomplished  and 

abcdef  ghij  k  I  mnopqrstu  v  wxyz 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

$1234567890 

Ems  atoz  8.44  Words  to  Pica  .53 


No.  51  Electro  Display  Matrices 

14  Point  No.  51 

BY  USING  THE  MONOTYPE  TYPE  FOUNDRY 

You  Can  Wholly  Avoid  the  Expense  of  Buying,  and  the  Worry  of  Waiting  for  Type  from  the  Foundry 

$1234567890 

18  Point  No.  51 

PROFITABLE  CONTINUOUS  PRODUCTION 

The  Maximum  of  Efficiency  can  be  Attained  only  by  means  of  the  Monotype 

$1234567890 


24  Point  No.  51 


CUSTOMERS  PRAISE  THE  PRINTERS 
Who  Improve  the  Quality  of  Their  Work  without  Increasing  Cost 

$1234567890 


30  Point  No.  51 


OUR  RECENT  IMPROVEMENTS 
Have  Made  a  Newer  and  More  Serviceable  Monotype 

$1234567890 


36  Point  No.  51 


NEW  KEYBOARD,  MOLD,  MATRIX 
Easily  Establishes  a  Record  for  Improvements 

$1234567890 


TH 
IN  CAPS, 


36H4  Point  No.  51 


S  POINT  SIZE  MAD 
:IGURES  AND  POIN 
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S  ONLY 


No.  52J.     Job  Arrangement  C2 


Composition  Matrices 


6  Point  No.  52J,  7  Set 


MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  comes  after  a  sound 
apprenticeship;  that  which  shall  prove  to  be  the  blending  of 
a  firm  conception  of  all  useful  precedent  and  the  progressive 
tendencies  of  an  able  mind.  For,  let  a  man  be  as  able  and 
original  as  he  may,  he  cannot  afford  to  discard  knowledge  of 
what  has  gone  before  or  what  is  now  going  on  in  his  own  trade 
or  his  profession.  If  the  printers  of  today  do  not  wish  to  be 
esteemed  arrogant  when  they  term  this  calling  of  theirs  an  art, 
they  must  be  willing,  and  show  that  they  are  willing,  to  sub- 
ject it  to  such  laws  as  have  made  its  sister  arts  so  free.  All 
those  concerned  in  what  are  accepted  as  the  fine  arts,  the 
learned  sciences,  and  professions  surround  themselves  with  the 
history,  the  literature,  and  concrete  examples  of  the  work  with 
which  they  are  particularly  engaged.  Yet  it  is  only  in  very  rare 
instances  that  such  an  atmosphere,  with  its  material  appurten- 
ances, is  to  be  found  in  a  printing  office.  Art  does  not  flourish 
in  hidden  places,  nor  under  restraint,  nor  in  ignorance  of  what 
talent  and  genius  have  accomplished  and  are  accomplishing 
throughout  the  world.  For  to  follow  all  precedent  wisely  does 
not  mean  to  imitate  too  slavishly  one  great  exemplar,  but  to 
study  all  masters  faithfully,  letting  their  great  achievements 
sink  slowly  into  the  mind  in  order  that  we  may  patiently 
derive  from  the  richness  of  our  acquired  knowledge  and  organ- 
ized system  an  attitude  of  our  own.  The  sprightly  minded 
young  man,  who  with  his  first  business  breath  projects  the  new 
and  startling,  inevitably  becomes  tiresome,  and  is  driven  to  an 
early  disappearance;  while  the  slower,  more  solidly  endowed 
student  will  at  least  spend  as  much  of  his  time  in  avoiding 
mistakes  as  in  evolving  brilliant  schemes  wherewith  to  dazzle 
his  contemporaries.  The  best  kind  of  originality  is  that  which 
comes  after  a  sound  apprenticeship;  that  which  shall  prove  to 

abcdefghijklmnopqrstuvwxyz 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

$1234567890 


8  Point  No.  52J,  84  Set 


MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  comes 
after  a  thorough  apprenticeship;  that  which  shall 
prove  to  be  the  blending  of  a  firm  conception  of  all 
useful  precedent  and  the  progressive  tendencies  of 
an  able  mind.  For,  let  a  man  be  as  able  and  original 
as  he  may,  he  cannot  afford  to  discard  knowledge 
of  what  has  gone  before  or  what  is  now  going  on  in 
his  own  trade  or  his  profession.  If  the  printers  of 
today  do  not  wish  to  be  esteemed  arrogant  when 
they  term  this  calling  of  theirs  an  art,  they  must  be 
willing,  and  show  that  they  are  willing,  to  subject 
it  to  such  laws  as  have  made  its  sister  arts  so  free. 
All  those  concerned  in  what  are  accepted  as  the  fine 
arts,  the  learned  sciences,  and  professions  surround 
themselves  with  the  history,  the  literature,  and  the 
concrete  examples  of  the  work  with  which  they  are 
particularly  engaged.  Yet  it  is  only  in  very  rare  in- 
stances that  such  an  atmosphere,  with  its  material 
appurtenances,  is  to  be  found  in  a  printing  office. 
Art  does  not  flourish  in  hidden  places,  nor  under 
restraint,  nor  in  ignorance  of  what  talent  and  genius 
have  accomplished  and  are  accomplishing  through- 
out the  world.  For  to  follow  precedent  wisely  does 
not  mean  to  imitate  slavishly  one  great  exemplar, 

abcdefghijklmnopqrstuvwxyz 
ABCDEFGHIJKLMNOPQRSTUVWXYZ 

$1234567890 


10  Point  No.  52J,  10  Set 

MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which 
comes  after  a  thorough  apprenticeship;  that 
which  shall  prove  to  be  the  blending  of  a 
firm  conception  of  all  useful  precedent  and 
the  progressive  tendencies  of  an  able  mind. 
For,  let  a  man  be  as  able  and  original  as  he 
may,  he  cannot  afford  to  discard  knowledge 
of  what  has  gone  before  or  what  is  now  going 
on  in  his  own  trade  and  profession.  If  the 
printers  of  today  do  not  wish  to  be  esteemed 
too  arrogant  when  they  term  this  calling  of 
theirs  an  art,  they  must  be  willing,  and  show 
that  they  are  willing,  to  subject  it  to  such 
laws  as  have  made  its  sister  arts  so  free.  All 
those  concerned  in  what  are  accepted  as  the 
fine  arts,  the  learned  sciences,  and  profes- 
sions surround  themselves  with  the  history, 
literature,  and  concrete  examples  of  the  work 
with  which  they  are  particularly  engaged. 
Yet  it  is  only  in  rare  instances  that  such  an 
atmosphere,  with  these  material  appurten- 
ances, is  to  be  found  in  the  printing  office. 

abcdefghijklmnopqrstuvwxyz 
ABCDEFGHIJKLMNOPQRSTUVWXYZ 

$1234567890 


12  Point  No.  52J,  12  Set 

MONOTYPE  FACES 
The  best  kind  of  originality  is  that 
which  comes  after  a  sound  appren- 
ticeship; that  which  shall  prove  to 
be  the  blending  of  a  firm  conception 
of  all  useful  precedent  and  the  pro- 
gressive tendencies  of  an  able  mind. 
For,  let  a  man  be  as  able  and  original 
as  he  may,  he  cannot  afford  to  dis- 
card a  knowledge  of  what  has  gone 
before  or  what  is  now  going  on  in 
his  own  trade  and  profession.  If  the 
printers  of  today  do  not  wish  to  be 
esteemed  arrogant  when  they  term 
this  calling  of  theirs  an  art,  they 
must  be  willing,  and  show  that  they 
are  willing,  to  subject  it  to  such  laws 
as  have  made  its  sister  arts  so  free. 
All  those  who  are  concerned  in  what 

abcdefghijklmnopqrstuvwxyz 
ABCDEFGHIJKLMNOPQRSTUVW 

$1234567890 


No.  52  Electro  Display  Matrices 

14  Point  No.  52 

THE  ONLY  ONE  IN  ITS  CLASS 

The  Only  Machine  that  Makes  and  Sets  its  Own  Type  Ready 

to  Use  for  Electrotyping  or  Press 

$1234567890 

18  Point  No.  52 

THE  MONOTYPE  KEYBOARD 

Is  the  Same  as  the  Scientific  or  Universal  Typewriter 

Keyboard  in  Everyday  Use 
$1234567890 

24  Point  No.  52 


CASTS  ONE  TYPE  AT  A  TIME 


From  an  Endless  Combination  of  Matrices 


Corrections  Hand,  Not  Machine  Made 


$1234567890 


30  Point  No.  52 


STANDARDIZATION 

Of  All  Monotype  Faces  for  Type 

Line  and  Body  Size 

$1234567890 


36  Point  No.  52 


KEY  ARRANGEMENT 
Is  the  Simplest  yet  Devised 

$1234567890 


No.  66J.     Job  Arrangement  C2 


Composition  Matrices 

5  Point  No.  66J,  6  Set 

(This  font  contains  caps,  lower  case  and  small  caps) 

MONOTYPE   FACES 

The  best  kind  of  originality  is  that  which  comes  after  a  sound  apprentice- 
ship; that  which  shall  prove  to  be  the  blending  of  a  firm  conception  of  all 
useful  precedent  and  the  progressive  tendencies  of  an  able  mind.  For, 
let  a  man  be  as  able  and  original  as  he  may,  he  cannot  afford  to  discard 

and  profession.  If  the  printers  of  today  do  not  wish  to  be  esteemed  arro- 
gant they  when  term  this  calling  of  theirs  an  art,  they  must  be  willing,  and 
show  that  they  are  willing, to  subject  it  to  such  laws  as  have  made  its  sister 
arts  so  free.  All  those  concerned  in  what  are  accepted  as  the  fine  arts,  the 
learned  sciences,  and  professions  surround  themselves  with  the  history 
literature,  and  concrete  examples  of  the  work  with  which  they  may  be 
particularly  engaged.  Yet  it  is  only  in  rare  instances  that  such  an  atmos- 
phere, with  its  material  appurtenances,  is  to  be  found  in  a  printing  office. 


PRINTERS  OF  TODAY  DO  NOT  WISH  TO  BE  ESTEEMED  ARROGANT  WHEN  THEY  TERM 
THIS  CALLING  OF  THEIRS  AN  ART,  THEY  MUST  BE  WILLING,  AND  SHOW  THAT  THEY  ARE 
WILLING,  TO  SUBJECT  IT  TO  SUCH  LAWS  AS  HAVE  MADE  ITS  SISTER  ARTS  SO  FREE. 

SCIENCES,  AND  PROFESSIONS  SURROUND  THEMSELVES  WITH  THE  HISTORY,  LITERA- 
TURE, AND  CONCRETE  EXAMPLES  OF  THE  WORK  WITH  WHICH  THEY  ARE  PARTICULARLY 
ENGAGED.  YET  IT  IS  ONLY  IN  RARE  INSTANCES  THAT  SUCH  AN  ATMOSPHERE,  WITH 

abcdefghijklmnopqrstuvwxyz 
ABCDEFGHIJKLMNOPQRSTUVWXYZ 

$1234567890 


Ems  a  to  z  17.21 


Words  to  Pica  .57 


6  Point  No.  66J,  7  Set 

MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  comes  after  a  sound 
apprenticeship;  that  which  shall  prove  to  be  the  blending  of 
a  firm  conception  of  all  useful  precedent  and  the  progressive 
tendencies  of  an  able  mind.  For,  let  a  man  be  as  able  and 
original  as  he  may,  he  cannot  afford  to  discard  knowledge  of 
what  has  gone  before  or  what  is  now  going  on  in  his  own  trade 
or  his  profession.  If  the  printers  of  today  do  not  wish  to  be 
esteemed  arrogant  when  they  term  this  calling  of  theirs  an  art, 
they  must  be  willing,  and  show  that  they  are  willing,  to  sub- 
ject it  to  such  laws  as  have  made  its  sister  arts  so  free.  All 
those  concerned  in  what  are  accepted  as  the  fine  arts,  the 
learned  sciences,  and  professions  surround  themselves  with  the 
history,  the  literature,  and  concrete  examples  of  the  work  with 
which  they  are  particularly  engaged.  Yet  it  is  only  in  very  rare 
instances  that  such  an  atmosphere,  with  its  material  appurten- 
ances, is  to  be  found  in  a  printing  office.  Art  does  not  flourish 
in  hidden  places,  nor  under  restraint,  nor  in  ignorance  of  what 
talent  and  genius  have  accomplished  and  are  accomplishing 
throughout  the  world.  For  to  follow  all  precedent  wisely  does 

abcdefghijklmnopqrstuvwxyz 
ABCDEFGHIJKLMNOPQRSTUVWXYZ 

$1234567890 
Ems  a  to  z  16.72  Words  to  Pica  .49 


8  Point  No.  66J,  8£  Set 

MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  comes 
after  a  thorough  apprenticeship;  that  which  shall 
prove  to  be  the  blending  of  a  firm  conception  of  all 
useful  precedent  and  the  progressive  tendencies  of 
an  able  mind.  For,  let  a  man  be  as  able  and  original 
as  he  may,  he  cannot  afford  to  discard  knowledge 
of  what  has  gone  before  or  what  is  now  going  on  in 
his  own  trade  or  his  profession.  If  the  printers  of 
today  do  not  wish  to  be  esteemed  too  arrogant  when 
they  term  this  calling  of  theirs  an  art,  they  must  be 
willing,  and  show  that  they  are  willing,  to  subject 
it  to  such  laws  as  have  made  its  sister  arts  so  free. 
All  those  concerned  in  what  are  accepted  as  the  fine 

abcdefghijklmnopqrstuvwxyz 
ABCDEFGH I J  KLMNOPQRSTUVWX  YZ 

$1234567890 
Ems  a  to  z  15.20  Words  to  Pica  .40 


10  Point  No.  66J,  10*  Set 

MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which 
comes  after  a  sound  apprenticeship;  that 
which  shall  prove  to  be  the  blending  of 
a  firm  conception  of  all  useful  precedent 
and  the  progressive  tendencies  of  an  able 
mind.  For,  let  a  man  be  as  able  and 
original  as  he  may,  he  cannot  afford  to 
discard  knowledge  of  what  has  gone  before 
or  what  is  now  going  on  in  his  own  trade 
and  profession.  If  the  printers  of  today 
do  not  wish  to  be  esteemed  too  arrogant 
when  they  term  this  calling  of  theirs  an 
art,  they  must  be  willing,  and  show  that 
they  are  willing,  to  subject  it  to  just  such 
laws  as  have  made  its  sister  arts  so  free. 
All  those  concerned  in  what  are  accepted 
as  the  fine  arts,  the  learned  sciences,  and 
professions  surround  themselves  with  the 
history,  literature,  and  concrete  examples 
of  the  work  with  which  they  are  particu- 

abcdefghijklmnopqrstuvwxyz 
ABCDEFGHIJKLMNOPQRSTUVWXYZ 

$1234567890 

Ems  a  to  z  15.06  Words  to  Pica  .32 

12  Point  No.  66J,  12£  Set 

MONOTYPE  FACES 
The  best  kind  of  originality  is  that 
which  comes  after  a  sound  appren- 
ticeship; that  which  shall  prove  to 
be  the  blending  of  a  firm  conception 
of  all  useful  precedent  and  the  pro- 
gressive tendencies  of  an  able  mind. 
For,  let  a  man  be  as  able  and  orig- 
inal as  he  may,  he  cannot  afford  to 
discard  knowledge  of  what  has  gone 
before  or  what  is  now  going  on  in 
his  own  trade  or  his  profession.  If 
the  printers  of  today  do  not  wish  to 
be  esteemed  arrogant  when  they 
term  this  calling  of  theirs  an  art, 
they  must  be  willing,  and  show  that 
they  are  willing,  to  subject  it  to 
such  laws  as  have  made  its  sister 

abcdefghijklmnopqrstuvwxyz 
ABCDEFGH  IJKLMNOPQRSTUVW 

$1234567890 

Ems  a  to  z  14.93  Words  to  Pica  .27 


No.  66  Sorts  Matrices 

14  Point  No.  66 

OLD   FAMILIAR    FACES 

Are  a  Pleasure  to  the  Eye  of  the  Printer.    They  are  the 

Friends  of  Long  Ago 
$1234567890 

18  Point  No.  66 

BUT  THE  SAME   OLD   FACES 
Will  not  Attract  Work  to  Your  Shop  or  Help  You 

Out  in  the  Pressroom 
$1234567890 


24  Point  No.  66 


NEW   OLD    FACES 


Give  Your  Pressmen  a  Perpetual  Picnic 


on  the  Makeready 


$1234567890 


30  Point  No.  66 


ALWAYS   NEW 

True  in  Body  and  Face.  That's 

the  Monotype  Way 

$1234567890 


36  Point  No.  66 


DON'T  DELAY 

It  Means  a  Step  Backward 

$1234567890 


No.  46 6 J.     Job  Arrangement  Cl 
Composition  Matrices 


6  Point  No.  466J,  7f  Set 


MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  comes  after  a  sound  ap- 
prenticeship; that  which  shall  prove  to  be  the  blending  of  a  firm 
conception  of  all  useful  precedent  and  the  progressive  tendencies 
of  an  able  mind.  For,  let  a  man  be  as  able  and  original  as  he  may, 
he  cannot  afford  to  discard  knowledge  of  what  has  gone  before  or 
what  is  now  going  on  in  his  own  trade  and  profession.  If  the 
printers  of  today  do  not  wish  to  be  esteemed  arrogant  when  they 
term  this  calling  of  theirs  an  art,  they  must  be  willing,  and  show 
that  they  are  willing,  to  subject  it  to  such  laws  as  have  made  its 
sister  arts  so  free.  All  those  concerned  in  what  are  accepted  as 
the  fine  arts,  the  learned  sciences  and  professions,  surround 
themselves  with  the  history,  the  literature,  and  concrete  examples 
of  the  work  with  which  they  are  particularly  engaged.  Yet  it  is 
only  in  rare  instances  that  such  an  atmosphere,  with  its  material 
appurtenances,  is  to  be  found  in  a  printing  office.  Art  does  not 
flourish  in  hidden  places,  nor  under  restraint,  nor  in  ignorance  of 
what  talent  and  genius  have  accomplished  and  are  accomplish- 
ing throughout  the  world.  For  to  follow  precedent  wisely  does 
not  mean  to  imitate  slavishly  one  great  exemplar,  but  to  study  all 
masters  faithfully,  letting  their  great  achievements  sink  slowly 
into  the  mind  in  order  that  we  may  patiently  derive  from  the 
richness  of  our  acquired  knowledge  and  organized  system  an 
attitude  of  our  own.  The  sprightly  minded  young  man,  who 
with  his  first  business  breath  projects  the  new  and  startling, 
inevitably  becomes  tiresome,  and  is  driven  to  an  early  disappear- 
ance; while  the  slower,  more  solidly  endowed  student  will  at 
least  spend  as  much  of  his  time  in  avoiding  mistakes  as  in  evolv- 
ing brilliant  schemes  wherewith  to  dazzle  his  contemporaries. 


MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  comes  after  a  sound  ap- 
prenticeship; that  which  shall  prove  to  be  the  blending  of  a  firm 
conception  of  all  useful  precedent  and  the  progressive  tendencies 
of  an  able  mind.  For,  let  a  man  be  as  able  and  original  as  he  may, 
he  cannot  afford  to  discard  knowledge  of  what  has  gone  before  or 
what  is  now  going  on  in  his  own  trade  and  profession.  If  the 
printers  of  today  do  not  wish  to  be  esteemed  arrogant  when  they 
term  this  calling  of  theirs  an  art,  they  must  be  willing,  and  show 
that  they  are  willing,  to  subject  it  to  such  laws  as  have  made  its 
sister  arts  so  free.  All  those  concerned  in  what  are  accepted 
as  the  fine  arts,  the  learned  sciences  and  professions,  surround 
themselves  with  the  history,  the  literature,  and  concrete  examples 
of  the  work  with  which  they  are  particularly  engaged.  Yet  it  is 
only  in  rare  instances  that  such  an  atmosphere,  with  its  material 
appurtenances,  is  to  be  found  in  a  printing  office.  Art  does  not 
flourish  in  hidden  places,  nor  under  restraint,  nor  in  Ignorance  of 
what  talent  and  genius  have  accomplished  and  are  accomplish- 
ing throughout  the  world.  For  to  follow  all  precedent  wisely  does 
not  mean  to  imitate  slavishly  one  great  exemplar,  but  to  study  all 
masters  faithfully,  letting  their  great  achievements  sink  slowly 
into  the  mind  in  order  that  we  may  patiently  derive  from  the 
richness  of  our  acquired  knowledge  and  organized  system  an 
attitude  of  our  own.  The  sprightly  minded  young  man,  who  with 
his  first  business  breath  projects  the  new  and  startling,  inevit- 
ably becomes  tiresome,  and  is  driven  to  an  early  disappearance; 
while  the  slower,  more  solidly  endowed  student  will  at  least 
spend  as  much  of  his  time  in  avoiding  mistakes  as  in  evolving 
brilliant  schemes  wherewith  to  dazzle  his  contemporaries.  The 
best  kind  of  originality  is  that  which  comes  after  a  sound  appren- 
ticeship; that  which  shall  prove  to  be  the  blending  of  a  firm  con- 
ception of  all  useful  precedent  and  the  progressive  tendencies  of 
an  able  mind.  For,  let  a  man  be  as  able  and  original  as  he  may, 
he  cannot  afford  to  discard  knowledge  of  what  has  gone  before 
or  what  is  now  going  on  in  his  own  trade  and  profession.  If  the 
printers  of  today  do  not  wish  to  be  esteemed  arrogant  when  they 
term  this  calling  of  theirs  an  art,  they  must  be  willing,  and  show 
that  they  are  willing,  to  subject  it  to  such  laws  as  have  mad*  Its 


abcdefghijklmnopqrstuvwxyz 

ABCDEFGH IJ  KLM  NOPQRSTUVWXYZ 

$1234567890 


Ems  a  to  z  16  37 


Words  to  Pica  .54 


NOTE:  This  face  is  similar  to  our  No.  66  series  except  that  it  is  made  on  the  Cl  arrangement  instead  of  the  C2  arrangement. 


No.  77J.     Job  Arrangement  Cl 


Composition  Matrices 


6  Point  No.  77],  5  Set 


MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  comes  after  a  sound  apprenticeship;  that  which  shall 
prove  to  be  the  blending  of  a  firm  conception  of  all  useful  precedent  and  the  progressive  tendencies 
of  an  able  mind.  For,  let  a  man  be  as  able  and  original  as  he  may,  he  cannot  afford  to  discard 
knowledge  of  what  has  gone  before  or  what  is  now  going  on  in  his  own  trade  and  profession.  If  the 
printers  of  today  do  not  wish  to  be  esteemed  arrogant  when  they  term  this  calling  of  theirs  an  art, 
they  must  be  willing,  and  show  that  they  are  willing,  to  subject  it  to  such  laws  as  have  made  its  sister 
arts  so  free.  All  those  concerned  in  what  are  accepted  as  the  fine  arts,  the  learned  sciences,  and 
professions  surround  themselves  with  the  history,  literature,  and  concrete  examples  of  the  work 
with  which  they  are  particularly  engaged.  Yet  it  is  only  in  rare  instances  that  such  an  atmosphere, 
with  its  material  appurtenances,  is  to  be  found  in  a  printing  office.  Art  does  not  flourish  in  hidden 
places,  nor  under  restraint,  nor  in  ignorance  of  what  talent  and  genius  have  accomplished  and  are 
now  accomplishing  throughout  the  world.  For  to  follow  precedent  wisely  does  not  mean  to  imitate 
slavishly  one  great  exemplar,  but  to  study  all  masters  faithfully,  letting  their  great  achievements  sink 
slowly  into  the  mind  in  order  that  we  may  patiently  derive  from  the  richness  of  our  acquired  knowl- 
edge and  organized  system  an  attitude  of  our  own.  The  sprightly  minded  young  man,  who  with 
his  first  business  breath  projects  the  new  and  startling,  inevitably  becomes  tiresome,  and  is  driven 
to  an  early  disappearance;  while  the  slower,  more  solidly  endowed  student  will  at  least  spend  as 
much  of  his  time  in  avoiding  mistakes  as  in  evolving  brilliant  schemes  wherewith  to  dazzle  his 
contemporaries.  The  best  kind  of  originality  is  that  which  comes  after  a  sound  apprenticeship; 
that  which  shall  prove  to  be  the  blending  of  a  firm  conception  of  all  useful  precedent  and  the  pro- 
gressive tendencies  of  an  able  mind.  For,  let  a  man  be  as  able  and  original  as  he  may,  he  cannot 
afford  to  discard  knowledge  of  what  has  gone  before  or  what  is  now  going  on  in  his  own  trade  and 
profession.  If  the  printers  of  today  do  not  wish  to  be  esteemed  arrogant  when  they  term  this  calling 
of  theirs  an  art,  they  must  be  willing,  and  show  that  they  are  willing,  to  subject  it  to  such  laws  as 
have  made  its  sister  arts  so  free.  All  those  concerned  in  what  are  accepted  as  the  fine  arts,  the 
learned  sciences,  and  professions  surround  themselves  with  the  history,  literature,  and  concrete 
examples  of  the  work  with  which  they  are  particularly  engaged.  Yet  it  is  only  in  rare  instances  that 
such  an  atmosphere,  with  its  material  appurtenances,  is  to  be  found  in  a  printing  office.  Art  does 
not  flourish  in  hidden  places,  nor  under  restraint,  nor  in  ignorance  of  what  talent  and  genius  have 
accomplished  and  are  now  accomplishing  throughout  the  world.  For  to  follow  precedent  wisely 
does  not  mean  to  imitate  slavishly  one  great  exemplar,  but  to  study  all  masters  faithfully,  letting 

abcdefghijklmnopqrstuvwxyz 
ABCDEFGHIJKLMNOPQRSTUVWXYZ 

$1234567890 


8  Point  No.  77J,  6^  Set 
MONOTYPE  FACES 


The  best  kind  of  originality  is  that  which  comes  after  a  sound  apprentice- 
ship; that  which  shall  prove  to  be  the  blending  of  a  firm  conception  of  all 
useful  precedent  and  the  progressive  tendencies  of  an  able  mind.  For, 
let  a  man  be  as  able  and  original  as  he  may,  he  cannot  afford  to  discard 
knowledge  of  what  has  gone  before  or  what  is  now  going  on  in  his  own  trade 
and  profession.  If  the  printers  of  today  do  not  wish  to  be  esteemed  arro- 
gant when  they  term  this  calling  of  theirs  an  art,  they  must  be  willing, 
and  show  that  they  are  willing,  to  subject  it  to  such  laws  as  have  made 
its  sister  arts  so  free.  All  those  concerned  in  what  are  accepted  as  the  fine 
arts,  the  learned  sciences,  and  professions  surround  themselves  with  the 
history,  literature,  and  concrete  examples  of  the  work  with  which  they 
are  particularly  engaged.  Yet  it  is  only  in  rare  instances  that  such  an 
atmosphere,  with  its  material  appurtenances,  is  to  be  found  in  a  printing 
office.  Art  does  not  flourish  in  hidden  places,  nor  under  restraint,  nor  in 
ignorance  of  what  talent  and  genius  have  accomplished  and  are  accom- 
plishing throughout  the  world.  For  to  follow  precedent  wisely  does  not 
mean  to  imitate  slavishly  one  great  exemplar,  but  to  study  all  masters 
faithfully,  letting  their  great  achievements  sink  slowly  into  the  mind  in 
order  that  we  may  patiently  derive  from  the  richness  of  our  acquired  knowl- 
edge and  organized  system  an  attitude  of  our  own.  The  sprightly  minded 
young  man,  who  with  his  first  business  breath  projects  the  new  and  start- 
ling, inevitably  becomes  tiresome,  and  is  driven  to  an  early  disappearance; 
while  the  slower,  more  solidly  endowed  student  will  at  least  spend  as  much 
of  his  time  in  avoiding  mistakes  as  in  evolving  brilliant  schemes  wherewith 

abcdefghijklmnopqfstuvwxyz 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

$1234567890 


10  Point  No.  77J,  8  Set 

MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  comes  after  a  sound 
apprenticeship;  that  which  shall  prove  to  be  the  blending 
of  a  firm  conception  of  all  useful  precedent  and  the  pro- 
gressive tendencies  of  an  able  mind.  For,  let  a  man  be  as 
able  and  original  as  he  may,  he  cannot  afford  to  discard 
knowledge  of  what  has  gone  before  or  what  is  now  going  on 
in  his  own  trade  and  profession.  If  the  printers  of  today 
do  not  wish  to  be  esteemed  arrogant  when  they  term  this 
calling  of  theirs  an  art,  they  must  be  willing,  and  show  that 
they  are  willing,  to  subject  it  to  such  laws  as  have  made  its 
sister  arts  so  free.  All  those  concerned  in  what  are  accepted 
as  the  fine  arts,  the  learned  sciences,  and  professions  sur- 
round themselves  with  the  history,  literature,  and  concrete 
examples  of  the  work  with  which  they  are  particularly  engaged. 
Yet  it  is  only  in  rare  instances  that  such  an  atmosphere, 
with  its  material  appurtenances,  is  to  be  found  in  a  printing 
office.  Art  does  not  flourish  in  hidden  places,  nor  under 
restraint,  nor  in  ignorance  of  what  talent  and  genius  have 
accomplished  and  are  accomplishing  throughout  the  world. 
For  to  follow  precedent  wisely  does  not  mean  to  imitate 
slavishly  one  great  exemplar,  but  to  study  all  masters  faith- 
fully, letting  their  great  achievements  sink  slowly  into  the 

abcdefghijklmnopqrstuvwxyz 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

$1234567890 


12  Point  No.  77J,  9£  Set 

MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  comes 
after  a  sound  apprenticeship;  that  which  shall  prove 
to  be  the  blending  of  a  firm  conception  of  all  useful 
precedent  and  the  progressive  tendencies  of  an  able 
mind.  For,  let  a  man  be  as  able  and  original  as  he 
may,  he  cannot  afford  to  discard  knowledge  of  what 
has  gone  before  or  what  is  now  going  on  in  his  own 
trade  and  profession.  If  the  printers  of  today  do 
not  wish  to  be  esteemed  arrogant  when  they  term 
this  calling  of  theirs  an  art,  they  must  be  willing, 
and  show  that  they  are  willing,  to  subject  it  to  such 
laws  as  have  made  its  sister  arts  so  free.  All  those 
concerned  in  what  are  accepted  as  the  fine  arts,  the 
learned  sciences,  and  professions  surround  them- 
selves with  the  history,  literature,  and  concrete 
examples  of  the  work  with  which  they  are  particu- 
larly engaged.  Yet  it  is  only  in  rare  instances  that 
such  an  atmosphere,  with  its  material  appurtenances, 

abcdefghijklmnopqrstuvwxyz 
ABCDEFGHIJKLMNOPQRSTUVWXYZ 

$1234567890 


No.  77  Electro  Display  Matrices 

14  Point  No.  77 

YOU  ARE  NOT  TYING  UP  MACHINERY 

Waiting  for  Author's  and  Proofreader's  Proofs  if  you  have  a  Monotype  Equipment. 
The  Monotype  can  be  Kept  Busy  Every  Working  Hour  on  Profitable  Work 

$1234567890 


18  Point  No.  77 

THERE  IS  NOTHING  TOO  DIFFICULT 

For  the  Monotype  Operator.  If  it  can  be  Set  by  Hand  the  Monotype 

Can  do  it;  do  it  Quickly,  and  at  Great  Saving  in  Cost 

$1234567890 


24  Point  No.  77 


IF  BUSINESS  IS  SLACK 

Fill  Your  Cases  With  Display  Type  And  Spacing  Material. 

Get  Ready  for  the  Rush  to  Come 

$1234567890 


30  Point  No.  77 


ANY  SERIES  OF  TYPE 

Required  in  Quantity  Can  Be  Renewed  in  a  Few 

Hours  With  The  Type  Caster 

$1 234567890 


36  Point  No.  77 


OPPORTUNITY  MAY  KNOCK 
But  the  Live  Ones  Buy  the  Monotype 

$1234567890 


No.  107J.     Job  Arrangement  C2 


Composition  Matrices 


5  Point  No.  107J,  6  Set 


MONOTYPE   FACES 

The  best  kind  of  originality  is  that  which  comes  after  a  sound  apprentice- 
ship; that  which  shall  prove  to  be  the  blending  of  a  firm  conception  of  all 
useful  precedent  and  the  progressive  tendencies  of  an  able  mind.  For, 
let  a  man  be  as  able  and  original  as  he  may,  he  cannot  afford  to  discard 
knowledge  of  what  has  gone  before  or  what  is  now  going  on  in  his  own  trade 
and  profession.  If  the  printers  of  today  do  not  wish  to  be  esteemed  arro- 
gant when  they  term  this  calling  of  theirs  an  art,  they  must  be  willing,  and 
show  that  they  are  willing,  to  subject  it  to  such  laws  as  have  made  its  sister 
arts  so  free.  All  those  concerned  in  what  are  accepted  as  the  fine  arts,  the 
learned  sciences,  and  professions  surround  themselves  with  the  history, 
literature,  and  concrete  examples  of  the  work  with  which  they  may  be 
particularly  engaged.  Yet  it  is  only  in  rare  instances  that  such  an  atmos- 
phere, with  its  material  appurtenances,  is  to  be  found  in  a  printing  office. 
Art  does  not  flourish  in  hidden  places,  nor  under  restraint,  nor  even  In 
Ignorance  of  what  talent  and  genius  have  accomplished  and  are  accom- 

abcdefghijklmnopqrstuvwxyz 
ABCDEFGHIJKLMNOPQRSTUVWXYZ 

$1234567890 


6  Point  No.  107J,  7  Set 


MONOTYPE  FACES 

The  best  kind  of  originality  Is  that  which  comes  after  a  sound 
apprenticeship;  that  which  shall  prove  to  be  the  blending  of 
a  firm  conception  of  all  useful  precedent  and  the  progressive 
tendencies  of  an  able  mind.  For,  let  a  man  be  as  able  and 
original  as  he  may,  he  cannot  afford  to  discard  knowledge  of 
what  has  gone  before  or  what  is  now  going  on  in  his  own  trade 
and  profession.  If  the  printers  of  today  do  not  wish  to  be 
esteemed  arrogant  when  they  term  this  calling  of  theirs  an  art, 
they  must  be  willing,  and  show  that  they  are  willing,  to  sub- 
ject it  to  such  laws  as  have  made  its  sister  arts  so  free.  All 
those  concerned  In  what  are  accepted  as  the  fine  arts,  the 
learned  sciences,  and  professions  surround  themselves  with  the 

abcdefghljklmnopqrstuvwxyz 
ABCDEFGH IJ  KLMNOPQRSTUVWX  YZ 

$1234567890 


7  Point  No.  107J,  8  Set 

MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  conies  after 
a  sound  apprenticeship;  that  which  shall  prove  to  be 
the  blending  of  a  firm  conception  of  all  useful  precedent 
and  the  progressive  tendencies  of  an  able  mind.  For, 
let  a  man  be  as  able  and  original  as  he  may,  he  cannot 
afford  to  discard  knowledge  of  what  has  gone  before  or 
what  is  now  going  on  in  his  own  trade  and  profession. 
If  the  printers  of  today  do  not  wish  to  be  esteemed  arro- 
gant when  they  term  this  calling  of  theirs  an  art,  they 
must  be  willing,  and  show  that  they  are  willing,  to  sub- 
ject it  to  such  laws  as  have  made  its  sister  arts  so  free. 
All  those  concerned  in  what  are  accepted  as  the  fine 
arts,  the  learned  sciences,  and  professions,  surround 
themselves  with  the  history,  literature,  and  concrete 
examples  of  the  work  with  which  they  are  particularly 

abcdefghijklmnopqrstuvwxyz 
ABCDEFGHIJKLMNOPQRSTUVWXYZ 

$1234567890 


8  Point  No.  107J,  8£  Set 

MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  comes 
after  a  sound  apprenticeship;  that  which  shall 
prove  to  be  the  blending  of  a  firm  conception  of  all 
useful  precedent  and  the  progressive  tendencies  of 
an  able  mind.  For,  let  a  man  be  as  able  and  original 
as  he  may,  he  cannot  afford  to  discard  knowledge 
of  what  has  gone  before  or  what  is  now  going  on 
in  his  own  trade  and  profession.  If  the  printers  of 
today  do  not  wish  to  be  esteemed  arrogant  when 
they  term  this  calling  of  theirs  an  art,  they  must  be 
willing,  and  show  that  they  are  willing,  to  subject 
it  to  such  laws  as  have  made  its  sister  arts  so  free. 
All  those  concerned  in  what  are  accepted  as  the  fine 

abcdefghijklmnopqrstuvwxyz 
ABCDEFGHIJKLMNOPQRSTUVWXYZ 

$1234567890 


10  Point  No.  107J,  10  Set 

MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which 
comes  after  a  sound  apprenticeship;  that 
which  shall  prove  to  be  the  blending  of  a 
firm  conception  of  all  useful  precedent  and 
the  progressive  tendencies  of  an  able  mind. 
For,  let  a  man  be  as  able  and  original  as  he 
may,  he  cannot  afford  to  discard  knowledge 
of  what  has  gone  before  or  what  is  now  going 
on  in  his  own  trade  and  profession.  If  the 
printers  of  today  do  not  wish  to  be  esteemed 
arrogant  when  they  term  this  calling  of 
theirs  an  art,  they  must  be  willing,  and  show 
that  they  are  willing,  to  subject  it  to  such 
laws  as  have  made  its  sister  arts  so  free.  All 
those  concerned  in  what  are  accepted  as  the 
fine  arts,  the  learned  sciences,  and  profes- 

abcdefghijklmnopqrstuvwxyz 
ABCDEFGHIJKLMNOPQRSTUVWXYZ 

$1234567890 


12  Point  No.  107J,  12  Set 

MONOTYPE  FACES 
The  best  kind  of  originality  is  that 
which  comes  after  a  sound  appren- 
ticeship; that  which  shall  prove  to 
be  the  blending  of  a  firm  conception 
of  all  useful  precedent  and  the  pro- 
gressive tendencies  of  an  able  mind. 
For,  let  a  man  be  as  able  and  original 
as  he  may,  he  cannot  afford  to  dis- 
card a  knowledge  of  what  has  gone 
before  or  what  is  now  going  on  in 
his  own  trade  and  profession.  If  the 
printers  of  today  do  not  wish  to  be 
esteemed  arrogant  when  they  term 

abcdefghijklmnopqrstuvwxyz 
ABCDEFGH  IJ  KLMNOPQRSTUVWX 

$1234567890 


No.  107  Electro  Display  Matrices 

14  Point  No.  107 

THE  STANDARD  OF  QUALITY 

Is  Monotype,  Commanding  a  Higher  Price  than  any  other  kind 

of  Machine  Composition 
$1234567890 

18  Point  No.  107 


THE  BEST  MAGAZINES 


And  Knowing  Purchasers  of  Printing  everywhere 


Say  Use  the  Monotype 


$1234567890 


24  Point  No.  107 


GOOD  TYPOGRAPHY 

Will  Boost  the  Price  for  You  and  Sell 

the  Product  at  a  Profit 

$1234567890 


30  Point  No.  107 


HEIGHT  TO  PAPER 

Accuracy  of  Monotype  Type  will 

Save  Make-Ready 

$1234567890 


36  Point  No.  107 


NEWSPAPER  ADS. 

Set  Like  Straight  Matter 

$1234567890 


No.  121 

THE  DAILY  NEWSPAPER 


Electro  Display  Matrices 


18  Point  No.  121 


JOB  PRINTING  OFFICE  WITHOUT  A  MONOTYPE  IS  FAR 
A  STATE  OF  IDEAL  EFFICIENCY 
$1234567890 


24  Point  No.  121 


ALL  COSTLY  ERRORS  IN  ADVERTISING  THROUGH  WORN-OUT  TYPE  ARE 
ENDED  FOREVER  IN  THE  MONOTYPE  SHOP 


30  Point  No.  121 


DISPLAY  TYPE 


BE  CAST  IN 
IT  CAN  BE 

17 


36  Point  No.  121 


THE  APPEARANCE  OF  THE  PAPER  WILL  BE 
EASED  100  PER  CENT. 


No.  129  Electro  Display  Matrices 

14  Point  No.  129 

IF  YOU    NEVER    MADE    MISTAKES 

And  Your  Cost  Sheets  Always  Showed  a  Good  Margin  of  Profit 

on  Every  Job  in  the  Composing  Room 

$1234567890 

18  Point  No.  129 

IF  YOUR   EMPLOYEES 

Could  Easily  Set  Eight  Thousand  Ems  or  More 

Per  Hour  by  Hand 
$1234567890 


24  Point  No.  129 


IF  TYPE  WAS  ALWAYS   NEW 

And  Never  Became  Battered  and  Worn 

by  too  Frequent  Use 

$1234567890 


30  Point  No.  129 


MONOTYPE  MACHINES 

Would  Not  Be  Needed  Until  the 

Millennium  Had  Passed 

$1234567890 


36  Point  No.  129 


UNTIL  THEN 

You  Will  Need  a  Monotype 

$1234567890 


No.  132K.     Job  Arrangement  C2 
Composition  Matrices 

6  Point  No.  132K,  7$  Set  8  Point  No.  132K,  9  Set 


MONOTYPE  FACES 

The  best  kind  of  originality  Is  that  which  comes  after  a 
sound  apprenticeship;  that  which  shall  prove  to  be  the 
blending  of  a  firm  conception  of  all  useful  precedent  and 
the  progressive  tendencies  of  an  able  mind.  For,  let  a  man 
be  as  able  and  original  as  he  may,  he  cannot  afford  to  dis- 
card knowledge  of  what  has  gone  before  or  what  Is  now 
going  on  In  his  own  trade  and  profession.  If  the  printers  of 
today  do  not  wish  to  be  esteemed  arrogant  when  they  term 
this  calling  of  theirs  an  art,  they  must  be  willing,  and  show 
that  they  are  willing,  to  subject  It  to  such  laws  as  have 
made  Its  sister  arts  so  free.  All  those  concerned  In  what 
are  accepted  as  the  fine  arts,  the  learned  sciences,  and  pro- 
fessions surround  themselves  with  the  history,  literature, 
and  concrete  examples  of  the  work  with  which  they  are 
particularly  engaged.  Yet  It  Is  only  In  rare  Instances  that 
such  an  atmosphere,  with  its  material  appurtenances,  Is  to 
be  found  In  a  printing  office.  Art  does  not  flourish  in  hid- 
den places,  nor  under  restraint,  nor  In  Ignorance  of  what 
talent  and  genius  have  accomplished  and  are  accomplishing 
throughout  the  world.  For  to  follow  precedent  wisely  does 
not  mean  to  imitate  slavishly  one  great  exemplar,  but  to 
study  all  masters  faithfully,  letting  their  great  achieve- 
ments sink  slowly  into  the  mind  In  order  that  we  may 
patiently  derive  from  the  richness  of  our  acquired  knowl- 
edge and  organized  system  an  attitude  of  our  own.  The 
sprightly  minded  young  man  who  with  his  first  business 
breath  projects  the  new  and  startling,  Inevitably  becomes 
tiresome,  and  Is  driven  to  an  early  disappearance;  while 
the  slower,  more  solidly  endowed  student  will  at  least  spend 
as  much  of  his  time  In  avoiding  mistakes  as  In  evolving 
brilliant  schemes  wherewith  to  dazzle  his  contemporaries. 

abcdefghljklmnopqrstuvwxyz 
ABCDEFGHIJKLMNOPQRS  TUVWX  YZ 

$1234567890 
Ems  a  to  z  17.92  Words  to  Pica  .45 


10  Point  No.  132K,  11  Set 

MONOTYPE  FACES 

The  very  best  kind  of  originality  is  that 
which  comes  after  a  sound  apprentice- 
ship; that  which  shall  prove  itself  to  be 
the  blending  of  a  firm  conception  of  all 
useful  precedent  and  the  progressive  ten- 
dencies of  an  able  mind.  For,  let  a  man 
be  as  able  and  as  original  as  he  may,  he 
cannot  afford  to  discard  all  knowledge  of 
what  has  gone  before  or  of  what  is  now 
going  on  in  his  own  trade  and  profes- 
sion. If  the  printers  of  today  do  not 
wish  to  be  esteemed  arrogant  when  they 
term  this  calling  of  theirs  an  art,  they 
must  be  willing,  and  show  that  they  are 
willing,  to  subject  it  to  such  laws  as  have 
made  its  sister  arts  so  free.  All  those 
concerned  in  what  are  accepted  as  the 
fine  arts,  the  learned  sciences,  and  pro- 
fessions surround  themselves  with  the 
history,  the  literature,  and  concrete  ex- 
amples of  the  work  with  which  they  are 
particularly  engaged.  Yet  it  is  only  in 

abcdefghi/klmnopqrstuvwxyi 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 
$1234567890 


Ems  a  to  z  15.77 


Words  to  Pica  .31 


MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  comes 
after  a  sound  apprenticeship;  that  which  shall 
prove  to  be  the  blending  of  a  firm  conception  of 
all  useful  precedent  and  of  the  progressive  ten- 
dencies of  an  able  mind.  For,  let  a  man  be  as 
able  and  original  as  he  may,  he  cannot  afford  to 
discard  knowledge  of  what  has  gone  before  or 
what  is  now  going  on  in  his  own  trade  and  pro- 
fession. If  the  printers  of  today  do  not  wish  to 
be  esteemed  arrogant  when  they  term  this  call- 
ing of  theirs  an  art,  they  must  be  willing,  and 
show  that  they  are  willing,  to  subject  it  to  such 
laws  as  have  made  its  sister  arts  so  free.  All 
those  concerned  in  what  are  accepted  as  the  fine 
arts,  the  learned  sciences,  and  professions  sur- 
round themselves  with  the  history,  the  literature 
and  concrete  examples  of  the  work  with  which 
they  are  particularly  engaged.  Yet  it  is  only  in 
rare  instances  that  such  an  atmosphere,  with 
its  material  appurtenances,  is  to  be  found  In  a 
printing  office.  Art  does  not  flourish  In  hidden 
places,  nor  under  restraint,  nor  in  ignorance  of 
what  talent  and  genius  have  accomplished  and 
are  accomplishing  throughout  the  world.  For 

abcdefghijklmnopqrstuvwxyz 
ABCDEFGHIJKLMNOPQRSTUVWX  YZ 

$1234567890 

Ems  a  to  z  16.12  Words  to  Pica  .38 

12  Point  No.  132K,  12J  Set 

MONOTYPE  FACES 
The  best  kind  of  originality  is  that 
which  comes  after  a  sound  appren- 
ticeship; that  which  shall  prove  to 
be  the  blending  of  a  firm  concep- 
tion of  all  useful  precedent  and  the 
progressive  tendencies  of  a  clever 
mind.  For,  let  any  man  be  as  able 
and  original  as  he  may,  he  cannot 
afford  to  discard  a  knowledge  of 
what  has  gone  before  or  what  is 
now  going  on  in  his  own  trade  and 
profession.  If  the  printers  of  today 
do  not  wish  to  be  esteemed  arro- 
gant when  they  term  this  calling  of 
theirs  an  art,  they  must  be  willing, 
and  show  that  they  are  willing,  to 
subject  it  to  such  laws  as  have  made 
its  sister  arts  so  free.  All  those  who 

abcdefghi/klmnopqrstuvwxyz 

ABCDEFGHIJKLMNOPQRSTUVW 
$1234567890 

Ems  a  to  z  14.93  Words  to  Pica  .27 


No.  140J.     Job  Arrangement  Cl 


Composition  Matrices 


6  Point  No.  140J,  5  Set 


MONOTYPE  FACES 

The  best  kind  ol  originality  is  that  which  comes  after  a  sound  apprenticeship;  that  which  shall 
prove  to  be  the  blending  of  a  firm  conception  of  all  useful  precedent  and  the  progressive  tendencies 
of  an  able  mind.  For,  let  a  man  be  as  able  and  original  as  he  may,  he  cannot  afford  to  discard 
knowledge  of  what  has  gone  before  or  what  is  now  going  on  in  his  own  trade  and  profession.  If  the 
printers  of  today  do  not  wish  to  be  esteemed  arrogant  when  they  term  this  calling  of  theirs  an  art, 
they  must  be  willing,  and  show  that  they  are  willing,  to  subject  it  to  such  laws  as  have  made  its  sister 
arts  so  free.  All  those  concerned  in  what  are  accepted  as  the  fine  arts,  the  learned  sciences,  and 
professions  surround  themselves  with  the  history,  literature,  and  concrete  examples  of  the  work 
with  which  they  are  particularly  engaged.  Yet  it  is  only  in  rare  instances  that  such  an  atmosphere 
with  its  material  appurtenances,  is  to  be  found  in  a  printing  office.  Art  does  not  flourish  in  hidden 
places,  nor  under  restraint,  nor  in  ignorance  of  what  talent  and  genius  have  accomplished  and  are 
now  accomplishing  throughout  the  world.  For  to  follow  precedent  wisely  does  not  mean  to  imitate 
slavishly  one  great  exemplar,  but  to  study  all  masters  faithfully,  letting  their  great  achievements  sink 
slowly  into  the  mind  in  order  that  we  may  patiently  derive  from  the  richness  of  our  acquired  knowl- 
edge and  organized  system  an  attitude  of  our  own.  The  sprightly  minded  young  man,  who  with 
his  first  business  breath  projects  the  new  and  startling,  inevitably  becomes  tiresome,  and  is  driven 
to  an  early  disappearance;  while  the  slower,  more  solidly  endowed  student  will  at  least  spend  as 
much  of  his  time  in  avoiding  mistakes  as  in  evolving  brilliant  schemes  wherewith  to  dazzle  his 
contemporaries.  The  best  kind  of  originality  is  that  which  comes  after  a  sound  apprenticeship; 
that  which  shall  prove  to  be  the  blending  of  a  firm  conception  of  all  useful  precedent  and  the  pro- 
gressive tendencies  of  an  able  mind.  For,  let  a  man  be  as  able  and  original  as  he  may,  he  cannot 
afford  to  discard  knowledge  of  what  has  gone  before  or  what  is  now  going  on  in  his  own  trade  and 
profession.  If  the  printers  of  today  do  not  wish  to  be  esteemed  arrogant  when  they  term  this  calling 
ol  theirs  an  art,  they  must  be  willing,  and  show  that  they  are  willing,  to  subject  it  to  such  laws  as 
have  made  its  sister  arts  so  free.  All  those  concerned  in  what  are  accepted  as  the  fine  arts,  the 
learned  sciences,  and  professions  surround  themselves  with  the  history,  literature,  and  concrete 
examples  of  the  work  with  which  they  are  particularly  engaged.  Yet  it  is  only  in  rare  instances  that 
such  an  atmosphere,  with  its  material  appurtenances,  is  to  be  found  in  a  printing  office.  Art  does 
not  flourish  in  hidden  places,  nor  under  restraint,  nor  in  ignorance  of  what  talent  and  genius  have 
accomplished  and  are  now  accomplishing  throughout  the  world.  For  to  follow  precedent  wisely 
does  Nt  mean  to  imitate  slavishly  one  great  exemplar,  but  to  study  all  masters  faithfully,  letting 

abcdefghijklmnopqrstuvwxyz 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

$12)45(7191 


8  Point  No.  140J,  6£  Set 


MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  comes  after  a  sound  apprentice- 
ship; that  which  shall  prove  to  be  the  blending  of  a  firm  conception  of  all 
useful  precedent  and  the  progressive  tendencies  of  an  able  mind.  For, 
let  a  man  be  as  able  and  original  as  he  may,  he  cannot  afford  to  discard 
knowledge  of  what  has  gone  before  or  what  is  now  going  on  in  his  own  trade 
and  profession.  If  the  printers  of  today  do  not  wish  to  be  esteemed  arro- 
gant when  they  term  this  calling  of  theirs  an  art,  they  must  be  willing, 
and  show  that  they  are  willing,  to  subject  it  to  such  laws  as  have  made 
its  sister  arts  so  free.  All  those  concerned  in  what  are  accepted  as  the  fine 
arts,  the  learned  sciences,  and  professions  surround  themselves  with  the 
history,  literature,  and  concrete  examples  of  the  work  with  which  they 
are  particularly  engaged.  Yet  it  is  only  in  rare  instances  that  such  an 
atmosphere,  with  its  material  appurtenances,  is  to  be  found  in  a  printing 
office.  Art  does  not  flourish  in  hidden  places,  nor  under  restraint,  nor  in 
ignorance  of  what  talent  and  genius  have  accomplished  and  are  accom- 
plishing throughout  the  world.  For  to  follow  precedent  wisely  does  not 
mean  to  imitate  slavishly  one  great  exemplar,  but  to  study  all  masters 
faithfully,  letting  their  great  achievements  sink  slowly  into  the  mind  in 
order  that  we  may  patiently  derive  from  the  richness  of  our  acquired  knowl- 
edge and  organized  system  an  attitude  of  our  own.  The  sprightly  minded 
young  man,  who  with  his  first  business  breath  projects  the  new  and  start- 
ling, inevitably  becomes  tiresome,  and  is  driven  to  an  early  disappearance; 
while  the  slower,  more  solidly  endowed  student  will  at  least  spend  as  much 
of  his  time  in  avoiding  mistakes  as  in  evolving  brilliant  schemes  wherewith 

abcdefghijklmnopqrstuvwxyz 
ABCDEFGHIJKLMNOPQRSTUVWXYZ 

$1234567890 


10  Point  No.  140J,  8  Set 

MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  comes  after  a  sound 
apprenticeship;  that  which  shall  prove  to  be  the  blending 
of  a  firm  conception  of  all  useful  precedent  and  the  pro- 
gressive tendencies  of  an  able  mind.  For,  let  a  man  be  as 
able  and  original  as  he  may,  he  cannot  afford  to  discard 
knowledge  of  what  has  gone  before  or  what  is  now  going  on 
in  his  own  trade  and  profession.  If  the  printers  of  today 
do  not  wish  to  be  esteemed  arrogant  when  they  term  this 
calling  of  theirs  an  art,  they  must  be  willing,  and  show  that 
they  are  willing,  to  subject  it  to  such  laws  as  have  made  its 
sister  arts  so  free.  All  those  concerned  in  what  are  accepted 
as  the  fine  arts,  the  learned  sciences,  and  professions  sur- 
round themselves  with  the  history,  literature,  and  concrete 
examples  of  the  work  with  which  they  are  particularly  engaged. 
Yet  it  is  only  in  rare  instances  that  such  an  atmosphere, 
with  its  material  appurtenances,  is  to  be  found  in  a  printing 
office.  Art  does  not  flourish  in  hidden  places,  nor  under 
restraint,  nor  in  ignorance  of  what  talent  and  genius  have 
accomplished  and  are  accomplishing  throughout  the  world. 
For  to  follow  precedent  wisely  does  not  mean  to  imitate 
slavishly  one  great  exemplar,  but  to  study  all  masters  faith- 
fully, letting  their  great  achievements  sink  slowly  into  the 

abcdefghijklmnopqrstuvwxyz 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

$1234567890 


12  Point  No.  140J,  9\  Set 

MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  comes  after 
a  sound  apprenticeship;  that  which  shall  prove  to  be 
the  blending  of  a  firm  conception  of  all  useful  prece- 
dent and  the  progressive  tendencies  of  an  able  mind. 
For,  let  a  man  be  as  able  and  original  as  he  may,  he 
cannot  afford  to  discard  knowledge  of  what  has  gone 
before  or  what  is  now  going  on  in  his  own  trade  and 
profession.  If  the  printers  of  today  do  not  wish  to 
be  esteemed  arrogant  when  they  term  this  calling  of 
theirs  an  art,  they  must  be  willing,  and  show  that 
they  are  willing,  to  subject  it  to  such  laws  as  have 
made  its  sister  arts  so  free.  All  those  concerned  in 
what  are  accepted  as  the  fine  arts,  the  learned 
sciences,  and  professions  surround  themselves  with 
the  history,  literature,  and  concrete  examples  of  the 
work  with  which  they  are  particularly  engaged.  Yet 
it  is  only  in  rare  instances  that  such  an  atmosphere, 
with  its  material  appurtenances,  is  to  be  found  in  a 

abcdefghijklmnopqrstuvwxyz 
ABCDEFGHIJKLMNOPQRSTUVWXYZ 

$1234567890 


No.  140  Electro  Display  Matrices 

14  Point  No.  140 

YOU  CAN  SAVE  THE  DOLLARS  AND  CENTS 

Spent  in  Turning  Letters  and  Waiting  for  Sorts.    The  Profit  is  Yours  on  both  Body  and 

Display  Type  if  you  Use  the  Monotype 
$1234567890 

18  Point  No.  140 

STOP  THE  LEAK  OF  IDLE  TIME 

No  Machine  is  Worth  Having  when  you  Can't  Run  it  as  an  Actual 

Producer  on  Live  Copy  all  the  Time 

$1234567890 


24  Point  No.  140 


THE  MOST  INTRICATE 

Composition  can  be  as  Easily  Handled  as  Straight  Matter 

$1234567890 


30  Point  No.  140 


THE  MONOTYPE 

Supplies  Sharp  and  Clean-cut  New  Type 

$1234567890 


36  Point  No.  140 


TYPE  ON  TAP  ALL  THE  TIME 
Can't  get  out  of  Sorts  with  Monotype 

$1 234567890 


36H4  Point  No.  140 


DISTRIBUTION  IS  WASTE 
SI  234567890 


No.  149 J.     Job  Arrangement  Cl 
Composition    Matrices 


5£  Point  No.  149J,  6  Set 

MONOTYPE    FACES 

The  best  kind  of  originality  is  that  which  comes  after  a  sound  apprenticeship; 
that  which  shall  prove  to  be  the  blending  of  a  firm  conception  of  all  useful  pre- 
cedent and  the  progressive  tendencies  of  an  able  mind.  For,  let  a  man  be  as  able 
and  original  as  he  may,  he  cannot  afford  to  discard  knowledge  of  what  has  gone 
before  or  what  is  now  going  on  in  his  own  trade  and  profession.  If  the  printers 
of  today  do  not  wish  to  be  esteemed  arrogant  when  they  term  this  calling  of  theirs 
an  art,  they  must  be  willing,  and  show  that  they  are  willing,  to  subject  it  to  such 
laws  as  have  made  its  sister  arts  so  free.  All  those  concerned  in  what  are  accepted 
as  the  fine  arts,  the  learned  sciences  and  profession,  surround  themselves  with 
the  history,  literature,  and  concrete  examples  of  the  work  with  which  they  are 
particularly  engaged.  Yet  it  is  only  in  rare  instances  that  such  an  atmosphere, 
with  its  material  appurtenances,  is  to  be  found  in  a  printing  office.  Art  does  not 
flourish  in  hidden  places,  nor  under  restraint,  nor  in  ignorance  of  what  talent 
and  genius  have  accomplished  and  are  now  accomplishing  throughout  the  world. 
For  to  follow  precedent  wisely  does  not  mean  to  imitate  slavishly  one  great  ex- 
emplar, but  to  study  all  masters  faithfully,  letting  their  great  achievements  sink 
slowly  into  the  mind  in  order  that  we  may  patiently  derive  from  the  richness  of 
our  acquired  knowledge  and  organized  system  an  attitude  of  our  own.  The 
sprightly  minded  young  man,  who  with  his  first  business  breath  projects  the  new 

abcdefghijklmnopqrstuvwxyz 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

$1234567890 


6  Point  No.  149J,  6^  Set 

MONOTYPE     FACES 

The  best  kind  of  originality  is  that  which  comes  after  a  sound  apprentice- 
ship; that  which  shall  prove  to  be  the  blending  of  a  firm  conception  of  all 
useful  precedent  and  the  progressive  tendencies  of  an  able  mind.  For, 
let  a  man  be  as  able  and  original  as  he  may,  he  cannot  afford  to  discard 
knowledge  of  what  has  gone  before  or  what  is  now  going  on  in  his  own  trade 
and  profession.  If  the  printers  of  today  do  not  wish  to  be  esteemed  arro- 
gant when  they  term  this  calling  of  theirs  an  art,  they  must  be  willing, 
and  show  that  they  are  willing,  to  subject  it  to  such  laws  as  have  made 
its  sister  arts  so  free.  All  those  concerned  in  what  are  accepted  as  the  fine 
arts,  the  learned  sciences  and  professions,  surround  themselves  with  the 
history,  literature,  and  concrete  examples  of  the  work  with  which  they 
are  particularly  engaged.  Yet  it  is  only  in  rare  instances  that  such  an 
atmosphere,  with  its  material  appurtenances,  is  to  be  found  in  a  printing 
office.  Art  does  not  flourish  in  hidden  places,  nor  under  restraint,  nor  in 
ignorance  of  what  talent  and  genius  have  accomplished  and  are  accom- 
plishing throughout  the  world.  For  to  follow  precedent  wisely  does  not 
mean  to  imitate  slavishly  one  great  exemplar,  but  to  study  all  masters 
faithfully,  letting  their  great  achievements  sink  slowly  into  the  mind  in 
order  that  we  may  patiently  derive  from  the  richness  of  our  acquired  knowl- 

abcdefghijklmnopqrstuvwxyz 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

$1234567890 


8  Point  No.  149J,  8|  Set 

MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  comes  after  a 
sound  apprenticeship;  that  which  shall  prove  to  be  the 
blending  of  a  firm  conception  of  all  useful  precedent  and 
the  progressive  tendencies  of  an  able  mind.  For,  let  a 
man  be  as  able  and  original  as  he  may,  he  cannot  afford 
to  discard  knowledge  of  what  has  gone  before  or  what  is 
now  going  on  in  his  own  trade  and  profession.  If  the 
printers  of  today  do  not  wish  to  be  esteemed  arrogant 
when  they  term  this  calling  of  theirs  an  art,  they  must  be 
willing,  and  show  that  they  are  willing,  to  subject  it  to 
such  laws  as  have  made  its  sister  arts  so  free.  All  those 
concerned  in  what  are  accepted  as  the  fine  arts,  the  learned 
sciences  and  professions,  surround  themselves  with  the 
history,  the  literature,  and  concrete  examples  of  the  work 

abcdefghijklmnopqrstuvwxyz 

ABCDEFGH IJ  KLM  NOPQRSTUVWX  YZ 

$1234567890 


10  Point  No.  149J,  10  Set 

MONOTYPE     FACES 

The  best  kind  of  originality  is  that  which  comes 
after  a  sound  apprenticeship;  that  which  shall 
prove  to  be  the  blending  of  a  firm  conception 
of  all  useful  precedent  and  the  progressive  ten- 
dencies of  an  able  mind.  For,  let  a  man  be  as 
able  and  original  as  he  may,  he  cannot  afford 
to  discard  knowledge  of  what  has  gone  before 
or  what  is  now  going  on  in  his  own  trade  and 
profession.  If  the  printers  of  today  do  not  wish 
to  be  esteemed  arrogant  when  they  term  this 
calling  of  theirs  an  art,  they  must  be  willing, 
and  show  that  they  are  willing,  to  subject  it  to 
such  laws  as  have  made  its  sister  arts  so  free. 
All  those  concerned  in  what  are  accepted  as  the 
fine  arts,  the  learned  sciences  and  professions, 
surround  themselves  with  the  history,  literature, 
and  concrete  examples  of  the  work  with  which 
they  are  particularly  engaged.  Yet  it  is  only  in 
rare  instances  that  such  an  atmosphere,  with  its 
material  appurtenances,  is  to  be  found  in  the 

abcdefghijklmnopqrstuvwxyz 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

$1234567890 


12  Point  No.  149J,  12  Set 

MONOTYPE  FACES 
The  best  kind  of  originality  is  that  which 
comes  after  a  sound  apprenticeship;  that 
which  shall  prove  to  be  the  blending  of 
a  firm  conception  of  all  useful  precedent 
and  the  progressive  tendencies  of  an  able 
mind.  For,  let  any  man  be  as  able  and 
original  as  he  may,  he  cannot  afford  to 
discard  knowledge  of  what  has  gone  be- 
fore or  what  is  now  going  on  in  his  own 
trade  and  profession.  If  the  printers  of 
today  do  not  wish  to  be  esteemed  arro- 
gant when  they  term  this  calling  of  theirs 
an  art,  they  must  be  willing,  and  show  that 
they  are  willing,  to  subject  it  to  such  laws 
as  have  made  its  sister  arts  so  free.  All 
those  concerned  in  what  are  accepted  as 

abcdefghijklmnopqrstuvwxyz 

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No.  165J.     Job  Arrangement  C2 


Composition  Matrices 


5  Point  No.  165J,  6  Set 


(This  font  contains  caps  and  small  caps) 

MONOTYPE  FACES.     5  POINT  CAPS 

THE  BEST  KIND  OF  ORIGINALITY  IS  THAT  WHICH  COMES  AFTER  A 
SOUND  APPRENTICESHIP:  THAT  WHICH  SHALL  PROVE  TO  BE  THE 
BLENDING  OF  A  FIRM  CONCEPTION  OF  ALL  USEFUL  PRECEDENT 
AND  THE  PROGRESSIVE  TENDENCIES  OF  AN  ABLE  MIND.  FOR.  LET 
A  MAN  BE  AS  ABLE  AND  ORIGINAL  AS  HE  MAY.  HE  CANNOT  AFFORD 
TO  DISCARD  KNOWLEDGE  OF  WHAT  HAS  GONE  BEFORE  OR  WHAT 
IS  NOW  GOING  ON  IN  HIS  OWN  TRADE  AND  PROFESSION.  IF  THE 
PRINTERS  OF  TODAY  DO  NOT  WISH  TO  BE  ESTEEMED  ARROGANT 
WHEN  THEY  TERM  THIS  CALLING  OF  THEIRS  AN  ART.  THEY  MUST 
BE  WILLING.  AND  SHOW  THAT  THEY  ARE  WILLING.  TO  SUBJECT  IT 

MONOTYPE  FACES.     5  POINT  SMALL  CAPS 

TO  SUCH  LAWS  AS  HAVE  MADE  ITS  SISTER  ARTS  SO  FREE.  ALL  THOSE  CONCERNED  IN 
WHAT  ARE  ACCEPTED  AS  THE  FINE  ARTS.  THE  LEARNED  SCIENCES.  AND  PROFESSIONS 
SURROUND  THEMSELVES  WITH  THE  HISTORY.  LITERATURE.  AND  CONCRETE  EXAMPLES 
OF  THE  WORK  WITH  WHICH  THEY  ARE  PARTICULARLY  ENGAGED.  YET  IT  IS  ONLY  IN 
R^RE  INSTANCES  THAT  SUCH  AN  ATMOSPHERE.  WITH  ITS  MATERIAL  APPURTENANCES. 
IS  TO  BE  FOUND  IN  A  PRINTING  OFFICE.  ART  DOES  NOT  FLOURISH  IN  HIDDEN  PLACES 
NOR  UNDER  RESTRAINT.  NOR  IN  IGNORANCE  OF  WHAT  TALENT  AND  GENIUS  ACCOM- 
PLISHED AND  ARE  ACCOMPLISHING  THROUGHOUT  THE  WORLD.  FOR  TO  FOLLOW  ALL 

MONOTYPE  FACES.    5  POINT  CAPS  AND  SMALL  CAPS 

PRECEDENT  WISELY  DOES  NOT  MEAN  TO  IMITATE  SLAVISHLY  ONE  GREAT  EX- 
EMPLAR. BUT  TO  STUDY  ALL  THE  MASTERS  FAITHFULLY.  LETTING  THEIR  GREAT 
ACHIEVEMENTS  SINK  SLOWLY  INTO  THE  MIND  IN  ORDER  THAT  WE  MAY  PATIENTLY 
DERIVE  FROM  THE  RICHNESS  OF  OUR  ACQUIRED  KNOWLEDGE  AND  ORGANIZED 
SYSTEM  AN  ATTITUDE  OF  OUR  OWN.  THE  SPRIGHTLY  MINDED  YOUNG  MAN.  WHO 
WITH  His  FIRST  BUSINESS  BREATH  PROJECTS  THE  NEW  AND  STARTLING.  INEVIT- 
ABLY BECOMES  TIRESOME.  AND  is  DRIVEN  TO  AN  EARLY  DISAPPEARANCE;  WHILE 
THE  SLOWER  AND  MORE  SOLIDLY  ENDOWED  STUDENT  WILL  AT  LEAST  SPEND  AS 
MUCH  OF  His  TIME  IN  AVOIDING  A  MISTAKE  AS  IN  EVOLVING  A  BRILLIANT  SCHEME 
WHEREWITH  TO  DAZZLE  His  CONTEMPORARIES.  THE  BEST  KIND  OF  ORIGINALITY 
IS  THAT  WHICH  COMES  AFTER  A  SOUND  APPRENTICESHIP:  THAT  WHICH  SHALL 
PROVE  TO  BE  THE  BLENDING  OF  A  FIRM  CONCEPTION  OF  ALL  USEFUL  PRECEDENT 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

$1234567890 

ABCDEFGHIJKLMNOPORSTUVWXYZ 
$1234567890 


6  Point  No.  165J,  7  Set 


Ems  A  to  Z  23.19 


Words  to  Pica  .54 


MONOTYPE  FACES 

THE  BEST  KIND  OF  ORIGINALITY  IS  THAT  WHICH  COMES 
AFTER  A  SOUND  APPRENTICESHIP;  THAT  WHICH  SHALL 
PROVE  TO  BE  THE  BLENDING  OF  A  FIRM  CONCEPTION  OF 
ALL  USEFUL  PRECEDENT  AND  THE  PROGRESSIVE  TENDEN- 
CIES OF  AN  ABLE  MIND.  FOR.  LET  ANY  MAN  BE  AS  ABLE 
AND  ORIGINAL  AS  HE  MAY.  HE  CANNOT  AFFORD  TO  DIS- 
CARD KNOWLEDGE  OF  WHAT  HAS  GONE  BEFORE  OR  WHAT 
IS  NOW  GOING  ON  IN  HIS  OWN  TRADE  AND  PROFESSION. 
IF  THE  PRINTERS  OF  TODAY  DO  NOT  WISH  TO  BE  ES- 
TEEMED ARROGANT  WHEN  THEY  TERM  THIS  CALLING 
OF  THEIRS  AN  ART.  THEY  MUST  BE  WILLING.  AND  SHOW 
THAT  THEY  ARE  WILLING.  TO  SUBJECT  IT  TO  SUCH  LAWS 
AS  HAVE  MADE  ITS  SISTER  ARTS  SO  FREE.  ALL  THOSE 
WHO  ARE  CONCERNED  IN  WHAT  ARE  ACCEPTED  AS  THE 
FINE  ARTS.  THE  LEARNED  SCIENCES.  AND  PROFESSIONS 
SURROUND  THEMSELVES  WITH  THE  HISTORY.  LITERA- 
TURE. AND  CONCRETE  EXAMPLES  OF  THE  WORK  WITH 
WHICH  THEY  ARE  PARTICULARLY  ENGAGED.  YET  IT 
IS  ONLY  IN  RARE  INSTANCES  THAT  SUCH  AN  ATMOS- 
PHERE. WITH  ITS  MATERIAL  APPURTENANCES.  IS  TO  BE 
FOUND  IN  A  PRINTING  OFFICE.  ART  DOES  NOT  FLOURISH 
IN  HIDDEN  PLACES.  NOR  UNDER  RESTRAINT,  NOR  IN 
IGNORANCE  OF  WHAT  TALENT  AND  GENIUS  HAVE  AC- 
COMPLISHED AND  ARE  NOW  ACCOMPLISHING  THROUGH- 
OUT THE  WORLD.  FOR  TO  FOLLOW  PRECEDENT  WISELY 
DOES  NOT  MEAN  TO  IMITATE  SLAVISHLY  ONE  GREAT 
EXEMPLAR.  BUT  TO  STUDY  ALL  MASTERS  FAITHFULLY. 
LETTING  THEIR  GREAT  ACHIEVEMENTS  SINK  SLOWLY 
INTO  THE  MIND  IN  ORDER  THAT  WE  MAY  PATIENTLY  DE- 
RIVE FROM  THE  RICHNESS  OF  OUR  ACQUIRED  KNOWL- 
EDGE AND  ORGANIZED  SYSTEM  AN  ATTITUDE  OF  OUR 
OWN.  THE  SPRIGHTLY  MINDED  YOUNG  MAN.  WHO  WITH 
HIS  FIRST  BUSINESS  BREATH  PROJECTS  THE  NEW  AND 

ABCDEFGHIJKLMNOPORSTUVWXYZ 

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Ems  A  to  Z  22.55  Words  to  Pica  .46 


8  Point  No.  165J,  8t  Set 

MONOTYPE  FACES 

THE  BEST  KIND  OF  ORIGINALITY  IS  THAT 
WHICH  COMES  AFTER  A  SOUND  APPRENTICE- 
SHIP; THAT  WHICH  SHALL  PROVE  TO  BE  THE 
BLENDING  OF  A  FIRM  CONCEPTION  OF  ALL 
USEFUL  PRECEDENT  AND  OF  THE  PROGRESSIVE 
TENDENCIES  OF  AN  ABLE  MIND.  FOR,  LET  A 
MAN  BE  AS  ABLE  AND  ORIGINAL  AS  HE  MAY, 
HE  CANNOT  AFFORD  TO  DISCARD  KNOWLEDGE 
OF  WHAT  HAS  GONE  BEFORE  OR  WHAT  IS  NOW 
GOING  ON  IN  HIS  OWN  TRADE  AND  HIS  PRO- 
FESSION. IF  THE  PRINTERS  OF  TODAY  DO  NOT 
WISH  TO  BE  ESTEEMED  ARROGANT  WHEN  THEY 
TERM  THIS  CALLING  OF  THEIRS  AN  ART,  THEY 
MUST  BE  WILLING,  AND  SHOW  THAT  THEY  ARE 
WILLING,  TO  SUBJECT  IT  TO  SUCH  LAWS  AS 
HAVE  MADE  ITS  SISTER  ARTS  SO  FREE.  ALL 
THOSE  CONCERNED  IN  WHAT  ARE  ACCEPTED 
AS  THE  FINE  ARTS,  THE  LEARNED  SCIENCES, 
AND  PROFESSIONS  SURROUND  THEMSELVES 
WITH  THE  HISTORY,  THE  LITERATURE,  AND 
CONCRETE  EXAMPLES  OF  THE  WORK  WITH 
WHICH  THEY  ARE  PARTICULARLY  ENGAGED. 
YET  IT  IS  ONLY  IN  RARE  INSTANCES  THAT  SUCH 
AN  ATMOSPHERE,  WITH  ITS  MATERIAL  APPUR- 
TENANCES, IS  TO  BE  FOUND  IN  A  PRINTING 
OFFICE.  ART  DOES  NOT  FLOURISH  IN  HIDDEN 
PLACES,  NOR  UNDER  RESTRAINT,  NOR  IN  IG- 
NORANCE OF  WHAT  TALENT  AND  GENIUS  HAVE 

ABCDEFGHIJKLMNOPORSTUVWXYZ 

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Ems  A  to  Z  20.53  Words  to  Pica  .38 


9  Point  No.  165J,  9i  Set 

MONOTYPE  FACES 

THE  BEST  KIND  OF  ORIGINALITY  IS  THAT 
WHICH  COMES  AFTER  A  SOUND  APPREN- 
TICESHIP; THAT  WHICH  SHALL  PROVE  TO 
BE  THE  BLENDING  OF  A  FIRM  CONCEPTION 
OF  ALL  USEFUL  PRECEDENT  AND  OF  THE 
PROGRESSIVE  TENDENCIES  OF  AN  ABLE 
MIND.  FOR,  LET  A  MAN  BE  AS  ABLE  AND 
ORIGI NAL  AS  HE  MAY,  HE  CANNOT  AFFORD 
TO  DISCARD  KNOWLEDGE  OF  WHAT  HAS 
GONE  BEFORE  OR  WHAT  IS  NOW  GOING 
ON  IN  HIS  OWN  TRADE  AND  HIS  PROFES- 
SION. IF  THE  PRINTERS  OF  TODAY  DO 
NOT  WISH  TO  BE  ESTEEMED  ARROGANT 
WHEN  THEY  TERM  THIS  CALLING  OF 
THEIRS  AN  ART,  THEY  MUST  BE  WILLING, 
AND  SHOW  THAT  THEY  ARE  WILLING,  TO 
SUBJECT  IT  TO  SUCH  LAWS  AS  HAVE  MADE 
ITS  SISTER  ARTS  SO  FREE.  ALL  THOSE 
CONCERNED  IN  WHAT  ARE  ACCEPTED  AS 
THE  FINE  ARTS,  THE  LEARNED  SCIENCES, 
AND  THE  PROFESSIONS  SURROUND  THEM- 
SELVES WITH  THE  HISTORY,  THE  LITERA- 
TURE, AND  CONCRETE  EXAMPLES  OF  THE 
WORK  WITH  WHICH  THEY  ARE  PARTICU- 
LARLY ENGAGED.  YET  IT  IS  ONLY  IN  A 

ABCDEFGHIJKLMNOPORSTUVWXYZ 
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Ems  A  to  Z  20.41 


Words  to  Pica  .34 


No.  165J.     Job  Arrangement  C2 
Composition  Matrices 

10  Point  No.  165J,  lOi  Set  12  Point  No.  165J,  12J  Set 


MONOTYPE  FACES 

THE  BEST  KIND  OF  ORIGINALITY  IS 
THAT  WHICH  COMES  AFTER  A  SOUND 
APPRENTICESHIP;  THE  KIND  WHICH 
SHALL  PROVE  TO  BE  THE  BLENDING 
OF  A  FIRM  CONCEPTION  OF  ALL  USE- 
FUL PRECEDENT  AND  THE  PROGRES- 
SIVE TENDENCIES  OF  AN  ABLE  MIND. 
FOR,  LET  A  MAN  BE  AS  ABLE  AND 
ORIGINAL  AS  HE  MAY,  HE  CANNOT 
AFFORD  TO  DISCARD  KNOWLEDGE  OF 
WHAT  HAS  GONE  BEFORE  OR  WHAT  IS 
NOW  GOING  ON  IN  HIS  OWN  TRADE 
AND  PROFESSION.  IF  THE  PRINTERS 
OF  TODAY  DO  NOT  DESIRE  TO  BE 
ESTEEMED  ARROGANT  WHEN  THEY 
TERM  THIS  CALLING  OF  THEIRS  AN 
ART,  THEY  MUST  BE  WILLING,  AND 
SHOW  THAT  THEY  ARE  WILLING,  TO 
SUBJECT  IT  TO  SUCH  LAWS  AS  HAVE 
MADE  ITS  SISTER  ARTS  SO  FREE.  ALL 
THOSE  CONCERNED  IN  WHAT  ARE 
ACCEPTED  AS  THE  FINE  ARTS,  THE 
LEARNED  SCIENCES,  AND  PROFES- 
SIONS SURROUND  THEMSELVES  WITH 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 
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Ems  A  to  Z  20.30  Words  to  Pica  .30 


MONOTYPE  FACES 
THE  BEST  KIND  OF  ORIGINAL- 
ITY IS  THAT  WHICH  COMES 
AFTER  A  SOUND  APPRENTICE- 
SHIP; THE  KIND  WHICH  SHALL 
PROVE  TO  BE  THE  BLENDING  OF 
A  FIRM  CONCEPTION  OF  ALL 
USEFUL  PRECEDENT  AND  THE 
PROGRESSIVE  TENDENCIES  OF 
AN  ABLE  MIND.  FOR,  LET  ANY 
MAN  BE  AS  ABLE  AND  ORIGINAL 
AS  HE  MAY,  HE  CANNOT  WELL 
AFFORD  TO  DISCARD  KNOWL- 
EDGE OF  WHAT  HAS  GONE  BE- 
FORE OR  WHAT  IS  NOW  GOING 
ON  IN  HIS  OWN  TRADE  AND  PRO- 
FESSION. IF  THE  PRINTERS  OF 
TODAY  DO  NOT  WISH  TO  BE 
ESTEEMED  ARROGANT  WHEN 
THEY  TERM  THIS  CALLING  OF 
THEIRS  AN  ART,  THEY  MUST  BE 

ABCDEFGHIJKLMNOPQRSTUVW 
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Ems  A  to  Z  20.14 


Words  to  Pica  .25 


No.  165  Sorts  Matrices 

14  Point  No.  165 

NON-DISTRIBUTION 

AND    THE    MONOTYPE    MEANS    HAVING    EVERY- 
THING   YOU    WANT   WHEN    YOU    WANT    IT 

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18  Point  No.  165 


QUALITY    MAINTAINED 

AT  LESS  COST  WHEN  YOU   USE   NEW 

TYPE   FOR   EVERY  JOB 

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No.  176J.     Job  Arrangement  Cl 


Composition  Matrices 


6  Point  No.  176J,  6  Set 


8  Point  No.  176J,  7  Set 


MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  comes  after  a  sound  apprenticeship; 
that  which  shall  prove  to  be  the  blending  of  a  firm  conception  of  all  useful  pre- 
cedent and  the  progressive  tendencies  of  an  able  mind.  For,  let  a  man  be  as  able 
and  original  as  he  may,  he  cannot  afford  to  discard  knowledge  of  what  has  gone 
before  or  what  is  now  going  on  in  his  own  trade  and  profession.  If  the  printers 
of  today  do  not  wish  to  be  esteemed  arrogant  when  they  term  this  calling  of  theirs 
an  art,  they  must  be  willing,  and  show  that  they  are  willing,  to  subject  it  to  such 
laws  as  have  made  its  sister  arts  so  free.  All  those  concerned  in  what  are  accepted 
as  the  fine  arts,  the  learned  sciences,  and  professions  surround  themselves  with 
the  history,  literature,  and  concrete  examples  of  the  work  with  which  they  are 
particularly  engaged.  Yet  it  is  only  in  rare  instances  that  such  an  atmosphere, 
with  its  material  appurtenances,  is  to  be  found  in  a  printing  office.  Art  does  not 
flourish  in  hidden  places,  nor  under  restraint,  nor  in  ignorance  of  what  talent 
and  genius  have  accomplished  and  we  are  now  accomplishing  throughout  the  world. 
For  to  follow  precedent  wisely  does  not  mean  to  imitate  slavishly  one  great  ex- 
emplar, but  to  study  all  masters  faithfully,  letting  their  great  achievements  sink 
slowly  into  the  mind  in  order  that  we  may  patiently  derive  from  the  richness  of 
our  acquired  knowledge  and  organized  system  an  attitude  of  our  own.  The 
sprightly  minded  young  man,  who  with  his  first  business  breath  projects  the  new 
and  startling,  inevitably  becomes  tiresome,  and  is  driven  to  an  early  disappearance; 
while  the  slower,  more  solidly  endowed  student  will  at  least  spend  as  much  of 
his  time  in  avoiding  mistakes  as  in  evolving  brilliant  schemes  wherewith  to  dazzle 
his  contemporaries.  The  very  best  kind  of  originality  is  that  which  comes  after  a 
sound  apprenticeship;  that  which  shall  prove  to  be  the  blending  of  a  firm  con- 
ception of  all  useful  precedent  and  the  progressive  tendencies  of  an  able  mind. 
For,  let  a  man  be  as  able  and  original  as  he  may,  he  cannot  afford  to  discard  knowl- 
edge of  what  has  gone  before  or  what  is  now  going  on  in  his  own  trade  and  profes- 
sion. If  the  printers  of  today  do  not  wish  to  be  esteemed  arrogant  when  they  term 
this  calling  of  theirs  an  art,  they  must  be  willing,  and  show  that  they  are  willing,  ta 
subject  it  to  such  laws  as  have  made  its  sister  arts  so  free.  All  those  concerned 
in  what  are  accepted  as  the  fine  arts,  the  learned  sciences,  and  professions  surround 

abcdefghijklmnopqrstuvwxyz 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

$1234567890 


MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  comes  after  a  sound  appren- 
ticeship; that  which  shall  prove  itself  to  be  the  blending  of  a  firm 
conception  of  useful  precedent  and  the  progressive  tendencies  of  an  able 
mind.  For,  let  a  man  be  as  able  and  original  as  he  may,  be  cannot 
afford  to  discard  knowledge  of  what  has  gone  before  or  what  is  now 
going  on  in  his  own  trade  and  profession.  If  the  printers  of  today  do 
not  wish  to  be  esteemed  arrogant  when  they  term  this  calling  of  theirs 
an  art,  they  must  be  willing,  and  show  that  they  are  willing,  to  subject 
it  to  such  laws  as  have  made  its  sister  arts  so  free.  All  those  con- 
cerned in  what  are  accepted  as  the  fine  arts,  the  learned  sciences,  and 
professions  surround  themselves  with  the  history,  literature,  and  con- 
crete examples  of  the  work  with  which  they  are  particularly  engaged. 
Yet  it  is  only  in  rare  instances  that  such  an  atmosphere,  with  its  ma- 
terial appurtenances,  is  to  be  found  in  a  printing  office.  Art  does  not 
flourish  in  hidden  places,  nor  under  restraint,  nor  in  ignorance  of  what 
talent  and  genius  have  accomplished  and  are  accomplishing  throughout 
the  world.  For  to  follow  precedent  wisely  does  not  mean  to  imitate 
slavishly  one  great  exemplar,  but  to  study  aH  masters  faithfully,  letting 
their  great  achievements  sink  slowly  into  the  mind  in  order  that  we 
may  patiently  derive  from  the  richness  of  our  acquired  knowledge  and 
organized  system  an  attitude  of  our  own.  The  sprightly  minded  young 
man,  who  with  his  first  business  breath  projects  the  new  and  startling, 
inevitably  becomes  tiresome,  and  is  driven  to  an  early  disappearance; 
while  the  slower,  more  solidly  endowed  student  will  at  least  spend  as 

abcdefghijklmnopqrstuvwxyz 
ABCDEFGHIJKLMNOPQRSTUVWXYZ 

$1234567890 


10  Point  No.  176J,  8i  Set 

MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  comes  after  a 
sound  apprenticeship;  that  which  shall  prove  to  be  the 
blending  of  a  firm  conception  of  all  useful  precedent  and 
the  progressive  tendencies  of  an  able  mind.  For,  let  a 
man  be  as  able  and  original  as  he  may,  he  cannot  afford 
to  discard  knowledge  of  what  has  gone  before  or  what  is 
now  going  on  in  his  own  trade  and  profession.  If  the 
printers  of  today  do  not  wish  to  be  esteemed  arrogant 
when  they  term  this  calling  of  theirs  an  art,  they  must  be 
willing,  and  show  that  they  are  willing,  to  subject  it  to 
such  laws  as  have  made  its  sister  arts  so  free.  All  those 
concerned  in  what  are  accepted  as  the  fine  arts,  the  learned 
sciences,  and  professions  surround  themselves  with  the 
history,  the  literature,  and  concrete  examples  of  the  work, 
with  which  they  may  be  particularly  engaged.  Yet  it  is 
only  in  rare  instances  that  such  an  atmosphere,  with  its 
material  appurtenances,  is  to  be  found  in  a  printing  office. 
Art  does  not  flourish  in  hidden  places,  nor  under  restraint, 
nor  in  ignorance  of  what  talent  and  genius  have  accom- 
plished and  are  now  accomplishing  throughout  the  world. 
For  to  follow  precedent  wisely  does  not  mean  to  imitate 
slavishly  one  great  exemplar,  but  to  study  all  the  masters 

abcdefghijklmnopqrstuvwxyz 
ABCDEFGHIJKLMNOPQRSTUVWXYZ 

$1234567890 


12  Point  No.  176J,  10  Set 

MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  comes 
after  a  sound  apprenticeship;  that  which  shall 
prove  to  be  the  blending  of  a  firm  conception 
of  all  useful  precedent  and  the  progressive  ten- 
dencies of  an  able  mind.  For,  let  a  man  be  as 
able  and  original  as  he  may,  he  cannot  afford 
to  discard  knowledge  of  what  has  gone  before 
or  what  is  now  going  on  in  his  own  trade  and 
profession.  If  the  printers  of  today  do  not  wish 
to  be  esteemed  arrogant  when  they  term  this 
calling  of  theirs  an  art,  they  must  be  willing, 
and  show  that  they  are  willing,  to  subject  it  to 
such  laws  as  have  made  its  sister  arts  so  free. 
All  those  concerned  in  what  are  accepted  as  the 
fine  arts,  the  learned  sciences  and  professions, 
surround  themselves  with  the  history,  literature, 
and  concrete  examples  of  the  work  with  which 
they  are  particularly  engaged.  Yet  it  is  only  in 

abcdefghijklmnopqrstuvwxyz 
ABCDEFGHIJKLMNOPQRSTUVWXYZ 

$1234567890 


No.  176  Electro  Display  Matrices 

14  Point  No.  176 

THE  MONOTYPE  IS  BUILT  IN  PHILADELPHIA 

And  is  used  Everywhere  by  Profit-making  Printers  on  all  Kinds  of  Work.  Quality 

and  Quantity,  with  Economy,  is  the  Monotype  Way 

$1234567890 

18  Point  No.  176 

MONOTYPE  COMPOSITION 

Costs  less  by  Comparison  than  the  Product  of  any  other  Type- 
setting or  Composing  Machine 
$1234567890 


24  Point  No.  176 


IF  YOU  WISH  19  BE  SHOWN 

Investigate  the  Qualifications  of  the  Monotype, 

You  will  be  Fully  Convinced 

$1234567890 


30  Point  No.  176 


MONOTYPE  USERS  SAY 

That  our  Claims  are  much  Under  the  Real 

Merits  of  the  Versatile  Machine 

$1234567890 


36  Point  No.  176 


MONOTYPE  VALUE 
Being  Proved  Daily  in  Every  Office 

$1 234567890 


No.  204J.     Job  Arrangement  C4 


Composition  Matrices 


5  Point  No.  204J,  5  Set 


MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  comes  after  a  sound  apprenticeship;  that  which  shall  prove 
to  be  the  blending  of  a  firm  conception  of  all  useful  precedent  and  the  progressive  tendencies  of  an 
able  mind.  For.  let  a  man  be  as  able  and  original  as  he  may,  he  cannot  afford  to  discard  knowledge 
of  what  has  gone  before  or  what  is  now  going  on  in  his  own  trade  and  profession.  If  the  printers  of 
today  do  not  wish  to  be  esteemed  arrogant  when  they  term  this  calling  of  theirs  an  art,  they  must  be 
willing,  and  show  that  they  are  willing,  to  subject  it  to  such  laws  as  have  made  its  sister  arts  so  free. 
All  those  concerned  in  what  are  accepted  as  the  fine  arts,  the  learned  sciences  and  the  professions, 
surround  themselves  with  the  history,  literature,  and  the  concrete  examples  of  the  work  with  which 
they  are  particularly  engaged.  Yet  it  is  only  in  rare  instances  that  such  an  atmosphere,  with  its 
material  appurtenances,  is  to  be  found  in  a  printing  office.  Art  does  not  flourish  in  hidden  places, 
nor  under  restraint,  nor  in  ignorance  of  what  talent  and  genius  have  accomplished  and  are  accom- 
plishing throughout  the  world.  For  to  follow  precedent  wisely  does  not  mean  to  imitate  slavishly 
one  great  exemplar,  but  to  study  all  masters  faithfully,  letting  their  great  achievements  sink  slowly 
into  the  mind  in  order  that  we  may  patiently  derive  from  the  richness  of  our  acquired  knowledge 
and  organized  system  an  attitude  of  our  own.  The  sprightly  minded  young  man,  who  with  his  first 
business  breath  projects  the  new  and  startling,  inevitably  becomes  tiresome,  and  is  driven  to  an 
early  disappearance:  while  the  slower,  more  solidly  endowed  student,  will  at  least  spend  as  much 
of  his  time  in  avoiding  mistakes  as  in  evolving  brilliant  schemes  wherewith  to  dazzle  his  contem- 
poraries. Th3  best  kind  of  originality  is  that  which  comes  after  a  sound  apprenticeship;  that  which 
shall  prove  to  be  the  blending  of  a  firm  conception  of  all  useful  precedent  and  the  progressive 
tendencies  of  an  able  mind.  For,  let  any  man  be  as  able  and  as  original  as  he  may,  he  cannot  afford 
to  discard  knowledge  of  what  has  gone  before  or  what  is  now  going  on  in  his  own  trade  and  pro- 
fession If  the  printers  of  today  do  not  wish  to  be  esteemed  arrogant  when  they  term  this  calling 
of  theirs  an  art,  they  must  be  willing,  and  show  that  they  are  willing,  to  subject  it  to  such  laws  as 
have  made  its  sister  arts  so  free.  All  those  concerned  in  what  are  now  accepted  as  the  fine  arts, 
the  learned  sciences  and  the  professions,  surround  themselves  with  the  history,  literature,  and  the 

abcdefghijklmnopqrstuvwxyz 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

$1234567890 


6  Point  No.  204J,  6  Set 

MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  comes  after  a  sound  apprenticeship; 
that  which  shall  prove  to  be  the  blending  of  a  firm  conception  of  all  useful  precedent 
and  the  progressive  tendencies  of  an  able  mind.  For,  let  a  man  be  as  able  and 
original  as  he  may,  he  cannot  afford  to  discard  knowledge  of  what  has  gone  before 
or  what  is  now  going  on  in  his  own  trade  and  profession.  If  the  printers  of  today 
do  not  wish  to  be  esteemed  arrogant  when  they  term  this  calling  of  theirs  an  art, 
they  must  be  willing,  and  show  that  they  are  willing,  to  subject  it  to  such  laws  as 
have  made  its  sister  arts  so  free.  All  those  concerned  in  what  are  accepted  as  the 
fine  arts,  the  learned  sciences  and  the  professions,  surround  themselves  with  the 
history,  literature,  and  concrete  examples  of  the  work  with  which  they  are  par- 
ticularly engaged.  Yet  it  is  only  in  rare  instances  that  such  an  atmosphere,  with 
its  material  appurtenances,  is  to  be  found  in  a  printing  office.  Art  does  not  flourish 
in  hidden  places  nor  under  restraint,  nor  in  ignorance  of  what  talent  and  genius 
have  accomplished  and  are  accomplishing  throughout  the  world.  For  to  follow 
precedent  wisely  does  not  mean  to  imitate  slavishly  one  great  exemplar,  but  to 
study  all  masters  faithfully,  letting  their  great  achievements  sink  slowly  into  the 
mind  in  order  that  we  may  patiently  derive  from  the  richness  of  our  acquired 
knowledge  and  organized  system  an  attitude  of  our  own.  The  sprightly  minded 
young  man,  who  with  his  first  business  breath  projects  the  new  and  startling, 
inevitably  becomes  tiresome,  and  is  driven  to  an  early  disappearance;  while  the 
slower,  more  solidly  endowed  student  will  at  least  spend  as  much  of  his  time  in 

abcdefghijklmnopqrstuvwxyz 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

$1234567890 


8  Point  No.  204J,  7  Set 

MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  comes  after  a  sound  ap- 
prenticeship; that  which  shall  prove  to  be  the  blending  of  a  firm 
conception  of  all  useful  precedent  and  the  progressive  tendencies  of 
an  able  mind.  For,  let  a  man  be  as  able  and  original  as  he  may, 
he  cannot  afford  to  discard  knowledge  of  what  has  gone  before  or 
what  is  now  going  on  in  his  own  trade  and  profession.  If  the  print- 
ers of  today  do  not  wish  to  be  esteemed  arrogant  when  they  term 
this  calling  of  theirs  an  art,  they  must  be  willing,  and  show  that 
they  are  willing,  to  subject  it  to  such  laws  as  have  made  its  sister 
arts  so  free.  All  those  concerned  in  what  are  accepted  as  the  fine 
arts,  the  learned  sciences  and  the  professions,  surround  themselves 
with  the  history,  the  literature,  and  concrete  examples  of  the  work 
with  which  they  are  particularly  engaged.  Yet  it  is  only  in  rare 
instances  that  such  an  atmosphere,  with  its  material  appurtenances, 
is  to  be  found  in  a  printing  office.  Art  does  not  flourish  in  hidden 

abcdefghijklmnopqrstuvwxyz 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

$1234567890 


10  Point  No.  204J,  8£  Set 

MONOTYPE  FACES 


The  best  kind  of  originality  is  that  which  comes  after 
a  sound  apprenticeship;  that  which  shall  prove  to  be 
the  blending  of  a  firm  conception  of  all  useful  precedent 
and  the  progressive  tendencies  of  an  able  mind.  For, 
let  a  man  be  as  able  and  original  as  he  may,  he  cannot 
afford  to  discard  knowledge  of  what  has  gone  before  or 
what  is  now  going  on  in  his  own  trade  and  profession. 
If  the  printers  of  today  to  not  wish  to  be  esteemed 
arrogant  when  they  term  this  calling  of  theirs  an  art, 
they  must  be  willing,  and  show  that  they  are  willing, 
to  subject  it  to  such  laws  as  have  'made  its  sister  arts 
so  free.  All  those  concerned  in  what  are  accepted  as 
the  fine  arts,  the  learned  sciences  and  the  professions, 
surround  themselves  with  the  history,  literature,  and 
concrete  examples  of  the  work  with  which  they  are 
particularly  engaged.  Yet  it  is  only  in  rare  instances 
that  such  an  atmosphere,  with  its  material  appurte- 
nances, is  to  be  found  in  a  printing  office.  Art  does  not 
flourish  in  hidden  places,  nor  under  restraint,  nor  in 
ignorance  of  what  talent  and  genius  have  accomplished 
and  are  accomplishing  throughout  the  world.  For  to 

abcdefghijklmnopqrstuvwxyz 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

$1234567890 


12  Point  No.  204 J,  10  Set 

MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  comes 
after  a  sound  apprenticeship;  that  which  shall 
prove  to  be  the  blending  of  a  firm  conception  of  all 
useful  precedent  and  the  progressive  tendencies 
of  an  able  mind.  For,  let  a  man  be  as  able  and 
original  as  he  may,  he  cannot  afford  to  discard 
knowledge  of  what  has  gone  before  or  what  is 
now  going  on  in  his  own  trade  and  profession. 
If  the  printers  of  today  do  not  wish  to  be  esteemed 
arrogant  when  they  term  this  calling  of  theirs  an 
art,  they  must  be  willing,  and  show  that  they  are 
willing,  to  subject  it  to  such  laws  as  have  made 
its  sister  arts  so  free.  All  those  concerned  in 
what  are  accepted  as  the  fine  arts,  the  learned 
sciences  and  the  professions,  surround  themselves 
with  the  history,  literature,  and  concrete  examples 
of  the  work  with  which  they  are  particularly  en- 

abcdefghijklmnopqrstuvwxyz 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

$1234567890 


No.  204  Display  Matrices 

14  Point  No.  204 

DO  YOU  ALWAYS  USE  NEW  TYPE, 

Rules,  leads,  slugs  and  borders  on  every  job,  and  save  the  expense  of  distribution  in 

your  composing  room  ?    The  Monotype  will  supply  you  with  all  of 

this  material  and  it  will  be  new  for  every  job 

$1234567890 

18  Point  No.  204 

THIS  FACE  IS  A  GOOD  FACE 

For  most  any  class  of  work,  but  is  particularly  appropriate  for  newspaper 

headings.    You  should  include  this  handsome  Gothic 

letter  in  your  matrix  equipment 

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24  Point  No.  204 


MONOTYPE  TYPE 

Answers  every  possible  requirement  as  to  design  of  face, 
quality  of  metal,  perfection  of  fitting  and  alignment 

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No.  206  Electro  Display  Matrices 

14  Point  No.  206 

THE  COMPOSING-ROOM 

Of  a  Printing  Plant  is  a  Great  Deal  More  Than  a  Place  in  Which  to 

Operate  Composing  Machines:  it  is  a  Department  Maintained 

to  Produce  Complete  Pages,  Lqcked-up 

in  Chases  Ready  for  Printing 

$1234567890 


18  Point  No.  206 

QUALITY  OF  OUTPUT 

Is  always  the  first  consideration  with  Monotype  printers, 

but  quality  is  not  all,  for  the  Monotype  is  also  the 

fastest  and  most  versatile  composing 

machine  on  all  kinds  of  copy 

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24  Point  No.  206 


YOUR  SALESMAN 

The  Monotype  is  your  best  salesman.    It 
always  makes  a  good  impression  by 
furnishing  good  type,  and  conse- 
quently better  typography 
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No.  222  Sorts  Matrices 

30  Point  No.  222 


FOR  A  REALLY  GOOD  LOOKING 

IS  MOST  ESSENTIAL 


No.  224K.     Job  Arrangement  C2 


Composition  Matrices 


5  Point  No.  224K,  7J  Set 

MONOTYPE  FACES 

THE  VERY  BEST  KIND  OF  ORIGINALITY  IS  THAT  WHICH 
COMES  AFTER  A  SOUND  APPRENTICESHIP;  IT  IS  THAT 
WHICH  SHALL  PROVE  TO  BE  THE  BLENDING  OF  A  FIRM 
CONCEPTION  OF  ALL  USEFUL  PRECEDENT  AND  THE 
PROGRESSIVE  TENDENCIES  OF  AN  ABLE  MIND.  FOR, 
LET  A  MAN  BE  AS  ABLE  AND  ORIGINAL  AS  HE  MAY,  HE 
CANNOT  AFFORD  TO  DISCARD  KNOWLEDGE  OF  WHAT 
HAS  GONE  BEFORE  OR  WHAT  IS  NOW  GOING  ON  IN  HIS 
OWN  TRADE  AND  PROFESSION.  IF  THE  PRINTERS  OF 
TODAY  DO  NOT  WISH  TO  BE  ESTEEMED  ARROGANT 
WHEN  THEY  TERM  THIS  CALLING  OF  THEIRS  AN  ART, 
THEY  MUST  BE  WILLING,  AND  SHOW  THAT  THEY  ARE 
WILLING,  TO  SUBJECT  IT  TO  SUCH  LAWS  AS  HAVE  MADE 
ITS  SISTER  ARTS  SO  FREE.  ALL  THOSE  CONCERNED  IN 
WHAT  ARE  ACCEPTED  AS  THE  FINE  ARTS,  THE  LEARNED 
SCIENCES,  AND  PROFESSIONS  SURROUND  THEMSELVES 
WITH  THE  HISTORY,  THE  LITERATURE,  AND  CONCRETE 
EXAMPLES  OF  THE  WORK  WITH  WHICH  THEY  ARE 
SPECIALLY  ENGAGED.  YET  IT  IS  ONLY  IN  VERY  RARE 
INSTANCES  THAT  SUCH  AN  ATMOSPHERE,  WITH  ALL  ITS 
MATERIAL  APPURTENANCES,  IS  FOUND  IN  A  PRINT- 
ING OFFICE.  ART  DOES  NOT  FLOURISH  IN  HIDDEN 
PLACES,  NOR  UNDER  RESTRAINT,  NOR  IN  IGNORANCE 
OF  WHAT  TALENT  AND  GENIUS  HAVE  ACCOMPLISHED 
AND  ARE  ACCOMPLISHING  THROUGHOUT  THE  WORLD. 
FOR  TO  FOLLOW  PRECEDENT  WISELY  DOES  NOT  MEAN 
TO  IMITATE  SLAVISHLY  ONE  GREAT  EXEMPLAR,  BUT 
TO  STUDY  ALL  MASTERS  FAITHFULLY,  LETTING  THEIR 
GREAT  ACHIEVEMENTS  SINK  SLOWLY  INTO  THE  MIND 
IN  ORDER  THAT  WE  MAY  PATIENTLY  DERIVE  FROM 
THE  RICHNESS  OF  OUR  ACQUIRED  KNOW/LEDGE  AND 
ORGANIZED  SYSTEM  AN  ATTITUDE  OF  OUR  OWN. 
THE  SPRIGHTLY  MINDED  YOUNG  MAN,  WHO  WITH  HIS 
FIRST  BUSINESS  BREATH  PROJECTS  THE  NEW  AND 
STARTLING,  INEVITABLY  BECOMES  TIRESOME,  AND  IS 
DRIVEN  TO  AN  EARLY  DISAPPEARANCE;  WHILE  THE 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 
$1234567890 


6  Point  No.  224K,  8£  Set 


MONOTYPE  FACES 

THE  VERY  BEST  KIND  Of  ORIGINALITY  IS  THAT 
WHICH  COMES  AFTER  A  SOUND  APPRENTICE- 
SHIP; THAT  WHICH  SHALL  PROVE  TO  BE  THE 
BLENDINC  OF  A  FIRM  CONCEPTION  OF  ALL 
USEFUL  PRECEDENT  AND  OF  THE  PROGRESSIVE 
TENDENCIES  OF  AN  ABLE  MIND.  FOR,  LET  A 
MAN  BE  AS  ABLE  AND  ORIGINAL  AS  HE  MAY, 
HE  CANNOT  AFFORD  TO  DISCARD  KNOWLEDGE 
OF  WHAT  HAS  GONE  BEFORE  OR  WHAT  IS  NOW 
GOING  ON  IN  HIS  OWN  TRADE  AND  PROFESSION. 
IF  THE  PRINTERS  OF  TODAY  DO  NOT  WISH  TO 
BE  ESTEEMED  ARROGANT  WHEN  THEY  TERM 
THIS  CALLING  OF  THEIRS  AN  ART,  THEY  MUST 
BE  WILLING,  AND  S/fOW  THAT  THEY  ARE  WILL- 
ING, TO  SUBJECT  IT  TO  SUCH  LAWS  AS  HAVE 
MADE  ITS  SISTER  ARTS  SO  FREE.  ALL  THOSE 
CONCERNED  IN  WHAT  ARE  ACCEPTED  AS  THE 
FINE  ARTS,  THE  LEARNED  SCIENCES,  AND  PRO- 
FESSIONS SURROUND  THEMSELVES  WITH  THE 
HISTORY,  THE  LITERATURE,  AND  CONCRETE 
EXAMPLES  OF  THE  WORK  WITH  WHICH  THEY 
ARE  PARTICULARLY  ENGAGED.  YET  IT  IS  ONLY 
IN  VERY  RARE  INSTANCES  THAT  SUCH  AN  AT- 
MOSPHERE, WITH  ITS  MATERIAL  APPURTEN- 
ANCES, IS  TO  BE  FOUND  IN  A  PRINTING  OFFICE. 
ART  DOES  NOT  FLOURISH  IN  HIDDEN  PLACES, 
NOR  UNDER  RESTRAINT,  NOR  IN  IGNORANCE 
OF  WHAT  TALENT  AND  GENIUS  HAVE  ACCOM- 
PLISHED AND  ARE  ACCOMPLISHING  THROUGH- 
OUT THE  WORLD.  FOR  TO  FOLLOW  PRECEDENT 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 
$1234567890 


8  Point  No.  224K,  10  Set 

MONOTYPE  FACES 
THE  VERY  BEST  KIND  OF  ORIGINALITY 


10  Point  No.  224K,  12  Set 

MONOTYPE  FACES 
THE  BEST  KIND  OF  ORIGINALITY 


THAT  WHICH  COMES  AFTER  A  SOUND         IS   THAT  WHICH  COMES  AFTER  A 

SOUND  APPRENTICESHIP;  THAT 
WHICH  SHALL  PROVE  TO  BE  THE 
BLENDING  OF  A  FIRM  CONCEP- 
TION OF  ALL  USEFUL  PRECEDENT 
AND  THE  PROGRESSIVE  TENDEN- 
CIES OF  A  CLEVER  MIND.  FOR, 
LET  ANY  MAN  BE  AS  ABLE  AND  AS 
ORIGINAL  AS  HE  MAY,  HE  CAN- 
NOT AFFORD  TO  DISREGARD  THE 
KNOWLEDGE  OF  WHAT  HAS  GONE 
BEFORE  OR  WHAT  IS  NOW  GOING 
ON  IN  HIS  OWN  TRADE  AND  PRO- 
FESSION. IF  THE  PRINTERS  OF 
TODAY  DO  NOT  WISH  TO  BE  ES- 
TEEMED ARROGANT  WHEN  THEY 
TERM  THIS  CALLING  OF  THEIRS 
AN  ART,  THEY  MUST  BE  WILLING, 
AND  SHOW  THEY  ARE  WILLING, 
TO  SUBJECT  IT  TO  SUCH  LAWS  AS 
HAVE  MADE  ITS  SISTER  ARTS  SO 
FREE.  ALL  THOSE  WHO  ARE  CON- 

ABCDEFGHIJKLMNOPQRSTUVW 
$1234567890 


APPRENTICESHIP;  THAT  WHICH  SHALL 
PROVE  ITSELF  TO  BE  THE  BLENDINC  OF 
A  FIRM  CONCEPTION  OF  ALL  USEFUL 
PRECEDENT  AND  OF  THE  PROGRESSIVE 
TENDENCIES  OF  AN  ABLE  MIND.  FOR, 
LET  A  MAN  BE  AS  ABLE  AND  AS  ORIGINAL 
AS  HE  MAY,  HE  CANNOT  AFFORD  TO  DIS- 
CARD ALL  KNOWLEDGE  OF  WHAT  HAS 
GONE  BEFORE  OR  OF  WHAT  IS  NOW  GO- 
ING ON  IN  HIS  OWN  TRADE  AND  PRO- 
FESSION. IF  THE  PRINTERS  OF  TODAY 
DO  NOT  WISH  TO  BE  ESTEEMED  ARRO- 
GANT WHEN  THEY  TERM  THIS  CALLING 
OF  THEIRS  AN  ART,  THEY  SHOULD  BE 
WILLING,  AND  SHOW  THAT  THEY  ARE 
WILLING,  TO  SUBJECT  IT  TO  SUCH  LAWS 
AS  HAVE  MADE  ITS  SISTER  ARTS  SO 
FREE.  ALL  THOSE  CONCERNED  IN  WHAT 
ARE  ACCEPTED  AS  THE  FINE  ARTS,  THE 
LEARNED  SCIENCES,  AND  PROFESSIONS 
SURROUND  THEMSELVES  WITH  THE  HIS- 
TORY, THE  LITERATURE,  AND  CONCRETE 
EXAMPLES  OF  THE  WORK  WITH  WHICH 
THEY  ARE  SPECIALLY  ENGAGED.  YET  IT 
IS  ONLY  IN  RARE  INSTANCES  THAT  SUCH 
AN  ATMOSPHERE,  WITH  ITS  MATERIAL 
APPURTENANCES,  IS  TO  BE  FOUND  IN  A 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 
$1234567890 


THE 


48  Point  No.  227 


I 


1234567 


No.  227 


Display  Matrices 


14  Point  No.  227 


THE  MONOTYPE  TYPE-8-RULE  CASTER 

HAKES  THE  BEST  BASE  MATERIAL  FOR  MOUNTING  ALL  KINDS  OF  COTS,  ELECTROTYPES,  STEREOTYPES,  OR  ZINCS,  AND  IN  IOST 
THE  REQUIRED  QUANTITY,  MUCH  CHEAPER  THAN  INFLEXIBLE  STEEL  BASE  MATERIAL 

(1234567890 


18  Point  No.  227 


THE  FLEXIBLE  MONOTYPE 

THE  FACES,  AND  THE  COMBINATIONS  OF  FACES,  YOUR 
AND  SAVES  THE  DISTRIBUTION  COST 
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24  Point  No.  227 


IYPE  FOR  M  CASES,  BORDERS,  ORNAMENTS,  SPACES  AND  QUADS;  RULE  IN  ANY 

LENGTH  FOR  EVERY  JOB 
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30  Point  No.  227 


THE  MONOTYPE  CREATED 

AWAY  WITH  ALL  THE  WASTE  AND 


36  Point  No.  227 


EVERY  HOUR  OF 
EBY 
,  RULES,  ETC. 


TYPE. 


No.  230J.     Job  Arrangement  C4 


Composition  Matrices 


6  Point  No.  230  J,  4£  Set 


MONOTYPE  FACES 

The  best  hind  of  originality  is  that  which  comes  after  a  sound  apprenticeship;  thai  which  shall  prove  itself  to 
be  the  blending  of  a  firm  conception  of  useful  precedent  and  the  progressive  tendencies  of  an  able  mind.  For, 
let  a  man  be  as  able  and  original  as  he  may,  he  cannot  afford  lo  discard  knowledge  of  what  has  gone  before 
or  what  is  now  going  on  in  his  own  trade  and  profession.  If  the  printers  of  today  do  not  wish  to  be  esteemed 
arrogant  when  they  term  this  calling  of  theirs  an  art,  they  must  be  willing,  and  show  that  (hey  are  wiVing,  to 
subject  it  to  such  laws  as  have  made  its  sister  arts  so  free.  All  those  concerned  in  what  are  accepted  as  the 
fine  arts,  the  learned  sciences  and  the  professions,  surround  themselves  with  the  history,  literature,  and 
coicrete  examples  of  the  work  with  which  they  are  particularly  engaged.  Yet  it  is  only  in  rare  instances  that 
such  an  atmosphere,  with  its  material  appurtenances,  is  lo  be  found  in  the  printing  office.  Art  does  not 
flourish  in  hidden  places,  nor  under  restraint,  cor  in  ignorance  of  what  talent  and  genius  accomplish  and 
are  now  accomplishing  throughout  the  world.  For  to  follow  precedent  wisely  does  not  mean  lo  imitate 
slavishly  one  great  exemplar,  but  to  study  all  the  masters  faithfully,  letting  their  greatest  achievements  sink 
slowly  into  the  mind  in  order  that  we  may  patiently  derive  from  the  richness  of  our  acquired  knowledge  and 
organized  system  an  altitude  of  our  very  own.  The  sprightly  minded  young  man  who  with  his  first  business 
breath  projects  the  new  and  startling,  inevitably  becomes  tiresome,  and  is  driven  to  an  early  disappearance, 
while  the  slower,  more  solidly  endowed  student  will  at  least  spend  as  much  of  his  lime  in  avoiding  mistakes 
as  ii  evolving  brilliant  schemes  wherewith  to  dazzle  all  his  contemporaries.  The  best  kind  of  originality  is 
that  which  comes  after  a  sound  apprenticeship:  that  which  shall  prove  itself  to  be  the  blending  of  a  firm  con- 
ception of  useful  precedent  and  the  progressive  tendencies  of  an  able  mind.  For,  let  any  man  be  as  able  and 
original  as  he  may.  he  cannot  afford  to  discard  knowledge  of  what  has  gone  before  or  what  is  now  going  on  in 
his  own  trade  and  profession.  If  the  printers  of  today  do  not  wish  to  be  esteemed  arrogant  when  they  term  this 
calling  of  theirs  an  art.  they  must  be  willing,  and  show  thai  they  are  willing,  to  subject  it  to  such  laws  as  have 
made  its  sister  arts  so  free.  All  those  concerned  in  what  are  accepted  as  the  hne  arts,  the  learned  sciences  and 
the  professions,  surround  themselves  with  the  history,  literature,  and  concrete  examples  of  the  work  with 
which  they  are  particularly  engaged.  Yet  it  is  only  in  rare  instances  that  such  an  atmosphere,  with  its  material 
appurtenances,  is  lo  be  found  in  the  printing  office.  Art  does  not  flourish  in  hidden  places,  nor  under  restraint, 
nor  in  ignorance  of  what  talent  and  genius  accomplish  and  are  now  accomplishing  throughout  the  world.  For 
to  follow  all  precedent  wisely  does  not  mean  to  imitate  slavishly  one  great  exemplar,  but  to  study  all  the  masters 
faithfully,  letting  their  greatest  achievements  sink  slowly  into  the  mind  in  order  that  we  may  patiently  derive 
from  the  richness  of  our  acquired  knowledge  and  organized  system  an  attitude  of  our  very  own.  The  sprightly 
minded  young  man,  who  with  his  first  business  breath  projects  the  new  and  startling,  inevitably  becomes 

abcdefghijklmnopqrsluvwxyz 

ABCDCFGHIJKLMNOPQRSTUVWXYZ 

$1234567890 


8  Point  No.  230J,  5j  Set 


MONOTYPE  PACES 

The  best  kind  of  originality  is  that  which  comes  after  a  sound  apprenticeship;  that  which 
shall  prove  to  be  the  blending  of  a  firm  conception  of  all  useful  precedent  and  the  pro- 
gressive tendencies  of  an  able  mind.  For,  let  a  man  be  as  able  and  original  as  he  may,  he 
cannot  afford  to  discard  knowledge  of  what  has  gone  before  or  what  is  now  going  on  in  his 
own  trade  and  profession.  If  the  printers  of  today  do  not  wish  to  be  esteemed  arrogant 
when  they  term  this  calling  of  theirs  an  art,  they  must  be  willing,  and  show  thai  they  are 
willing,  to  subject  it  to  such  laws  as  have  made  its  sister  arts  so  free.  All  those  concerned 
in  what  are  accepted  as  the  fine  arts,  the  learned  sciences  and  professions,  surround  them- 
selves with  the  history,  the  literature,  and  concrete  examples  of  the  work  with  which  they 
may  be  particularly  engaged.  Yet  it  is  only  in  rare  instances  that  such  an  atmosphere,  with 
its  material  appurtenances,  is  to  be  found  in  the  printing  office.  Art  does  not  flourish  in 
hidden  places,  nor  under  restraint,  nor  in  ignorance  of  what  talent  and  genius  have  accom- 
plished and  are  still  accomplishing  throughout  the  world  For  to  follow  precedent  wisely 
does  not  mean  to  imitate  slavishly  one  great  exemplar,  but  to  study  all  the  masters  faith- 
fully, letting  their  great  achievements  sink  slowly  into  the  mind,  in  order  that  we  may 
patiently  derive  from  the  richness  of  our  acquired  knowledge  and  organized  system  an 
attitude  of  our  very  own.  The  sprightly  minded  young  man,  who  with  his  first  business 
breath  projects  the  new  and  startling,  inevitably  becomes  tiresome,  and  is  driven  to  an 
early  disappearance;  while  the  slower,  more  solidly  endowed  student  will  at  feast  spend 
as  much  of  his  time  in  avoiding  mistakes  as  in  evolving  brilliant  schemes  wherewith  to 
dazzle  all  his  contemporaries.  The  best  kind  of  originality  is  that  which  comes  after  a 
sound  apprenticeship;  that  which  shall  prove  itself  to  be  the  blending  of  a  firm  conception 
of  all  useful  precedent  and  the  progressive  tendencies  of  an  able  mind.  For,  let  a  man 
be  as  able  and  original  as  he  may,  he  cannot  afford  to  discard  knowledge  of  what  has  gone 

abcdefghijklmnopqrstuvwxyz 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

$1234567890 


10  Point  No.  230J,  6£  Set 

MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  comes  after  a  sound  apprentice- 
ship; that  which  shall  prove  to  be  the  blending  of  a  firm  conception  of  all 
useful  precedent  and  the  progressive  tendencies  of  an  able  mind.  Eor,  let 
a  man  be  as  able  and  original  as  he  may,  he  cannot  afford  to  discard  knowl- 
edge of  what  has  gone  before  or  what  is  now  going  on  in  his  own  trade  and 
profession.  If  the  printers  of  today  do  not  wish  to  be  esteemed  arrogant 
when  they  term  this  calling  of  theirs  an  art,  they  must  be  willing,  and  show 
that  they  are  willing,  to  subject  it  to  such  laws  as  have  made  its  sister  arts 
so  free.  All  those  concerned  in  what  are  accepted  as  the  fine  arts,  the  learned 
sciences,  and  professions  surround  themselves  with  the  history,  literature, 
and  concrete  examples  of  the  work  with  which  they  are  particularly  engaged. 
Yet  it  is  only  in  rare  instances  that  such  an  atmosphere,  with  its  material 
appurtenances,  is  to  be  found  in  a  printing  office.  Art  does  not  flourish  in 
hidden  places,  nor  under  restraint,  nor  even  in  ignorance  of  what  talent  and 
genius  have  accomplished  and  are  still  accomplishing  throughout  the  world. 
For  to  follow  precedent  wisely  does  not  mean  to  imitate  slavishly  one  great 
exemplar,  but  to  study  all  the  masters  faithfully,  letting  their  great  achieve- 
ments sink  slowly  into  the  mind  in  order  that  we  may  patiently  derive  from 
the  richness  of  our  acquired  knowledge  and  organized  system  an  attitude  of 
our  very  own.  The  sprightly  minded  young  man,  who  with  his  first  business 
breath  projects  the  new  and  startling,  inevitably  becomes  tiresome,  and  is 
driven  to  an  early  disappearance;  while  the  slower,  more  solidly  endowed 

abcdefghijklmnopqrstuvwxyz 
ABCDEfGHIJKLMNOPQRSTUVWXYZ 

$1234567890 


12  Point  No.  230 J,  1\  Set 

MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  comes  after  a  sound 
apprenticeship;  that  which  shall  prove  to  be  the  blending  of  a 
firm  conception  of  all  useful  precedent  and  the  progressive  ten- 
dencies of  an  able  mind,  for,  let  any  man  be  as  able  and  original 
as  he  may,  he  cannot  afford  to  discard  knowledge  of  what  has 
gone  before  or  what  is  now  going  on  in  his  own  trade  and  profes- 
sion. If  the  printers  of  today  do  not  wish  to  be  esteemed  arrogant 
when  they  term  this  calling  of  theirs  an  art,  they  must  be  willing, 
and  show  that  they  are  willing,  to  subject  it  to  such  laws  as  have 
made  its  sister  arts  so  free.  All  those  concerned  in  what  are  ac- 
cepted as  the  fine  arts,  the  learned  sciences  and  the  professions, 
surround  themselves  with  the  history,  literature,  and  concrete 
examples  of  the  work  with  which  they  are  particularly  engaged. 
Yet  it  is  only  in  rare  instances  that  such  an  atmosphere,  with  its 
material  appurtenances,  is  to  be  found  in  a  printing  office.  Art 
does  not  flourish  in  hidden  places,  nor  under  restraint,  nor  in  igno- 
rance of  what  talent  and  genius  have  accomplished  and  are  still 
accomplishing  throughout  the  world,  for  to  follow  precedent 

abcdefghijklmnopqrstuvwxyz 
ABCDEFGHIJKLMNOPQRSTUVWXYZ 

$1234567890 


No.  230  Display  Matrices 

14  point  No.  230 

f OR  THE  BOOK,  JOB,  OR  NEWS  PLANT 

The  Monotype  has  Taken  the  Limits  out  of  Composition  and  Made  it  Possible  to  Handle  any  size  Job  in  any 

face  of  Type  without  Difficulty  or  Extra  Expense 
$1234567890 

18  point  No.  230 

IT  HAS  MADE  POSSIBLE  THE  ELIMINATION 

Of  the  Disagreeable  Drudgery  of  Distribution  and  Provided  the  Only  way  to  keep  all  the 
Compositors  on  Profitable,  Productive  Work,  all  the  time 

$1234567890 

24  point  No.  230 

WHY  NOT  ECONOMIZE 

Your  Compositor's  Nervous  Energy  and  Physical  Strength  by  Giving 

Him  Plenty  of  all  Kinds  of  Material? 

$1234567890 


30  point  No.  230 


THE  PRINTER  WHO  USES 
The  Monotype  adds  to  his  Sales  Department  the  most  Potent 


Selling  Force-C 


UALITY 


$1234567890 

36  point  No.  230 

THE  VERSATILE  MONOTYPE 
Supplies  Printers  with  the  Equipment  to  Specialize 

$1234567890 


No.  239J.     Job  Arrangement  C4 


Composition  Matrices 


6  Point  No.  239J,  5£  Set 


MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  comes  after  a  sound  apprenticeship;  that  which 
shall  prove  lo  be  the  blending  of  a  firm  conception  of  all  useful  precedent  and  the  pro- 
gressive tendencies  of  an  able  mind.  For,  let  a  man  be  as  able  and  original  as  he  may, 
he  cannot  afford  to  discard  knowledge  of  what  has  gone  before  or  what  is  now  going  on 
in  his  own  trade  and  profession.  If  (he  printers  of  today  do  not  wish  to  be  esteemed 
arrogant  when  they  term  this  calling  of  theirs  an  art,  they  must  be  willing,  and  show  that 
they  are  willing,  to  subject  it  to  such  laws  as  have  made  its  sister  arts  so  free.  All  those 
concerned  in  what  are  accepted  as  the  fine  arts,  the  learned  sciences,  and  professions 
surround  themselves  with  the  history,  literature,  and  concrete  examples  of  the  work  with 
which  they  are  particularly  engaged.  Yet  it  is  only  in  rare  instances  that  such  an  atmos- 
phere, with  its  material  appurtenances,  is  to  be  found  in  a  printing  office.  Art  does  not 
flourish  in  hidden  places,  nor  under  restraint,  nor  in  ignorance  of  what  talent  and  genius 
have  accomplished  and  are  now  accomplishing  throughout  (he  world.  For  to  follow 
precedent  wisely  does  not  mean  to  imitate  slavishly  one  great  exemplar,  but  to  study  all 
masters  faithfully,  letting  their  great  achievements  sink  slowly  into  the  mind  in  order  that 
we  may  patiently  derive  from  the  richness  of  our  acquired  knowledge  and  organized 
system  an  attitude  of  our  own.  The  sprightly  minded  young  man,  who  with  his  first 
business  breath  projects  the  new  and  startling,  inevitably  becomes  tiresome,  and  is  driven 
lo  an  early  disappearance;  while  the  slower,  more  solidly  endowed  student  will  at  least 
spend  as  much  of  his  time  in  avoiding  mistakes  as  in  evolving  brilliant  schemes  where- 
with to  dazzle  his  contemporaries.  The  best  kind  of  originality  is  that  which  comes  after 
a  sound  apprenticeship;  that  which  shall  prove  to  be  the  blending  of  a  firm  conception  of 
all  useful  precedent  and  the  progressive  tendencies  of  an  able  mind.  For,  let  a  man  be 
as  able  and  original  as  he  may,  he  cannot  afford  to  discard  knowledge  of  what  has  gone 
before  or  what  is  now  going  on  in  his  own  trade  and  profession.  If  the  printers  of  today 
do  not  wish  to  be  esteemed  arrogant  when  they  term  this  calling  of  theirs  an  art,  they 
must  be  willing,  and  show  that  they  are  willing,  to  subject  it  to  such  laws  as  have  made 
its  sister  arts  so  free.  All  those  concerned  in  what  are  accepted  as  the  fine  arts,  the 
learned  sciences,  and  professions  surround  themselves  with  the  history,  literature,  and 
concrete  examples  of  the  work  with  which  they  are  particularly  engaged.  Yet  it  is  only 
in  rare  instances  that  such  an  atmosphere,  with  its  material  appurtenances,  is  to  he 
found  in  a  printing  office.  Art  does  not  flourish  in  hidden  places,  nor  under  restraint,  nor 

abcdefghijklmnopqrstuvwxyz 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

$1231567890 


8  Point  No.  239J,  6J  Set 


MONOTYPE  PACES 

The  best  kind  of  originality  is  (hat  which  comes  after  a  sound  apprentice- 
ship; that  which  shall  prove  to  be  the  blending  of  a  firm  conception  of  all 
useful  precedent  and  the  progressive  tendencies  of  an  able  mind.  For,  let 
a  man  be  as  able  and  original  as  he  may,  he  cannot  afford  to  discard  knowl- 
edge of  what  has  gone  before  or  what  is  now  going  on  in  his  own  trade  and 
profession.  If  the  printers  of  today  do  not  wish  to  be  esteemed  arrogant 
when  they  term  this  calling  of  theirs  an  art,  they  must  be  willing,  and  show 
that  they  are  willing,  to  subject  it  to  such  laws  as  have  made  its  sister  arts 
so  free.  All  those  concerned  in  what  are  accepted  as  the  fine  arts,  the  learned 
sciences,  and  professions  surround  themselves  with  the  history,  literature, 
and  concrete  examples  of  the  work  with  which  they  are  particularly  engaged. 
Yet  it  is  only  in  rare  instances  that  such  an  atmosphere,  with  its  material 
appurtenances,  is  to  be  found  in  a  printing  office.  Art  does  not  flourish  in 
hidden  places,  nor  under  restraint,  nor  in  ignorance  of  what  talent  and  genius 
have  accomplished  and  are  accomplishing  throughout  the  world.  For  to  fol- 
low precedent  wisely  does  not  mean  to  imitate  slavishly  one  great  exemplar, 
but  to  study  all  masters  faithfully,  letting  their  great  achievements  sink 
slowly  into  the  mind  in  order  that  we  may  patiently  derive  from  the  richness 
of  our  acquired  knowledge  and  organized  system  an  attitude  of  our  own. 
The  sprightly  minded  young  man,  who  with  his  first  business  breath  projects 
the  new  and  startling,  inevitably  becomes  tiresome,  and  is  driven  to  an  early 
disappearance;  while  the  slower,  more  solidly  endowed  student  will  at  least 
spend  as  much  of  his  time  in  avoiding  mistakes  as  in  evolving  brilliant 
schemes  wherewith  to  dazzle  his  contemporaries.  The  best  kind  of  origi- 

abcdefghi  j  klmnopqrstu  vwxyz 
ABCDEFGHIJKLMNOPQRSTUVWXYZ 

$1234567890 


10  Point  No.  239J,  8  Set 

MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  comes  after  a  sound 
apprenticeship;  that  which  shall  prove  to  be  the  blending  of 
a  firm  conception  of  all  useful  precedent  and  the  progressive 
tendencies  of  an  able  mind.  Eor,  let  a  man  be  as  able  and 
original  as  he  may,  he  cannot  afford  to  discard  knowledge  of 
what  has  gone  before  or  what  is  now  going  on  in  his  own  trade 
and  profession.  If  the  printers  of  today  do  not  wish  to  be 
esteemed  arrogant  when  they  term  this  calling  of  theirs  an 
art,  they  must  be  willing,  and  show  that  they  are  willing,  to 
subject  it  to  such  laws  as  have  made  its  sister  arts  so  free. 
All  those  concerned  in  what  are  accepted  as  the  fine  arts,  the 
learned  sciences,  and  professions  surround  themselves  with 
the  history,  literature,  and  concrete  examples  of  the  work 
with  which  they  are  particularly  engaged.  Yet  it  is  only  in 
rare  instances  that  such  an  atmosphere,  with  its  material  ap- 
purtenances, is  to  be  found  in  a  printing  office.  Art  does  not 
flourish  in  hidden  places,  nor  under  restraint,  nor  in  ignorance 
of  what  talent  and  genius  have  accomplished  and  are  accom- 
plishing throughout  the  world.  Eor  to  follow  precedent  wisely 
does  not  mean  to  imitate  slavishly  one  great  exemplar,  but  to 
study  all  masters  faithfully,  letting  their  great  achievements 
sink  slowly  into  the  mind  in  order  that  we  may  patiently  derive 

abcdefghijklmnopqrstuvwxyz 

ABCDEEGHIJKLMNOPQRSTUVWXYZ 

$1234567890 


12  Point  No.  239 J,  9£  Set 

MONOTYPE  PACES 

The  best  kind  of  originality  is  that  which  comes  after 
a  sound  apprenticeship;  that  which  shall  prove  to  be 
the  blending  of  a  firm  conception  of  all  useful  prece- 
dent and  the  progressive  tendencies  of  an  able  mind. 
Eor,  let  a  man  be  as  able  and  original  as  he  may,  he 
cannot  afford  to  discard  knowledge  of  what  has  gone 
before  or  what  is  now  going  on  in  his  own  trade  and 
profession.  If  the  printers  of  today  do  not  wish  to 
be  esteemed  arrogant  when  they  term  this  calling  of 
theirs  an  art,  they  must  be  willing,  and  show  that 
they  are  willing,  to  subject  it  to  such  laws  as  have 
made  its  sister  arts  so  free.  All  those  concerned  in 
what  are  accepted  as  the  fine  arts,  the  learned 
sciences,  and  professions  surround  themselves  with 
the  history,  literature,  and  concrete  examples  of  the 
work  with  which  they  are  particularly  engaged.  Yet 
it  is  only  in  rare  instances  that  such  an  atmosphere, 
with  its  material  appurtenances,  is  to  be  found  in  a 

abcdefghijklmnopqrstuvwxyz 
ABCDEEGHIJKLMNOPQRSTUVWXYZ 

$1234567890 


No.  239  Electro  Display  Matrices 

14  point  No.  239 

THE  MONOTYPE:  TWO  MACHINES  IN  ONE 

It  Casts  Type  for  the  Cases;  It  Sets,  Justifies,  and  Delivers  on  the  Galley,  Composition 

that  Surpasses  the  Most  Careful  Hand  Justification 

$1234567890 

18  point  No.  239 

MONOTYPE  COMPOSITION  UNEQUALED 
Either  on  Straight  Matter  or  on  Intricate  Tabular  Work,  the  Mono- 
type Distinctly  shows  Its  Superiority 
$1234567890 

24  point  No.  239 

DISPLAY  TYPE  UNLIMITED 

Where  there  is  a  Monotype  Equipment  Time  Lost  Picking 

for  Sorts,  etc.,  is  Dispensed  With 

$1234567890 


30  point  No.  239 


LEADS  AND  SLUGS 

Can  be  Cast  to  any  length  at  a  Speed  that 

makes  Distribution  Unprofitable 

$1234567890 


36  point  No.   239 


RULES  ALWAYS  NEW 
full  length  Rules  on  Every  Job,  no  piecing 

$1234567890 


No.  240J.     Job  Arrangement  C4 


Composition  Matrices 


6  Point  No.  240J,  7  Set 


8  Point  No.  240J,  8£  Set 


MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  comes  after  a  sound  appren- 
ticeship; that  which  shall  prove  to  be  the  blending  of  a  firm  conception 
of  all  useful  precedent  and  the  progressive  tendencies  of  an  able  mind. 
For,  let  a  man  be  as  able  and  original  as  he  may,  he  cannot  afford  to 
discard  knowledge  of  what  has  gone  before  or  what  is  now  going  on  in 
his  own  trade  and  profession.  If  the  printers  of  today  do  not  wish  to 
be  esteemed  arrogant  when  they  term  this  calling  of  theirs  an  art,  they 
must  be  willing,  and  show  that  they  are  willing,  to  subject  it  to  such 
laws  as  have  made  its  sister  arts  so  free.  All  those  concerned  in  what 
are  accepted  as  the  fine  arts,  the  learned  sciences,  and  professions 
surround  themselves  with  the  history,  literature,  and  concrete  examples 
of  the  work  with  which  they  are  particularly  engaged.  Yet  it  is  only  in 
rare  instances  that  such  an  atmosphere,  with  its  material  appurten- 
ances, is  to  be  found  in  a  printing  office.  Art  does  not  flourish  in  hid- 
den places,  nor  under  restraint,  nor  in  ignorance  of  what  talent  and 
genius  have  accomplished  and  are  now  accomplishing  throughout  the 
world.  For  to  follow  precedent  wisely  does  not  mean  to  imitate  slavishly 
one  great  exemplar,  but  to  study  all  masters  faithfully,  letting  their  great 
achievements  sink  slowly  into  the  mind  in  order  that  we  may  patiently 
derive  from  the  richness  of  our  acquired  knowledge  and  organized 
system  an  attitude  of  our  own.  The  sprightly  minded  young  man,  who 
with  his  first  business  breath  projects  the  new  and  startling,  inevitably 
becomes  tiresome,  and  is  driven  to  an  early  disappearance;  while  the 
slower,  more  solidly  endowed  student  will  at  least  spend  as  much  of 
his  time  in  avoiding  mistakes  as  in  evolving  brilliant  schemes  where- 
with to  dazzle  his  contemporaries.  The  very  best  kind  of  originality  is 
that  which  comes  after  a  sound  apprenticeship;  that  which  shall  prove 
to  be  the  blending  of  a  firm  conception  of  all  useful  precedent  and  the 
progressive  tendencies  of  an  able  mind.  For,  let  a  man  be  as  able  and 
original  as  he  may,  he  cannot  afford  to  discard  knowledge  of  what  has 
gone  before  or  what  is  now  going  on  in  his  own  trade  and  profession. 

abcdefghijklmnopqrstuvwxyz 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

$1234567890 


MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  conies  after  a 
sound  apprenticeship;  that  which  shall  prove  to  be  the 
blending  of  a  firm  conception  of  useful  precedent  and  the 
progressive  tendencies  of  an  able  mind.  For,  let  a  man  be 
as  able  and  original  as  he  may,  he  cannot  afford  to  discard 
knowledge  of  what  has  gone  before  or  what  is  now  going 
on  in  his  own  trade  and  profession.  If  the  printers  of 
today  do  not  wish  to  be  esteemed  arrogant  when  they  term 
this  calling  of  theirs  an  art,  they  must  be  willing,  and  show 
that  they  are  willing,  to  subject  it  to  such  laws  as  have 
made  its  sister  arts  so  free.  All  those  concerned  in  what 
are  accepted  as  the  fine  arts,  the  learned  sciences  and  the 
professions,  surround  themselves  with  the  history,  litera- 
ture, and  concrete  examples  of  the  work  with  which  they 
are  particularly  engaged.  Yet  it  is  only  in  rare  instances 
that  such  an  atmosphere,  with  its  material  appurtenances, 
is  to  be  found  in  the  printing  office.  Art  does  not  flourish 
in  hidden  places,  nor  under  restraint,  nor  in  ignorance  of 
what  talent  and  genius  have  accomplished  and  are  now 
accomplishing  throughout  the  world.  For  to  follow  all  pre- 
cedent wisely  does  not  mean  to  imitate  slavishly  one  great 
exemplar,  but  to  study  all  the  masters  faithfully,  letting 
their  great  achievements  sink  slowly  into  the  mind  in  order 
that  we  may  patiently  derive  from  the  richness  of  our 

abcdefghijklmnopqrstuvwxyz 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

$1234567890 


10  Point  No.  240J,  10  Set 

MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  comes 
after  a  sound  apprenticeship;  that  which  shall 
prove  to  be  the  blending  of  a  firm  conception  of 
all  useful  precedent  and  the  progressive  tenden- 
cies of  an  able  mind.  For,  let  a  man  be  as  able 
and  original  as  he  may,  he  cannot  afford  to  dis- 
card knowledge  of  what  has  gone  before  or  what 
is  now  going  on  in  his  own  trade  and  profession. 
If  the  printers  of  today  do  not  wish  to  be  esteemed 
arrogant  when  they  term  this  calling  of  theirs  an 
art,  they  must  be  willing,  and  show  that  they  are 
willing,  to  subject  it  to  such  laws  as  have  made  its 
sister  arts  so  free.  All  those  concerned  in  what 
are  accepted  as  the  fine  arts,  the  learned  sciences 
and  professions,  surround  themselves  with  the 
history,  the  literature  and  concrete  examples  of 
the  work  with  which  they  may  be  particularly  en- 
gaged. Yet  it  is  only  in  rare  instances  that  such 
an  atmosphere,  with  its  material  appurtenances, 
is  to  be  found  in  the  printing  office.  Art  does  not 
flourish  in  hidden  places,  nor  under  restraint,  nor 
in  ignorance  of  what  talent  and  genius  have  ac- 

abcdefghijklmnopqrstuvwxyz 

ABCDEEGHIJKLMNOPQRSTUVWXYZ 

$1234567890 


12  Point  No.  240 J,  12  Set 

MONOTYPE  PACES 

The  best  kind  of  originality  is  that  which 
comes  after  a  sound  apprenticeship;  that 
which  shall  prove  to  be  the  blending  of  a 
firm  conception  of  all  useful  precedent 
and  the  progressive  tendencies  of  an  able 
mind.  Tor,  let  a  man  be  as  able  and  orig- 
inal as  he  may,  he  cannot  afford  to  discard 
knowledge  of  what  has  gone  before  or 
what  is  now  going  on  in  his  own  trade  and 
profession.  If  the  printers  of  today  do  not 
wish  to  be  esteemed  arrogant  when  they 
term  this  calling  of  theirs  an  art,  they 
must  be  willing,  and  show  that  they  are 
willing,  to  subject  it  to  such  laws  as  have 
made  its  sister  arts  so  free.  All  those 
concerned  in  what  are  accepted  as  the 
fine  arts,  the  learned  sciences,  and  pro- 
fessions surround  themselves  with  the 

abcdefghijklmnopqrstuvwxyz 
ABCDEPGHIJKLMNOPQRSTUVWXYZ 

$1234567890 


No,  240  Electro  Display  Matrices 

14  point  No.  240 

THE  ONLY  MACHINE 

That  will  Prove  that  It  is  Equally  Efficient  on  Every  Possible  Kind  of 

Modern  Composing  Room  Work 
$1234567890 


18  point  No.  240 


THE  MONOTYPE  IS  BUILT 


Upon  the  Principle  that  the  Printer  is  the  Best  Judge  of 


his  own  Requirements 


$1  234567890 


24  point  No.  240 


MONOTYPE  MATRICES 

Are  Quite  as  Perfect  as  the  Matrices  used  by 

The  Best  Type  Founders 

$1234567890 


30  point  No.  240 


THE  MONOTYPE 

Takes  all  the  Limitations  out  of  Your 

Machine  Composition 

$1234567890 


36  point  No.  240 


No.  249 J.     Job  Arrangement  C2 


Composition  Matrices 


6  Point  No.  249J,  7  Set 


MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  comes  after  a  sound 
apprenticeship;  that  which  shall  prove  to  be  the  blending  of  a 
firm  conception  of  all  useful  precedent  and  the  progressive 
tendencies  of  an  able  mind.  For,  let  a  man  be  as  able  and 
original  as  he  may  be,  he  cannot  afford  to  discard  knowledge  of 
what  has  gone  before  or  what  is  now  going  on  in  his  own  trade 
and  profession.  If  the  printers  of  today  do  not  wish  to  be 
esteemed  arrogant  when  they  term  this  calling  of  theirs  an  art 
they  must  be  willing,  and  show  that  they  are  willing,  to  sub- 
ject it  to  such  laws  as  have  made  its  sister  arts  so  free.  All 
those  concerned  in  what  are  accepted  as  the  fine  arts,  the 
learned  sciences,  and  professions  surround  themselves  with  the 
history,  the  literature,  and  concrete  examples  of  the  work  with 
which  they  are  particularly  engaged.  Yet  it  is  only  in  very  rare 
instances  that  such  an  atmosphere,  with  its  material  appurten- 
ances, is  to  be  found  in  a  printing  office.  Art  does  not  flourish 
in  hidden  places,  nor  under  restraint,  nor  in  ignorance  of  what 
talent  and  genius  have  accomplished  and  are  accomplishing 
throughout  the  world.  For  to  follow  precedent  wisely  does  not 

abcdefghijklmnopqrstuvwxyz 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

$1234567890 


7  Point  No.  249J,  8  Set 

MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  comes  after 
a  sound  apprenticeship;  that  which  shall  prove  to  be 
the  blending  of  a  firm  conception  of  all  useful  prece- 
dent and  the  progressive  tendencies  of  an  able  mind. 
For,  let  a  man  be  as  able  and  original  as  he  may,  he 
cannot  afford  to  discard  knowledge  of  what  has  gone 
before  or  what  is  now  going  on  in  his  own  trade  and 
profession.  If  the  printers  of  today  do  not  wish  to  be 
esteemed  too  arrogant  when  they  term  this  calling  of 
theirs  an  art,  they  must  be  willing,  and  show  that  they 
are  willing,  to  subject  it  to  such  laws  as  have  made 
its  sister  arts  so  free.  All  those  concerned  in  what  are 
accepted  as  the  fine  arts,  the  learned  sciences,  and  the 
professions  surround  themselves  with  the  history,  the 
literature,  and  the  concrete  examples  of  the  work  with 
which  they  are  particularly  engaged.  Yet  it  is  only  in 

abcdefghijklmnopqrstuvwxyz 
ABCDEFGHIJKLMNOPQRSTUVWXYZ 
$1234567890 


8  Point  No.  249J,  8|  Set 

MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  comes 
after  a  sound  apprenticeship;  that  which  shall 
prove  to  be  the  blending  of  a  firm  conception  of  all 
useful  precedent  and  the  progressive  tendencies  of 
an  able  mind.  For,  let  a  man  be  as  able  and  original 
as  he  may  be,  he  cannot  afford  to  discard  knowledge 
of  what  has  gone  before  or  what  is  now  going  on  in 
his  own  trade  or  his  profession.  If  the  printers  of 
today  do  not  wish  to  be  esteemed  arrogant  when 
they  term  this  calling  of  theirs  an  art,  they  must  be 
willing,  and  show  that  they  are  willing,  to  subject 
it  to  such  laws  as  have  made  its  sister  arts  so  free. 
All  those  concerned  in  what  are  accepted  as  the  fine 

abcdefghijklmnopqrstuvwxyz 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

$1234567890 


10  Point  No.  249J,  10  Set 

MONOTYPE  FACES 


The  best  kind  of  originality  is  that  which 
comes  after  a  sound  apprenticeship;  that 
which  shall  prove  to  be  the  blending  of  a 
firm  conception  of  all  useful  precedent  and 
the  progressive  tendencies  of  an  able  mind. 
For,  let  any  man  be  as  able  and  original 
as  he  may,  he  cannot  afford  ejitirely  to 
discard  knowledge  of  what  has  gone  before 
or  what  is  now  going  on  in  his  own  trade 
and  profession.  If  the  printers  of  today 
do  not  wish  to  be  esteemed  too  arrogant 
when  they  term  this  calling  of  theirs  an 
art,  they  must  be  willing,  and  show  that 
they  are  willing,  to  subject  it  to  such  laws 
as  have  made  its  sister  arts  so  free.  All 
those  concerned  in  what  are  accepted  as 
the  fine  arts,  the  learned  sciences,  and  the 
professions  surround  themselves  with  the 
history,  literature,  and  concrete  examples 
of  the  work  with  which  they  are  particu- 

abcdefghijklmnopqrstuvwxyz 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

$1234567890 


12  Point  No.  249 J,  12  Set 

MONOTYPE  FACES 
The  best  kind  of  originality  is  that 
which  comes  after  a  sound  appren- 
ticeship; that  which  shall  prove  to 
be  the  blending  of  a  firm  conception 
of  all  useful  precedent  and  the  pro- 
gressive tendencies  of  an  able  mind. 
For,  let  a  man  be  as  able  and  original 
as  he  may,  he  cannot  afford  to  dis- 
card a  knowledge  of  what  has  gone 
before  or  what  is  now  going  on  in 
his  own  trade  and  profession.  If  the 
printers  of  today  do  not  wish  to  be 
esteemed  arrogant  when  they  term 
this  calling  of  theirs  an  art,  they 
must  be  willing,  and  show  that  they 
are  willing,  to  subject  it  to  such  laws 
as  have  made  its  sister  arts  so  free. 

abcdefghijklmnopqrstuvwxyz 
ABCDEFGHIJKLMNOPQRSTUVW 
$1234567890 


No.  254K.     Job  Arrangement  C2 
Composition  Matrices 


6  Point  No.  254K,  8  Set 
(This  font  contains  caps  and  small  caps) 
MONOTYPE  FACES.      5  POINT  CAPS 
THE  BEST  KIND  OF  ORIGINALITY  IS  THAT  WHICH 
COMES  AFTER  A   SOUND  APPRENTICESHIP;     THAT 
WHICH  SHALL  PROVE  TO  BE  THE  BLENDING  OF  A 
FIRM    CONCEPTION    OF   ALL    USEFUL    PRECEDENT 
AND  THE  PROGRESSIVE  TENDENCIES  OF  AN  ABLE 
MIND.     FOR,  LET  A  MAN  BE  AS  ABLE  AND  ORIGIN AL 
AS    HE    MAY,    HE    CANNOT    AFFORD    TO    DISCARD 
A    KNOWLEDGE  OF    WHAT    HAS    GONE  BEFORE  OR 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 
$1234567890 


MONOTYPE    FACES.        6    POINT    SMALL    CAPS 

WHAT  IS  NOW  GOING  ON  IN  HIS  OWN  TRADE  AND  PROFESSION. 
IF  THE  PRINTERS  OF  TODAY  DO  NOT  WISH  TO  BE  ESTEEMED 
ARROGANT  WHEN  THEY  TERM  THIS  CALLING  OF  THEIRS  AN  ART, 
THEY  MUST  BE  WILLING,  AND  SHOW  THAT  THEY  ARE  WILLING, 
TO  SUBJECT  IT  TO  SUCH  LAWS  AS  HAVE  MADE  ITS  SISTER  ARTS 
SO  FREE.  ALL  THOSE  CONCERNED  IN  WHAT  ARE  ACCEPTED  AS 
THE  FINE  ARTS,  THE  LEARNED  SCIENCES,  AND  THE  PROFESSIONS 
SURROUND  THEMSELVES  WITH  THE  HISTORY,  LITERATURE,  AND 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 
$1234567890 


MONOTYPE  FACES.  6  POINT  CAPS  AND  SMALL  CAPS 
CONCRETE  EXAMPLES  OF  THE  WORK  WITH  WHICH  THEY 
ARE  PARTICULARLY  ENGAGED.  YET  IT  is  ONLY  IN  RARE 
INSTANCES  THAT  SUCH  AN  ATMOSPHERE,  WITH  ITS  MATERIAL 
APPURTENANCES,  is  TO  BE  FOUND  IN  A  PRINTINGOFFICE.  ART 
DOES  NOT  FLOURISH  IN  HIDDEN  PLACES  NOR  UNDER  RE- 
STRAINT, NOR  IN  IGNORANCE  OF  WHAT  TALENT  AND  GENIUS 
HAVE  ACCOMPLISHED  AND  ARE  ACCOMPLISHING  THROUGHOUT 
THE  WORLD.  FOR  TO  FOLLOW  PRECEDENT  WISELY  DOES  NOT 


8  Point  No.  254K,  10  Set 
(This  font  contains  caps  and  small  caps) 

MONOTYPE  FACES.  8  POINT  CAPS 
THE  BEST  KIND  OF  ORIGINALITY  IS 
THAT  WHICH  COMES  AFTER  A  SOUND 
APPRENTICESHIP;  THAT  WHICH  SHALL 
PROVE  TO  BE  THE  BLENDING  OF  A  FIRM 
CONCEPTION  OF  ALL  USEFUL  PRECE- 
DENT AND  THE  PROGRESSIVE  TENDEN- 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 
$1234567890 

MONOTYPE    FACES.       8    POINT   SMALL    CAPS 
CIES   OF  AN    ABLE    MIND.        FOR,    LET   A    MAN    BE    AS 
ABLE  AND  ORIGINAL  AS  HE  MAY,  HE  CANNOT  AFFORD 
TO    DISCARD    KNOWLEDGE   OF    WHAT  HAS   GONE   BE- 
FORE   OR     WHAT    IS     NOW    GOING    ON     IN     HIS    OWN 
TRADE     AND     PROFESSION.        IF     THE     PRINTERS     OF 
TODAY  DO    NOT    WISH    TO   BE    ESTEEMED    ARROGANT 
ABCDEFGHIJKLMNOPQRSTUVWXYZ 
$1234567890 

MONOTYPE  FACES.   8  POINTCAPS  AND  SMALLCAPS 

WHEN  THEY  TERM  THIS  CALLING  OF  THEIRS  AN 
ART,  THEY  MUST  BE  WILLING,  AND  SHOW  THAT 
THEY  ARE  WILLING,  TO  SUBJECT  IT  TO  SUCH  LAWS 
AS  HAVE  MADE  ITS  SISTER  ARTS  so  FREE.  ALL 
THOSE  CONCERNED  IN  WHAT  ARE  ACCEPTED  AS 
THE  FINE  ARTS,  THE  LEARNED  SCIENCES,  AND  THE 


7  Point  No.  254K,  9  Set 

MONOTYPE  FACES 

THE  BEST  KIND  OF  ORIGINALITY  IS  THAT  WHICH  COMES  AFTER  A  SOUND  APPRENTICESHIP; 
THAT  WHICH  SHALL  PROVE  TO  BE  THE  BLENDING  OF  A  FIRM  CONCEPTION  OF  ALL  USEFUL 
PRECEDENT  AND  OF  THE  PROGRESSIVE  TENDENCIES  OF  AN  ABLE  MIND.  FOR,  LET  A  MAN 
BE  AS  ABLE  AND  ORIGINAL  AS  HE  MAY,  HE  CANNOT  AFFORD  TO  DISCARD  KNOWLEDGE  OF 
WHAT  HAS  GONE  BEFORE  OR  WHAT  IS  NOW  GOING  ON  IN  HIS  OWN  TRADE  AND  PROFESSION. 
IF  THE  PRINTERS  OF  TODAY  DO  NOT  WISH  TO  BE  ESTEEMED  ARROGANT  WHEN  THEY  TERM 
THIS  CALLING  OF  THEIRS  AN  ART,  THEY  MUST  BE  WILLING,  AND  SHOW  THAT  THEY  ARE 
WILLING,  TO  SUBJECT  IT  TO  SUCH  LAWS  AS  HAVE  MADE  ITS  SISTER  ARTS  SO  FREE.  ALL 
THOSE  CONCERNED  IN  WHAT  ARE  ACCEPTED  AS  THE  FINE  ARTS,  THE  LEARNED  SCIENCES, 
AND  THE  PROFESSIONS  SURROUND  THEMSELVES  WITH  THE  HISTORY,  LITERATURE,  AND 
THE  CONCRETE  EXAMPLES  OF  THE  WORK  WITH  WHICH  THEY  ARE  PARTICULARLY  EN- 
GAGED. YET  IT  IS  ONLY  IN  VERY  RARE  INSTANCES  THAT  SUCH  AN  ATMOSPHERE,  WITH 
ITS  MATERIAL  APPURTENANCES,  IS  TO  BE  FOUND  IN  A  PRINTING  OFFICE.  ART  DOES  NOT 

ABCDEFGHIJKLMNOPQRS  TUVWX  YZ 
$1234567890 

10  Point  No.  254K,  12J  Set 

MONOTYPE  FACES 

THE  BEST  KIND  OF  ORIGINALITY  IS  THAT  WHICH  COMES  AFTER 
A  SOUND  APPRENTICESHIP;  THAT  WHICH  SHALL  PROVE  TO  BE 
THE  BLENDING  OF  A  FIRM  CONCEPTION  OF  ALL  USEFUL  PRECE- 
DENT AND  OF  THE  PROGRESSIVE  TENDENCIES  OF  AN  ABLE  MIND. 
FOR,  LET  A  MAN  BE  AS  ABLE  AND  ORIGINAL  AS  HE  MAY,  HE  CAN- 
NOT  AFFORD  TO  DISCARD  KNOWLEDGE  OF  WHAT  HAS  GONE  BE- 
FORE  OR  WHAT  IS  NOW  GOING  ON  IN  HIS  OWN  TRADE  AND  HIS 
PROFESSION.  IF  THE  PRINTERS  OF  TODAY  DO  NOT  WISH  TO  BE 
ESTEEMED  ARROGANT  WHEN  THEY  TERM  THIS  CALLING  OF  THEIRS 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 
$1234567890 


Note  that  the  figures  shown  with  this  series  cannot  be  composed  with  these  fonts  using  standard  C2  keybars.     The  F246  figures  shown  with  the 
capitals  are  12  units  and  the  K254K  figures  shown  with  the  small  capitals  are  9  units 


No.  2541  Display  Matrices 

14B  Point  No.  2541 

THE  MONOTYPE  SYSTEM   SUPPLIES 

PRINTERS  WITH  THE  MEANS  FOR  PRODUCING  WORK  OF 

THE  HIGHEST  QUALITY 
$1234567890 


14  Point  No.  2541 

THE  CORNER  STONE 

THE  MONOTYPE  SYSTEM  OF"  EFFICIENCY 
IS  CONTINUOUS  PRODUCTION 
$1234567890 


18  Point  No.  2541 

A  NEW  PROCESS  OF 

COMPOSITION   IS   MADE   POSSIBLE 

BY  THE  DUPLEX  KEYBOARD 

$1234567890 

24  Point  No.  2541 

THE  MONOTYPE  IS 

THE  SIMPLEST  AND  FASTEST 

COMPOSING  MACHINE 

$1234567890 


30  Point  No.  2541 


MONOTYPE 
MATRICES  HELP  YOU 

PRINTING 


No.  276  Electro  Display  Matrices 

14  Point  No.  276 

IF  YOU  HAVE  NOT  HEARD,  LISTEN ! 

Monotypes  are  making  money  for  their  owners  all  over  the  United  States 

and  in  nearly  every  civilized  country  in  the  world 

$1234567890 

18  Point  No.  276 

IF  YOU  ARE  FROM  MISSOURI 

Write  to  Philadelphia  and  we  will  tell  you  of  a  near-by 

plant  where  you  can  see  for  yourself 

$1234567890 


24  Point  No.  276 


ABCDEFGHI JKLMNOPQRSTUVWXYZ& .,:;-'!? 
abcdefghijklmnopqrstuvwxyz 

$1234567890 

A  Minimum  Job  Font  contains  72  characters,  as  shown  above 


30  Point  No.  276 


MONOTYPE  PRODUCT 

Is  Superior  in  Quality  to  any  Other 

Process  of  Composition 

$1234567890 


36  Point  No.  276 


COMPLETE  FLEXIBILITY 
Makes  Combining  Faces  Easy 

$1234567890 


No.  366J.     Job  Arrangement  C2 
Composition  Matrices 

10  Point  No.  366J,  10 }  Set 

MONOTYPE    FACES 

THE  BEST  KIND  OF  ORIGINALITY  IS  THAT  WHICH  COMES  AFTER  A  SOUND 
APPRENTICESHIP;  THAT  WHICH  SHALL  PROVE  TO  BE  THE  BLENDING  OF  A 
FIRM  CONCEPTION  OF  ALL  USEFUL  PRECEDENT  AND  THE  PROGRESSIVE  TEN- 
DENCIES OF  AN  ABLE  MIND.  FOR,  LET  A  MAN  BE  AS  ABLE  AND  ORIGINAL  AS 
HE  MAY,  HE  CANNOT  AFFORD  TO  DISCARD  KNOWLEDGE  OF  WHAT  HAS  GONE 
BEFORE  OR  WHAT  IS  NOW  GOING  ON  IN  HIS  OWN  TRADE  AND  PROFESSION. 
IF  THE  PRINTERS  OF  TODAY  DO  NOT  WISH  TO  BE  ESTEEMED  ARROGANT  WHEN 
THEY  TERM  THIS  CALLING  OF  THEIRS  AN  ART,  THEY  MUST  BE  WILLING,  AND 
SHOW  THAT  THEY  ARE  WILLING,  TO  SUBJECT  IT  TO  SUCH  LAWS  AS  HAVE  MADE 
ITS  SISTER  ARTS  SO  FREE.  THOSE  CONCERNED  IN  WHAT  ARE  ACCEPTED 
AS  THE  FINE  ARTS,  THE  LEARNED  SCIENCES  AND  PROFESSIONS,  SURROUND 
THEMSELVES  WITH  THE  HISTORY,  LITERATURE,  AND  CONCRETE  EXAMPLES 
OF  THE  WORK  WITH  WHICH  THEY  ARE  PARTICULARLY  ENGAGED.  YET  IT  IS 
ONLY  IN  RARE  INSTANCES  THAT  SUCH  AN  ATMOSPHERE,  WITH  ITS  MATERIAL 
APPURTENANCES,  IS  TO  BE  FOUND  IN  A  PRINTING  OFFICE.  ART  DOES  NOT 
FLOURISH  IN  HIDDEN  PLACES,  NOR  UNDER  RESTRAINT,  NOR  IN  IGNORANCE 
OF  WHAT  TALENT  AND  GENIUS  ACCOMPLISHED  AND  ARE  ACCOMPLISHING 
THROUGHOUT  THE  WORLD.  FOR  TO  FOLLOW  ALL  PRECEDENT  WISELY  DOES 
NOT  MEAN  TO  IMITATE  SLAVISHLY  ONE  GREAT  EXEMPLAR,  BUT  TO  STUDY 
ALL  THE  MASTERS  FAITHFULLY,  LETTING  THEIR  GREAT  ACHIEVEMENTS 
SINK  SLOWLY  INTO  THE  MIND  IN  ORDER  THAT  WE  MAY  PATIENTLY  DERIVE 
FROM  THE  RICHNESS  OF  OUR  ACQUIRED  KNOWLEDGE  AND  ORGANIZED  SYS- 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 
$1234567890 

Ems  A  to  Z  20.30  Words  to  Pica  .30 

12  Point  No.  366 J  12  J-  Set 

MONOTYPE    FACES 

THE  BEST  KIND  OF  ORIGINALITY  IS  THAT  WHICH  COMES  AFTER 
A  SOUND  APPRENTICESHIP;  THAT  WHICH  SHALL  PROVE  TO  BE 
THE  BLENDING  OF  A  FIRM  CONCEPTION  OF  ALL  USEFUL  PRECE- 
DENT AND  THE  PROGRESSIVE  TENDENCIES  OF  AN  ABLE  MIND. 
FOR,  LET  ANY  MAN  BE  AS  ABLE  AND  ORIGINAL  AS  HE  MAY,  HE 
CANNOT  AFFORD  TO  DISCARD  KNOWLEDGE  OF  WHAT  HAS  GONE 
BEFORE  OR  WHAT  IS  NOW  GOING  ON  IN  HIS  OWN  TRADE  AND 
PROFESSION.  IF  THE  PRINTERS  OF  TODAY  DO  NOT  WISH  TO  BE 
ESTEEMED  ARROGANT  WHEN  THEY  TERM  THIS  CALLING  OF 
THEIRS  AN  ART,  THEY  MUST  BE  WILLING  AND  SHOW  THAT  THEY 
ARE  WILLING  TO  SUBJECT  IT  TO  SUCH  LAWS  AS  HAVE  MADE  ITS 
SISTER  ARTS  SO  FREE.  ALL  THOSE  WHO  ARE  CONCERNED  IN 
WHAT  ARE  ACCEPTED  AS  THE  FINE  ARTS,  THE  LEARNED  SCI- 
ENCES  AND  PROFESSIONS,  SURROUND  THEMSELVES  WITH  THE 
HISTORY,  LITERATURE,  AND  CONCRETE  EXAMPLES  OF  THE  WORK 
WITH  WHICH  THEY  ARE  PARTICULARLY  ENGAGED.  YET  IT  IS 
ONLY  IN  RARE  INSTANCES  THAT  SUCH  AN  ATMOSPHERE,  WITH 
ITS  MATERIAL  APPURTENANCES,  IS  TO  BE  FOUND  IN  A  PRINTING 

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Ems  A  to  Z  20.14  Words  to  Pica  .26 


No.  366  Sorts  Matrices 

14  Point  No.  366 

YOU  CAN  SAVE 

IN    PRESS   MAKE-READY   BY   PROVIDING    BRAND- 
NEW  TYPE  FOR  EVERY  JOB 
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18  Point  No.  366 

OUR  TYPE-&-RULE 

CASTERS   KEEP  A  CONTINUOUS  SUPPLY 

OF  TYPE,  RULES,  LEADS,  SLUGS 

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24  Point  No.  366 

THE  FLEXIBLE  MONOTYPE 

TOOK  THE  LIMITATIONS  OUT  OF 

MACHINE  COMPOSITION 

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30  Point  No.  366 


NEW  TYPE 

GIVES  CLEAN  AND  SHARP 
IMPRESSIONS 
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The  fonts  shown  on  this  page  contain  matrices  sytnboled  No.  66  and  No.  366,  but  the  entire  fonts  are  called  No.  366. 


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MONOTYPE 

PLATE-GOTHICS 

THE  PLATE-GOTHIC  COMBINATIONS  SHOWN  IN 
'  THESE  PAGES  ARE  THOSE  WHICH  HAVE  BEEN 
COMPLETED.  THEY  ARE  SUFFICIENT  IN  NUMBER 
AND  VARIETY  TO  SET  PRACTICALLY  ALL  THE  SMALL 
JOB  WORK  IN  THE  AVERAGE  PRINTING  OFFICE  TO 
THE  SATISFACTION  OF  EVEN  THE  MOST  CRITICAL 
PRINTER  OR  BUYER  OF  PRINTING,  THOUGH  THEY  DO 
NOT  EXHAUST  THE  POSSIBILITIES  OF  THIS  LATEST 
DEVELOPMENT  OF  MONOTYPE  LABOR-SAVING  AND 
QUALITY-ENSURING  INVENTIONS. 

AS  A  SUGGESTION  OF  WHAT  HAS  BEEN  ACCOM- 
PLISHED IN  THE  PLATE-GOTHIC  COMBINATIONS,  WE 
CALL  YOUR  ATTENTION  TO  THE  FACT  THAT  THE  BEST 
POSSIBLE  OF  THE  OLDER  ARRANGEMENTS  PRO- 
VIDED FOR  ONLY  THREE  ALPHABETS  OF  CAPITALS 
AND  TWO  SETS  OF  FIGURES,  WHILE  EACH"  OF  THE 
PLATE-GOTHIC  COMBINATIONS  CONSISTS  OF  FOUR 
COMPLETE  ALPHABETS  OF  CAPITALS  AND  FOUR 
SETS  OF  FIGURES  AND  POINTS,  ANY  OR  ALL  OF 
WHICH  MAY  BE  SET  TOGETHER  IN  THE  SAME  LINE 
WHEN  DESIRED. 

OTHER  FACES  SUITABLE  FOR  USE  IN  THE  PLATE- 
GOTHIC  COMBINATIONS  ARE  BEING  CONSIDERED 
AND  ARE  IN  PREPARATION.  THEIR  COMPLETION 
WILL  BE  ANNOUNCED  BY  THE  ISSUE  OF  ADDITIONAL 
SPECIMEN  PAGES  WHICH  WILL  BE  SENT  TO  ALL 
MONOTYPE  USERS. 


PLATE -GOTHIC    No.    34OJ 

COMPOSITION   MATRICES 


SERIES 


THE  Plate-Gothics  are  so  arranged  that  all  four  sizes  of  six-point  are  carried  in  one  Matrix  Case  and, 
similarly,  all  four  sizes  of  twelve-point  are  carried  in  one  Matrix  Case.   Thus,  four  sizes  may  be  com- 
posed at  one  operation  on  the  Style  D  Keyboard,  or  eight  sizes  on  the  Duplex  Keyboard,  and  cast  in 
justified  lines  on  the  Casting  Machine.   At  the  Keyboard  the  right  and  left  Key  bars  and  Keybanks  P-G  and 
the  Stopbars  S108  are  required,  and  at  the  Casting  Machine  the  Normal  Wedge  S108  is  required.   A  five- 
unit  high  space  is  required  before  the  M  and  W  of  both  six-  and  twelve-point  No.  1  size  of  the  340  J  series. 
Both  six-point  and  twelve-point  fonts  will  line  when  cast  in  composition  on  the  same  Mold,  but  to  justify 
the  six-point  with  the  twelve-point,  when  setting  by  hand,  the  following  plan  has  been  adopted:  The 
twelve-point  remains  on  its  standard  line,  .1250,  but  the  six-point  is  cast  to  .0697  line.  The  six-point  is  then 
justified  to  the  twelve-point  by  placing  four  points  above  and  two  points  below  the  six-point  type.  Electro- 
Display  Matrices  of  the  No.  187  series,  shown  on  page  four,  are  the  same  type  design  and  are  an  extension  of 
this  340J  series  and  justify  with  twelve-point  by  point  justification.    To  justify  together  the  twelve-, 
fourteen-,  eighteen-,  and  twenty-four-point  sizes,  place  all  the  spacing  at  the  top.    This  makes  all  sizes 
line.   The  comma,  semi-colon,  and  tail  of  the  Cap  Q  of  the  eighteen-  and  twenty-four-point  sizes  will  over- 
hang the  body  slightly,  and  there  will  be  a  slight  overhang  at  the  top  of  the  18H4  and  24H4  sizes. 

This  plan  for  point  line  justifying  all  sizes  of  the  Plate-Gothic  for  hand  composition  applies  to  all  series  of 
Plate-Gothics  now  ready  and  those  that  may  be  added  in  the  future.  The  line  standards  for  casting  type 
for  hand  composition  for  Plate-Gothics  according  to  the  above  plan  will  be  as  follows: 


Six-point  .0697 

Twelve-point    .1250  (Standard) 

Twenty-four-point 


Fourteen-point    .1527 
Eighteen-point     .2080 
.2910 


The  Draw  Rod  should  be  readjusted  to  suit  the  movement  of  the  Centering  Pin  when  running  on  special 
line  adjustment  in  order  to  produce  the  point  line  justification. 


THE  FRENCH  SHOP 
SILKS 

CHESTNUT  AND  FIFTH  AVENUE 
PITTSBURGH 


DEAR  MADAM: 

THIS  WILL  INFORM 
BEAUTIFUL  COLORS  AND  FINE 


SKETCH  CLUB 

EXHIBITION  OF  WATER  COLORS 

AT  THE 

CLUB  HOUSE 

FEBRUARY  4,  5,  6  AND  7,  1920 

EIGHT  THIRTY  IN  THE  EVENING 

10  BOULEVARD 


JAQUIN  GARDENS 

CORPORATION 
GROWERS  AND  DISTRIBUTORS  OF 

ORANGES,  LEMONS  AND  CITRUS  FRUIT 

JAQUIN,  CALIFORNIA 

123  NORTH  MARKET  STREET 
PHILADELPHIA.  PA. 


STY  SHADES  OF 

VARIETY  ONLY 

OUR  CALL  YOUR 


FEBRUARY.  1920 


Page  one 


No.  340J.     Arrangement  P-G — Composition  Matrices 


Specimens   of  the   four    sizes   contained    in 
each  matrix  case,  each  size  shown  separately 


12  Point  No.  340 J,  11  Set 
No.  1 

THE  BEST  KIND  OF  ORIGINALITY  IS 
THATWHICH  COMES  AFTER  A  SOUND 
APPRENTICESH I  P;THAT  WHICH  SHALL 
PROVE  TO  BE  THE  BLENDING  OF  A 
FIRM  CONCEPTION  OF  ALL  USEFUL 
PRECEDENT  AND  THE  PROGRESSIVE 
TENDENCIESOF AN  ABLE  MIND.  FOR, 

ABCDEFGHUKLMNOPQRSTUVWXYZ 
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6  Point  No.  340  J,  7  Set 
No.  1 

THE  BEST  KIND  OF  ORIGINALITY  IS 
THATWHICH  COMES  AFTER  A  SOUND 
APPRENTICESHIP;  THAT  WHICH  SHALL 
PROVE  TO  BE  THE  BLENDING  OF  A 
FIRM  CONCEPTION  OF  ALL  USEFUL 
PRECEDENT  AND  THE  PROGRESSIVE 
TENDENCIES  OF  AN  ABLE  MIND.  FOR, 
LET  A  MAN  BE  AS  ABLE  AND  ORIGINAL 
AS  HE  MAY,  HE  CANNOT  AFFORD  TO 
DISCARD  KNOWLEDGE  OF  WHAT  HAS 
GONE  BEFORE  OR  WHAT  IS  NOWGOING 
ON  IN  HIS  OWN  TRADE  AND  PROFES- 
SION. 1FTHEPRINTERSOFTODAY  DO 
NOT  WISH  TO  BE  ESTEEMED  ARRO- 
GANT WHEN  THEY  TERM  THIS  CALL- 
ING OF  THEIRS  AN  ART,  THEY  MUST 

ABCDEFGHUKLMNOPQRSTUVWXYZ 
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No.  2 

THE  BEST  KIND  OF  ORIGINALITY  IS  THAT 
WHICH  COMES  AFTER  A  SOUND  APPREN- 
TICESHIP; THAT  WHICH  SHALL  PROVE  TO 
BE  THE  BLENDING  OF  A  FIRM  CONCEPTION 
OF  ALL  USEFUL  PRECEDENT  AND  THE  PRO- 
GRESSIVE TENDENCIES  OF  AN  ABLE  MIND. 
FOR,  LET  A  MAN  BE  AS  ABLE  AND  ORIGINAL 

ABCDEFG  H IJ  KLM  NOPQ  RSTU  VWX  YZ 
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No.  2 

THE  BEST  KIND  OF  ORIGINALITY  IS  THAT 
WHICH  COMES  AFTER  A  SOUND  APPREN- 
TICESHIP; THAT  WHICH  SHALL  PROVE  TO 
BE  THE  BLENDING  OF  A  FIRM  CONCEPTION 
OF  ALL  USEFUL  PRECEDENT  AND  THE  PRO- 
GRESSIVE TENDENCIES  OF  AN  ABLE  MIND. 
FOR,  LET  A  MAN  BE  AS  ABLE  AND  ORIGINAL 
AS  HE  MAY.  HE  CANNOT  AFFORD  TO  DIS- 
CARD KNOWLEDGE  OF  WHAT  HAS  GONE  BE- 
FORE OR  WHAT  IS  NOW  GOING  ON  IN  HIS 
OWN  TRADE  AND  HIS  PROFESSION.  IF  THE 
PRINTERS  OF  TODAY  DO  NOT  WISH  TO  BE 
ESTEEMED  ARROGANT  WHEN  THEY  TERM 
THIS  CALLING  OF  THEIRS  AN  ART,  THEY 
MUST  BE  WILLING.  AND  SHOW  THAT  THEY 
ARE  WILLING.  TO  SUBJECT  IT  TO  SUCH  LAWS 

ABCDEFGHUKLMNOPQRSTUVWXYZ 
J 1234567890 


No.  3 

THE  BEST  KIND  OF  ORIGINALITY  IS  THAT  WHICH 
COMES  AFTER  A  SOUND  APPRENTICESHIP;  THAT 
WHICH  SHALL  PROVE  TO  BE  THE  BLENDING  OF 
A  FIRM  CONCEPTION  OF  ALL  USEFUL  PRECEDENT 
AND  THE  PROGRESSIVE  TENDENCIES  OF  AN  ABLE 
MIND.  FOR,  LET  A  MAN  BE  AS  ABLE  AND  ORIG- 
INAL AS  HE  MAY,  HE  CANNOT  AFFORD  TO  DISCARD 

ABCDEFGHUKLMNOPQRSTUVWXYZ 

$1234567890 


No.  3 


THE  BEST  KIND  OF  ORIGINALITY  IS  THAT  WHICH 
COMES  AFTER  A  SOUND  APPRENTICESHIP;  THAT 
WHICH  SHALL  PROVE  TO  BE  THE  BLENDING  OF  A 
FIRM  CONCEPTION  OF  ALL  USEFUL  PRECEDENT  AND 
THE  PROGRESSIVE  TENDENCIES  OF  AN  ABLE  MIND. 
FOR,  LET  A  MAN  BE  AS  ABLE  AND  ORIGINAL  AS  HE 
MAY.  HE  CANNOT  AFFORD  TO  DISCARD  A  KNOWL- 
EDGE OF  WHAT  HAS  GONE  BEFORE  OR  WHAT  IS 
NOW  GOING  ON  IN  HIS  OWN  TRADE  AND  PROFES- 
SION. IF  THE  PRINTERS  OF  TODAY  DO  NOT  WISH  TO 
BE  ESTEEMED  ARROGANT  WHEN  THEY  TERM  THIS 
CALLING  OF  THEIRS  AN  ART,  THEY  MUST  BE  WILL- 
ING. AND  SHOW  THAT  THEY  ARE  WILLING,  TO  SUB- 
JECT IT  TO  SUCH  LAWS  AS  HAVE  MADE  ITS  SISTER 
ARTS  SO  FREE.  ALL  THOSE  CONCERNED  IN  WHAT 
ARE  ACCEPTED  AS  THE  FINE  ARTS.  THE  LEARNED 

ABCDEFGHUKLMNOPQRSTUVWXYZ 
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No.  4 

THE    BEST    KIND    OF    ORIGINALITY    IS    THAT    WHICH    COMES 
AFTER     A     SOUND     APPRENTICESHIP;       THAT     WHICH     SHALL 
PROVE    TO    BE    THE    BLENDING    OF    A    FIRM    CONCEPTION    OF 
ALL   USEFUL    PRECEDENT    AND   THE    PROGRESSIVE    TENDEN- 
CIES OF  AN  ABLE  MIND.       FOR,   LET  A  MAN   BE  AS  ABLE  AND 
ORIGINAL   AS   HE    MAY,    HE   CANNOT   AFFORD   TO   DISCARD   A 
KNOWLEDGE    OF    WHAT     HAS    GONE     BEFORE    OR    WHAT     IS 
ABCDEFGHUKLMNOPQRSTUVWXYZ 
$1234567890 


No.  4 


THE  BEST  KIND  OF  ORIGINALITY  IS  THAT  WHICH  COMES 
AFTER  A  SOUND  APPRENTICESHIP:  THAT  WHICH  SHALL 
PROVE  TO  BE  THE  BLENDING  OF  A  FIRM  CONCEPTION  OF 
ALL  USEFUL  PRECEDENT  AND  THE  PROGRESSIVE  TENDEN- 
CIES OF  AN  ABLE  MIND.  FOR.  LET  A  MAN  BE  AS  ABLE  AND 
ORIGINAL  AS  HE  MAY,  HE  CANNOT  AFFORD  TO  DISCARD  A 
KNOWLEDGE  OF  WHAT  HAS  GONE  BEFORE  OR  WHAT  IS 
NOW  GOING  ON  IN  HIS  OWN  TRADE  AND  PROFESSION.  IF 
THE  PRINTERS  OF  TODAY  DO  NOT  WISH  TO  BE  ESTEEMED 
ARROGANT  WHEN  THEY  TERM  THIS  CALLING  OF  THEIRS  AN 


ART. 


WILLING,  TO  SUBJECT  IT  TO  SUCH  LAWS  AS  HAVE  MADE 
ITS  SISTER  ARTS  SO  FREE.  ALL  THOSE  CONCERNED  IN 
WHAT  ARE  ACCEPTED  AS  THE  FINE  ARTS.  THE  LEARNED 
SCIENCES.  AND  PROFESSIONS  SURROUND  THEMSELVES  WITH 

ABCDEFGHIJKLMNOPORSTUVWXYZ 

$1234567890 


ELECTRO-DISPLAY  MATRICES  No.  187,  shown  on  page  four,  are  the  same  type  design  and  are  an  extension  of  the 

340J  Series  shown  on  this  page 


No.  340J.     Arrangement  P-G— Composition  Matrices 

Specimens  of  all  the  possible  cap  and  small  cap  combinations 
that  can  be  made  with  the  four  sizes  in  each  matrix  case 


6  Point  No.  340J,  7  Set 
Nos.  1  and  2 

THE  BEST  KIND  OF  ORIGINALITY  is  THAT 
WHICH  COMES  AFTER  A  SOUND  APPREN- 
TICESHIP; THAT  WHICH  SHALL  PROVE  TO 

BE  THE  BLENDING  OF  A  FIRM  CONCEPTION 
OF  ALL  USEFUL  PRECEDENT  AND  THE  PRO- 
GRESSIVE TENDENCIES  OF  AN  ABLE  MIND. 
FOR.  LET  A  MAN  BE  AS  ABLE  AND  ORIGINAL 
AS  HE  MAY.  HE  CANNOT  AFFORD  TO  DIS- 
CARD A  KNOWLEDGE  OF  WHAT  HAS  GONE 
BEFORE  OR  WHAT  is  Now  GOING  ON  IN  His 


12  Point  No.  340 J,  11  Set 
Nos.  1  and  2 

THE  BEST  KIND  OF  ORIGINALITY  is  THAT 
WHICH  COMES  AFTER  A  SOUND  APPREN- 
TICESHIP; THAT  WHICH  SHALL  PROVE  TO 
BE  THE  BLENDING  OF  A  FIRM  CONCEPTION 

OF  ALL  USEFUL  PRECEDENT  AND  THE  PRO- 


Nos.  1  and  3 

THE  BEST  KIND  OF  ORIGINALITY  is  THAT  WHICH 
COMES  AFTER  A  SOUND  APPRENTICESHIP:  THAT 
WHICH  SHALL  PROVE  TO  BE  THE  BLENDING  OF  A 
FIRM  CONCEPTION  OF  ALL  USEFUL  PRECEDENT 
AND  THE  PROGRESSIVE  TENDENCIES  OF  AN  ABLE 
MIND.  FOR.  LET  A  MAN  BE  AS  ABLE  AND  ORIGINAL 
AS  HE  MAY,  HE  CANNOT  AFFORD  TO  DISCARD  A 
KNOWLEDGE  OF  WHAT  HAS  GONE  BEFORE  OR 
WHAT  is  Now  GOING  ON  IN  His  OWN  TRADE  AND 
PROFESSION.  I  F  THE  PRINTERS  OF  TODAY  DO  NOT 


Nos.  1  and  3 


THE  BEST  KIND  OF  ORIGINALITY  is  THAT  WHICH 
COMES  AFTER  A  SOUND  APPRENTICESHIP;  THAT 
WHICH  SHALL  PROVE  TO  BE  THE  BLENDING  OF  A 
FIRM  CONCEPTION  OF  ALL  USEFUL  PRECEDENT 
AND  THE  PROGRESSIVE  TENDENCIES  OF  AN  ABLE 


Nos.  1  and  4 

THE  BEST  KIND  OF  ORIGINALITY  is  THAT  WHICH  COMES 
AFTER  A  SOUND  APPRENTICESHIP;  THAT  WHICH  SHALL 
PROVE  TO  BE  THE  BLENDING  OF  A  FIRM  CONCEPTION  OF 
ALL  USEFUL  PRECEDENT  AND  THE  PROGRESSIVE  TEN- 
DENCIES OF  AN  ABLE  MIND.  FOR.  LET  A  MAN  BE  AS 
ABLE  AND  ORIGINAL  AS  HE  MAY.  HE  CANNOT  AFFORD 
TO  DISCARD  A  KNOWLEDGE  OF  WHAT  HAS  GONE  BEFORE 
OR  WHAT  is  Now  GOING  ON  IN  His  OWN  TRADE  AND 
HIS  PROFESSION.  IF  THE  PRINTERS  OF  TODAY  DO  NOT 
WISH  TO  BE  ESTEEMED  ARROGANT  WHEN  THEY  TERM 


Nos.  1  and  4 

THE  VERY  BEST  KIND  OF  ORIGINALITY  is  THAT  WHICH 
COMES  AFTER  A  SOUND  APPRENTICESHIP;  IT  is  THAT 
WHICH  SHALL  PROVE  TO  BE  THE  BLENDING  OF  A  FIRM 
CONCEPTION  OF  ALL  USEFUL  PRECEDENT  AND  THE  PRO- 
GRESSIVE TENDENCIES  OF  AN  ABLE  MIND.  FOR,  LET 


Nos.  2  and  3 

THE  BEST  KIND  OF  ORIGINALITY  IS  THAT  WHICH 
COMES  AFTER  A  SOUND  APPRENTICESHIP;  THAT 
WHICH  SHALL  PROVE  TO  BE  THE  BLENDING  OF  A 
FIRM  CONCEPTION  OF  ALL  USEFUL  PRECEDENT 
AND  THE  PROGRESSIVE  TENDENCIES  OF  AN  ABLE 
MIND.  FOR.  LET  A  MAN  BE  AS  ABLE  AND  ORIG- 
INAL AS  HE  MAY.  HE  CANNOT  AFFORD  TO  DISCARD 
A  KNOWLEDGE  OF  WHAT  HAS  GONE  BEFORE  OR 
WHAT  IS  NOW  GOINT  ON  IN  HIS  OWN  TRADE  AND 
PROFESSION.  IF  THE  PRINTERS  OF  TODAY  DO  NOT 


Nos.  2  and  3 

THE  BEST  KIND  OF  ORIGINALITY  is  THAT  WHICH 
COMES  AFTER  A  SOUND  APPRENTICESHIP;  THAT 
WHICH  SHALL  PROVE  TO  BE  THE  BLENDING  OF  A 
FIRM  CONCEPTION  OF  ALL  USEFUL  PRECEDENT 
AND  THE  PROGRESSIVE  TENDENCIES  OF  AN  ABLE 


Nos.  2  and  4 

THE  BEST  KIND  OF  ORIGINALITY  is  THAT  WHICH  COMES 
AFTER  A  SOUND  APPRENTICESHIP;  THAT  WHICH  SHALL 
PROVE  TO  BE  THE  BLENDING  OF  A  FIRM  CONCEPTION  OF 
ALL  USEFUL  PRECEDENT  AND  OF  THE  PROGRESSIVE  TEN- 
DENCIES OF  AN  ABLE  MIND.  FOR.  LET  A  MAN  BE  AS 
ABLE  AND  ORIGINAL  AS  HE  MAY.  HE  CANNOT  AFFORD 
TO  DISCARD  A  KNOWLEDGE  OF  WHAT  HAS  GONE  BEFORE 
OR  WHAT  is  Now  GOING  ON  IN  His  OWN  TRADE  AND 
PROFESSION.  IF  THE  PRINTERS  OF  TODAY  DO  NOT  WISH 
TO  BE  ESTEEMED  ARROGANT  WHEN  THEY  TERM  THIS  CALL 


Nos.  2  and  4 

THE  BEST  KIND  OF  ORIGINALITY  is  THAT  WHICH  COMES 
AFTER  A  SOUND  APPRENTICESHIP:  THAT  WHICH  SHALL 
PROVE  TO  BE  THE  BLENDING  OF  A  FIRM  CONCEPTION 
OF  ALL  USEFUL  PRECEDENT  AND  THE  PROGRESSIVE  TEN- 
DENCIES OF  AN  ABLE  MIND.  FOR,  LET  A  MAN  BE  AS 


Nos.  3  and  4 


THE  BEST  KIND  OF  ORIGINALITY  is  THAT  WHICH  COMES 
AFTER  A  SOUND  APPRENTICESHIP:  THAT  WHICH  SHALL 
PROVE  TO  BE  THE  BLENDING  OF  A  FIRM  CONCEPTION  OF 
ALL  USEFUL  PRECEDENT  AND  THE  PROGRESSIVE  TENDEN- 
CIES OF  AN  ABLE  MIND.  FOR.  LET  A  MAN  BE  AS  ABLE 
AND  ORIGINAL  AS  HE  MAY.  HE  CANNOT  AFFORD  TO  DIS- 
CARD A  KNOWLEDGE  OF  WHAT  HAS  GONE  BEFORE  OR 
WHAT  is  Now  GOING  ON  IN  His  OWN  TRADE  AND  PRO- 
FESSION. IF  THE  PRINTERS  OF  TODAY  DO  NOT  WISH  TO  BE 


Nos.  3  and  4 

THE  BEST  KIND  OF  ORIGINALITY  is  THAT  WHICH  COMES 
AFTER  A  SOUND  APPRENTICESHIP;  THAT  WHICH  SHALL 
PROVE  TO  BE  THE  BLENDING  OF  A  FIRM  CONCEPTION  OF 
ALL  USEFUL  PRECEDENT  AND  OF  THE  PROGRESSIVE  TEN- 
DENCIES OF  AN  ABLE  MIND.  FOR,  LET  A  MAN  BE  AS 


ELECTRO-DISPLAY  MATRICES  No.  187.  shown  on  page  four,  are  the  same  type  design  and  are  an  extension  of  the 

340J  Series  shown  on  this  page 


Page  three 


No. -187  Electro- Display  Matrices 

14  Point  No.  187 

NON-DISTRIBUTION 

THE  SECRET  TO  THE  SUCCESSFUL  PRODUCTION 

OF  GOOD  PRINTING  IS  NEW  TYPE 

$1234567890 

18  Point  No.  187 

DOUBLE  AND  TRIPLE 

JUSTIFICATIONS   IN   ONE   MEASURE  ARE 

EASY  ON  THE  MONOTYPE 

$1234567890 

18H4  Point  No.  187 

THE  COMPOSITOR'S 
DAILY  TOIL  WILL  BE  A  PLEASURE 

WITH  NEW  TYPE 
23456789O 


24  Point  No.  187 


SPECIAL  COMBINATIONS 
OF  FACES   MAY  BE   HAD  FOR 
INTRICATE  JOBS 
23456789O 


24H4  Point  No.  187 


THE  MONOTYPE 
ELIMINATES    THE    COST 
OF   DISTRIBUTION 
23456789O 


ELECTRO-DISPLAY  MATRICES  No.  187,  shown  on  this  page,  are  the  same  type  design  and  are  an  extension  of  the 

340J  Series  shown  on  pages  two  and  three 


Pa%e  four 


PLATE-GOTHIC  No.  341J  SERIES 

COMPOSITION  MATRICES  . 


THE  Plate-Gothics  are  so  arranged  that  all  four  sizes 
of  six-point  are  carried  in  one  Matrix  Case  and, 
similarly,  all  four  sizes  of  twelve-point  are  carried 
in  one  Matrix  Case.  Thus,  four  sizes  may  be  composed 
at  one  operation  on  the  Style  D  Keyboard,  or  eight 
sizes  on  the  Duplex  Keyboard,  and  cast  in  justified  lines 
on  the  Casting  Machine.  At  the  Keyboard  the  right  and 
left  Keybars  and  Keybanks  P-G  and  the  Stopbars  S108 
are  required,  and  at  the  Casting  Machine  the  Normal 
Wedge  SI  08  is  required.  A  five-unit  high  space  is  required 
before  the  M  and  W  of  both  six-  and  twelve-point  No.  1 
size  of  the  341 J  series. 

Both  six-point  and  twelve-point  fonts  will  line  when 
cast  in  composition  on  the  same  Mold,  but  to  justify  the 
six-point  with  the  twelve-point,  when  setting  by  hand, 
the  following  plan  has  been  adopted :  The  twelve-point 
remains  on  its  standard  line,  .1250,  but  the  six-point  is 
cast  to  .0697  line.  The  six-point  is  then  justified  to  the 
twelve-point  by  placing  four  points  above  and  two  points 
below  the  six-point  type.  Electro-Display  Matrices  of 
the  No.  197  series,  shown  on  page  4,  are  the  same  type 
design  and  are  an  extension  of  this  341 J  series  and  justify 
with  twelve-point  by  point  justification.  To  justify 
together  the  twelve-,  fourteen-,  eighteen-,  and  twenty- 
four-point  sizes,  place  all  the  spacing  at  the  top.  This 
makes  all  sizes  line.  The  comma,  semi-colon,  and  tail  of 
the  Cap  Q  of  the  eighteen-  and  twenty-four-point  sizes 
will  overhang  the  body  slightly,  and  there  will  be  a  slight 
overhang  at  the  top  of  the  18H4  and  24H4  sizes. 

This  plan  for  point  line  justifying  all  sizes  of  the  Plate- 
Gothic  for  hand  composition  applies  to  all  series  of 
Plate-Gothics  now  ready  and  those  that  may  be  added 
in  the  future.  The  line  standards  for  casting  type  for 
hand  composition  for  Plate-Gothics  according  to  the 
above  plan  will  be  as  follows: 

Six-point  .0697  Fourteen-point   .1527 

Twelve-point  .1250  (Standard)     Eighteen-point    .2080 

Twenty-four-point    .2910 

The  Draw  Rod  should  be  readjusted  to  suit  the  move- 
ment of  the  Centering  Pin  when  running  on  special  line 
adjustment  in  order  to  produce  the  point  line  justifi- 
cation. 


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No.  341J.     Arrangement  P-G — Composition  Matrices 


Specimens  of  the  four   sizes  contained  in 
each  matrix  case,  each  size  shown  separately 


12  Point  No.  341J,  9  Set 
No.  1 

THE  BEST  KIND  OF  ORIGINALITY  IS  THAT 
WHICH  COMES  AFTER  A  SOUND  APPRENTICE- 
SHIP; THATWHICH  SHALL  PROVE  TO  BE  THE 
BLENDING  OF  A  FIRM  CONCEPTION  OF  ALL 
USEFUL  PRECEDENT  AND  THE  PROGRESSIVE 
TENDENCIES  OF  AN  ABLE  MIND.  FOR,  LET  A 
MAN  BE  AS  ABLE  AND  ORIGINAL  AS  HE  MAY, 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 
$1234567890 


6  Point  No.  341J,  5  Set 
No.  1 

THE  BEST  KIND  OF  ORIGINALITY  IS  THAT  WHICH 
COMES  AFTER  A  SOUND  APPRENTICESHIP;  THAT 
WHICH  SHALL  PROVE  TO  BE  THE  BLENDING  OF  A  FIRM 
CONCEPTION  OF  ALL  USEFUL  PRECEDENT  AND  THE 
PROGRESSIVE  TENDENCIES  OF  AN  ABLE  MIND  FOR 
LET  A  MAN  BE  AS  ABLE  AND  ORIGINAL  AS  HE  MAY,  HE 
CANNOT  AFFORD  TO  DISCARD  KNOWLEDGE  OF  WHAT 
HAS  GONE  BEFORE  OR  WHAT  IS  NOW  GOING  ON  IN  HIS 
OWN  TRADE  AND  PROFESSION.  IF  THE  PRINTERS  OF 
TODAY  DO  NOT  WISH  TO  BE  ESTEEMED  ARROGANT 
WHEN  THEY  TERM  THIS  CALLING  OF  THEIRS  AN  ART, 
THEY  MUST  BE  WILLING.  AND  SHOW  THAT  THEY  ARE 
WILLING.TOSUBJECT  ITTOSUCH  LAWS  AS  HAVE  MADE 
ITS  SISTER  ARTS  SO  FREE.  ALL  THOSE  CONCERNED  IN 
WHAT  ARE  ACCEPTED  AS  THEFINE  ARTS.  THELEARNED 
SCIENCES.  AND  THE  PROFESSIONS  SURROUNDTHEM- 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 
$1234567890 


No.  2 

THE  BEST  KIND  OF  ORIGINALITY  IS  THAT  WHICH 
COMES  AFTER  A  SOUND  APPRENTICESHIP;  THAT 
WHICH  SHALL  PROVE  TO  BE  THE  BLENDING  OF  A 
FIRM  CONCEPTION  OF  ALL  USEFUL  PRECEDENT  AND 
THE  PROGRESSIVE  TENDENCIES  OF  AN  ABLE  MIND. 
FOR,  LET  A  MAN  BE  AS  ABLE  AND  ORIGINAL  AS  HE 
MAY,  HECANNOT  AFFORD  TO  DISCARD  A  KNOWLEDGE 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 
$1234567890 


No.  2 

THE  BEST  KIND  OF  ORIGINALITY  IS  THAT  WHICH  COM  ES  AFTER 
A  SOUND  APPRENTICESHIP;  THAT  WHICH  SHALL  PROVE  TO  BE 
THE  BLENDING  OF  A  FIRM  CONCEPTION  OF  ALL  USEFUL  PRE- 
CEDENT AND  THE  PROGRESSIVE  TENDENCIES  OF  AN  ABLE 
MIND.  FOR.LETAMAN  BE  ASABLE  AND  ORIGINAL  ASHE  MAY. 
HE  CANNOT  AFFORD  TO  DISCARD  A  KNOWLEDGE  OF  WHAT  HAS 
GONE  BEFORE  OR  WHAT  IS  NOW  GOING  ON  IN  HIS  OWN  TRADE 
AND  PROFESSION.  IF  THE  PRINTERS  OF  TODAY  DO  NOT  WISH 
TO  BE  ESTEEMED  ARROGANT  WHEN  THEY  TERM  THIS  CALLING 
OF  THEIRS  AN  ART.  THEY  MUST  BE  WILLING.  AND  SHOW  THAT 
THEY  ARE  WILLING.  TO  SUBJECT  IT  TO  SUCH  LAWS  AS  HAVE 
MADE  ITS  SISTER  ARTS  SO  FREE.  ALL  THOSE  CONCERNED  IN 
WHAT  ARE  ACCEPTED  AS  THE  FINE  ARTS.  THE  LEARNED 
SCIENCES.  AND  THE  PROFESSIONS  SURROUND  THEMSELVES 
WITH  THE  HISTORY.  LITERATURE.  AND  THE  CONCRETE  EX- 
AMPLES OFTHE  WORK  WITH  WHICH  THEY  ARE  PARTICULARLY 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 


No.  3 

THE  BEST  KIND  OF  ORIGINALITY  IS  THAT  WHICH  COMES  AFTER 
A  SOUND  APPRENTICESHIP;  THAT  WHICH  SHALL  PROVE  TO  BE 
THE  BLENDING  OF  A  FIRM  CONCEPTION  OF  ALL  USEFUL  PRE- 
CEDENT  AND  THE   PROGRESSIVE   TENDENCIES   OF  AN   ABLE 
MIND.     FOR,  LET  A  MAN  BE  AS  ABLE  AND  ORIGINAL  AS  HE 
MAY,   HE  CANNOT  AFFORD  TO  DISCARD  A   KNOWLEDGE  OF 
WHAT  HAS  GONE  BEFORE  OR  WHAT  IS  NOW  GOING  ON  IN  HIS 
ABCDEFG  H I J  KLM  NOPQ  RSTU  VWX  YZ 
$1234567890 


No.  3 

THE  BEST  KIND  OF  ORIGINALITY  IS  THAT  WHICH  COMES  AFTER  A  SOUND 
APPRENTICESHIP;  THAT  WHICH  SHALL  PROVE  TO  BE  THE  BLENDING  OF  A 
FIRM  CONCEPTION  OF  ALL  USEFUL  PRECEDENT  AND  THE  PROGRESSIVE 
TENDENCIES  OF  AN  ABLE  MIND.  FOR.  LET  A  MAN  BE  AS  ABLE  AND  ORIG- 
INAL AS  HE  MAY.  HE  CANNOT  AFFORD  TO  DISCARD  KNOWLEDGE  OF  WHAT 
HAS  GONE  BEFORE  OR  WHAT  IS  NOW  GOING  ON  IN  HIS  OWN  TRADE  AND 
PROFESSION.  IF  THE  PRINTERS  OF  TODAY  DO  NOT  WISH  TO  BE  ESTEEMED 
ARROGANT  WHEN  THEY  TERM  THIS  CALLING  OF  THEIRS  AN  ART.  THEY 
MUST  BE  WILLING.  AND  SHOW  THAT  THEY  ARE  WILLING.  TO  SUBJECT  IT 
TO  SUCH  LAWS  AS  HAVE  MADE  ITS  SISTER  ARTS  SO  FREE.  ALL  THOSE 
CONCERNED  IN  WHAT  ARE  ACCEPTED  AS  THE  FINE  ARTS.  THE  LEARNED 
SCIENCES.  AND  THE  PROFESSIONS  SURROUND  THEMSELVES  WITH  THE 
HISTORY.  LITERATURE.  AND  THE  CONCRETE  EXAMPLES  OF  THE  WORK 
WITH  WHICH  THEY  ARE  PARTICULARLY  ENGAGED.  YET  IT  IS  ONLY  IN 
VERY  RARE  INSTANCES  THAT  SUCH  AN  ATMOSPHERE.  WITH  ITS  MATERIAL 
APPURTENANCES.  IS  TO  BE  FOUND  IN  A  PRINTING  OFFICE.  ART  DOES  NOT 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 
11234567890 


No.  4 

THE  BEST  KIND  OF  ORIGINALITY  IS  THAT  WHICH  COMES  AFTER  A  SOUND 

APPRENTICESHIP;    THAT  WHICH  SHALL  PROVE  TO  BE  THE  BLENDING  OF 

A  FIRM  CONCEPTION  OF  ALL  USEFUL  PRECEDENT  AND  THE  PROGRESSIVE 

TENDENCIES  OF  AN   ABLE   MIND.       FOR,    LET   A   MAN    BE  AS  ABLE  AND 

ORIGINAL  AS- HE  MAY,  HE  CANNOT  AFFORD  TO  DISCARD  A   KNOWLEDGE 

OF  WHAT  HAS  GONE  BEFORE  OR  WHAT  IS  NOW  GOING  ON   IN   HIS  OWN 

TRADE  AND  PROFESSION.      IF  THE  PRINTERS  OF  TODAY  DO  NOT  WISH 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

$1234567890 


No.  4 


THE  BEST  KIND  OF  ORIGINALITY  IS  THAT  WHICH  COMES  AFTER  A  SOUND  APPRENTICE 
SHIP;  THAT  WHICH  SHALL  PROVE  TO  BE  THE  BLENDING  OF  A  FIRM  CONCEPTION  OF 
ALL  USEFUL  PRECEDENT  AND  THE  PROGRESSIVE  TENDENCIES  OF  AN  ABLE  MIND. 
FOR.  LET  A  MAN  BE  AS  ABLE  AND  ORIGINAL  AS  HE  MAY.  HE  CANNOT  AFFORD  TO  DIS- 
CARD KNOWLEDGE  OF  WHAT  HAS  GONE  BEFORE  OR  WHAT  IS  NOW  GOING  ON  IN  HIS 
OWN  TRADE  AND  PROFESSION.  IF  THE  PRINTERS  OF  TODAY  DO  NOT  WISH  TO  BE 
ESTEEMED  ARROGANT  WHEN  THEY  TERM  THIS  CALLING  OF  THEIRS  AN  ART.  THEY 
MUST  BE  WILLING.  AND  SHOW  THAT  THEY  ARE  WILLING.  TO  SUBJECT  IT  TO  SUCH 
LAWS  AS  HAVE  MADE  ITS  SISTER  ARTS  SO  FREE.  ALL  THOSE  CONCERNED  IN  WHAT 
ARE  ACCEPTED  AS  THE  FINE  ARTS.  THE  LEARNED  SCIENCES.  AND  THE  PROFESSIONS 
SURROUND  THEMSELVES  WITH  THE  HISTORY.  LITERATURE.  AND  THE  CONCRETE  EX- 
AMPLES OF  THE  WORK  WITH  WHICH  THEY  ARE  PARTICULARLY  ENGAGED.  YET  IT  IS 
ONLY  IN  VERY  RARE  INSTANCES  THAT  SUCH  AN  ATMOSPHERE.  WITH  ITS  MATERIAL 
APPURTENANCES.  IS  TO  BE  FOUND  IN  A  PRINTING  OFFICE.  ART  DOES  NOT  FLOURISH 
IN  HIDDEN  PLACES.  NOR  UNDER  RESTRAINT.  NOR  IN  IGNORANCE  OF  WHAT  TALENT 

ABCDEFGHIJKLMNOPORSTUVWXYZ 
HMBM 


ELECTRO-DISPLAY  MATRICES  No.  197,  shown  on  page  four,  arc  the  same  type  design  and  are  an  extension  of  the 

34 1J  Series  shown  on  this  page 


Page  two 


No.  341J.     Arrangement  P-G — Composition  Matrices 

Specimens  of  all  the  possible  cap  and  small  cap  combinations 
that  can  be  made  with  the  four  sizes  in  each  matrix  case 


6  Point  No.  341J,  5  Set 
Nos.  1  and  2 

THE  BEST  KIND  OF  ORIGINALITY  is  THAT  WHICH  COMES 
AFTER  ASOUND  APPRENTICESHIP;  THAT  WHICH  SHALL  PROVE 
TO  BE  THE  BLENDING  OF  A  FIRM  CONCEPTION  OF  ALL  USEFUL 
PRECEDENT  AND  THE  PROGRESSIVE  TENDENCIES  OF  AN  ABLE 
MIND.  FOR.LETA  MANBEASABLEANDORIGINALASHEMAY. 
HE  CANNOT  AFFORD  TO  DISCARD  KNOWLEDGE  OF  WHAT  HAS 
GONE  BEFOREOR  WHAT  is  Now  GOING  ON  IN  His  OWNTRADE 
AND  PROFESSION.  I  F  THE  PRINTERS  OF  TODAY  DO  NOT  WISH 
TO  BE  ESTEEMED  ARROGANT  WHEN  THEY  TERM  THIS  CALL- 
ING OF  THEIRS  AN  ART.  THEY  MUST  BE  WILLING.  AND  SHOW 


12  Point  No.  341J,  9  Set 
Nos.  1  and  2 

THE  BEST  KIND  OF  ORIGINALITY  is  THAT  WHICH 
COMES  AFTER  A  SOUND  APPRENTICESHIP-,  THAT 
WHICH  SHALL  PROVE  TO  BE  THE  BLENDING  OF  A 
FIRM  CONCEPTION  OF  ALL  USEFUL  PRECEDENT  AND 
THE  PROGRESSIVE  TENDENCIES  OF  AN  ABLE  MIND. 


Nos.  1  and  3 

THE  BEST  KIND  OF  ORIGINALITY  is  THAT  WHICH  COMES  AFTER  A 
SOUND  APPRENTICESHIP;  THAT  WHICH  SHALL  PROVE  TO  BE  THE 
BLENDING  OF  A  FIRM  CONCEPTION  OF  ALL  USEFUL  PRECEDENT  AND 
THE  PROGRESSIVE  TENDENCIES  OF  AN  ABLE  MIND.  FOR,  LET  A 
MAN  BE  AS  ABLE  AND  ORIGINAL  AS  HE  MAY.  HE  CANNOT  AFFORD  TO 
DISCARD  KNOWLEDGE  OF  WHAT  HAS  GONE  BEFORE  OR  WHAT  is  Now 
GOING  ON  IN  His  OWN  TRADE  AND  PROFESSION.  IF  THE  PRINTERS  OF 
TODAY  DO  NOT  WISH  TO  BE  ESTEEMED  ARROGANT  WHEN  THEY  TERM 
THISCALLING  OF  THEIRS  AN  ART  .THEY  MUST  BE  WILLING.  AND  SHOW 
THAT  THEY  ARE  WILLING.  TO  SUBJECT  IT  TO  SUCH  LAWS  AS  HAVE 


Nos.  1  and  3 

THE  BEST  KIND  OF  ORIGINALITY  is  THAT  WHICH  COMES 
AFTER  A  SOUND  APPRENTICESHIP;  THAT  WHICH  SHALL 
PROVE  TO  BE  THE  BLENDING  OF  A  FIRM  CONCEPTION  OF 
ALL  USEFUL  PRECEDENT  AND  THE  PROGRESSIVE  TENDEN- 
CIES OF  AN  ABLE  MIND.  FOR,  LET  A  MAN  BE  AS  ABLE  AND 


Nos.  1  and  4 

THE  BEST  KIND  OF  ORIGINALITY  is  THAT  WHICH  COMES  AFTER  A  SOUND 
APPRENTICESHIP;  THAT  WHICH  SHALL  PROVE  TO  BE  THE  BLENDING  OF  A  FIRM 
CONCEPTION  OF  ALL  USEFUL  PRECEDENT  AND  THE  PROGRESSIVE  TENDENCIES 
OF  AN  ABLE  MIND.  FOR.  LET  A  MAN  BE  AS  ABLE  AND  ORIGINAL  AS  HE  MAY. 
HE  CANNOT  AFFORD  TO  DISCARD  KNOWLEDGE  OF  WHAT  HAS  GONE  BEFORE  OR 
WHAT  is  Now  GOING  ON  IN  His  OWN  TRADE  AND  PROFESSION.  IF  THE 
PRINTERS  OF  TODAY  DO  NOT  WISH  TO  BE  ESTEEMED  ARROGANT  WHEN  THEY 
TERM  THIS  CALLING  OF  THEIRS  AN  ART.  THEY  MUST  BE  WILLING,  AND  SHOW 
THAT  THEY  ARE  WILLING.  TO  SUBJECT  rr  TO  SUCH  LAWS  AS  HAVE  MADE  ITS 
SISTER  ARTS  so  FREE.  ALL  THOSE  CONCERNED  IN  WHAT  ARE  ACCEPTED  AS 


Nos.  1  and  4 

THE  BEST  KIND  OF  ORIGINALITY  is  THAT  WHICH  COMES  AFTER 
A  SOUND  APPRENTICESHIP;  THAT  WHICH  SHALL  PROVE  TO  BE  THE 
BLENDING  OF  A  FIRM  CONCEPTION  OF  ALL  USEFUL  PRECEDENT  AND 
THE  PROGRESSIVE  TENDENCIES  OF  AN  ABLE  MIND.  FOR,  LET  A 
MAN  BE  AS  ABLE  AND  ORIGINAL  AS  HE  MAY,  HE  CANNOT  AFFORD 


Nos.  2  and  3 

THE  BEST  KIND  OF  ORIGINALITY  IS  THAT  WHICH  COMES  AFTER  A 
SOUND  APPRENTICESHIP;  THAT  WHICH  SHALL  PROVE  TO  BE  THE 
BLENDING  OF  A  FIRM  CONCEPTION  OF  ALL  USEFUL  PRECEDENT  AND 
THE  PROGRESSIVE  TENDENCIES  OF  AN  ABLE  MIND.  FOR.  LET  A  MAN 
BE  AS  ABLE  AND  ORIGINAL  AS  HE  MAY.  HE  CANNOT  AFFORD  TO  DIS- 
CARD KNOWLEDGE  OF  WHAT  HAS  GONE  BEFORE  OR  WHAT  IS  NOW 
GOING  ON  IN  HIS  OWN  TRADE  AND  PROFESSION.  IF  THE  PRINTERS 
OF  TODAY  DO  NOT  WISH  TO  BE  ESTEEMED  ARROGANT  WHEN  THEY 
TERM  THIS  CALLING  OF  THEIRS  AN  ART.  THEY  MUST  BE  WILLING.  AND 
SHOW  THAT  THEY  ARE  WILLING.  TO  SUBJECT  IT  TO  SUCH  LAWS  AS 


Nos.  2  and  3 

THE  BEST  KIND  OF  ORIGINALITY  is  THAT  WHICH  COMES 
AFTER  A  SOUND  APPRENTICESHIP;  THAT  WHICH  SHALL 
PROVE  TO  BE  THE  BLENDING  OF  A  FIRM  CONCEPTION  OF  ALL 
USEFUL  PRECEDENT  AND  THE  PROGRESSIVE  TENDENCIES 
OF  AN  ABLE  MIND.  FOR,  LET  A  MAN  BE  AS  ABLE  AND  ORIG- 


Nos.  2  and  4 

THE  BEST  KIND  OF  ORIGINALITY  is  THAT  WHICH  COMES  AFTER  A  SOUND  AP- 
PRENTICESHIP; THAT  WHICH  SHALL  PROVE  TO  BE  THE  BLENDING  OF  A  FIRM 
CONCEPTION  OF  ALL  USEFUL  PRECEDENT  AND  THE  PROGRESSIVE  TENDENCIES 
OF  AN  ABLE  MIND.  FOR.  LET  A  MAN  BE  AS  ABLE  AND  ORIGINAL  AS  HE  MAY. 
HE  CANNOT  AFFORD  TO  DISCARD  KNOWLEDGE  OF  WHAT  HAS  GONE  BEFORE  OR 
WHAT  is  Now  GOING  ON  IN  His  OWN  TRADE  AND  PROFESSION.  IFTHE  PRINTERS 
OF  TODAY  DO  Nor  WISH  TO  BE  ESTEEMED  ARROGANT  WHEN  THEY  TERM  THIS 
CALLING  OF  THEIRS  AN  ART.  THEY  MUST  BE  WILLING.  AND  SHOW  THAT  THEY 
ARE  WILLING.  TO  SUBJECT  rr  TO  SUCH  LAWS  AS  HAVE  MADE  rrs  SISTER  ARTS 
so  FREE.  ALL  THOSE  CONCERNED  IN  WHAT  ARE  ACCEPTED  AS  THE  FINE  ARTS. 


Nos.  2  and  4 

THE  BEST  KIND  OF  ORIGINALITY  is  THAT  WHICH  COMES  AFTER  A 
SOUND  APPRENTICESHIP;  THAT  WHICH  SHALL  PROVE  TO  BE  THE 
BLENDING  OF  A  FIRM  CONCEPTION  OF  ALL  USEFUL  PRECEDENT  AND 
THE  PROGRESSIVE  TENDENCIES  OF  AN  ABLE  MIND.  FOR,  LET  A 
MAN  BE  AS  ABLE  AND  ORIGINAL  AS  HE  MAY,  HE  CANNOT  AFFORD  TO 


Nos.  3  and  4 

THE  BEST  KIND  OF  ORIGINALITY  is  THAT  WHICH  COMES  AFTER  A  SOUND  APPREN- 
TICESHIP; THAT  WHICH  SHALL  PROVE  TO  BE  THE  BLENDING  OF  A  FIRM  CONCEP- 
TION OF  ALL  USEFUL  PRECEDENT  AND  THE  PROGRESSIVE  TENDENCIES  OF  AN  ABLE 

MIND.  FOR.  LET  A  MAN  BE  AS  ABLE  AND  ORIGINAL  AS  HE  MAY.  HE  CANNOT 
AFFORD  TO  DISCARD  KNOWLEDGE  OF  WHAT  HAS  GONE  BEFORE  OR  WHAT  is  Now 
GOING  ON  m  His  OWN  TRADE  AND  PROFESSION.  IF  THE  PRINTERS  OF  TODAY  DO 
NOT  WISH  TO  BE  ESTEEMED  ARROGANT  WHEN  THEY  TERM  THIS  CALLING  OF 
THEIRS  AN  ART.  THEY  MUST  BE  WILLING.  AND  SHOW  THAT  THEY  ARE  WILLING. 
TO  SUBJECT  rr  TO  SUCH  LAWS  AS  HAVE  MADE  rrs  SISTER  ARTS  so  FREE.  ALL 
THOSE  CONCERNED  IN  WHAT  ARE  ACCEPTED  AS  THE  FINE  ARTS.  THE  LEARNED 


Nos.  3  and  4 

THE  BEST  KIND  OF  ORIGINALITY  is  THAT  WHICH  COMES  AFTER  A 
SOUND  APPRENTICESHIP;  THAT  WHICH  SHALL  PROVE  TO  BE  THE 
BLENDING  OF  A  FIRM  CONCEPTION  OF  ALL  USEFUL  PRECEDENT  AND 
THE  PROGRESSIVE  TENDENCIES  OF  AN  ABLE  MIND.  FOR,  LET  A  MAN 
BE  AS  ABLE  AND  ORIGINAL  AS  HE  MAY,  HE  CANNOT  AFFORD  TO  Dis- 


BLECTRO-DISPLAY  MATRICES  No.  197,  shown  on  page  four,  are  the  same  type  design  and  are  an  extension  of  the 

341J  Series  shown  on  this  page. 


Page  three 


No.  197  Electro-Display  Matrices 

14  Point  No.  197 

THE  AUTOMATIC  CASTING  MACHINE 

RUNS  AT  THE  MAXIMUM   SPEED  REGARDLESS  OF  WHETHER 

THE  MATTER  BE  PLAIN  OR  INTRICATE 

$1234567890 

18  Point  No.  197 

MONOTYPE  OPERATORS  HIT  KEYS 

AT  THE  MAXIMUM  SPEED  AND  ARE  NOT  SLOWED- 

UP  BY  MECHANICAL  PROBLEMS 

$1234567890 


18H4  Point  No.  197 


QUALITY  PAYS 

IT  IS  THE  ONLY  SOLID   FOUNDATION   ON 

WHICH  TO  BUILD  A  BUSINESS 

$1234567890 


24  Point  No.  197 


NO  SLOW  SPOTS 

ON  THE  MONOTYPE— THE  ACTION  OF 

EVERY  KEY  IS  IDENTICAL 

$1234567890 


24H4  Point  No.  197 


EACH  LETTER 

IN  MONOTYPE  COMPOSITION  IS 
CAST  SEPARATELY 
234567890 


ELECTRO-DISPLAY  MATRICES  No.  197,  shown  on  this  page,  are  the  same  type  design  and  are  an  extension  of  the 

34 1J  Series  shown  on  pages  two  and  three 


Page  four 


PLATE-GOTHIC  No.  342J  SERIES 


COMPOSITION  MATRICES 


if      r 

MENU 

OYSTER  COCKTAILS 

BLUE  POINTS 

WAFERS 

CREAM  OF  LETTUCE 

SALTED  ALMONDS 

WHITE  BAIT,  TARTAR  SAUCE 

SWEET  POTATOES 

CELERY                            RADISHES                           OLIVES 

TENDERLOIN    OF   BEEF 

MASHED  POTATOES  AND  GREEN  PEAS 

ROMAN    PUNCH 

ROAST  MALLARD  DUCK 

FRIED  HOMINY                         SARATOGA  CHIPS 

ICE   CREAM 

ASSORTED  CAKE 

CHEESE  AND  CRACKERS 

THE  Plate-Gothics  are  so  arranged  that  all 
four  sizes  of  six-point  are  carried  in  one  Matrix 
Case  and,  similarly,  all  four  sizes  of  twelve- 
point  are  carried  in  one  Matrix  Case.  Thus,  four 
sizes  may  be  composed  at  one  operation  on  the  Style 
D  Keyboard,  or  eight  sizes  on  the  Duplex  Keyboard, 
and  cast  in  justified  lines  on  the  Casting  Machine. 
At  the  Keyboard  the  right  and  left  Keybars  and 
Keybanks  P-G  and  the  Stopbars  SI 08  are  required, 
and  at  the  Casting  Machine  the  Normal  Wedge 
S108  is  required.  A  five-unit  high  space  is  required 
before  the  M  and  W  of  both  six-  and  twelve-point 
No.  1  size  of  the  342J  series. 

Both  six-point  and  twelve-point  fonts  will  line 
when  cast  in  composition  on  the  same  Mold,  but  to 
justify  the  six-point  with  the  twelve-point,  when 
setting  by  hand,  the  following  plan  has  been  adopted : 
The  twelve-point  remains  on  its  standard  line, 
.1250,  but  the  six-point  is  cast  to  .0697  line.  The 
six-point  is  then  justified  to  the  twelve-point  by 
placing  four  points  above  and  two  points  below  the 
six-point  type.  Electro- Display  Matrices  of  the 
No.  168  series,  shown  on  page  4,  are  the  same  type 
design  and  are  an  extension  of  this  34  2 J  series  and 
justify  with  twelve-point  by  point  justification.  To 
justify  together  the  twelve-,  fourteen-,  eighteen-, 
and  twenty-four-point  sizes,  place  all  the  spacing 
at  the  top.  This  makes  all  sizes  line.  The  comma, 
semi-colon,  and  tail  of  the  Cap  Q  of  the  eighteen- 
and  twenty-four-point  sizes  will  overhang  the  body 
slightly,  and  there  will  be  a  slight  overhang  at  the 
top  of  the  18H4  and  24H4  sizes. 

This  plan  for  point  line  justifying  all  sizes  of  the 
Plate-Gothic  for  hand  composition  applies  to  all 
series  of  Plate-Gothics  now  ready  and  those  that 
may  be  added  in  the  future.  The  line  standards  for 
casting  type  for  hand  composition  for  Plate-Gothics 
according  to  the  above  plan  will  be  as  follows: 


Six-point 

Twelve-point 

Fourteen-point 

Eighteen-point 

Twenty-four-point 


.0697 

.1250  (Standard) 

.1527 

.2080 

.2910 


The  Draw  Rod  should  be  readjusted  to  suit  the 
movement  of  the  Centering  Pin  when  running  on 
special  line  adjustment  in  order  to  produce  the  point 
line  justification. 


JOHN  ALDINE.  PRES. 


ALFRED  SEEMORE.  SEC'Y  AND  TREAS. 


HARRY  BELDING.  VICE-PRES. 


SECRETARY'S  OFFICE 

MOBILE  UNDERWRITERS  INSURANCE  COMPANY 


SUITE  3010  AND  3011 


CHAMBER  OF  COMMERCE  BUILDING 


VESPER,  IDAHO, 


No.  342J.     Arrangement  P-G — Composition  Matrices 


Specimens  of  the  four  sizes   contained  in 
each  matrix  case,  each  size  shown  separately 


12  Point  No.  342 J,  11  Set 

No.  1 

THE  BEST  KIND  OF  ORIGINALITY  IS 
THAT  WHICH  COMES  AFTER  A  SOUND 
APPRENTICESHIP;THAT  WHICH  SHALL 
PROVE  TO  BE  THE  BLENDING  OF  A 
FIRM  CONCEPTION  OF  ALL  USEFUL 
PRECEDENT  AND  THE  PROGRESSIVE 
TENDENCIES  OF  AN  ABLE  MIND.  FOR, 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 
$1234567890 


6  Point  No.  342J,  7  Set 
No.  1 

THE  BEST  KIND  OF  ORIGINALITY  IS 
THAT  WHICH  COMES  AFTER  A  SOUND 
APPRENTICESHIP;  THAT  WHICH  SHALL 
PROVE  TO  BE  THE  BLENDING  OF  A 
FIRM  CONCEPTION  OF  ALL  USEFUL 
PRECEDENT  AND  THE  PROGRESSIVE 
TENDENCIES  OF  AN  ABLE  MIND.  FOR, 
LET  A  MAN  BE  AS  ABLE  AND  ORIGINAL 
AS  HE  MAY,  HE  CANNOT  AFFORD  TO 
DISCARD  KNOWLEDGE  OF  WHAT  HAS 
GONE  BEFORE  OR  WHAT  IS  NOW  GOING 
ON  IN  HIS  OWN  TRADE  AND  PROFES- 
SION. IF  THE  PRINTERS  OF  TODAY  DO 
NOT  WISH  TO  BE  ESTEEMED  ARRO- 
GANT WHEN  THEY  TERM  THIS  CALL- 
ING OF  THEIRS  AN  ART,  THEY  MUST 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 
$1234567890 


No.  2 

THE  BEST  KIND  OF  ORIGINALITY  IS  THAT 
WHICH  COMES  AFTER  A  SOUND  APPREN- 
TICESHIP; THAT  WHICH  SHALL  PROVE  TO 
BE  THE  BLENDING  OF  A  FIRM  CONCEPTION 
OF  ALL  USEFUL  PRECEDENT  AND  THE  PRO- 
GRESSIVE TENDENCIES  OF  AN  ABLE  MIND. 
FOR,  LET  A  MAN  BE  AS  ABLE  AND  ORIGINAL 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 
$1234567890 


No.  2 

THE  BEST  KIND  OF  ORIGINALITY  IS  THAT 
WHICH  COMES  AFTER  A  SOUND  APPREN- 
TICESHIP; THAT  WHICH  SHALL  PROVE  TO 
BE  THE  BLENDING  OF  A  FIRM  CONCEPTION 
OF  ALL  USEFUL  PRECEDENT  AND  THE  PRO- 
GRESSIVE TENDENCIES  OF  AN  ABLE  MIND. 
FOR,  LET  A  MAN  BE  AS  ABLE  AND  ORIGINAL 
AS  HE  MAY,  HE  CANNOT  AFFORD  TO  DIS- 
CARD KNOWLEDGE  OF  WHAT  HAS  GONE  BE- 
FORE OR  WHAT  IS  NOW  GOING  ON  IN  HIS 
OWN  TRADE  AND  PROFESSION.  IF  THE 
PRINTERS  OF  TODAY  DO  NOT  WISH  TO  BE 
ESTEEMED  ARROGANT  WHEN  THEY  TERM 
THIS  CALLING  OF  THEIRS  AN  ART,  THEY 
MUST  BE  WILLING,  AND  SHOW  THAT  THEY 
ARE  WILLING,  TO  SUBJECT  IT  TO  SUCH  LAWS 

ABCDEFG  H I J  KLM  NOPQRSTUVWX  YZ 
$1234567890 


No.  3 

THE  BEST  KIND  OF  ORIGINALITY  IS  THAT  WHICH 
COMES  AFTER  A  SOUND  APPRENTICESHIP;  THAT 
WHICH  SHALL  PROVE  TO  BE  THE  BLENDING  OF  A 
FIRM  CONCEPTION  OF  ALL  USEFUL  PRECEDENT 
AND  THE  PROGRESSIVE  TENDENCIES  OF  AN  ABLE 
MIND.  FOR,  LET  A  MAN  BE  AS  ABLE  AND  ORIG- 
INAL AS  HE  MAY,  HE  CANNOT  AFFORD  TO  DISCARD 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 
$1234567890 


No.  3 

THE  BEST  KIND  OF  ORIGINALITY  IS  THAT  WHICH 
COMES  AFTER  A  SOUND  APPRENTICESHIP;  THAT 
WHICH  SHALL  PROVE  TO  BE  THE  BLENDING  OF  A 
FIRM  CONCEPTION  OF  ALL  USEFUL  PRECEDENT  AND 
THE  PROGRESSIVE  TENDENCIES  OF  AN  ABLE  MIND. 
FOR.  LET  A  MAN  BE  AS  ABLE  AND  ORIGINAL  AS  HE 
MAY.  HE  CANNOT  AFFORD  TO  DISCARD  A  KNOWL- 
EDGE OF  WHAT  HAS  GONE  BEFORE  OR  WHAT  IS 
NOW  GOING  ON  IN  HIS  OWN  TRADE  AND  PROFES- 
SION. IF  THE  PRINTERS  OF  TODAY  DO  NOT  WISH  TO 
BE  ESTEEMED  ARROGANT  WHEN  THEY  TERM  THIS 
CALLING  OF  THEIRS  AN  ART,  THEY  MUST  BE  WILL- 
ING, AND  SHOW  THAT  THEY  ARE  WILLING.  TO  SUB- 
JECT IT  TO  SUCH  LAWS  AS  HAVE  MADE  ITS  SISTER 
ARTS  SO  FREE.  ALL  THOSE  CONCERNED  IN  WHAT 
ARE  ACCEPTED  AS  THE  FINE  ARTS,  THE  LEARNED 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 
$1234567890 


No.  4 

THE    BEST    KIND    OF    ORIGINALITY    IS    THAT    WHICH    COMES 
AFTER    A     SOUND    APPRENTICESHIP;      THAT    WHICH     SHALL 
PROVE   TO    BE    THE    BLENDING   OF   A    FIRM    CONCEPTION    OF 
ALL  USEFUL   PRECEDENT  AND  THE   PROGRESSIVE  TENDEN- 
CIES OF  AN  ABLE  MIND.        FOR,   LET  A  MAN  BE  AS  ABLE  AND 
ORIGINAL   AS    HE    MAY,    HE   CANNOT   AFFORD   TO   DISCARD   A 
KNOWLEDGE    OF    WHAT    HAS    GONE     BEFORE    OR    WHAT    IS 
ABCDEFGHIJKLMNOPQRSTUVWXYZ 
$1234567890 


No.  4 


THE  BEST  KIND  OF  ORIGINALITY  IS  THAT  WHICH  COMES 
AFTER  A  SOUND  APPRENTICESHIP;  THAT  WHICH  SHALL 
PROVE  TO  BE  THE  BLENDING  OF  A  FIRM  CONCEPTION  OF 


ENDEN- 


CIES  OF  AN  ABLE  MIND.  FOR.  LET  A  MAN  BE  AS  ABLE  AND 
ORIGINAL  AS  HE  MAY.  HE  CANNOT  AFFORD  TO  DISCARD  A 
KNOWLEDGE  OF  WHAT  HAS  GONE  BEFORE  OR  WHAT  IS 
NOW  GOING  ON  IN  HIS  OWN  TRADE  AND  PROFESSION.  IF 

ARROGANT  WHEN  THEY  TERM  THIS  CALLING  OF  THEIRS  AN 
ART.  THEY  MUST  BE  WILLING.  AND  SHOW  THAT  THEY  ARE 


IN 


Wh 


SCIENCES.  AND  PROFESSIONS  SURROUND  THEMSELVES  WITH 
ABCDEFGHIJKLMNOPQRSTUVWXYZ 

$1234567890 


ELECTRO-DISPLAY  MATRICES  No.  168,  shown  on  page  four,  are  the  same  type  design  and  are  an  extension  of  the 

34  2 J  Series  shown  on  this  page 


Page  tu'O 


No.  342J.     Arrangement  P-G— Composition  Matrices 

Specimens  of  all  the  possible  cap  and  small  cap  combinations 
that  can  be  made  with  the  four  sizes  in  each  matrix  case 


6  Point  No.  342J,  7  Set 
Nos.  1  and  2 

THE  BEST  KIND  OF  ORIGINALITY  is  THAT 
WHICH  COMES  AFTER  A  SOUND  APPREN- 
TICESHIP; THAT  WHICH  SHALL.  PROVE  TO 
BE  THE  BLENDING  OF  A  FIRM  CONCEPTION 
OF  ALL  USEFUL  PRECEDENT  AND  THE  PRO- 
GRESSIVE TENDENCIES  OF  AN  ABLE  MIND. 
FOR,  LET  A  MAN  BE  AS  ABLE  AND  ORIGINAL 
AS  HE  MAY,  HE  CANNOT  AFFORD  TO  DIS- 
CARD KNOWLEDGE  OF  WHAT  HAS  GONE 
BEFORE  OR  WHAT  is  Now  GOING  ON  IN  His 


12  Point  No.  342 J,  11  Set 
Nos.  1  and  2 

THE  BEST  KIND  OF  ORIGINALITY  is  THAT 
WHICH  COMES  AFTER  A  SOUND  APPREN- 
TICESHIP; THAT  WHICH  SHALL  PROVE  TO 
BE  THE  BLENDING  OF  A  FIRM  CONCEPTION 
OF  ALL  USEFUL  PRECEDENT  AND  THE  PRO- 


Nos.  1  and  3 

THE  BEST  KIND  OF  ORIGINALITY  is  THAT  WHICH 
COMES  AFTER  A  SOUND  APPRENTICESHIP;  THAT 
WHICH  SHALL  PROVE  TO  BE  THE  BLENDING  OF  A 
FIRM  CONCEPTION  OF  ALL  USEFUL  PRECEDENT 
AND  THE  PROGRESSIVE  TENDENCIES  OF  AN  ABLE 
MIND.  FOR,  LET  A  MAN  BE  AS  ABLE  AND  ORIGINAL 
AS  HE  MAY,  HE  CANNOT  AFFORD  TO  DISCARD  A 
KNOWLEDGE  OF  WHAT  HAS  GONE  BEFORE  OR 
WHAT  is  Now  GOING  ON  IN  His  OWN  TRADE  AND 
PROFESSION.  IF  THE  PRINTERS  OF  TODAY  DO  NOT 


Nos.  1  and  3 

THE  BEST  KIND  OF  ORIGINALITY  is  THAT  WHICH 
COMES  AFTER  A  SOUND  APPRENTICESHIP;  THAT 
WHICH  SHALL  PROVE  TO  BE  THE  BLENDING  OF  A 
FIRM  CONCEPTION  OF  ALL  USEFUL  PRECEDENT 
AND  THE  PROGRESSIVE  TENDENCIES  OF  AN  ABLE 


Nos.  1  and  4 

THE  BEST  KIND  OF  ORIGINALITY  is  THAT  WHICH  COMES 
AFTER  A  SOUND  APPRENTICESHIP:  THAT  WHICH  SHALL. 
PROVE  TO  BE  THE  BLENDING  OF  A  FIRM  CONCEPTION  OF 
ALL  USEFUL  PRECEDENT  AND  THE  PROGRESSIVE  TEN- 
DENCIES OF  AN  ABLE  MIND.  FOR,  LET  A  MAN  BE  AS 
ABLE  AND  ORIGINAL  AS  HE  MAY,  HE  CANNOT  AFFORD 
TO  DISCARD  KNOWLEDGE  OF  WHAT  HAS  GONE  BEFORE 
OR  WHAT  is  Now  GOING  ON  IN  HIS  OWN  TRADE  AND 
PROFESSION.  IF  THE  PRINTERS  OF  TODAY  DO  NOT 
WISH  TO  BE  ESTEEMED  ARROGANT  WHEN  THEY  TERM 


Nos.  1  and  4 

THE  BEST  KIND  OF  ORIGINALITY  is  THAT  WHICH 
COMES  AFTER  A  SOUND  APPRENTICESHIP;  THAT 
WHICH  SHALL.  PROVE  TO  BE  THE  BLENDING  OF  A  FIRM 
CONCEPTION  OF  ALL  USEFUL  PRECEDENT  AND  THE  PRO- 
GRESSIVE TENDENCIES  OP  AN  ABLE  MIND.  FOR,  LET 


Nos.  2  and  3 

THE  BEST  KIND  OF  ORIGINALITY  IS  THAT  WHICH 
COMES  AFTER  A  SOUND  APPRENTICESHIP;  THAT 
WHICH  SHALL  PROVE  TO  BE  THE  BLENDING  OF  A 
FIRM  CONCEPTION  OF  ALL  USEFUL  PRECEDENT 
AND  THE  PROGRESSIVE  TENDENCIES  OF  AN  ABLE 
MIND.  FOR.  LET  A  MAN  BE  AS  ABLE  AND  ORIG- 
INAL AS  HE  MAY,  HE  CANNOT  AFFORD  TO  DISCARD 
A  KNOWLEDGE  OF  WHAT  HAS  GONE  BEFORE  OR 
WHAT  IS  NOW  GOING  ON  IN  HIS  OWN  TRADE  AND 
PROFESSION.  IF  THE  PRINTERS  OF  TODAY  DO  NOT 


Nos.  2  and  3 

THE  BEST  KIND  OF  ORIGINALITY  is  THAT  WHICH 
COMES  AFTER  A  SOUND  APPRENTICESHIP;  THAT 
WHICH  SHALL  PROVE  TO  BE  THE  BLENDING  OF  A 
FIRM  CONCEPTION  OF  ALL  USEFUL  PRECEDENT 
AND  THE  PROGRESSIVE  TENDENCIES  OF  AN  ABLE 


Nos.  2  and  4 

THE  BEST  KIND  OF  ORIGINALITY  is  THAT  WHICH  COMES 
AFTER  A  SOUND  APPRENTICESHIP-.  THAT  WHICH  SHALL 
PROVE  TO  BE  THE  BLENDING  OF  A  FIRM  CONCEPTION  OF 
ALL  USEFUL  PRECEDENT  AND  THE  PROGRESSIVE  TEN- 
DENCIES OF  AN  ABLE  MIND.  FOR.  LET  A  MAN  BE  AS 
ABLE  AND  ORIGINAL  AS  HE  MAY,  HE  CANNOT  AFFORD 
TO  DISCARD  A  KNOWLEDGE  OF  WHAT  HAS  GONE  BEFORE 
OR  WHAT  is  Now  GOING  ON  IN  HIS  OWN  TRADE  AND 
PROFESSION.  IF  THE  PRINTERS  OF  TODAY  DO  NOT  WISH 
TO  BE  ESTEEMED  ARROGANT  WHEN  THEY  TERM  THIS  CALL- 


Nos.  2  and  4 

THE  BEST  KIND  OF  ORIGINALITY  is  THAT  WHICH  COMES 
AFTER  A  SOUND  APPRENTICESHIP;  THAT  WHICH  SHALL 
PROVE  TO  BE  THE  BLENDING  OF  A  FIRM  CONCEPTION 
OF  ALL  USEFUL  PRECEDENT  AND  THE  PROGRESSIVE  TEN- 
DENCIES OF  AN  ABLE  MIND.  FOR,  LET  A  MAN  BE  AS 


Nos.  3  and  4 

THE  BEST   KIND  OF  ORIGINALITY  is  THAT  WHICH   COMES 
AFTER  A  SOUND  APPRENTICESHIP;    THAT  WHICH   SHALL 


AND  ORIGINAL  AS  HE  MAY,  HE  CANNOT  AFFORD  TO  Dis- 

WHAT  is  Now  GOING  ON  IN  His  OWN  TRADE  AND  PRO- 
FESSION. IF  THE  PRINTERS  OF  TODAY  DO  NOT  WISH  TO  BE 
ESTEEMED  ARROGANT  WHEN  THEY  TERM  THIS  CALLING  OF 


Nos.  3  and  4 

THE  BEST  KIND  OF  ORIGINALITY  is  THAT  WHICH  COMES 
AFTER  A  SOUND  APPRENTICESHIP;  THAT  WHICH  SHALL 
PROVE  TO  BE  THE  BLENDING  OF  A  FIRM  CONCEPTION  OF 
ALL  USEFUL  PRECEDENT  AND  THE  PROGRESSIVE  TEN- 
DENCIES OF  AN  ABLE  MIND.  FOR,  LET  A  MAN  BE  AS 


ELECTRO-DISPLAY  MATRICES  No.  168,  shown  on  page  four,  are  the  same  type  design  and  are  an  extension  of  the 

34  2 J  Series  shown  on  this  page 


No.  168  Electro-Display  Matrices 

14  Point  No.  168 

THE  MONOTYPE 

CONTINUOUSLY  RENEWS  ALL  THE  PERISHABLE 

MATERIAL  USED  BY  COMPOSITORS 

$1234567890 

18  Point  No.  168 

EVERY  HOUR  OF 

EVERY  COMPOSITOR  PRODUCTIVE  WITH 

NON-DISTRIBUTION 
$1234567890 

18H4  Point  No.  168 

MERITS  OF 

A   MONOTYPE    NON-DISTRIBUTION 

SYSTEM  ARE  IN  EVIDENCE 

$1234567890 


24  Point  No.  168 


LEADS,  SLUGS, 

QUADS  AND  SPACE  MATERIAL 
IN  UNLIMITED  QUANTITIES 

23456789O 


24H4  Point  No.  168 


FOR  QUALITY 

ALWAYS  USE  MONOTYPE 

COMPOSITION 

$1234567890 

ELECTRO-DISPLAY  MATRICES  No.  168,  shown  on  this  page,  are  the  same  type  design  and  are  an  extension  of  the 

342J  Series  shown  on  pages  two  and  three 


PLATE-GOTHIC  No.  343J  SERIES 

COMPOSITION  MATRICES 

THIS  NEW  IDEA  OF  SETTING  PLATE-GOTHICS  ON  THE  MONOTYPE  IN  JUSTIFIED  LINES  IS  ANOTHER  OF  THE 

MANY  ECONOMIES  OF  THE  MONOTYPE  SYSTEM  WHICH  EXTENDS  THE  ADVANTAGES  OF  REAL  MACHINE 

COMPOSITION  TO  THE  KIND  OF  WORK  THAT  YOU  ALWAYS  THOUGHT  HAD  TO  BE  SET  BY  HAND.    NOW  YOU 

GET  A  BETTER  PRODUCT  FROM  ALWAYS  NEW  MONOTYPE  AT  A  MACHINE-SET  COST. 


LETTER  HEADS 

BUSINESS  CARDS 

ENVELOPES 

BILL  HEADS 

STATEMENTS 

MENUS 

PROGRAMS 

DANCE  CARDS 

ANNOUNCEMENTS 

TAGS 


PROFITS   ARE   NEVER 
MADE  BY  A  PRINTER 
WHO  IS  STRUGGLING  TO 
GET  PRODUCTION  FROM 
POOR  EQUIPMENT 


LACK  OF  PROPER  FACILITIES  FOR 
MAKING  LABOR  EFFECTIVE,  AND 
THEREFORE  PRODUCTIVE,  CANNOT 
BE  MADE  UP  BY  DRIVING  NOR  BY 
CHEAPENING  LABOR 

PROFITS  DEPEND  UPON  QUALITY  AS 
WELL  AS  ON  PRODUCTION 


THE  MONOTYPE 

MAKES  EVERY  WORKER  IN  THE  COM- 
POSING ROOM  A  GREATER  PRODUCER 
BY  SUPPLYING  HIM  THE  MATERIAL 
FOR  AND  THE  INCENTIVE  TO  EFFI- 
CIENCY, AND  IMPROVES  THE  QUALITY 
OF  HIS  WORK 


DEPOSIT  SLIPS 
PROMISSORY  NOTES 

CHECKS 

CIRCULARS 

BOOKLETS 

RECEIPTS 

ORDER  BLANKS 

BLANK  FORMS 

ADVERTISEMENTS 

LABELS 


THE  Plate-Gothics  arc  so  arranged  that  all  four  sizes  of  six-point  are  carried  in  one  Matrix  Case  and,  similarly,  all  four  sizes  of  twelve-point 
are  carried  in  one  Matrix  Case.    Thus,  four  sizes  may  be  composed  at  one  operation  on  the  Style  D  Keyboard,  or  eight  sizes  on  the  Duplex 
Keyboard,  and  cast  in  justified  lines  on  the  Casting  Machine.    At  the  Keyboard  the  right  and  left  Keybars  and  Keybanks  P-G  and  the  Stop- 
bars  S108  are  required,  and  at  the  Casting  Machine  the  Normal  Wedge  S108  is  required.    A  five-unit  high  space  is  required  before  the  M  and  W  of 
both  six-  and  twelve-point  No.  1  size  of  the  343J  series. 

Both  six-point  and  twelve-point  fonts  will  line  when  cast  in  composition  on  the  same  Mold,  but  to  justify  the  six-point  with  the  twelve-point, 
when  setting  by  hand,  the  following  plan  has  been  adopted:  The  twelve-point  remains  on  its  standard  line,  .1250,  but  the  six-point  is  cast  to  .0697 
line.  The  six-point  is  then  justified  to  the  twelve-point  by  placing  four  points  above  and  two  points  below  the  six-point  type.  Electro- Display 
Matrices  of  the  No.  169  series,  shown  on  page  four,  are  the  same  type  design  and  are  an  extension  of  this  343J  series  and  justify  with  twelve-point  by 
point  justification.  To  justify  together  the  twelve-,  fourteen-,  eighteen-,  and  twenty-four-point  sizes,  place  all  the  spacing  at  the  top.  This  makes 
all  sizes  line.  The  comma,  semi-colon,  and  tail  of  the  Cap  Q  of  the  eighteen-  and  twenty-four-point  sizes  will  overhang  the  body  slightly,  and  there 
will  be  a  slight  overhang  at  the  top  of  the  18H4  and  24H4  sizes. 

This  plan  for  point  line  justifying  all  sizes  of  the  Plate-Gothic  for  hand  composition  applies  to  all  series  of  Plate-Gothics  now  ready  and  those  that 
may  be  added  in  the  future.  The  line  standards  for  casting  type  for  hand  composition  for  Plate-Gothics  according  to  the  above  plan  will  be  as  follows: 


Six-point  .0697 

Twelve-point     .1250  (Standard) 


Fourteen-point     .1527 
Eighteen -point     .2080 


Twenty-four-point     .2910 

The  Draw  Rod  should  be  readjusted  to  suit  the  movement  of  the  Centering  Pin  when  running  on  special  line  adjustment  in  order  to  produce  the 
point  line  justification. 


Page  one 


No.  343 J.     Arrangement  P-G — Composition  Matrices 


Specimens  of  the  four  sizes  contained  in 
each  matrix  case,  each  size  shown  separately 


12  Point  No.  343 J,  9  Set 
No.  1 

THE  BEST  KIND  OF  ORIGINALITY  IS  THAT 
WHICH  COMES  AFTER  A  SOUND  APPRENTICE- 
SHIP; THAT  WHICH  SHALL  PROVE  TO  BE  THE 
BLENDING  OF  A  FIRM  CONCEPTION  OF  ALL 
USEFUL  PRECEDENT  AND  THE  PROGRESSIVE 
TENDENCIES  OF  AN  ABLE  MIND.  FOR,  LET  A 
MAN  BE  AS  ABLE  AND  ORIGINAL  AS  HE  MAY, 


6  Point  No.  343 J,  5  Set 
No.  1 

THE  BEST  KIND  OF  ORIGINALITY  IS  THAT  WHICH 
COMES  AFTER  A  SOUND  APPRENTICESHIP;  THAT 
WHICH  SHALL  PROVE  TO  BE  THE  BLENDI NG  OF  A  Fl  RM 
CONCEPTION  OF  ALL  USEFUL  PRECEDENT  AND  THE 
PROGRESSIVE  TENDENCIES  OF  AN  ABLE  MIND.  FOR, 
LET  A  MAN  BE  AS  ABLE  AND  ORIGINAL  AS  HE  MAY,  HE 
CANNOT  AFFORD  TO  DISCARD  KNOWLEDGE  OF  WHAT 
HAS  GONE  BEFORE  OR  WHAT  IS  NOW  GOING  ON  IN  HIS 
OWN  TRADE  AND  PROFESSION.  IF  THE  PRINTERS  OF 
TODAY  DO  NOT  WISH  TO  BE  ESTEEMED  ARROGANT 
WHEN  THEY  TERM  THIS  CALLING  OF  THEIRS  AN  ART, 
THEY  MUST  BE  WILLING,  AND  SHOW  THAT  THEY  ARE 
WILLING,  TO  SUBJECT  IT  TO  SUCH  LAWS  AS  HAVE 
MADE  ITS  SISTER  ARTS  SO  FREE.  ALL  THOSE  CON- 
CERNED IN  WHAT  ARE  ACCEPTED  AS  THE  FINE  ARTS, 
THE  LEARNED  SCIENCES,  AND  PROFESSIONS  SUR- 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 
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No.  2 

THE  BEST  KIND  OF  ORIGINALITY  IS  THAT  WHICH 
COMES  AFTER  A  SOUND  APPRENTICESHIP;  THAT 
WHICH  SHALL  PROVE  TO  BE  THE  BLENDING  OF  A 
FIRM  CONCEPTION  OF  ALL  USEFUL  PRECEDENT  AND 
THE  PROGRESSIVE  TENDENCIES  OF  AN  ABLE  MIND. 
FOR,  LET  A  MAN  BE  AS  ABLE  AND  ORIGINAL  AS  HE 
MAY,  HE  CANNOT  AFFORD  TO  DISCARD  A  KNOWLEDGE 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 
$1234567890 


No.  2 

THE  BEST  KIND  OF  ORIGINALITY  IS  THAT  WHICH  COMES  AFTER 
A  SOUND  APPRENTICESHIP:  THAT  WHICH  SHALL  PROVE  TO  BE 
THE  BLENDING  OF  A  FIRM  CONCEPTION  OF  ALL  USEFUL  PRE- 
CEDENT AND  THE  PROGRESSIVE  TENDENCIES  OF  AN  ABLE 
MIND.  FOR,  LET  A  MAN  BE  AS  ABLE  AND  ORIGINAL  AS  HE  MAY, 
HE  CANNOT  AFFORD  TO  DISCARD  A  KNOWLEDGE  OF  WHAT  HAS 
GONE  BEFORE  OR  WHAT  IS  NOW  GOING  ON  IN  HIS  OWN  TRADE 
AND  PROFESSION.  IF  THE  PRINTERS  OF  TODAY  DO  NOT  WISH 
TO  BE  ESTEEMED  ARROGANT  WHEN  THEY  TERM  THIS  CALLING 
OF  THEIRS  AN  ART,  THEY  MUST  BE  WILLING.  AND  SHOW  THAT 
THEY  ARE  WILLING.  TO  SUBJECT  IT  TO  SUCH  LAWS  AS  HAVE 
MADE  ITS  SISTER  ARTS  SO  FREE.  ALL  THOSE  CONCERNED  IN 
WHAT  ARE  ACCEPTED  AS  THE  FINE  ARTS,  THE  LEARNED 
SCIENCES,  AND  THE  PROFESSIONS  SURROUND  THEMSELVES 
WITH  THE  HISTORY,  LITERATURE,  AND  THE  CONCRETE  EX- 
AMPLES OF  THE  WORK  WITH  WHICH  THEY  ARE  PARTICULARLY 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 
$1234567890 


No.  3 

THE  BEST  KIND  OF  ORIGINALITY  IS  THAT  WHICH  COMES  AFTER 
A  SOUND  APPRENTICESHIP;  THAT  WHICH  SHALL  PROVE  TO  BE 
THE  BLENDING  OF  A  FIRM  CONCEPTION  OF  ALL  USEFUL  PRE- 
CEDENT AND  THE  PROGRESSIVE  TENDENCIES  OF  AN  ABLE 
MIND.  FOR,  LET  A  MAN  BE  AS  ABLE  AND  ORIGINAL  AS  HE 
MAY,  HE  CANNOT  AFFORD  TO  DISCARD  A  KNOWLEDGE  OF 
WHAT  HAS  GONE  BEFORE  OR  WHAT  IS  NOW  GOING  ON  IN  HIS 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 
$1234567890 


No.  3 

THE  BEST  KIND  OF  ORIGINALITY  IS  THAT  WHICH  COMES  AFTER  A  SOUND 
APPRENTICESHIP;  THAT  WHICH  SHALL  PROVE  TO  BE  THE  BLENDING  OF  A 
FIRM  CONCEPTION  OF  ALL  USEFUL  PRECEDENT  AND  THE  PROGRESSIVE 
TENDENCIES  OF  AN  ABLE  MIND.  FOR.  LET  A  MAN  BE  AS  ABLE  AND  ORIG- 
INAL AS  HE  MAY.  HE  CANNOT  AFFORD  TO  DISCARD  KNOWLEDGE  OF  WHAT 
HAS  GONE  BEFORE  OR  WHAT  IS  NOW  GOING  ON  IN  HIS  OWN  TRADE  AND 
PROFESSION.  IF  THE  PRINTERS  OF  TODAY  DO  NOT  WISH  TO  BE  ESTEEMED 
ARROGANT  WHEN  THEY  TERM  THIS  CALLING  OF  THEIRS  AN  ART.  THEY 
MUST  BE  WILLING.  AND  SHOW  THAT  THEY  ARE  WILLING.  TO  SUBJECT  IT 
TO  SUCH  LAWS  AS  HAVE  MADE  ITS  SISTER  ARTS  SO  FREE.  ALL  THOSE 
CONCERNED  IN  WHAT  ARE  ACCEPTED  AS  THE  FINE  ARTS.  THE  LEARNED 
SCIENCES.  AND  THE  PROFESSIONS  SURROUND  THEMSELVES  WITH  THE 
HISTORY.  LITERATURE.  AND  THE  CONCRETE  EXAMPLES  OF  THE  WORK 
WITH  WHICH  THEY  ARE  PARTICULARLY  ENGAGED.  YET  IT  IS  ONLY  IN 
VERY  RARE  INSTANCES  THAT  SUCH  AN  ATMOSPHERE.  WITH  ITS  MATERIAL 
APPURTENANCES.  IS  TO  BE  FOUND  IN  A  PRINTING  OFFICE.  ART  DOES  NOT 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 


No.  4 

THE  BEST  KIND  OF  ORIGINALITY  IS  THAT  WHICH  COMES  AFTER  A  SOUND 

APPRENTICESHIP:    THAT  WHICH  SHALL  PROVE  TO  BE  THE  BLENDING  OF 

A  FIRM  CONCEPTION  OF  ALL  USEFUL  PRECEDENT  AND  THE  PROGRESSIVE 

TENDENCIES   OP*  AN    ABLE    MIND.       FOR,    LET    A    MAN    BE   AS    ABLE   AND 

ORIGINAL  AS  HE  MAY,   HE  CANNOT  AFFORD  TO  DISCARD  A   KNOWLEDGE 

OF  WHAT  HAS  GONE   BEFORE  OR   WHAT   IS   NOW   GOING  ON    IN    HIS  OWN 

TRADE   AND   PROFESSION.       IF  THE  PRINTERS  OF  TODAY   DO   NOT   WISH 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

$1234567890 


No.  4 

THE  BEST  KIND  OF  ORIGINALITY  IS  THAT  WHICH  COMES  AFTER  A  SOUND  APPRENTICE- 
SHIP; THAT  WHICH  SHALL  PROVE  TO  BE  THE  BLENDING  OF  FIRM  CONCEPTION  OF 
ALL  USEFUL  PRECEDENT  AND  THE  PROGRESSIVE  TENDENC  S  OF  AN  ABLE  MIND. 
FOR.  LET  A  MAN  BE  AS  ABLE  AND  ORIGINAL  AS  HE  MAY.  HE  NNOT  AFFORD  TO  DIS- 
CARD KNOWLEDGE  OF  WHAT  HAS  GONE  BEFORE  OR  WHAT  NOW  GOING  ON  IN  HI 
OWN  TRADE  AND  PROFESSION.  IF  THE  PRINTERS  OF  TOD  DO  NOT  WISH  TO  B 
ESTEEMED  ARROGANT  WHEN  THEY  TERM  THIS  CALLING  0  HEIRS  AN  ART.  THE 
MUST  BE  WILLING.  AND  SHOW  THAT  THEY  ARE  WILLING.  SUBJECT  IT  TO  SUC 
LAWS  AS  HAVE  MADE  ITS  SISTER  ARTS  SO  FREE.  ALL  THO  CONCERNED  IN  WHA 
ARE  ACCEPTED  AS  THE  FINE  ARTS.  THE  LEARNED  SCIENCES  ND  THE  PROFESSION 


SURROUND  THE 


AMPLES  OF  THE  WORK  WITH  WHICH  THEY  ARE  PARTICULAR 
ONLY  IN  VERY  RARE  INSTANCES  THAT  SUCH  AN  ATMOSPHE 
APPURTENANCES.  IS  TO  BE  FOUND  IN  A  PRINTING  OFFICE. 


ENGAGED.      YET  IT  IS 

WITH  ITS  MATERIAL 

T  DOES  NOT  FLOURISH 


IN  HIDDEN  PLACES.  NOR  UNDER  RESTRAINT.  NOR  IN  IGNORANCE  OF  WHAT  TALENT 

ABCDEFGHIJKLMNOPORSTUVWXYZ 

HMOM 


ELECTRO-DISPLAY  MATRICES  No.  169,  shown  on  page  four,  are  the  same  type  design  and  are  an  extension  of  the 

343J  Series  shown  on  this  page 


Page  two 


No.  343 J.     Arrangement  P-G — Composition  Matrices 

Specimens  of  all  the  possible  cap  and  small  cap  combinations 
that  can   be  made  with  the  four  sizes  in  each  matrix  case 


6  Point  No.  343J,  5  Set 
Nos.  1  and  2 

THE  BEST  KIND  OF  ORIGINALITY  is  THAT  WHICH  COMES 
AFTER  A  SOUND  APPRENTICESHIP:  THAT  WHICH  SHALL  PROVE 
TO  BE  THE  BLENDING  OF  A  FIRM  CONCEPTION  OF  ALL  USEFUL 
PRECEDENT  AND  THE  PROGRESSIVE  TENDENCIES  OF  AN  ABLE 
MIND.  FOR.  LET  A  MAN  BE  AS  ABLE  AND  ORIGINAL  AS  HE  MAY. 
HE  CANNOT  AFFORD  TO  DISCARD  KNOWLEDGE  OF  WHAT  HAS 
GONE  BEFORE  OR  WHAT  is  Now  GOING  ON  IN  His  OWN  TRADE 
AND  PROFESSION.  IF  THE  PRINTERS  OF  TODAY  DO  NOT  WISH 
TO  BE  ESTEEMED  ARROGANT  WHEN  THEY  TERM  THIS  CALL- 
ING OF  THEIRS  AN  ART,  THEY  MUST  BE  WILLING.  AND  SHOW 


12  Point  No.  343 J,  9  Set 
Nos.  1  and  2 

THE  BEST  KIND  OF  ORIGINALITY  is  THAT  WHICH 
COMES  AFTER  A  SOUND  APPRENTICESHIP;  THAT 
WHICH  SHALL  PROVE  TO  BE  THE  BLENDING  OF  A 
FIRM  CONCEPTION  OF  ALL  USEFUL  PRECEDENT  AND 
THE  PROGRESSIVE  TENDENCIES  OF  AN  ABLE  MIND. 


Nos.  1  and  3 

THE  BEST  KIND  OF  ORIGINALITY  is  THAT  WHICH  COMES  AFTER  A 
SOUND  APPRENTICESHIP:  THAT  WHICH  SHALL  PROVE  TO  BE  THE 
BLENDING  OF  A  FIRM  CONCEPTION  OF  ALL  USEFUL  PRECEDENT  AND 
THE  PROGRESSIVE  TENDENCIES  OF  AN  ABLE  MIND.  FOR.  LET  A 
MAN  BE  AS  ABLE  AND  ORIGINAL  AS  HE  MAY.  HE  CANNOT  AFFORD  TO 
DISCARD  KNOWLEDGE  OF  WHAT  HAS  GONE  BEFORE  OR  WHAT  is  Now 
GOING  ON  IN  His  OWN  TRADE  AND  PROFESSION.  IF  THE  PRINTERS  OF 
TODAY  DO  NOT  WISH  TO  BE  ESTEEMED  ARROGANT  WHEN  THEY  TERM 
THIS  CALLING  OF  THEIRS  AN  ART.THEY  MUST  BE  WILLING.  AND  SHOW 
THAT  THEY  ARE  WILLING.  TO  SUBJECT  IT  TO  SUCH  LAWS  AS  HAVE 


Nos.  1  and  3 

THE  BEST  KIND  OF  ORIGINALITY  is  THAT  WHICH  COMES 
AFTER  A  SOUND  APPRENTICESHIP;  THAT  WHICH  SHALL 
PROVE  TO  BE  THE  BLENDING  OF  A  FIRM  CONCEPTION  OF 
ALL  USEFUL  PRECEDENT  AND  THE  PROGRESSIVE  TENDEN- 
CIES OF  AN  ABLE  MIND.  FOR,  LET  A  MAN  BE  AS  ABLE  AND 


Nos.  1  and  4 

THE  BEST  KIND  OF  ORIGINALITY  is  THAT  WHICH  COMES  AFTER  A  SOUND 
APPRENTICESHIP:  THAT  WHICH  SHALL  PROVE  TO  BE  THE  BLENDING  OF  A  FIRM 
CONCEPTION  OF  ALL  USEFUL  PRECEDENT  AND  THE  PROGRESSIVE  TENDENCIES 
OF  AN  ABLE  MIND.  FOR.  LET  A  MAN  BE  AS  ABLE  AND  ORIGINAL  AS  HE  MAY. 
HE  CANNOT  AFFORD  TO  DISCARD  KNOWLEDGE  OF  WHAT  HAS  GONE  BEFORE  OR 
WHAT  is  Now  GOING  ON  IN  His  OWN  TRADE  AND  PROFESSION.  IF  THE 
PRINTERS  OF  TODAY  DO  NOT  WISH  TO  BE  ESTEEMED  ARROGANT  WHEN  THEY 
TERM  THIS  CALLING  OF  THEIRS  AN  ART.  THEY  MUST  BE  WILLING.  AND  SHOW 
THAT  THEY  ARE  WILLING.  TO  SUBJECT  IT  TO  SUCH  LAWS  AS  HAVE  MADE  ITS 
SISTER  ARTS  so  FREE.  ALL  THOSE  CONCERNED  IN  WHAT  ARE  ACCEPTED  AS 


Nos.  1  and  4 

THE  BEST  KIND  OF  ORIGINALITY  is  THAT  WHICH  COMES  AFTER 
A  SOUND  APPRENTICESHIP;  THAT  WHICH  SHALL  PROVE  TO  BE  THE 
BLENDING  OF  A  FIRM  CONCEPTION  OF  ALL  USEFUL  PRECEDENT 
AND  THE  PROGRESSIVE  TENDENCIES  OF  AN  ABLE  MIND.  FOR, 

LET  A   MAN    BE  AS  AfiLE  AND  ORIGINAL  AS  HE    MAY,    HE    CANNOT 


Nos.  2  and  3 

THE  BEST  KIND  OF  ORIGINALITY  IS  THAT  WHICH  COMES  AFTER  A 
SOUND  APPRENTICESHIP:  THAT  WHICH  SHALL  PROVE  TO  BE  THE 
BLENDING  OF  A  FIRM  CONCEPTION  OF  ALL  USEFUL  PRECEDENT  AND 
THE  PROGRESSIVE  TENDENCIES  OF  AN  ABLE  MIND.  FOR.  LET  A  MAN 
BE  AS  ABLE  AND  ORIGINAL  AS  HE  MAY.  HE  CANNOT  AFFORD  TO  DIS- 
CARD KNOWLEDGE  OF  WHAT  HAS  GONE  BEFORE  OR  WHAT  IS  NOW 
GOING  ON  IN  HIS  OWN  TRADE  AND  PROFESSION.  IF  THE  PRINTERS 
OF  TODAY  DO  NOT  WISH  TO  BE  ESTEEMED  ARROGANT  WHEN  THEY 
TERM  THIS  CALLING  OF  THEIRS  AN  ART.  THEY  MUST  BE  WILLING.  AND 
SHOW  THAT  THEY  ARE  WILLING.  TO  SUBJECT  IT  TO  SUCH  LAWS  AS 


Nos.  2  and  3 

THE  BEST  KIND  OF  ORIGINALITY  is  THAT  WHICH  COMES 
AFTER  A  SOUND  APPRENTICESHIP;  THAT  WHICH  SHALL 
PROVE  TO  BE  THE  BLENDING  OF  A  FIRM  CONCEPTION  OF  ALL 
USEFUL  PRECEDENT  AND  THE  PROGRESSIVE  TENDENCIES 
OF  AN  ABLE  MIND.  FOR,  LET  A  MAN  BE  AS  ABLE  AND  ORIG- 


Nos.  2  and  4 

THE  BEST  KIND  OF  ORIGINALITY  is  THAT  WHICH  COMES  AFTER  A  SOUND  AP- 
PRENTICESHIP. THAT  WHICH  SHALL  PROVE  TO  BE  THE  BLENDING  OF  A  FIRM 
CONCEPTION  OF  ALL  USEFUL  PRECEDENT  AND  THE  PROGRESSIVE  TENDENCIES 
OF  AN  ABLE  MIND.  FOR.  LET  A  MAN  BE  AS  ABLE  AND  ORIGINAL  AS  HE  MAY. 
HE  CANNOT  AFFORD  TO  DISCARD  KNOWLEDGE  OF  WHAT  HAS  GONE  BEFORE  OR 
WHAT  is  Now  GOING  ON  IN  His  OWN  TRADE  AND  PROFESSION.  IF  THE  PRINTERS 
OF  TODAY  DO  NOT  WISH  TO  BE  ESTEEMED  ARROGANT  WHEN  THEY  TERM  THIS 
CALLING  OF  THEIRS  AN  ART.  THEY  MUST  BE  WILLING.  AND  SHOW  THAT  THEY 
ARE  WILLING.  TO  SUBJECT  IT  TO  SUCH  LAWS  AS  HAVE  MADE  ITS  SISTER  ARTS 
so  FREE.  ALL  THOSE  CONCERNED  IN  WHAT  ARE  ACCEPTED  AS  THE  FINE  ARTS. 


Nos.  2  and  4 

THE  BEST  KIND  OF  ORIGINALITY  is  THAT  WHICH  COMES  AFTER  A 
SOUND  APPRENTICESHIP:  THAT  WHICH  SHALL  PROVE  TO  BE  THE 
BLENDING  OF  A  FIRM  CONCEPTION  OF  ALL  USEFUL  PRECEDENT  AND 
THE  PROGRESSIVE  TENDENCIES  OF  AN  ABLE  MIND.  FOR,  LET  A 
MAN  BE  AS  ABLE  AND  ORIGINAL  AS  HE  MAY,  HE  CANNOT  AFFORD  TO 


Nos.  3  and  4 
THE  BEST  KIND  OF  ORIGINALITY  is  THAT  WHICH  COMES  AFTER  A  SOUND  APPREN. 

TKESHIP.  THAT  WHICH  SHALL  PROVE  TO  BE  THE  BLENDING  OF  »  FIRM  CONCEP- 
TION OF  ALL  USEFUL  PRECEDENT  AND  THE  PROGRESSIVE  TENDENCIES  OF  AN  ABLE 
MIND  FOR.  LET  A  MAN  IE  AS  ABLE  AND  ORIGINAL  AS  HE  MAY.  HE  CANNOT 
AFFORD  TO  DISCARD  KNOWLEDGE  OF  WHAT  HAS  GONE  BEFORE  OR  WHAT  is  Now 
GOING  ON  IN  HIS  OWN  TRADE  AND  PROFESSION.  IF  THE  PRINTERS  OF  TODAY  DO 
Nor  WISH  TO  IE  ESTEEMED  ARROGANT  WHEN  THEY  TERM  THIS  CALLING  OF 
THEIRS  AN  ART.  THEY  MUST  IE  WILLING.  AND  SHOW  THAT  THEY  ARE  WILLING. 
TO  SUBJECT  IT  TO  SUCH  LAWS  AS  HAVE  MADE  ITS  SISTER  ARTS  so  FREE.  ALL 
THOSE  CONCERNED  IN  WHAT  ARE  ACCEPTED  AS  THE  FINE  ARTS.  THE  LEARNED 


Nos.  3  and  4 

THE  BEST  KIND  OF  ORIGINALITY  is  THAT  WHICH  COMES  AFTER  A 
SOUND  APPRENTICESHIP:  THAT  WHICH  SHALL  PROVE  TO  BE  THE 
BLENDING  OF  A  FIRM  CONCEPTION  OF  ALL  USEFUL  PRECEDENT  AND 
THE  PROGRESSIVE  TENDENCIES  OF  AN  ABLE  MIND.  FOR,  LET  A  MAN 
BE  AS  ABLE  AND  ORIGINAL  AS  HE  MAY,  HE  CANNOT  AFFORD  TO  Dis- 


ELECTRO-DISPLAY  MATRICES  No.  169,  shown  on  page  four,  arc  the  same  type  design  and  are  an  extension  of  the 

343J  Series  shown  on  this  page 


Page  three 


No.  169  Electro- Display  Matrices 

14  Point  No.  169 

THE  FOURTEEN  POINT  SIZE 

OF  THIS  SERIES  TAKES  THE  PLACE  OF  THE  CELLULAR,  12H4 
POINT  SIZE,  WHICH  HAS  BEEN  DISCONTINUED 

$1234567890 

18  Point  No.  169 

A  NON-DISTRIBUTION  SYSTEM 

IS  POSSIBLE  ONLY  WITH  THE  MONOTYPE  TYPE  AND 
RULE  CASTER.    SAVES  TIME  HUNTING  SORTS 

$1234567890 


18H4  Point  No.  169 


OUR   TYPE  AND  RUL     CAST  [R 


TURNS  OUT  FINISHED  RULES,  LEADS,  SLUGS, 


IN  ANY  DESIRE  D  I    [NGTHS 


$1234567890 


24  Point  No.  169 


NEW  AND  UP-TO-DATE 
FACES  ARE  ALWAYS  OBTAINABLE  ON 

THE  MONOTYPE 
$1234567890 


24H4  Point  No.  169 


PLATE-GOTHICS 

ECONOMICALLY  COMPOSED  ON 
THE  MONOTYPE 
234567890 


ELECTRO-DISPLAY  MATRICES  No.  169,  shown  on  this  page,  are  the  same  type  design  and  are  an  extension  of  the 

343J  Series  shown  on  pages  two  and  three 


Pate  four 


PLATE-GOTHIC  No.  344J  SERIES 

ARRANGEMENT  P-G — COMPOSITION  MATRICES 


Specimens  of  the  four  sizes  contained  in  the  matrix   case,  each  size 
shown  separately 

6  Point  No.  344J,  8£  Set 

No.  1 

THE  VERY  BEST  Kl  N  D  OF  OR  I  G  I  NALITY  IS 
THAT  WHICH  COMES  AFTER  A  SOUND 
APPRENTICESHIP;  THAT  WHICH  SHALL 
PROVE  TO  BE  THE  BLENDING  OF  A  FIRM 
CONCEPTION  OF  ALL  USEFUL  PRECE- 
DENT AND  THE  PROGRESSIVE  TENDEN- 
CIES OF  AN  ABLE  MIND.  FOR.  LET  A 
MAN  BE  AS  ABLE  AND  ORIGINAL  AS  HE 
MAY,  HE  CANNOT  AFFORD  TO  DISCARD 
KNOWLEDGE  OF  WHAT  HAS  GONE  BE- 
FORE OR  WHAT  IS  NOW  GOING  ON  IN  HIS 
OWN  TRADE  AND  PROFESSION.  IF  THE 
PRINTERS  OF  TODAY  DO  NOT  WISH  TO 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 
$1234567890 


No.  2 

THE  VERY  BEST  KIND  OF  ORIGINALITY  IS  THAT 
WHICH  COMES  AFTER  A  SOUND  APPRENTICE- 
SHIP; THAT  WHICH  SHALL  PROVE  TO  BE  THE 
BLENDING  OF  A  FIRM  CONCEPTION  OF  ALL 
USEFUL  PRECEDENT  AND  THE  PROGRESSIVE 
TENDENCIES  OF  AN  ABLE  MIND.  FOR,  LET  A 
MAN  BE  AS  ABLE  AND  ORIGINAL  AS  HE  MAY,  HE 
CANNOT  AFFORD  TO  DISCARD  KNOWLEDGE  OF 
WHAT  HAS  GONE  BEFORE  OR  WHAT  IS  NOW 
GOING  ON  IN  HIS  OWN  TRADE  AND  PROFESSION. 
IF  THE  PRINTERS  OF  TODAY  DO  NOT  WISH  TO 
BE  ESTEEMED  ARROGANT  WHEN  THEY  TERM 
THIS  CALLING  OF  THEIRS  AN  ART.  THEY  MUST 

ABCDEFGH IJ  KLM  NOPQRSTUVWXYZ 

$1234567890 


No.  3 

THE  VERY  BEST  KIND  OF  ORIGINALITY  IS  THAT  WHICH 
COMES  AFTER  A  SOUND  APPRENTICESHIP:  THAT  WHICH 
SHALL  PROVE  TO  BE  THE  BLENDING  OF  A  FIRM  CON- 
CEPTION OF  ALL  USEFUL  PRECEDENT  AND  THE  PRO- 
GRESSIVE TENDENCIES  OF  AN  ABLE  MIND.  FOR,  LET 
A  MAN  BE  AS  ABLE  AND  ORIGINAL  AS  HE  MAY,  HE 
CANNOT  AFFORD  TO  DISCARD  A  KNOWLEDGE  OF 
WHAT  HAS  GONE  BEFORE  OR  WHAT  IS  NOW  GOING 
ON  IN  HIS  OWN  TRADE  AND  PROFESSION.  IF  THE 
PRINTERS  OF  TODAY  DO  NOT  WISH  TO  BE  ESTEEMED 
ARROGANT  WHEN  THEY  TERM  THIS  CALLING  OF 
THEIRS  AN  ART,  THEY  MUST  BE  WILLING,  AND  SHOW 
THAT  THEY  ARE  WILLING.  TO  SUBJECT  IT  TO  SUCH 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

$1234567890 


No.  4 

THE  BEST  KIND  OF  ORIGINALITY  IS  THAT  WHICH  COMES  AFTER 
A  SOUND  APPRENTICESHIP;  THAT  WHICH  SHALL.  PROVE  TO  BE 
THE  BLENDING  OF  A  FIRM  CONCEPTION  OF  ALL.  USEFUL  PRE- 
CEDENT AND  OF  THE  PROGRESSIVE  TENDENCIES  OF  AN  ABLE 
MIND.  FOR.  LET  A  MAN  BE  AS  ABLE  AND  ORIGINAL  AS  HE 
MAY,  HE  CANNOT  AFFORD  TO  DISCARD  A  KNOWLEDGE  OF 
WHAT  HAS  GONE  BEFORE  OR  WHAT  IS  NOW  GOING  ON  IN  HIS 
OWN  TRADE  AND  PROFESSION.  IF  THE  PRINTERS  OF  TODAY 
DO  NOT  WISH  TO  BE  ESTEEMED  ARROGANT  WHEN  THEY  TERM 
THIS  CALLING  OF  THEIRS  AND  ART,  THEY  MUST  BE  WILLING 


SUCH 


LAWS   AS    HAVE    MADE    ITS    SISTER    ARTS    SO    FREE.         ALL   THOSE 
CONCERNED    IN    WHAT    ARE    ACCEPTED    AS    THE    FINE    ARTS,    THE 

ABCDEFGHIJ  KLM  NOPQRSTUVWXYZ 
$1234867890 


Specimens  of  all  the  possible  cap  and  small  cap  combinations  that  can  be 
made  with  the  four  sizes  in  the  matrix  case 

6  Point  No.  344J,  8£  Set 

Nos.  1  and  2 

THE  VERY  BEST  KINDOF  ORIGINALITY  is  THAT 
WHICH  COMES  AFTER  A  SOUND  APPREN- 
TICESHIP; THAT  WHICH  SHALL  PROVE  TO  BE 
THE  BLENDING  OF  A  FIRM  CONCEPTION  OF 
ALL  USEFUL  PRECEDENT  AND  THE  PROGRES- 
SIVE TENDENCIES  OF  AN  ABLE  MIND.  FOR. 
LET  ANY  MAN  BE  AS  ABLE  AND  ORIGINAL  AS 
HE  MAY,  HE  CANNOT  AFFORD  TO  DISCARD  A 
KNOWLEDGE  OF  WHAT  HAS  GONE  BEFORE  OR 
WHAT  is  Now  GOING  ON  IN  HIS  OWN  TRADE 

Nos.  1  and  3 

THE  BEST  KIND  OF  ORIGINALITY  is  THAT  WHICH 
COMES  AFTER  A  SOUND  APPRENTICESHIP;  THAT 
WHICH  SHALL  PROVE  TO  BE  THE  BLENDING  OF  A 
FIRM  CONCEPTION  OF  ALL  USEFUL  PRECEDENT  AND 
THE  PROGRESSIVE  TENDENCIES  OF  AN  ABLE  MIND. 
FOR,  LET  A  MAN  BE  AS  ABLE  AND  ORIGINAL  AS  HE 
MAY,  HE  CANNOT  AFFORD  TO  DISCARD  KNOWLEDGE 
OF  WHAT  HAS  GONE  BEFORE  OR  WHAT  is  Now 
GOING  ON  IN  HIS  OWN  TRADE  AND  PROFESSION. 
IF  THE  PRINTERS  OF  TODAY  DO  NOT  WISH  TO  BE 

Nos.  1  and  4 

THE  BEST  KIND  OF  ORIGINALITY  is  THAT  WHICH  COMES 
AFTER  A  SOUND  APPRENTICESHIP;  THAT  WHICH  SHALL 
PROVE  TO  BE  THE  BLENDING  OF  A  FIRM  CONCEPTION  OF 
ALL  USEFUL  PRECEDENT  AND  THE  PROGRESSIVE  TEN- 
DENCIES OF  AN  ABLE  MIND.  FOR,  LET  A  MAN  BE  AS 
ABLE  AND  ORIGINAL  AS  HE  MAY.  HE  CANNOT  AFFORD 
TO  DISCARD  KNOWLEDGE  OF  WHAT  HAS  GONE  BEFORE 
OR  WHAT  is  Now  GOING  ON  IN  HIS  OWN  TRADE  AND  PRO- 
FESSION. IF  THE  PRINTERS  OF  TODAY  DO  NOT  WISH  TO 
BE  ESTEEMED  ARROGANT  WHEN  THEY  TERM  THIS  CALL- 

Nos.  2  and  3 

THE  BEST  KIND  OF  ORIGINALITY  IS  THAT  WHICH 
COMES  AFTER  A  SOUND  APPRENTICESHIP;  THAT 
WHICH  SHALL  PROVE  TO  BE  THE  BLENDING  OF  A 
FIRM  CONCEPTION  OF  ALL  USEFUL  PRECEDENT  AND 
THE  PROGRESSIVE  TENDENCIES  OF  AN  ABLE  MIND. 
FOR.  LET  A  MAN  BE  AS  ABLE  AND  ORIGINAL  AS  HE 
MAY,  HE  CANNOT  AFFORD  TO  DISCARD  KNOWLEDGE 
OF  WHAT  HAS  GONE  BEFORE  OR  WHAT  IS  NOW  GOING 
ON  IN  HIS  OWN  TRADE  AND  PROFESSION.  IF  THE 
PRINTERS  OF  TODAY  DO  NOT  WISH  TO  BE  ESTEEMED 

Nos.  2  and  4 

THE  BEST  KIND  OF  ORIGINALITY  is  THAT  WHICH  COMES 
AFTER  A  SOUND  APPRENTICESHIP:  THAT  WHICH  SHALL 
PROVE  TO  BE  THE  BLENDING  OF  A  FIRM  CONCEPTION  OF 
ALL  USEFUL  PRECEDENT  AND  THE  PROGRESSIVE  TENDEN- 
CIES OF  AN  ABLE  MIND.  FOR.  LET  A  MAN  BE  AS  ABLE 
AND  ORIGINAL  AS  HE  MAY,  HE  CANNOT  AFFORD  TO  DISCARD 
KNOWLEDGE  OF  WHAT  HAS  GONE  BEFORE  OR  WHAT  is  Now 
GOING  ON  IN  HIS  OWN  TRADE  AND  PROFESSION.  IF  THE 
PRINTERS  OF  TODAY  DO  NOT  WISH  TO  BE  ESTEEMED  ARRO- 
GANT WHEN  THEY  TERM  THIS  CALLING  OF  THEIRS  AN  ART 

Nos.  3  and  4 

THE  VERY  BEST  KIND  OF  ORIGINALITY  IB  THAT  WHICH  COMES 
AFTER  A  SOUND  APPRENTICESHIP;  THAT  WHICH  SHALL 
PROVE  TO  BE  THE  BLENDING  OF  A  FIRM  CONCEPTION  OF 
ALL  USEFUL  PRECEDENT  AND  THE  PROGRESSIVE  TENDEN- 
CIES OF  AN  ABLE  MIND.  FOR.  LET  A  MAN  BE  AS  ABLE  AND 
ORIGINAL  AS  HE  MAY.  HE  CANNOT  AFFORD  TO  DISCARD 
KNOWLEDGE  or  WHAT  HAS  GONE  BEFORE  OR  WHAT  is  Now 
GOING  ON  IN  HIS  OWN  TRADE  AND  PROFESSION.  IF  THE 
PRINTERS  OF  TODAY  DO  NOT  WISH  TO  BE  ESTEEMED  ARROGANT 


'"PHE  344J  Series  is  so  arranged  that  all  four  sizes  of  six-point  are  carried  in  one  Matrix  Case.  Thus,  four  sizes  may  be  composed  at  one  operation 
A  on  the  Keyboard,  and  cast  in  justified  lines  on  the  Casting  Machine.  At  the  Keyboard  the  right  and  left  Keybars  and  Keybanks  P-G  and  the 
Stopbars  S108  are  required,  and  at  the  Casting  Machine  the  Normal  Wedge  S108  is  required.  A  five-unit  high  space  is  required  before  the  M  and 
W  of  the  six-point  No.  1  size  of  the  344J  series. 

When  setting  by  hand,  the  following  plan  has  been  adopted.  The  six-point  is  cast  to  .0697  line.  The  sizes  above  six-point  are  Electro-Display 
Matrices  designated  as  the  No.  166  series  and  are  a  continuation  of  the  344J  series,  shown  on  reverse  of  this  sheet.  The  twelve-point  is  cast  on  its 
standard  line  .1250;  to  justify  the  six-  with  the  twelve-point  place  four  points  above  and  two  points  below  the  six-point  type.  The  eight-  and  the 
ten-point  will  be  cast  on  twelve-point  body  with  the  standard  twelve-point  line. 

To  justify  together  the  twelve-,  fourteen-,  and  eighteen-point  sizes,  place  all  the  spacing  at  the  top.  This  makes  all  sizes  line.  The  comma,  semi- 
colon, and  tail  of  the  Cap  Q  of  the  eighteen-point  size  will  overhang  the  body  slightly,  and  there  will  be  a  slight  overhang  at  the  top  of  the  18H4  Size. 

The  line  standards  for  casting  type  for  hand  composition  for  Plate-Gothics  according  to  the  above  plan  will  be  as  follows:  Six-point  .0697;  eight- 
and  ten-point  on  twelve-point  body  .1250;  twelve-point  .1250  (Standard);  fourteen-point  .1527;  eighteen-point  .2080. 

The  Draw  Rod  should  be  readjusted  to  suit  the  movement  of  the  Centering  Pin  when  running  on  special  line  adjustment  in  order  to  produce  the 
point  line  justification. 


No.  166  Electro-Display  Matrices 

*  8  Point  No.  166 

MONOTYPE  FACES 

THE  BEST  KIND  OF  ORIGINALITY  IS  THAT  WHICH  COMES  AFTER 
A  SOUND   APPRENTICESHIP;  THAT  WHICH  SHALL   PROVE  TO  BE 
THE  BLENDING  OF  A   FIRM   CONCEPTION   OF  ALL   USEFUL   PRE- 
CEDENT AND  OF  THE  PROGRESSIVE  TENDENCIES  OF  AN  ABLE 
ABCDEFGHIJKLMNOPQRSTUVWXYZ 
$1234867890 

*  10  Point  No.  166 

MONOTYPE  FACES 

THE  VERY  BEST  KIND  OF  ORIGINALITY  IS  THAT  WHICH 

COMES      AFTER      A      SOUND      APPRENTICESHIP;      THAT 

WHICH  SHALL  PROVE  TO  BE  THE  BLENDING  OF  A  FIRM 

CONCEPTION   OF    ALL    USEFUL    PRECEDENT    AND    THE 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

$1234567890 

14  Point  No.  166 

SERVICE  AND  QUALITY 

ARE    MONOTYPE    ASSETS  WHICH    KEEP 

YOUR  WHOLE  PLANT  BUSY 

$123-4567890 

14B  Point  No.  166 

NEW  MONOTYPE  TYPE 

WILL.    ADD     DIST1NCTIVENESS    TO    YOUR     NEXT 

BOOKLET  OR  CATALOG,   ETC. 

$1234567800 

18  Point  No.  166 

MORE  THAN  13OO  FONTS 
FROM  WHICH  TO  SELECT  A  FACE 
TO  MEET  YOUR  NEEDS 
123456T89O 

18H4  Point  No.  166 

MONOTYPE  WORK 
MEANS     MAXIMUM    QUALITY 
AT  MINIMUM  COST 
123456T89O 

*  The  8  and  10  point  sizes  of  this  series  are  cast  on  the  T  mold,  using  the  12  point  mold  blade. 

ELECTRO-DISPLAY  MATRICES  No.  166,  shown  on  this  page,  are  the  same  type  design  and  are  an  extension  of  the 

344J  Series  shown  on  the  reverse  side  of  this  sheet 


PLATE -GOTHIC  No.  345  J  SERIES 

COMPOSITION  MATRICES 


SET  YOUR 
ADVERTISEMENTS 

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THE  Plate-Gothics  are  so  arranged  that  all 
four  sizes  of  six-point  are  carried  in  one  Matrix 
Case  and,  similarly,  all  four  sizes  of  twelve- 
point  are  carried  in  one  Matrix  Case.  Thus,  four 
sizes  may  be  composed  at  one  operation  on  the  Style 
D  Keyboard,  or  eight  sizes  on  the  Duplex  Keyboard, 
and  cast  in  justified  lines  on  the  Casting  Machine. 
At  the  Keyboard  the  right  and  left  Keybars  and 
Keybanks  P-G  and  the  Stopbars  S108  are  required, 
and  at  the  Casting  Machine  the  Normal  Wedge 
S108  is  required.  A  five-unit  high  space  is  required 
before  the  M  and  W  of  both  six-  and  twelve-point 
No.  1  size  of  the  345J  series. 

Both  six- point  and  twelve-point  fonts  will  line 
when  cast  in  composition  on  the  same  Mold,  but  to 
justify  the  six-point  with  the  twelve-point,  when 
setting  by  hand,  the  following  plan  has  been  adopted: 
The  twelve-point  remains  on  its  standard  line, 
.1250,  but  the  six-point  is  cast  to  .0697  line.  The 
six-point  is  then  justified  to  the  twelve-point  by 
placing  four  points  above  and  two  points  below  the 
six-point  type.  Electro- Display  Matrices  of  the 
No.  345  series,  shown  on  page  four,  are  the  same  type 
design  and  are  an  extension  of  this  345J  series  and 
justify  with  twelve-point  by  point  justification.  To 
justify  together  the  twelve-,  fourteen-,  eighteen-, 
and  twenty-four-point  sizes,  place  all  the  spacing 
at  the  top.  This  makes  all  sizes  line.  The  comma, 
semi-colon,  and  tail  of  the  Cap  Q  of  the  eighteen- 
and  twenty-four-point  sizes  will  overhang  the  body 
slightly,  and  there  will  be  a  slight  overhang  at  the 
top  of  the  18H4  and  24H4  sizes. 

This  plan  for  point  line  justifying  all  sizes  of  the 
Plate-Gothic  for  hand  composition  applies  to  all 
series  of  Plate-Gothics  now  ready  and  those  that 
may  be  added  in  the  future.  The  line  standards  for 
casting  type  for  hand  composition  for  Plate-Gothics 
according  to  the  above  plan  will  be  as  follows: 


Six-point 

Twelve-point 

Fourteen-point 

Eighteen-point 

Twenty-four-point 


.0697 

.1250  (Standard) 

.1527 

.2080 

.2910 


The  Draw  Rod  should  be  readjusted  to  suit  the 
movement  of  the  Centering  Pin  when  running  on 
special  line  adjustment  in  order  to  produce  the  point 
line  justification. 


SET  THEM 

ON  THE  MONOTYPE 

KEYBOARD 


JAMIESON'S 

PHOTO 

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SHOP 

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THE  DEMAND  FOR  ALL  KINDS  OF  COMMERCIAL  WORK  IN  THE  PLATE-GOTHIC  FAM- 
ILIES IS  CONSTANTLY  INCREASING,  AND  THE  PRINTER  WITH  THESE  NEW  MONOTYPE 
COMBINATIONS,  ARRANGED  TO  QUICKEN  AND  SIMPLIFY  EVERY  FACTOR  OF  PRO- 
DUCTION, HAS  THE  ADVANTAGE  OF  IMPROVING  HIS  PRESENT  QUALITY  AT  A  LOWER 
COST,  AND  OF  ATTRACTING  A  BIGGER  VOLUME  OF  NEW  BUSINESS  TO  THE  SHOP 


Page  one 


No.  345J.     Arrangement  P-G — Composition  Matrices 


Specimens  of  the  four  sizes  contained  in 
each  matrix  case,  each  size  shown  separately 


12  Point  No.  345J,  12  Set 
No.  1 

THE  BEST  KIND  OF  ORIGINALITY 
IS  THAT  WHICH  COMES  AFTER  A 
SOUND  APPRENTICESHIP;  THAT 
WHICH  SHALL  PROVE  TO  BE  THE 
BLENDING  OFA  FIRM  CONCEPTION 
OF  ALL  USEFUL  PRECEDENT  AND 
THE  PROGRESSIVE  TENDENCY  OF 

ABCDEFGHIJKLMNOPQRSTUVWX 
$1234567890 


6  Point  No.  345J,  7  Set 
No.  1 

THE  BEST  KIND  OF  ORIGINALITY  IS 
THAT  WHICH  COMES  AFTER  A  SOUND 
APPRENTICESHIP:  THAT  WHICH  SHALL 
PROVE  TO  BE  THE  BLENDING  OF  A 
FIRM  CONCEPTION  OF  ALL  USEFUL 
PRECEDENT  AND  THE  PROGRESSIVE 
TENDENCIES  OF  AN  ABLE  MIND.  FOR. 
LET  A  MAN  BE  AS  ABLE  AND  ORIGINAL 
AS  HE  MAY,  HE  CANNOT  AFFORD  TO 
DISCARD  KNOWLEDGE  OF  WHAT  HAS 
GONEBEFOREOR  WHAT  IS  NOW  GOING 
ON  IN  HIS  OWN  TRADE  AND  PROFES- 
SION. IF  THE  PRINTERS  OF  TODAY  DO 
NOT  WISH  TO  BE  ESTEEMED  ARRO- 
GANT WHEN  THEY  TERM  THIS  CALL- 
ING OF  THEIRS  AN  ART,  THEY  MUST  BE 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

$1234567890 


No.  2 

THE  VERY  BEST  KIND  OF  ORIGINALITY 
IS  THAT  WHICH  COMES  AFTER  A  SOUND 
APPRENTICESHIP;  THAT  WHICH  SHALL 
PROVE  TO  BE  THE  BLENDING  OF  A  FIRM 
CONCEPTION  OF  ALL  USEFUL  PRECE- 
DENT AND  THE  PROGRESSIVE  TENDEN- 
CIES OF  AN  ABLE  MIND.  FOR,  LET  A  MAN 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 
$1234567890 


No.  2 

THE  BEST  KIND  OF  ORIGINALITY  IS  THAT 
WHICH  COMES  AFTER  A  SOUND  APPREN- 
TICESHIP: THAT  WHICH  SHALL  PROVE  TO 
BE  THE  BLENDING  OF  A  FIRM  CONCEPTION 
OF  ALL  USEFUL  PRECEDENT  AND  THE  PRO- 
GRESSIVE TENDENCIES  OF  AN  ABLE  MIND. 
FOR,  LET  A  MAN  BE  AS  ABLE  AND  ORIGINAL 
AS  HE  MAY.  HE  CANNOT  AFFORD  TO  DIS- 
CARD KNOWLEDGE  OF  WHAT  HAS  GONE  BE- 
FORE OR  WHAT  IS  NOW  GOING  ON  IN  HIS 
OWN  TRADE  AND  HIS  PROFESSION.  IF  THE 
PRINTERS  OF  TODAY  DO  NOT  WISH  TO  BE 
ESTEEMED  ARROGANT  WHEN  THEY  TERM 
THIS  CALLING  OF  THEIRS  AN  ART,  THEY 
MUST  BE  WILLING,  AND  SHOW  THAT  THEY 
ARE  WILLING,  TO  SUBJECT  IT  TO  SUCH  LAWS 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 
$1234567890 


No.  3 

THE  VERY  BEST  KIND  OF  ORIGINALITY  IS  THAT 
WHICH  COMES  AFTER  A  SOUND  APPRENTICE- 
SHIP; THAT  WHICH  SHALL  PROVE  TO  BE  THE 
BLENDING  OF  A  FIRM  CONCEPTION  OF  ALL 
USEFUL  PRECEDENT  AND  THE  PROGRESSIVE 
TENDENCIES  OF  AN  ABLE  MIND.  FOR,  LET  A 
MAN  BE  AS  ABLE  AND  ORIGINAL  AS  HE  MAY, 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

$1234567890 


No.  3 

THE  BEST  KIND  OF  ORIGINALITY  IS  THAT  WHICH 
COMES  AFTER  A  SOUND  APPRENTICESHIP;  THAT 
WHICH  SHALL  PROVE  TO  BE  THE  BLENDING  OF  A 
FIRM  CONCEPTION  OF  ALL  USEFUL  PRECEDENT  AND 
THE  PROGRESSIVE  TENDENCIES  OF  AN  ABLE  MIND. 
FOR,  LET  A  MAN  BE  AS  ABLE  AND  ORIGINAL  AS  HE 
MAY,  HE  CANNOT  AFFORD  TO  DISCARD  A  KNOWL- 
EDGE OF  WHAT  HAS  GONE  BEFORE  OR  WHAT  IS 
NOW  GOING  ON  IN  HIS  OWN  TRADE  AND  PROFES- 
SION. IF  THE  PRINTERS  OF  TODAY  DO  NOT  WISH  TO 
BE  ESTEEMED  ARROGANT  WHEN  THEY  TERM  THIS 
CALLING  OF  THEIRS  AN  ART,  THEY  MUST  BE  WILL- 
ING, AND  SHOW  THAT  THEY  ARE  WILLING,  TO  SUB- 
JECT IT  TO  SUCH  LAWS  AS  HAVE  MADE  ITS  SISTER 
ARTS  SO  FREE.  ALL  THOSE  CONCERNED  IN  WHAT 
ARE  ACCEPTED  AS  THE  FINE  ARTS,  THE  LEARNED 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 
$1234567890 


No.  4 

THE  VERY  BEST   KIND  OF  ORIGINALITY  IS   THAT  WHICH 

COMES  AFTER  A  SOUND  APPRENTICESHIP;   THAT  WHICH 

SHALL    PROVE    TO    BE    THE     BLENDING    OF    SOME    FIRM 

CONCEPTION   OF  ALL   USEFUL    PRECEDENT   AND  OF   THE 

PROGRESSIVE    TENDENCIES  OF   AN    ABLE    MIND.         FOR, 

LET  A  MAN    BE   AS   ABLE   AND  ORIGINAL  AS   HE  MAY,   HE 

CANNOT  AFFORD  TO   DISCARD   A  KNOWLEDGE  OF   WHAT 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

$1234567890 


No.  4 


THE    BEST    KIND    OF    ORIGINALITY    IS    THAT    WHICH    COMES 

PROVE  TO  BE  THE  BLENDING  OF  A  FIRM  CONCEPTION  OF 
ALL  USEFUL  PRECEDENT  AND  THE  PROGRESSIVE  TENDEN- 
CIES OF  AN  ABLE  MIND.  FOR,  LET  A  MAN  BE  AS  ABLE  AND 
ORIGINAL  AS  HE  MAY,  HE  CANNOT  AFFORD  TO  DISCARD  A 
KNOWLEDGE  OF  WHAT  HAS  GONE  BEFORE  OR  WHAT  IS 
NOW  GOING  ON  IN  HIS  OWN  TRADE  AND  PROFESSION.  IF 
THE  PRINTERS  OF  TODAY  DO  NOT  WISH  TO  BE  ESTEEMED 

ART,  THEY  MUST  BE  WILLING,  AND  SHOW  THAT  THEY  ARE 
WILLING,  TO  SUBJECT  IT  TO  SUCH  LAWS  AS  HAVE  MADE 
ITS  SISTER  ARTS  SO  FREE.  ALL  THOSE  CONCERNED  IN 

SCIENCES,  AND  PROFESSIONS  SURROUND  THEMSELVES  WITH 
ABCDEFGHIJKLMNOPQRSTUVWXYZ 

J1 234567890 


ELECTRO-DISPLAY  MATRICES  No.  345,  shown  on  page  four,  are  the  same  type  design  and  are  an  extension  of  the 

345J  Series  shown  on  this  page 


Page  two 


No.  345J.     Arrangement  P-G — Composition  Matrices 

Specimens  of  all  the  possible  cap  and  small  cap  combinations 
that  can  be  made  with  the  four  sizes  in  each  matrix  case 


6  Point  No.  345J,  7  Set 
Nos.  1  and  2 

THE  BEST  KIND  OF  ORIGINALITY  is  THAT 
WHICH  COMES  AFTER  A  SOUND  APPREN- 
TICESHIP: THAT  WHICH  SHALL  PROVE  TO 
BE  THE  BLENDING  OF  A  FIRM  CONCEPTION 
OF  ALL  USEFUL  PRECEDENT  AND  THE  PRO- 
GRESSIVE TENDENCIES  OF  AN  ABLE  MIND. 
FOR.  LET  A  MAN  BE  AS  ABLE  AND  ORIGINAL 
AS  HE  MAY.  HE  CANNOT  AFFORD  TO  DIS- 
CARD A  KNOWLEDGE  OF  WHAT  HAS  GONE 
BEFORE  OR  WHAT  is  Now  GOING  ON  IN  His 


12  Point  No.  345 J,  12  Set 
Nos.  1  and  2 

THE  BEST  KIND  OF  ORIGINALITY  is 
THAT  WHICH  COMES  AFTER  A  SOUND 
APPRENTICESHIP;  THAT  WHICH  SHALL 
PROVE  TO  BE  THE  BLENDING  OF  A  FIRM 
CONCEPTION  OF  ALL  USEFUL  PRECE- 


Nos.  1  and  3 

THE  BEST  KIND  OF  ORIGINALITY  is  THAT  WHICH 
COMES  AFTER  A  SOUND  APPRENTICESHIP:  THAT 
WHICH  SHALL  PROVE  TO  BE  THE  BLENDING  OF  A 
FIRM  CONCEPTION  OF  ALL  USEFUL  PRECEDENT 
AND  THE  PROGRESSIVE  TENDENCIES  OF  AN  ABLE 
MIND.  FOR.  LET  A  MAN  BE  AS  ABLE  AND  ORIGINAL 
AS  HE  MAY.  HE  CANNOT  AFFORD  TO  DISCARD  A 
KNOWLEDGE  OF  WHAT  HAS  GONE  BEFORE  OR 
WHAT  is  Now  GOING  ON  IN  His  OWN  TRADE  AND 
PROFESSION.  IF  THE  PRINTERS  OF  TODAY  DO  NOT 


Nos.  1  and  3 

THE  BEST  KIND  OF  ORIGINALITY  is  THAT 
WHICH  COMES  AFTER  A  SOUND  APPREN- 
TICESHIP; THAT  WHICH  SHALL  PROVE  TO  BE 
THE  BLENDING  OF  A  FIRM  CONCEPTION  OF 
ALL  USEFUL  PRECEDENT  AND  THE  PROGRES- 


Nos.  1  and  4 

THE  BEST  KIND  OF  ORIGINALITY  is  THAT  WHICH  COMES 
AFTER  A  SOUND  APPRENTICESHIP;  THAT  WHICH  SHALL 
PROVE  TO  BE  THE  BLENDING  OF  A  FIRM  CONCEPTION  OF 
ALL  USEFUL  PRECEDENT  AND  THE  PROGRESSIVE  TEN- 
DENCIES  OF  AN  ABLE  MIND.  FOR,  LET  A  MAN  BE  AS 
ABLE  AND  ORIGINAL  AS  HE  MAY,  HE  CANNOT  AFFORD 
TO  DISCARD  A  KNOWLEDGE  OF  WHAT  HAS  GONE  BEFORE 
OR  WHAT  is  Now  GOING  ON  IN  His  OWN  TRADE  AND 
His  PROFESSION.  IF  THE  PRINTERS  OF  TODAY  DO  NOT 
WISH  TO  BE  ESTEEMED  ARROGANT  WHEN  THEY  TERM 


Nos.  1  and  4 

THE  BEST  KIND  OF  ORIGINALITY  is  THAT  WHICH 
COMES  AFTER  A  SOUND  APPRENTICESHIP:  THAT 
WHICH  SHALL  PROVE  TO  BE  THE  BLENDING  OF  A 
FIRM  CONCEPTION  OF  ALL  USEFUL  PRECEDENT  AND 
THE  PROGRESSIVE  TENDENCIES  OF  AN  ABLE  MIND. 


Nos.  2  and  3 

THE  BEST  KIND  OF  ORIGINALITY  IS  THAT  WHICH 
COMES  AFTER  A  SOUND  APPRENTICESHIP;  THAT 
WHICH  SHALL  PROVE  TO  BE  THE  BLENDING  OF  A 
FIRM  CONCEPTION  OF  ALL  USEFUL  PRECEDENT 
AND  THE  PROGRESSIVE  TENDENCIES  OF  AN  ABLE 
MIND.  FOR,  LET  A  MAN  BE  AS  ABLE  AND  ORIG- 
INAL AS  HE  MAY,  HE  CANNOT  AFFORD  TO  DISCARD 
A  KNOWLEDGE  OF  WHAT  HAS  GONE  BEFORE  OR 
WHAT  IS  NOW  GOING  ON  IN  HIS  OWN  TRADE  AND 
PROFESSION.  IF  THE  PRINTERS  OF  TODAY  DO  NOT 


Nos.  2  and  3 

THE  BEST  KIND  OF  ORIGINALITY  is  THAT 
WHICH  COMES  AFTER  A  SOUND  APPRENTICE- 
SHIP; THAT  WHICH  SHALL  PROVE  TO  BE  THE 
BLENDING  OF  A  FIRM  CONCEPTION  OF  ALL 
USEFUL  PRECEDENT  AND  THE  PROGRESSIVE 


Nos.  2  and  4 

THE  BEST  KIND  OF  ORIGINALITY  is  THAT  WHICH  COMES 
AFTER  A  SOUND  APPRENTICESHIP;  THAT  WHICH  SHALL 
PROVE  TO  BE  THE  BLENDING  OF  A  FIRM  CONCEPTION  OF 
ALL  USEFUL  PRECEDENT  AND  THE  PROGRESSIVE  TEN- 
DENCIES OF  AN  ABLE  MIND.  FOR.  LET  A  MAN  BE  AS 
ABLE  AND  ORIGINAL  AS  HE  MAY,  HE  CANNOT  AFFORD 
TO  DISCARD  A  KNOWLEDGE  OF  WHAT  HAS  GONE  BEFORE 
OR  WHAT  is  Now  GOING  ON  IN  His  OWN  TRADE  AND 
PROFESSION.  IF  THE  PRINTERS  OF  TODAY  DO  NOT  WISH 
TO  BE  ESTEEMED  ARROGANT  WHEN  THEY  TERM  THIS  CALL- 


Nos.  2  and  4 

THE  BEST  KIND  OF  ORIGINALITY  is  THAT  WHICH 
COMES  AFTER  A  SOUND  APPRENTICESHIP;  THAT 
WHICH  SHALL  PROVE  TO  BE  THE  BLENDING  OF  A 
FIRM  CONCEPTION  OF  ALL  USEFUL  PRECEDENT  AND 
THE  PROGRESSIVE  TENDENCIES  OF  AN  ABLE  MIND. 


Nos.  3  and  4 

THE  BEST  KIND  OF  ORIGINALITY  is  THAT  WHICH  COMES 
AFTER  A  SOUND  APPRENTICESHIP:  THAT  WHICH  SHALL 
PROVE  TO  BE  THE  BLENDING  OF  A  FIRM  CONCEPTION  OF 
ALL  USEFUL  PRECEDENT  AND  THE  PROGRESSIVE  TENDEN- 

WHAT  is  Now  GOING  ON  IN  His  OWN  TRADE  AND  PRO- 
ESTEEMED  ARROGANT  WHEN  THEY  TERM  THIS  CALLING  OF 


Nos.  3  and  4 

THE  VERY  BEST  KIND  OF  ORIGINALITY  is  THAT  WHICH 
COMES  AFTER  A  SOUND  APPRENTICESHIP;  THAT 
WHICH  SHALL  PROVE  TO  BE  THE  BLENDING  OF  A 
FIRM  CONCEPTION  OF  ALL  USEFUL  PRECEDENT  AND 
THE  PROGRESSIVE  TENDENCIES  OF  AN  ABLE  MIND. 


ELECTRO-DISPLAY  MATRICES  No.  345,  shown  on  page  four,  are  the  same  type  design  and  are  an  extension  of  the 

34SJ  Series  shown  on  this  page 


Page  three 


No.  345  Electro-Display  Matrices 

14  Point  No.  345 

YOU  GET  ALL  THE 

ADVANTAGES  OF  THE  STANDARD  MATRIX  LINE 
WITH  MONOTYPE  PLATE-GOTHICS 

51234567890 


18  Point  No.  345 


THE  MONOTYPE 


CAN  FURNISH  MORE  TYPE  FACES  THAN 


ANY  OTHER  MACHINE 


$1234567890 


18H4  Point  No.  345 


AS  YOUR  BUSINESS 

GROWS  YOU  ADD  JUST  THE  TYPE 

FACES  YOU  REQUIRE 

$1234567890 


24  Point  No.  345 


HAND  COMPOSITION 

ENTIRELY    INDEPENDENT   OF 

COMPOSING  MACHINE 

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24H4  Point  No.  345 


YOUR  CUSTOMERS 

WILL  WANT  MONOTYPE 

PLATE-GOTHICS 

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Page  four 


PLATE-GOTHIC  No.  34  6K  SERIES 

COMPOSITION  MATRICES 

rTAHE   Plate-Gothics   are   so   arranged  that   all          justify  with  twelve-point  by  point  justification.    To 
1     four  sizes  of  six-point  are  carried  in  one  Matrix         justify   together  the  twelve-,   fourteen-,   eighteen-, 
•*•  Case  and,  similarly,  all  four  sizes  of  twelve-          and  twenty-four-point  sizes,  place  all  the  spacing 
point  are  carried  in  one  Matrix  Case.     Thus,  four          at  the  top.    This  makes  all  sizes  line.    The  comma, 
sizes  may  be  composed  at  one  operation  on  the  Style          semi-colon,  and  tail  of  the  Cap  Q  of  the  eighteen- 
D  Keyboard,  or  eight  sizes  on  the  Duplex  Keyboard,          and  twenty-four-point  sizes  will  overhang  the  body 
and  cast  in  justified  lines  on  the  Casting  Machine.          slightly,  and  there  will  be  a  slight  overhang  at  the 
At  the  Keyboard  the  right  and  left  Keybars  and          top  of  the  18H4  and  24H4  sizes. 
Keybanks  PG  and  the  Stopbars  S108  are  required,              This  plan  for  point  line  justifying  all  sizes  of  the 
and  at  the  Casting  Machine  the  Normal   Wedge         Plate-Gothic   for   hand   composition   applies  to  all 
SI  08  is  required.    A  five-unit  high  space  is  required          series  of  Plate-Gothics  now  ready  and  those  that 
before  the  M  and  W  of  both  six-  and  twelve-point          may  be  added  in  the  future.    The  line  standards  for 
No.  1  size  of  the  346K  series.                                                   casting  type  for  hand  composition  for  Plate-Gothics 
Both  six-point  and  twelve-point  fonts  will  line         according  to  the  above  plan  will  be  as  follows: 
when  cast  in  composition  on  the  same  Mold,  but  to                          <,.                                          nfio? 
justify  the  six-point  with  the  twelve-point,  when                          Jsix-pomt                            .uoy/ 
setting  by  hand,  the  following  plan  has  been  adopted:                         Twelve-point                    1250  (Standard) 
The    twelve-point    remains    on    its    standard    line,                          fL?1^                                   '"** 
.1250,  but  the  six-point  is  cast  to  .0697  line.     The                          Eighteen-pomt                 .2080 
six-point  is  then  justified  to  the  twelve-point  by                         Twenty-four-pomt 
placing  four  points  above  and  two  points  below  the             The  Draw  Rod  should  be  readjusted  to  suit  the 
six-point   type.      Electro-Display    Matrices   of  the          movement  of  the  Centering    Pin  when  running  on 
No.  3461  series,  shown  on  page  four,  are  the  same  type          special  line  adjustment  in  order  to  produce  the  point 
design  and  are  an  extension  of  this  346K  series  and         line  justification. 

EXPERIENCE  AND  PERFECTION 

ANY  MACHINE  WHICH  SUPPLANTS  HAND 
LABOR  MUST  GO  THROUGH  A  PERIOD  OF 
SUSPICION.    PERFECTION  OF  A  MACHINE 
CAN  COME  ONLY  THROUGH  THE  EXPERI- 
ENCE OF  THE  PERSON  USING  IT.     EXPERI- 
ENCE is  OUR  GREA  TEST  SALESMAN.  MORE 
THAN  ONE-  HALF  OF  OUR  ORDERS  TO-DAY 
ARE  FROM  PRINTERS  WHO  KNOW  FROM 
EXPERIENCE  THAT  THE  MONOTYPE  MEANS 
PERFECTION  IN  THE  COMPOSING  ROOM 

LANSTON  MONOTYPE  MACHINE  Co. 

PHILADELPHIA 

Page  one 


No.  346K.     Arrangement  P-G — Composition  Matrices 


Specimens  of  the  four  sizes  contained  in 
each  matrix  case,  each  size  shown  separately 


12  Point  No.  346K,  12  Set 
No.  1 

THE  BEST  KIND  OF  ORIGINALITY 
IS  THAT  WHICH  COMES  AFTER  A 
SOUND  APPRENTICESHIP;  THAT 
WHICH  SHALL  PROVE  TO  BE  THE 
BLENDING  OF  A  FIRM  CONCEP- 
TION OF  ALL  USEFUL  PRECEDENT 
AND  THE  PROGRESSIVE  TEN  DEN- 

ABCDEFGHIJKLMNOPQRSTUVW 
$1234567890 

No.  2 

THE  BEST  KIND  OF  ORIGINALITY  IS 
THAT  WHICH  COMES  AFTER  A  SOUND 
APPRENTICESHIP;  THAT  WHICH  SHALL 
PROVE  TO  BE  THE  BLENDING  OF  A  FIRM 
CONCEPTION  OF  ALL  USEFUL  PRECE- 
DENT AND  THE  PROGRESSIVE  TENDEN- 
CIES OF  AN  ABLE  MIND.  FOR,  LET  A  MAN 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 
$1234567890 

No.  3 

THE  VERY  BEST  KIND  OF  ORIGINALITY  IS  THAT 
WHICH  COMES  AFTER  A  SOUND  APPRENTICE- 
SHIP; THAT  WHICH  SHALL  PROVE  TO  BE  THE 
BLENDING  OF  A  FIRM  CONCEPTION  OF  ALL 
USEFUL  PRECEDENT  AND  THE  PROGRESSIVE 
TENDENCIES  OF  AN  ABLE  MIND.  FOR,  LET  A 
MAN  BE  AS  ABLE  AND  ORIGINAL  AS  HE  MAY, 

ABCDEFGHIJKLMNOPQRSTUVWX  YZ 

$1234567890 

No.  4 

THE  BEST  KIND  OF  ORIGINALITY  IS  THAT  WHICH  COMES 
AFTER  A  SOUND  APPRENTICESHIP:     THAT  WHICH  SHALL 
PROVE     TO     BE     THE    BLENDING     OF    A     F/RM     CONCEP- 
TION OF  ALL    USEFUL   PRECEDENT  AND   THE  PROGRES- 
SIVE TENDENCIES  OF  AN  ABLE  MIND.       FOR,  LET  A   MAN 
BE   AS    ABLE   AND    ORIGINAL    AS    HE   MAY,    HE    CANNOT 
AFFORD     TO    DISCARD     A     KNOWLEDGE    OF    WHAT    HAS 
ABCDEFGHIJKLMNOPQRSTUVWXYZ 
$1234567890 


6  Point  No.  346K,  7  Set 
No.  1 

THE  BEST  KIND  OF  ORIGINALITY  IS 
THAT  WHICH  COMES  AFTER  A  SOUND 
APPRENTICESHIP:  THAT  WHICH  SHALL 
PROVE  TO  BE  THE  BLENDING  OF  A 
FIRM  CONCEPTION  OF  ALL  USEFUL 
PRECEDENT  AND  THE  PROGRESSIVE 
TENDENCIES  OF  AN  ABLE  MIND.  FOR, 
LET  A  MAN  BE  AS  ABLE  AND  ORIGINAL 
AS  HE  MAY,  HE  CANNOT  AFFORD  TO 
DISCARD  KNOWLEDGE  OF  WHAT  HAS 
GONE  BEFORE  OR  WHA  T  IS  NOW  GO  ING 
ON  IN  HIS  OWN  TRADE  AND  PROFES- 
SION. IF  THE  PRINTERS  OF  TODA  Y  DO 
NOT  WISH  TO  BE  ESTEEMED  ARRO- 
GANT WHEN  THEY  TERM  THIS  CALL- 
ING OF  THEIRS  AN  ART,  THEY  MUST  BE 

ABCDEFGHIJKLMNOPQRSTUV  WX  YZ 
$1234567890 


No.  2 

THE  BEST  KIND  OF  ORIGINALITY  IS  THAT 
WHICH  COMES  AFTER  A  SOUND  APPREN- 
TICESHIP: THAT  WHICH  SHALL.  PROVE  TO 
BE  THE  BLENDING  OF  A  FIRM  CONCEPTION 
OF  ALL  USEFUL  PRECEDENT  AND  THE  PRO- 
GRESSIVE TENDENCIES  OF  AN  ABLE  MIND. 
FOR,  LET  A  MAN  BE  AS  ABLE  AND  ORIGINAL 
AS  HE  MAY,  HE  CANNOT  AFFORD  TO  DIS- 
CARD KNOWLEDGE  OF  WHAT  HAS  GONE 
BEFORE  OR  WHAT  IS  NOW  GOING  ON  IN 
HIS  OWN  TRADE  AND  PROFESSION.  IF  THE 
PRINTERS  OF  TODAY  DO  NOT  WISH  TO  BE 
ESTEEMED  ARROGANT  WHEN  THEY  TERM 
THIS  CALLING  OF  THEIRS  AN  ART.  THEY 
MUST  BE  WILLING.  AND  SHOW  THAT  THEY 
ARE  WILLING,  TO  SUBJECT  IT  TO  SUCH  LA  WS 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 
$1234567890 


No.  3 

THE  BEST  KIND  OF  ORIGINALITY  IS  THAT  WHICH 
COMES  AFTER  A  SOUND  APPRENTICESHIP;  THAT 
WHICH  SHALL  PROVE  TO  BE  THE  BLENDING  OF  A 
FIRM  CONCEPTION  OF  ALL  USEFUL  PRECEDENT  AND 
THE  PROGRESSIVE  TENDENCIES  OF  AN  ABLE  MIND. 
FOR,  LET  A  MAN  BE  AS  ABLE  AND  ORIGINAL  AS  HE 
MAY.  HE  CANNOT  AFFORD  TO  DISCARD  A  KNOWL- 
EDGE OF  WHAT  HAS  GONE  BEFORE  OR  WHAT  IS 
NOW  GOING  ON  IN  HIS  OWN  TRADE  AND  PROFES- 
SION. IF  THE  PRINTERS  OF  TODA  Y  DO  NOT  WISH  TO 
BE  ESTEEMED  ARROGANT  WHEN  THEY  TERM  THIS 
CALLING  OF  THEIRS  AN  ART,  THEY  MUST  BE  WILL- 
ING, AND  SHOW  THAT  THEY  ARE  WILLING.  TO  SUB- 
JECT IT  TO  SUCH  LAWS  AS  HAVE  MADE  ITS  SISTER 
ARTS  SO  FREE.  ALL  THOSE  CONCERNED  IN  WHAT 
ARE  ACCEPTED  AS  THE  FINE  ARTS,  THE  LEARNED 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

$1234567890 


No.  4 


THE  BEST  KIND  OF  ORIGINALITY  IS  THAT  WHICH  COMES 
AFTER  A  SOUND  APPRENTICESHIP:  THAT  WHICH  SHALL 
PROVE  TO  BE  THE  BLENDING  OF  A  FIRM  CONCEPTION  OF 
ALL  USEFUL  PRECEDENT  AND  THE  PROGRESSIVE  TENDEN- 
CIES OF  AN  ABLE  MIND.  FOR,  LET  A  MAN  BE  AS  ABLE  AND 
ORIGINAL  AS  HE  MAY.  HE  CANNOT  AFFORD  TO  DISCARD  A 
KNOWLEDGE  OF  WHAT  HAS  GONE  BEFORE  OR  WHAT  IS 
NOW  GOING  ON  IN  HIS  OWN  TRADE  AND  PROFESSION.  IF 
THE  PRINTERS  OF  TODAY  DO  NOT  WISH  TO  BE  ESTEEMED 
ARROGANT  WHEN  THEY  TERM  THIS  CALLING  OF  THEIRS  AN 
ART.  THEY  MUST  BE  WILLING,  AND  SHOW  THAT  THEY  ARE 
WILLING.  TO  SUBJECT  IT  TO  SUCH  LAWS  AS  HAVE  MADE 
ITS  SISTER  ARTS  SO  FREE.  ALL  THOSE  CONCERNED  IN 
WHAT  ARE  ACCEPTED  AS  THE  FINE  ARTS.  THE  LEARNED 
SCIENCES,  AND  PROFESSIONS  SURROUND  THEMSELVES  WITH 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 
fUMMNM 


ELECTRO-DISPLAY  MATRICES  No.  346,  shown  on  page  four,  are  the  same  type  design  and  are  an  extension  of  the 

346K  Series  shown  on  this  page 


Page  two 


No.  346K.     Arrangement  P-G — Composition  Matrices 

Specimens  of  all  the  possible  cap  and  small  cap  combinations 
that  can  be  made  with  the  four  sizes  in  each  matrix  case 


6  Point  No.  346K,  7  Set 
Nos.  1  and  2 

THE  BEST  KIND  OF  ORIGINALITY  is  THAT 
WHICH  COMES  AFTER  A  SOUND  APPREN- 
TICESHIP; THAT  WHICH  SHALL.  PROVE  TO 
BE  THE  BLENDING  OF  A  FIRM  CONCEPTION 
OF  ALL  USEFUL  PRECEDENT  AND  THE  PRO- 
GRESSIVE TENDENCIES  OF  AN  ABLE  MIND. 
FOR,  LET  A  MAN  BE  AS  ABLE  AND  ORIGINAL 
AS  HE  MAY,  HE  CANNOT  AFFORD  TO  DIS- 
CARD KNOWLEDGE  OF  WHAT  HAS  GONE 
BEFORE  OR  WHAT  is  Now  GOING  ON  IN  His 


12  Point  No.  346K,  12  Set 
Nos.  1  and  2 

THE  BEST  KIND  OF  ORIGINALITY  is 
THAT  WHICH  COMES  AFTER  A  SOUND 
APPRENTICESHIP;  THAT  WHICH  SHALL 
PROVE  TO  BE  THE  BLENDING  OF  A  FIRM 
CONCEPTION  OF  ALL  USEFUL  PRECE- 


Nos.  1  and  3 

THE  BEST  KIND  OF  ORIGINALITY  is  THAT  WHICH 
COMES  AFTER  A  SOUND  APPRENTICESHIP.-  THAT 
WHICH  SHALL  PROVE  TO  BE  THE  BLENDING  OF  A 
FIRM  CONCEPTION  OF  ALL  USEFUL  PRECEDENT 
AND  THE  PROGRESSIVE  TENDENCIES  OF  AN  ABLE 
MIND.  FOR,  LET  A  MAN  BE  AS  ABLE  AND  ORIGINAL 
AS  HE  MAY,  HE  CANNOT  AFFORD  TO  DISCARD  A 
KNOWLEDGE  OF  WHAT  HAS  GONE  BEFORE  OR 
WHAT  is  Now  GOING  ON  IN  His  OWN  TRADE  AND 
PROFESSION.  IF  THE  PRINTERS  OF  TODA  Y  DO  NOT 


Nos.  1  and  3 

THE  BEST  KIND  OF  ORIGINALITY  is  THAT 
WHICH  COMES  AFTER  A  SOUND  APPREN- 
TICESHIP,- THAT  WHICH  SHALL  PROVE  TO  BE 
THE  BLENDING  OF  A  FIRM  CONCEPTION  OF 
ALL  USEFUL  PRECEDENT  AND  THE  PROGRESS- 


Nos.  1  and  4 

THE  BEST  KINO  OF  ORIGINALITY  is  THAT  WHICH  COMES 
AFTER  A  SOUND  APPRENTICESHIP;  THAT  WHICH  SHALL 
PROVE  TO  BE  THE  BLENDING  OF  A  FIRM  CONCEPTION  OF 
ALL  USEFUL  PRECEDENT  AND  THE  PROGRESSIVE  TEN- 
DENCIES OF  AN  ABLE  MIND.  FOR.  LET  A  MAN  BE  AS 
ABLE  AND  ORIGINAL  AS  HE  MAY.  HE  CANNOT  AFFORD 
TO  DISCARD  KNOWLEDGE  OF  WHAT  HAS  GONE  BEFORE 
OR  WHAT  is  Now  GOING  ON  IN  His  OWN  TRADE  AND 
PROFESSION.  IF  THE  PRINTERS  OF  TODAY  DO  NOT 
WISH  TO  BE  ESTEEMED  ARROGANT  WHEN  THEY  TERM 


Nos.  1  and  4 

THE  BEST  KIND  OF  ORIGINALITY  is  THAT  WHICH 
COMES  AFTER  A  SOUND  APPRENTICESHIP:  THAT 
WHICH  SHALL  PROVE  TO  BE  THE  BLENDING  OF  A 
FIRM  CONCEPTION  OF  ALL  USEFUL  PRECEDENT 
AND  THE  PROGRESSIVE  TENDENCIES  OF  AN  ABLE 


Nos.  2  and  3 

THE  BEST  KIND  OF  ORIGINALITY  IS  THAT  WHICH 
COMES  AFTER  A  SOUND  APPRENTICESHIP;  THAT 
WHICH  SHALL  PROVE  TO  BE  THE  BLENDING  OF  A 
FIRM  CONCEPTION  OF  ALL  USEFUL  PRECEDENT 
AND  THE  PROGRESSIVE  TENDENCIES  OF  AN  ABLE 
MIND.  FOR.  LET  A  MAN  BE  AS  ABLE  AND  ORIG- 
INAL AS  HE  MAY.  HE  CANNOT  AFFORD  TO  DISCARD 
A  KNOWLEDGE  OF  WHAT  HAS  GONE  BEFORE  OR 
WHAT  IS  NOW  GOING  ON  IN  HIS  OWN  TRADE  AND 
PROFESSION.  IF  THE  PRINTERS  OF  TODA  Y  DO  NOT 


Nos.  2  and  3 

THE  BEST  KIND  OF  ORIGINALITY  is  THAT 
WHICH  COMES  AFTER  A  SOUND  APPRENTICE- 
SHIP,- THAT  WHICH  SHALL  PROVE  TO  BE 
THE  BLENDING  OF  A  FIRM  CONCEPTION  OF 
ALL  USEFUL  PRECEDENT  AND  THE  PROGRESS- 


Nos.  2  and  4 

THE  BEST  KIND  OF  ORIGINALITY  is  THAT  WHICH  COMES 
AFTER  A  SOUND  APPRENTICESHIP:  THAT  WHICH  SHALL 
PROVE  TO  BE  THE  BLENDING  OF  A  FIRM  CONCEPTION  OF 
ALL  USEFUL  PRECEDENT  AND  THE  PROGRESSIVE  TEN- 
DENCIES OF  AN  ABLE  MIND.  FOR,  LET  A  MAN  BE  AS 
ABLE  AND  ORIGINAL  AS  HE  MAY.  HE  CANNOT  AFFORD 
TO  DISCARD  A  KNOWLEDGE  OF  WHAT  HAS  GONE  BEFORE 
OR  WHAT  is  Now  GOING  ON  IN  His  OWN  TRADE  AND 
PROFESSION.  IF  THE  PRINTERS  OF  TODAY  DO  NOT  WISH 
TO  BE  ESTEEMED  ARROGANT  WHEN  THEY  TERM  THIS 


Nos.  2  and  4 

THE  BEST  KIND  or  ORIGINALITY  is  THAT  WHICH 
COMES  AFTER  A  SOUND  APPRENTICESHIP;  THAT 
WHICH  SHALL.  PROVE  TO  BE  THE  BLENDING  OF  A 
FIRM  CONCEPTION  or  ALL  USEFUL  PRECEDENT  AND 
THE  PROGRESSIVE  TENDENCIES  OF  AN  ABLE  MIND. 


Nos.  3  and  4 

THE  BEST  KIND  OF  ORIGINALITY  is  THAT  WHICH  COMES 
AFTER  A  SOUND  APPRENTICESHIP:  THAT  WHICH  SHALL 
PROVE  TO  BE  THE  BLENDING  OF  A  FIRM  CONCEPTION  OF 
ALL  USEFUL  PRECEDENT  AND  THE  PROGRESSIVE  TENDEN- 
CIES OF  AN  ABLE  MIND.  FOR.  LET  A  MAN  BE  AS  ABLE 
AND  ORIGINAL  AS  HE  MAY.  HE  CANNOT  AFFORD  TO  DIS- 
CARD A  KNOWLEDGE  OF  WHAT  HAS  GONE  BEFORE  OR 


WHA 


vo  PRO- 


FESSION.    IF  THE  PRINTERS  OF  TODAY  DO  NOT  WISH  TO  BE 
ESTEEMED  ARROGANT  WHEN  THEY  TERM  THIS  CALLING  OF 


Nos.  3  and  4 

THE  BEST  KIND  OF  ORIGINALITY  is  THAT  WHICH 
COMES  AFTER  A  SOUND  APPRENTICESHIP,-  THAT 
WHICH  SHALL  PROVE  TO  BE  THE  BLENDING  OF  A 
FIRM  CONCEPTION  OF  ALL  USEFUL  PRECEDENT  AND 
THE  PROGRESSIVE  TENDENCIES  OF  AN  ABLE  MIND. 


ELECTRO-DISPLAY  MATRICES  No.  3461,  shown  on  page  four,  are  the  tame  type  design  and  are  an  extension  of  the 

346K  Series  shown  on  this  page 


Page  three 


No.  3461  Electro-Display  Matrices 

14  Point  No.  3461 

EACH  LETTER  IN  MONOTYPE 

COMPOSITION  IS  TYPE  CAST  SEPARATELY  AND 

EACH  LETTER  IS  PERFECT 

$1234567890 


18  Point  No.  3461 

THE  MONOTYPE 

IS  USED  ALL  AROUND  THE  WORLD  FOR 

ALL-ROUND   WORK 
$1234567890 

18H4  Point  No.  3461 


THE  KEYBOARD 


OPERATOR  IS  ALWAYS  BUSY  ON 


NEW  COMPOSITION 


$1234567890 


24  Point  No.  3461 


GOOD  PRINTERS 

ARE  ARTISTS  :  SINGLE  TYPES 

ARE  THEIR  MEDIUM 

$1234567890 


24H4  Point  No.  3461 


THE  MONOTYPE 
IS  FAMOUS  FOR  QUALITY 


ELECTRO-DISPLAY  MATRICES  No.  3461,  shown  on  this  page,  are  the  same  type  design  and  are  an  extension  of  the 

346  K  Series  shown  on  pages  two  and  three 


Page  Four 


TITLE 


[PLATE -GOTHIC] 
[ARRANGEMENT] 


No.  34  7  J  SERIES 


ARRANGEMENT    P-G— COMPOSITION   MATRICES 


Specimens  of  the  four  sizes  contained  in  the  matrix  case,  each  size 
shown  separately 

6  Point  No.  347J,  8  Set 

No.  1 

THE  VERY  BEST  KIND  OF  ORIGINALITY  IS 
THAT  WHICH  COMES  AFTER  A  THOROUGH 
APPRENTICESHIP;  IT  IS  THAT  WHICH  SHALL 
PROVE  TO  BE  THE  BLENDING  OF  A  FIRM! 
CONCEPTION  OF  ALL  USEFUL  PRECEDENT 
AND  THE  PROGRESSIVE  TENDENCIES  OF  AN 
ABLE  MIND.  FOR,  LET  A  MAN  BE  AS  ABLE 
AND  ORIGINAL  AS  HE  MAY,  HE  CANNOT 
AFFORD  TO  DISCARD  KNOWLEDGE  OF  WHAT 
HAS  GONE  BEFORE  OR  WHAT  IS  NOW  GOING 
ON  IN  HIS  OWN  TRADE  AND  PROFESSION. 
IF  THE  PRINTERS  OF  TODAY  DO  NOT  WISH 
TO  BE  ESTEEMED  ARROGANT  WHEN  THEY 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 
$1234567890 


No.  2 

THE  VERY  BEST  KIND  OF  ORIGINALITY  IS  THAT 
WHICH  COMES  AFTER  A  THOROUGH  APPRENTICE- 
SHIP; THAT  WHICH  SHALL  PROVE  TO  BE  THE 
BLENDING  OF  A  FIRM  CONCEPTION  OF  ALL  USE- 
FUL PRECEDENT  AND  THE  PROGRESSIVE  TENDEN- 
CIES OF  AN  ABLE  MIND.  FOR,  LET  A  MAN  BE  AS 
ABLE  AND  ORIGINAL  AS  HE  MAY,  HE  CANNOT 
AFFORD  TO  DISCARD  KNOWLEDGE  OF  WHAT  HAS 
GONE  BEFORE  OR  WHAT  IS  NOW  GOING  ON  IN 
HIS  OWN  TRADE  AND  PROFESSION.  IF  THE  PRINT- 
ERS OF  TODAY  DO  NOT  WISH  TO  BE  ESTEEMED 
ARROGANT  WHEN  THEY  TERM!  THIS  CALLING  OF 
THEIRS  AN  ART,  THEY  MUST  BE  WILLING,  AND 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 
81234567890 


Specimens  of  all  the  possible  cap  and  small  cap  combinations  that  can 
be  made  with  the  four  sizes  in  the  matrix  case 

6  Point  No.  347J,  8  Set 

Nos.  1  and  2 

THE  VERY  BEST  KIND  OF  ORIGINALITY  is  THAT 
WHICH  COMES  AFTER  A  SOUND  APPRENTICE- 
SHIP; THAT  WHICH  SHALL  PROVE  TO  BE  THE 
BLENDING  OF  A  FIRM  CONCEPTION  OF  ALL  USE- 
FUL PRECEDENT  AND  THE  PROGRESSIVE  TEN- 
DENCIES OF  AN  ABLE  MIND.  FOR,  LET  ANY  MAN 
BE  AS  ABLE  AND  ORIGINAL  AS  HE  MAY,  HE  CAN- 
NOT AFFORD  TO  DISCARD  A  KNOWLEDGE  OF 
WHAT  HAS  GONE  BEFORE  OR  WHAT  is  Now 
GOING  ON  IN  HIS  OWN  TRADE  AND  PROFESSION. 

Nos.  1  and  3 

THE  BEST  KIND  OP  ORIGINALITY  is  THAT  WHICH 
COMES  AFTER  A  SOUND  APPRENTICESHIP;  THAT  WHICH 
SHALL  PROVE  TO  BE  THE  BLENDING  OF  A  FIRM  CON- 
CEPTION OF  ALL  USEFUL  PRECEDENT  AND  THE  PROGRES- 
SIVE TENDENCHSS  OF  AN  ABLE  MIND.  FOR,  LET  A  MAN 
BE  AS  ABLE  AND  ORIGINAL  AS  HE  MAY,  HE  CANNOT 
AFFORD  TO  DISCARD  KNOWLEDGE  OF  WHAT  HAS  GONE 
BEFORE  OR  WHAT  is  Now  GOING  ON  IN  HIS  OWN  TRADE 
AND  PROFESSION.  IF  THE  PRINTERS  OF  TODAY  DO  NOT 
WISH  TO  BE  ESTEEMED  ARROGANT  WHEN  THEY  TERM 

Nos.  1  and  4 

THE  BEST  KIND  OF  ORIGINALITY  is  THAT  WHICH  COMES 
AFTER  A  SOUND  APPRENTICESHIP;  THAT  WHICH  SHALL  PROVE 
TO  BE  THE  BLENDING  OF  A  FIRM  CONCEPTION  OF  ALL,  USEFUL 
PRECEDENT  AND  THE  PROGRESSIVE  TENDENCIES  OF  AN  ABLE 
MIND.  FOR,  LET  A  MAN  BE  AS  ABLE  AND  ORIGINAL  AS  HE 
MAY,  HE  CANNOT  AFFORD  TO  DISCARD  KNOWLEDGE  OF  WHAT 
HAS  GONE  BEFORE  OR  WHAT  is  Now  GOING  ON  IN  ins  OWN 
TRADE  AND  PROFESSION.  IF  THE  PRINTERS  OF  TODAY  DO  NOT 
WISH  TO  BE  ESTEEMED  ARROGANT  WHEN  THEY  TERM  THIS 
CALLING  OF  THEIRS  AN  ART,  THEY  MUST  BE  WILLING,  AND 


No.  3 

THE  VERY  BEST  KIND  OF  ORIGINALITY  IS  THAT  WHICH 
COMES  AFTER  A  SOUND  APPRENTICES  HD?;  THAT  WHICH 
SHALL  PROVE  TO  BE  THE  BLENDING  OF  A  FIRM  CON- 
CEPTION OF  ALL  USEFUL  PRECEDENT  AND  THE  PRO- 
GRESSIVE TENDENCIES  OF  AN  ABLE  MIND.  FOR,  LET  A 
MAN  BE  AS  ABLE  AND  ORIGINAL  AS  HE  MAY,  HE  CANNOT 
AFFORD  TO  DISCARD  A  KNOWLEDGE  OF  WHAT  HAS  GONE 
BEFORE  OR  WHAT  IS  NOW  GOING  ON  IN  HIS  OWN  TRADE 
AND  PROFESSION.  IF  THE  PRINTERS  OF  TODAY  DO  NOT 
WISH  TO  BE  ESTEEMED  ARROGANT  WHEN  THEY  TERM 
THIS  CALLING  OF  THEIRS  AN  ART,  THEY  MUST  BE  WILLING, 
AND  SHOW  THAT  THEY  ARE  WILLING,  TO  SUBJECT  IT  TO 
SUCH  LAWS  AS  HAVE  MADE  ITS  SISTER  ARTS  SO  FREE. 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

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No.  4 

THE  BEST  KIND  OF  ORIGINALITY  IS  THAT  WHICH  COMES  AFTER 
A  SOUND  APPRENTICESHIP;  THAT  WHICH  SHALL  PROVE  TO  BE 
THE  BLENDING  OF  A  FIRM  CONCEPTION  OF  ALL  USEFUL  PRECE- 
DENT AND  OF  THE  PROGRESSIVE  TENDENCIES  OF  AN  ABLE  MIND. 
POR,  LET  A  MAN  BE  AS  ABLE  AND  ORIGINAL  AS  HE  MAY,  HE  CANNOT 
AFFORD  TO  DISCARD  A  KNOWLEDGE  OF  WHAT  HAS  GONE  BEFORE 
OR  WHAT  IS  NOW  GOING  ON  IN  HIS  OWN  TRADE  AND  PROFESSION. 
IF  THE  PRINTERS  OF  TODAY  DO  NOT  WISH  TO  BE  ESTEEMED  ARRO- 
GANT WHEN  THEY  TERM  THIS  CALLING  OF  THEIRS  AN  ART,  THEY 
MUST  BE  WILLING,  AND  SHOW  THAT  THEY  ARE  WILLING,  TO  SUBJECT 
IT  TO  SUCH  LAWS  AS  HAVE  MADE  ITS  SISTER  ARTS  SO  FREE.  ALL, 
THOSE  CONCERNED  IN  WHAT  ARE  ACCEPTED  AS  THE  FINE  ARTS, 
THE  LEARNED  SCIENCES,  AND  THE  PROFESSIONS  SURROUND  TIII.M- 

ABCDEFOHIJKLMNOPQR8TUVWXYZ 

*1 234567890 


Nos.  2  and  3 

THE  BEST  KIND  OF  ORIGINALITY  IS  THAT  WHICH  COMES 
AFTER  A  SOUND  APPRENTICESHIP;  THAT  WHICH  SHALL 
PROVE  TO  BE  THE  BLENDING  OF  A  FIRM  CONCEPTION  OF 
ALL  USEFUL  PRECEDENT  AND  THE  PROGRESSIVE  TEN- 
DENCIES OF  AN  ABLE  MIND.  FOR,  LET  A  MAN  BE  AS 
ABLE  AND  ORIGINAL  AS  HE  MAY,  HE  CANNOT  AFFORD 
TO  DISCARD  KNOWLEDGE  OF  WHAT  HAS  GONE  BEFORE 
OR  WHAT  IS  NOW  GOING  ON  IN  HIS  OWN  TRADE  AND 
PROFESSION.  IF  THE  PRINTERS  OF  TODAY  DO  NOT 
WISH  TO  BE  ESTEEMED  ARROGANT  WHEN  THEY  TERM 

Nos.  2  and  4 

THE  BEST  KIND  OF  ORIGINALITY  is  THAT  WHICH  COMES  AFTER 
A  SOUND  APPRENTICESHIP;  THAT  WHICH  SHALL  PROVE  TO  BE 
THE  BLENDING  OF  A  FIRM  CONCEPTION  OF  ALL  USEFUL  PRE- 
CEDENT AND  THE  PROGRESSIVE  TENDENCIES  OF  AN  ABLE  MIND. 
FOR,  LET  A  MAN  BE  AS  ABLE  AND  ORIGINAL  AS  HE  MAY,  HE 
CANNOT  AFFORD  TO  DISCARD  KNOWLEDGE  OF  WHAT  HAS  GONE 
BEFORE  OR  WHAT  is  Now  GOING  ON  IN  HIS  OWN  TRADE  AND 
PROFESSION.  IF  THE  PRINTERS  OF  TODAY  DO  NOT  WISH  TO  BE 
ESTEEMED  ARROGANT  WHEN  THEY  TERM  THIS  CALLING  op 
THEIRS  AN  ART,  THEY  MUST  BE  WILLING  AND  Snow  THAT 

Nos.  3  and  4 

THE  VERY  BEST  KIND  OF  ORIGINALITY  is  THAT  WHICH  COMES 
AFTER  A  SOUND  APPRENTICESHIP;  THAT  WHICH  SHALL  PROVE 
TO  BE  THE  BLENDING  OF  A  FIRM  CONCEPTION  OF  ALL  USEFUL 
PRECEDENT  AND  THE  PROGRESSIVE  TENDENCIES  OF  AN  ABLE 
MIND.  FOR,  LET  A  MAN  BE  AS  ABLE  AND  ORIGINAL  AS  HE  MAY, 
HE  CANNOT  AFFORD  TO  DISCARD  KNOWLEDGE  OF  WHAT  HAS 
GONE  BEFORE  OR  WHAT  is  Now  GOING  ON  IN  HIS  OWN  TRADE 
AND  PROFESSION.  IF  THE  PRINTERS  OF  TODAY  DO  NOT  WISH  TO 
BE  ESTEEMED  ARROGANT  WHEN  THEY  TERM  THIS  CALLING  OF 


'"THE  34 7J  Series  is  so  arranged  that  all  four  sizes  of  six-point  are  carried  in  one  Matrix  Case.  Thus,  four  sizes  may  be  composed  at  one  operation 
•*•  on  the  Keyboard,  and  cast  in  justified  lines  on  the  Casting  Machine.  At  the  Keyboard  the  right  and  left  Keybars  and  Keybanks  P-G  and  the 
Stopbars  S108  are  required,  and  at  the  Casting  Machine  the  Normal  Wedge  S108  is  required.  A  five-unit  high  space  is  required  before  the  M  and 
W  of  the  six-point  No.  1  size  of  the  34  7 J  Series. 

When  setting  by  hand,  the  following  plan  has  been  adopted.  The  six-point  is  cast  to  .0697  line.  The  sizes  above  six-point  are  Electro-Display 
Matrices  designated  as  the  No.  223  Series  and  are  a  continuation  of  the  347J  Series,  shown  on  reverse  of  this  sheet.  The  twelve-point  is  cast  on 
its  standard  line  .1250;  to  justify  the  six-  with  the  twelve-point  place  four  points  above  and  two  points  below  the  six-point  type.  The  eight-  and 
the  ten-point  will  be  cast  on  twelve-point  body  with  the  standard  twelve-point  line. 

To  justify  together  the  twelve-,  eighteen-,  and  twenty-four-point  sizes,  place  all  the  spacing  at  the  top.  This  makes  all  sizes  line.  The  comma, 
semicolon,  and  tail  of  the  Cap  Q  of  the  eighteen-  and  twenty-four-point  size  will  overhang  the  body  slightly. 

The  line  standards  for  casting  type  for  hand  composition  for  Plate-Gothics  according  to  the  above  plan  will  be  as  follows:  Six-point  .0697;  eight- 
and  ten-point  on  twelve-point  body  .1250:  twelve-point  .1250  (Standard);  eighteen-point  .2080;  twenty-four-point  .2910. 

The  Draw  Rod  should  be  readjusted  to  suit  the  movement  of  the  Centering  Pin  when  running  on  special  line  adjustment  in  order  to  produce  the 
point  line  justification. 


No.  223  Electro  Display  Matrices 

*8  Point  No.  223 

THIS   TITLE  FACE   HAS   BEEN   PRODUCED  TO 

MEET   THE   GROWING   DEMAND  FOR   A   POPULAR   SERIES   OF  FACES 
REQUIRED  ON   ALMOST   ALL   KINDS   OF   WORK 

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*10  Point  No.  223 

FOR    FINE    STATIONERY    PRINTING 

NEW.   CLEAN.   SHARP    MONOTYPE   TYPE    FACES   ARE 
NECESSARY   TO    GET    GOOD    RESULTS 

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% 

*12  Point  No.  223 

PRACTICE    NON-DISTRIBUTION 

TO    ATTAIN    THE    VERY    BEST    RESULTS 

IN    YOUR    PRESS    ROOMS 

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18  Point  No.  223 

NON-DISTRIBUTION 
IS  MORE  ECONOMICAL  THAN 

SPOTTING  UP 
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24  Point  No.  223 

MONOTYPE   TYPE 
SAVES    MORE    THAN 

IT    COSTS 
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*The  8.  10.  and  12  point  sizes  of  this  series  are  cast  on  the  T  mold,  using  the  12  point  mold  blade. 

ELECTRO  DISPLAY  MATRICES  No.  223,  shown  on  this  page,  are  the  same  type  design  and  are  an  extension  of  the  34  7 J  Series  shown  on  the 

reverse  side  of  this  sheet 


TITLE 


[PLATE-GOTHIC! 

[ARRANGEMENT 


1  No.  348J"  SERIES 


ARRANGEMENT    P-G— COMPOSITION    MATRICES 


Specimens  of   the  four  sizes  contained  in  the  matrix   case,  each  size 
shown  separately 

6  Point  No.  348J,  8  Set 

No.  1 

THE  VERY  BEST  KIND  OF  ORIGINALITY  IS 
THAT  WHICH  COMES  AFTER  A  SOUND  AP- 
PRENTICESHIP; THAT  WHICH  SHALL  PROVE 
TO  BE  THE  BLENDING  OF  A  FIRM  CONCEP- 
TION OF  ALL  USEFUL  PRECEDENT  AND  THE 
PROGRESSIVE  TENDENCIES  OF  AN  ABLE 
MIND.  FOR,  LET  A  MAN  BE  AS  ABLE  AND 
ORIGINAL  AS  HE  MAY,  HE  CANNOT  AFFORD 
TO  DISCARD  KNOWLEDGE  OF  WHAT  HAS 
GONE  BEFORE  OR  WHAT  IS  NOW  GOING  ON 
IN  HIS  OWN  TRADE  AND  PROFESSION.  IF 
THE  PRINTERS  OF  TODAY  DO  NOT  WISH  TO 
BE  ESTEEMED  TOO  ARROGANT  WHEN  THEY 

ABCDEFGHI J  KLMNOPQRSTU  V  WX  YZ 

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No.  2 

THE  VERY  BEST  KIND  OF  ORIGINALITY  IS  THAT 
WHICH  COMES  AFTER  A  SOUND  APPRENTICESHIP; 
THAT  WHICH  SHALL  PROVE  TO  BE  THE  BLENDING 
OF  A  FIRM  CONCEPTION  OF  ALL  USEFUL  PRECE- 
DENT AND  THE  PROGRESSIVE  TENDENCIES  OF  AN 
ABLE  MIND.  FOR,  LET  A  MAN  BE  AS  ABLE  AND 
ORIGINAL  AS  HE  MAY,  HE  CANNOT  AFFORD  TO 
DISCARD  KNOWLEDGE  OF  WHAT  HAS  GONE  BE- 
FORE OR  WHAT  IS  NOW  GOING  ON  IN  HIS  OWN 
TRADE  AND  PROFESSION.  IF  THE  PRINTERS  OF 
TODAY  DO  NOT  WISH  TO  BE  ESTEEMED  ARROGANT 
WHEN  THEY  TERM  THIS  CALLING  OF  THEIRS  AN 
ART,  THEY  MUST  BE  WILLING,  AND  SHOW  THAT 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

»1234567890 


No.  3 

THE  VERY  BEST  KIND  OF  ORIGINALITY  IS  THAT  WHICH 
COMES  AFTER  A  SOUND  APPRENTICESHIP;  THAT  WHICH 
-I  I  M.I.  PROVE  TO  BE  THE  BLENDING  OF  A  FIRM  CONCEP- 
TION OF  ALL  USEFUL  PRECEDENT  AND  THE  PROGRESSIVE 
TENDENCIES  OF  AN  ABLE  MIND.  FOR,  LET  A  MAN  BE  AS 
ABLE  AND  ORIGINAL  AS  HE  MAY,  HE  CANNOT  AFFORD  TO 
DISCARD  A  KNOWLEDGE  OF  WHAT  HAS  GONE  BEFORE  OR 
WHAT  IS  NOW  GOING  ON  IN  HIS  OWN  TRADE  AND  PROFES- 
SION. IF  THE  PRINTERS  OF  TODAY  DO  NOT  WISH  TO  BE 
ESTEEMED  ARROGANT  WHEN  THEY  TERM  THIS  CALLING  OF 
THEIRS  AN  ART,  THEY  MUST  BE  WILLING,  AND  SHOW  THAT 
THEY  ARE  WILLING,  TO  SUBJECT  IT  TO  SUCH  LAWS  AS 
HAVE  MADE  ITS  SISTER  ARTS  -<  •  IKI  I  .  ALL  THOSE  CON- 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

S12345B7890 


No.  4 

THE  in  -  I  KIND  OF  ORIGINALITY  IS  THAT  WHICH  COMES  AFTER  A 
SOUND  APPRENTICESHIP;  THAT  WHICH  SHALL,  PROVE  TO  BE  THE 
BLENDING  OF  A  FIRM  CONCEPTION  OF  ALL,  USEFUL  PRECEDENT 
AND  OF  THE  PROGRESSIVE  TENDENCIES  OF  AN  ABLE  MIND.  FOR. 
Ill  A  MAN  BE  AS  ABLE  AND  ORIGINAL  AS  RE  MAY,  HE  CANNOT 
AFFORD  TO  DISCARD  A  KNOWLEDGE  OF  WHAT  HAS  GONE  BEFORE  OR 
WHAT  IS  NOW  GOING  ON  IN  HIS  OWN  TRADE  AND  PROFESSION.  IF 
TIIK  I-KINTERS  OK  TODAY  DO  NOT  WISH  TO  BE  ESTEEMED  ARROGANT 


WIIE> 


BE  WILLING.  AND  SHOW  THAT  THEY  ARE  WILLING.  TO  SUBJECT  IT  TO 
-i'<  II  LAWS  AS  HAVE  MADE  ITS  SISTEII  ARTS  SO  FREE.  ALL  THOSE 
i  '>•*<  I.KNKII  IN  WHAT  ARE  ACCEPTED  AS  THE  FINE  ARTS,  THE 
LEARNED  SCIENCES.  AND  THE  PROFESSIONS  WILL  SURROUND  THEM- 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 
MMNOM 


Specimens  of  all  the  possible  cap  and  small  cap  combinations  that  can  be 
made  with  the  four  sizes  in  the  matrix  case 

6  Point  No.  348J,  8  Set 

Nos.  1  and  2 

THE  VERY  BEST  KIND  OF  ORIGINALITY  is  THAT 
>v  iinii  COMES  AFTER  A  SOUND  APPRENTICE- 
SHIP; THAT  WHICH  SHALL  PROVE  TO  BE  THE 
BLENDING  OF  A  FIRM  CONCEPTION  OF  ALL  USE- 
FUL  PRECEDENT  AND  THE  PROGRESSIVE  TEN- 
DENCIES OF  AN  ABLE  MIND.  FOR.  LET  ANY  MAN 
BE  AS  ABLE  AND  ORIGINAL  AS  HE  MAY.  HE  CAN- 
NOT AFFORD  TO  DISCARD  A  KNOWLEDGE  OF 
)*  HAT  HAS  GONE  BEFORE  OR  WHAT  is  Now 
GOING  ON  IN  HIS  OWN  TRADE  AND  PROFESSION. 

Nos.  1  and  3 

THE  BEST  KIND  OF  ORIGINALITY  is  THAT  WHICH  COMES 
AFTER  A  SOUND  APPRENTICESHIP;  THAT  WHICH  SHALL 
PROVE  TO  BE  THE  BLENDING  OF  A  FIRM  CONCEPTION  OF 
ALL  USEFUL  PRECEDENT  AND  THE  PROGRESSIVE  TEN- 
DENCIES OF  AN  ABLE  MIND.  FOR,  LET  A  MAN  BE  AS 
ABLE  AND  ORIGINAL  AS  HE  MAY,  HE  CANNOT  AFFORD 
TO  DISCARD  KNOWLEDGE  OF  WHAT  HAS  GONE  BEFORE 
OR  WHAT  is  Now  GOING  ON  IN  HIS  OWN  TRADE  AND 
HIS  PROFESSION.  IF  THE  PRINTERS  OF  TODAY  DO  NOT 
WISH  TO  BE  ESTEEMED  ARROGANT  WHEN  THEY  TERM 

Nos.  1  and  4 

THE  BEST  KIND  OF  ORIGINALITY  is  THAT  WHICH  COMES 
AFTER  A  SOUND  APPRENTICESHIP;  THAT  WHICH  SHALL  PROVE 
TO  BE  THE  BLENDING  OF  A  FIRM  CONCEPTION  OF  ALL  USEFUL 
PRECEDENT  AND  THE  PROGRESSIVE  TENDENCIES  OF  AN  ABLE 
MIND.  FOR,  LET  A  MAN  BE  AS  ABLE  AND  ORIGINAL  AS  HE 
MAY,  HE  CANNOT  AFFORD  TO  DISCARD  KNOWLEDGE  .OF  WHAT 
HAS  GONE  BEFORE  OH  WHAT  is  Now  GOING  ON  IN  HIS  OWN 
TRADE  AND  PROFESSION.  IF  THE  PRINTERS  OF  TODAY  DO  NOT 
WISH  TO  BE  ESTEEMED  ARROGANT  WHEN  THEY  TERM  THIS 
CALLING  OF  THEIRS  AN  ART,  THEY  MUST  BE  WILLING.  AND 

Nos.  2  and  3 

THE  VERY  BEST  KIND  OF  ORIGINALITY  IS  THAT  WHICH 
COMES  AFTER  A  SOUND  APPRENTICESHIP;  THAT  WHICH 
SHALL  PROVE  TO  BE  THE  BLENDING  OF  A  FIRM  CONCEP- 
TION OF  ALL  USEFUL  PRECEDENT  AND  THE  PROGRESSIVE 
TENDENCIES  OF  AN  ABLE  MIND.  FOR.  LET  A  MAN  BE  AS 
ABLE  AND  ORIGINAL  AS  HE  MAY,  HE  CANNOT  AFFORD  TO 
DISCARD  KNOWLEDGE  OF  WHAT  HAS  GONE  BEFORE  OR 
WHAT  IS  NOW  GOING  ON  IN  HIS  OWN  TRADE  AND  PRO- 
FESSION. IF  THE  PRINTERS  OF  TODAY  DO  NOT  WISH  TO 
BE  ESTEEMED  ARROGANT  WHEN  THEY  TERM  THIS  <  \  I  I 

Nos.  2  and  4 

THE  BEST  KIND  OF  ORIGINALITY  is  THAT  WHICH  COMES  AFTER 
A  SOUND  APPRENTICESHIP;  THAT  WHICH  SHALL  PROVE  TO  BE 
THE  BLENDING  OF  A  FIRM  CONCEPTION  OF  ALL  USEFUL  PRECE- 
DENT AND  THE  PROGRESSIVE  TENDENCIES  OF  AN  ABLE  MIND. 
FOR,  LET  A  MAN  BE  AS  ABLE  AND  ORIGINAL  AS  HE  MAY.  HE  CAN- 
NOT AFFORD  TO  DISCARD  KNOWLEDGE  OF  WHAT  HAS  GONE 
BEFORE  OR  WHAT  is  Now  GOING  ON  IN  HIS  OWN  TRADE  AND 
PROFESSION.  IF  THE  PRINTERS  OF  TODAY  IM>  NOT  WISH  TO  BE 
ESTEEMED  ARROGANT  WHEN  THEY  TEIIM  THIS  CALLING  OF 
THEIRS  AN  ART.  THEY  MUST  BE  WILLING,  AND  SHOW  THAT  THEY 

Nos.  3  and  4 

THE  VERY  BEST  KIND  OF  ORIGINALITY  is  THAT  WHICH  COMES 
AFTER  A  SOUND  APPRENTICESHIP)  THAT  WHICH  -II  M  I  PROVE  Til 
BE  THE  BLENDING  OF  A  FIRM  CONCEPTION  OF  ALL  USEFUL  PIIE- 
C'EDENT  AND  THE  PROGRESSIVE  TENDENCIES  OF  AN  ABLE  MIND. 
FOR.  LET  A  MAN  BE  AS  ABLE  AND  ORIGINAL  AH  HE  MAY,  HE  CAN- 
NOT  AFFORD  TO  DISCARD  KNOWLEDGE  OF  WHAT  HAS  GONE  III 
FORE  OR  WHAT  is  Now  GOING  ON  IN  nis  OWN  TRADE  AND  PRO- 
FESSION. IF  THE  PRINTERS  OF  TODAY  IM>  NOT  WISH  TO  HE 
ESTEEMED  ARROGANT  WHEN  THEY  TERM  THIS  CALLING  OF  THEIRS 


/"PHE  348J  Series  is  so  arranged  that  all  four  sizes  of  six-point  are  carried  in  one  Matrix  Case.  Thus,  four  sizes  may  be  composed  at  one  operation 
A  on  the  Keyboard,  and  cast  in  justified  lines  on  the  Casting  Machine.  At  the  Keyboard  the  right  and  left  Keybars  and  Keybanks  P-G  and  the 
Stopbars  S108  are  required,  and  at  the  Casting  Machine  the  Normal  Wedge  S108  is  required.  A  five-unit  high  space  is  required  before  the  M  and 
W  of  the  six-point  No.  1  size  of  the  348J  Series. 

When  setting  by  hand,  the  following  plan  has  been  adopted.  The  six-point  is  cast  to  .0697  line.  The  sizes  above  six-point  are  Electro-Display 
Matrices  designated  as  the  No.  323  Series,  shown  on  reverse  of  this  sheet,  and  are  a  continuation  of  the  348J  Series.  The  twelve-point  is  cast  on 
its  standard  line  .1250;  to  justify  the  six-  with  the  twelve-point  place  four  points  above  and  two  points  below  the  six-point  type.  The  nine-point 
will  be  cast  on  twelve-point  body  with  the  standard  twelve-point  line. 

To  justify  together  the  twelve-,  fourteen-,  eighteen-,  and  twenty-four-point  sizes,  place  all  the  spacing  at  the  top.  This  makes  all  sizes  line.  The 
comma,  semicolon,  and  tail  of  the  Cap  Q  of  the  eighteen-  and  twenty-four-point  size  will  overhang  the  body  slightly. 

The  line  standards  for  casting  type  for  hand  composition  for  Plate-Gothics  according  to  the  above  plan  will  be  as  follows:  Six-point  .0697;  nine- 
point  on  twelve-point  body  .1250;  fourteen  point  .1527;  eighteen -point  .2080;  twenty-four-point  .2910. 

The  Draw  Rod  should  be  readjusted  to  suit  the  movement  of  the  Centering  Pin  when  running  on  special  line  adjustment  in  order  to  produce  the 
point  line  justification. 


No.  323  Electro  Display  Matrices 

9  Point  No.  323 

THE   MONOTYPE  SPECIMEN  BOOK 

CONTAINS   APPROPRIATE    FACES    FOR    PRACTICALLY    EVERY 

CLASS  OF   GOOD  TYPOGRAPHIC  WORK 

S123456T89O 

MB  Point  No.  323 

INSURE  SATISFACTION 

BY  USING   NEW    MONOTYPE   TITLE   FACES  AND 

ELIMINATE  DISTRIBUTION 

S1S3456T89O 

14  Point  No.  323 

WEAR  AND  TEAR 

IN    THE    PRESSROOM    ARE    OVERCOME 

BY  NON-DISTRIBUTION 

&123456T89O 

18  Point  No.  323 

BOUGHT  TYPE 

IS  AN  EXPENSIVE  LUXURY  FOR 

ANY  PRINTING  OFFICE 

S123456T89O 

24  Point  No.  323 

START  NOW 

TO  MAKE  ALL  YOUR  OWN 

TYPE  MATERIAL 

S1S3456T89O 


ELECTRO  DISPLAY  MATRICES  No.  323,  shown  on  this  page,  are  the  same  type  design  and  are  an  extension  of  the  348J  Series  shown  on  the 
reverse  side  of  this  sheet.     The  nine-point  size  of  this  series  is  cast  on  the  T-mold,  using  the  twelve-point  mold  blade. 


PLATE-GOTHIC  MATRIX  CASE  ARRANGEMENT 


FOUR  SIZES  OF  SIX-POINT 
(SIZES  NOS.  1.  2.  3,  AND  4)  OR 
FOUR  SIZES  OF  TWELVE-POINT 
(SIZES  NOS.  1.  2.  3,  AND  4)  ARE 
CARRIED  IN  ONE  MATRIX  CASE. 
THESE  FOUR  SIZES  ARE,  OF 
COURSE,  OF  THE  SAME  SERIES. 
FOR  THE  PURPOSE  OF  DISTIN- 
GUISHING MORE  CLEARLY  THE 
LOCATION  OF  THE  CHARAC- 
TERS OF  THESE  FOUR  SIZES  IN 
THE  ACCOMPANYING  MATRIX 
CASE  DIAGRAM.  A  DIFFERENT 
SERIES  IS  USED  FOR  EACH  OF 
THE  FOUR  SIZES. 


Arrangement  P-G 


PLATE-GOTHIC 

CAPS, 

FIGURES  AND  POINTS 

OF 

FOUR 

SIZES 

Row 

A 

B    C 

D    E 

F 

G    H 

I 

J 

K    L 

M   N 

0 

Unit 

1 

; 

1 

1  > 

1 

S 

2 
3 

9 

1         7 

e      t 

1 

•    • 

I 

t 

2         1 

o      » 

1 

6 

5 

91 

6 
7 

9 

8      7 

6     S 

4 

-  • 

- 

3 

2       / 

0       Z 

1 

at 

8 

9 

8     7 

6    5 

4 

A      B 

c 

3 

2     1 

0    $ 

V 

11 

9 

Q 

D     N 

O      R 

u 

Y     a 

J 

E 

F     L 

P    S 

Z 

12 

10 

• 

•   x 

&     G 

K 

H      M 

• 

S 

A     T 

C     B 

V 

13 

11 

• 

•  * 

E    F 

L 

F    D 

N 

O 

R     U 

Y    O 

m 

14 

12 

V 

B    T 

A  C 

M  W  | 

M 

W 

H    G 

K    & 

X 

15 

13 
14 

i  e 

• 

Q    D 

N   O 

R 

U   Y 

G 

H 

K  X 

*• 
.  .     M 

m 

w 

17 
IS 
18 

Row 

A 

B     C 

D    E 

F 

G    H 

1 

J 

K    L 

M   N 

O 

Unit 
Value 

LEFT 

Keybank  P-G 
Keybars  P-G 


Stopbars  S108 


RIGHT 
Keybank  P-G 
Keybars  P-G 


These  Characters 
are  carried  in 
the  Matrix  Case  in 
this  Arrangement 

No.  1— ABCDEFGHIJ 
KUMNOPQRS 
TUVWXYZ& 
$1234567890 

No.  2 — ABCDEFGHIJKL. 
MNOPQRSTUV 
WXYZ& 
1234567890 

No.  3 ABCDEFGHIJKLMN 

OPQRSTUVWXYZa 
$1234567890 

NO.  4— ABCDEFGHIJKLMNOPORSTUV 
WXYZ& 
MMM 

»    »     «•    i  -11.  1.  -U. 

Period  and  comma  for  Nos. 
3  and  4  are  made  from  same 
matrices 


These  Characters 
are  made  for  use  with 
this  Arrangement 
No.  1— I? 
No.  2—fl? 
No.  3 — I? 
No.  4—11 


PLATE-GOTHIC  KEYBOARD  ARRANGEMENT 


OGGO0G0OQOQ 


©©©0© ©©©©©© 


®©©®®©®©®®© 

6©®®®©®©©©© 


LEFT  BANK 


®©©®®®®©®®© 


®©©©®©®©®®© 

m       IM       nt        IM       in       uo       m       »>       to)       cot       ua 

O(|)®©®  ©©©©©© 


O©©[ 


RIGHT    BANK 


STANDARD   P-G  KEYBANK  ARRANGEMENT 


r& 


THE  EVERY -DAY  PRODUCT  OF 
EVERY  MONOTYPE 


STRAIGHT  AND 

TABULAR  MATTER 

EVERY  KIND  OF  JOB  WORK 


5  FT.  TO  36  PT\ 

QUADS,  SPACES,  LEADS 


RULES,  SLUGS,  BORDERS 


AND  ORNAMENTS 


No  OTHER  MACHINE 

So  COMPLETELY  COVERS 

EVERY  NEED 

OF  THE 
COMPOSING  ROOM 


'•.  r 


No.  23K.     Job  Arrangement  C2 


Composition  Matrices 


6  Point  No.  23K,  7  Set 


MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  comes  after  a.  sound 
apprenticeship;  that  which  shall  prove  to  be  the  blending  of 
a  firm  conception  of  all  useful  precedent  and  the  progressive 
tendencies  of  an  able  mind.  For,  let  a  man  be  as  able  and 
original  as  he  may,  he  cannot  afford  to  discard  knowledge  of 
what  has  gone  before  or  what  is  now  going  on  in  his  own  trade 
and  his  profession.  If  the  printers  of  today  do  not  wish  to  be 
esteemed  too  arrogant  when  they  term  this  calling  of  theirs 
an  art,  they  must  be  willing,  and  show  that  they  are  willing, 
to  subject  it  to  such  laws  as  have  made  its  sister  arts  so  free. 
All  those  concerned  in  what  are  accepted  as  the  fine  arts,  the 
learned  sciences  and  the  professions,  surround  themselves  with 
the  history,  the  literature,  and  concrete  examples  of  the  work 
with  which  they  are  particularly  engaged.  Yet  it  is  only  in  very 
rare  instances  that  such  an  atmosphere,  with  all  its  material 
appurtenances,  is  to  be  found  in  a  printing  office.  Art  does 
not  flourish  in  hidden  places,  nor  under  restraint,  nor  in  ignor- 
ance of  what  talent  and  genius  have  accomplished  and  are  now 
accomplishing  throughout  the  world.  For  to  follow  precedent 
wisely  does  not  mean  to  imitate  slavishly  one  great  exemplar, 
but  to  study  all  the  masters  faithfully,  letting  their  great 
achievements  sink  slowly  into  the  mind  in  order  that  we  may 
patiently  derive  from  the  richness  of  our  acquired  knowledge 
and  organized  system  an  attitude  of  our  own.  The  sprightly 
minded  young  man,  who  with  his  first  business  breath  projects 
the  new  and  startling,  inevitably  becomes  tiresome,  and  he 
is  driven  to  an  early  disappearance;  while  the  slower  and  more 
solidly  endowed  student  will  at  least  spend  as  much  of  his  time 
in  avoiding  mistakes  as  in  evolving  the  brilliant  schemes  where- 
with to  dazzle  his  contemporaries.  The  best  kind  of  originality 
IS  that  which  comes  after  a  sound  apprenticeship;  that  which 

abcdefghijklmnopqrstuvwxyz 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 
$1234567890 


8  Point  No.  23K,  8£  Set 


MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  comes  after 
a  sound  apprenticeship;  that  which  shall  prove  to 
be  the  blending  of  a  firm  conception  of  all  useful 
precedent  and  of  the  progressive  tendencies  of  an 
able  mind.  For,  let  any  man  be  as  able  and  as 
original  as  he  may,  he  cannot  afford  to  discard 
knowledge  of  what  has  gone  before  or  what  is  now 
going  on  in  his  own  trade  and  profession.  If  the 
printers  of  today  do  not  wish  to  be  esteemed  arro- 
gant when  they  term  this  calling  of  theirs  an  art, 
they  must  be  willing,  and  show  that  they  are  willing, 
to  subject  it  to  such  laws  as  have  made  its  sister  arts 
so  free.  All  those  concerned  in  what  are  accepted 
as  the  fine  arts,  the  learned  sciences  and  professions, 
surround  themselves  with  the  history,  the  literature, 
and  concrete  examples  of  the  work  with  which  they 
are  particularly  engaged.  Yet  it  is  only  in  rare  in- 
stances that  such  an  atmosphere,  with  its  material 
appurtenances,  is  to  be  found  in  a  printing  office. 
Art  does  not  flourish  in  hidden  places,  nor  under  re- 
straint, nor  in  ignorance  of  what  talent  and  genius 
have  accomplished  and  are  accomplishing  through- 
out the  world.  For  to  follow  precedent  wisely  does 
not  mean  to  imitate  slavishly  one  great  exemplar, 

a  bcdefgh  ijklm  nopqrstuv  wxyz 
ABCDEFGHIJKLMNOPQRSTUVWXYZ 

$1234567890 


10  Point  No.  23K,  10  Set 

MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which 
comes  after  a  sound  apprenticeship;  that 
which  shall  prove  itself  to  he  the  blending 
of  a  firm  conception  of  all  useful  precedent 
and  the  progressive  tendencies  of  an  able 
mind.  For,  let  a  man  be  as  able  and  as  origi- 
nal as  he  may,  he  cannot  afford  to  discard 
all  knowledge  of  what  has  gone  before  or  of 
what  is  now  going  on  in  his  own  trade  and 
profession.  If  the  printers  of  today  do  not 
wish  to  be  esteemed  arrogant  when  they 
term  this  calling  of  theirs  an  art,  they  must 
be  willing,  and  show  that  they  are  willing, 
to  subject  it  to  such  laws  as  have  made  its 
sister  arts  so  free.  All  those  concerned  in 
what  are  accepted  as  the  fine  arts,  the  learned 
sciences  and  professions,  surround  them- 
selves with  the  history,  the  literature,  and 
concrete  examples  of  the  work  with  which 
they  are  particularly  engaged.  Yet  it  is  only 
in  rare  instances  that  such  an  atmosphere, 
with  its  material  appurtenances,  is  to  be 

abcdefghijklmnopqrstuvwxyz 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

$1234567890 


12  Point  No.  23K,  12  Set 

MONOTYPE  FACES 
The  best  kind  of  originality  is  that 
which  comes  after  a  sound  appren- 
ticeship; that  which  shall  prove  to 
be  the  blending  of  a  firm  conception 
of  all  useful  precedent  and  the  pro- 
gressive tendencies  of  a  clever  mind. 
For,  let  any  man  be  as  able  and  origi- 
nal as  he  may,  he  cannot  afford  to 
discard  a  knowledge  of  what  has  gone 
before  or  what  is  now  going  on  in  his 
own  trade  and  his  profession.  If  the 
printers  of  today  do  not  wish  to  be 
esteemed  arrogant  when  they  term 
this  calling  of  theirs  an  art,  they 
must  be  willing,  and  show  that  they 
are  willing,  to  subject  it  to  such  laws 
as  have  made  its  sister  arts  so  free. 
All  those  who  are  concerned  in  what 

abcdefgh  ijklm  n  opqrs  t  u  vwxyz 

ABCDEFGHIJKLMNOPQRSTUVWX 

$1234567890 


No.  115C.     Job  Arrangement  C2 
Composition  Matrices 

8  Point  No.  115C,  8  Set  10  Point  No.  115C,  10  Set 

MONOTYPE  FACES 


MONOTYPE  FACES 
The  best  kind  of  originality  is  that  which  conies  after 
a  sound  apprenticeship;  that  which  shall  prove  to  be 
the  blending  of  a  firm  conception  of  all  useful  pre- 
cedent and  the  progressive  tendencies  of  an  able  mind. 
For,  let  a  man  be  as  able  and  original  as  he  may,  he 
cannot  afford  to  discard  knowledge  of  what  has  gone 
before  or  what  is  now  going  on  in  his  own  trade  and 
profession.  If  the  printers  of  today  do  not  wish  to  be 
esteemed  too  arrogant  when  they  term  this  calling  of 
theirs  an  art,  they  must  be  willing,  and  show  that  they 
are  willing,  to  subject  it  to  such  laws  as  have  made  its 
sister  arts  so  free.  All  those  who  are  concerned  in  what 
are  accepted  as  the  fine  arts,  the  learned  sciences,  and 
the  professions  surround  themselves  with  the  history, 
the  literature,  and  concrete  examples  of  the  work  with 
which  they  are  particularly  engaged.  Yet  it  is  only 
in  rare  instances  that  such  an  atmosphere,  with  its 
material  appurtenances,  is  to  be  found  in  a  printing 
office.  Art  does  not  flourish  in  any  hidden  places,  nor 
under  restraint,  nor  in  ignorance  of  what  both  talent 
and  genius  have  accomplished  and  are  accomplishing 
throughout  the  world.  For  to  follow  precedent  wisely 
does  not  mean  to  imitate  slavishly  one  great  exemplar, 
but  to  study  all  masters  faithfully,  letting  their  great 

abcdefghijklmnopqrstuvwxyz 
ABCDEFGHIJKLMNOPQRS  TUVWX  YZ 

$1234567890 


The  best  kind  of  originality  is  that  which 
comes  after  a  sound  apprenticeship;  that 
which  shall  prove  to  be  the  blending  of  a 
firm  conception  of  all  useful  precedent  and 
the  progressive  tendencies  of  an  able  mind. 
For,  let  a  man  be  as  able  and  original  as  he 
may,  he  cannot  afford  to  discard  knowledge 
of  what  has  gone  before  or  what  is  now  going 
on  in  his  own  trade  and  profession.  If  the 
printers  of  today  do  not  wish  to  be  esteemed 
too  arrogant  when  they  term  this  calling  of 
theirs  an  art,  they  must  be  willing,  and  show 
that  they  are  willing,  to  subject  it  to  such 
laws  as  have  made  its  sister  arts  so  free.  All 
those  concerned  in  what  are  accepted  as  the 
fine  arts,  the  learned  sciences,  and  the  profes- 
sions surround  themselves  with  the  history, 
literature,  and  concrete  examples  of  the  work 
with  which  they  are  particularly  engaged. 

abcdefghijklmnopqrstuvwxyz 
ABCDEFGHIJKLMNOPQRSTUVWXYZ 


12  Point  No.  115C,  12  Set 


MONOTYPE  FACES 
The  best  kind  of  originality  is  that 
which  comes  after  a  sound  appren- 
ticeship; that  which  shall  prove  to 
be  the  blending  of  a  firm  conception 
of  all  useful  precedent  and  the  pro- 
gressive tendencies  of  an  able  mind. 
For,  let  a  man  be  as  able  and  original 
as  he  may,  he  cannot  afford  to  dis- 
card a  knowledge  of  what  has  gone 
before  or  what  is  now  going  on  in 
his  own  trade  and  profession.  If  the 
printers  of  today  do  not  wish  to  be 
esteemed  arrogant  when  they  term 
this  calling  of  theirs  an  art,  then  they 
must  be  willing,  and  show  that  they 
are  willing,' to  subject  it  to  such  laws 


MONOTYPE  FACES 


The  best  kind  of  originality  is  that 
which  comes  after  a  sound  appren- 
ticeship; that  which  shall  prove  to 
be  the  blending  of  a  firm  conception 
of  all  useful  precedent  and  the  pro- 
gressive tendencies  of  an  able  mind. 
For,  let  a  man  be  as  able  and  original 
as  he  may,  he  cannot  afford  to  dis- 
card a  knowledge  of  what  has  gone 
before  or  what  is  now  going  on  in 
his  own  trade  and  profession.  If  the 
printers  of  today  do  not  wish  to  be 
esteemed  arrogant  when  they  term 
this  calling  of  theirs  an  art,  then  they 
must  be  willing,  and  show  that  they 
are  willing,  to  subject  it  to  such  laws 
as  have  made  its  sister  arts  so  free. 
All  those  who  are  concerned  in  what 


abcdefghijklmnopqrstuvwxyz 
ABCDEFGHIJKLMNOPQRSTUVWXYZ 

$1234567890 


No.  12J.     Job  Arrangement  C2 
Composition  Matrices 

8  Point  No.  12J,  8i  Set  10  Point  No.  12J,  10i  Set 


Th®  fe®sft  kin 

aiFft®ir    a    s©uaiad    appsrsiraftiesslhiipi     ftlhaft    which 

prov®  ft©  Ib®  fth®  Msmdiifiig  ©ff  a  iEurm  c©ira<£®pfti©ira  ©ff  all 

ujs«ffMl  pir®£®d®inift  amid  ftlhi®  pir©gr®ssi'y®  ft®irad®ifiiei®s  ©if 

am  afol®  inraiKi 

as  5a®  innayj 


©ffE^E 
today  d©  ira©ft  wislh  ft©  fe®  ®sft®®m®d  airir©gainift  wlh®ira  11o  * 

they  fterm  ftlkns  caOiirag  ©IF  ft!hi®iirs  aim  air 

willimig,  airad  slhi©w  fthaft  ftlhi®y  air®  williirag,  ft© 

it  to  snaclhi  laws  as  have  mad®  ifts  s£sft®ir  airfts  s©  ffir®®.          aB5ldl 

All  th©s®  c©irac®inni®d  im  whaft  air®  acc®pft®d  as  fth®  i&ini® 

airfts,  fth®  !®amra®d  sci®irac®s,  amd  ps°©ff®ssi©iras  SMiriroMinid 


wjg|1  to  ^  Mt««m«d  to© 

4®ffm 


crete 

Y®ft  ift  is  oiraly  m  ^®K-y  iraff®  ka 

stances  ftlhaft  stacJa  aim  aftm©sp!h®!r®s  with  ifts  maft®rnal 
•OTWirteiniainiceSs  us  ft©  lb>®  rommidl  nira  a  piruraftninig  offiee. 
Ait  d©®s  ^©ft  ^©^ffislhi  in  MdMsira  plac®sv  im©r  wuradeir 
rssftramft,  ;m©r  im  igmi©!rainis®  ©ff  wlhiaft  ftal®inift  auradl  g®nakas          as 
hav®  acc©inniplis!h®dl  airadl  air® 
out  the  worfld.     F©r  ft© 
not  BBa®am  ft©  imiftaft®  slavishly  ©ra®  gr®aft  ®x®mplair, 


to  §tLabj®eft  n4  to  SUflcIhl  laws 


12  Point  No. 

MONOTYPE  FACES 
Tlh®  Ib@§tb  Mirad  ©IF  ©iragnifiiallnfty  ns 
whidb  e©imi@s  aiFtsir  a  §©Mini 

ticeslbip;  fclkaft  wMdb  slbaM  prove  to 
•  ,.«~Y.i  «.  /p/&  -  • 

bxg  A©  blending  ©IF  a  fern  c©mie©Fih©m 

e^  &11  useful  pir®e@d@init  aimd  fth©  psr©= 
girsssnv©  ft©jnid©ini(sn©s  off  aini  albfl©  mamdo 
Foir,  left  a  mraaira  b@  as  afeE©  amid  ©ogniraall 
as  fin©  may,  fin©  <sairnnn©t  aM©jrd  ft©  dns= 

card  a  kni©w]l©dg©  ©IF  wlhaft  has  g©ini© 
„_  -  „  .  .  . 

Mora  ©IT  wfinaft  ns  irn©w  going  ©irn  nirn 

finns  ©wim  ftirad©  airad  pir©iF©ssE©nno  Eff  ftfin© 
ponnft©irs  off  ft©day  d©  im©ft  wasfin  ft©  Ib© 
<Bsft©©mrn©d  ainr©gamift  wfinsnn  ftlhi©y  ft©irinin 
ftfinas  calfiaung  ©ff  ftfinsair  aim  airft,  ftfinsy 

muasft  fe©  willing,  arad  sfin©w  ftfinaft  ftfinsy 

.„,,.  .  ,     .  ..  ,,   ,, 

are  wnllllninig,  ft©  sualbj]©cft  aft  ft©  sufldhi  Eaws 


12J,  12  Set 

MONOTYPE  FACES 
Tlh®  fe@st  kairad  ©^  originality  ns  ftlkaft 


F©3rs  I@ft  a  maim  Ib©  as  albH©  airad 
as  fin©  inraays,  Ik© 


?f  A™ 

ES  ©wirn  ftsrad©  anndl  pir©ir©ssE©inio     HIT  ftlhi© 
primtelpl  oiF  today  do  mot  wk]k  to  fe@ 

@Sit©©inni©d  airir©ganiift  wfia©ini  ftfia©y  fteirinin 
ftfinas  caflflairng  ©ff  ftlh©airs  ami  airft,  ftfin©y 
cmnuisft  Ib©  wnflfianng,  aimd  sfin©w  ftfinaft  ftlh©y 
aff>®  waEIaimg,  ft©  smilbj©sft  aft  ft©  siuncfia  Eaws 


. 
ftlhi©s©  who  air©  concerned  aim  wlinaft 


No.  12 


Display  Matrices 


14  Point  No.  12 


MOMOTYPE  SAVES  AT  BOTH 
TK®  Momofcyipxe  Will _O®cir«a8@  Yow  Composiifciioini 


134567891 


18  Point  No.  12 


a§  inirach 


a§  Soosa  a§  y©M  rfl® 

1<^>  ^7i   jfl  IF5  y^  P^  (TO/f^v/f^ 
234567890 


24  Point  No.  12 


Tl 


L 


n 


30  Point  No.  12 


TT 
J 


PLAY  TYP 

LT   JLi/nV.   «M,  ii     ii  IT 


©VP  r^si 


iff 


36  Point  No.  12 


:r 


1 


<e^©@ 
15)  //  os 


No.  40 


1u      t<<  no 


18  Point  No.  40 


Electro  Display  Matrices 


DD  si©  HDD©  QDm 


ODjy  Gib© 


20  Point  No.  40 


24  Point  No.  40 


LOW 


36  Point  No.  40 


BD3: 


Composition  Matrices 
12  Point  No.  41K,  12  Set  Job  Arrangement  C2 


Ems  a  to  z  14.34  Words  to  Pica  .28 


No.  42  J.     Job  Arrangement  C2 


Composition  Matrices 


8  Point  No.  42J,  8£  Set 


MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  comes 
after  a  sound  apprenticeship;  that  which  shall 
prove  to  be  the  Wending  of  a  firm  conception  of  all 
usefal  precedent  and  the  progressive  tendencies  of 
anablemindo  For,  let  a  man  toe  as  able  and  original 
as  he  may,  he  cannot  afford  to  discard  knowledge 
of  what  has  gone  before  or  what  is  now  going  on 
in  his  own  trade  and  profession.  If  the  printers  of 
today  do  not  wish  to  be  esteemed  arrogant  when 
they  term  this  calling  of  theirs  an  art,  they  must  be 
willing,  and  show  that  they  are  willing,  to  subject 
it  to  such  laws  as  have  made  its  sister  arts  so  free. 
All  those  concerned  in  what  are  accepted  as  the  fine 


crete  examples  off  the  work  with  which  they  are 
particularly  engaged-  Yet  it  is  only  in  very  rare  5n= 
stances  that  such  an  atmosphere,  with  its  material 
appurtenances,  is  to  toe  found  in  a  printing  office. 
Art  does  not  flourish  in  hidden  places,  nor  under 
restraint,  nor  in  ignorance  off  what  talent  and  genius 
have  accomplished  and  are  accomplishing  through= 
out  the  world.  For  to  follow  precedent  wisely  does 
not  mean  to  imitate  slavishly  one  great  exemplar, 

atocdeffghi  j  klmnopq  rstu  vwxyz 


10  Point  No.  42J,  10  Set 


MONOTYPE  FACES 
The  best  kSnud  of  originality  is  that  which 


their,  «.  »t,  tt«™t  blng  .and      ow 

that  they  are  willing,  to  SMbject  it  to  smell- 

flaws  as  have  made  its  sister  arts  so  ffree,,    AH 
those  concerned  in  what  are  accepted  as  the 

*•  ,,.       ^      foaipiriip'id   srSpmnnps     ainnd!   uwofes- 

™ne  art§'  tltue  learned  scaemces,  ancrprc 

snons  SMUTOdimid  themselves  wrth  the  history, 
Jiteratiuire,  amd  comcirete  examples  off  the  work 


$1234567890 


12  Point  No. 

MONOTYPE  FACES 
The  best  knnd  of  orlgnmiaflity  5§  that 
which  comes  after  a  soiuiinid  appremi= 

ticeship;   that  which  shall  prove  to 

^,  «      ..  .0 

be  the  blerndnirag  of  a  firm  conception 

of  all  nflsefyl  precedeirat  and  the  pro= 
gressive  tendencies  of  an  able  mindo 
For,  let  a  man  be  as  able  and  original 


s  of  what  has  gone 
before  or  what  ns  now  gonng  on  nn 
has  own  trade  and  professnomu 
printers  of  today  do  not  wish  to  be 
esteemed  arrogant  when  they  term 
this  calling  of  theirs  an  art,  they 

must  be  willing,  and  show  that  they 

iu-     *T*  .*          «.  i 
are  willing,  to  subject  it  to  such  flaws 


42  J,  12  Set 

MONOTYPE  FACES 
The  best  kind  of  originality  is  that 
which  comes  after  a  sound  appren= 
ticeship;  that  which  shall  prove  to 
be  the  blending  of  a  firm  conception 
of  aflfl  useful  precedent  and  the  pro= 
gressive  tendencies  of  an  able  mindo 
For,  let  a  man  be  as  able  and  original 
as  lie  may,  he  cannot  afford  to  dis= 


D?  n«7 

hns  own  trade  and  profession,,  II  f  the 
priiniter§  off  today  ^  noi  w5§h  to  b@ 

esteemed  arrogant  when  they  term 
this  calling  of  theirs  an  art,  they 
maast  be  willing,  and  show  that  they 
are  willing,  to  subject  it  to  swch  flaws 

have  ma^e  5t§  sistter  art!  ?°  ^ 
those  who  are  concerned  nn  what 


ABCDEFQHIJKLMNOPQRSTUVWXYZ 


No  42  Electro  Display  Matrices 

14  Point  No.  42 

THE  MONOTYPE  UNIT  SYSTEM 
Means  More  than  Most  People  May  Realize.    It  Applies  to  Caster, 


$0345678 


18  Point  No.  42 

EVERY  MATRIX  IS  A  UNIT 

Every  Part  of  the  Monotype  Keyboard  or  Caster  amid 
Every  Improvement  on  Either  is  a  Unit 


24  Point  No.  42 


AND  EACH  AND  EVERY  UNIT 
Cam  be  Supplied  aed   Easily  Fitted  to 
Your  Machine  at  Small  Expense 
$0345671 


30  Point  No.  42 


BUY  WHAT  YOU  N 


5  your  Plant  Grow 

c/ 

the  Parts  to  Suit  your  Trade 

$i: 


36  Point  No.  42 


WHAT  YOU  WANT 
When  YOM  Want  It  Mo: 


No.  44 


Became  ih®  Typog 


14  Point  No.  44 


Electro  Display  Matrices 

Y 


18  Point  No.  44 


I 


24  Point  No.  44 

>n©iririr°T©  ^^©T^TK 


30  Point  No.  44 


T 


n>e  ca 


X 


No.  59 


Electro  Display  Matrices 


30  Point  No.  59 


LANG' 


TH 


36  Point  No.  59 


T 


E 


No.  73 


Electro  Display  Matrices 


24  Point  No.  73 


S?READY 
oT8° 


No.  123 


Sorts  Matrices 


18  Point  No.  123 


rei 
IT 


I! 


fo)   w 


24  Point  No.  123 

IT  BiiP^ 
"Ira 


LET  US  TELL 


IT! 


36  Point  No.  123 


MffllDL  Hill 


9 


iQJKPffTlfM  fTfFTlfD 


B78fl 


No.  193 


Class  C  Matrices.     Fonts  shown  on  this  page 
Not  Included  in  Library  and  Will  Not  be  Leased 


Electro  Display 
Matrices 


12  Point  No.  193 


18  Point  No.  193 


24  Point  No.  193 


30  Point  No.  193 


l  &^W    "  T^  c 


36  Point  No.  193 


r\ 

U 


No.  194 


Class    C    Matrices.       Fonts   shown   on   this    page 
Not  Included  in  Library  and  Will  Not  be  Leased 


Electro  Display 
Matrices 


12  Point  No.  194 

IF  YOU  EVER  BOUGHT  SHADED  TYPE  FACES 

"ou  know  all  about  the  High  Cost  of  keeping  the  cases  sorted=up 

foundry  sorts,  for  the  first  trip  to  the  pressroom  means  old 


expensive 


14  Point  No.  194 


THE  MONOTYPE  TYPE  CASTER  IS  A  NECESSITY 
Where  the  best  results  are  desired  from  the  use  of  Fime  Shaded 

It  supplies  new  type  for  every  lob 

JL  Jt  J  m.  J     J> 


18  Point  No.  194 


DO  NOT  LIMIT  THE  WORK 
uise  a  si 


the  new  type 


24  Point  No.  194 


A  full  font  consists  of  77  characters  as  listed  above 
30  Point  No.  194 


TTTTC^Tr  T¥ 
JlJT  UiL 

OMF  list; 


to°date  fount! 


36  Point  No.  194 


ALL 


TYP: 


imito  New 
4S67J 


No.  202 


Class    C    Matrices.       Fonts   shown   on   this    page 
Not  Included  in  Library  and  Will  Not  be  Leased 


Display 
Matrices 


12  Point  No.  202 

SAWlflQ    THl    DISTfilBtll 
Pall  Qmmmm  «f  H@w  Type  @mi  Rule 

the  Monotype  Makes  New  Type  and  Rule  Cheaper  than 
Composit  or  C  a  n  D  i  s  t  r  i  b  u  t  e  W  or  n  T  y  p  e 
S1234567890 


14  Point  No.  202 


COST  HP  NOI 
I  YOU  OKT  AN 
ARN  THE  COST 


I 


18  Point  No.  202 


Rut 


liter  mw 


24  Point  No.  202 


Gives 
It  is 


roduoiwn 


>ntittuou 

$12 


No.  203 


Class    C    Matrices.       Fonts   shown   on   this    page 
Not  Included  in  Library  and  Will  Not  be  Leased 


Display 
Matrices 


18  Point  No.  203 


LOOK  AT  THE 
IN  THI 


THE 


No  figures  made  for  this  font 


No.  218 


Class  C  Matrices.     Fonts  shown  on  this  page 
Not  Included  in  Library  and  Will  Not  be  Leased 


Sorts  Matrices 


12  Point  No.  218 

MONOTYPE  SHADED  FACES 

Cast  brand  new  for  every  job,  give  the  job  a  sharp,  clean-cut  appearance 
is  not  obtainable  with  used  shaded  face  type 
$'1234bS7890 


14  Point  No.  218 


Shaded  type  faces  are  not  a  luxury  in  up-to-date  offices 
make  their  own  type  on  the  Monotype 
$1234567890 


18  Point  No.  218 


HANDSOME  AND  ECO1S 

Type  Faces  are  at  the  command  of 

Printer  who  uses  the 


IICAL 


Always 


MONO' 


24  Point  No.  218 


$133456789© 


'I  'i 

A  .no 


30  Point  No.  218 


er  wants  w 

*~  "  ri« 


Ivo  Wan.i;3  (l; 


36  Point  No.  218 


ONO'l 


Wo 


w     u       o 


R 


6Y390 


No.  246  Electro-Display  Matrices 


Class  C   Matrices.     Fonts  shown  on  this  page 
Not  Included  in  Library  and  Will  Not  be  Leased 


12B  Point  No.  246 

SHADED   TYPE   FACES 

ARE  IIV  GREAT  DEMAND,  BUT  A  GREAT  EXPENSE  TO  THE 

PRINTER  AVITHOUT  A   MONOTYPE 

$123^567890 

12  Point  No.  246 

FILL  YOUR  CASES 

WITH  THIS  POPULAR  SERIES  AND  USE 
FRESH  IVE>V  TYPE  FOR  EVERY  JOB 

$1234=567890 

18  Point  No.  246 

CLASSIC    CAPITALS 

SUITED  TO  A  GREAT  VARIETY 

OF  PROFITABLE  USES 

$123^567890 


No.  75  Electro-Display  Matrices 

18  Point  No.  75 

Stop  the  Eeak  of  Idle  Time 

no  machine  is  Ulorth  Having  when  von  Can't  Run  it  as  an  Hctual 
Producer  on  five  Copy  all  the  Time 


No.  95J.     Job  Arrangement  C3 


Composition  Matrices 


6  Point  No.  95J,  7|  Set 


fflonotppc  Jfaees 

JThr  best  Uinti  of  originalitp  is  that  mind)  tames  after  a  sounb  appren- 
ticeship: ttmt  uitmti  sfull  probe  to  fae  tljc  blenbing  of  a  firm  conception  of 
all  useful  precebent  anb  the  yrotjrcsstoc  tenbencies  of  an  able  minb.  Jfor, 
let  a  man  be  as  able  anb  us  original  as  he  map,  he  cannot  afforb  to 
biscarb  tmotolebge  of  tohat  lias  gone  before  or  tohat  is  note  gains  on  in 
his  oton  trabe  anb  profession.  3)f  the  printers  of  tobap  bo  not  toish  to 
be  esteemeb  arrogant  tohen  thep  term  this  calling  of  theirs  an  art,  thep 
must  be  milling,  anb  shoto  that  thep  are  bulling,  to  Subject  it  to  such  latos 
as  babe  mabe  its  sister  arts  so  free.  911  those  concerneb  in  tohat  are 
nob)  accepteb  as  the  fine  arts,  the  learneb  sciences  anb  professions,  sur- 
rounb  themselbes  toith  the  historp,  literature,  anb  the  concrete  examples 
of  the  toorh  uiith  vuhtcl)  thep  are  particularlp  engageb.  IJct  it  is  onlp  in 
berp  rare  instances  that  this  atmosphere,  umh  its  material  appurtenances, 
is  to  be  fount)  in  a  printing  office.  2Jrt  boes  not  flourish  in  hibben  places, 
nor  unber  restraint,  nor  in  ignorance  of  iuii.it  talent  anb  genius  habe 
accomplisheb  anb  are  noui  accomplishing  throughout  the  toorlb.  Jfor  to 
folloui  all  precebent  toiselp  boes  not  mean  to  imitate  too  slabishlp  one 
great  exemplar,  but  to  stubp  all  masters  faithfullp,  letting  their  great 
achiebements  sink  slotolp  into  the  minb  in  orber  that  toe  map  patientlp 
beribe  from  the  richness  of  our  acquireb  hnotnlebge  anb  orgaimrb  spstem 
an  attitube  of  our  oton.  JTlic  sprigfjtlp  minbeb  poung  man,  toho  toith 
his  first  business  breath  projects  the  neb)  anb  startling,  inebitablp  be- 
comes tiresome,  anb  is  briben  to  an  earlp  bisappearance:  tohile  the  slotoer, 
more  soliblp  enbotoeb  stubent  tpill  at  least  spenb  as  much  of  his  time  in 
aboibing  mistakes  as  in  ebolbing  brilliant  schemes  toheretoith  to  bajjle 
his  contemporaries.  JChe  best  binb  of  originalitp  is  that  tohich  comes 
after  a  sounb  apprenticeship:  that  tohich  shall  probe  to  be  the  falenbing  of 
a  firm  conception  of  all  useful  precebent  anb  the  progressibe  tenbencies 
of  an  able  minb.  _lFor.  let  a  man  be  as  able  anb  original  as  lie  map,  he 
cannot  afforb  to  biscarb  fenotolebge  of  tohat  has  gone  before  or  tohat  is 
nato  going  on  in  his  oton  trabe  anb  profession.  Jf  the  printers  of  tobap 
bo  not  bJish  to  be  esteemeb  arrogant  tohen  thep  term  this  calling  of  theirs 
an  art,  thep  must  be  Uniting,  anb  shoto  that  then  are  milling,  to  subject  it 

abcbefghijblmnopqrstubtoxp? 


8  Point  No.  95J,  9  Set 


jHonotppe  Jf  aces 

Clif  best  fetnti  of  originality  is  that  tofjici)  corned  after  a  sounb 
apprenticeship:  that  toljtd)  shall  probe  to  be  the  falenbing  of  a 
firm  conception  of  all  useful  precebent  anb  of  ttjc  progrfssiur 
tenbencies  of  an  able  minb.  Jfor,  let  a  man  fae  as  able  anb 
original  as  he  map,  he  cannot  afforb  to  biscarb  fenotolebge  of 
tohat  IMS  gone  before  or  tohat  in  noto  going  on  in  ins  oton 
trabe  anb  profession.  3if  the  printers  of  tobap  bo  not  toish 
to  fae  esteemeb  arrogant  tohen  thep  term  this  calling  of  theirs 
an  art,  thep  must  be  toilling,  anb  shoto  that  thep  are  toilling, 
to  subject  it  to  such  l^tos  as  bane  mabe  its  sister  arts  so  free. 
311  those  concerneb  in  tohat  are  accepteb  as  the  fine  arts,  the 
learneb  sciences,  anb  professions,  surrounb  themselbes  toith 
the  historp,  the  literature,  anb  the  concrete  examples  of  the 
toorb  toith  tohich  thep  are  particularlp  engageb.  get  it  is 
onlp  in  rare  instances  that  such  an  atmosphere,  toith  its 
material  appurtenances,  is  to  fae  founb  in  a  printing  office. 
&rt  boes  not  flourish  in  the  hibben  places,  nor  unber  restraint, 
nor  in  ignorance  of  tohat  talent  anb  genius  habe  accomplisheb 
anb  are  accomplishing  throughout  the  toorlb.  Jfor  to  folloto 
precebent  toiselp  boes  not  mean  to  imitate  slabishlp  one  great 
exemplar,  but  to  stubp  all  masters  faithfullp,  letting  their 
great  achiebements  sink  slotolp  into  the  minb  in  orber  that 
toe  map  patientlp  beribe  from  the  richness  of  our  acquireb 
knotolebge  anb  orgaimrb  spstem  an  attitube  of  our  oton.  Che 

abcbefghij&lmnopqrstubtoxp? 


$1234567890 


$1234567890 


10  Point  No.  95J,  11  Set 

illonotppe  Jfaces 

CTlir  best  lunb  of  originalitp  is  tljat  luljictj  routes  after 
a  tliorougi)  apprenticeship;  tfjat  uiljict)  stjall  probe  to 
fae  tljc  falenbing  of  a  firm  conception  of  all  useful  pre- 
cebent anb  tfje  proare&stoe  tenbencies  of  eberp  afale 
minb.  Jfor,  let  a  man  fae  as  afale  anb  original  as  lie 
map,  fir  cannot  afforb  to  biscarb  fenotolebge  of  tofaat 
lias  gone  before  or  lutiat  is  nob)  going  on  in  his  obm 
trabe  anb  profession.  M  tlje  printers  of  tobap  bo 
not  unsli  to  fae  esteemeb  arrogant  tuden  tljcn  term  tins 
calling  of  theirs  an  art,  tijep  must  fae  toilling,  anb 
sboto  tfaat  tbep  are  toilling,  to  subject  it  to  such  latos 
as  habe  mabe  all  its  sister  arts  so  free.  &ll  those 
concerneb  in  tofyat  are  accepteb  as  the  fine  arts,  the 
learneb  sciences,  anb  professions,  surrounb  them 
selbes  toitl)  tfje  faistorp,  literature,  anb  concrete  ex- 
amples of  the  toork  untb  tofaich  tliep  are  particularlp 
engageb.  Oct  it  is  onlp  in  rare  instances  th.it  such 
an  atmosphere,  truth  its  material  appurtenances,  is 
to  fae  founb  in  a  printing  office.  3  it  boes  not  flourish 
in  the  hibben  places,  nor  unber  restraint,  nor  in 
ignorance  of  tohat  talent  anb  genius  habe  accom- 
plisheb anb  are  noto  accomplishing  throughout 
the  toorlb.  Jfor  to  folloto  all  precebent  toiselp  boes 

afacbefghijfelmnopqrstubtoxp? 


12  Point  No.  95  J,   12^  Set 


Jfacesf 

fce£t  fetnb  of  ongmalttp  fe  tfjat 
comes  after  a  sfounb  apprentices!!)  tp;  tfjat 
toJjtcl)  stfmN  probe  to  be  tfje  folenoing  of  a 
firm  conception  of  all  useful  precedent  ano 
tfje  progressibe  tendencies  of  an  able  minb. 
Jfor,  let  anp  man  be  as  able  anb  original 
as  fje  map,  lie  cannot  afforb  to  biscarb  a 
UnoUilcbgr  of  tulnit  liaG  gone  before  or  intuit 
is  noto  going  on  in  Ijts  oton  trabe  anb  pro 
fession.  3f  tfje  printers  of  tobap  bo  not 
toisfj  to  be  esteemeb  arrogant  tofjen  tfjep 
term  tfjis  calling  of  tfjetrs  an  art,  tfjep  must 
fae  toilling,  anb  sfjoto  tfjat  tfjep  are  toilling, 
to  subject  it  to  suet)  latos  as  fjabe  mabe  its 
sister  arts  so  free.  811  tfjose  concerneb  in 
tofjat  are  accepteb  as  tfje  fine  arts,  tfje 
learneb  sciences,  anb  tfje  professions,  sur= 
rounb  tfjemsetoes  tottfj  tfje  fjtstorp,  literature, 

abcbefgfjij^lmnopqrstutitox^ 


$1234567890 


$1234567890 


No.  95  Electro  Display  Matrices 

14  Point  No.  95 


tfjc  i-Han  toljo  €>  Urns'  a  fflonotrpe 

Urill  tell  pou  tfjat  tt  totll  ftanble  all  of  tfje  OTorfe  m  tfje  Composing  &oom; 
tfjat  no  job  t£  too$lam  or  Sntrtcate  for  profit  JHafemg 
$1234567890 


18  Point  No.  95 


|?ou  are  after  tlje  Pig  OTorfe 

tf  pou  bo  not  Ijabe  tfje  proper  equipment  pou  are  pounb 
to  Hose  out  tn  tlje  enb 

$1234567890 


24  Point  No.  95 


Mill  get  out  all  tije  OTorfe  on  fttme  for  a  Certain 

ano  ^>attgfactorj>  profit 
$1234567890 


30  Point  No.  95 


Peauttful  aaiorfe  of  tfte 
jlonot|>pe  is;  a  Pu£mes#=putlber  tfjat  ts; 
Better  tfmn  feto 
$1234567890 


36  Point  No.  95 


of 


$1234567890 


No.  102J.     Job  Arrangement  C3 


Composition  Matrices 


6  Point  No.  102J,  7*  Set 


3ttonotype  Tfaces 

Obe  best  kind  of  originality  is  that  which  comes  afler  a  sound  apprentice- 
ship; that  wbicb  shall  prove  to  be  the  blending  of  a  firm  conception  of  all 
useful  precedent  and  of  the  progressive  tendencies  of  an  able  mind.  7or, 
let  a  man  be  as  able  and  original  as  be  ma;,  be  cannot  afford  to  discard 
knowledge  of  what  bas  gone  before  or  what  is  now  going  on  in  bis  own 
trade  and  profession.  3f  tbe  printers  of  today  do  not  wisb  to  be  esteemed 
arrogant  when  they  term  this  calling  of  tbeirs  an  art,  they  must  be  will- 
ing, and  sbow  that  they  are  willing,  to  subject  it  to  sucb  laws  as  have 
made  its  sister  arts  so  free.  Alt  these  concerned  in  what  are  accepted  as 
tbe  fine  arts,  tbe  learned  sciences,  and  professions,  surround  tbemselves 
with  tbe  history,  tbe  literature,  and  the  concrete  examples  of  tbe  work 
witb  wbicb  they  are  particularly  engaged.  $M  it  is  only  in  rare  instances 
that  sucb  an  atmospbere,  witb  its  material  appurtenances,  is  to  be  found 
in  a  printing  office.  Art  does  not  flourish  in  tbe  bidden  places,  nor  under 
restraint,  nor  in  ignorance  of  wbat  talent  and  genius  have  accomplished 
and  are  accomplishing  throughout  the  world.  J'er  to  follow  precedent 
wisely  does  not  mean  to  imitate  slavishly  one  great  exemplar,  but  to 
study  all  masters  faithfully,  letting  their  great  achievements  sink  slowly 
into  the  mind  in  order  that  we  may  patiently  derive  from  the  richness 
of  our  acquired  knowledge  and  organized  system  an  attitude  of  our  own. 
ohe  sprightly  minded  young  man,  who  with  bis  first  business  breath 
projects  the  new  and  startling,  inevitably  becomes  tiresome,  and  is  driven 
to  an  early  disappearance;  while  the  slower,  more  solidly  endowed  student 
will  at  least  spend  as  much  time  in  avoiding  mistakes  as  in  evolving 
brilliant  schemes  wherewith  to  dazzle  his  contemporaries,  oho  best  kind 
of  originality  is  that  which  comes  after  a  sound  apprenticeship;  that  which 
shall  prove  to  be  the  blending  of  a  firm  conception  of  all  useful  precedent 
and  of  tbe  progressive  tendencies  of  an  able  mind.  7or,  let  a  man  be  as 
able  and  original  as  he  may,  he  cannot  afford  to  discard  knowledge  of  what 
bas  gone  before  or  what  is  now  going  on  in  bis  own  trade  and  profession. 
3f  the  printers  of  today  do  not  wish  to  be  esteemed  arrogant  when  they  term 

abcdefgbijklmnopa.rstuvwxyz 


8  Point  No.  102J,  9  Set 


Jttonotype  Taces 

oho  best  kind  of  originality  is  that  which  comes  after  a  sound 
apprentices-hip;  that  which  shall  prove  to  be  the  blending  of  a 
firm  conception  of  all  useful  precedent  and  of  the  progressive 
tendencies  of  an  able  mind.  Jf  or,  let  a  man  be  as  able  and 
original  as  ho  may,  ho  cannot  afford  to  discard  knowledge  of 
what  has  gone  before  or  what  is  now  going  on  in  hi*  own 
trade  and  profession.  3f  the  printers  of  today  do  not  wish 
to  be  esteemed  arrogant  when  they  term  this  calling  of  theirs 
an  art,  they  must  be  willing,  and  show  that  they  are  willing, 
to  subject  it  to  such  lows  as  hove  made  Us  sister  arts  so  free. 
2\U  those  concerned  in  what  are  accepted  as  the  fine  arts,  the 
learned  sciences,  and  professions,  surround  themselves  with 
the  h^tory,  the  literature,  and  the  concrete  examples  of  the 
work  with  which  the?  ore  particularly  engaged.  Pet  it  is 
only  in  rare  instances  that  such  on  atmosphere,  with  its 
material  appurtenances,  is  to  be  found  in  a  printing  office. 
2Wt  does  not/flourish  in  hidden  places,  nor  under  restraint, 
nor  in  ignorance  of  what  talent  and  genius  hove  accomplished 
and  are  accomplishing  throughout  the  world.  3^or  to  follow 
precedent  wisely  does  not  mean  to  imitate  slavishly  one 
great  exemplar,  but  to  study  all  masters  faithfully,  letting 
their  great  achievements  sink  slowly  into  the  mind  in  order 
that  we  may  patiently  derive  from  the  richness  of  our  acquired 
knowledge  and  organized  system  an  attitude  of  our  own. 

abcdefghijklmnopqrstuvwxyz 


$1234567890 


$1234567890 


10  Point  No.  102J,  11  Set 

Jttonotype  Taces 

best  kind  of  originality  is  that  which  comes 
after  a  thoreuah  apprenticeship;  tl)at  which  shall 
prove  to  be  the  blending  of  a  firm  conception  of 
all  useful  precedent  and  the  progressive  tenden- 
cies of  a  very  able  mind.  Tor,  let  a  man  be  as 
able  an6  original  as  be  may,  he  cannot  afford  to 
discard  knowledge  of  what  bas  gone  before  or 
what  is  now  going  on  in  hi*  own  trade  and  pro- 
fession. 3f  the  printers  of  today  do  not  wish  to 
be  esteemed  arrogant  when  they  term  this  calling 
of  theirs  an  art,  they  must  be  willing,  and  show 
that  they  are  willing,  to  subject  it  to  such  laws 
as  have  made  all  its  sister  arts  so  free.  2\ll  those 
concerned  in  what  are  accepted  as  the  fine  arts, 
the  learned  sciences,  and  professions,  surround 
themselves  with  the  bi*tory,  literature,  and  con- 
crete examples  of  the  work  with  which  they  are 
particularly  engaged.  £?et  it  is  only  in  rare  in- 
stances that  such  an  atmosphere,  with  its  material 
appurtenances,  is  to  be  found  in  a  printing  office. 
2Wt  does  not  flourish  in  the  hidden  places,  nor 
under  restraint,  nor  in  ignorance  of  what  talent 

abcdefghiiklmnopqrstuvwxyz 


12  Point  No.  102J,  12i  Set 

3tlonot?pe  Taces 

ofye  best  kind  of  originality  is  tfyat  wl)icl) 
comes  after  a  sound  apprenticeship;  that 
wl)icl)  sl)all  prove  to  be  tl)e  blending  of  a 
firm  conception  of  all  useful  precedent  and 
tt)e  progressive  tendencies  of  an  able  mind. 
Tor,  let  an?  man  be  as  able  and  original 
as  be  ma?.  l>e  cannot  afford  to  discard  knowl- 
edge of  wt)at  t)as  gone  before  or  wl)at  is 
now  going  on  in  fyis  own  trade  and  profes- 
sion. 3f  tl)e  printers  of  toda?  do  not  wisl) 
to  be  esteemed  arrogant  wljen  tfye?  term 
tl)is  calling  of  theirs  an  art,  tl)e?  must  be 
willing,  and  sl)ow  tfyat  tl)e?  are  willing,  to 
subject  it  to  sucl)  laws  as  ba\v  made  its 
sister  arts  so  free.  2\ll  tbose  concerned  in 
wbat  are  accepted  as  tl>e  fine  arts,  tfye 
learned  sciences,  and  tlje  professions,  sur- 
round themselves  witb  UK  bUtorv,  literature, 

abcdefgbijKlmnopqrstuvwxyz 


$1234567890 


$1234567890 


No.  102  Electro  Display  Matrices 

14  Point  No.  102 

Z3l)e  tArt  preservative  of  ^3\,rts 

(Baineo  a  friend  in  ^Iee6  ^fyrougl)  tfye  invention  of  tfyeMlonotvpe  Mtactyine 

Ut  Mlaintains  tfye  Quality  Standard 
$1234567890 

18  Point  No.  102 


Otl)£r 

Simply  to"3ncrease6  Output  ^itl)out  ^J\egar6  to 
Quality  of  t 

$1234567890 


24  Point  No.  102 


_ 

Ouantity  an6  Quality ^ere  Attaine6 
Mlonotyfe  -Alone 
S1234567S90 


30  Point  No.  102 


Stands  »v  Tltself 
tfye  5ltac^ine  Suited  to  t^e  Ver? 

(Tlass  of 
$1234567690 


36  Point  No.  102 


Cntire 
(Tovere6  b?  tl^ 

$1234567890 


No.  188J.     Job  Arrangement  C2 


Composition  Matrices 


6  Point  No.  188J,  7|  Set 


iHninitin.n-    «F.-tri«ti 

CT  In-  brat  kind  of  originality  ia  t  licit  uilijrli  cornea  after  a 
•mii  nil  apprenticeship;  Hint  uihirh  '..hall  prove  to  be  tt?e 
blending  of  a  firm  conception  of  all  useful  precedent  and 
the  progreseine  tendenciea  of  an  able  mind.  ifot,  let  a  man 
be  aa  able  and  original  aa  lii-  mag,  In-  cannot  afford  to  die- 
card  knowledge  of  mliat  hcia  gone  before  or  mluit  ie  tioiu 
going  on  in  Ins  own  trade  and  profeaaion.  if  thr  printera  of 
today  do  not  mi  ah  to  be  eateemed  arrogant  luljrn  t  lu-it  term 
this  calling  of  t  lu-ira  an  art,  t  lu-it  ntuat  be  willing,  and  alunu 
that  thru  are  willing,  to  subject  it  to  such,  laws  aa  hnur 
made  ita  eiater  arts  ao  free.  All  thnar  concerned  in  what 
are  accepted  aa  the  fine  arts,  the  learned  sciences,  and  pro- 
fessions surround  themselves  with  the  history,  literature, 
and  concrete  examples  of  the  work  with  which  ihru  are 
particularly  engaged,  yet  it  is  only  in  rare  instances  that 
such  an  atmosphere,  with  its  material  appurtenances,  ia  to 
be  found  in  a  printing  office.  Art  doee  not  flourish  in  hid- 
den plafes,  nor  under  restraint,  nor  in  ignorance  of  what 
talent  and  genius  hcmr  accomplished  and  are  accompliahing 
throughout  the  world.  9or  to  follow  precedent  wisely  does 
not  mean  to  imitate  skittishly  one  great  exemplar,  but  to 
study  all  masters  faithfully,  letting  their  great  achieve- 
ments sink  slowly  into  the  mind  in  order  that  he  may 
patiently  derive  from  the  richness  of  our  acquired  knowl- 
edge and  organized  system  an  attitude  of  our  own.  u  lie 
sprightly  minded  young  man,  who  with  his  first  buaineee 
breath  proiecte  the  new  and  atartling,  inevitably  becomes 
tireeome,  and  is  driven  to  an  early  dieappearance;  while 
the  slower,  more  soJidly  endowed  student  will  at  least  spend 
as  much  of  his  time  in  avoiding  mistakes  aa  in  evolving 
brilliant  schemes  wherewith  to  dazzle  his  contemporaries. 

abcdefghifklmnopqrstuvwxyz 


$1234587890 


8  Point  No.  188J,  9  Set 


ifiomttypr  Ifarrs 

ahr  best  hind  of  originality  la  thai  iiihirh  comes 
after  a  sound  apprenticeship;  that  itthtrh  shall 
proue  to  be  thr  blending  of  a  firm  conception  of 
all  useful  precedent  and  of  the  progressiue  ten- 
dencies of  an  able  mind.  3?or,  let  a  man  be  as 
able  and  original  as  In-  mag,  be  cannot  afford  to 
discard  knowledge  of  what  has  gone  before  or 
inhat  is  now  going  on  in  his  oum  trade  and  pro- 
fession. If  thr  printers  of  today  do  not  wish  to 
be  esteemed  arrogant  uihru  they  term  this  calling 
of  theirs  an  art,  thru,  must  be  milling,  and  shout 
that  they  are  milling,  to  subject  it  to  such  laws 
as  haae  made  its  sister  arts  so  free.  All  those 
concerned  in  what  are  accepted  as  the  fine  arts, 
the  learned  sciences,  and  professions  surround 
themselues  with  the  history,  the  literature,  and 
concrete  examples  of  the  work  with  which  they 
are  particularly  engaged,  ^fet  it  is  only  in  rare 
instances  that  such  an  atmosphere,  with  its  ma- 
terial appurtenances,  is  to  be  found  in  a  printing 
office.  Art  does  not  flourish  in  hi&&en  places,  nor 
under  restraint,  nor  in  ignorance  of  what  talent 
and  genius  haue  already  accomplished  and  are 
accomplishing  throughout  all  the  world.  JFnr  to 

abcdefghifkltnnopqrstuuwxyz 


$1234507830 


Ems  a  to  z  17.92 


Words  to  Pica  .45 


Ems  a  to  z  16.12 


Words  to  Pica  .38 


10  Point  No.  188  J,  11  Set 

ittnun  tupc  Iflaees 

Elje  uery  best  hind  at  originality  la  tljat 
in  Inrli  comes  after  a  sound  appreiittre- 
sljip;  tljat  uihirh  sljall  prime  Itself  to  be 
tlje  blending  of  a  firm  conception  of  all 
useful  precedent  and  tlje  progressiue  ten- 
dencies of  an  able  mind,  ffiet  any  man 
be  as  able  and  original  as  In*  may,  In* 
cannot  afford  to  discard  knowledge  of 
uihnt  Ijas  gone  before  or  mhat  Is  now 
going  on  In  hk.  oum  trade  and  profes- 
sion. it  thr  printers  of  today  do  not 
uiislj  to  be  esteemed  arrogant  uilirii  tljey 
term  tljis  calling  of  theirs  an  art,  tljey 
must  be  milling,  and  '..hum  that  thru  are 
milling,  to  subject  it  to  suclj  laitts  as  haur 
made  its  sister  arts  so  free.  All  iluu.r 
concerned  in  mhat  are  accepted  as  tlje 
fine  arts,  tlje  learned  sciences,  and  pro- 
fessions surround  ttjemselues  uiitlf  tlje 
lii',  torn,  literature-,  and  concrete  exam- 
ples of  tlje  mork  uiitlj  luhirh  tljey  are 
particularly  engaged,  ^et  it  is  only  in 


12  Point  No.  188J,  12^  Set 


abcdefgtjiiklmnopqrstuutuxyz 


$1234587830 


liinnntijpr 

best  kmfc  nf  trriytiuilttii  la 
mhirh  c0tn^0  after  a  sniutft  apprett- 
tlcealjlp;  tlyat  uiljicly  shall  proue  to 
be  tlje  blendmQ  of  a  flrttt  concep- 
tion of  all  usrf  til  precedent  and  tlje 
prnurrssiur  tendencies  of  a  cleuer 
mind.  3ffor,  let  a  man  be  as  able 
and  original  as  Ije  may,  Ije  cannot 
afford  to  discard  a  knowledge  of 
uihat  Ijas  gone  before  or  mhat  is 
now  going  on  In  his  own  trade  and 
profession.  Jf  tlje  printers  of  today 
do  not  utish  to  be  esteemed  arro- 
gant iuh  en  tljey  term  tljls  calling  of 
thrirs  an  art,  tljeg  mnst  be  willing, 
anb  sluiui  tljat  tljeg  are  willing,  to 
snbf  ect  it  to  snclj  laws  as  Ijaue  made 
its  sister  arts  so  free.  All  tljose  wljo 

abcdefgljlfhlmnopqrstnuwxyz 


Ems  a  to  z  15.77 


Words  to  Pica  .31          Ems  a  to  z  14.93 


$1234567830 


Words  to  Pica  .27 


No.  188  Sorts  Matrices 

18  Point  No.  188 


our  Comp00mg  ?R00m  ttj£  Slight  Hani* 
r  ^al^0  iB^pa 
$1234567390 


24  Point  No.   188 


Ja 


$1234567890 


No.  17L,  Typewriter 
Composition  Matrices 

This  face  can  be  run  on  any  Keyboard  arrangement,  but  the  Keyboard  must  be  equipped  with  the  Typewriter  Stopbs 

11  Point  No.  17L,  Set  Size  .100" 

Mr.  Progressive  Printer, 

Everywhere . 
Dear  Sir: 

This  is  a  sample  of  our  11  point  No.  17L,  a  type- 
writer face  designed  to  overcome  printing  through  a 
ribbon  in  order  to  obtain  the  rough,  fuzzy  effect  of 
typewriter  work.   The  face  of  the  type  is  slightly 
thicker,  and  the  outer  edges  of  the  letters  more  uneven 
than  typewriter  characters  designed  for  use  with  a 
ribbon. 

There  is  a  great  and  increasing  demand  for  this 
class  of  work.   The  printer  who  can  print  form  letters 
properly  has  a  profitable  specialty,  and  in  these  days 
specialty  printing  is  fast  becoming  a  profitable  field 
for  the  printer. 

(The  paragraph  above  is  printed  through  a  ribbon, 
that  below  direct  from  the  type.) 

This  is  an  especially  useful  face  for  fac-simile 
work,  with  copying  ink,  or  for  circulars  printed  in 
black  ink  only.   It  is  shown  in  this  specimen  printed 
in  purple  copying  ink  through  a  ribbon  and  direct  from 
the  type. 

For  the  general  run  of  duplicating  this  is  one  of 
the  best  typewriter  faces  ever  designed.   The  regular 
font  consists  of  93  characters,  and  includes  the  common 
fractions  and  commercial  signs  in  general  use.   The  set 
size  of  each  character  in  this  series  is  .100  or  10 
letters  to  the  inch. 

1E345  ABCDEFGHIJKLMNOPQRSTUVWXYZ&  67890$ 
abcdef ghi jklmnopqrstuvwxyz 


No.  70L,  Elite  Typewriter 
Composition  Matrices 

This  face  can  be  run  on  any  Keyboard  arrangement,  but  must  be  used  on  a  Keyboard  equipped  with  the  typewriter  stop. 

10  Point  No.  70L,  Set  size,  .0830" 

Mr.  Progressive  Printer, 

Everywhere. 
Bear  Sir: 

This  10  point  No.  -70L  Elite  Typewriter  face  is  designed  to 
fill  the  demand  for  a  letter  which  may  be  used  in  cases  where 
space  must  "be  saved  or  where  it  is  required  to  match  exactly  the 
typewriter  used  to  fill  in  the  address.   It  is  a  hair  line  face 

which  is  frequently  used  in  printing  direct  from  the  type  with 
copying  ink,  "but  in  fac-siasile  work  the  best  results  are  ob- 
tained by  printing  through  a  ribbon,  with  an  ordinary  purple  or 
any  kind  of  copying  ink. 

As  there  are  12  characters  to  the  inch,  the  saving  in  space 

is  considerable  to  the  line  as  well  as  the  saving  in  point  size. 

'The  paragraph  above  is  printed  through  a  ribbon,  that 
below  direct  from  the  type.) 

There  is  no  limit  to  the  possibilities  on  fac-simile  type- 
writer work  in  a  printing  office  supplied  with  the  Monotype 
faces.   Standing  matter  cost,  which  would  be  a  considerable  item 
with  foundry  type,  is  reduced  to  the  minimum,  and,  while  Mono- 
type type  wears,  like  foundry  type,  long  runs  are  profitable  in 

•3  Monotype  shop  because  it  is  cheaper  to  recast  than  dis- 

i.bute. 

By  running  the  keyboard  ribbon  through  the  caster  twice  or 
more,  as  many  forms  may  be  printed  at  one  impression  as  the 
press  capacity  will  admit.   This  saving  in  extra  composition 
electro  typing  expense  is  a  distinct  Monotype  advantage  on 
;writer  work. 

The  regular  font  contains  98  characters  and  includes  the 
•mon  fractions  and  commercial  signs  in  general  use. 

:5   ABCDEFGHIJKLMNOPQRSTUVWXYZ&   67890$ 
abcdefghijklmnopqrstuvwxyz 


No.  170L,  Smith  Premier  Typewriter 
Composition  Matrices 

This  face  can  be  run  on  any  Keyboard  arrangement,  but  must  be  used  on  a  Keyboard  equipment  with  the  typewriter  stop. 

12  Point  No.  170L,  Set  size  .100" 

Mr.  Progressive  Printer. 

Everywhere . 
Dear  Sir; 

This  12  point  No.  170L  Smith  Premier  Typewriter  faoe  is 
designed  to  fill  the  demand  for  a  letter  which  may  be  used 
on  the  average  Glass  of  typewriter  work,  or  where  it  is  re- 
quired to  match  exactly  the  typewriter  used  to  fill  in  the 
address..  It  is  a  hair  line  face  which  is  frequently  used 
in  printing  direct  from  the  type  with  copying  ink,  "but  in 
fac-simile  work  tha  "best  results  are  obtained  by  printing 
through  a  ribbon,  with  an  ordinary  purple  or  any  kind  of 
copying  ink. 

There  are  10  characters  to  the  inch,  the  most  common  set 
size  of  all  standard  typewriters. 

(The  paragraph  above  is  printed  through  a  ribbon,  that 
below  direct  from  the  type. ) 

There  is  no  limit  to  the  possibilities  on  fac--simile 
typewriter  work  in  a  printing  office  supplied  with  the  Mono- 
type faces.  Standing  matter  cost,  which  would  be  a  consider- 
able item  with  foundry  type,  is  reduced  to  the  minimum,  and. 
while  Monotype  type  wears,  like  foundry  type,  long  runs  are 
profitable  in  the  Monotype  shop  because  it  is  cheaper  to 
recast  than  distribute - 

By  running  the  keyboard  ribbon  through  the  caster  twice 
or  more,  as  many  forms  may  be  printed  at  one  impression  as 
the  press  capacity  will  admit.   This  saving  in  extra  compo- 
sition and  electrotyping  expense  is  a  distinct  Monotype  ad- 
vantage on  typewriter  work. 

The  regular  font  contains  101  characters  and  includes 
the  common  fractions  and  commercial  signs  in  general  use. 

12345   ABCDEFGHIJKLMNOPQRSTUVWXYZ&   67890-$ 
abcdefghi jklmnopqrstuvwxyz 


No.  72 L,  Reproducing  Typewriter 
Composition  Matrices 

This  face  can  be  run  on  any  Keyboard  arrangement,  but  must  be  used  on  a  Keyboard  equipped  with  the  typewriter  stop. 

8  Point  No.  72L,  Set  size  .0692 

Mr.  Progressive  Printer, 

Everywhere. 
Dear  Sir: 

This  8  point  No.  72L  Reproducing  Typewriter  face  is  designed  to  fill 
the  demand  for  a  letter  which  may  be  used  in  cases  where  space  must  be 
saved  or  where  it  is  not  required  to  match  exactly  the  typewriter  used  to 
fill  in  the  address.  It  is  used  in  printing  direct  from  the  type  with 

copying  ink,  but  in  fac-simile  work  the  best  results  are  obtained  by 
printing  through  a  ribbon,  with  an  ordinary  purple  or  any  kind  of  copying 
ink. 

As  there  are  14  characters  to  the  inch,  the  saving  in  space  is  con- 
siderable to  the  line  as  well  as  the  saving  in  point  size. 

(The  paragraphs  above  are  printed  through  a  ribbon,  that  below  direct 

from  the  type . ) 

There  is  no  limit  to  the  possibilities  on  fac-simile  typewriter  work 
in  a  printing  office  supplied  with  the  Monotype  faces.   Standing  matter 
cost,  which  would  be  a  considerable  item  with  foundry  type,  is  reduced  to 
the  minimum,  and,  while  Monotype  type  wears  like  foundry  type,  long  runs 
are  profitable  in  the  Monotype  shop  because  it  is  cheaper  to  recast  than 
distribute. 

By  running  the  keyboard  ribbon  through  the  caster  twice  or  more,  as 
many  forms  may  be  printed  at  one  impression  as  the  press  capacity  will 
admit.  This  saving  in  extra  composition  and  electrotyping  expense  is  a 
distinct  Monotype  advantage  on  typewriter  work. 

The  regular  font  contains  99  characters  as  follows: 

12345  ABCDEFGHIJKLMNOPQRSTUVWXYZ&   67890$ 

abode fghijklmnopqrstuvwxyz 
..-:;'!?'  "HttHHiff  r_+= 


No.  74L,  Mailing  List 
Composition  Matrices 

These  faces  can  be  run  on  any  Keyboard  arrangement,  but  they  must  be  used  on  a  Keyboard  equipped  with  the  typewriter  stop 

8  Point  No.  74L.     Set  Size  .0553  (4  Points) 


Henderson  J  B  16  06 

15  Delaware  Ave 

Madison  Wis 

Benson  OS  18  06 

224  Sedwich  Ave 

Morristown  Del 

Globe  Motor  Company       Ex 
Hartford  Conn 

Enterprise  Bank        24  07 
14  Exchange  St 

Danville  Miss 

Corbett  G  A  14  06 

28  Meadow  St 

Hackensack  N  J 

Burkart  Eugene         16  06 
168  Jerome  Street 

Dallas  Tex 


Child  Edward  T 
Box  222 


26  09 

Rosemont  Pa 


Bowditch  Charles  P      14  07 
28  State  Street 

Boston  Mass 

Gest  William  P         20  06 
327  Chestnut  St 

Philadelphia  Pa 

Ellis  John  W          10  08 
19  Oakland  Road 

Brookline  Mass 


Kimball  David  P 
Box  2133 


28  05 
Boston  Mass 


Globe  Motor  Company       Ex 
Hartford  Conn 


Hayes  Francis  A        16  07 
60  Park  Place 

Geneva  N  Y 

McElroy  John  E         17  09 
93  State  Street 

Albany  N  Y 

Lincoln  Theodore  M      19  97 
86  Wethersfield  Ave 

Hartford  Conn 

Globe  Motor  Company       Ex 
Hartford  Conn 

Enterprise  Bank        24  07 
14  Exchange  St 

Danville  Miss 

Corbett  G  A  14  06 

28  Meadow  St 

Hackensack  N  J 


$12345    ABCDEFGHIJKLMNOPQRSTDVWXYZ    67890 

abcdefghijklmnopqrstuvwxyz' .,;:-"   $  §  i  i  I  I  I 


Henderson  J  B      16  06 
15  Delaware  Ave 

Madison  Wis 

Benson  OS        18  06 
224  Sedwich  Ave 

Morristown  Del 


10  Point  No.  74L.     Set  Size  .0692  (5  Points) 

Hamilton  W  A       28  07 
27  Rochell  Ave 

Port  Chester  N  Y 

Burkart  Eugene     16  06 
168  Jerome  Street 

Dallas  Tex 


Globe  Motor  Company    Ex 
Hartford  Conn 

Enterprise  Bank    24  07 
14  Exchange  St 

Danville  Miss 

$12345 


Child  Edward  T     16  06 
Rosemont  Pa 

Bowditch  Charles  P  17  10 
28  State  Street 

Boston  Mass 

ABCDEFGHIJKLMNOPQRSTUVWXYZ& 
abcdefghijklmnopqrstuvwxyz 


Ellis  John  W 

19  Oakland  Road 

Brookline  Mass 

Kimball  David  P    19  06 
Box  2133 

Boston  Mass 


Greer  David  S      17  09 
1523  S  Broad  St 

Philadelphia  Pa 

Lincoln  Theodore  M  25  08 
Hartford  Conn 

67890 


Monotype  Mailing  List  Type  is  all  on  the  same  width 
body.  This  gives  it  the  following  advantages: 

FIRST:  Corrections  or  changes  like  typewriter  type; 
no  justification  required. 

SECOND:  Changes  in  address  may  be  set  from  the 
case,  using  Monotype  type. 

THIRD:   For  renewals  change  one  figure  only. 

FOURTH:  A  standing  mailing  list  represents  only 
the  cost  of  metal  instead  of  the  cost  of  type. 

In  the  slug  system  a  correction  or  alteration  requires 
a  new  line  which  must  first  be  cast  on  the  machine  and 
then  placed  in  its  proper  position  in  its  particular  galley. 


With  the  Monotype  system  the  corrector  finds  the  galley 
and  makes  the  change  direct  from  a  small  case. 

In  the  stencil  system  a  complete  new  stencil  is  re- 
quired for  any  correction  or  alteration.  You  pride  your- 
self on  the  appearance  of  your  paper;  why  use  a  label  like 
this: 


S.      BENJAMIN 
603     BROOME     ST. 
WILM I NG  TON ,  DEL  . 
WAR  .  9-07     S      I.      YR  . 


No.  270L,  Underwood  Typewriter 
Composition  Matrices 

This  face  can  be  run  on  any  Keyboard  arrangement,  but  must  be  used  on  a  Keyboard  equipped  with  the  typewriter  stop. 

10  Point  No.  270L,  Set  Size,  .0830" 

Mr.  Progressive  Printer, 

Everywhere. 
Dear  Sir: 

This  10  point  No.  270L  Underwood  Typewriter  face  is  designed  to 
fill  the  demand  for  a  letter  which  may  be  used  in  cases  where 
space  must  be  saved  or  where  it  is  required  to  match  exactly  the 
typewriter  used  to  fill  in  the  address.   It  is  a  hair  line  face 

which  is  frequently  used  in  printing  direct  from  the  type  with 
copying  ink,  but  in  fac-simile  work  the  best  results  are  ob- 
tained by  printing  through  a  ribbon,  with  an  ordinary  purple  or 
any  kind  of  copying  ink. 

As  there  are  12  characters  to  the  inch,  the  saving  in  space 
is  considerable  to  the  line  as  well  as  the  saving  in  point  size. 

(The  paragraph  above  is  printed  through  a  ribbon,  that 
below  direct  from  the  type.) 

There  is  no  limit  to  the  possibilities  on  fac-simile  type- 
writer work  in  a  printing  office  supplied  with  the  Monotype 
faces.   Standing  matter  cost,  which  would  be  a  considerable  item 
with  foundry  type,  is  reduced  to  the  minimum,  and,  while  Mono- 
type type  wears,  like  foundry  type,  long  runs  are  profitable  in 

e  Monotype  shop  because  it  is  cheaper  to  recast  than  dis- 
tribute . 

By  running;  I      .. '-'Oard  ribbon  through  the  master  twice  or 
'.•e,  as  many  forms  may  be  printed  at  one  impression  as  t] 
33  capacity  wil]  -"ing  in  extra  composit' 

electro typing  expense  is  a  distinct  Monotype  advantage  on 

t  contains  Qf  \    '  -ludes  t] 

signs  in  genera 

12345  ABCDEFGHIJKLMNOPQRSTUVWXYZ&  67890$ 
abode fghijklmnopqrstuvwxyz 


T  boowisb  >VI 


nohtieoqmoD 

H  no  boeu  ad  Jv  n-..j/n.',rtB  {naocf^a^i  ^IM  no  run  ad 


"0£80.  ,9si8  > 


No.  272L,  Royal  Typewriter 
Composition  Matrices 

This  face  can  be  run  on  any  Keyboard  arrangement,  but  must  be  used  on  a  Keyboard  equipped  with  the  typewriter  stop. 

10  Point  No.  272L,  Set  Size,  .0830" 

Mr.  Progressive  Printer, 

Everywhere. 
Dear  Sir: 

This  10  point  No.  272L  Royal  Typewriter  faoe  is  designed  to 
fill  the  demand  for  a  letter  which  may  be  used  in  oases  where 
space  must  be  saved  or  where  it  is  required  to  match  exactly  the 
typewriter  used  to  fill  in  the  address.   It  is  a  hair  line  faoe 

which  is  frequently  used  in  printing  direct  from  the  type  with 
copying  ink,  but  in  fac-simile  work  the  best  results  are  ob- 
tained by  printing  through  a  ribbon,  with  an  ordinary  purple  or 
any  kind  of  copying  ink. 

As  there  are  12  characters  to  the  inch,  the?  saving  in  space 
is  considerable  to  the  line  as  well  as  the  sa\rirg  in  point  size. 

(The  paragraph  above  is  printed  through  a  ribbon,  that 
below  direct  from  the  type.) 

There  is  no  limit  to  the  possibilities  on  fac-simile  type- 
Lter  work  in  a  printing  office  supplied  with  the  Monotype 
faces.   Standing  matter  cost,  which  would  be  a  considerable  item 
with  foundry  type,  is  reduced  to  the  minimum,  and,  while  Mono- 
type type  wears,  like  foundry  type,  long  runs  are  profitable  in 
the  Monotype  shop  because  it  is  cheaper  to  recast  than  dis- 
t  Mbute  . 

By  running  the  keyboard  ribbon  through  the  caster  twice  or 
more,  as  many  forms  may  be  printed  at  one  impression  as  the 
press  capacity  will  admit.   This  saving  in  extra  composition 
and  electrotyping  expense  is  a  distinct  Monotype  advantage  on 
'  ter  wr 


Kular  font  contains  84  characters  and  includes  the 
cornmor'  fractions  and  commercifil  signs  in  general  use. 

12345  ABCDEFGHIJKLMNOPQRSTDVWXYZ4   67890$ 

abcdef  ghi  j  klmnopqrs  tuvwxy  z 

' 


No.  370L,  Remington  Typewriter 
Composition  Matrices 

This  face  can  be  run  on  any  Keyboard  arrangement,  but  must  be  used  on  a  Keyboard  equipped  with  the  typewriter  stop. 

10  Point  No.  370L,  Set  Size,  .0830" 

Mr.  Progressive  Printer. 

Everywhere.. 
Dear  Sir: 

This  10  point  No.,  370L  Remington  Typewriter  underscored  face  is 
designed  Jfco  fill  the  demand  for  a  letter  showing  the  underscore 
&s  produced  on  the  typewriter,  and  is  frequently  required  to 
reproduce  underscored  sect, ions  of  fac^  simile  letters  composed  in 

the  No .  270L  series .   3L1  il  a  hair  line  face  which  jis.  frequently 
used  tn  printing  direct  from  the  type  with  copying  ink,  but  in 
fac-simile  work  the  be_s t  results  are  obtained  by  printing  through 
*  ribbon .  with  an  ordinary  purple  or  any.  kind  of  copying  ink. 

M  there  are  12  characters  to  the  inch,  the  saving  in  space 
is  ojonside  rabl  e  to.  the  .line  as.  we^l  as  the  say  ing:  in,  p^oint  size . 

( The  paragraph  above  is  printed  through  a  ribbon ,  that 
below  d  i  r  e  c t  from  the  type . ) 

There  is  np_  limit  to  the  possibilities  on  fac-simile  type- 
v/riter  work  in  a  printing  office  supplied  with  the  Monotype 
faces .   Standing  matter  cost ,  which  woulji  be  a  considerable  item 
with  foundry  type ,  is  reduced  to_  the  minimum,  and,  while  Mono- 
type type  wears ,  like  foundry  type ,  lp_ng  ruH-s  are  profitable  in 
the  Monotype  shop  because  it  is  cheaper  to  recast  than  dis- 
tribute . 

B v_  running  the  keyboard  ribbon  through  the  caster  twice  or 
more .  as  many  forms  may  bj3  printed  at  one  impression  as  the 
press  capacity  will  admit .   This  saving  in  extra  composition 
and  elect retyping  expense  is  a  distinct  Monotype  advantage  on 
typewriter  work. 

The  regular  font  contains  101  characters  and1  include^  the 
common  fractions  and  commercial  signs  in  general  use  L   These 
trices  are  sold  at  Class  D  prices . 

12545   ABCDEFGHIJKLMNOPQ,RSTUVW:XYZ&   67890$ 
abode  fghi.lklmnopqrstuvwyyz 


No.  475  Sorts  Matrices 

18  Point  No.  475 

macht  dent  Zcitveriuft  ein  €nde 

Heine  Iflascbine  i|t  ntmbar  wenn  ntann  fie  nicw  beftandig  an  neue 

Hopie  braucften  kann 


This  aerie«,  designated  as  No.  475,  is  made  up  of  our  No.  75  series,  together  with  the  additional  characters  necessary  to  complete  the  German  font, 
ordering,  specify  the  proper  point  size  and  the  series  number  as  above,  No.  475.     You  will  receive  characters  which  are  all  marked  75,  including 
the  extra  characters  to  complete  the  German. 


No.  95M.     Special  Arrangement 


Composition  Matrices 


8  Point  No.  95  M,  9  Set 


g>cfjrtftarten 

Dir  bcfte  3rt  Uon  <f>ncjiiulitat  tft  btejemge,  lur ld)r  ftdj  n.irii 
einet  gritnbltdjen  Uetincit  fufjlbar  nuriit.  eine  folriic.  bte  fidj 
alsf  Vermifdjung  betf  Pegnff  e$  bon  allem  ntitjltdjen  unb  pro= 
grefftben  g>trefaen  einesf  felaren  "^erftanbes!  ertoetft.  Dntn 
mag  etn  Jflenfdj  nodj  fo  titdjtig  unb  ortgtnell  fetn,  fo  mufj  cr 
bennodj  alles,  toas  in  feinem  (getoerfae  obcr  JSJeruf  friiljer 
gefdjaf)  ober  nodj  gegentoarttg  gefdjtefjt,  fjodj  fdjafcen.  IHenn 
bie  fjeuttgen  lUidifonirUer  ntdjt  a  Is  anma&enb  angefefjen  tucr 
ben  tuollcn.  inbem  fie  tbr  <getoerfae  ate  cine  Kimft  barftellen, 
fa  miiffcn  fie  infolge  bcffcn  bereit  f cm,  unb  aurij  ilirc  l'-f rctt 
toilligbeit  ?u  Cage  Icgen  basffelfac  foldjcn  <gefe^en  ju  untec- 
toerfen,  burdjr  toeldje  afjnltdje  16lunfte  fo  fret  bourben.  glle 
Dtcjcnigcn.  lucldic  bte  fetnen  Ktinftc.  ffiiiffenfdjaften  unb 
^rofefftonen  pflegen,  faefdjaftigen  ftdj  mtt  (Sefdjidjte,  Utte= 
ratur  unb  tnirkltdjen  $rofaen  ber  in  iluem  jfadj  liegenben 
Arbeit.  Dcnnodj  finbet  man  btefe  (Llnirjrbung  mit  all  ilirrn 

abcbef  gt  i  jblmnopqcfif  tubtoxp^ 


$1234567890 
aoiiffftfi^didjffflft 


10  Point  No.  95M,  11  Set 

JJlonotppe  ibihriftarten 
befte  8rt  bon  ©riginalitat  ift  biejenige,  toeldje 
firf)  nad)  einer  grunblirfjen  Hehr^eit  fuhlbar  macht, 
eine  foldje,  bie  firf)  ate  Vermifdjung  be*  ^egriffea 
bon  allem  nitulirijcn  unb  progreffiben  S>treben 
eines  blaren  \Terftanbeg  ertoeift.  23enn  mag  ein 
itlcnfri)  nod)  fo  ttidjttg  unb  originell  fein,  fo  nwf>  er 
bennorf)  allesf,  toass  in  feinem  (^etoerbe  ober  Peruf 
frither  gcfdjalj  ober  nod)  gegentoartig  gcfriitclit,  liori) 
fdjaUrn.  tllcnn  bie  heutigen  Purf)brudker  ntriit  ate 
anmajjenb  angefeijen  toerben  toollen,  inbem  fie  iijr 
^etoerbe  ate  eine  llunft  barftellen,  fo  muffen  fie 
infolge  beffen  bereit  fein,  unb  tlirc  ^ereittoilligkeit 
^u  CTngc  Icgcn,  bagfelbe  foldicn  cl^cfcUc n  >tt  unter- 


$1234567890 
a  6  it  f f  ft  f i  |  $  ch  &  fl  ff  f  i 


Ems  a  to  z  12.50 


Words  to  Pica  .57 


Ems  a  to  z  12.23 


Words  to  Pica  .46 


12  Point  No.  95M,  12£  Set 


befte  &rt  bon  ©riginalitat  ift  biejenige, 
toeldje  fief)  nad)  einer  grunblirijen 
fttfjlbar  madjt,  eine  folcfje,  bie  fid)  ate 
mtfdjung  tics  H'.cgnffcs  bon  allem  nuniidjcn 
unb  progreffiben  ^>treben  einefi  felaren  ^Jer= 
ftanbes  ertoeift.  Benn  mag  ein  $lenfd)  nod) 
fo  tiicfjtig  unb  originell  fein,  fo  mufc  er  ben- 
nod)  ailed,  toad  in  feinem  <&etoerbe  ober 
$eruf  friiber  gefdjab  ober  nod)  gegentoartig 
gcfdjictit.  bod)  frijiifccn.  lilcnn  bie  beutigen 
nidit  ate  anma^enb  angefeben 


^djrtftarten 

befte  ^irt  bon  <0riginalitat  ift  biejenige, 
toeldje  fid)  nad)  etner  griinblicben  Hebr^eit 
fublbar  madjt,  eine  folrije,  bie  fid)  ate  ^Ter= 
mifdmng  bed  Pegriffesf  bon  allem  nufclidjen 
unb  progreffiben  ^>treben  eined  felaren  *^Ter= 
ftanbesf  ertoeift.  lienn  mag  ein  Jfflenfd)  nod) 
fo  tudjtig  unb  originell  fein,  fo  mufe  er  ben= 
nod)  ailed,  toad  in  feinem  <§etoerbe  ober 
Peruf  friiber  gefdbab  ober  nod)  gegentoartig 
gefdjiebt,  bod)  fcfja^en.  IKenn  bie  beutigen 
$ktd)brucfeer  nidjt  ate  anmafeenb  angefeben 
toerben  toollen,  inbem  fie  ibr  (^etoerbe  ate 
eine  Hunft  barftellen,  fo  muffen  fie  infolge 


abcbef  gbijfelmnopgrftftubtoxp? 


$1234567890 
o  ti  f(ft  f  i  M  d)  cU  fl  ff  f  i 


Ems  a  to  z  11.57 


Words  to  Pica  .41 


This  series,  designated  as  No.  95M,  is  made  up  of  our  No.  95J  series,  shown  under  the  classification  of  Text  letters, 
together  with  the  additional  characters  necessary  to  complete  the  German  font.  In  ordering,  specify  the  proper  point 
size  and  the  series  number  as  above,  No.  95M.  You  will  receive  characters  which  are  marked  95J,  so  far  as  they  conform 
exactly  to  the  No.  95J  series,  and  other  characters  symboled  H9-95J,  which  represent  the  extra  characters  to  complete 
the  German.  As  this  face  is  on  a  special  arrangement,  it  requires  a  special  right  keybar. 


No.  495  Sorts  Matrices 

14  Point  No.  495 

Jfrage  ben  Jfflamt,  ber  einen  jftlonotppe  beftt^t 

€r  toirb  fagen,  bag  eg  alle  Arbeit  tm  &et?er=?tmmer  boUbrtngt:  bag  feetne 
Arbeit  ?u  einfad)  ober  ?u  fdjtotertg  tft  urn  profit  ?tt  brmgen 

$1234567890 

18  Point  No.  495 

jllan  geijt  nad)  grofje  Arbeit 
man  abet  ntdjt  bte  rtdjttge  ^[ugftattung,  fo  tft  Verluft 

unbermeibltcj) 
$1234567890 


24  Point  No.  495 


€tne 

alle  Arbeit  piinfetltd)  fiir  getutffen  unb 
^ufrtebenftellentien  profit 
$1234567890 


30  Point  No.  495 


h)unberfcj)oene  Arbeit  ber 
Jllonotppe'g  baut  em  (§ef  djaf  t,  toelrfjeg  beff  er 

tft  aig  mebnge  $retf  e 

$1234567890 


36  Point  No.  495 


orten 
befrtebtgen  unb  fjelfen  ben 

$1234567890 


Xo.  495.  is  made  up  of  our  No.  95  series,  together  with  the  additional  characters  necessary  to  complete  the  German  font. 
the  extra~characters"to  complete'the  Geman        *****  number  M  ab°ve,  No-  49S-     You  will  receive  characters  which  are  all  marked  95,  including 


No.  99M.     German  Arrangement  C 


Composition  Matrices 


6  Point  No.  99M,  7  Set 


SJJonotooe  ©djriftorten 

J)ie  befte  Hrt  con  Criginalitat  tit  biejenige,  roeldje  fid)  nod)  einer  grllnblidjen 
tfebrjeit  fublbar  mad)t,  eine  foldie,  Me  fid)  al«  SBermifdjung  be«  SegriffeS  Don 
allem  nlifclidjen  unb  orogreffioen  ©treben  eine«  ftaren  SSerftanbeS  erroeift. 
!Tenn  mag  ein  TOenfd)  nod)  fo  tlld)tig  unb  originett  fein,  fo  mujj  cr  bennod) 
atleS,  roa«  in  feinem  ©eroerbe  obet  93eruf  fruber  gefdjab  ober  nod)  gegenroartig 
flefd)iebt,  bod;  fdjatjen.  2Benn  bie  beutigen  S)ud)brucfer  nid)t  al«  anmafeenb 
angefeben  roerben  roollen,  inbem  fie  ibr  ©eroerbe  alS  eine  $unft  barftellen,  fo 
mllffen  fie  infolge  beffen  bereit  fein,  unb  aud)  ibre  SBereitnrifligfeit  ju  lage  legen, 
ba*felbe  foldjen  ©efefcen  ju  unterroerfen,  butd)  roeldje  abnlidje  Sunfte  fo  frei 
rourben.  Side  Mejenigen,  roeldje  bie  feinen  $unfte,  SBiffenfdjoften  unb  ^Sro= 
feffionen  pflegen,  befdiaftigen  fid)  mit  ©efdbicbte,  Siteratur  unb  roirflidjen 
$roben  ber  in  ibrem  gad)  Uegenben  Jlrbeit.  J)ennodj  finbet  man  biefe 
Umgebung  mit  all  ibren  (gigenfdjaften  in  ber  $Bud)brucferei  b6d)ft  felten. 
SBirflidw  Sunft  fann  nie  in  bunfeln  SBinfeln  obet  unter  £>inberniffen  ober  in 
Unroiffenbeit  beffen  roa«  latent  unb  @enie  errungen  baben,  bluben.  @inem 
oorau«gegangenen  gat!  rid)tig  folgen  beif5t  nid)t  eine«  ober  ba«  anbere  SBeifoiel 
ffloDifd)  nad)abmen,  fonbern  bie  berUbmten  Weifter  griinblid)  forfdjen  unb 
fteren  grofjen  ©rrungenftbaften  rourbtgen,  burd)  meldje  roir  in  unferem  SOSiffen 
ielbftbenfenb  unb  felbftberrfdjenb  roerben  unb  barau«  nur  ben  grb'fjten  5BorteiI 
unb  3Jut5en  jieben  fonnen.  35er  junge  eifrige  ?lnfangcr,  ber  fid)  fofort  mit 
neuen  fait  unmoglidjen  3bcen  abgeben  roid,  finbet  fid)  gar  ju  oft  in  feinen 
flnfiditen  getaufifit  unb  oerfdjroinbet  balb  ganj  unb  gar  Bom  ®efdjaft8leben, 
roabrenb  ber  bebad)tigere  unb  mit  grbfjeren  fi'enntniffen  begabte  ©efdjaftSmann 
nxnigftenS  ebenfo  oiel  3«it  in  ber  9?ermeibung  Don  Seblern  cerroenben  roirb 
al«  in  ber  auSfubrung  Don  grofsartigen  unb  eoodjemacbenben  'Proieften.  Die 
beite  3lrt  Don  Originalitat  ift  biejenige,  meldje  fid)  nad)  einer  grUnblidjen 
Sebrjeit  ftlblbar  mad)t,  eine  fold)c.  Me  fid)  al8  95ermifd)ung  be8  S3egriffe«  Don 
allem  ntlfclidjen  unb  Drogreffioen  ©treben  eine«  flarcn  SBerftanbe*  erroeift. 
Xenn  mag  ein  9J?enfd)  nod)  fo  tudjtig  unb  originell  fein,  fo  mufe  er  btnnod) 

abcbefabiiflmnopqrfStuBttirnj 


81234567890 
«  £)  ti  a  8  u  ff  ft  fi  II  &  1}  (f  d)  ff  fl  fi  K. 


8  Point  No.  99M,  8j  Set 


2ttonott)pe  ©cfjrtftarten 

£)te  befte  Slrt  Don  SDriginalttat  ift  biejenige,  toelcfie  fic^  nad)  einer 
griinbltdjen  Seljrjeit  filtjlbar  mad)t,  eine  fold)e,  bie  fid)  al«  S3er=- 
mifd)ung  beS  S3egriffe§  Don  atlem  niitjlidjen  unb  progreffiDen 
©treben  eine8  flaren  SkrftanbeS  ertueift.  3)enn  mag  ein 
2ftenfd)  nod)  fo  tiidjtig  unb  origineH  fetn,  fo  muf?  er  bennod)  atteg, 
tt>a8  in  feinem  ©efterbe  ober  93eruf  frittjer  gefdjat)  ober  nod) 
gegentriirtig  gefd)ie^t,  food)  fd)ai?en.  SBenn  bie  Beutigen  93ud)= 
brurfer  nid)t  al«  anmafjenb  angefefyen  h)erben  hjolten,  inbem  fie 
tljr  ©erterbe  al3  eine  ^lunft  barftetten,  fo  miiffen  fie  infolge  beffen 
bereit  fein,  unb  aud)  ifjre  93erettnn'IUgfeit  gu  lage  legen,  baSfelbe 
fold)en  ©efeljen  ju  untertperfen,  burd)  toeld)e  af)n(id)e  ttinfte  fo 
frei  nwrben.  §Hle  biejenigen,  nield)e  bie  feinen  ^iinfte,  S3iffen= 
fd^aften  unb  ^rofefftonen  pflegen,  befd)aftigen  fid)  mit  ®efd)id)te, 
?tteratur  unb  rtirflidien  'JJSroben  ber  in  tf)rem  gad)  Uegenben 
Slrbeit.  bennod)  finbet  man  btefe  Umgebung  mit  all  tljren 
Cjigenfdjaften  in  ber  93ud)bruderei  f>od)ft  felten.  SBirflirfje  S'unft 
fann  nie  in  bunfeln  SBinfeln  ober  unter  ^inberniffen  ober  in 
Unttiffenljett  beffen  ttiaS  Jalent  unb  ®enie  errungen  haben, 
blufjen.  (Stnem  Dorau^gegangenen  gall  ridjttg  folgen  h,eif3t 
nid)t  eine^  ober  baS  anbere  33eifpiel  fflaDifd)  nadjafjmen,  fonbern 
bie  berill)mten  TOeifter  grunblid)  forfdjen  unb  beren  grofsen 

abcbefgf)iiflmnopqrf3tuDn)rl)j 


$1234567890 
t  O  U  a  6  u  ff  ft  fi  II  f]  U  cf  d)  ff  fl  ft 


Ems  a  to  z  12.51 


Words  to  Pica  .58 


Ems  a  to  z  11.38 


Words  to  Pica  .47 


10  Point  No.  99M,  10  Set 


9ftonott)pe  ©cfyrtftarten 

Die  beftc  5Irt  toon  Originalitat  i(t  btejenigc,  rteld^c  fid^ 
nad)  einer  griinbUdjen  ?et)rjeit  futjlbar  marf)t,  cine 
foldje,  bie  fid)  a(3  33ermifrf)ung  be6  33egrtffe6  toon  allem 
niikUdjen  unb  torogreffitoen  ©treben  eineS  flaren  S3er= 
ftnnbe^  erraeift.  3)enn  mag  ein  9)ienfd)  nod)  fo  tiid)= 
tig  unb  origined  fein,  fo  mufj  er  bennod)  alleS,  mag 
in  feinem  @en)erbe  ober  53mif  fritter  gefd)at)  ober 
nod)  gegentooartig  gefd)ie()t,  f)od)  fdia^en.  2Benn  bie 
tjeutigen  53ud)bruder  nid)t  al3  anmafjenb  angefeben 
merben  njoden,  inbem  fie  ifyr  ©en>erbe  als  eine  $unft 
barfteden,  fo  miiffen  fie  infotge  beffen  bereit  fein,  unb 
aud)  it)re  SBereitnndigfett  gu  Jage  legen,  ba^felbe 
fo(d)en  ©efeljen  ju  untermerfen,  burd)  n)etd)e  a^nlid)e 
.Uiinfte  fo  frei  rourben.  2lUe  biejenigen,  roeld)e  bie 
feinen  f  unfte,  SSiffenfdjaften  unb  ^rofeffionen  pflegen, 
befdjciftigen  fid)  mit  ®efd)id)te,  ?iteratur  unb  roirf* 
lidjen  ^roben  ber  in  tfyrem  gad)  Uegenben  3lrbeit. 
Xennod)  finbet  man  bicfe  Umgebung  mit  all  iljren 


9ftonotl)pe  ©rfiriftarten 

befte  2lrt  toon  Originalitat  ift  biejenige,  roelrf)e  fid) 
einer  griinblid)en  ^eljrjett  fiil)lbar  mad)t,  eine 
fold)e,  bie  fid)  al«  S3ermifd)ung  be3  53egrtffe6  toon  allem 
nu^ltd)en  unb  progreffitoen  ©treben  eine^  flaren  S3er= 
ftanbe^  erftteift.  !Denn  mag  ein  Sftenfd)  nod)  fo 
tiidjtig  unb  originell  fein,  fo  mufo  er  bennod)  atleS,  roa« 
in  feinem  ©eroerbe  ober  33eruf  fruljer  gefdjaf)  ober 
nod)  gegenroartig  gefd)te!)t,  fyodj  fd)aijen.  SBenn  bie 
Beutigen  33ud)brucfer  nirf)t  aU  anmaf3enb  angefeben 
roerben  roollen,  inbem  fie  il)r  ©eroerbe  al«  eine  ^unft 
barftellen,  fo  miiffen  fie  infolge  beffen  bereit  fein,  unb 
aud)  il)re  33erettroilligfeit  ju  Xage  legen,  ba^felbe 
foldjen  ©efe^en  ju  unterroerfen,  burd)  roeldje  al)nlirf)e 
Uiinfte  fo  fret  rourben.  Sllle  bieienigen,  roeld)e  bie 
feinen  Uiinfte,  SSiffenfd)aften  unb  ^rofeffionen  pflegen, 
befd)ciftigen  fid)  mit  ®efd)trf)te,  Siteratur  unb  roirf- 
lid)en  ^roben  ber  in  ifjrem  gad)  Uegenben  Slrbeit. 
£)ennod)  finbet  man  biefe  Umgebung  mit  all  il)ren 
(Sigenfd)aften  in  ber  53ud)bruderei  t)5d)ft  felten.  SSirf= 
Udje  ilunft  fann  nie  in  bunfeln  SBinfeln  ober  unter 
£>tnberniffen  ober  in  Unroiffenl)eit  beffen  roaS  Jalent 


abcbefgljiiflmnopqrfgtutorort)^ 


$1234567890 
tt  5  U  ff  ft  fi  II  6  fe  cf  rf)  ff  fl  ft  ic. 


•  •  I  9  '  s     "  W 

•it'-'      'n      )  V 

Ems  a  to  z  10.73 


Words  to  Pica  .40 


No.  99M.     German  Arrangement  C 
Composition  Matrices 

11  Point  No.  99M,  lOf  Set 


<Sd)riftarten 

befte  2lrt  Don  Criginalitat  ift  bie{enige,  toelcfye 
fid)  nad)  einer  griinblidjen  ^efjrjett  fitfylbar  madjt, 
cine  folcfye,  bie  fidj  al3  33ermifd)ung  be3  33egriffe3 
Don  attem  nitfeltdjen  unb  progreffiden  ©treben  etneS 
flaren  55erftanbe3  ertoeift.  £)enn  mag  ein  SJftenfd) 
nod)  fo  tiidjtig  unb  origineft  fein,  fo  mufe  er  ben= 
nod)  afte3,  tt>a3  in  feinem  ©etoerbe  ober  SBeruf  frii= 
fjer  gefdjaf)  ober  nodj  gegentoartig  gefd)ief)t,  Ijod) 
fdja^en.  SSenn  bte  fyeutigen  33ud)brucfer  nid»t  al3 
anmafjenb  angefetjen  n)erben  njoEen,  inbem  fie  ifjr 
©eh)erbe  aU  eine  $unft  bar[telten,  fo  miiffen  fie 
infolge  beffen  bereit  fein,  unb  ifjre  33ereitn)t(tigfeit  §u 
Jage  legen,  baSfelbe  folc^en  ©efe^en  ju  unterttjerfen, 


Stftonottype  ©c^rtftarten 
5)te  befte  5lrt  bon  Originalitat  tft  biejenige, 
fid)  nad)  etner  grunbtic^en  ?e^rgeit  fiifylbar  mad)t, 
eine  fotd^e,  bte  fid)  al«  SSermifc^ung  beg  33egriffc«< 
don  altem  nit^tic^en  unb  progreffiden  ©treben  ctnc«< 
flaren  35erftanbeg  ertoeift.  £)enn  mag  ein  9Wcnfd) 
fo  tiidjtig  unb  origtneE  fein,  fo  mufe  er  bennodi 
ttiaS  in  feinem  @en)erbe  ober  33eruf  fritter 
ober  nod)  gegentoa'rtig  gefd)ief)t,  Ijod) 
fc^a^en.  SSenn  bte  fjeutigen  ^Budjbrucfer  nid)t  ale 
anmafeenb  angefetjen  n)erben  moEen,  inbem  fie  ibr 
©ert3erbe  ati  eine  ^'unft  barftetten,  fo  miiffen  fie 
infolge  beffen  bereit  fein,  unb  tijre  53ereitrt)itligfeit  511 
Jage  legen,  ba£felbe  fol^en  ©efe^en  su  unterttierfen, 
burd)  aielc^e  afjnlic^e  ^iinfte  fo  fret  tourben.  31  Ik 
biejentgen,  tteldje  bie  feinen  ^iinfte,  SStffenfc^aften 


abcbefgfniflmnopqrfStudtnrtyj 


$1234567890 

21  O  U  a  6  it  ff  ft  fi  II  jj  fc  cf  (^  ff  ft  fi  :c. 
.,;:!?'=„")( . 

Ems  a  to  z  10.47  Words  to  Pica  .37 

12  Point  No.  99M,  11 J  Set 


Sdjriftarten 

befte  ?(rt  Don  Criginalitat  ift  bieienige, 
lucfdje  fid)  nad)  einer  grimblidjen  £ef)rgeit  fliftfbar 
madjt,  eine  foldje,  bie  fidj  ate  $ermifd)ung  beS 
$egriffe3  Don  attem  niifclidjen  unb  progreffiDen 
Streben  eineS  flaren  23erftanbe3  ertoeift.  S)enn 
mag  ein  2ftenfd()  nod)  fo  titdjtig  unb  originett 
fein,  fo  mufe  er  bennod^  atteS,  raag  in  feinem 
©etoerbe  ober  53eruf  fritter  gefdjat)  ober  nod) 
gegenmarttg  gefc^ie^t,  f)od^  fc^a^en.  2Benn  bte 
fjeuttgen  53u^brucfer  nid^t  ate  anmaf^enb  an= 
gefefjen  merben  rootten,  inbem  fie  i^r  ©crtcrbc  ol« 
eine  .ftunft  barftetten,  fo  miiffen  fie  infolge  beffen 
bereit  fein,  unb  aud)  i^re  53ereitraittigfeit  gu 
Xage  legen,  ba^felbe  fot^en  ©efe^en  ju  unter= 
merfen,  burc^  njelcfc  a^nti^e  .fiitnfte  fo  frei 


(Sdjriftarten 
!Dtc  befte  2lrt  Don  Originatitat  ift  biejenige, 
roelc^e  fic^  nad)  einer  griinblid)en  ?ef)rjcit  fiit)Ibar 
mad)t,  eine  fold^e,  bie  fi($  al3  33ermifd>ung  be^ 
53egriffe^  Don  attem  niiklidjen  unb  progreffiDen 
©treben  eineS  flaren  35erftanbe^  ermeift.  X'enn 
mag  ein  Stftenfdj  noc^  fo  tudjtig  unb  origineit 
fein,  fo  mufo  er  bennod^  alle^,  raa^  in  feinem 
©eraerbe  ober  53eruf  friitjer  gefc^al),  ober  noc^ 
gegenmartig  gefd)iel)t,  f)oc^  fd^tit^en.  SSenn  bie 
t)euttgen  53ud^brucfer  nic^t  at^  anmafeenb  an^ 
gefefjen  merben  molten,  inbem  fie  ifjr  ©efterbe  at^ 
eine  Jtuttft  barftellen,  fo  miiffen  fie  infolge  beffen 
bereit  fein,  unb  aud)  ifjre  SBerettroilligfeit  jn 
Jage  legen,  baSfelbe  fold)en  ©efe^en  ju  unter^ 
raerfen,  burd^  raeld^e  aljnlid^e  Hunfte  fo  frei 
rourben.  Sllte  biejenigen,  rael($e  bie  feinen 
.fliinfte,  2Biffenfdt)aften  unb  ^rofeffionen  pftegen, 
befc^aftigen  fidt)  mit  ©efd^id^te,  ^iteratur  unb 


abcbefgfnjffmnopqrfStiiDrorDj 


$1234567890 


. , ; :  ! 

Ems  a  to  z  10.27 


Words  to  Pica  .35 


No.  100M.     German  Arrangement  C 


Composition  Matrices 


6  Point  No.  100M,  7  Set 


'.I'iuiiotiive  Scliriftiutcn 

tit  befte  flrt  oon  DriginalitSt  ift  biejenifle,  roeldie  fid)  nad)  einer  griinblidien 
Seftrjeit  ftitillmr  innrtit,  cine  folrtie,  bie  fid)  al3  'Ju'rmifrtwmi  be3  JBegriffeS 
Dan  nllcm  niiiilirtu-ii  HUB  vronrcffiucn  Streben  eiiu-o  flaren  SBerftanbeS 
timeift.  £enn  mag  ein  2Henfd)  nod)  fo  tiid)tig  unb  ortgineH  fein,  fo  mufe  er 
bennorfi  afle3,  ttrnS  in  feinem  ©emerbe  ober  SBeruf  friifter  gefdiaJ)  ober  nod) 
gegentoartig  nei'riiiclir,  liurti  idiiiiini.  \hkmt  bie  ()eutigen  ^iitlibriitfcr  nulii 
alo  anmafienb  angefel)en  mcrbeit  uiullcit,  inbem  fie  ilir  (Beroerbe  nl-.-  eine 
Hunft  barftcQen,  fo  miiffen  fte  bereit  fein,  tinb  uudi  HUT  SBereitttriHigfeit  -,11 
lage  legen,  ba^felbe  ©efefcen  ju  unterroerfen,  burd)  toeldje  aftnlidie  Siinfte 
fo  frei  rourben.  8JHe  biejenigen,  weldie  bie  feinen  Siinfte,  SBMffenfdiaften 
unb  >4Jrofeffionen  pflegen,  befdjttftigen  fid)  mit  ®efd)id)te,  SJiteratur  unb 
mirflirticn  $roben  bcr  in  ihrem  n-nrti  (iegenben  9(rbeit.  Tciutorti  finbet  man 
bicic  Umgebung  mit  ad  tlin-n  (viiu'itfrtuutcit  in  bet  ^urtibntrferei  Iiiirtift 
icitcn.  SiMrf  lirfie  *f  mift  fann  nie  in  bunfeln  SBinfeln  ober  unter  ^inberniffen 
oBcr  in  Hntoiffenlicit  beffen  maz  Xalent  unb  Q)enie  errungen  luUicii.  bliifjen. 
(vincm  oorau£<gegangenen  mill  ririitici  folgen  licifit  itirlit  eine^  ober  bad 
anberc  iBeifuicl  fflaoifd)  iindmhincn,  fonbern  bie  DcriilinitcH  A'Jdftcr  griinb- 
litti  forfdjen  unb  beren  grofjcn  (Jrrungenfdiaften  toiirbigen,  buref)  toelrfje  Wir 
in  unicrcm  Wiffcit  fclbftbcnfcnb  unb  felbftticrrfdienb  rocrbcn  unb  baraud  nur 
ben  grbfjten  ^ortcil  unb  "Ji  uuen  yclicii  fbnnen.  T  cr  junge  eifrige  $(nfiinger, 
ber  fid)  fofort  mit  neuen  faft  unmbg(id)cn  3been  abgebcn  ttiitt,  finbet  ftcf(  gar 
•,u  oft  in  feinen  Slnfirtiten  getaufdit  unb  uerfdirainbet  ba(b  ijan-,  unb  gar  uom 
(rtcirtioftx-lcDcn,  loalimiti  ber  beb8d)tigere  unb  mit  grBf;eren  Aicinituifieii 
begabtc  (^cfrtmftvinaitii  roenigften^  ebenfo  Die!  Sett  in  ber  SBermeibung  nun 
At'iilcni  oerraenben  tpirb  al-;  in  ber  Jtu^futirung  uyn  grofiartigen  unb 
epodicmadienbcn  ^rojeften.  Xiie  befte  9(rt  Don  CriginaHtd't  ift  biejcnige, 
raeldie  fid)  nad)  ciner  griinb(id|en  ili-lir  u'ii  fiiliUmr  ninrlii,  eine  fuldie,  bie  fid) 
a!0  i^ermifd)ung  Bev  iBegriffed  Uon  aUem  uiinlidicit  unb  tirogreffioen  <Btre> 


$1234567890 

ufTftfiu'fjMd>fffl 
!?'•»"'][)(*  1  8 


8  Point  No.  100M,  8£  Set 


2JJonott)pe  St^riftortcn 

Tic  bcftc  s.'(rt  van  Crighmtttat  ift  biejenige,  nu-lriic  fid)  nad) 
einer  griinbHdjen  L'i%lir',cit  fiiljlbar  ntadii,  eine  f  olrtic,  bie  fid)  al  v 
8Sermifd)ung  be^  SBegriffe^  toon  aQem  nii^lidjen  unb  progref= 
fttten  ©treden  eine^  flaren  JiBerftanbe^  ertoeift  Xenn  mag  ein 
nod)  fo  tiidjtig  unb  origineQ  fein,  fo  nuifj  er  bcnnod) 
ja§  in  feinem  ©eniertie  ober  S3eruf  fritf)er  gefdjaJ)  ober 
nod)  gegenttmrtig  gefd)tei)tr  iiod)  frliiiiu-it.  SBenn  bie  l)euttgen 
93ud)bruder  uirtit  al£  anma^enb  angefe^en  tnerben  umlicn, 
inbem  fie  if)r  6Jen)er6e  alS  eine  Sunft  barftettcn,  fo  miiffen  fie 
infolge  beffen  bereit  fein,  unb  aud)  il)rc  93ereitroidigfeit  ju  £age 
legen,  ba^feloe  fotd)en  ©efe^en  jit  unterhjerfen,  burd)  h»eld)e 
iiluiliriic  Mihifte  fo  frei  tuurben.  N,'llic  biejenigen,  uu-idic  bie 
feinen  ^iinfte,  SBiffenfdjaften  unb  ^vufcffioucu  vflcnctt, 
befd)fiftigen  fid)  mit  @cfd)td)te,  fiiteratur  unb  mirfliriicu 
^roben  ber  in  i^rem  ^ad)  Hegenben  Arbeit.  Tcitituri)  finbet 
man  biefe  Umgebung  mit  all  iiircn  @igenfd)aften  in  ber  s^iirii 
brndferei  b,od)ft  fcltcn.  SBirf(id)e  Jlunft  fann  nie  in  bunfeln 
SSinfeln  ober  unter  ^inberniffen  ober  in  Unttriffenfyeit  beffen 
Wa8  latent  unb  ©enie  errungen  ftaben,  bliiften.  ©inem 
ooraudgegangenen  ^all  rid)tig  folgen  Itciiu  ntd)t  einej^  ober 
tiao  anbere  S3eifpiel  ff  lattifd)  itadiaiiincn,  fonbern  bie  bcriilun  ICH 


$1234567890 


(*t§ 


10  Point  No.  100M,  10  Set 


12  Point  No.  100M,  11^  Set 


Scfyriftorten 

Xic  bcftc  5trt  oon  Originolttat  ift  btcjcnigc, 
nacfy  cincr  griinbli^cn  Sc^rjcit  fitf|I6or  tnadjt,  cine 
foltfjc,  bie  fi^  al3  SScrmifc^ung  bc^  SBcgriffc^  toon 
adem  niifeUt^cn  unb  torogrcffit»cn  Strcficn  cinc3  Harcn 
Scrftanbc^  crttjcift.  ^cnn  mag  ein  90tenfd)  no(^  fo 
tiidjtig  unb  originctt  fein,  fo  mufe  er  benno^) 
tto^  in  feinem  ®eh)crbe  ober  S3eruf  fritter 
ober  nod)  gegenltiartig  gefcf)ief)t,  ^orf>  fc^a^en.  SSenn 
bie  fyeutigen  i^udibrutfor  mrtjt  al§  anma^enb  aiuic 
feljen  merben  wotten,  inbem  fie  i^r  Qicroeroe  ol^  eine 
ftimft  barftetten,  fo  muffen  ftc  infolge  beffen  fiereit 
fein,  unb  aud)  ifjre  SereitroiUigfeit  §u  SJoge  legen, 
basfelbe  fotrfjen  Qiefe^en  ju  unterroerfen,  burd) 
tt>elrf)e  a^nlid)e  ftu'nfte  fo  frei  rourben.  Me  Me* 
jentflen,  roeld)e  bie  feinen  ^iinfte,  SSiffenfrfjaften  unb 
^rofefftonen  pflegen,  befd)iiftigen  fid)  mit  6kfd)id)te, 
Uitcratur  unb  roirflidjen  ^Sroben  ber  in  i^rem  3rarf) 
licflenben  5(rbeit  ^ennod)  finbet  man  biefe  llm* 
gebung  mit  alt  ifjren  (?igenfd)aften  in  ber  S3urf)- 
brurferei  f)bd)ft  felten.  26irflirf)e  ftunft  fann  nie  in 


©djrtftarten 

bcftc  3lrt  tton  Drtginafttat  ift  bicjcmgc, 
rtjclc^e  ftrfi  tmdj  ctncr  griinbKc^cn  Sc^rgctt  fii^l= 
&ar  mac^t,  cine  folrfic,  btc  firfj 
toon  aflcm 


in 


ftocn  ©trcbcn  cinc;§  flaren  JBcrftanbc^  ertoctft 
^enn  mag  ein  SJlenfrf)  nod)  fo  tiicfytig  unb 
originctt  fein,  fo  tnufe  cr  bcnno^  affe3, 
feinem  ^enjcrbe  ober  SBeruf  frufyer 
ober  nod)  gegenftmrtig  iicfrliicdt,  Ijorij 
2Senn  bie  ^eutigen  Sud)brurfer 
anma^enb  angefe^en  luerben  njotten,  inbem  fie 
if)r  ^ertjerbe  a(^  eine  $unft  barftetten,  fo 
miiffen  fie  infolge  beffen  bereit  fein,  unb  ifyre 
25ereitnjiHigfeit  su  ^age  legen,  baSfelbe  folcften 
su  untertoerfen,  burd)  njeidje 


$1^34567890 


$1234567890 


No.  100  Electro  Display  Matrices 

14  Point  No.  100 


ift  em  ttnterfdjteb 

bem,  ttw£  cine  2Jlonot^c  toentdjtet,  itnb  bem,  fea£  anbcrc 
9Jtafrf)mett  tjerri^ten  fomtciu    Seine  attbere  9Rafd)me  mad)t 
bte  ^palfte  tion  bent,  toa^  btefe  SBtafc^me  t)etric^tet 

$1234567890 


18  Point  No.  100 


Itnfer  aSergeic^ttig  toieber^Iter  35eftettungen  ! 
iebem  ^unbert  3Jlunot^e§  toerben  Slc^tunbbrei^ig  an 
jufriebengefteEte  Shwben  auf 

SefteHungen  tierfauft 
$1234567890 


24  Point  No.  100 


2Bmfe  mit    cgug  auf  aHunot^c;@ic|maf djitten ! 

8ic  fcinc  Stfafdjitte,  bic 
eincn  ftt^ttiarctt  $otrat  t^rer 
eigcnen  aRatrigcn 
$1234567890 


30  Point  No.  100 


@ief?t  Shrift 
6eja^lt  fi(|  Beffer  neue  Shrift  511 
,  alg  alte  Shrift 
$1234567890 


No.  102M.     Special  Arrangement 


Composition  Matrices 


6  Point  No.  102M,  1\  Set 

38onotvpe    Sduiftartcn 

Die  belle  Art  von  Originalitat  ift  diejenige,  wcUbo  MI  nad)  einer  griind- 
lu+icu  ^Lebrzeit  fiililbar  madit.  cine  fold)?,  die  licli  als  Vermifd)ung  des 
Begrlffes  von  allem  uuhUdiou  und  progreffiven  Streben  eincs  klaren  Ver- 
(tjndes  erweifl,  2)enn  nuuj  ein  JZlcuf.-h  nod)  fo  tud)tig  und  originell  (Vni. 
f."  mufe  er  dennod)  alles,  was  in  fciuom  (Bewerbe  oder  SSeruf  friihor  qofciuili 
oder  nod)  gegenwartig  gefd)iebt,  bod)  fdiahou.  s^'onn  alle  die  lioutuj>.-H 
»iidiinuker  nidil  aU  anmaftend  angefeben  werden  wollen,  indent  fie  ilu 
(Bewerbe  als  eine  Hunfk  darftellen,  fo  mu(Ten  fie  infolge  6e(Ten  bereit  font, 
und  aud)  ilirc  JJereilwilligkeit,  durd)  weld)e  abnlid)e  Miiu|tc  fo  frei  wurden. 
2Mle  diejenigen,  weld)e  die  feinen  Munfte,  Wiffenfdmflen  und  profeffionen 
ppegen.  befd)iiftigen  fid)  mit  <Befd)id)te,  ILiteratur  un6  wirhlid)en  proben 
6er  in  ibrem  7ad)  liegenden  Arbeit.  3Dennod)  finoet  man  Mcfo  ICmgebung 
mit  all  ibrem  tigenfd)aften  in  6er  3Jud)6rud\erei  liodifl  felten.  ^)Pirklid;c 
Kunft  kann  nie  in  dunkeln  ^inkeln  o&er  unter  Minderniffen  o6er  in  Ku- 
wilTenbeit  6e(Ten  was  Oalent  un5  (Benie  errungen  baben,  bliibon.  lEinem 
vorausgegangenen  J"M  rid)tig  folgen  beiftt  nid)t  eines  oder  das  andere 
^eifpiel  fklavifd)  nad)abmen.  fondern  die  beriibmten  !lttei(ter  griindlid)  for- 
fien  und  deren  gro&en  TErrungenfd)affen  wurdigen,  durd)  weld)e  wir  in 
unfcrem  Wiffen  felb(ldenkend  und  felb(lberrfd)end  werden  und  daraus  nur 
den  groBten  Vorteil  und  ^tu^en  iieben  konnen.  Ocr  iunge  Anfiingor. 
der  Rd)  fofort  mit  neuen  faft  unmoglid)en  3deen  abgeben  will,  findet  (id)  gar 
lu  oft  in  feinem  Anfid)ten  getaufd)t  und  verfd)windet  bald  ganz  und  gar  vom 
(BeTcbaftsleben,  wahrend  der  bedad)tigere  und  mit  grofjeren  3Kenntni(Ten 
begabte  <Befd)aftsmann  wenig(tens  ebenfo  vie!  Zeit  in  der  X'ermeidung  von 
y.-hlctn  verwenden  wird  als  in  der  Au»fiihrimg  von  gro^artigen  und 

abcdefgbtklmnopqrrstuvwxvi 


$1234567890 


8  Point  No.  102M,  9  Set 


Jttonotype  Sc 

Die  bc(tc  2\rt  von  Originalitat  i(t  6uj«nigc,  wcld>e  (id)  nad) 
cincr  griindUdjcn  Xebrzcit  fUblbar  madjt,  cine  foldju,  die  (td) 
als  Vermifd)ung  6es  !5egriffes  von  allem  itiihlichoH  un6  pro- 
greffivcn  Streben  eines  klaren  Verftanftes  erweift.  Denn 
mag  ein  5tlenfd)  nod)  fo  tiidjtig  un6  originell  fein,  fo  mu|j  er 
oennod)  alles,  was  in  feinem  (Bewerbe  ofter  ^fteruf  fritter 
gefd)at)  oder  nod)  gegenwartig  gefd)iel)t,  l)od)  fdniUcn.  Wenn 
Me  beutigen  ^udidrucker  nid)t  als  anmafcen&  angefel)en  wer- 
den wollen,  indent  fie.  ibr  (Oewerbe  als  eine  Kunft  darflellen, 
fo  miiffen  (le  infolge  deffen  bereit  fein,  und  aud)  ibre  !ftereU- 
willigkeit  zu  Oao,o  legen,  dasfelbe  fold)en  (iicfcUcn  zu  unter- 
wcrfen,  durd)  wcld)e  iibnlklio  Kiinfte  fo  frei  wurden.  2\lle 
diejenigen,  weldje  die  feinen  Kiinfte,  Wiffenfd>aflen  und 
profeffionen  pflegen,  befdjaftigen  fid)  mil  <Befd)id)te,  Xite- 
ratur  und  wirklid>en  proben  der  in  ibrem  3^ad)  liegenden 
2\rbeil.  Dennod)  findet  man  diefe  Kmgebung  mil  all  ibren 
ligenfdjaften  in  der  !^ud)drud<erei  lic-clift  felten.  \2Hrklid)e 
Kunft  kann  nie  in  dunkeln  Winkeln  oder  unter  3Kinderni[fen 
oder  in  ICnwiffenbeit  deffen  was  Oalent  und  <5enie  errungen 

abcdefgb»iklmnopqrfstuvwxvz 


$1234567890 


10  Point  No.  102M,  11  Set 


12  Point  No.  102M,  12^  Set 


Die  befte  2\rl  von  Originalitdt  ifl  Me  jcniac,  wclclx 
fid)  nad)  eincr  grun^lidjcn  Xel)rzeit  fiil)lbar  mad)t, 
cine  fold>e,  6ie  fid)  als  Vermifdjung  6es  ^egriffes 
von  allem  niihlidicu  und  progreffiven  Streben 
eines  Klaren  X^erflan6es  erweifl.  2)enn  mag  ein 
Jttenfd)  nod)  fo  tikbtia  un6  originell  fein,  fo  mu|j  er 
6ennod)  alles,  was  in  feinem  (Wewerbe  oder  ^&eruf 
friiber  acfcbah  o6er  nod)  gegenwartig  gefd)iel)t,  l)od) 
fcbciben.  ^iPenn  6ie  beutigen  !^ud)6rud\er  nid)t  als 
unmaf>cn6  angefeb/en  werden  wollen,  indem  fie  ib,r 
(Bewerbe  als  eine  Hunft  6arftellen,  fo  miiffen  fie 
infolge  6effen  bereit  fein,  un6  ib/re  ^ereitwilligkeit 
zu  Oage  legen,  6asfelbe  fold)en  (Bcfctjcn  zu  unter 

abc6efgr)ijKlmnopqrfstuvwx^z 


$1234567890 
aoiiffftfi&McHflfffi 


Sdjrtftarten 
befle  2\rt  von  Ori^inalitat  ift  Moicuigc, 


cncr 

fiiblbar  mad)t,  cine  fold)e,  6ic  fi^  als  Ver- 
mifctjung  bes  ^cgriffcs  von  allem  niihlicl)cn 
un6  progreffiven  Streben  eines  Klaren  Ver- 
ftandes  erweift.  Denn  mag  ein  fttcnfd)  nod) 
fo  tud)tig  und  originell  fein,  fo  mufc  er  den- 
nod)  alles,  was  in  feinem  (Bewerbe  oder 
&eruf  frii^er  gefd)al)  oder  nod)  gegenwartig 
gcfcbioht.  bod)  f^a^en.  ^enn  die  beutigen 
!^ud)drudier  nid)t  als  anma^end  angefeben 

abc6efgbiiKlmnopqrfstuvwx^2 


$1234567890 
a  o  u  ff  ft  fi  B  *?  cb  ck  fl  |T  fi 


This  series,  designated  as  No.  102M,  is  made  up  of  our  No.  102J  series,  shown  under  the  classification  of  Text  letters, 
together  with  the  additional  characters  necessary  to  complete  the  German  font.  In  ordering,  specify  the  proper  point 
size  and  the  series  number  as  above,  No.  102M.  You  will  receive  characters  which  are  marked  102J,  so  far  as  they  conform 
exactly  to  the  102J  series,  and  other  characters  symboled  H9-102J,  which  represent  the  extra  characters  to  complete  the 
German.  As  this  face  is  on  a  special  arrangement,  it  requires  a  special  right  keybar. 


No.  4102  Electro  Display  Matrices 

14  Point  No.  4102 

TDa  ift  cin  I£nterfcl)ie6 

*wifcl)cn  6em,  was  elne  3tlonot?pc  verricfytct,  uu6  6em,  was  an6ere  Mlafdjinen 
verricl)ten  Konn.cn.     IKcine  an6ere  ^ltafcl)ine  macl)t 
von  6em,  was  diefe  ^Uafd)ine  verrid)tet 
$1234567S90 

18  Point  No.  4102 

Knfer  VerHeic^nis  wie6erl)oUer 
Von  je6em  "3*fun6ert  ^tlonotypen  wer6en  ^2Vcl)tun66rei(ji3  an 
jeufric&cngcftellte  TKun6en  wie6er  verkauft 
$1234567890 


24  Point  No.  4102 


un6  Oua6raten 
von  5  "punkt  bis  36    Jpun^  wer6en  auf  6er 


S1234567S90 


30  Point  No.  4102 


$  Scljrift 
c^  beffer  neue  Sc^rlft  zu 

aU  alte  Scfyrift 
$1234567890 


36  Point  No.  4102 


Was  fagen  Ste  6a^u!  ^lur  neuc 
Sc^rift  fur  ]e6e  Arbeit! 

$1234567890 

This  series,  designated  as  No.  4102,  is  made  up  of  our  No.  102  series,  together  with  the  additional  characters  necessary 
to  complete  the  German  font.  In  ordering,  specify  the  proper  point  size  and  the  series  number  as  above,  No.  4102.  You 
will  receive  characters  which  are  all  marked  102,  including  the  extra  characters  to  complete  the  German. 


No.  199M.     German  Arrangement  C 


Composition  Matrices 


6  Point  No.  199M,  7f  Set 


Sftonotboe  ©diriftarten 

T>ie  Befte  8rt  bon  Drigtnalitat  ift  bieienige,  n>eld)e  fid)  nadj  einer  grunb= 
lidjen  Se&rjett  fiiftlbar  macbt,  eine  foldje,  bie  fid)  aid  SJermifdwng  bed 
SSegriffed  bon  allem  niitjlidjen  unb  orogreffiben  ©treben  eined  flaren 
SJerftanbed  erroeift.  £)enn  mag  ein  3J?enfd)  nod)  fo  tiid)ttg  unb  originell 
fein,  fo  mu6  er  bennod)  ailed,  wad  in  feinem  ©eroerbe  ober  Seruf  fruiter 
gefdiab  ober  nod)  gegenroartig  gefdjiefit,  b,odj  fdjdtjen.  SSenn  bie  foeutigen 
8ud)bruder  nid)t  aid  anma&enb  angefe&en  roerben  roollen,  inbem  fie  ifir 
©eroerbe  aid  eine  J?unft  barftellen,  fo  miiffen  fie  bereit  fein,  unb  aud)  ifire 
Sereitroilligfeit  ju  Sage  legen,  badfelbe  fold&en  ©efefeen  ju  unterroerfen, 
burd)  roeldje  afmltdie  ffunfte  fo  frei  rourben.  Sllle  bieienigen,  roeldje  bie 
feinen  tfunfte,  SBiffenfdjaften  unb  SJrofeffionen  Oflegen,  befdjaftigen  fid) 
mit  ©efd)id)te,  gtteratur  unb  roirflid)en  sproben  ber  in  ifirem  Sad)  liegen» 
ben  Slrbeit.  3)ennod)  finbet  man  btefe  Umgebung  mit  all  iforen  <£igen= 
fdjaften  in  ber  SSud^ruderei  fipd)ft  felten.  SBirflidje  J?unft  fann  nie  in 
bunfeln  SBtnfeln  ober  unter  4>inberniffen  ober  in  Unroiffenfteit  beffen  road 
lalent  unb  ®enie  errungen  l&aben,  bliiben.  (Sinem  boraudgegangenen 
gall  rid)tig  folgen  betfet  nirf)t  eined  ober  bad  anbere  SBeifpiel  fflaoifd)  nad)= 
admen,  fonbern  bie  beriiftmten  2#eifter  grilnblid)  forfd)en  unb  beren  grofjen 
(5rrungenfd)aften  roiirbigen,  burd)  roeld)e  roic  in  unferem  Stiffen  fetbft= 
benfenb  unb  felbftberrfdjenb  roerben  unb  baraud  nur  ben  grbfeten  SBorteil 
unb  9iutjen  jieben  fbnnen.  J)er  junge  eifrtge  Slnfttnger,  ber  fid)  fofort  mit 
neuen  faft  unmbglid)en  3been  qbgeben  roill,  finbet  fid)  gar  ju  oft  in  feinen 
Snfidjten  getdufd)t  unb  berfd)roinbet  balb  ganj  unb  gar  bom  ®efd)iiftdleben 
rottfjrenb  ber  bebaditigere  unb  mit  grofeeren  ^enntniffen  begabte  ®efd)ttftd= 
mann  roeniaftend  ebenfo  biel  3eit  in  ber  Sermeibung  bon  Seblern  ber= 
roenben  roirb  aid  in  ber  Sludfu&rung  bon  grofsartigen  unb  epod)emad»enben 
^rojeften.  5)ie  befte  art  bon  Ortginalitat  ift  biejenige,  roeld)e  fid)  nad) 
einer  griinblid)en  gebrjeit  fiiftlbar  mad)t,  eine  fold)e,  bie  fid)  aid 

abcbefgfiiiflmnopqrfdtubrojbj 


$1234567890 

a  b  u  f  f  ft  ft  6  te  a  di  f  f  fi  n 

.,:;!?'*„".  .  ..  -- 


8  Point  No.  199M,  9£  Set 


SD'Jonotppe  @cf)rtftarten 

3)te  befte  Slrt  t>on  Ortginalitat  ift  biejenige,  melc^e  fic§  nadj 
einer  griinblidjen  Se^rjeit  fii{)Ibar  mad)t,  eine  foldje,  bie  fid) 
ate  33ermifd)ung  be6  33egriffe«  oon  allem  niiJjUdjen  unb  pro= 
grefftoen  ©treben  eineS  flaren  33erftanbe6  ermeift.  £)enn 
mag  ein  SJJenfd)  nod)  fo  tiidjtig  nnb  originell  fein,  fo  mufo 
er  bennod)  alleS,  rt)a3  in  feinem  ©etuerbe  ober  33eruf  friiber 
gefdjab  ober  nod)  gegenmttrtig  gefd^iebt,  bod)  fdjaijen.  SBenn 
bie  beutigen  SSudjbruder  nidjt  ate  anma&enb  angefeben 
merben  raollen,  inbem  fie  ibr  ©emerbe  ate  eine  $unft  bar* 
ftellen,  fo  miiffen  fie  infolge  beffen  bereit  fein,  unb  aud)  ibre 

SSereitftnUigfeit  ju  Sage  legen,  basfelbe  fold)en  ©efeljen  su 
untertperfen,  burd)  n>eld^e  tibnHd)e  $iinfte  fo  frei  tt)urben. 
Sllle  biejenigen,  n)eld)e  bie  feinen  Jliinfte,  SBiffenfdjaften  unb 
^rofeffionen  pflegen,  befd)aftigen  fid)  mit  ©efd)id)te,  8itera= 
tur  unb  rt)irHid)en  ^roben  ber  in  ibrem  gad)  liegeuben  Slrbeit. 
S)ennod)  finbet  man  biefe  Umgebung  mit  all  ibren  @igen* 
fdjaften  in  ber  SBucbbruderet  bod)ft  felten.  9Birflid)e  $unft 
fann  nie  in  bunfeln  SBinfeln  ober  unter  ^inberniffen  ober  in 
Unnnffenbeit  beffen  tt)a^  talent  unb  ©enie  errungen  baben 
bliiben.  (Sinem  tiorauSgegangenen  gall  ridjtig  folgen  beifet 
nid)t  eine«  ober  ba6  anbere  Skifpiel  fflaoifd)  nad)abmen, 


$1234567890 
tt  B  u  f  f  ft  ft  fe  fe  cf  d)  ff  fl  fi 


No.  200M.     German  Arrangement  C 


6  Point  No.  200M,  7f  Set 


Srtiriftnrteu 

Tie  befte  x'lrt  toon  Cnqiiiniitnt  ift  biejentge,  wriiDr  MID  unit)  einer 
qriiiiDitrticii  iictir^cit  fiilHUnr  mnrtit,  eine  folrtic.  bie  fiiti  alo  «crmifm 
unq  bed  iBegriffed  toon  altem  niiuiieDm  unb  torogreffitoen  =  trcticn  eineS 
flaren  eerftanbed  erttieift.  1)enn  mag-ein  Wcnfm  uocii  fo  tiiditin  unb 
onqiiicii  fein,  fo  inuff  er  bcnuorti  alleS,  toad  in  feinem  ©etoeroe  ober 
Seruf  frfiSer  qcfmnD  ober  noefc  gegentofirtig  qcfdur  in.  norii  fmiiurn 
tBenn  bie  iicutiqcn  WurtiDniffcr  nidit  alS  numnficiib  angefeben  toerben 
looiicn,  inbem  fie  iftr  ®en»er6e  or«  eine  »unft  barfteUen,  fo  miiffen  fie 
infolge  beffen  bereit  fein,  unb  oud»  ibre  !8ereitn>i((igfeit  ju  Jlage  legen, 
ba^felbe  f  oittieu  Wefefeen  ju  unterloerfen,  tiurm  tucidic  ii  on  lime  «  iiuftc 
fo  frei  tourben.  vine  biejenigen,  mclrnc  bie  feinen  Ajiiintr,  «iMffcn 
fdinfteii  unb  M<roicfiioiini  toflegen,  Hcfrtiaitiqrn  iirti  mit  («rfrtiirtitc. 
Kiteratur  unb  rotrfiirticn  u.<roucu  ber  in  ibrem  &a<fi  tiegenben  \Mriicit. 
Trmtorti  ftnbet  man  biefe  Umgebung  mit  nil  iiirru  (viqrnfttinften  in 
ber  WurbDrueferet  hbrtift  felten.  Wirfitnir  .vuiift  fann  nie  in  bunfeln 
Brafefa  ober  unter  <>inberniffen  ober  in  Unmiffenbeit  beffen  na8 
lalent  unb  Wenie  errungen  baben,  bliiben.  (finem  ooraudgegangenen 
^nii  rittuiq  f  oiqcn  iiciift  iiidit  eined  ober  bad  anbere  iBeifviel  ffinutfrti 
nartjabmen,  fonbern  bie  berubmten  Weifter  griinblid)  forfdiru  unb 
beren  qrof)en  (^rrunnenfdjaften  roiirniqcii,  burd)  tuc  Mir  wir  in  unferem 

iMffen  felbftbenfenb  unb  felbftberrfcbenb  roerben  unb  baraud  nur  ben 
arofften  iBorteil  unb  VJuucn  stchcit  fbiiucii.  $er  junge  eifrige  «n= 
fanqer,  ber  fid)  fofort  mit  neuen  faft  unmoaliAen  3been  abgeben  roill, 
nnbet  fid)  gar  *u  oft  in  feinen  ttnfiditen  nrtriufmi  unb  toerfftroinbet 
oalb  qan*  unb  qar  toom  (Hefdidftdleben,  roabrenb  ber  bebaditigere  unb 

lit  qruftcrni  Menntniffen  begabte  (4efd>dftdmann  roenigftend  ebenfo 
Die!  ,Scit  in  ber  Hermeibunn  Don  ^reblern  oerroenben  roirb  aid  in  ber 
flu^fubruna.  toon  qroi'mrtiqcn  unb  evodjemadienben  ^rojeften.  Die 
befte  flrt  toon  Criainalitdt  ift  biejenige,  wrlrtic  fid)  nad>  einer  griinb= 
itrticn  Vebr^eit  fitblbar  mntiit,  eine  fuidic,  bie  fid)  aid  0ermifd)ung 
bed  Oegriffed  Don  allem  iiiituirticn  unb  vrogreffitoen  (Streben  eined 

abcbefgbiiflmnooarfdtuDroict)^ 


8  Point  No.  200M,  9£  Set 


3dirtf  tnrtcn 

i  ie  befte  \Hrt  bon  Drtgtnalitfit  ift  biejenige,  hJclrfje  firii  unrii 
einer  aruuMiriioii  Se^rjeit  fii^Ibar  martit,  eine  folrfje,  bie 
fttft  al$  JBermtftftung  be3  SBegriffe^  don  allem  uuniirDcii 
unb  pronrcf  fiinMi  S  trcDcn  eine§  flaren  JBerftanbe^  erioeift. 
T  cnii  mag  ein  ".'.'»  cufrii  nod)  fo  t  urti  t  in  unb  origineH  fein,  fo 
ninn  er  bennocfy  a  l  lev  ,  \v<\*  in  feinem  (Sfefteroe  ober  $eruf 
friilicr  r,c|ri)nb  ober  nod)  flcnniumrtia  qcfriiicht,  hurii 
frtialu-u.  SBenn  bie  hrntiacit  ^udibnirfcr  nidit  alv  nn 
inaficnb  anaefe^en  fterben  nm  i  leu  ,  inbem  fie  ibr  Qtefterpe 
al^  eine  Jlunft  barftellen,  fo  muffen  fie  infolge  beffen  oereit 
fein,  unb  aud)  i  b  IT  23ereitnriUia.feit  ;,u  Jn  ac  legen,  ba^felbe 
foldjen  ©efe^en  su  unterhierfen,  burd)  toeldje  almiidu- 
ftiinfte  fo  frei  tourben.  3Ute  bieienigen,  uu-ldic  bie  feinen 
Sliinfte,  SBiffenfd>aftcn  unb  5?rofefftonen  pftegen,  befdjaf= 
tigen  Tid)  mit  <ycfd)irf)te,  Siteratur  unb  toirflidjen  ^roben 
ber  in  ibrrm  J?ad)  liegcnbcn  3lrbeit.  ^ennod)  finbet  man 
biefe  Umgebung  mit  all  ibren  6igenfd)aften  in  ber  ^udi 
brurfcrci  biidifi  fetten.  i!xMrf  liriu*  .snnift  fann  nie  in  bunfeln 
SRMnfeln  ober  unter  -t>inberniffen  ober  in  ttntoiffenbeit 
beffen  toaS  Xalent  unb  ©enie  errungen  baben,  btitben. 
(Hnent  borauSgegangenen  Rail  ridjtig  folgen  beifet  nid)t 
cilice-  ober  ba£  anbere  93eif^iel  ffiatiifd)  nad)abmen, 
fonbern  bie  beriibmten  ^Heiftcr  griinblid)  forfd)en  unb 


C1234567890 


$1234567890 
afliiffftfttHrfdtffflfi 


No.  101  Electro  Display  Matrices 

14  Point  No.  101 

(Erfpart  2lusgaben  fur  €Ief  trotypicren ! 

Die  2TTonotype  tmr6  nod]  (5eI6  in  3fyre  eigenen  Cafdjcn  bringen, 

aufer  tr>as  Sic  an  Hedjnungen  fur 

neue  Scfyrift  erfparen 

$123^567890 


24  Point  No.  101 


2(Ile  Spatten  unb  (^uabraten 

t)on  5  Punft  bis  56  Punft  iperben  auf 

bet  Itlonotf pe  gegoffen 

$1234567890 


30  Point  No.  101 


60  €ms  pica! 
X>ic  unrergldcfylicfye 

bcfd^aftigtcn  unb 


36  Point  No.  101 


Sdjrtft! 

bau!  JIurncuo 
Sc^rift  fiir  j 


No.  178M.     German  Arrangement  S1350 
Composition  Matrices 

14  Point  No.  178M,  13  Set 


befte  2lrt  turn  Criginalitdt  ift  biejenige,  toeldje  nad)  einer  griinblidjen  Sefyrgeit 
ertoorben  tmrb,  eine  fpldje,  bte  fid)  al3  bie  $erfd)melsnng  etner  ftarfen  2luffaffnng 
aller  bagemefenen  nu£lirf)en  nnb  bet  fortfd)rittlid)en  Xenbensen  eine£  fdfjigen 
(Mfte3  ertoeift  £>enn  toenn  ein  9Wann  and)  nod)  fo  fdl)ig  nnb  ortginell  ift,  fo 
barf  er  boc^  ntdjt  bte  (Srfa^rung  barin  beifeite  legen,  tua§  in  feinem  ©efc^dft  ober 
in  feinem  S3erufc  t)or  fid)  ging  ober  je^t  t)or  fid)  geljt  2Benn  bie  ^Buc^brurfer 
^entgntage  nic^t  al^  anma^enb  gelten  topllen,  inbem  fie  i^ren  S3eruf  al£  eine 
f  unft  k^eic^nen,  fo  miiffen  fie  geit)illt  fein  unb  ifyre  33ereittt)i(ligfeit  bafiir  auc^ 
geigen,  fie  foldjen  ^egeln  511  untermerfen,  toeld)e  i^re  6d^it)efter=tnnfte  fo  frei 
gemadjt  ^aben*  5lIIe  biejenigen,  tnelc^e  fid)  mit  foldjen  33erufen  Befaffen,  bie  a!3 
feine  Mnfte,  gele^rte  28iffenfd)aften  nnb  ^rofeffionen  anerfannt  finb,  nmgeben 
fic§  mit  ber  ©efc^ic^te,  ber  Siteratur  nnb  ben  fompaften  ^roben  be§  @ett)erbe^, 
in  melc^em  fie  befonber^  t^dtig  finb*  2)ennoc^  trifft  e^  nut  in  feltenen  fallen  311, 


$1234567890 

18  Point  No.  178M,  16  Set 

9^onot^e  23tlber 

S)te  befte  2ltt  Don  Drtginalitat  ift  bieiemge^  )t)elc^e  nad)  enter 
griinblt^en  Se^rgeit  errt)orben  ttirb,  eine  folcf)e,  bie  fid^  al§  bie 
img  einer  ftar!en  2lnffaffnng  aller  t)or^ergegangenen 
nnb  ber  fortfc^rittli^en  £enbengen  eine§  fafiigen  @etfte§ 
ermeift.  £)enn  tnenn  ein  9Kann  anc^  notf)  fo  fa^ig  nnb  originell 
ift,  fo  barf  er  bocf)  mcf)t  bie  ©rfa^rnng  barin  kifeite  legen,  tt)a§ 
in  feinem  (Sefc^aft  ober  in  feinem  23ernfe  t)or  fic^  ging  ober  jetjt 
t)or  fic^  gefjt  2Senn  bie  Snc^brnd  er  ^entgntage  nitf)t  al§>  anma^enb 
gelten  tuoUen,  inbem  fie  ifjren  SBeriif  al§>  eine  tnnft  begeic^nen, 
fo  miiffen  fie  geftrillt  fein  nnb  i^re  23ereitttrilligfeit  bafiir 


$1234567890 


Class  B  Matrices.  Fonts  shown  on  this  page  not  included  in  Library  and  will  not  be  leased. 
To  use  these  faces  for  composing  matter  in  justified  lines  S500  stop  bars  are  required.  Use 
left  key  bars  1113  for  the  Lightface;  use  right  keybars  1114  for  the  Blackface;  use  keybanks 
GC.  The  18  point  attachment  and  S500  wedges  are  required  for  casting. 


No.  179M.     German  Arrangement  SI  3  50 
Composition  Matrices 

14  Point  No.  179M,  13  Set 

Slonottjpe  SUDer 

J)ie  befle  3Ut  twn  Arighmlitat  i|t  Mejeniae,  roeldje  nadi  einer  grnnMidjen  gelj^eit 
erroorben  mitt),  eine  foldje,  Me  fidj  al0  Me  Perfdjmel^nng  einer  Jtarken  ^nffaffnng 
aller  tiorljergeganaenen  nittjlid)en  nnti  tier  fortfdjrittlidjen  fUentten^en  eine0 
fallen  (Ieifte0  erroeift  ienn  wenn  ein  Stann  and?  nodi  fa  faljig  nnti  origtnell 
i|t,  fo  tiarf  er  t)od|  ntdjt  Me  (frfaljrung  Darin  beifette  legen,  ma0  in  feinem  (Se= 
fdjtift  otier  in  feinem  lernfe  tior  W  0^0  ^^^  l^t  nor  fidj  aeljt.  Jienn  Me 
Pndj&rntker  (jent^ntage  nid)t  al0  anmafienb  gelten  mollen,  intern  fit  iljren 
Pernf  al0  eine  Snnft  be^eidltten,  fo  miiffen  fit  aemillt  fein  nnD  ijire  Pereitwil= 
ligheit  Dafiir  andj  ^ei0en,  r^  foldien  Seaeln  ?n  nntermerfen,  meltde  iljre  $d|ttie|ter= 
Siinfte  fo  frei  gemo^t  ()aben.  3Ule  Mejenigen,  meldie  fid)  mit  fallen  lernfen 
befaffen,  Me  al0  feine  pnfle,  aeleljrte  Piffenfdiaften  nnti  Profeffionen  aner= 
kannt  pn5,  nmgeben  fid)  mit  tier  ^efdjidjte,  tier  fiteratur  unD  hompahten 
Proben  tie0  $eroerbe0,  in  meldiem  fit  befontier0  tfjatig  finti,  ienno^  trifft 


$1234567890 

18  Point  No.  179M,  16  Set 


pe  befle  ^rt  tion  ®rt0tnalitat  t|t  Mejemge,  meldje  nad)  einer 
OriinMtdjen  f  eljt^ett  ermorben  n>tr^  eine  foldje,  Me  pd)  al0  Me 
Uerfdmteliun0  einer  flarken  ^nffaffnng  aller  t>or()er0e0an<jenen 
nn^lid)en  unt)  tier  fortf^rittlicljen  Sen&en^en  eine0  fii|)iaen  ®ei|le0 
ermeifl.  Ienn  roenn  ein  Pann  and)  nod)  fo  fa^ig  nnt)  ^ori0inell 
i|l,  fo  tiarf  er  iod)  nidit  Me  grfaljrnna  tiarin  beifeite  leoen,  ttm0 
in  feinem  ®efd^aft  otier  in  feinem  lernfe  t>or  fid)  0in0  otier  je^t 
tior  pdi  0el)t  Jienn  Me  fndjtirncker  I)ent?nta0e  nid)t  al0  an* 
ma^enti  gelten  roollen,  intiem  fie  i^ren  fernf  al0  eine  inn|l  be= 
Kidjnen,  fo  miiffen  ft*  flemillt  fein,  nnt)  il)re  lereitmilliaheit 


$1234567890 


Class  B  Matrices.  Fonts  shown  on  this  page  not  included  in  Library  and  will  not  be  leased. 
To  use  these  faces  for  composing  matter  in  justified  lines  S500  stop  bars  are  required.  Use 
left  keybars  1113  for  the  Lightface;  use  right  keybars  1114  for  the  Blackface;  use  keybanks 
GC.  The  18  point  attachment  and  S500  wedges  are  required  for  casting. 


No.  209  Sorts  Matrices 

18  Point  No.  209 

|>ie  ^Slonofype  tfi  memafe  ntiifjuj,  bemt  roenn  Me 
jlrfieif  nacpfap,  Konnen  etnjefne 
^rnamenfe  unb  ^u0fd^fu 

unb  in  ^ortaf^  gepafien  roerben 
^$1234567890 


30  Point  No.  209 


Be^a^fi  fttp  Beffcr,  neue  ^dprtff 
,  afo  afte  $d^rift 
$1234567890 


No.  311  Sort  Matrices 

14  Point  No.  311 

BEJ1MKA  BE3  OOPIBHAHfl  PDKHMLJfl 
Mi>K  CHM,  mo  po6nTb  MaiiJMHa  ,,MoHoraMn"   a  CMM,    mo  MHIII! 

MaillMHM    MO>KyTb   3po6MTM. 

FIociflaioHH   cio    MaiiiMHy,   Mae   CH   ece  cbei>Ki   npMnacM    CBOIX 
BjiacHMx  nepenoK  i  BCHKHX  npyKapcbKMx  npMKpac. 

CY  MaiiiMHM,  3  orjTflny  Ha  CBOIO  npaKTHHHicTb, 
B  cbBiri  aarajibHe  npMMiHene 

$1234567890 


24  Point  No.  311 


JliniUE  MATH  MAUJMHY, 
o6cjiy>KMTb  BCHK!  ApyKapcbKi  po6oTM 
cKopo  i  rapHo,  a  KpoMi  cero  Ha 
6a>Kane  3po6HTb  ^oeijibHy 

HOBMX  nepewoK  HH  o6eiflOK. 

$1234567890 


36  Point  No.  311 


MOHOTAMFI 

i 

ce  o^MHOKa  MaiiiMHa, 
noSin  CBOGI  SBM 
npaq'i  BMpa6ji^c  nepeHKM 
$1234567890 

This  series,  designated  as  No.  311,  is  made  up  of  our  No.  11  series,  together  with  the  additional  characters  necessary 
to  complete  the  Ruthenian  font.  In  ordering,  specify  the  proper  point  size  and  the  series  number  as  above,  No.  311.  You 
will  receive  characters  which  are  marked  No.  11,  so  far  as  they  exactly  conform  to  the  No.  11  series,  and  other  characters 
symboled  No.  311,  which  represent  the  extra  characters  to  complete  the  Ruthenian.  The  Ruthenian  arrangement  differs 
from  the  Russian  arrangement  in  only  six  characters.  In  order  to  set  Russian,  the  necessary  characters  would  be  added 
to  a  Ruthenian  font. 


No.  318J.     Ruthenian  Arrangement 
Composition  Matrices 


8  Point  No.  318J,  8§  set 
HEPEHKH,    POBJIEHI    HA    MONOTYPE. 

B  UIKMUHHX  nacax  jjpyicapCTBo  po3BHHy.iocb  HO  KV.H.MI- 
HauiiiHoi  TOHKH.  Bono  maSuce  He  IKI.UOIU-  jjo  nepsicHO- 
ro,  KOJIH  iioro  uiuiaiui'tio.  Bee  :i>iiini.ion..  JJauHiHiiii 
lu'pimii  T«I  HeapyiHo  BHpoGjiem  nepeHKH  sacrynnjiH  MO- 
,iepni  Kpo'i  HepeHOK  TII  THCHI!  ixuiit  BCIJIHKIIX  irptucpac. 
lloui.ii.iii  pyuiii  npacu  ,il)>  i;apci.i;i.  Ha  :II:HX  -vionaia  fiy.io 
i!iupyi;ynaTH  na  ro.uniy  iipn  HIM  me  hi  iiaK.ia.u  iipaiu  naii- 
BHCine  50  iipiniipnnicii:.  :<arryim. i n  iiaiiiioi:iiiiiii  nocnimni 
;ipyKapci.Ki  npecn,  T.  3.  poxaniiini.  aid  flpyicyiOTb  8 — 10 

THCH4  npHMipHHKlB  til'.wr  HH  KHHHCOK  Ha   I  o,UIHV   I  TO  BJK6 

roTOBiix,  3.10/Keiuix.  Pynny  upaiuo  cK.ia.ui'iiu,  ocoSjiHBO 
npii  iiaoopi  naconncH  i  KHHHCOK  sacrynujiH  Maiiunin  no 
Monotype  Hiinri  iii»ii'iiui<ii  npiioopii  .ipy- 
y.H'Kiiin.iH  B  ;{naMniii  >iipi  TJIVKKV  ,ipyi;apci.Ky 
npaiiio  i  ;joi.ii,[iin.in  :{iia-iiio  ii  npo.i\i;niio.  KHHHCKa  ra 
ra;u-TU  cra.ia  mi  HI  iipnc  ryimoio  ,i.  1:1  KO>I:,IOH>.  IIlo  oi.n,- 
uie,  KHH»CKa  TU  raiu-ra  rra.ia  B  TenepiuiHHx  nacax  >iaii.i;c 


AEBrtUEJK3HHIIKJIMHOIIPCT 

\7^fTfcVTTTJ¥IIl¥¥T-»  <¥¥/^f 
<y  *vj\.iMi "  tii ii^r> ji  ivJO 

12345678905 

Ems  a  to  z  13.45  Words  to  Pica  .50 


10  Point  No.  318J,  10  set 

HEPEHKH,  POBJIEHI  HA  MONOTYPE. 
B  nocjii'AHHX  nacax  RpyicapcTBo  po3BHHyjiocb 
j^o  i:\Mi.-viinauiiiHoi  TOHKH.  Ho  HO  maifHce  ne  no- 
^iSne  ffo  nepsicHoro,  KOJIH  iioro  Bimaii^eno.  Bee 
3AiiHHjiocb.  J^aBHiuiiii  nopiHiii  xa  Heapynno  BH- 
poo.H-Hi  nepeHKH  3acTynnjiH  rao^epni  icpoi  qe- 
penoK  xa  Tucji'ii  po.iin  BCIJIHKHX  npHKpac.  IIo- 
ni.ii.ni  py'iiii  npacH  ,ipyKupci.i;i,  na  HKHX  MOV  Una 
ov  10  BH^pyKyBaxn  na  PO.UIHV  irpn  IKVIMKJM  iia- 
KJia^i  1  1  pa  m  naHBHcuie  50  iipiiMipjuiuiij,  sacxy- 
IIH  in  HaiiiioiiUiiiiy  nocnimni  ,ip\Kapci.id  npecn, 
T.  s.  poTafiiiiiii.  HK!  ^pyKyiOTb  8^10  THCHH  npn- 
mipHHKiB  ra  JOT  MM  KHHVKOI;  na  ro,uiiiy  i  TO 
TOTOBHX,  :{.iovicenii\.  Pynny  upamo 
oco6jiHBO  up  n  naoopi  naconncH  i  KHHHCOK 


1234567890 


Ems  a  to  z  12.66 


Words  to  Pica  .42 


12  Point  No. 

4EPEHKH,  POBJIEHI  HA  MONOTYPE. 
B  nocjiijjHHx  nacax  ^pyKapCTBO  POSBH- 
nyjiocb  flo  KV  iMiinaiiiiinoi  TOHKH.  JJaB- 
ui  HOBijibHi  pymi  npacu  apyKapci.ici, 
na  HKHX  Momia  6yjio  BH^pyKysaTH  na 
i  o.i HHV  npii  BeJiHKiw  naK.ia.ii  npaui  uaii- 
BHcme  50  npniviipHHKiB,  ijaciyiin.iH  uaii- 
HOBiiiiiii  iiociiiiiuii  .ipycapci.Ki  npecn,  T. 
3.  porauiiini ,  HKI  flpyKyiOTb  8 — 10  THCHH 
npiiM i punhi P.  ra.u- r  HH  KHHHCOK  na  i o.uiny 

i     TO     B5K6     TOTOBHX,     3JIOXC6HHX.     PyHHy 

1 1  pa  i  no  CK.  la.ia'iii',.   oco6jlHBO  npn   nadopi 
HaconHCH  i   KHHHCOK   :tarmm. in   Maiiiii mi 


318J,  12  set 

HEPEHKH,  POBJIEHI  HA  MONOTYPE. 

B  noc  ii.uuix  nacax  jnjyKapcTBO 
ny.ioci,  ;io  Ky.n, \iinaniii HOI  TOHKH. 
ni  noBijibni  pyniii  npacn 
na  HKHX  Mo/Kna  6yjio  BHjjpyKyBaTH  na 
i  <>,inny  iipn  ue.inici>i  naKJia^'i  npan'i  iiaii- 
BHCuie  50  iipmiipHHKiii,  sacTynnjin  naii- 
iioiuiiiiii  nocniinni  ^pyKapCbKi  npecn,  T. 
3.  poiauiiini,  HK!  ^pyKyiOTb  8 — 10  THCHH 
iipiniipiiii i;i it  tnwr  HH  KHHHCOK  Ha  ro;umy 

i    TO     BHCe     TOTOBHX,     3JIO5KCHHX.      PyHHy 

1 1  pa  i  no  CKJia^anis,   ocod.muo  npn  nadopi 

HaCOHHCH   1    KHHHCOK   SaCTyHHJIH     >iailllf HH 

30  ci:. ia,ian;i  »Monotype«.   Iliiini  nowin- 
i  iipiidopii    flpyKapcwd   yjieKuiHJin   B 


1234567890 


Ems  a  toz  12.66 


Words  to  Pica  .35 


This  series,  designated  No.  318J,  is  made  up  of  our  No.  1 18J  series,  together  with  the  additional  characters  necessary  to 

miplete  the  Ruthenian  font.     In  ordering,  specify  the  proper  point  size  and  the  series  number  as  above,  No.  318J.    You  will 

:eive  characters  which  are  marked  1 1 8J,  so  far  as  they  conform  exactly  to  the  No.  1 1 8J  series,  and  other  characters  symboled 

8J ,  which  represent  the  extra  characters  to  complete  the  Ruthenian.    The  Ruthenian  arrangement  differs  from  the  Russian 

arrangement  in  only  six  characters.    In  order  to  set  Russian,  the  necessary  characters  would  be  added  to  a  Ruthenian  font. 

This  is  a  special  arrangement  and  requires  a  special  right  keybar  when  used  in  combination  with  the  No.  308A  Roman! 


Nos.  126  and  126a 


Electro  Display  Matrices 

MONOTYPE   INITIALS 
36  Point 


OR  illumination  and  embel- 
lishment of  their  writings 
on  papyrus  the  early  Egyptians 
used  both  the  initial  and  ribbon 
border  effects.  Originally  the  ini- 
tial was  of  the  same  size  as  the 
balance  of  the  writing,  being  dis- 
tinguished only  by  the  color. 


N  the  eighth  century  the  size  of  the 
initial  had  increased  to  such  an 
extent  that  it  covered  almost  one- 
third  of  the  page.  From  that  time  on  it 
decreased  in  size  and  embellishment  till  it 
reached  its  present-day  form,  and,  carefully 
used,  has  become  an  aid  in  preserving  an 
effect  of  balance  on  the  printed  page. 


HE  evolution  of  the  Monotype  from  a 
machine  for  the  setting  of  type  in  justi- 
fied straight  lines  to  one  that  will  cast 
types  of  the  class  most  necessary  for  the  pro- 
duction of  the  finest  kind  of  printing,  without 
impairing  its  composition  production,  is  one  of 
the  greatest  achievements  of  the  day. 


The  Initial  Matrices  shown  on  this  page  are  extra  price,  class  B  for  either 
color.  Matrices  for  the  initials  are  syrnboled  No.  126;  for  the  color  blocks 
No.  126a.  They  are  not  included  in  the  Library  and  Will  Not  be  Leased. 


No.  .127 


36  Point  No.   127 


Sorts  Matrices 


D 


K 


N 


O 


Q 


R 


U 


W 


X 


THE  BEATEN  PATH 


S  too  frequently  the  path  of 
the  beaten.     It  usually  leads 
in   the   printing   business    to 
mediocrity,  indifference,  failure. 

HE  successful  printer  avoids 
the  beaten  path  of  price-com- 
^—  petition  and  goes  after  quality, 
because  it  is  the  only  kind  of  print- 
ing that  pays  and  keeps  on  paying. 

E  is   the   man   who   uses   the 
Monotype  because  it  produces 
quality  printing,  and  fetches 
the  quality  price. 


W 


HEREVER  you  find  the  suc- 
cessful printer,  you  will  also 
find  the  versatile  Monotype, 


and 


OT  many  printers  began  using 
the  Monotype  in  a  large  way. 
Most  of  them  began  small, 

found   the   very   best   way   to 


grow  was  with  the  assistance  of  the 
Monotype. 


S  a  first  aid  to  the  man  who  is 
trying  to  avoid  the  beaten 
path,  and  to  build  up  his  busi- 
ness in  the  proper  way,  the  Mono- 
type stands  in  a  class  all  its  own. 


O 


turning  out  its  share  of  the  work. 


VER  8000  Monotypes  in  actual 
use,  and  every  owner  is  a 

"booster"    for   the    machine 

and  its  superiority  over  every  other 
kind.  Let  us  furnish  you  with  the 
experience  of  other  printers  —  to- 
gether with  facts  and  figures  of  just 
what  the  Monotype  will  do  for  you. 


Monotype  Figures 

Composition  Matrices 

'  3i  Point 

Figures  of  different  designs  have  been  made  for  certain  series.      They  are  always  shown  below  the  specimen  of  the  same 
series  number.     Thus,  under  6H9F  12  is  shown  a  figure  3  of  different  design  from  the  figure  3  under  6F  12,  just  above. 

Piece  fraction  figures,  see  7  point  fraction  sheet 


3KF  94  (Class  G)  3XF  95  (Class  G) 

Set  Factor  63  Set  Factor  63 

Type  Line  .0448  Type  Line  .0448 


123456*890 

10  Characters  12  Characters 


4i  Point 


Figures  of  different  designs  have  been  made  for  certain  series.      They  are  always  shown  below  the  specimen  of  the  same 
series  number.     Thus,  under  6H9F  12  is  shown  a  figure  3  of  different  design  from  the  figure  3  under  6F  12,  just  above, 


4>/2F8A  4V2F8C  4>/2F21E  4V2F  21G 

Set  Factor  54  Set  Factor  54  Set  Factor  49.5  Set  Factor  49.5 

12345678        90123456         78901234  ltS4S678        90123466         78901tS4  12345678  90123456  78901234  12345678  90123456 

56789012         34567890          12345678  68789012         S4667890         12S45678  56789012  34567890  12345678  56789012  34567890 

$1234567890  tlS3466789O  11234567890  $1234567890 

11  Characters  11  Characters  11  Characters  11  Characters 


4'/2G21E  4»/2G21G 

Set  Factor  49.5  Set  Factor  49.5 

12345678     901234567     89012345  12345678     90123456      78901234 

67890123     456789012     34567899  56789012     34567890     12345678 

$1234567890  tI234567890 

11  Characters  11  Characters 


Set  Factor  is  the  set  multiplied  by  unit  width;   thus,  the  set  factor  of  a  character  made  for  the  10  unit  row  of  8  set  is  80  (10X8  =  80).     Knowing  the 
;t  factor  and  the  set  to  be  used,  to  determine  the  proper  unit  row  for  any  character  divide  the  set  factor  by  the  set  to  be  used.     RULE:     Given  the 

iet  factor  of  a  matrix,  to  determine  for  any  set,  the  unit  row  of  the  matrix  case  in  uhich  to  carry  this  matrix:  divide  the  set  factor  by  the  set  to  be  used,  the 

result  it  the  unit  row  required.     If  this  result  contains  a  fraction  use  next  larger  unit  row.     EXAMPLE:  Set  factor  80.     Find  unit  row  in  which  to  carry 

this  matrix  in  matrix  case  used  with  9  set  normal  wedge;   80-7-9  =  8.8,  therefore  put  matrix  in  9  unit  row. 
Type  Line:     All  matrices  for  composition  when  used  in  the  same  matrix  case  produce  type  on  the  same  line  regardless  of  any  difference  in  point 

**« [of  the  matrices,  and  the  line  standard  to  use  with  a  matrix  case  depends  upon  the  point  size  of  the  mold  used  with  the  matrices.     The  type  line 
i  the  mold  size  expressed  decimally  with  five  added  to  the  right  hand  figure,  thus,  the  line  for  a  5  %  point  mold  is  .060"  (.055" +  .005"=  .060"),  the 


of  the  body  to  the  bottom  of  these  figures  when  cast  on  5  K  point  body)  thus  these  matrices  produce  type  .01 1 "  lower  than  that  produced  by  standard 
line  matrices  used  with  them  (.071' — .060"  =  .01 1 ") . 

Prices:     The  figure  matrices  shown  on  this  page  are  Class  B,  except  those  which  have  the  classification  noted  in  parentheses  after  the  scries 
number. 


Monotype  Figures.     Composition  Matrices 

'•  5  Point  ; 

Figures  of  different  designs  have  been  made  for  certain  series.      They  are  always  shown  below  the  specimen  of  the  same 
series  number.     Thus,  under  6H9F  12  is  shown  a  figure  3  of  different  design  from  the  figure  3  under  6F  12,  just  above. 


5F  l 

Set  Factor  45 

12345678901     234567 89012     34567890123 
40673331234     56789012345     67890123456 

$1234567890 
11  Characters 


5F  8C 

Set  Factor  58.5 

90123466       78901234 
34567890       12346678 
$1234567890 
11  Characters 


5G  21G 

Set  Factor  58.5 

12345678       90123456      78901234 

56789012       34567890      12345678 

$1234567890 

11  Characters 


5F  66J 

Set  Factor  54 

123456789      012345678      901234567 

890123456      789012345      678901234 

$1234567890 

11  Characters 


5H9F  1 

Set  Factor  45 

36936936936   93693693593   69369369369 

59359359369   36936936936   93693693693 
369369369369 

3  Characters 

SF  3 

Set  Factor  58.5 

Type  Line  .061 

12345678      90123456      78901234 

56789012       34567890      12345678 
$1234567890 
11  Characters 


SF  4 
Set  Factor  58.5 

12345678       90123456       78901234 

56789012       34567890        12345678 

1234567890 

10  Characters 


SF  5 

Set  Factor  71.5 

Type  Line  .062 

123456        789012        345678 
901234        567890         123456 

$1234567980. 
12  Characters 

SF  6 

Set  Factor  71.5 
Type  Line  .060 

123456        789012        345678 
901234        567890         123456 

$1234567890 

11  Characters 

SF  7 

Set  Factor  78 
Type  Line  .056 

I-.MI.-.I;   7R9O13   345678 

•to  I  -•:;!   .-,«;7-!»o   I  :i:t  l.l«; 


14  Characters 

SF  8 
Set  Factor  45 

12.145678901      23456789012     34567890123 

45678901234     56789012345     67890123450 

$1234567890. 

12  Characters 

SF  8A 

Set  Factor  58.5 

12345678       90123456      78901234 

56789012       34.r,07S90      12345678 

$1234567890 

11  Characters 


5G  11J 

Set  Factor  54 

123456789   012345678   901234567 

890123456   789012345   678901234 

$1234567890 

11  Characters 


SF  12 

Set  Factor  45 

12345678901  23456789012  34567890123 

45678901234  56789312345  67890123456 

$1234567890 

11  Characters 


SF  17 

Set  Factor  45 
Type  Line  .061 

12345678901     23456789012     34567890123 
45678901234     56789012345    67890123456 

$1234567890 
11  Characters 


SF   18 

Set  Factor  58.5 

12345678      90123456       78901234 

56789012      34567890       12345678 

$1234567890 

11  Characters 


SF  10 

Set  Factor  90 
Type  Line  .064 

12345   67890   12345 

6789O   12345   6789O 

$123456789Oc.. 

14  Characters 


SF  2  IE 

Set  Factor  58.5 

12345678  90123456   78901234 

56789012  34567890   12345678 

$1234567890 

11  Characters 


5G  21E 

Set  Factor  58.5 

12345678   90123456   78901234 

56789012   34567890   12345678 

$1234567890 

11  Characters 

SF  21G 

Set  Factor  58.5 

12345678   00123456   78901234 

56780012   34567800   13345678 

$1234567800 

11  Characters 


5F  25J 

Set  Factor  58.5 

12343678   00123456   78901234 

36789012  34567890  123456789 

$1234367890 

11  Characters 


SF  66B 

Set  Factor  42 


5G  25J 

Set  Factor  58.5 

12345678      90123456       78901234 

56789012       34567890       12345678 

$1234567890 

11  Characters 


SF26J 

Set  Factor  54 

123456739      012345678      901234567 

890123456      789012345      678901234 

$1234567890 

11  Characters 


5F  29 

Set  Factor  84 

12345          6789O  12345 

6789O          12345          6789O 

$1234567890 c 

12  Characters 


SF  48J 

Set  Factor  54 

123456789      012345678      901234567 

890123456      789012345       678901234 

$1234567890 

11  Characters 


SF  51 

Set  Factor  90 


99  Characters 


SF  56J 

Set  Factor  58.5 
Type  Line  .060 

12345678   90123456   78901234 
56789012   34567890   12345678 

$1234567890 
11  Characters 


S1234567890 

11  Characters 


SF  71 

Set  Factor  45 

12345678901     23456789012     34567890123 

45678901234     56789012345     67890123456 

$1234567890 

11  Characters 


SF  72 

Set  Factor  45 

12345678901  23456789012  31567890123 

45678901234  56789012345  67890123456 

$1234567890 

11  Characters 


SF  76J 

Set  Factor  49.5 

12345678    90123456    78901234 

56789012    34567890    12345678 

$1234567890 

11  Characters 


SF  79J 

Set  Factor  58.5 

12345678   90123456   78901234 

56789012   34567890   12345678 

$1234567890 

11  Characters 


SF  86J 
Set  Factor  54 

123456789   012345678   901234567 

890123456  789012345   678901234 

$1234567890 

11  Characters 


SF  88J 

Set  Factor  45 

12345678901     23456789012     34567890123 

45678901234     56789012345     67890123456 

$1234567890 

11  Characters 


SF  96 

Set  Factor  45 
Type  Line  .056 

12345678901  23456789012  34567890123 
45678901234  56789012345  67890123456 

$1234567890 
11  Characters 


Set  Factor  is  the  set  multiplied  by  unit  width;  thus,  the  set  factor  of  a  character  made  for  the  10  unit  row  of  8  set  is  80  (10X8  =  80).  Knowing  the 
set  factor  and  the  set  to  be  used,  to  determine  the  proper  unit  row  for  any  character  divide  the  set  factor  by  the  set  to  be  used.  RULE:  Given  the 
set  factor  of  a  matrix,  to  determine  for  any  set,  the  unit  row  of  the  matrix  case  in  which  to  carry  this  matrix:  divide  the  set  factor  by  the  set  to  be  used,  the 
result  is  the  unit  row  required.  If  this  remit  contains  a  fraction  use  next  larger  unit  row.  EXAMPLE:  Set  factor  80.  Find  unit  row  in  which  to  carry 
this  matrix  in  matrix  case  used  with  9  set  normal  wedge;  80  -=-9  =  8.8,  therefore  put  matrix  in  9  unit  row. 

Type  Line:  All  matrices  for  composition  when  used  in  the  same  matrix  case  produce  type  on  the  same  line  regardless  of  any  difference  in  point 
size  of  the  matrices,  and  the  line  standard  to  use  with  a  matrix  case  depends  upon  the  point  size  of  the  mold  used  with  the  matrices.  The  type  line 

"  "  "  =  " 


. 

produce  type  .01  1  "  lower  than  that  produced  by 
line  matrices  used  with  them  (.071"  —  .060"  =  .01  1  ")  . 

Prices:     The  figure  matrices  shown  on  this  page  are  all  Class  B  matrices,  except  those  which  have  the  classification  noted  in  parentheses  after  the 
•cries  number. 


Monotype  Figures.     Composition  Matrices 

5  Point 

Figures  of  different  designs  have  been  made  for  certain  series.      They  are  always  shown  below  the  specimen  of  the  same 
series  number.     Thus,  under  6H9F  12  is  shown  a  figure  3  of  different  design  from  the  figure  3  under  6F  12,  just  above. 


SF  102 

Set  Factor  72 
Type  Line  .065 

123456       789012        345678 

90 1 234       567890         1 23456 

1 234567890 

10  Characters 


5F  106 
Set  Factor  49.5 

1Z34567S    90123456    7S901Z34 
56789013    34567890    1234567S 

11234567890 
11  Characters 


5F  107J 
Set  Factor  54 

1234S6789   012345678   901234567 

890123456  789012345  678901234 

$1234567890 

11  Characters 


5F  113 
Set  Factor  72 

123456    789O12    345678 

9O1234    56789O    123456 

1 23456789O 

10  Characters 


5F  139 

Set  Factor  67.5 

1234567  89O1234  56789O1 
8345678  9O12345  6789O12 

$ 1234567890 

11  Characters 


5F  162J 
Set  Factor  58.5 

12345678   90123456   78901234 

50789012   3156785)0   12315678 
$1234567890 

11  Characters 


SF  165J 

Set  Factor  54 
Type  Line  .060 

123456789      012345678     901234567 
8901 23456     78901 234  5      678901 234 

$1234567890 
11  Characters 


5F  165B 
Set  Factor  42 
Type  Line  .060 

12345678901   23456789012   34567890123 

45678901234   56789012345   67890123456 

$1234567890 

11  Characters 


SF  168J 

Set  Factor  58.5 

12345678   90123456   78901234 

56789012   34567890   12345678 

$1 234567890 

11  Characters 


SF  168B 

Set  Factor  45.5 

12345678901   23456789012  34567890123 

4567890 1 234   567890 1 2345   67890 1 23456 

SI  234567890 

11  Characters 


SF  169B 

Set  Factor  35 

345678901234 
901234567890 
$1234567890 

11  Characters 


SF  175 

Set  Factor  72 

123456   789012   345678 

901234   567890    123456 

1234567890. 

11  Characters 


SF  176 

Set  Factor  72 

123456         789O12          345678 
901234          567890          123456 

1234567890. 

11  Characters 


SF  184 

Set  Factor  54 
Type  Line  .062 

123456789     012345678     901234567 
890123456     789012345     678901234 

1234567890. 
11  Characters 

SF  185 

Set  Factor  54 
Type  Line  .062 

123456789     012345678     901234567 
890123456      789012345      678901234 

1234567890. 
1 1  Characters 


5F  187 

Set  Factor  72 

Type  Line  .060 

123456         789012        345678 

901234         567890         123456 

1234567890 

10  Characters 


SF  187J 

Set  Factor  58.5 

123456  789012  345678 


901234 


567890 
$1234567890 

11  Characters 


123456 


SF  194 

Set  Factor  105 

1234          5678          9O12 

3456          7890          1 234 

9 1 23456789O 

11  Characters 


SF  196 

Set  Factor  75 

123456   789O12   345678 

901234   567890   123456 

$1234567890 

11  Characters 


SF  200 

Set  Factor  127.5 

1 234   5678   9O 1 2 

3456   789O   1 234 

S 1 23456789O 

11  Characters 


SF  156J 

Set  Factor  58.5 

12345678   90123456   78901234 

56789012   34567890   12345678 

»1234567890 

11  Characters 


SF  169J 

Set  Factor  45 

12345678901  23456789012  34567890123 

45678901234  56789012345  67890123456 

$1234567890 

11  Characters 


SF  186J 

Set  Factor  54 

123456789  012345678  901234567 

890123456   789012345  678901234 

$1234567890 

11  Characters 


5F  206 
Set  Factor  84 

1  234S  6-7890  1 

e-raao          1 234S         B 

SI  23.4S67B9O 

11  Characters 


Piece  fraction  figures,  see  10  point  fraction  sheet  (Class  C) 


SF  94 

Set  Factor  90 
Type  Line  .0645 

12345    678GO    12345 

67890    12345    67890 

1234567890 

10  Characters 


SF  95 

Set  Factor  90 
Type  Line  .0645 

6 1 8  9g 
__lJJX5 
T234  567  89~0 

12  Characters 


SF  146 

Set  Factor  90 
Type  Line  .0651 

12345    67890    12345 

67890    12345    67890 

1234567890 

10  Characters 


SF  147 

Set  Factor  90 

Type  Line  .0651 

T7  890' 


10  Characters 


Set  Factor  is  the  set  multiplied  by  unit  width ;  thus,  the  set  factor  of  a  character  made  for  the  10  unit  row  of  8  set  is  80  (10  X  8  =  80) .  Knowing  the 
set  factor  and  the  set  to  be  used,  to  determine  the  proper  unit  row  for  any  character  divide  the  set  factor  by  the  set  to  be  used.  RULE:  Given  the 
set  factor  of  a  matrix,  to  determine  for  any  set,  the  unit  row  of  the  matrix  case  in  which  to  carry  this  matrix:  divide  the  set  factor  by  the  sH  to  be  used,  the 
result  is  the  unit  row  required.  If  this  result  contains  a  fraction  use  next  larger  unit  row.  EXAMPLE:  Set  factor  80.  Find  unit  row  in  which  to  carry 
this  matrix  in  matrix  case  used  with  9  set  normal  wedge;  80-s-9  =  8.8,  therefore  put  matrix  in  9  unit  row. 

Type  Line:  All  matrices  for  composition  when  used  in  the  same  matrix  case  produce  type  on  the  same  line  regardless  of  any  difference  in  point 
size  of  the  matrices,  and  the  line  standard  to  use  with  a  matrix  case  depends  upon  the  point  size  of  the  mold  used  with  the  matrices.  The  type  1m 
is  the  mold  size  expressed  decimally  with  five  added  to  the  right  hand  figure,  thus,  the  line  for  a  Sy*  point  mold  is  .060"  (.055 "  +  .005"=  .060"),  the 
type  line  for  5  y2  point  faces.  EXCEPTIONS:  Abnormally  tall  characters  are  of  necessity,  driven  to  a  lower  matrix  line  and  consequently  when  used 
in  combination  with  standard  line  matrices  the  line  of  the  type  cast  from  special  line  matrices  is  lower  than  the  type  cast  from  standard  line  matrices. 
For  all  such  exceptions  the  type  line  is  given;  for  example  5  Yi  point  F10  figures  for  which  the  type  line  is  given  as  .071"  (the  distance  from  the  top 
of  the  body  to  the  bottom  of  these  figures  when  cast  on  5  K  point  body)  thus  these  matrices  produce  type  .011"  lower  than  that  produced  by  standard 
line  matrices  used  with  them  (.071" — .060*  =.011"). 

Prices:  The  figure  matrices  shown  on  this  page  are  all  Class  B  matrices,  except  those  which  have  the  classification  noted  in  parentheses  after  the 
series  number. 


Monotype  Figures.     Composition  Matrices 

5i  Point 

Figures  of  different  designs  have  been  made  for  certain  series.      They  are  always  shown  below  the  specimen  of  the  same 
series  number.     Thus,  under  6H9F  12  is  shown  a  figure  3  of  different  design  from  the  figure  3  under  6F  12,  just  above. 


5V2F  SA 
Set  Factor  65.2 

1234567       8901234       5678901 

2345678        9012345        6789012 

$1234567890 

11  Characters 

5  >/2F  5C 
Set  Factor  65.2 

lM<,.->67       8901234       :>r>7S901 

>.!!,:,';7S       90123'i.~>       6789012 

$l!.Ufo67890 

1 1  Characters 


5>/2F  7A 
Set  Factor  42 
123456789         012345678 
890123456         789012345 
$1234567890 
1 1  Characters 


901234567 
678901234 


5>/2F  8 

Set  Factor  49.5 

123456789        012345678        901234567 
890123456         789012345         678901234 

11234567890 
1 1  Characters 

5y2F  10 
Set  Factor  70 
Type  Line  .071 

123456        789012        345678 

901234        567890        123456 

S 12345  67890  c., 

14  Characters 

5y2F  21E 
Set  Factor  58.5 

12345678      90123456      78901234 

56789012      34567890      12345678 

$1234567890 

11  Characters 

5'/2G  2  IE 
Set  Factor  58.5 

12345678   90123456   78901234 
56789012   34567890   12345678 

$1234567890 
11  Characters 

5>/2F  21G 
Set  Factor  58.5 

12343678   00123456   78901234 
36780012   34567800   12345678 

$1234567800 

11  Characters 

5V2G  21 G 
Set  Factor  58.5 

12345678  90123456   78901234 
56789012   34567890   12345678 

$1234567890 
11  Characters 


5y2F  22 
Set  Factor  91 

12345   6789O   12345 

6789O   13345   6789O 

S123456789O 

1 1  Characters 

5»/2F  28J 
Set  Factor  58.5 

12345678      90123456       78901234 

56789012       34567890        12315678 

$1234567890 

1 1  Characters 

SV2H3F  28J 

Set  Factor  72 

123456        789012        345678 

901234        567890         123456 

$1234567890 

1 1  Characters 

5V2F  30A 
Set  Factor  63 

1234567   8901234   5678901 

2345678   9012345   6789012 

$1234567890 

1 1  Characters 

5»/2F  30C 
Set  Factor  49 

123456789    012345678    901234567 

890123456    789012345    678901234 

$1234567890 

11  Characters 

5>/2F  54 

Set  Factor  108.7 
Type  Line  .067 

1234-   5678   90 1  2 

34-56   789O   1234- 

$1234567890 

1 1  Characters 

5V2F  55J 
Set  Factor  91 

12345   6789O    12345 

6789O   12345   6789O 

S123456789O 

11  Characters 

5>/2F  56J 

Set  Factor  63 

Type  Line  .065 

1234567        8901234       5678901 

2345678       9012345       6789012 

$1234567890 

1 1  Characters 

5»/2F  82 

Set  Factor  58.5 

12345678      90123456      78901234 

56789012      3-J567890       12345678 

$1234567890 

11  Characters 


5y2F  89 

Set  Factor  49.5 

Type  Line  .0615 

123456789    012345678    901234567 

890123456    789012345    678901234 

$1234567890 
11  Characters 


5i/2F  90 
Set  Factor  66 
1234567        8901234 
2345678        9012345 

1 234567890 
10  Characters 


5678901 
6789012 


5»/2F  92J 
Set  Factor  58.5 

12345678   90123456   78901234 

56789012   34567890   12345678 

$1234567890 

11  Characters 


5>/2F  118J 
Set  Factor  58.5 

12345678   90123456   78901234 

56789012   34567890   12345678 

$1234567890 

11  Characters 


5y2F  122 
Set  Factor  72 
Type  Line  .0630 
123456        789012        345678 
901234        567890        123456 
1234567890 
10  Characters 


5]/2H9F  122 

Set  Factor  72 

Type  Line  .0630 

333333   333333   333333 

333333   333333   333333 

3333333333 

1  Character 


5>/2F  134 
Set  Factor  43.5 

12345678901   23456789012   34567890123 
45678901234   56789012345   67890123456 

$1234567890 
1 1  Characters 


5>/2F  142J 
Set  Factor  65.3 

1234567   8901234   5678901 

2315678   9012345   6789012 

$1234567890 

1 1  Characters 


5y2F  143 
Set  Factor  46.5 

123456789        012345678          901234567 
890123456         789012345         678901234 

$1234567890 
1 1  Characters 

5y2F  144 
Set  Factor  63 
Type  Line  .0650 
1234567   8901234   5678901 
2345678   9012345   6789012 
$1234567890 
1 1  Characters 

5>/2F  145 

Set  Factor  65.3 

Type  Line  .0630 

1234567   8901234   5678901 

2345678   9012345   6789012 

$1234567890 

11  Characters 

5>/2F  149J 
Set  Factor  54 

123456789     012345678      901234567 
890123456      789012345     678901234 

$1234567890 
11  Characters 


5  »/2F  156 
Set  Factor  65.3 

1234567        8901234        5678901 

2345678        9012345        6789012 

$1234567890 

11  Characters 

5>/2F  178 

Set  Factor  72 

Type  Line  .0645 

123456   789012    345678 

901234    567890    123456 

1234567890 

10  Characters 


5y2H9F  178 

Set  Factor  72 

Type  Line  .0645 

333333   333333   333333 

333333   333333   333333 

3333333333 

1  Character 


5y2F  184 

Set  Factor  54 

Type  Line  .0670 

123456789     012345678     901234567 
890123456     789012345     678901234 

1234567890. 
1 1  Characters 


S«t  Factor  is  the  set  multiplied  by  unit  width;  thus,  the  set  factor  of  a  character  made  for  the  10  unit  row  of  8  set  is  80  (10X8  =  80).  Knowing  the 
set  factor  and  the  set  to  be  used,  to  determine  the  proper  unit  row  for  any  character  divide  the  set  factor  by  the  set  to  be  used.  RULE:  Given  the 
set  factor  of  a  matrix,  to  determine  for  any  set,  the  unit  rmv  of  the  matrix  case  in  which  to  carry  this  matrix:  divide  the  set  factor  by  the  set  to  be  used,  the 
result  is  the  unit  rmo  required.  If  this  result  contains  a  fraction  use  next  larger  unit  rmv.  EXAMPLE:  Set  factor  80.  Find  unit  row  in  which  to  carry 
this  matrix  in  matrix  case  used  with  9  set  normal  wedge;  80-^9  =  8.8,  therefore  put  matrix  in  9  unit  row. 

Type  Line:  All  matrices  for  composition  when  used  in  the  same  matrix  case  produce  type  on  the  same  line  regardless  of  any  difference  in  point 
size  of  the  matrices,  and  the  line  standard  to  use  with  a  matrix  case  depends  upon  the  point  size  of  the  mold  used  with  the  matrices.  The  type  line 
is  the  mold  size  expressed  decimally  with  five  added  to  the  right  hand  figure,  thus,  the  line  for  a  5  Yi  point  mold  is  .060"  (.055 "+.005"  =  .060"),  the 
tvpc  liii"  for  5J4  point  faces.  EXCEPTIONS:  Abnormally  tall  characters  are  of  necessity,  driven  to  a  lower  matrix  line  and  consequently  when  used 
in  combination  with  standard  line  matrices  the  line  of  the  type  ca.st  from  spi-Hal  line  matrices  is  lower  than  the  type  cast  from  standard  line  matrices. 
For  all  such  exceptions  the  type  line  is  given;  for  example  5  Yi  point  F10  figures  for  which  the  type  line  is  given  as  .071"  (the  distance  from  the  top 
of  the  body  to  the  bottom  of  these  figures  when  cast  on  5  Yi  point  body)  thus  these  matrices  produce  type  .011"  lower  than  that  produced  by  standard 
line  matrices  used  with  them  (.071* — .060"=  .011"). 

Prices:  The  figure  matrices  shown  on  this  page  are  Class  B,  except  those  which  have  the  classification  noted  in  parentheses  after  the  series 
number. 


Monotype  Figures.     Composition  Matrices 

Si  Point 

Figures  of  different  designs  have  been  made  for  certain  series.     They  are  always  shown  below  the  specimen  of  the  same 
series  number.     Thus,  under  6H9F  12  is  shown  a  figure  3  of  different  design  from  the  figure  3  under  6F  12,  just  above. 


5  y2F  185 

Set  Factor  54 

Type  Line  .0670 

123456789     012345678     901234567 

890123456     789012345     678901234 

1234567890. 
11  Characters 

5>/2F  187 

Set  Factor  72 

Type  Line  .0650 

123456        789012        345678 

901234        567890         123456 

1234567890 

10  Characters 


5>/2F  186 
Set  Factor  54 

123456789  012345678  901234567 
890123456  789012345  678901234 

1234567890 
10  Characters 


Sy2H9F  186 

Set  Factor  54 

333333333  333333333  333333333 

333333333  333333333  333333333 

333333333333 

1  Character 


5V2F  198 

Set  Factor  60 

Type  Line  .0645 

12345678  90123456  78901234 

56789012  34567890  12345678 

1234567890 
10  Characters 

5V2H9F  198 

Set  Factor  60 

Type  Line  .0645 

35835835  83583583  58358358 

58358358  35835835  83583583 

3583583583 

3  Characters 


5>/2F  201 
Set  Factor  99 

12345   67890   12345 

67890   12345  67890 

$  1 234567890 

1 1  Characters 


5»/2F  25SJ 
Set  Factor  65.3 

1234567       8901334       5678901 

2345678       9012345       6789O12 

81234567890 

11  Characters 


Set  Factor  is  the  set  multiplied  by  unit  width;  thus,  the  set  factor  of  a  character  made  for  the  10  unit  row  of  8  set  is  80  (10X8  =  80).  Knowing  the 
set  factor  and  the  set  to  be  used,  to  determine  the  proper  unit  row  for  any  character  divide  the  set  factor  by  the  set  to  be  used.  RULE:  Given  the 
set  f af tor  of  a  matrix,  to  determine  for  any  set,  the  unit  row  of  the  matrix  case  in  which  to  carry  this  matrix:  divide  the  set  factor  by  the  set  to  be  used,  the 
result  is  the  unit  row  required.  If  this  result  contains  a  fraction  use  next  larger  unit  row.  EXAMPLE:  Set  factor  80.  Find  unit  row  in  which  to  carry 
this  matrix  in  matrix  case  used  with  9  set  normal  wedge;  80-=-9  =  8.8,  therefore  put  matrix  in  9  unit  row. 

Type  Line:  All  matrices  for  composition  when  used  in  the  same  matrix  case  produce  type  on  the  same  line  regardless  of  any  difference  in  point 
size  of  the  matrices,  and  the  line  standard  to  use  with  a  matrix  case  depends  upon  the  point  size  of  the  mold  used  with  the  matrices.  The  type  line 
is  the  mold  size  expressed  decimally  with  five  added  to  the  right  hand  figure,  thus,  the  line  for  a  5>i  point  mold  is  .060"  (.055 "  +  .005"=  .060"),  the 
type  line  for  5^  point  faces.  EXCEPTIONS:  Abnormally  tall  characters  are  of  necessity,  driven  to  a  lower  matrix  line  and  consequently  when  used 
in  combination  with  standard  line  matrices  the  line  of  the  type  cast  from  special  line  matrices  is  lower  than  the  typecast  from  standard  line  man  !<••••;. 
For  all  such  exceptions  the  type  line  is  given;  for  example  5  l/i_  point  F10  figures  for  which  the  type  line  is  given  as  .071"  (the  distance  from  the  top 
of  the  body  to  the  bottom  of  these  figures  when  cast  on  5  \4  point  body)  thus  these  matrices  produce  type  .01 1"  lower  than  that  produced  by  standard 
line  matrices  used  with  them  (.071" — .060"=  .011"). 

Prices:  The  figure  matrices  shown  on  this  page  are  Class  B,  except  those  which  have  the  classification  noted  in  parentheses  after  the  series 
number. 


Monotype  Figures.     Composition  Matrices 

6  Point 

Figures  of  different  designs  have  been  made  for  certain  series.      They  are  always  shown  below  the  specimen  of  the  same 
series  number.     Thus,  under  6H9F  12  is  shown  a  figure  3  of  different  design  from  the  figure  3  under  6F  12,  just  above. 


6F  i 

Set  Factor  54 

12345673       90123456       73901234 

56739012       34567890       12345673 

$1234567390 . 

11  Characters 


6F  8C 

Set  Factor  63 

1234567       8901234        5678901 
2345678        9012345        6789012 

91234567890 

11  Characters 


6G  16E 

Set  Factor  63 

1234567   8901234   5678901 

2345678   9012345   6789012 

$1234567890 

11  Characters 


6F  20C 

Set  Factor  63 

12S4567        8901234        5678901 

2345678        9012345        6789012 

$1234567890 

11  Characters 


369369 
369369 


333333 
332333 


6H91F  1 

Set  Factor  54 

333333 

333333 

333333333333 
1  Character 


369369 
369369 


333333 
333333 


6F2 

Set  Factor  54 

12345678       90123456       78901234 
56789012       34567890       12345678 

$1234567890. . 

13  Characters 

6F  5A 

Set  Factor  69.7 

123456        789012         345678 

901234        567890         123456 

$1234567890 

11  Characters 

6F5C 

Set  Factor  69.7 

123456        789012         345678 

901234        567890         123456 

$1234567890 

1 1  Characters 

OF  8 

Set  Factor  54 

12345678        90123456       78901234 
56789012        34567890        12345678 

$1234567890 
11  Characters 

6F8A 

Set  Factor  63 

1234567        8901234        5678901 

2345B78        9012345        0789012 

$1234567890 

11  Characters 


6F  11 

Set  Factor  54 

1 2345678   90123456   78901234 

56789012    34567890    12345678 

$1234567890 

11  Characters 

6G  11J 
Set  Factor  63 

1234567   8901234   5678901 

2345678   9012345   6789012 

$1234567890 

1 1  Characters 

6F  12 

Set  Factor  54 

12345678  "  90123456   78901234 
56789012   34567890   12345678 

$1234567890.., 

14  Characters 

6H9F  12 

Set  Factor  54 

33333333   33333333   33333333 
33333333   33333333   33333333 

333333333333 

1  Character 


6F  13 

Set  Factor  54 

12345678    90123456    78901H34 
56789012    34567890    12345678 


6F  17 

Set  Factor  54 

12345678   90123456   78901234 
56789012   34567890   12345678 

SI 234567890., 

13  Characters 


6H9F  17 
Set  Factor  54 
Type  Line  .076 

33333333   33333333   33333333 

33333333   33333333   33333333 

333333333333 

1  Character 


6F  18 

Set  Factor  63 

1234567   8901234   .5678901 

2345678   9012345   6789012 

$1234567890 

1 1  Characters 


6F  19 

Set  Factor  108 
Type  Line  .0785 

1234        5678       9012 
3456  _     [8$0_.J234 

»4r 


i123< 


'890c., 


11  Characters 

6H2F    1SE 
Set  Factor  54 

oooooooo        oooooooo        oooooooo 
oooooooo        oooooooo        oooooooo 

oooooooooooo 

1  Character 

6F  16 

Set  Factor  63 

1234567        8901234       5678901 
2345678        9012345       6789012 

1234567890 
10  Characters 


14  Characters 


6F  19A 

Set  Factor  67.5 

123456         789012         345678 
901234         567890          123456 

$1234567890 

11  Characters 


6F20 

Set  Factor  84 

12345    6789O    12345 

H7K90    12345    O78UO 

$  123456  7  89O£v., 

15  Characters 


6F21E 

Set  Factor  63 

1234567   8901234   5678901 

2345678   9012345   6789012 

$1234567890 

1 1  Characters 

6H2F  21E 

Set  Factor  54 

12345678   90123456   78901234 
56789012   34567800   12345678 

11234567890 
1 1  Characters 

6H9YF  2 IE 

Set  Factor  54 

69696969   69696969   69696969 

96969696   96969696   96969696 

696969696969 

2  Characters 

6G21E 

Set  Factor  63 

1234567        8901234        5678901 
2345678        9012345        6789012 

$1234567890 

1 1  Characters 

6H2F  21G 

Set  Factor  54 

12345678       90123436       78901234 

36780012       34367800       12345678 

$1234567800 

1 1  Characters 

6F21G 

Set  Factor  63 

1234567   8901234   5678901 
2345678   9012345   6789012 

$1234567890 

1 1  Characters 

6G21G 

Set  Factor  63 

1234567   8901234   5678901 
2345678   9012345   678V012 

$1234567890 

11  Characters 


6H9F  8A 

Set  Factor  63 

$$$$$$$   $$$$$$$   $$$$$$$ 
$$$$$$$   $$$$$$$   $$$$$$$ 


1  Character 


6F  16E 

Set  Factor  63 

1234567   8901234   5678901 
2345678   9012345   6789012 

$1234567890 

11  Characters 


6F20A 

Set  Factor  63 

1234567   8901234   5678901 

2345678   9012345   6789012 

$1234567890 

1 1  Characters 


6H2G  2 IE 
Set  Factor  54 

12345678        90123456       78901234 
56789012        34567890       12345678 

$1234567890 
1 1  Characters 


S«t  Factor  is  the  set  multiplied  by  unit  width;  thus,  the  set  factor  of  a  character  made  for  the  10  unit  row  of  8  set  is  80  (10X8  =  80).  Know  ing  the 
•et  factor  and  the  set  to  be  used,  to  determine  the  proper  unit  row  for  any  character  divide  the  set  factor  by  the  set  to  be  used.  RULE:  Given  the 
set  factor  of  a  matrix,  to  determine  for  any  set,  the  unit  row  of  the  matrix  case  in  which  to  carry  this  matrix:  divide  the  set  factor  by  the  set  to  be  used,  the 
result  is  the  unit  row  required.  If  this  result  contains  a  fraction  use  next  larger  unit  row.  EXAMPLE:  Set  factor  80.  Find  unit  row  in  which  to  carry 
this  matrix  in  matrix  case  used  with  9  set  normal  wedge;  80-5-9  —  8.8,  therefore  put  matrix  in  9  unit  row. 

Type  Line:  All  matrices  for  composition  when  used  in  the  same  matrix  case  produce  type  on  the  same  line  regardless  of  any  difference  in  point 
size  of  the  matrices,  and  the  line  standard  to  use  with  a  matrix  case  depends  upon  the  point  size  of  the  mold  used  with  the  matrices.  The  type  line 
is  the  mold  size  expressed  decimally  with  five  added  to  the  right  hand  figure,  thus,  the  line  for  a  5K  point  mold  is  .060"  (.055 "  +  .00.5*=  .060"),  the 
type  line  for  5tf  point  faces.  EXCEPTIONS:  Abnormally  tall  characters  are  of  necessity,  driven  to  a  lower  matrix  line  and  consequently  when  used 
in  combination  with  standard  line  matrices  the  line  of  the  type  cast  from  special  line  matrices  is  lower  than  the  type  cast  from  standard  line  matrices. 
For  all  such  exceptions  the  type  line  is  given;  for  example  5%  point  F10  figures  for  which  the  type  line  is  given  as  .071"  (the  distance  from  the  top 
of  the  body  to  the  bottom  of  these  figures  when  cast  on  5  %  point  body)  thus  these  matrices  produce  type  .01 1"  lower  than  that  produced  by  standard 
line  matrices  used  with  them  (.071* — .060"=  .01 1"). 

Prices:  The  figure  matrices  shown  on  this  page  are  all  Class  A  matrices,  except  those  which  have  the  classification  noted  in  parentheses  after  the 
series  number. 


Monotype  Figures.     Composition  Matrices 

6  Point 

Figures  of  different  designs  have  been  made  for  certain  series.     They  are  always  shown  below  the  specimen  of  the  same 
series  number.     Thus,  under  6H9F  12  is  shown  a  figure  3  of  different  design  from  the  figure  3  under  6F  12,  just  above. 


6F22E 

Set  Factor  58.5 

1234567        8901234        5678901 

2345678        9012945        6789012 

$1234567890 

11  Characters 

6F22G 

Set  Factor  58.5 

1234567        8901234        5678901 

3345678        90123.15        6789012 

$1234567890 

11  Characters 

6G24 

Set  Factor  54 

1234567          8901234          5678901 

2345678          9012345          6789012 

$1234567890 

11  Characters 

6F2SJ 

Set  Factor  63 

1234567       8001234       5678901 
2345678       0012345       6789012 

$1234567890 

1 1  Characters 

6G25J 

Set  Factor  63 

1234567   8901234   5678901 
2345678   9012345   6789012 

$1234567890 

11  Characters 

6H9G  25J 

Set  Factor  63 

6796796   7967967   9679679 
6796796   7967967   9679679 

679679679679 

3  Characters 

6G25K 
Set  Factor  63 

1234567       8901234       5678901 

2345678        9012345       6789012 

$1234567890 

11  Characters 

6F26J 

Set  Factor  63 

1234567        8901234        5678901 
2345678        9012345        6789012 

$1234567890 

11  Characters 

6H2F  26J 

Set  Factor  54 

12345678       90123456       78901234 
56789012        34567890        12345678 

$1234567890c., 

14  Characters 


6F26 

Set  Factor  98 
Type  Line  .0785 

1234    5678    9012 

3456    7890    1234 

S1234567890G.. 

14  Characters 


6F  28 

Set  Factor  54 

12345678       90123456       78901234 
56789012       34567890       12345678 

$1234567890 
11  Characters 

6F28J 

Set  Factor  63 

1234567       8901294       5678901 

2346678       9012345       6789012 

$1234567890 

11  Characters 

6F29 

Set  Factor  98 

1234    5678    9O12 

3456    7890    1234 

$123456789Oc., 

14  Characters 

6F  31 

Set  Factor  98 

1234    5678    9O12 

3156    7890     1234 

$123456789Oc., 

14  Characters 

6F31E 

Set  Factor  58.5 

1234567   8901234   5678901 

2345678   9013345   6789012 

$1234567890 

1 1  Characters 

6H91F  31E 
Set  Factor  58.5 

9999999    9999999    9999999 

9999999    9999999    9999999 

999999999999 

1  Character 

6G31E 

Set  Factor  58.5 

1234567    8901234   5678901 

2345678    9012345   6789012 

$1234567890 

11  Characters 

6H9G  31E 
Set  Factor  58.5 

6969696        9696969       6969696 

9696969        6969696       9696969 

696969696969 

2  Characters 


6F  31G 
Set  Factor  58.5 

1234567        8901234       5678901 

2345678        0012345       6789013 

$1234567890 

11  Characters 


6G31G 

Set  Factor  58.5 

1234567    8901234   5678901 

2345678    9012345   6789012 

$1234567890 

11  Characters 


6F32 

Set  Factor  108 

Type  Line  .0785 

34 

$1234~56789C 

11  Characters 


6H9F  32 

Set  Factor  108 
Type  Line  .0785 


10  Characters 


6F34 

Set  Factor  93 

Type  Line  .0785 

12345   67890   12345 

6789O   12345   6789O 

$1234567890. 

12  Characters 


6F34A 

Set  Factor  58.5 

1234567        8901234        5678901 

2345078         901234.5        6789012 

$1234567890 

11  Characters 


6F34C 

Set  Factor  58.5 

1334567        8901234        5678901 

234?>V78         9012341        678U012 

SI  23 4567 890 

11  Characters 


6F35 

Set  Factor  94.2 

Type  Line  .0715 

12345   67890   12345 

67890   12345   67890 

$1234567890 

11  Characters 


6F  36 

Set  Factor  88 

Type  Line  .0695 

12346   67890   12345 

67890   12345   67890 

$1234567890c., 

14  Characters 

6F36A 

Set  Factor  58.5 
1234567         8901234        5678901 
2345678         9012345        6789012 

$1234567890 
11  Characters 

6F36C 

Set  Factor  58.5 

1234567        8901S34        5678901 

£345678         9012345        6789012 

$1234567890 

11  Characters 

6F37E 
Set  Factor  58.5 

1234567        8001234       5678901 

2345678        0012345       6789012 

$1234567890 

1 1  Characters 

6G37E 

Set  Factor  58.5 

1234567         8901234        5678901 

2345678        9012345        6789012 

£1234567890 

11  Characters 

6F37G 

Set  Factor  58.5 

1234567        8901234       5678901 

2345678        9012345       6780012 

$1234567890 

11  Characters 

6G  37G 

Set  Factor  58.5 

1234567        8901234        5678901 

2345678        9012345       6789012 

$1234567890 

11  Characters 

6G38E 

Set  Factor  63 

1234567        8901234       5678901 

2345678        9012345       6789012 

$1234567890 

11  Characters 

6F38E 

Set  Factor  63 

1134567        8901114       5789011 

3456789       0113456       7890113 

$1134567890 

11  Characters 


Set  Factor  is  the  set  multiplied  by  unit  width;  thus,  the  set  factor  of  a  character  made  for  the  10  unit  row  of  8  set  is  80  (10X8  =  80).  Knowing  the 
set  factor  and  the  set  to  be  used,  to  determine  the  proper  unit  row  for  any  character  divide  the  set  factor  by  the  set  to  be  used.  RULE:  Given  the 
set  factor  of  a  matrix,  to  determine  for  any  set,  the  unit  row  of  the  matrix  case  in  which  to  carry  this  matrix:  divide  the  set  factor  by  the  set  to  be  used,  the 
result  is  the  unit  row  required,  if  this  result  contains  a  fraction  use  next  larger  unit  row.  EXAMPLE:  Set  factor  80.  Find  unit  row  in  which  to  carry 
this  matrix  in  matrix  case  used  with  9  set  normal  wedge;  80-7-9  =  8.8,  therefore  put  matrix  in  9  unit  row. 

Type  Line:  AH  matrices  for  composition  when  used  in  the, same  matrix  case  produce  type  on  the  same  line  regardless  of  any  difference  in  point 
size  of  the  matrices,  and  the  Hne  standard  to  use  with  a  matrix  case  depends  upon  the  point  size  of  the  mold  used  with  the  matrices.  The  type  line 
is  the  mold  size  expressed  decimally  with  five  added  to  the  right  hand  figure,  thus,  the  line  for  a  5}4  point  mold  is  .060*  (.055*  +  . 005"=  .060"),  the 
type  line  for  5K  point  faces.  EXCEPTIONS:  Abnormally  tall  characters  are  of  necessity,  driven  to  a  lower  matrix  line  and  consequently  when  used 
in  combination  with  standard  line  matrices  the  line  of  the  type  cast  from  special  line  matrices  is  lower  than  the  type  cast  from  standard  line  matrices. 
For  all  such  exceptions  the  type  line  is  given;  for  example  5  J4  point  F10  figures  for  \vhich  the  type  line  is  given  as  .071"  (the  distance  from  the  top 
of  the  body  to  the  bottom  of  these  figures  when  cast  on  S'/4  point  body)  thus  these  matrices  produce  type  .011*  lower  than  that  produced  by  standard 
line  matrices  used  with  them  (.071" — .060"=. Oil"). 

Prices:  The  figure  matrices  shown  on  this  page  are  all  Class  A  matrices,  except  those  which  have  the  classification  noted  in  parentheses  after  the 
series  number. 


Monotype  Figures.     Composition  Matrices 

6  Point 

Figures  of  different  designs  have  been  made  for  certain  series.      They  are  always  shown  below  the  specimen  of  the  same 
series  number.     Thus,  under  6H9F  12  is  shown  a  figure  3  of  different  design  from  the  figure  3  under  6F  12,  just  above. 


6G38G 

Set  Factor  63 

1234567       8901234       5678901 

2345678        9012345       6789012 

$1234567890 

11  Characters 

6F  38G 

Set  Factor  63 

1234567        8901234       f 67890 i 
2345678        901234;       6789012 

$ i 234567890 

11  Characters 

6F39J 

Set  Factor  67.5 

123456         789012         315678 

901234         567890         123456 

$1234567890 

11  Characters 

6F43 

Set  Factor  56 
Type  Line  .0725 

12345678      90123456       78901234 

34567890      12345678       90123456 

$1234567890, 

12  Characters 


6F45 

Set  Factor  72.5 
Type  Line  .078 
456      789012      34E 
\     567890      !2c 
$1234567890. 


iff 


12  Characters 


6H9F  45 

Set  Factor  72.5 
Type  Line  .078 

I!!!!!    illlii    !!!!!! 

11111111111 

1  Character 

6F  47 

Set  Factor  94.2 

Type  Line  .0695 

12345     6789O      12346 

6789O      12346      6789O 

$1234667890. 

12  Characters 

6F48J 

Set  Factor  63 

1234567       8901234       5678901 
1234567       8901234       5678901 

SI  234567890 

11  Characters 

6H9F  48J 
Set  Factor  63 

11111111       11111111       11111111 

11111111       11111111       11111111 

111111111111 

1  Character 


6F49J 

Set  Factor  54 

12345678       90123456       78901234 

67890123       45678901        92345678 

$1234567890 

11  Characters 

6F50 

Set  Factor  72.5 

123456        789012       345678 

901234        567890        123456 

812344567890 

11  Characters 

6F  51 

Set  Factor  108 
Central  on  Body 


@®@®©@®@®@(§)® 


®@®®@@®<§>®®@® 


99  Characters 

6F  51  (Class  B) 
Set  Factor  162 
Central  on  Body 

)  ®  ®  ®  ®  ® 
t>  ©  ©  ©  ©  © 


© 
® 
@ 


@ 


©  ® 

©  © 

®  ® 

©  ® 


(m)  @  ©  ©  © 
®  ®  ®  ®  © 


©  @ 
®  ® 
®  ® 
®  ® 
®  ® 
®  ® 
®  © 
©  © 
® 
© 


© 
® 
© 
© 
© 


100  Characters 

6F52 

Set  Factor  91 

Type  Line  .0675 

12345      6789O       12345 

67890       12345       6789O 

$1234567890. . 

14  Characters 

6H9F  52 
Type  line  .0675 

33333   33333   33333 

33333   33333   33333 

33333333333 

1  Character 


6F52J 
Set  Factor  63 

1234567    8901234    5678901 

2345678   9012345    6789012 

$1234567890 

11  Characters 

6F55 

Set  Factor  65.2 

1234567  8901234   5678901 

2345678  9012345  6789012 

$1234567890 

11  Characters 

6F56 

Set  Factor  54 
Type  Line  .070 

12345678       90123456       78901234 
56789012       34567890       12345678 

$1234567890 
11  Characters 

6F56J 

Set  Factor  65.2 

Type  Line  .070 

1234567  8901234  5678901 

2345678  9012345  6789012 

$1234567890 

11  Characters 

6F57 

Set  Factor  84 

12345    67800    12345 

67890    12345    67890 

*1234567890£ 

12  Characters 

6F58 

Set  Factor  90 

12345   6789O   12345 

6789O   12345   6789O 

S123456789O 

11  Characters 

6F58J 

Set  Factor  63 

1234567   8901234   567890 J 
2345678   90 J 2345   6789012 

$1234567890 

1 1  Characters 

6F60J 

Set  Factor  67.5 

123456        789012        345678 

901234        567890        123456 

$1234567890 

11  Characters 

6F60K 

Set  Factor  67.5 

123456        789012        345678 

901234         567890         123456 

f!234567990 

11  Characters 


6F  63J 

Set  Factor  67.5 

1 23456    7890 1 2    345678 
901234    567890    123456 

$1234567890 

11  Characters 

6G64J 

Set  Factor  54 

12345678       90123456       78901234 

56789012       34567890       12345678 

$1234567890 

11  Characters 

6G64K 

Set  Factor  54 

12345678       90123456       78901234 

56789012       34567890       12345678 

$1234567690 

11  Characters 

6F65 

Set  Factor  126 
Type  Line  .0775 

1231  5678  9O12 

3456  789O  1234 

$1234567S9Oc., 

14  Characters 

6F66J 

Set  Factor  63 

1234567        8901234        5678901 
2345678       9012345       6789012 

$1234567890 

11  Characters 

6F68J 

Set  Factor  63 

1234567   8901234   5678901 
2345678   9012345   6789012 

$1234567890 

11  Characters 

6F  68K 

Set  Factor  63 

1234567    8901234    5678901 

2345678    9012345    6789012 

$1234567890 

11  Characters 

6F69 

Set  Factor  108 

I  236       5679       O I  23 
4567       89O I        2345 
I  234567890 
10   Characters 

6F69J 

Set  Factor  54 

12345678   90123456   78901234 

56789012   34567890    12345678 

$1234567890 

11  Characters 


Set  Factor  is  the  set  multiplied  by  unit  width;  thus,  the  set  factor  of  a  character  made  for  the  10  unit  row  of  8  set  is  80  (10X8  =  80).  Knowing  the 
•et  factor  and  the  set  to  be  used,  to  determine  the  proper  unit  row  for  any  character  divide  the  set  factor  by  the  set  to  be  used.  RULE:  Given  the 
set  factor  of  a  matrix,  to  determine  for  any  set,  the  unit  row  of  the  matrix  case  in  which  to  carry  this  matrix:  divide  the  set  factor  by  the  set  to  be  used,  the 
result  is  the  unit  row  required.  If  this  result  contains  a  fraction  use  next  larger  unit  row.  EXAMPLE:  Set  factor  80.  Find  unit  row  in  which  to  carry 
this  matrix  in  matrix  case  used  with  9  set  normal  wedge;  80-*-9  =  8.8,  therefore  put  matrix  in  9  unit  row. 

Type  Line:  All  matrices  for  composition  when  used  in  the  same  matrix  case  produce  type  on  the  same  line  regardless  of  any  difference  in  point 
size  of  the  matrices,  and  the  line  standard  to  use  with  a  matrix  case  depends  upon  the  point  size  of  the  mold  used  with  the  matrices.  The  type  line 
is  the  mold  size  expressed  decimally  with  five  added  to  the  right  hand  figure,  thus,  the  line  for  a  Stf  point  mold  is  .060"  (.055 "  +  .005"=  .060"),  the 
type  line  for  5  >f  point  faces.  EXCEPTIONS:  Abnormally  tall  characters  are  of  necessity,  driven  to  a  lower  matrix  line  and  consequently  when  used 
in  combination  with  standard  line  matrices  the  line  of  the  type  cast  from  special  line  matrices  is  lower  than  the  type  cast  from  standard  line  matrices. 
For  all  such  exceptions  the  type  line  is  given;  for  example  5  %  point  F10  figures  for  which  the  type  line  is  given  as  .071*  (the  distance  from  the  top 
of  the  body  to  the  bottom  of  these  figures  when  cast  on  5  yt  point  body)  thus  these  matrices  produce  type  .01 1  *  lower  than  that  produced  by  standard 
line  matrices  used  with  them  (.071" — .060"  -  .01 1 ") . 

Prices:  Tin-  figure  matrices  shown  on  this  page  are  all  C'lass  A  matrices,  except  those  which  have  the  classification  noted  in  parentheses  after  the 
series  number. 


Monotype  Figures.     Composition  Matrices 

6  Point 

Figures  of  different  designs  have  been  made  for  certain  series.      They  are  always  shown  ,below  the  specimen  of  the  same 
series  number.     Thus,  under  6H9F  12  is  shown  a  figure  3  of  different  design  from  the  figure  3  under  6F  12,  just  above. 


6G71E 

Set  Factor  60.7 

1234567        8901234       5678901 
2345678       9012345       6789012 

$1234567890 
11  Characters 

6G71G 
Set  Factor  60.7 

1234567        89012)4       5678901 

2)45678       9012)45       6789012 

$12)4567890 

11  Characters 

6F72 

Set  Factor  54 

12345678        90123456        78901234 
56789012        34567890        12345678 

$1234567890 
11  Characters 

6F76J 

Set  Factor  63 

1234567        8901234       5678901 

2345678        9012345       6789012 

$1234567890 

11  Characters 

6F77 

Set  Factor  76.5 

123456   789012   345678 

901234   567890   123456 

91234567890 

1 1  Characters 


6F77J 

Set  Factor  45 

12345671    90123456    78901234 

56789012    34567890    12345678 

$1234567890 

1 1  Characters 


6G78J 

Set  Factor  63 

1234S67   8901234   5678901 
2345678   9012345   6789012 

$1234567890 

1 1  Characters 

6F79 

Set  Factor  54 

12345678       90123456       78901234 
56789012       34567890        12345678 

$1234567890 
11  Characters 


6F  79K 

Set  Factor  63 

1234S67       8901234       S678901 
2345678       9012345       6789012 

$1234567890 

11  Characters 

6F81J 

Set  Factor  63 

1234567        8901234       5678901 
2345678       9012345       6789012 

$1234567890 

11  Characters 

6F86 

Set  Factor  54 

12345678       90123456       78901234 
56789012       34567890       12345678 

$1234567890 
11  Characters 

6F  86J 

Set  Factor  63 

1234567        8901234        5678901 
2345678        9012345        6789012 

$1234567890 

1 1  Characters 

6H3F  86J 
Set  Factor  84 

12345    67890    12345 

6789O    12345    6789O 

$1234567890 

1 1  Characters 

6F  86K 
Set  Factor  63 

1234567    8901234    5678901 

234S678    9012345    6789012 

$1234567890 

1 1  Characters 

6F  87 

Set  Factor  72 

123456    789012    345678 
901234    567890    123456 

$1234567890 

1 1  Characters 

6F  88J 

Set  Factor  51.7 

12345678        90123456        78901234 
56789012         34567890        12345679 

$1234567890 
11  Characters 


6F89J 

Set  Factor  63 

1234567       8901234      5678901 
2345678       9012345      6789012 

$1234567890 

11  Characters 

6F89K 

Set  Factor  63 

1234567        8901234       5678901 

2345678        9012345       6789012 

$1234567890 

1 1  Characters 

6F90 

Set  Factor  72 

123456   789012   345678 
901234   567890   123456 

1234567890 

10  Characters 

6F91 

Set  Factor  54 

12345678        90123456        78901234 

5678«OI2       34567890        12345678 

1234567890 

10  Characters 

6F92J 

Set  Factor  63 

1234567    8901234    5678001 

2345678    9012345    6789012 

$1234567890 

1 1  Characters 

6F  96 

Set  Factor  54 
Type  Line  .066 

12345678        90123456        78901234 
56789012        34567890        12345678 

$1234567890 
1 1  Characters 

6F97J 

Set  Factor  63 

1234567        8901234       5678901 
2345678        9012345        6789012 

$1234567890 

1 1  Characters 

6F97K 

Set  Factor  63 

1234567          8901234          5678901 

2345678          9012345          6789012 

$1234567890 

1 1  Characters 


6G  Q8K 

Set  Factor  63 

1234567       8901234        5678901 
2345678       9012345        6789012 

$1234567890 

1 1  Characters 

6F99 

Set  Factor  72.5 
Type  Line  .070 

123456       789O12      345678 

901234       56789O       123456 

•1934867880 

1 1  Characters 

6F  102J 

Set  Factor  67.5 
1234567      8901234      5678901 
2345678      9012345     6789012 

$1234567890 

1 1  Characters 

6F  103 

Set  Factor  54 

12345678        90123456        78901234 

56789012        34567890        12345678 

$1234567890 

11  Characters 

6F  105 

Set  Factor  70 

123456         789012         345678 
901234         567890         123450 

$1234567890 

1 1  Characters 

6F  107J 
Set  Factor  63 

1234567    8901234   5678901 

2345678    9012345   6789012 

$1234567890 

1 1  Characters 

6H9F  107J 
Set  Factor  63 

9999999   9999999   9999999 
9999999    9999999   9999999 

9999999999 

1  Character 

6G  111J 

Set  Factor  58.5 

1234567        8901234       5678901 

2345678        9012345        6789012 

$1234567890 

1 1  Characters 


6F79J 

Set  Factor  63 

1234567        8901234       5678901 

2345678        9012345        6789012 

$1234567890 

11  Characters 


6F88K 

Set  Factor  51.7 

1234Sf7S        90123456        78901234 
S6789012         34SS7890         1234SS7S 

$12345S7890 
11  Characters 


6G98J 

Set  Factor  65.2 

1234567      8901234      5678901 

2345678      9012345      6789012 

$1234567890 

1 1  Characters 


6F  113J 
Set  Factor  54 

12345678       90123456       78901234 
56789012       34567890       12345678 

$1234567890 
11  Characters 


Set  Factor  is  the  set  multiplied  by  unit  width;  thus,  the  set  factor  of  a  character  made  for  the  10  unit  row  of  8  set  is  80  (10X8  =  80).  Knowing  the 
set  factor  and  the  set  to  be  used,  to  determine  the  proper  unit  row  for  any  character  divide  the  set  factor  by  the  set  to  be  used.  RULE:  Civen  the 
set  factor  of  a  matrix,  to  determine  for  any  set,  the  unit  row  of  the  matrix  case  in  which  to  carry  this  matrix:  divide  the  set  factor  by  the  set  to  be  used,  the 
result  is  the  unit  row  required.  If  this  result  contains  a  fraction  use  next  larger  unit  row.  EXAMPLE:  Set  factor  80.  Find  unit  row  in  which  to  carry 
this  matrix  in  matrix  case  used  with  9  set  normal  wedge;  80 -f- 9  =  8. 8,  therefore  put  matrix  in  9  unit  row. 


type  line  for  5  YJ  point  faces.  EXCEPTIONS:  Abnormally  tall  characters  are  of  necessity,  driven  to  a  lower  matrix  line  and  consequently  when  used 
in  combination  with  standard  line  matrices  the  line  of  the  type  cast  from  special  line  matrices  is  lower  than  the  type  cast  from  standard  line  matrices. 
For  all  such  exceptions  the  type  line  is  given;  for  example  5  %  point  F10  figures  for  which  the  type  line  is  given  as  .071"  (the  distance  from  the  top 
of  the  body  to  the  bottom  of  these  figures  when  cast  on  5  %  point  body)  thus  these  matrices  produce  type  .01 1  *  lower  than  that  produced  by  standard 
line  matrices  used  with  them  (.071* — .060*  =  .01 1 ") . 

Prices:    The  figure  matrices  shown  on  this  page  are  all  Class  A  matrices,  except  those  which  have  the  classification  noted  in  parentheses  after  the 
series  number. 


Monotype  Figures.     Composition  Matrices 

6  Point 

Figures  of  different  designs  have  been  made  for  certain  series.      They  are  always  shown  below  the  specimen  of  the  same 
series  number.     Thus,  under  6H9F  12  is  shown  a  figure  3  of  different  design  from  the  figure  3  under  6F  12,  just  above. 


6F  115 

Set  Factor  84 
Type  Line  .066 

12345    67890    12345 

67890    12345    6789O 

$1234567890 

11  Characters 

6F  117J 

Set  Factor  63 

1234567        8901234        5678901 
2345678        9012345        6789012 

$1234567890 

11  Characters 

6F  117K 

Set  Factor  63 

1234567       8901234        S67890J 
2345678       9012345        6789012 

$1234567890 

11  Characters 

6F  118 

Set  Factor  54 

12345678       90123456        78901234 
56789012       34567890        12345678 

$1234567890 
11  Characters 

6F  118J 
Set  Factor  63 

1234567        8901234        5678901 

2345678        9012345        6789012 

$1234567890 

11  Characters' 

6F  118K 

Set  Factor  63 

1234567        8901234        5678901 
2345678        9012345        6789012 

$1234567890 

1 1  Characters 

6F  119J 

Set  Factor  54 

12345678       90123456       78901234 

66789012       34567890       12345678 

$1234567890 

1 1  Characters 

6F  123 

Set  Factor  91 

12345       67890        12346 

6789O       12345        6789O 

$1234567890 

11  Characters 


6F  131 

Set  Factor  63 

1234567        8901234        5678901 

2345678        9012345        6789012 

$1234567890 

11  Characters 

6F  132K 
Set  Factor  67.5 

123456         789012         345678 

901234        S67890         1234S6 

91234567890 

11  Characters 

6F  134E 
Set  Factor  54 

1234S678         90123456         78901234 
56789012         34567890         12345678 

$1234567890 
11  Characters 

6F  135  (Class  D) 

Set  Factor  63 

5555555       5555555       5555555 

5555555  __5555555__  5555555 

55555555555 

1  Character 

6F  136 

Set  Factor  78 

123456   789012   345678 
901234   567890   123456 

1234567890 

10  Characters 

6F  138  (Class  D) 

Set  Factor  63 

1234567        8961234       5678961 

2345678        9612345       6789612 

1234567896 

10  Characters 

6F  139J 

Set  Factor  58.5 

1234567         8901234        5678901 

2345678         9012345        6789012 

$1234567890 

11  Characters 


6F  142J 
Set  Factor  69.7 

123456    789012    345678 

901234    567890    123456 

$1234567890 

11  Characters 

6F  143J 

Set  Factor  63 

1234567   8901234   5678901 

2345678   9012345   6789012 

$1234567890 

11  Characters 

6F  145J 

Set  Factor  63 

1234567    8901234    5678901 
2345678    9012345   6789012 

$1234567890 

11  Characters 

6F  147J 
Set  Factor  91 

1 2345   6789O   1 2345 

6789O   1 2345   6789O 

$  1 234567890 

11  Characters 

6F  149 

Set  Factor  108 

Type  Line  .079 

1234       5678        9012 


6F  152   (Class  B) 
Set  Factor  54    ' 


mm&     *#»*»     mm& 


10  Characters 

6F  153  (Class  B) 
Set  Factor  36 

11UM78M13  3(',»7S901231  S«7S«012 


I2J4S»78»0 

10  Characters 


Showing  use  of 
6F  151    6F  152,  and  6F  153 


(7720413) 


6H3F  152  (Class  D) 
Set  Factor  63 

* 


10  Characters 

6H33F  153   (Class  D) 
Set  Factor  54 


10  Characters 

Showing  use  of  6F  151, 
6H3F  152,  and  6H33F  153 


12345678 
56789012 


6F  140J 

Set  Factor  45 

90123456 

34567890 
$1234567890 

11  Characters 


78901234 
12345678 


6F  149J 

Set  Factor  58.5 

1234567   8901234   5678901 

2345678   9012345   6789012 

$1234567890 

11  Characters 

6F  150A 
Set  Factor  67.5 

1234567   8901234   5678901 

2345678   9012345   6789012 

$1234567890 

11  Characters 

6F  150C 

Set  Factor  67.5 

1234567   8901234   5678901 

2345678   9012345   6789012 

$1234567890 

11  Characters 


6F  153J 

Set  Factor  63 

1234567   8901234   5678901 

2345678   90 1 2345   67890 1 2 

$1234567890 

1 1  Characters 

6H9F  153J 

Set  Factor  63 

3333333       3333333       3333333 

3333333       3333333       3333333 

3333333333 

1  Character 

6F  156J 
Set  Factor  67.5 
Type  line  .0670 

123456   789012   345678 

901234    567890    123456 

$1234567890 

11  Characters 


6F  128J 
Set  Factor  76.5 

193456       789O12      345678 

901234       507890       123450 

81234567890 

11  Characters 


6F  141J 
Set  Factor  45 
12345678          90123456 
56789012          34567890 
$1234567890 
11  Characters 


6F  151   (Class  B) 
Set  Factor  54 


78901234 

12345678 


9  Characters 


6F  157 
Set  Factor  63 

1234567       8901234        5678901 

2345678       9012345        6789012 

1234567890 

10  Characters 


Set  Factor  is  the  set  multiplied  by  unit  width;  thus,  the  set  factor  of  a  character  made  for  the  10  unit  row  of  8  set  is  80  (10X8  =  80).  Knowing  the 
set  factor  and  the  set  to  be  used,  to  determine  the  proper  unit  row  for  any  character  divide  the  set  factor  by  the  set  to  be  used.  RULE:  Given  the 
set  factor  of  a  natrtx,  to  determine  for  any  set,  the  unit  row  of  the  matrix  cane  in  which  to  carry  this  matrix:  divide  the  set  factor  by  the  set  to  be  used,  the 
result  is  the  unit  row  required.  If  this  result  contains  a  fraction  use  next  larger  unit  row.  EXAMPLE:  Set  factor  80.  Find  unit  row  in  which  to  carry 
this  matrix  in  matrix  case  used  with  9  set  normal  wedge;  80-4-9  =  8.8,  therefore  put  matrix  in  9  unit  row. 

Typ«  Line:  All  matrices  for  composition  when  used  in  the  same  matrix  case  produce  type  on  the  same  line  regardless  of  any  difference  in  point 
size  of  the  matrices,  and  the  line  standard  to  use  with  a  matrix  case  depends  upon  the  point  size  of  the  mold  used  with  the  matrices.  The  type  line 
is  the  mold  size  expressed  decimally  with  five  added  to  the  right  hand  figure,  thus,  the  line  for  a.  5)4  point  mold  is  .060"  (.055 "+.005"=  .060"),  the 
type  line  for  Sl/i  point  faces.  EXCEPTIONS:  Abnormally  tall  characters  are  of  necessity,  driven  to  a  lower  matrix  line  and  consequently  when  used 
in  combination  with  standard  line  matrices  the  line  of  the  type  cast  from  special  line  matrices  is  lower  than  the  type  cast  from  standard  line  matrices. 
For  all  such  exceptions  the  type  line  is  given;  for  example  5  ]/i  point  F10  figures  for  which  the  type  line  is  given  as  .071*  (the  distance  from  the  top 
of  the  body  to  the  bottom  of  these  figures  when  cast  on  5  yi  point  body)  thus  these  matrices  produce  type  .01 1 "  lower  than  that  produced  by  standard 
line  matrices  used  with  them  (.071" — .060"  =  .01 1 ") . 

Price*:  The  figure  matrices  shown  on  this  page  are  all  Class  A  matrices,  except  those  which  have  the  classification  noted  in  parentheses  after  the 
series  number. 


Monotype  Figures.     Composition  Matrices 

6  Point 

Figures  of  different  designs  have  been  made  for  certain  series.      They  are  always  shown  below  the  specimen  of  the  same 
series  number.     Thus,  under  6H9F  12  is  shown  a  figure  3  of  different  design  from  the  figure  3  under  6F  12,  just  above. 


6G  157E 

Set  Factor  63 

1234567       8901234       5678901 
2345678       9012345       6789012 

$1234567890 

11  Characters 


6F  164K 

Set  Factor  63 

1234567   8901234   5678901 
2345678   9012345   6789012 

$1234567890 

11  Characters 


6G  172G 

Set  Factor  63 

1234567        8901234       5678901 
2345678        9012345       6789012 

$1234567890 

11  Characters 


6F  187J 

Set  Factor  67.5 

1234567     8901234     5678901 

2345678     9012345     6789012 

$1234567890 

11  Characters 


6G  157G 

Set  Factor  63 

1234567       8901234       5678901 
2345678       9012345       6789012 

$1234567890 

11  Characters 

6F  158J 
Set  Factor  67.5 

1234567     8901234     5678901 

2315678     9012345     6789012 

$1234567890 

11  Characters 

6F  1S9J 

Set  Factor  63 

1234567   8901234   5678901 

2345678   9012345   6789012 

$1234567890 

11  Characters 

6F  161J 

Set  Factor  63 

1234567   8901234   5678901 
2345678   9012345   6789012 

$1234567890 

11  Characters 

6F  161K 
Set  Factor  63 

1234567   8901234   5618901 

2345678   9012345   6789012 

fl23456T890 

11  Characters 

6F  162J 

Set  Factor  67.5 

1234567  8901234  5678901 

2345678  9012345  6789012 

$1234567890 

11  Characters 

6F  163J 

Set  Factor  63 

1234567   8901234   5678901 
2345678   9012345   6789012 

$1234567890 

11  Characters 


6F  165J 

Set  Factor  63 

1234567       8901234       5678901 
2345678       9012345       6789012 

$1234567890 

11  Characters 

6F  168J 
Set  Factor  67.5 

1234567     8901234     5678901 

2345678     9012345     6789012 

$1234567890 

11  Characters 

6F  168B 

Set  Factor  52.5 

123456789     012345678     901234567 

690123456     789012345     678901234 

$1234567890 

11  Characters 

<JF  169J 

Set  Factor  54 

12345678       12390456       78901234 

56789012       34567890        12345678 

$1234567890 

11  Characters 

6F  169B 

Set  Factor  42 

1234567890          1234567890          1234567890 

1234567890  1234567890  1234567890 

Jl 234567890 

11  Characters 

6F  172E 

Set  Factor  63 

1234567   8901234   5678901 

2345678   9012345   6789012 

$1234567890 

11  Characters 

6G  172E 

Set  Factor  63 

1234567   8901234   5678901 

2345678   9012345   6789012 

$1234567890 

11  Characters 


6F  173E 

Set  Factor  63 

1234567    8901234    5678901 

2345678    9012345    6789012 

$1234567890 

11  Characters 

6F  175A 

Set  Factor  63 

1284567   8ooia34   5678901 

2845678   9012845   6789012 

$1284567890 

11  Characters 

6G  175A 

Set  Factor  63 

1234567   8901234   5678901 

2345678   9012345   6789012 

$1234567890 

11  Characters 

6G  175C 

Set  Factor  63 

1234567       8901234       5678901 

2345678       9012345       6789012 

$1234567890 

11  Characters 

6F  176J 

Set  Factor  54 

12345678       90123456       78901234 

56789012       34567890       12345678 

$1234567890 

11  Characters 

6F  177 

Set  Factor  79.8 

123456       789OI2      345678 

9OI234        56789O       123456 

$  1 234567890 

11  Characters 

6H2F  177 

Set  Factor  79.8 

I  I  I  I  I  I       I  I  I  I  I  I        I  I  I  I  I  I 

III!  I  I        I  I  I  I  II         I  I  I  I  I  I 

I  I  I  I  I  I  I  I  I  I 

1  Characters 


6F  187B 

Set  Factor  52. 5 

12345678       90123456       90123456 
78901234        56789012        34567890 

$1234567890 
11  Characters 


6F  188J 

Set  Factor  67.5 

1234557      8901234      5678301 

2345B78      9012345      6789012 

$1234567890 

11  Characters 


6F  193 

Set  Factor  63 

1234567        8901234       5678901 

2345678        9012345       6789012 

1234567890 

10  Characters 


6F  194 

Set  Factor  127.5 

1  2.3  456          789 

O1  2  345  678 

«1 23456789O 

11  Characters 


'6F  196 

Set  Factor  90 

12345       6789O       12345 

6789O       12345       6789O 

$1234567890 

11  Characters 


6F  200 

Set  Factor  153.8 

1  2.3       456       789 

O  1  2.       345       678 

$  1  234567S9O 

11  Characters 


6F  164J 

Set  Factor  63 

1234567   8901234   5678901 
2345678   9012345   6789012 

$1234567890 

11  Characters 


6F  172G 

Set  Factor  63 

1234567   8901234   5678001 
2345678   0012345   6780012 

$1234567800 

11  Characters 


6F  186J 

Set  Factor  63 

1234567   8901234   5678901 
2345678   9012345   6789012 

$1234567890 

11  Characters 


6F  204J 
Set  Factor  54 

12345678       90123456       78901234 
56789012       34567890       12345678 

$1234567890 
11  Characters 


Set  Factor  is  the  set  multiplied  by  unit  width ;  thus,  the  set  factor  of  a  character  made  for  the  10  unit  row  of  8  set  is  80  (10X  8  =  80) .  Knowing  the 
set  factor  and  the  set  to  be  used,  to  determine  the  proper  unit  row  for  any  character  divide  the  set  factor  by  the  set  to  be  used.  RULE:  Given  the 
set  factor  of  a  matrix,  to  determine  for  any  set,  the  unit  row  of  the  matrix  case  in  which  to  carry  this  matrix:  divide  the  set  factor  by  the  set  to  be  used,  the 
result  is  the  unit  rmo  required.  If  this  result  contains  a  fraction  use  next  larger  unit  rmu.  EXAMPLE:  Set  factor  80.  Find  unit  row  in  which  to  carry 
this  matrix  in  matrix  case  used  with  9  set  normal  wedge;  80-:-9  =  8.8,  therefore  put  matrix  in  9  unit  row. 

Type  Line:  All  matrices  for  composition  when  used  in  the  same  matrix  case  produce  type  on  the  same  line  regardless  of  any  difference  in  point 
size  of  the  matrices,  and  the  line  standard  to  use  with  a  matrix  case  depends  upon  the  point  size  of  the  mold  used  with  the  matrices.  The  type  line 
is  the  mold  size  expressed  decimally  with  five  added  to  the  right  hand  figure,  thus,  the  line  for  a.5}4  point  mold  is  .060"  (.055"  +  .005"  =  .060"),  the 
type  line  for  5  Yi  point  faces.  EXCEPTIONS:  Abnormally  tall  characters  are  of  necessity,  driven  to  a  lower  matrix  line  and  consequently  when  used 
in  combination  with  standard  line  matrices  the  line  of  the  type  cast  from  special  line  matrices  is  lower  than  the  type  cast  from  standard  line  matrices. 
For  all  such  exceptions  the  type  line  is  given;  for  example  5  ^  point  F10  figures  for  which  the  type  line  is  given  as  .071"  (the  distance  from  the  top 
of  the  body  to  the  bottom  of  these  figures  when  cast  on  5  K  point  body)  thus  these  matrices  produce  type  .01 1 "  lower  than  that  produced  by  standard 
line  matrices  used  with  them  (.071"— .060"  =  . Oil"). 

Prices:  The  figure  matrices  shown  on  this  page  are  all  Class  A  matrices,  except  those  which  have  the  classification  noted  in  parentheses  after  the 
series  number. 


Monotype  Figures.     Composition  Matrices 

6  Point 

Figures  of  different  designs  have  been  made  for  certain  series.      They  are  always  shown  below  the  specimen  of  the  same 
series  number.     Thus,  under  6H9F  12  is  shown  a  figure  3  of  different  design  from  the  figure  3  under  6F  12,  just  above. 

6F  207   (Class  D)                                                6F  228J                                                         6F  249  J  6F  275J 

Set  Factor  54                                               Set  Factor  84                                               Set  Factor  63  Set  Factor  63 

I2121212      12l2l2l2      I212l2l2               13345         67890         12345               1234567        8901234       5678901  1234567        8901234       5678901 

212I2I2I      21212121      2l212l21               67890         12345         67890               2345678        9012345       6789012  2345678        9012345       6789012 

I2l2l2l2l2l                                              $1234567890                                             $1234567890  $1234567890 

2  Characters                                               11  Characters                                              11  Characters  11  Characters 

6F220                                                           6F249                                                          6F  256J  6F  275K 

Set  Factor  70                                              Set  Factor  54                                               Set  Factor  72  Set  Factor  63 

123456        789012        345678              12345678       90123456       78901234               123456      789O12       345678  1234567        8901234       5678901 

901234        567890        123456              56789012       34567890       12345678              9O1234      56789O        123456  2345678        9012345       6789012 

$1234567980                                                $1234567890                                                $1234567890  $1234567890 

11  Characters                                              11  Characters                                               11  Characters  11  Characters 


Piece  fractions,  see  6  and  12  point  fraction  sheets  (Class  B) 

6F  80  6F  94  6F  110                                                            6F  191 

Set  Factor  65.3  Set  Factor  108  Set  Factor  35                                            Set  Factor  72 

Type  Line  .076  Type  Line  .0785  Type  Line  .040  1234S6       789012      345678 

1234567      8901234     5678901  1234         5678         9012  HW&WW         WWKW        WWWN  901234       567890      123456 

2345678      9012345      6789012  3456         7890          1234  BHHWW        WWWW9         JWWWH                               1234567890 

1234567890  1234567890  HHWJWWWH!                                             10  Characters 

10  Characters  10  Characters  10  Characters 

6F  95  6F  111 

6F  81  Set  Factor  108  Set  Factor  35                                                     <*F  ™2 

Set  Factor  65.3  Type  Line  .0785  Type  Line  .0696                                    Set  Factor  72 

T2343S7     8WT234      56~789T5T  1234        5678         9012  i4444MW4        ttittttttttf        4M4M44444  123456      711234       567812 

5345B78     56J5345     6~789"0"T2  3456         7890         1234  WM4444W        4M4444ttito        iiiiSttttiii  345678      123456       78T234 

1234567890  1234567890  WIHtMiHtHttk                                               12345678 

10  Characters  12  Characters  10  Characters                                            8  Characters 


Set  Factor  is  the  set  multiplied  by  unit  width;  thus,  the  set  factor  of  a  character  made  for  the  10  unit  row  of  8  set  is  80  (10X8  =  80).  Knowing  the 
•et  factor  and  the  set  to  be  used,  »o  determine  the  proper  unit  row  for  any  character  divide  the  set  factor  by  the  set  to  be  used.  RULE:  Given  the 
set  factor  of  a  matrix,  to  determine  for  any  set,  the  unit  rmo  of  the  matrix  case  in  which  to  carry  this  matrix:  divide  the  set  factor  by  the  set  to  be  used,  the 
result  is  the  unit  row  required.  If  this  result  contains  a  fraction  use  next  larger  unit  row.  EXAMPLE:  Set  factor  80.  Find  unit  row  in  which  to  carry 
this  matrix  in  matrix  case  Uoed  with  9  set  normal  wedge;  80-5-9  =  8.8,  therefore  put  matrix  in  9  unit  row. 

Type  Line:  All  matrices  for  composition  when  used  in  the  same  matrix  case  produce  type  on  the  same  line  regardless  of  any  difference  in  point 
size  of  the  matrices,  and  the  line  standard  to  use  with  a  matrix  case  depends  upon  the  point  size  of  the  mold  used  with  the  matrices.  The  type  line 
is  the  mold  size  expressed  decimally  with  five  added  to  the  right  hand  figure,  thus,  the  line  for  a  5  K  point  mold  is  .060"  (.05 5 "  +  .005"=  .060"),  the 
type  line  for  5>i  point  faces.  EXCEPTIONS:  Abnormally  tall  characters  are  of  necessity,  driven  to  a  lower  matrix  line  and  consequently  when  used 
in  combination  with  standard  line  matrices  the  line  of  the  type  cast  from  special  line  matrices  is  lower  than  the  type  cast  from  standard  line  matrices. 
For  all  such  exceptions  the  type  line  is  given;  for  example  5  1A  point  F10  figures  for  which  the  type  line  is  given  as  .071  *  (the  distance  from  the  top 
of  the  body  to  the  bottom  of  these  figures  when  cast  on  5  YI  point  body)  thus  these  matrices  produce  type  .01 1 "  lower  than  that  produced  by  standard 
line  matrices  used  with  them  (.071" — .060"  =  .01 1 ") . 

Prices:  The  figure  matrices  shown  on  this  page  are  all  Class  A  matrices,  except  those  which  have  the  classification  noted  in  parentheses  after  the 
series  number.  All  Piece  Fractions  are  Class  B. 


Monotype  Figures.     Composition  Matrices 

7  Point 

Figures  of  different  designs  have  been  made  for  certain  series.      They  are  always  shown  below  the  specimen  of  the  same 
series  number.     Thus,  under  6H9F  12  is  shown  a  figure  3  of  different  design  from  the  figure  3  under  6F  12,  just  above. 


7F5A 

Set  Factor  76.5 

123456  789012   345678 

901234   567890   123456 

$1234567890 

11  Characters 


7F  18 

Set  Factor  72 

123456   789012   345678 
901234   567890   123456 

$1234567890 

11  Characters 


7F26J 

Set  Factor  72 

123456   789012   345678 
901234   567890   123456 

$1234567890 

1 1  Characters 


7G  31G 

Set  Factor  65.3 

1234567      8901234      5678901 
2345678      9012345      6789012 

$1234567890 

11  Chaiacters 


7F8 

Set  Factor  63 

1234567      8901234       5678901 
2345678      9012345      6789012 

$1234567890 

11  Characters 


7F  21E 

Set  Factor  72 

123456   789012   345678 
901234   567890   123456 

$1234567890 

11  Characters 


7F  28 

Set  Factor  63 

1234567   8901234   5678901 
2345678   9012345   6789012 

$1234567890 

11  Characters 


7F37E 

Set  Factor  65 .3 

1234567      8901234       5678901 

2345678      9012345       6789012 

$1234567890 

11  Characters 


7F8A 

Set  Factor  72 

123456       789012       345678 
901234       567890       123456 

$1234567890 

11  Characters 


7G21E 

Set  Factor  72 

123456       789012       345678 
901234       567890        123456 

$1234567890 

11  Characters 


7F28J 

Set  Factor  72 

123456       789012       345678 
901234       567890       123456 

$1234567890 

11  Characters 


7G37E 

Set  Factor  65.3 

1234567   8901234   5678901 

2345678   9012345   6789012 

31234567890 

11  Characters 


7F  8C 

Set  Factor  72 

123456       789012       346678 
901234      567890       123456 

91234567890 

11  Characters 


7F  13 

Set  Factor  63 

12S4567      8012345      6789012 
S456789      0123456      7890123 

91234567890 

11  Characters 


7F21G 

Set  Factor  72 

123456    789012   345678 
001234   567890   123456 

$1234567800 

11  Characters 


7G21G 

Set  Factor  72 

123456       789012       345678 
901234       567890       123456 

$1234567890 

11  Characters 


7H3F  28J 
Set  Factor  90 

12345  67890   12345 

67890  12345   67890 

$1234567890 

11  Characters 


7F31E 

Set  Factor  65 .3 

1234567   8901234   5678901 

2345678   9012345   6789012 

$1234567890 

11  Characters 


7F37G 

Set  Factor  65.3 

1234.567   8901234   5678901 

2345678   9012345   6789012 

$1234567890 

11  Characters 


7F38E 

Set  Factor  72 

123456        789012        345678 
901234        567890        123456 

$1234567890 

11  Characters 


7F  16E 

Set  Factor  72 

123456        789012        345678 
901234        567890        123456 

$1234567890 

11  Characters 


7F2SJ 

Set  Factor  69.7 

123456        789012        345678 

901234        567890        123456 

$1234567890 

11  Characters 


7G  31E 
Set  Factor  65 .3 

1234567   8901234   5678901 

2345678   9012345   6789012 

$1234567890 

1 1  Characters 


7G38E 

Set  Factor  72 

123456   789012   345678 
901234   567890   123456 

$1234567890 

11  Characters 


7G  16E 

Set  Factor  72 

123456       789012       345678 
901234       567890       123456 

$1234567890 

11  Characters 


7G25J 

Set  Factor  69.7 

123456       789012        345678 

901234       567890        123456 

$1234567890 

11  Characters 


7H9G  31E 

Set  Factor  65.3 

6969696   9696969   6969696 

9696969   6969696   9696969 

696969696969 

2  Characters 


7F38G 

Set  Factor  72 

123456        789012        34.5678 
301234        567830        123456 

$1234567830 

1 1  Characters 


7G  16G 

Set  Factor  72 

123456       789012       345678 
901234       567890       123456 

$1234567890 

11  Characters 


7G25K 
Set  Factor  69.7 

123456       789012       345678 

901234       567890       123456 

$1234567890 

11  Characters 


7F31G 

Set  Factor  65.3 

1234567   8901234   5678901 

2345678   9012345   6789012 

$1234567890 

1 1  Characters 


7G38G 

Set  Factor  72 

123456       789012       345678 
901234       567890       123456 

$1234567890 

11  Characters 


For 

line  matrices  used  with  them  (.071*— .060"=  .bit*)." 

Prices:     The  figure  matrices  shown  on  this  page  are  Class  A,  except  those  which  have  the  classification  noted  in  parentheses  after  the  series 
number. 


Monotype  Figures.     Composition  Matrices 

7  Point 

Figures  of  different  designs  have  been  made  for  certain  series.      They  are  always  shown  below  the  specimen  of  the  same 
series  number.     Thus,  under  6H9F  12  is  shown  a  figure  3  of  different  design  from  the  figure  3  under  6F  12,  just  above. 


7F48J 

Set  Factor  69.7 

123456        789012        345678 

901234       567890        123456 

$1234567890 

11  Characters 


7F  91 

Set  Factor  63 

1234567       8901234      5678901 
2345678       9012345      6789012 

1234567890 
10  Characters 


7F  161J 

Set  Factor  72 

123456       789012       345678 
901234       567890       123456 

$1234567890 

1 1  Characters 


7G  172G 

Set  Factor  72 

123456       789012       34567H 
901234       567890       123456 

$1234567890 

1 1  Characters 


7F56J 

Set  Factor  69.7 

123456        789012        345678 

901234        567890        123456 

$1234567890 

11  Characters 


7F62 

Set  Factor  120 

Type  Line  .0785 

1334   5678  9012 

3456  7890  1234 

$1234567890 

11  Characters 


7F76J 

Set  Factor  72 

123456   789012   345678 
901234   567890   123456 

$1234567890 

1 1  Characters 

7F78 

Set  Factor  72 

123456   789012   345678 
901234   567890   123456 

$1234567890 

11  Characters 


7F79J 

Set  Factor  72 

123456   789012   345678 
901234   567890   123456 

$1234567890 

1 1  Characters 

7F86J 

Set  Factor  72 

123456   789012   345678 
901234   567890   123456 

$1234567890 

11  Characters 

7F  90 

Set  Factor  84 

1 2345   67890    1 2345 

67890    1 2345   67890 

1234567890 

10  Characters 


7F92J 

Set  Factor  72 

123456   789012   345678 
901234   567890    123456 

$1234567890 

1 1  Characters 

7F  107J 

Set  Factor  72 

123456       789012       345678 
901234        567890        123456 

$1234567890 

1 1  Characters 

7F  118J 

Set  Factor  72 

123456       789012       345678 
901234       578901       234567 

$1234567890 

1 1  Characters 

7F  124  (Class  D) 
Set  Factor  65.2 

p34567        8901234       567890! 
2345678       9012345        6789612 

1234567896 
1 1  Characters 

7F  148 

Set  Factor  72 

123456   789012   345678 
901234   567890   123456 

1234567890 

10  Characters 

7F  150A 

Set  Factor  76.5 

123456  789012  345678 
901234  567890  123456 

$1234567890 

11  Characters 

7F  150C 
Set  Factor  76.5 

123456  789012  345678 

901234  567890  123456 

$1234567890 

1 1  Characters 


7F  164J 

Set  Factor  72 

123456   789012   345678 
901234   567890   123456 

$1234567890 

11  Characters' 

7F  165 

Set  Size  .0592 
Type  Line  .080 

1234512      3451234      5123451 
2345123      4512345       1234512 

12345 
5  Characters 

7F  166 

Set  Size  .0592 
Type  Line  .080 

1234567   8901234   5678901 

2345678   9012345   6789012 

01234567890 

10  Characters 

7F  167 

Set  Size  .0592 
Type  Line  .080 

5050505   0505050   5050505 
0505050   5050505   0505050 

505050505050 

2  Characters 

7F  172E 

Set  Factor  72 

123456   789012   345678 
901234   567890    123456 

$1234568790 

1 1  Characters 

7G  172E 

Set  Factor  72 

123456   789012   345678 
901234   567890   123456 

$1234567890 

1 1  Characters 

7F  172G 

Set  Factor  72 

123456   789012   345678 
001234   567800    123456 

$1234567890 

1 1  Characters 


7F  175A 

Set  Factor  72 
123456    789012    34r>67,S 

901234   567890   123456 
$12.34567890 
11  Characters 

7G  175A 

Set  Factor  72 

123456   789012   345678 
901234   567890   123456 

$1234567890 

1 1  Characters 

7G  175C 

Set  Factor  72 

123456   789012   345678 
901234   567890   123456 

$1234567890 

1 1  Characters 

7F  186J 

Set  Factor  72 

123456       789012       345678 
901234       567890       123456 

$1234567890 

1 1  Characters 

7F  188  (Class  D) 
Set  Factor  65.3 

5555555       5555555       5555555 

5555555       5555555       5555555 

55555555555 

1  Character 

7F  195 

Set  Factor  72 

123456   789012   345678 
901234   567890   123456 

1234567890 

10  Characters 

7F  249J 

Set  Factor  72 

123456   789012   345678 
901234   567890   123456 

$1234567890 

1 1  Characters 


;»  wvuj  rcywtreu.      2j  *«*o  result  cuniuiTi*  u  jruttiun  u^e  next  larger  untl  rcnv.      r,XAMPI.K;  oet  I; 
this  matrix  in  matrix  case  used  with  9  set  normal  wedge;   80-^9  =  8.8,  therefore  put  matrix  in  9  unit  row. 


line  matrices  used  with  them  (.071*— .060"=  .011"). 

Prices:     The  figure  matrices  shown  on  this  page  are  Class  A,  except  those  whic.h  have  th.->  classification  noted  in  parentheses  after  the  scries 
number. 


Monotype  Figures.     Composition  Matrices 

7  Point 

Figures  of  different  designs  have  been  made  for  certain  series.      They  are  always  shown  below  the  specimen  of  the  same 
series  number.     Thus,  under  6H9F  12  is  shown  a  figure  3  of  different  design  from  the  figure  3  under  6F  12,  just  above. 


7F  337E 

Set  Factor  65.3 

1234567        8901234       5678901 

2345678        9012345       6789012 

$1234567890 

11  Characters 


7F  337G 

Set  Factor  65 .3 

1234567      8901234      5678901 
2345678      9012345      6780012 

$1234567890 

11  Characters 


Piece  fractions  (Class  B),  see  7  point  fraction  sheet 


7F  110 

Set  Factor  40 


7F  111 

Set  Factor  40 


10  Characters 


10  Characters 


Set  Factor  is  the  set  multiplied  by  unit  width;  thus,  the  set  factor  of  a  character  made  for  the  10  unit  row  of  8  set  is  80  (10X8  =  80).  Knowing  the 
set  factor  and  the  set  to  be  used,  to  determine  the  proper  unit  row  for  any  character  divide  the  set  factor  by  the  set  to  be  used.  RULE:  Given  the 
set  fmlnr  of  a  matrix,  to  determine  for  any  set,  the  unit  row  of  the  matrix  case  in  which  to  carry  this  matrix:  divide  the  set  factor  by  the  set  to  be  used,  the 
result  is  the  unit  row  required.  If  this  result  contains  a  fraction  use  next  larger  unit  raw.  EXAMPLE:  Set  factor  80.  Find  unit  row  in  which  to  carry 
this  matrix  in  matrix  case  used  with  9  set  normal  wedge;  80-5-9  =  8.8,  therefore  put  matrix  in  9  unit  row. 

Type  Line:  All  matrices  for  composition  when  used  in  the  same  matrix  case  produce  type  on  the  same  line  regardless  of  any  difference  in  point 
size  of  the  matrices,  and  the  line  standard  to  use  with  a  matrix  case  depends  upon  the  point  size  of  the  mold  used  with  the  matrices.  The  type  line 
is  the  mold  size  expressed  decimally  with  five  added  to  the  right  hand  figure,  thus,  the  line  for  a  5>£  point  mold  is  .060"  (.055" +  .005"=  .060"),  the 
type  line  for  Stf  point  faces.  EXCEPTIONS:  Abnormally  tall  characters  are  of  necessity,  driven  to  a  lower  matrix  line  and  consequently  when  used 
in  combination  with  standard  line  matrices  the  line  of  the  type  cast  from  spedal  line  matrices  is  lower  than  the  type  cast  from  standard  line  matrices. 
For  all  such  exceptions  the  type  line  is  given;  for  example  5  >£  point  F10  figures  for  which  the  type  line  is  given  as  .071"  (the  distance  from  the  top 
of  the  body  to  the  bottom  of  these  figures  when  cast  on  5  %  point  body)  thus  these  matrices  produce  type  .011"  lower  than  that  produced  by  standard 
line  matrices  used  with  them  (.071" — .060"  =  .01 1 ") . 

Price*:  The  figure  matrices  shown  on  this  page  are  Class  A,  except  those  which  have  the  classification  noted  in  parentheses  after  the  series 
number. 


Monotype  Figures.     Composition  Matrices 

8  Point 

Figures  of  different  designs  have  been  made  for  certain  series.     They  are  always  shown  below  the  specimen  of  the  same 
series  number.     Thus,  under  6H9F  12  is  shown  a  figure  3  of  different  design  from  the  figure  3  under  6F  12,  just  above. 


8F  1 

Set  Factor  72 

123456   739012   345678 

901234   567890   123456 

1234567890 

10  Characters 


8F  8C 

Set  Factor  76.5 

123456  789012  345678 

901234  567890  123456 

$1234567890 

11  Characters 


8G  16G 

Set  Factor  72 

123456   789012   345678 
901234   567890   123456 

$1234567890 

11  Characters 


8F  21G 

Set  Factor  76.5 

123456      789012      345678 
901234      567890      123456 

$1234567890 
11  Characters 


8F  1A 

Set  Factor  63 

1234567      8901234      5678901 
2345678      9012345      6789012 

$1234567890 

11  Characters 


8F  11 

Set  Factor  72 

123456   789012   S45678 
901234   567890   123456 

$1234567890 

H  Characters 


8F  18 

Set  Factor  76.5 

123456     789012     345678 
901234     567890     123456 

$1234567890 
11  Characters 


8G  21E 

Set  Factor  76.5 

123456      789012      345678 
901234     567890      123456 

$1234567890 
11  Characters 


8F  1C 

Set  Factor  63 

1234567    8901234     6678901 
2345678     9012345     6789012 

$1234567890 

11  Characters 

8F  3A 

Set  Factor  72 

123456       789012       345678 
901234       567890       123456 

$1234567890 

11  Characters 

8F  5A 

Set  Factor  81 

123456  789012  345678 

901234  567890  123456 

$1234567890 

11  Characters 

8F  8 

Set  Factor  72 

123456   789012   345678 
901234   567890   123456 

$1234567890 

11  Characters 


8G  11J 

Set  Factor  76.5 

123456  789012  345678 

901234  567890   123456 

$1234567890 

11  Characters 

8F  12  J 
Set  Factor  76.5 


11  Characters 

8F  13 

Set  Factor  72 

123456      789012      345678 
901234      567890      123456 

$1234567890 

11  Characters 

8F  16 

Set  Factor  76.5 

123466     789012     345678 

901234     567890      123456 

$1234567890 

11  Characters 


8F  19 

Set  Factor  144 
Type  Line  .1005 

123   456   789 

O1 2   345   678 

$123456c., 

14  Characters 

8F  20 

Set  Factor  102 

1234   5678   9O12 

3456   789O   1234 

£$123456789Oc., 

15  Characters 

8F  20A 

Set  Factor  78.8 

123456  789012  345678 

901234  567890  123456 

$1234567890 

11  Characters 

8F  20C 

Set  Factor  78.8 

123456     789012     345678 
901234     567890     123456 

$1234567890 
11  Characters 


8H2G  21E 

Set  Factor  72 

123456   789012   345678 
901234   567890   123456 

$1234567890 

11  Characters 

8H9F  21E 

Set  Factor  72 


1  Character 

8G  21G 

Set  Factor  76.5 

123456      789012     345678 
901234  .  567890     123456 

$1234567890 
11  Characters 

8FA  21E  (Class  D) 
Set  Factor  76.5 

888888  888888  888888 


1  Character 


8F  8A 

Set  Factor  76.5 

123456  789012  345678 

901234  567890  123456 

$1234567890 

11  Characters 


8F  16E 

Set  Factor  76.5 

123456      789012      345678 
901234      567890       123456 

$1234567890 
11  Characters 


8F21 

Set  Factor  5 1 

128456789     012345678     901234567 
890123456     789012345     678901234 

$1234567890 
11  Characters 


8F  22E 

Set  Factor  72 

123456        789012        345678 
901234        567890         123456 

$1234567890 

11  Characters 


8H9F  8A 
Set  Factor  76.5 

$$$$$$      $$$$$$      $$$$$$ 


1  Character 


8G  16E 

Set  Factor  72 

123456   789012   345678 
901234   567890   123456 

$1234567890 

11  Characters 


8F  2 IE 

Set  Factor  76.5 

123456   789012   345678 

901234   567890   123456 

$1234567890 

11  Characters 


8F22G 

Set  Factor  72 

789012        345678 
901214       567890       123456 
$12)4567890 
11  Characters 


Set  Factor  is  the  set  multiplied  by  unit  width;  thus,  the  set  factor  of  a  character  made  for  the  10  unit  row  of  8  set  is 80  (10X8  =  80).  Knowing  the 
•et  factor  and  the  set  to  be  used,  to  determine  the  proper  unit  row  for  any  character  divide  the  set  factor  by  the  set  to  be  used.  RULE:  Given  the 
let  factor  of  a  matrix,  to  determine  for  any  set,  the  unit  row  of  the  matrix  case  in  which  to  carry  this  matrix:  divide  the  set  factor  by  the  set  to  be  used,  the 
result  >s  the  unit  row  required.  If  this  result  contains  a  fraction  use  next  larger  unit  row.  EXAMPLE:  Set  factor  80.  Find  unit  row  in  which  to  carry 
this  matrix  in  matrix  case  used  with  9  set  normal  wedge;  80-3-9  =  8.8,  therefore  put  matrix  in  9  unit  row. 

Type  Line:  All  matrices  for  composition  when  used  in  the  same  matrix  case  produce  type  on  the  same  line  regardless  of  any  difference  in  point 
•ize  of  the  matrices,  and  the  line  standard  to  use  with  a  matrix  case  depends  upon  the  point  size  of  the  mold  used  with  the  matrices.  The  type  line 
is  the  mold  size  expressed  decimally  with  five  added  to  the  right  hand  figure,  thus,  the  line  for  a  5^  point  mold  is  .060"  (.055"  +  .0()5"  =  .060"),  the 
type  line  for  5>4  point  faces.  EXCEPTIONS:  Abnormally  tall  characters  are  of  necessity,  driven  to  a  lower  matrix  line  and  consequently  when  used 
in  combination  with  standard  line  matrices  the  line  of  the  type  cast  from  special  line  matrices  is  lower  than  the  type  cast  from  standard  line  matrices. 
For  all  such  exceptions  the  type  line  is  given;  for  example  5  X  point  F10  figures  for  which  the  type  line  is  given  as  .071"  (the  distance  from  the  top 
of  the  body  to  the  bottom  of  these  figures  when  cast  on  5  yt  point  body)  thus  these  matrices  produce  type  .011"  lower  than  that  produced  by  standard 
line  matrices  used  with  them  (.071* — .060*=  .01 1"). 

Price*:  The  figure  matrices  shown  on  this  page  are  all  Class  A  matrices,  except  those  which  have  the  classification  noted  in  parentheses  after  the 
series  number. 


Monotype  Figures.     Composition  Matrices 

8  Point 

Figures  of  different  designs  have  been  made  for  certain  series.      They  are  always  shown  below  the  specimen  of  the  same 
series  number.     Thus,  under  6H9F  12  is  shown  a  figure  3  of  different  design  from  the  figure  3  under  6F  12,  just  above. 


8F  23 

Set  Factor  81 

123456  789012  345678 

901234  567890  123456 

$1234567890 

11  Characters 

8F23K 

Set  Factor  76.5 

123456     789012     345678 

901234     567890     123456 

$1234567890 

11  Characters 

8G  25 

Set  Factor  72 

123456   789012   345678 
901234   567890   123456 

$1234567890 

11  Characters 

8F  25J 

Set  Factor  76.5 

123456   789012   345678 

901234   567890   123456 

$1234567890 

11  Characters 

8G  25J 

Set  Factor  76.5 

123456  789012  345678 

901234  567890  123456 

$1234567890 

11  Characters 

8H9G  25 

Set  Factor  72 

696969   696969   696969 
969696   969696   969696 

6969696969 

2  Characters 

8G25K 
Set  Factor  76.5 

123456     789012     345678 

901234     567890     123456 

$1234567890 

11  Characters 


8F  26 

Set  Factor  119 
Type  Line  .093 

1234  5678  9012 

3456  7890  1234 

$1234567890c., 

14  Characters 


8F  26J 

Set  Factor  76.5 

123456  789012  345678 

901234  567890   123456 

$1234567890 

11  Characters 

8H3F  26J 

Set  Factor  81 

123456  789012  345678 
901234  567890  123456 

1234567890 

10  Characters 

8F  27 

Set  Factor  72 

123456        789012        345678 
901234        567890        123456 

1234567890 

10  Characters 

8F28 

Set  Factor  72 

123456   789012   345678 
901234   567890   123456 

$1234567890 

11  Characters 

8F  28J 

Set  Factor  76.5 

123456  789012  345678 

901234  567890   123456 

$1234567890 

11  Characters 


8F29 

Set  Factor  119 

1234  5678  9O12 

3456  789O  1234 

$123456789Oc 

12  Characters 

8F  30  (Class  D) 
Set  Factor  72 


8H9F  31  (Class  D) 
Set  Factor  72 


901234  __5678?0__  I234S5 
1234567890 
10  Characters 

8F31 
Set  Factor  119 

1234  5678  9O12 

3456  7890  1234 

$123456789Oc., 

14  Characters 


555555 
555555 


555555 
555555 


555555 
555555 


555555555555 
1  Character 

8F  31E 

Set  Factor  72 

123456   789012   345678 
901234   567890   123456 

$1234567890 

11  Characters 

8H9F  3 IE 

Set  Factor  72 

696969   696969   696969 
696969   696969   696969 

6969696969 

2  Characters 

8F  31G 

Set  Factor  72 

123456   7^9012   345678 
901234   567890   123456 

$1234567890 

11  Characters 

8G  31E 

Set  Factor  72 

123456   789012   345678 
901234   567890   123456 

$1234567890 

11  Characters 

8G  31G 

Set  Factor  72 

123456   789012   345678 
901234   567890   123456 

$1234567890 

11  Characters 

8F  33 

Set  Factor  102 

1834    5678   9018 

3456    7890    1834 

$1834567890c., 

14  Characters 

8F  34A 

Set  Factor  72 

123456   789012   345678 
901234   567890   123456 

$1234567890 

11  Characters 


8F  34C 

Set  Factor  72 

123456       789012      345678 
901234       567890       123466 

$1234567890 

11  Characters 

8F  35 

Set  Factor  117 

1234  5678  9012 

3456  7890  1234 

$1234567890 

11  Characters 

8F  36A 

Set  Factor  72 

123456   789012   345678 
901234   567890   123456 

$1234567890 

11  Characters 

8F-36C 

Set  Factor  72 

123456      789012      346678 
901234      567890      123466 

$1234567890 

11  Characters 

8F  37 

Set  Factor  72 

123456   789012   345678 

901234   567890   123456 

$1234567890 

11  Characters 

8F  37E 

Set  Factor  72 

123456   789012   345678 
901234   567890   123456 

$1234567890 

11  Characters 

8F  37G 

Set  Factor  72 

123456   789012   34567S 
901234   567890   123456 

$1234567890 

11  Characters 

8G  37E 

Set  Factor  72 

123456   789012   345678 
901234   567890   123456 

£1234567890 

11  Characters 


line  matrices  used  with  them  (.071" — .060*=. Oil*). 

Prices:    The  figure  matrices  shown  on  this  page  are  all  Class  A  matrices,  except  those  which  have  the  classification  noted  in  parentheses  after  tho- 
eries  number. 


Monotype  Figures.     Composition  Matrices 

8  Point 

Figures  of  different  designs  have  been  made  for  certain  series.      They  are  always  shown  below  the  specimen  of  the  same 
series  number.     Thus,  under  6H9F  12  is  shown  a  figure  3  of  different  design  from  the  figure  3  under  6F  12,  just  above. 


8G  37G 

Set  Factor  72 

123456      789012      345678 

901234      567890      123456 

$1234567890 

11  Characters 

8F  38 

Set  Factor  72 

123456   789012   345678 
901234   567890   123456 

$1234567890. 

12  Characters 

8F  38E 
Set  Factor  76.5 

113456   789012   345678 

901234   567890   123456 

$1234567890 

11  Characters 


8F  38G 
Set  Factor  76.5 

123456   789012   345678 

go  1 234   567890   123456 

$1234567890 

1 1  Characters 

8G  38E 
Set  Factor  76.5 

123456     789012     345678 

901234     567890      123456 

$1234567890 

11  Characters 


8G  38G 

Set  Factor  76.5 

123456  789012  345678 
901234  567890  123456 

$1234567890 

1 1  Characters 

8F39J 

Set  Factor  81 

123456  789012  345678 

901234  567890  123456 

$1234567890 

11  Characters 

8F  40 

Set  Factor  72 

123466      789012       346678 
901234      667890       123456 

$1234667890 

11  Characters 


8F  39 

Set  Factor  110.5 

1234   5678   9012 

3456   7890   1234 

$12345678900., 

14  Characters 

8H9F  39 

Set  Factor  110.5 

3333   3333   3333 

3333   3333   3333 

3333333333 

1  Character 

8G42J 

Set  Factor  76.5 

123456  789012  345678 
123456 


11  Characters 

8F  44 
Set  Factor  76.5 

123456  789012  345678 
901234  567890   123456 

$1234567890 

11  Characters 

8F45J 

Set  Factor  76.5 

123456  789012  345678 

901234  567890  123456 

$1234567890 

11  Characters 

8H7F  46 
Set  Factor  126 
Type  Line  .098 

1234    5678    9O 1 2 

3456    789O     1234 

S123456789Oc.. 

14  Characters 

8F  47 

Set  Factor  93. 5 

12346      6789O      12346 

6789O      12345     6789O 

$1234567890 

11  Characters 


8F  47J 
Set  Factor  76.5 

123456  789012  345678 

901234  567890  123456 

1234567890 

10  Characters 


8F  48J 

Set  Factor  76.5 

123456  789012   345678 

901234  567890   123456 

$1234567890 

11  Characters 

8F  49J 

Set  Factor  72 

123456      789012      345678 
901234      567890       123456 

$1234567890 

11  Characters 

8F  51 
Set  Factor  144 


99  Characters 


8F    51  (Class  B) 
Set  Factor  216 


200  Characters 
8F51J 

Set  Factor  54 

12345678      90123456      78901234 

56789012      34567890      12345678 

$1234567890 

11  Characters 


8F52J 

Set  Factor  76.5 

123456  789012  345678 

901234  567890   123456 

$1234567890 

11  Characters 


8F  56 

Set  Factor  72 

123456   789012   345678 
901234   567890   123456 

$1234567890 

11  Characters 

8F  56J 

Set  Factor  76.5 

123456  789012   345678 
901234  567890   123456 

$1234567890 

11  Characters 

8F57 
Set  Factor  102 

1234   5678   9012 

3456   7890   1234 

$£1234567890 

12  Characters 

8F  58J 

Set  Factor  76.5 

123456  789012  345678 

90 \ 234  567890   123456 

$1234567890 

11  Characters 

8F60J 

Set  Factor  81 

123456  789012  345678 

901234  567890  123456 

$1234567890 

11  Characters 

8F  60K 

Set  Factor  81 

125456  789012  345678 

901234  567890  123456 

$1234567890 

11  Characters 

8F  63 

Set  Factor  102 

12345  6789O    12345 

6789O    12345  6789O 

$1234567890 

11  Characters 


Set  Factor  is  the  set  multiplied  by  unit  width;  thus,  the  set  factor  of  a  character  made  for  the  10  unit  row  of  8  set  is  80  (10X8  =  80) .  Knowing  the 
•et  factor  and  the  set  to  be  used,  to  determine  the  proper  unit  row  for  any  character  divide  the  set  factor  by  the  set  to  be  used.  RULE:  Given  the 
set  factor  of  a  matrix,  to  determine  for  any  set,  the  unit  row  of  the  matrix  case  in  which  to  carry  this  matrix:  divide  the  set  factor  by  the  set  to  be  used,  the 
mult  is  the  unit  row  required.  If  this  result  contains  a  fraction  use  next  larger  unit  row.  EXAMPLE:  Set  factor  80.  Find  unit  row  in  which  to  carry 
this  matrix  in  matrix  case  used  with  9  set  normal  wedge;  80-:-9  =  8.8,  therefore  put  matrix  in  9  unit  row. 

Type  Line:  AH  matrices  for  composition  when  used  in  the  same  matrix  case  produce  type  on  the  same  line  regardless  of  any  difference  in  point 
•ize  of  the  matrices,  and  the  line  standard  to  use  with  a  matrix  case  depends  upon  the  point  size  of  the  mold  used  with  the  matrices.  The  type  line 
is  the  mold  size  expressed  decimally  with  five  added  to  the  right  hand  figure,  thus,  the  line  for  a  5%  point  mold  is  .060*  (.055" +  .005"  =  .060"),  the 
type  line  for  5>2'  point  faces.  EXCEPTIONS:  Abnormally  tall  characters  are  of  necessity,  driven  to  a  lower  matrix  line  and  consequently  when  used 
in  combination  with  standard  line  matrices  the  line  of  the  type  cast  from  special  line  matrices  is  lower  than  the  type  cast  from  standard  line  matrices. 
For  all  such  exceptions  the  type  line  is  given;  for  example  Syi  point  F10  figures  for  which  the  type  line  is  given  as  .071*  (the  distance  from  the  top 
of  the  body  to  the  bottom  of  these  figures  when  cast  on  5  %  point  body)  thus  these  matrices  produce  type  .01 1"  lower  than  that  produced  by  standard 
line  matrices  used  with  them  (.071"— .060"=  .01 1"). 

Price*:  The  figure  matrices  shown  on  this  page  are  all  Class  A  matrices,  except  those  which  have  the  classification  noted  in  parentheses  after  the 
series  number. 


Monotype  Figures.     Composition  Matrices 

8  Point 

Figures  of  different  designs  have  been  made  for  certain  series.     They  are  always  shown  below  the  specimen  of  the  same 
series  number.     Thus,  under  6H9F  12  is  shown  a  figure  3  of  different  design  from  the  figure  3  under  6F  12,  just  above. 


8F63J 

Set  Factor  81 

123456  789012  345678 

901234  567890  123456 

$1234567890 

11  Characters 


8F  68J 

Set  Factor  76.5 

123456  789012  345678 

901234  567890   123456 

$1234567890 

11  Characters 


8F77J 

Set  Factor  58.5 

1234567   8901234   5678901 

2345678   9012345   6789012 

$1234567890 

11  Characters 


8F  86J 

Set  Factor  76.5 

123456  789012  345678 
901234  567890   123456 

$1234567890 

11  Characters 


8G  64J 

Set  Factor  65.3 

1234567   8901234  5678901 

2345678  9012345  6789012 

$1234567890 

11  Characters 


8F68K 

Set  Factor  76.5 

123456  789012  345678 

901234  567890  123456 

$1234567890 

11  Characters 


8G  78J 

Set  Factor  78.8 

123456   789012   345678 

901234   567890   123456 

$1234567890 

11  Characters 


8H3F  86J 
Set  Factor  102 

1234   5678   9012 

3456   7890   1234 

$1234557890 

11  Characters 


8H9G  64J  ($1.00) 
Set  Factor  65.3 

5555555  5555555  5555555 
5555555  5555555  5555555 

5355555555 

1  Character 

8G  64K 

Set  Factor  65.3 

7234567  8901234  5678901 

2345678  9012345  6789012 

$1234567890 

11  Characters 

8F65 

Set  Factor  153 
Type  Line  .095 

123  456  789 

012  315  678 

$123456c., 

14  Characters 

8F66J 

Set  Factor  76.5 

123456  789012  345678 
901234  567890  123456 

$1234567890 

11  Characters 


8F69J 

Set  Factor  63 

1234567  8901234  5678901 
2345678  9012345  6789012 

$1234567890 

11  Characters 

8G  71E 
Set  Factor  76.5 

123456  789012  345678 

901234   567890  123456 

#1234567890 

11  Characters 

8G  71G 

Set  Factor  76.5 

123456  789012  345678 

901234  567890  123456 

$1234567890 

11  Characters 

8F  74L 

Set  Size  .0553 

123456       789012       345678 
901234       567890       123456 

$1234567890 

11  Characters 


8F  79 

Set  Factor  72 

123456   789012   345678 
901234   567890   123456 

$1234567890 

11  Characters 

8F  79J 

Set  Factor  76.5 

123456  789012  345678 

901234  567890   123456 

$1234567890 

11  Characters 

8H9F  79J 
Set  Factor  76.5 

111111    111111    HUH 

mm    111111    iimi 

iiiiiimi 

1  Character 

8F  79K 
Set  Factor  76.5 

123456  759012  345675 

901234  567S90  123456 

$1234567890 

11  Characters 


8H2BF  86JF 
Set  Factor  72 

123456        789012        345678 
901234         567890         123456 

1234567890 

10  Characters 

8F  86K 
Set  Factor  76.5 

123456  789012  345678 

901234  567890  123456 

$1234567890 

11  Characters 

8F  88 

Set  Factor  120 

1234  5678  90 1 2 

3456  789O  1234 

$1234567890 

11  Characters 

8F  88J 

Set  Factor  63 

1234567   8901234   5678901 
2345678   9012345   6789012 

$1234567890 

11  Characters 


8F  67 

Set  Factor  90 

12345   67890   12345 

67890   12345  67890 

81234567890 

11  Characters 


8F76 

Set  Factor  72 

123456   789012   345678 
901234   567890   123456 

$1234567890 

11  Characters 


8F81J 

Set  Factor  76.5 

123456  789012  345678 

901234  567890  123456 

$1234567890 

11  Characters 


8F  88K 
Set  Factor  63 

1234557      8901234      5678901 

2345678      9012345      6789012 

$1234567890 

11  Characters 


8F68 
Set  Factor  126 

1234  5678  90 1 

2345  6789  O12 

$1234567890 

11  Characters 


8F76J 

Set  Factor  76.5 

123456  789012  345678 

901234  567890  123456 

$1234567890 

11  Characters 


8F86 

Set  Factor  72 

123456   789012   345678 
901234   567890   123456 

$1234567890 

11  Characters 


8F89J 
Set  Factor  76.5 

123456  789012  345678 

901234  567890  123456 

$1234567890 

11  Characters 


Set  Factor  is  the  set  multiplied  by  unit  width ;  thus,  the  set  factor  of  a  character  made  for  the  10  unit  row  of  8  set  is  80  (10X8  =  80).  Knowing  the 
set  factor  and  the  set  to  be  used,  to  determine  the  proper  unit  row  for  any  character  divide  the  set  factor  by  the  set  to  be  used.  RULE:  Given  the 
set  factor  of  a  matrix,  to  determine  for  any  set,  the  unit  row  of  the  matrix  case  in  which  to  carry  this  matrix:  divide  the  set  factor  by  the  set  to  be  used,  the 
result  is  the  unit  rcnv  required.  If  this  result  contains  a  fraction  use.  next  larger  unit  row.  EXAMPLE:  Set  factor  80.  Find  unit  row  in  which  to  carry 
this  matrix  in  matrix  case  used  with  9  set  normal  wedge;  80 -=-9  =  8.8,  therefore  put  matrix  in  9  unit  row. 

Type  Line:  All  matrices  for  composition  when  used  in  the  same  matrix  case  produce  type  on  the  same  line  regardless  of  any  difference  in  point 
size  of  the  matrices,  and  the  line  standard  to  use  with  a  matrix  case  depends  upon  the  point  size  of  the  mold  used  with  the  matrices.  The  type  line 
is  the  mold  size  expressed  decimally  with  five  added  to  the  right  hand  figure,  thus,  the  line  fora  SyZ  point  mold  is  .060"  (.055"  +  . 005"  =  .060"),  the 
type  line  for  Stf  point  faces.  EXCEPTIONS:  Abnormally  tall  characters  are  of  necessity,  driven  to  a  lower  matrix  line  and  consequently  when  used 
in  combination  with  standard  line  matrices  the  line  of  the  type  cast  from  special  line  matrices  is  lower  than  the  type  cast  from  standard  line  matrices. 
For  all  such  exceptions  the  type  line  is  given;  for  example  5  Yi  point  F10  figures  for  which  the  type  line  is  given  as  .071"  (the  distance  from  the  top 
of  the  body  to  the  bottom  of  these  figures  when  cast  on  5  YI  point  body)  thus  these  matrices  produce  type  .01 1 "  lower  than  that  produced  by  standard 
line  matrices  used  with  them  (.071" — .060"  =.011"). 

Prices:  The  figure  matrices  shown  on  this  page  are  all  Class  A  matrices,  except  those  which  have  the  classification  noted  in  parentheses  after  tlie 
series  number. 


Monotype  Figures.     Composition  Matrices 

8  Point 

Figures  of  different  designs  have  been  made  for  certain  series.      They  are  always  shown  below  the  specimen  of  the  same 
series  number.     Thus,  under  6H9F  12  is  shown  a  figure  3  of  different  design  from  the  figure  3  under  6F  12,  just  above. 


8F  89K 
Set  Factor  76.5 

123456  789012  345678 

901234  567890  123456 

$1234567890 

11  Characters 

8F90 
Set  Factor  96 

12345  67890  12345 

67890  12345  67890 

1234567890 

10  Characters 

8F91 

Set  Factor  72 

123456   789012   345678 

901234   567890   123456 

1234567890 

10  Characters 

8F92 

Set  Factor  72 
Type  Line  .010 

123456   789012   345678 

901234   567890   123456 

1234567890. 

11  Characters 

8F  92J 

Set  Factor  76.5 

123456  789012  345678 

901234  567890   123456 

$1234567890 

11  Characters 

8F95J 

Set  Factor  81 

123456  789012  345678 

901234  567890  123456 

$1234567890 

11  Characters 

8F  97J 

Set  Factor  76.5 

123456   789012   345678 

901234  567890   123456 

$1234567890 

11  Characters 

8F97K 

Set  Factor  76.5 
123456      789012      345678 
901234      567890      123456 

$1234567890 

11  Characters 


8G  98J 

Set  Factor  76.5 

123456     789012      345678 
901234     567890      123456 

$1234567890 
11  Characters 

8G  98K 
Set  Factor  76.5 

123456  789012  345678 

901234  567890  123456 

$1234567890 

11  Characters 

8F  102J 
Set  Factor  81 

123456  789012  345678 

901234  567890  123456 

$1234567890 

11  Characters 

8F  104 
Set  Factor  87.8 

123456  789012  345678 

901234  567890  123456 

$1234567890 

11  Characters 


8F  107J 
Set  Factor  76.5 

123456  789012  345678 

901234  567890  123456 

$1234567890 

11  Characters 

8F  109 

Set  Factor  120 
Type  Line  .088 

1234  5678  9O12 

3456  7890  1234 

1234567890 

10  Characters 

8G  111J 

Set  Factor  72 

123456   789012   345678 
901234   567890   123456 

$1234567890 

11  Characters 

8F  112 

Set  Factor  102 

1234   5678   9012 

3456   7890    1234 

$1234567890 

11  Characters 


8F  113J 

Set  Factor  72 

123456   789012   345678 

901234   567890   123456 

$1234567890 

11  Characters 

8F  115C 

Set  Factor  72 

123456       789012       345678 
901234       567890       123456 

$1234567890 

11  Characters 

8F  116 

Set  Factor  119 

1234  5678  9O12 

3456  789O  1234 

$1234567890 

11  Characters 


8F  117 

Set  Factor  96 

12345  67890  12345 

67890  12345  67890 

$1234567890c. 

13  Characters 

8F  117J 
Set  Factor  76.5 

123456  789012  345678 

901234  567890   123456 

$1234567890 

1 1  Characters 

8F  117K 

Set  Factor  76.5 

123456  7890J2  345678 
90] 234  567890  J 2 3456 

$1234567890 

11  Characters 


8F  118 

Set  Factor  72 

123456   789012   345678 

901234   567890   123456 

$1234567890 

11  Characters 


8F  118J 
Set  Factor  76.5 

123456  789012  345678 

901234  567890   123456 

$1234567890 

11  Characters 


8F  118K 
Set  Factor  76.5 

123456  789012  345678 

901234  567890  123456 

$1234567890 

11  Characters 

8F  119 
Set  Factor  76.5 

123456  789012  345678 

901234  567890  123456 

$1234567890c., 

14  Characters 

8F  119J 
Set  Factor  65.3 

1234567  8901234  5678901 

2345678  9012345  6789012 

$1234567890 

11  Characters 

8F  122 

Set  Factor  88 
Type  Line  .088 

12345   67890  12345 

67890   12345  67890 

1234567890 

10  Characters 

8F  123 
Set  Factor  110.5 

1234   5678   9012 

3456   7890   1 234 

$1234567890 

11  Characters 

8F  126 

Set  Factor  63 

1234567  8901234  5678901 

2345678  9012345  6789012 

1234567890., 

12  Characters 

8F  127 

Set  Factor  90 

12345   67890  12345 

67890   12345  67890 

1234567890., 

12  Characters 

8F  128J 
Set  Factor  90 

12345   6789O   12345 

6789O   12345   6789O 

81234567890 

11  Characters 


Set  Factor  is  the  set  multiplied  by  unit  width;  thus,  the  set  factor  of  a  character  made  for  the  10  unit  row  of  8  set  is  80  (10X8  =  80).  Knowing  the 
•et  factor  and  the  set  to  be  used,  to  determine  the  proper  unit  row  for  any  character  divide  the  set  factor  by  the  set  to  be  used.  RULE:  Given  the 
set  factor  of  a  matrix,  to  determine  for  any  set,  the  unit  row  of  the  matrix  case  in  which  to  carry  this  matrix:  divide  the  set  factor  by  the  set  to  be  used,  the 
result  is  the  unit  row  required.  If  this  result  contains  a  fraction  use  next  larger  unit  row.  EXAMPLE:  Set  factor  80.  Find  unit  row  in  which  to  carry 
this  matrix  in  matrix  case  used  with  9  set  normal  wedge;  804-9  =  8.8,  therefore  put  matrix  in  9  unit  row. 

Type  Line:  All  matrices  for  composition  when  used  in  the  same  matrix  case  produce  type  on  the  same  line  regardless  of  any  difference  in  point 
size  of  the  matrices,  and  the  line  standard  to  use  with  a  matrix  case  depends  upon  the  point  size  of  the  mold  used  with  the  matrices.  The  type  line 
is  the  mold  size  expressed  decimally  with  five  added  to  the  right  hand  figure,  thus,  the  line  for  a  Stf  point  mold  is  .060"  (.05 5 "  +  .005"  =  .060"),  the 
type  line  for  5>i  point  faces.  EXCEPTIONS:  Abnormally  tall  characters  are  of  necessity,  driven  to  a  lower  matrix  line  and  consequently  when  used 
in  combination  with  standard  line  matrices  the  line  of  the  type  cast  from  special  line  matrices  is  lower  than  the  type  cast  from  standard  line  matrices. 
For  all  such  exceptions  the  type  line  is  given;  for  example  5  %  point  F10  figures  for  which  the  type  line  is  given  as  .071*  (the  distance  from  the  top 
of  the  body  to  the  bottom  of  these  figures  when  cast  on  5  y*  point  body)  thus  these  matrices  produce  type  .01 1 "  lower  than  that  produced  by  standard 
line  matrices  used  with  them  (.071" — .060"  =  .01 1 ") . 

Prices:  The  figure  matrices  shown  on  this  page  are  all  Class  A  matrices,  except  those  which  have  the  classification  noted  in  parentheses  after  the 
series  number. 


Monotype  Figures.     Composition  Matrices 

8  Point 


Figures  of  different  designs  have  been  made  for  certain  series.      They  are  always  shown  below  the  specimen  of  the  same 
series  number.     Thus,  under  6H9F  12  is  shown  a  figure  3  of  different  design  from  the  figure  3  under  6F  12,  just  above. 


8F  130 

Set  Factor  5 1 
Type  Line  .080 

12345678   90123456   78901234 

56789012   34567890   12345678 
51234567890 

11  Characters 

8F  132K 

Set  Factor  81 

12345   67890   12345 

67890   12345   67890 

91234567890 

11  Characters 

8F  134E 

Set  Factor  72 

123456       789012       345678 
901234       567890      123456 

$1234567890 

11  Characters 

8F  139J 

Set  Factor  72 

123456   789012   345678 
901234   567890   123456 

$1234567890 

11  Characters 

8F  140J 
Set  Factor  58.5 

12145171  M121456  78901234 

56789012  14567890  12145678 

$1214567890 

11  Characters 

8F  141 J 
Set  Factor  54 

12345678  90123456  78901234 

56789012  34567890  12345678 

$1234567890 

11  Characters 

8F  142 J 
Set  Factor  83.3 

123456  789012  345678 

901234  567890  123456 

$1234567890 

11  Characters 

8F  143J 
Set  Factor  76.5 

123456  789012  345678 
901234  567890  123456 

$1234567890 

11  Characters 


8F  145J 
Set  Factor  76.5 

123456  789012  345678 

901234  567890   123456 

$1234567890 

11  Characters 

8F  146J 

Set  Factor  76.5 

123456  789012  345678 

912345  678901  234567 

$1234567890 

11  Characters 

8F  149  J 
Set  Factor  76.5 

123456  789012  345678 

901234  567890   123456 

$1234567890 

11  Characters 


8F  150  A 

Set  Factor  81 

123456  789012  345678 

901234  567890  123456 

$1234567890 

11  Characters 

8F  150C 

Set  Factor  81 

123456  789012  345678 

901234  567890  123456 

$1234567890 

11  Characters 


8F  153J 

Set  Factor  76.5 

123456  789012  345678 

901234  567890  123456 

$1234567890 

11  Characters 

8H9F  153J 
Set  Factor  76.5 

333333  333333  333333 

333333  333333  333333 

33333333333 

1  Character 

8F  154  (Class  D) 
Set  Factor  78.8 

11345   67890   12345 

67890   12345   67890 

12341567890 

10  Characters 


8F  151  (Class  B) 
Set  Factor  72 


(I(2(3<S<5(6          €$$£<$          (4<5(6<7(8(9 
<i(2<3<4(5(6$<8(9 

9  Characters 


8F  152  (Class  B) 
Set  Factor  72 

1)|)3)4)5)6)         7)8)9)5)1)2)          §$5)6)7)8) 

9)0)1)2)3)4)      |)6)7)§)5)g)       1)2)3)4)5)5) 

l)2)3)4)5)6)7)g)9)g) 

10  Characters 


8F  153   (Class  B) 
Set  Factor  48 


123456789    ?1?345678    901234567 

890123458    789012345    678901234 

1234567890 

10  Characters 


Showing  use  of 
8F  151,  8F  152  and  8F  153 


(780)      (2673)       (60458)       (479500) 


55Z55212.     ?i->67??2     1??15?15 

T234567890 

10  Characters 


Showing  use  of 
8F  151,  8F  152  and  8F3F  153 

@      @      ©      (§)      @      © 

@     (S75)     (323g)     (82536)     (2673SO) 


8H33F  153  (Class  D) 
Set  Factor  72 


10  Characters 


Showing  use  of 
8F  151,  8F  152  and  8H33F  153 

@       @       @       @       ®       (§) 
@    (693)    (3654)    (965J47)   (J756Tij) 


8G  157E 
Set  Factor  76.5 

123456  789012  345678 

901234  567890  123456 

$1234567890 

11  Characters 

8G  157G 

Set  Factor  76.5 

123456     789012     345678 
901234     567890     123456 

$1234567890 
1 1  Characters 

8F  158  (Class  D) 
Set  Factor  72 

T23T23  I23T53  I23T23 

I23T23   I23I23   T23T23 

T23T23T23 

3  Characters 


8F  158J 
Set  Factor  83.3 

12345  67890   12345 

67890   12345   67890 

$1234567890 

11  Characters 

8F  159 

Set  Factor  72 
Type  Line  .082 

123456  789012  345678 

901234  567890  123456 

1234567890 

10  Characters 


8F  159J 

Set  Factor  76.5 

123456  789012  345678 

901234  567890  123456 

$1234567890 

1 1  Characters 

8F  160 

Set  Factor  72 
Type  Line  .082 

123456   789012   345678 

901234   567890   123456 

1234567890 

10  Characters 

8F  161 

Set  Factor  65.3 
1234567      8901234      5678901 
2345678      9012345      6789012 

1234567990 
10  Characters 


Set  Factor  is  the  set  multiplied  by  unit  width;  thus,  the  set  factor  of  a  character  made  for  the  10  unit  row  of  8  set  is  80  (10X8  =  80).  Knowing  the 
set  factor  and  the  set  to  be  used,  to  determine  the  proper  unit  row  for  any  character  divide  the  set  factor  by  the  set  to  be  used.  RULE:  Given  the 
set  factor  of  a  matrix,  to  determine  for  any  set,  the  unit  row  of  the  matrix  case  in  which  to  carry  this  matrix:  divide  the  set  factor  by  the  set  to  be  used,  the 
result  is  the  unit  row  required.  If  this  result  contains  a  fraction  use  next  larger  unit  row.  EXAMPLE:  Set  factor  80.  Find  unit  row  in  which  to  carry 
this  matrix  in  matrix  case  used  with  9  set  normal  wedge;  80-5-9  =  8.8,  therefore  put  matrix  in  9  unit  row. 

Type  Line:  All  matrices  for  composition  when  used  in  the  same  matrix  case  produce  type  on  the  same  line  regardless  of  any  difference  in  point 
size  of  the  matrices,  and  the  line  standard  to  use  with  a  matrix  case  depends  upon  the  point  size  of  the  mold  used  with  the  matrices.  The  type  line 
is  the  mold  size  expressed  decimally  with  five  added  to  the  right  hand  figure,  thus,  the  line  for  a  5'/,  point  mold  is  .060"  (.055"+. 005*  =  .060"),  the 
type  line  for  5^  point  faces.  EXCEPTIONS:  Abnormally  tall  characters  are  of  necessity,  driven  to  a  lower  matrix  line  and  consequently  when  used 
in  combination  with  standard  line  matrices  the  line  of  the  type  cast  from  special  line  matrices  is  lower  than  the  type  cast  from  standard  line  matrices. 
For  all  such  exceptions  the  type  line  is  given;  for  example  5'^  point  F10  figures  for  which  the  type  line  is  given  as  .071"  (the  distance  from  the  top 
of  the  body  to  the  bottom  of  these  figures  when  cast  on  S}4  point  body)  thus  these  matrices  produce  type  .011"  lower  than  that  produced  by  standard 
line  matrices  used  with  them  (.071" — .060"  =  .011"). 

Prices:  The  figure  matrices  shown  on  this  page  are  all  Class  A  matrices,  except  those-which  have  the  classification  noted  in  parentheses  after  the 
series  number. 


Monotype  Figures.     Composition  Matrices 

8  Point 

Figures  of  different  designs  have  been  made  for  certain  series.      They  are  always  shown  below  the  specimen  of  the  same 
series  number.     Thus,  under  6H9F  12  is  shown  a  figure  3  of  different  design  from  the  figure  3  under  6F  12,  just  above. 


8F  161 J 
Set  Factor  76.5 

123456  789012  345678 

901234  567890  123456 

$1234567890 

11  Characters 


8F  168J 

Set  Factor  81 

123456  789012  345678 

901234  567890  123456 

$1234567890 

11  Characters 


8F  173E 
Set  Factor  76.5 

123456   789012   345678 

901234   567890   123456 

$1234567890 

11  Characters 


8F  182 

Set  Factor  76.5 

123456  789012  345678 

901234  567890  123456 

1234567890 

10  Characters 


8F  161K 
Set  Factor  76.5 

123456     789012     345678 

901234     567890     123456 

$1234567890 

11  Characters 

8F  162J 
Set  Factor  83.3 

12345   67890   12345 

67890   12345   67890 

$1234567890 

11  Characters 

8F  163J 
Set  Factor  76.5 

123456  789012  345678 

901234  567890  123456 

$1234567890 

11  Characters 

8F  164J 

Set  Factor  76.5 

123456     789012     345678 
901234    567890     123456 

$1234567890 

11  Characters 

8F  164K 
Set  Factor  76.5 

723456  789012  345678 

901234  567890  123456 

$1234567890 

11  Characters 

8F  165J 

Set  Factor  76.5 

123456     789012     345678 

901234     567890     123456 

$1234567890 

11  Characters 


8F  169J 

Set  Factor  65.3 

1234567  8901234  5678901 

2345678  9012345  6789012 

$1234567890 

11  Characters 

8F  171   (Class  D) 

Set  Factor  76.5 

123451      234512      345123 

45 1 2  34  __5 £2 345 __ 1 2  345 1 

1234512345 

5  Characters 

8F  172E 

Set  Factor  76.5 

123456      789012       345678 
901234      567890       123456 

$1234567890 
11  Characters 

8G  172E 
Set  Factor  76.5 

123456  789012  345678 
901234  567890  123456 

$1234567890 

11  Characters 


8F  172G 

Set  Factor  76.5 

723456      789012      345678 
00/234      567890      123456 

$7234567890 
11  Characters 

8G  172G 

Set  Factor  76.5 

1 23456     789012     345678 
901234     567890     123456 

$1234567890 
11  Characters 


8F  174 

Set  Factor  72 

123456   789012   345678 
901234   567890   123456 

$1234567890 

11  Characters 

8F  175A 

Set  Factor  76.5 
123/156      789012      345678 

90 i 234  667890  123456 
$1234567890 

11  Characters 

8G  175A 
Set  Factor  76.5 

123456  789012  345678 

901234  567890  123456 

$1234567890 

11  Characters 

8G  17SC 

Set  Factor  76.5 

123456  789012  345678 

901234  567890  123456 

$1234567890 

11  Characters 


8F  176J 
Set  Factor  63 

1234567  8901234  5678901 

2345678   9012345  6789012 

$1234567890 

1 1  Characters 

8F  180  (Class  D) 
Set  Factor  72 

mm    nnn    unn 

mm    mm    mm 

mmnw 

10  Characters 


8F  186J 
Set  Factor  76.5 

123456     789012     345678 

901234     567890     123456 

$1234567890 

11  Characters 

8F  187J 

Set  Factor  81 

123456  789012  345678 

901234  567890  123456 

$1234567890 

11  Characters 


8F  188J 
Set  Factor  81 

123450  789012  345B78 

901234  56TB90  123456 

$1234507890 

11  Characters 

8F  189 

Set  Factor  127.5 
Type  Line  .087 

123   456   789 

O12   345   678 

1234567890 

10  Characters 

8F  190J 

Set  Factor  108 

1234   5678   9O12 

3456   789O   1234 

$1234567890 

11  Characters 

8F  194 

Set  Factor  165 

1 23  456  789 

O1  2  345  67S 

9 1 234567 

11  Characters 


8F  168 
Set  Factor  108 

1234  5678  9012 

3456  7890  1234 

1234567890 

10  Characters 


8F  173 

Set  Factor  93.5 

12345     67890      12345 

67890      12345     67890 

$1234567890 

11  Characters 


8F  181 

Set  Factor  72 


9  Characters 


8F  196 

Set  Factor  120 

1234  5678  9O12 

3456  789O  1234 

$1234567890 

11  Characters 


Set  Factor  is  the  set  multiplied  by  unit  width;  thus,  the  set  factor  of  a  character  made  for  the  10  unit  row  of  8  set  is  80  (10X8  =  80).  Knowing  the 
set  factor  and  the  set  to  be  used,  to  determine  the  proper  unit  row  for  any  character  divide  the  set  factor  by  the  set  to  be  used.  RULE:  Given  the 
set  factor  of  a  matrix,  to  determine  for  any  set,  the  unit  raw  of  the  matrix  case  in  which  to  carry  this  matrix:  divide  the  set  factor  by  the  set  to  be  used,  the 
result  is  the  unit  row  required.  If  this  result  contains  a  fraction  use  next  larger  unit  row.  EXAMPLE:  Set  factor  80.  Find  unit  row  in  which  to  carry 
this  matrix  in  matrix  case  used  with  9  set  normal  wedge;  80-7-9  =  8.8.  therefore  put  matrix  in  9  unit  row. 

.  Type  Line:     All  matrices  for  composition  when  used  in  the  same  matrix  case  produce  type  on  the  same  line  regardless  of  any  difference  in  point 
size  of  the  matrices,  and  the  line  standard  to  use  with  a  matrix  case  depends  upon  the  point  size  of  the  mold  used  with  the  matrices.     The  type  line 


For  all  such  exceptions  the  type  line  is  given;  for  example  5  %  point  F10  figures  for  which  the  type  line  is  given  as  .071*  (the  distance  from  the  top 
of  the  body  to  the  bottom  of  these  figures  when  cast  on  5l/i  point  body)  thus  these  matrices  produce  type  .011"  lower  than  that  produced  by  standard 
line  matrices  used  with  them  (.071* — .060*  =  .01 1*). 

Prices:    The  figure  matrices  shown  on  this  page  are  all  Class  A  matrices,  except  those  which  have  the  classification  noted  in  parentheses  after  the 
series  number. 


Monotype  Figures.     Composition  Matrices 

8  Point 

Figures  of  different  designs  have  been  made  for  certain  series.     They  are  always  shown  below  the  specimen  of  the  same 
series  number.     Thus,  under  6H9F  12  is  shown  a  figure  3  of  different  design  from  the  figure  3  under  6F  12,  just  above. 


8F204J 
Set  Factor  63 

1234567  8901234  5678901 
2345678  9012345  6789012 

$1234567890 

11  Characters 

8F  205  (Class  D) 
Set  Factor  72 


8F  218  (Class  D) 
Set  Factor  144 


|M)  m  (n  [57] 


10  Characters 


M  M  &  MM 

§6|  [87]  HI  |H  |M)  (SO  [92]  [93]  @  |95J  @ 

ggg 

99  Characters 


8F220 
Set  Factor  85 

12345  67890   12345 

67890  12345   67890 

$1234567890 

1 1  Characters 

8F  249 

Set  Factor  72 

123456   789012   345678 
901234   567890   123456 

$1234567890 

11  Characters 


8F  275J 
Set  Factor  76.5 

123456  789012  345678 

901234  567890  123456 

$1234567890 

11  Characters 

8H3F  275J 
Set  Factor  93.5 

12345  67890  12345 

67890   12345  67890 

$1234567890 

11  Characters 


8F  216A 
Set  Factor  49.5 

BMR8S      012345678      901234567 
8J6123456      789012345      678901234 

{1234567890 
11  Characters 


8F  249J 

Set  Factor  76.5 

123456  789012  345678 

901234  567890  123456 

$1234567890 

11  Characters 


8F  275K 
Set  Factor  76.5 

123456  789012  345678 

901234  567890  123456 

$1234567890 

11  Characters 


Piece  fractions,  see  8  point  fraction  sheet  (Class  B) 


8F  110 
Set  Factor  42.5 

mtm    mm   mm 
mm 
mm 

10  Characters 


8F  111 

Set  Factor  42.5 


16326418 
64  16  32  64 


10  Characters 


8DF  125 

Set  Factor  87.5 

32641632 
16  32  64  1« 
16  32  64 

3  Characters 


8DF  133 

Set  Factor  144 


64163232 
32  64  16  32 


1632  64 
1632  64 


1632  64  1632  64 
163264  163264 
1632  64 

3  Characters 


Monotype  Figures.     Composition  Matrices 

9  Point 

Figures  of  different  designs  have  been  made  for  certain  series.      They  are  always  shown  below  the  specimen  of  the  same 
series  number.     Thus,  under  6H9F  12  is  shown  a  figure  3  of  different  design  from  the  figure  3  under  6F  12,  just  above. 


9F  8A 

Set  Factor  81 

123456  789012  345678 

901234  567890  123456 

$1234567890 

11  Characters 


9F  21G 

Set  Factor  81 


123456      78Q012    345678 

901234     567890     123456 

$1234567890 


11  Characters 


9G  25J 

Set  Factor  85.5 

12345   67890   12345 

67890   12345   67890 

$1234567890 

11  Characters 


9F  34A 

Set  Factor  76.5 

12345   67890   12345 

67890   12345   67890 

$1234567890 

11  Characters 


9F  8C 

Set  Factor  81 

183456  789012  345678 

901 284  567890  123456 

$1234567890 

11  Characters 


9G  21E 

Set  Factor  81 

123456  789012  345678 

901234  567890  123456 

$1234567890 

11  Characters 


9G25K 

Set  Factor  81 

123456  789012  345678 

901234  567890  123456 

$1234567890 

11  Characters 


9F  34C 

Set  Factor  76.5 

18S4S   67890   12345 

67890   12345   67890 

$1234567890 

11  Characters 


9F  16E 

Set  Factor  81 


123456  789012  34.5678 

901234  567890   123456 

$1234567890 


11  Characters 


9G21G 

Set  Factor  81 

123456  789012  345678 

901234  567890  123456 

$1234567890 

11  Characters 


9F  26J 

Set  Factor  81 

123456  789012  345678 

901234  567890  123456 

$1234567890 

11  Characters 


9F  36A 

Set  Factor  81 

123456  789012  345678 

901234  567890  123456 

$1234567890 

11  Characters 


9F  18 

Set  Factor  81 

123456  789012  345678 

901234  567890  123456 

$1234567890 

11  Characters 


9F22E 

Set  Factor  81 


123456  789012   345678 

901234   567890   123456 

$1234567890 


11  Characters 


9F31 

Set  Factor  126 

1234  5678  9O12 

3456  7S9O  1234 

$1234567S9Oc., 

14  Characters 


9F  36C 

Set  Factor  81 

123456  789012  345678 

901284  567890  123456 

$1234567890 

11  Characters 


9F20A 

Set  Factor  87.8 

12345  67890  12345 

67890  12345  67890 

$1234567890 

11  Characters 


9F22G 

Set  Factor  81 


11  Characters 


9F  31E 

Set  Factor  78.8 

123456   789012   345678 

001234   567890   123456 

$1234567890 

11  Characters 


9F  37E 

Set  Factor  81 


123456  789012  345678 

901234  567890  123456 

$1234567890 


11  Characters 


9F20C 
Set  Factor  87.8 

12345     67890     12345 

67890     12345     67890 

$1234567890 

11  Characters 


9F24J 

Set  Factor  81 

123456  789012  345678 

901234  567890  123456 

1234567890 

10  Characters 


9H9F  3 IE 
Set  Factor  78.8 


1  Character 


9G  37E 

Set  Factor  81 

123456  789012  345678 

901234  567890  123456 

31234567890 

11  Characters 


9F  21E 

Set  Factor  81 


123456  789012  345678 

901234  567890  123456 

$1234567890 


11  Characters 


9F  25J 

Set  Factor  85. S 

12345    67890    12345 

67890    12345    67890 

$1234567890 

11  Characters 


9F  31G 

Set  Factor  78.8 

123456   789012   345678 

901234   567890   123456 

$1234567890 

11  Characters 


9F  37G 

Set  Factor  81 


123456  789012  345678 

901234  567890   123456 

$1234567890 


11  Characters 


Set  Factor  is  the  set  multiplied  by  unit  width;  thus,  the  set  factor  of  a  character  made  for  the  10  unit  row  of  8  set  is  80  (10X8  =  80).  Knowing  the 
set  factor  and  the  set  to  be  used,  to  determine  the  proper  unit  row  for  any  character  divide  the  set  factor  by  the  set  to  be  used.  RULE:  Given  the 
set  factor  of  a  matrix,  to  determine  for  any  set,  the  unit  row  of  the  matrix  case  in  which  to  carry  this  matrix:  divide  the  set  factor  by  the  set  to  be  used,  the 
result  is  the  unit  row  required.  If  this  result  contains  a  fraction  use  next  larger  unit  row.  EXAMPLE:  Set  factor  80.  Find  unit  row  in  which  to  carry 
this  matrix  in  matrix  case  used  with  9  set  normal  wedge;  80  +  9  — 8.8,  therefore  put  matrix  in  9  unit  row. 

Type  Line:  All  matrices  for  composition  when  used  in  the  same  matrix  case  produce  type  on  the  same  line  regardless  of  any  difference  in  point 
size  of  the  matrices,  and  the  line  standard  to  use  with  a  matrix  case  depends  upon  the  point  size  of  the  mold  used  with  the  matrices.  The  type  line 
is  the  mold  size  expressed  decimally  with  five  added  to  the  right  hand  figure,  thus,  the  line  for  a  5J4  point  mold  is  .060*  (.055* +  .005*— .060*),  the 
type  line  for  5  Yi  point  faces.  EXCEPTIONS:  Abnormally  tall  characters  are  of  necessity,  driven  to  a  lower  matrix  line  and  consequently  when  used 
in  combination  with  standard  line  matrices  the  line  of  the  type  cast  from  special  line  matrices  is  lower  than  the  type  cast  from  standard  line  matrices. 
For  all  such  exceptions  the  type  line  is  given;  for  example  5  %  point  F10  figures  for  which  the  type  line  is  given  as  .071*  (the  distance  from  the  top 
of  the  body  to  the  bottom  of  these  figures  when  cast  on  5  %  point  body)  thus  these  matrices  produce  type  .01 1*  lower  than  that  produced  by  standard 
line  matrices  used  with  them  (.071*— .060*- .011*). 

Prices:  The  figure  matrices  shown  on  this  page  are  all  Class  A  matrices,  except  those  which  have  the  classification  noted  in  parentheses  after  the 
series  number. 


Monotype  Figures.     Composition  Matrices 

9  Point 

Figures  of  different  designs  have  been  made  for  certain  series.      They  are  always  shown  below  the  specimen  of  the  same 
series  number.     Thus,  under  6H9F  12  is  shown  a  figure  3  of  different  design  from  the  figure  3  under  6F  12,  just  above. 


9G  37G 
Set  Factor  81 

123456  789012  345678 

901234  567890  123456 

$1234567890 

11  Characters 


OF  76  J 

Set  Factor  81 

123456  789012  345678 

901234  567890  123456 

$1234567890 

11  Characters 


9F  150A 
Set  Factor  90 

12345  67890  12345 

67890  12345  67890 

$1234567890 

11  Characters 


9F  175A 
Set  Factor  81 


123456  789012  345678 

901234  567890  123456 

$1234567890 


11  Characters 


9F38E 
Set  Factor  81 


113456     780011     345^8 

001234  567800  123456 

$1234567800 

11  Characters 


9F  79J 

Set  Factor  81 

123456  789012  345678 

901234  567890  123456 

$1234567890 

11  Characters 


9F  150C 

Set  Factor  90 

12345  67890  12345 

67890  12345  67890 

$1234567890 

11  Characters 


9G  175  A 

Set  Factor  81 

123456  789012  345678 

901234  567890  123456 

$1234567890 

11  Characters 


9G38E 
Set  Factor  81 

123456  789012  345678 

901234  567890  123456 

$1234567890 

11  Characters 


9F  86  J 
Set  Factor  81 

123456  789012  345678 

901234  567S90  123456 

$1234567890 

11  Characters 


9F  165J 

Set  Factor  85.5 

12345     67890     12345 

67890     12345     67890 

$1234567890 

11  Characters 


9G  175C 

Set  Factor  81 

123456  789012  345678 

901234  567890  123456 

$1234567890 

11  Characters 


9F38G 
Set  Factor  81 


1234^6  789012  345678 

901234  $67890   123456 

$1234567890 

11  Characters 


9H3F  86J 
Set  Factor  108 

1234   5678   9012 

3456   7890   1234 

$1234567890 

11  Characters 


9F  172E 

Set  Factor  81 

123456  789012  345678 

901234  567890   123456 

$1234567890 

1 1  Characters 


9F  186J 

Set  Factor  81 

123456  789012  345678 

901234  567890  123456 

$1234567890 

11  Characters 


9G38G 
Set  Factor  81 

123456  789012  345678 

901234  567890  123456 

$1234567890 

11  Characters 


9G  98J 

Set  Factor  81 

123456  789012  345678 

901234  567890  123456 

$1234567890 

11  Characters 


9G  172E 
Set  Factor  81 

123456  789012  345678 

901234  567890  123456 

$1234567890 

11  Characters 


9F  337E 

Set  Factor  81 

123456   789012 
90I234   567890   123456 
$  1 234567890 
11  Characters 


9F  48  J 
Set  Factor  83.3 

123456  789012  345678 

901234  567890  123456 

$1234567890 

11  Character* 


9G  98K 

Set  Factor  81 

123456  789012  345678 

901234  567890  123456 

$1234567890 

11  Characters 


9F  172G 

Set  Factor  81 


123456  789012  345678 

901234  567890   123456 

$1234567890 


11  Characters 


9F  337G 

Set  Factor  81 

123456     789012    345678 

901234     567890     123456 

$1234567800 

11  Characters 


9F  118J 

Set  Factor  81 

123456  789012  345678 

901234  567890  123456 

$1234567890 

11  Characters 


9G  172G 

Set  Factor  81 

123456  789012  345678 

901234  567890  123456 

$1234567890 

11  Characters 


M££ £  i  Jrf^n!&        -Wldti,h ;  thus>  the  8et  factor  of  a  character  made  for  the  1 0  unit  row  of  8  set  is  80  ( 1 0 X  8  -  80) .     Knowing  the 

he  proper  unit  row  for  any  character  divide  the  set  factor  by  the  set  to  be  used.     RULE:     Given  the 

Z,?y  „•     .  unlt  rj°  "f  the  malrix  case  in  which  to  carry  tnis  matrix:  divide  the  set  factor  bv  the  set  to  be  used,  the 

result  contatns  a  fraction  use  next  larger  unit  row.     EXAMPLE  :  Set  factor  80.     Find  unit  Vow  in  which  to  carry 

normal  wedge;    80*9-8.8.  therefore  put  matrix  in  9  unit  row. 

sition  when  used  in  the  same  matrix  case  produce  type  on  the  same  line  regardless  of  any  difference  in  point 
mh  a  matrix  case  depends  upon  the  point  size  of  the  mold  used  with  the  matrices.     The  type  line 
)  the  right  hand  figure,  thus,  the  line  for  a  5J4  point  mold  is  .060"  (.055* +  .005"=  .060").  the 
ill  characters  are  of  necessity,  driven  to  a  lower  matrix  line  and  consequently  when  used 
!><•  <  ast  from  special  line  matrices  is  lower  than  the  type  cast  from  standard  line  matrices. 
..point  I- 10  figures  for  which  the  type  line  is  given  as  .071*  (the  distance  from  the  top 
-.  MUfcc*  iued  with  them  f-07l»--!o60"-  01  r>  U  t'1"*  these  matrices  produce  type  .011 'lower  than  that  produced  by  standard 

sie»  nurabrr.    '  **  •hown  on  thi§  "***  are  a"  Clasa  A  matriceH.  except  those  which  have  the  classification  noted  in  parentheses  after  the 


Monotype  Figures.     Composition  Matrices 

10  Point 

Figures  of  different  designs  have  been  made  for  certain  series.      They  are  always  shown  below  the  specimen  of  the  same 
series  number.     Thus,  under  6H9F  12  is  shown  a  figure  3  of  different  design  from  the  figure  3  under  6F  12,  just  above. 


10F  1 

Set  Factor  90 


10F  14 

Set  Factor  112 


12345     67890     12345 

67390     12345     67890 

1234567890 


1234     5678     9012 

3456     7890     1234 

$1234567890c., 


10G   16E 

Set  Factor  90 


10F  21 

Set  Factor  60 


10  Characters 


14  Characters 


12345  67890  12345 

67890  12345  67890 

$1234567890 

11  Characters 


12345678  90123456  78901234 

56789012  34567890  12345678 

$1234567890 

11  Characters 


10F  8A 

Set  Factor  90 

12345  67890  12345 

67890  12345  67890 

$1234567890 

11  Characters 


10F  15E 
Set  Factor  90 


12345  67890  12345 

67890  12345  67890 

$1234567890 


11  Characters 


10G   16G 

Set  Factor  90 

12345  67890  12345 

67890  12345  67890 

$1234567890 

11  Characters 


10F  21E 

5^  Factor  92.3 

I2345  67890  12345 

6?s9o  12345  67890 

$1234567890 

u  characters 


10H9F  8A 
Set  Factor  90 


1  Character 

10F  8C 

Set  Factor  90 

12345  67890  12345 

67890  12345  67890 

$1234567890 

11  Characters 


10G  15E 

Set  Factor  90 

12345  67890  12345 

67890  12345  67890 

$1234567890 

11  Characters 

10F  15G 

Set  Factor  90 

12345   67890   12345 

67890   12345   67890 

$1234567890 

11  Characters 


12345     67890     12345 


$1234567890 

11  Characters 

10F  19 

Set  Factor  180 
Type  Line  .124 

1234      5678 

9O12      3456 

$12345c., 

14  Characters 


Set  Factor  92.3 

g.g 


$1234567890 
1 1  Characters 

10G  21E 

Set  Factor  92.3 

12345  67890  12345 

67890  12345  67890 

$1234567890 

11  Characters 


10F  11 

Set  Factor  90 

12345  67890  12345 

67890  12345  67890 

$1234567890 

11  Characters 


10G  15G 

Set  Factor  90 

12345  67890  12345 

67890  12345  67890 

$1234567890 

11  Characters 


10F  20 

Set  Factor  123 

1234  5678  9O12 
3456  7890  1234 
£$1234567890c., 

15  Characters 


10G  21G 
Set  Factor  92.3 

12345  67890  12345 

67890  12345  67890 

$1234567890 

H  Characters 


10G  11J 

Set  Factor  90 

12345  67890  12345 

67890  12345  67890 

$  1  234567890 

1  1  Characters 


10F  16 

Set  Factor  90 

12345  67890  12345 

67890  12345  67890 

1234567890 

10  Characters 


10F  20A 

Set  Factor  94.5 

12345  67890  12345 

67890  12345  67890 

$1234567890 

11  Characters 


10F  22E 

Set  Factor  90 

12345  67890  12345 

67890  12345  67890 

$1234567890 

n  Characters 


10F  12J 

Set  Factor  92  3 


11  Characters 


10F  16E 

Set  Factor  90 

12345   67890   12345 

67890   12345   67890 

$1234567890 

11  Characters 


10F  20C 

Set  Factor  94.5 

12345  67890  12345 

67890  12345  67890 

$1234567890 

11  Characters 


10F  22G 

Set  Factor  90 

12345  67890  12345 

67890  12345  67890 

$1234567890 

11  Characters 


Set  Factor  is  the  set  multiplied  by  unit  width;  thus,  the  set  factor  of  a  character  made  for  the  10  unit  row  of  8  set  is  80  (10X8  =  80).  Knowing  the 
set  factor  and  the  set  to  be  used,  to  determine  the  proper  unit  row  for  any  character  divide  the  set  factor  by  the  set  to  be  used.  RULE:  Given  the 
set  factor  of  a  matrix,  to  determine  for  any  set,  the  unit  row  of  the  matrix  case  in  which  to  carry  this  matrix:  divide  the  set  factor _by  the  set  lobe  used,  the 
result  is  the  unit  row  required.  If  this  result  contains  a  fraction  use  next  larger  unit  row.  EXAMPLE:  Set  factor  80.  Find  unit  row  in  which  to  carry 
this  matrix  in  matrix  case  used  with  9  set  normal  wedge;  80-^9  =  8.8,  therefore  put  matrix  in  9  unit  row. 

Type  Line:  All  matrices  for  composition  when  used  in  the  same  matrix  case  produce  type  on  the  same  line  regardless  of  any  difference  in  point 
size  of  the  matrices,  and  the  line  standard  to  use  with  a  matrix  case  depends  upon  the  point  size  of  the  mold  used  with  the  matrices.  The  type  line 
is  the  mold  size  expressed  decimally  with  five  added  to  the  right  hand  figure,  thus,  the  line  for  a  5j4  point  mold  is  .060"  (.055"  +  . 005"=  .060"),  the 
type  line  for  S'/i  point  faces.  EXCEPTIONS:  Abnormally  tall  characters  are  of  necessity,  driven  to  a  lower  matrix  line  and  consequently  when  used 
in  combination  with  standard  line  matrices  the  line  of  the  type  cast  from  special  line  matrices  (slower  than  the  type  cast  from  standard  line  matrices. 
For  all  such  exceptions  the  type  line  is  given;  for  example  5  1A  point  F10  figures  for  which  the  type  line  is  given  as  .071"  (the  distance  from  the  top 
of  the  body  to  the  bottom  of  these  figures  when  cast  on  5  K  point  body)  thus  these  matrices  produce  type  .011"  lower  than  that  produced  by  standard 
line  matrices  used  with  them  (.071* — .060"=. Oil"). 

Prices:  The  figure  matrices  shown  on  this  paxe  are  all  Class  A  matrices,  except  those  which  have  the  classification  noted  in  parentheses  after  the 
series  number. 


Monotype  Figures.     Composition  Matrices 

10  Point 

Figures  of  different  designs  have  been  made  for  certain  series.      They  are  always  shown  below  the  specimen  of  the  same 
series  number.     Thus,  under  6H9F  12  is  shown  a  figure  3  of  different  design  from  the  figure  3  under  6F  12,  just  above. 


10F  23K 
Set  Factor  90 

12345  67890  12345 

67890  12345  67890 

$1234567890 

11  Characters 


10F28 
Set  Factor  90 

12345  67890  12345 

67890  12345  67890 

$1234567890 

11  Characters 


10G  31G 

Set  Factor  85.5 

12345  67890   12345 

67890   12345   67890 

$1234567890 

11  Characters 


1 1  Characters 


10F  25  J 

Set  Factor  90 


12345   67890   12345 

67890   12345   67890 

$1234567890 


II  Characters 


10F  28J 

Set  Factor  94.5 

12345  67890  12345 

67890  12345  67890 

$1234567890 

1 1  Characters 


10F  34A 

Set  Factor  85.5 

12345   67890   12345 

67890   12345   67890 

$1234567890 

1 1  Characters 


11  Characters 


10G  25J 
Set  Factor  90 

12345  67890  12345 

67890  12345  67890 

$1234567890 

1 1  Characters 

10G25K 

Set  Factor  90 

12345  67890  12345 

67890  12345  67890 

$1234567890 

1 1  Characters 

10F  26 

Set  Factor  140 
Type  Line. 113 

1 23  456  789 

012  345  678 

$12345678c., 

14  Characters 


10F  29 

Set  Factor  140 

123  456  789 
O12  345  678 
$123456789Oc 

12  Characters 

10F  31 

Set  Factor  140 

123   456   789 

O12   345   678 

$12345678c., 

14  Characters 

K)F  31E 

Set  Factor  85.5 

12345    67890    12345 

67890   12345    67890 

$1234567890 

11  Characters 


10F  34C 

Set  Factor  85.5 

12345   67890   12345 

67890   12345   67890 

$1234567890 

1 1  Characters 


10F  36A 

Set  Factor  00 

12345  67890  12345 

67890  12345  67890 

$1234567890 

1 1  Characters 


10F  36C 

Set  Factor  90 

12345  67890  12345 

67890  12345  67890 

$1234567890 

1 1  Characters 


10F  38E 
Set  Factor  90 

12345   67890   12345 

67890   12345   67890 

$1234567890 

11  Characters 

10G  38E 

Set  Factor  90 

12345  67890  12345 

67890  12345  67890 

$1234567890 

1 1  Characters 

10F  38G 

Set  Factor  90 

12345   67890   12345 

67890   12345   67890 

$1234567890 

11  Characters 


10F  26J 

Set  Factor  9O 

12345  67890  12345 

67890  12345  67890 

$1234567890 


10F  27 
Set  Factor  85.  5 

12345   67890   12345 

67800   12345   67890 

1234567890 

10  Character* 


10F  31G 
Set  Factor  85.5 

I2345   67890    12345 

6^800    12^45   67800 

$1234567890 

1  1  Characters 


10G  31E 

Set  Factor  85.5 

12345   67890   12345 

67890   12345   67890 

SI  234567890 

1  !  Characters 


10F  37E 

Set  Factor  90 


I234S   67890    12345 

67890   12345    67890 

$1234567890 


1 1  Characters 


10F  37G 
Set  Factor  90 


12345   67890   12345 

67890   12345   67890 

$1234567890 


1 1  Characters 


10G  38G 

Set  Factor  90 

12345  67890  12345 

67890  12345  67890 

$1234567890 

1 1  Characters 

10F  39 J 

Set  Factor  99 

12345  67890  12345 

67890  12345  67890 

$1234567890 

1 1  Characters 


Monotype  Figures.     Composition  Matrices 

10  Point 

Figures  of  different  designs  have  been  made  for  certain  series.      They  are  always  shown  below  the  specimen  of  the  same 
series  number.     Thus,  under  6H9F  12  is  shown  a  figure  3  of  different  design  from  the  figure  3  under  6F  12,  just  above. 

10G  42J  10F  51  10F60K  10F  68 J 

Set  Factor  90  Set  Factor  180  Set  Factor  99  Set  Factor  92.3 

1 2345    67890     D234S  ©@®®©®©®@  12345   67890  12345          12345     67890     12345 

67890   12345  67890         67890     12345     67890 
$1234567890  $1234567890 

11  Characters  f28)f29)(80)(8l)C32)(3^C34)(33)f86)  11  Characters  11  Characters 


10F  45J                                      @@(48)(49)(50)(5l)(52)(53)(54)  10F  63J  10p  68£ 

Set  Factor  90                                 @@(^(^(59)(60)(6l)(6?,(63)  Set  Factor  99  Set  Factor  90 

12345     67890     12345           @tf&£&ffi&$^  12345   67890    12345  12345     67890     12345 

67890     12345     67890           @@@®^@@®@  67890    12345   67890  67890     12345     67890 

$1234567890                   @®®®®@®@®  $1234567890  $1234567890 

®(§)(g)(§)(g)(g)(97)®(99)  11  Characters  11  Characters 
99  Characters 

SetFf°rl"                                           10F  51  (Class  B)  Set'ScS/Sl  .     >°F  69J?r 

TypeLine.110                                            e*i»  _*«-««  ,.-,-,<-             -,  .     -          <  /»«  ,~  Set  Factor  76.5 

123     456     789           ^^^m  ^      ?™°      ™  123456    789012    345678 

012     345     678  ti™2Sfton  901234    56789°     123456 

$ 1 234567c.,  $1234567890  $1234567890 

\^y\iioj\ii\y)\ii_ij\iis)\iiyj^\i)  1  j  Characters  ,  .   „, 

.    14  Characters                                        /c^s/T7S\/C^\/rr^^>\  11  Characters 


10H7F46  26  Characters  10G  64K 

Set  Factor  144  Set  Factor  81                                                       *   70L 

TypeLine,262  ^'^  ,2345      67890      ,2345  ^^f^OlS 

123      456      789  ,23«5     67890      12345  ^ jggL^  3456        890      1^4 

012      345     678  67890     12345     67890  $1234567890                        $1234567890 

S12345678C..  $1234567890  «?  CharaCterS                                       ^ll  Characters 

14  Characters  11  Characters 

10F  65 

10F  48J  10F  57  Set  Factor  180                                                  10G  71E 

Set  Factor  90  Set  Factor  123  Type  Line  .1150                                           Set  Factor  92.3 

12345     67890     12345  123456789012  123456789  12345     67890    12345 

67890      12345    67890  3456    7890    1234  O12345678  67890     12345    67890 

$1234567890  £$1234567890c.,  $123456c.,                    $1234567890 

11   Characters  15  Characters  14  Characters                                               1 1  Characters 

10F  49 J  10F  58 J  !0F  66                                                         10G  71G 

Set  Factor  90  Set  Factor  90  Set  Factor  99                                             Set  Factor  92.3 

12345  67890  12345  12345  67890  12345  12345  67890  12345  12345  67890  12345 

67890  12345  67890  67890  12345  67890  67890  12345  67890  67890  12345  67890 

$1234567890  $1234567890  $1234567890          $1234567890 

11  Characters  11  Characters  n  Characters                                               11  Characters 

10F  51 J  10F  60J  10F  66J                                                         10F  72L 

Set  Factor  63  Set  Factor  99  Set  Factor  94.5                                           Set  Size  .0830 

1234567     8901234     5678901  12345   67890   12345  12345    67890    12345  1234     5678     9012 

2345678     9012345     6789012  67890    12345  67890  67890    12345    67890  3456     7890     1234 

$1234567890  $1234567890  $1234567890                      $1234567890 

11  Characters  11  Characters  11  Characters                                             11  Characters 


M  unit  rutv  rajuireu.     ij  inu  retail  coniains  a  jrafiion  u^e  next  larger  unn  row.      liXAMPLE:  set  I 
this  matrix  in  matrix  case  used  with  9  set  normal  wedge;    80 -=-9  =  8.8,  therefore  put  matrix  in  9  unit  row 


line  matrices  used  with  them  (.071"—  .060"  =  .011")  . 

Prices:     The  figure  matrices  shown  on  this  page  are  all  Class  A  matrices,  except  those  which  have  the  classification  noted  in  parentheses  after  the 


series  number. 


Monotype  Figures.     Composition  Matrices 

10  Point 

Figures  of  different  designs  have  been  made  for  certain  series.     They  are  always  shown  below  the  specimen  of  the  same 
series  number.     Thus,  under  6H9F  12  is  shown  a  figure  3  of  different  design  from  the  figure  3  under  6F  12,  just  above. 


10F  74L 
Set  Size  .0692 

12345  67890  12345 

67890  12345  67890 

$1234567890 

11  Characters 

10F75 

Set  Factor  81 

123456  789012  345678 

901234  567890  123456 

$1234567890 

11  Characters 

10F  76J 

Set  Factor  90 

12345  67890  12345 

67890  12345  67890 

$1234567890 

11  Characters 

10F77J 

Set  Factor  72 

123456  789012  345678 

901234  567890  123456 

$1234567890 

11  Characters 

10G  78J 
Set  Factor  94.5 

12345  67890  12345 

67890  12345  67890 

$1234567890 

1 1  Characters 

10F  79  J 

Set  Factor  92 .3 

12345  67890  12345 

67890  12345  67890 

$1234567890 

1 1  Characters 

10F  79K 
Set  Factor  92.3 

12345  67*90  12345 

67890  12345  67890 

$1234567890 

It  Characters 


10F  81J 

Set  Factor  90 

12345  67890  12345 

67890  12345  67890 

$1234567890 

11  Characters 

10F  86J 

Set  Factor  92.3 

12345  67890  12345 

67890  12345  67890 

$1234567890 

11  Characters 

10H3F  86J 
Set  Factor  120 

1234  5678  9012 

3456  7890  1234 

$1234567890 

11  Characters 

10F  86K 
Set  Factor  92.3 

12345  67890  12345 

67890  12345  67890 

$1234567890 

11  Characters 


10F  88J 

Set  Factor  76.5 

123456  789012  345678 

901234  567890  123456 

$1234567890 

11  Characters 

10F  88K 
Set  Factor  76.5 

123455  789012  345678 

901234  567890  123456 

$1234567890 

1 1  Characters 

10F  89J 

Set  Factor  90 

12345  67890  12345 

67890  12345  67890 

$1234567890 

1 1  Characters 


10F  89K 

Set  Factor  90 

12345  67890  12345 

67890  12345  67890 

$1234567890 

1 1  Characters 

10F  90 

Set  Factor  120 

1234  5678  9012 

3456  7890  1234 

1234567890 

10  Characters 

10F91 

Set  Factor  90 

12345  67890  12345 

67890  12345  67890 

1234567890 

10  Characters 

10F  92J 
Set  Factor  92.3 

12345  67890  12345 

67890  12345  67890 

$1234567890 

11  Characters 

10F  93 

Set  Factor  1 19 

1234  5678  9012 

3456  7890  1234 

$1 234567 890c., 

14  Characters 

10F  9SJ 

Set  Factor  99 

12345  67890  12345 

67890  12345  67890 

$1234567890 

1 1  Characters 

10F  97J 

Set  Factor  92.3 

12345  67890  12345 

67890  12345  67890 

$1234567890 

11  Characters 


10F  97K 

Set  Factor  90 

12345  67890   12345 

67890  12345   67890 

$1234567890 

1 1  Characters 

10G  98J 

Set  Factor  92.3 

12345  67890  12345 

67890  12345  67890 

$1234567890 

1 1  Characters 

10G  98K 

Set  Factor  90 

12345  67890  12345 

67890  12345  67890 

$1234567890 

11  Characters 

10F  101 

Set  Factor  70 

123456  789012  345678 

901234  567890  123456 

$1234567890 

11  Characters 

10F  102J 

Set  Factor  99 

12345  67890  12345 

67890  12345  67890 

$1234567890 

11  Characters 

10F  107J 

Set  Factor  90 

12345  67890  12345 

67890  12345  67890 

$1234567890 

11  Characters 

10G  111J 

Set  Factor  90 

12345  67890  12345 

67890  12345  67890 

$1234567890 

11  Characters 


S«t  Factor  is  the  »et  multiplied  by  unit  width;  thus,  the  set  factor  of  a  character  made  for  the  10  unit  row  of  8  set  is  80  (10X8  =  80) .     Knowing  the 

ctorand  the  set  to  be  used,  to  determine  the  proper  unit  row  for  any  character  divide  the  set  factor  by  the  set  to  be  used.     RULE:     Given  the 

\>l'X  of  a  matrix,  to  determine  jur  any  set.  Ike  unit  row  of  the  matrix  case  in  which  to  carry  this  matrix:  divide  the  set  factor  by  the  set  to  be  used,  the 

he  untt  rim-  required.     If  this  result  contains  a  fraction  use  next  larger  unit  row.     EXAMPLE:  Set  factor  80.     Find  unit  row  in  which  to  carry 

i  rase  used  with  9  set  normal  wedge;   80-5-9  =  8.8.  therefore  put  matrix  in  9  unit  row. 

Type  Line:     All  matrices  for  composition  when  used  in  the  same  matrix  case  produce  type  on  the  same  line  regardless  of  any  difference  in  point 
the  line  standard  to  use  with  a  matrix  case  depends  upon  the  point  size  of  the  mold  used  with  the  matrices.     The  type  line 


f     tk     tv«wi     •     •'  .  ,  . 

•  *n*Jf  Bgurw  when  cast  on  5  X  point  body)  thus  these  matrices  produce  type  .01 1 '  lower  than  that  produced  by  standard 
•  u«ed  with  them  (.07 1 ' — .060*  —  .01 1  *) . 

1*  **'***  raatrice»  «l*>wn  on  this  pa«e  are  all  Class  A  matrices,  except  those  which  have  the  classification  noted  in  parentheses  after  the 


Monotype  Figures.     Composition  Matrices 

10  Point 

Figures  of  different  designs  have  been  made  for  certain  series.      They  are  always  shown  below  the  specimen  of  the  same 
series  number.     Thus,  under  6H9F  12  is  shown  a  figure  3  of  different  design  from  the  figure  3  under  6F  12,  just  above. 


10F  113J 
Set  Factor  85.5 

12345  67890  12345 

67890  12345  67890 

$1234567890 

11  Characters 


10F  119 

Set  Factor  90 

12345  67890  12345 

67890  12345  67890 

$1234567890c., 

14  Characters 


10F  138  (Class  D) 
Set  Factor  90 

12345  67890}  23456 

78961  234567  890 1 2 

1234567890 

10  Characters 


10F  146J 

Set  Factor  90 

12345  67890  12345 

67890  12345  67890 

$1234567890 

11  Characters 


10F  114 
Set  Factor  90 
Type  Line  .124 

12345    67890    12345 

67890    12345    67890 

1234567890. 

11  Characters 

10F  115C 

Set  Factor  90 

12345  67890  12345 
67890  12345  67890 


11  Characters 

10F  117J 

Set  Factor  90 

12345  67890  12345 

67890  12345  67890 

$1234567890 

11  Characters 


10F  119J 

Set  Factor  81 

123456  789012  345678 

901234  567890  123456 

$1234567890 

11  Characters 

10F  123 

Set  Factor  136.5 
Type  Line  .088 

1 23   456   789 

012   345   678 

$1234567890 

11  Characters 

10F  128J 

Set  Factor  108 

1234  5678  9012 

3456   7890   1234 

$1234567890 

11  Characters 


10F  139J 

Set  Factor  85.5 

12345   6T890   12345 

6T890   12345   6T890 

$1234567890 

11  Characters 

10F  140J 

Set  Factor  72 

123456  789012  345678 

901234  567890  123456 

$1234567890 

11  Characters 

10F  141J 

Set  Factor  63 

1234567  8901234  5678901 

2345678  9012345  6789012 

$1234567890 

11  Characters 


10F  149J 

Set  Factor  90 

12345     67890     12345 

67890     12345     67890 

$1234567890 

11  Characters 

10F  1SOA 

Set  Factor  99 

12345  67890  12345 

67890  12345  67890 

$1234567890 

11  Characters 

10F  150C 

Set  Factor  99 

12345  67890  12345 

67890  12345  67890 

$1234567890 

11  Characters 


10F  117K 
Set  Factor  90 

723^5  67890  J2345 

67890  J2345  67890 

$J234567890 

11  Characters 


10F  132K 
Set  Factor  99 

72345  67890  12345 

67890  12345  67890 

$1234567890 

11  Characters 


10F  142J 
Set  Factor  99 

12345  67890  12345 

67890  12345  67890 

$1234567890 

11  Characters 


10F  151A 
Set  Factor  87.8 

12345  67890  12345 

67890   12345  67890 

$1234567890 

11  Characters 


10F  118J 
Set  Factor  90 

12345  67890  12345 

67890  12345  67890 

$1234567890 

11  Characters 


10F  134E 
Set  Factor  85.5 

12345   67890   12345 

67890   12345   67890 

$1234567890 

11  Characters 


10F  143J 

Set  Factor  90 


10F  154  (Class  D) 
Set  Factor  92.3 


11  Characters 


12345  67890  12345 

67890  12345  67890 

1234567890 

10  Characters 


10F   118K 
Set  Factor  90 

12345  67890  12345 

67890  12345  67890 

$1234567890 

11  Characters 


10F  135  (Class  D) 
Set  Factor  90 


67890___1_2_3_4J5___67890 
1234567890 

10  Characters 


10F  145J 

Set  Factor  90 


10F  155 

Set  Factor  140 


12345     67890     12345 

67890     12345     67890 

$1234567890 


123     456     789 

012     345     678 

$12345678c. 


11  Characters 


13  Characters 


Set  Factor  is  the  set  multiplied  by  unit  width;  thus,  the  set  factor  of  a  character  made  for  the  10  unit  row  of  8  set  is 80  (10X8  =  80).  Knowing  the 
•et  factor  and  the  set  to  be  used,  to  determine  the  proper  unit  row  for  any  character  divide  the  set  factor  by  the  set  to  be  used.  RULE:  Given  the 
set  faitor  of  a  matrix,  to  determine  for  uny  set,  the  unit  row  of  the  matrix  case  in  which  to  carry  this  matrix:  divide  the  set  factor  by  the  set  to  be  used,  the 
result  in  the  unit  row  required.  If  this  result  contains  a  fraction  use  next  larger  unit  row.  EXAMPLE:  Set  factor  80.  Find  unit  row  in  which  to  carry 
this  matrix  in  matrix  case  used  with  9  set  normal  wedge;  80-^9  =  8.8,  therefore  put  matrix  in  9  unit  row. 

Type  Line:  All  matrices  for  composition  when  used  in  the  same  matrix  case  produce  type  on  the  same  line  regardless  of  any  difference  in  point 
size  of  the  matrices,  and  the  line  standard  to  use  with  a  matrix  case  depends  upon  the  point  size  of  the  mold  used  with  the  matrices.  The  type  line 
is  the  mold  size  expressed  decimally  with  five  added  to  the  right  hand  figure,  thus,  the  line  for  a  5  1A  point  mold  is  .060"  (.055* +  .005"=  .060"),  the 
type  line  for  5y2  point  faces.  EXCEPTIONS:  Abnormally  tall  characters  are  of  necessity,  driven  to  a  lower  matrix  line  and  consequently  when  used 
in  combination  with  standard  line  matrices  the  line  of  the  type  cast  from  special  line  matrices  is  lower  than  the  typecast  from  standard  line  matrices. 
For  all  such  exceptions  the  type  line  is  given;  for  example  5  y*  point  F10  figures  for  which  the  type  line  is  given  as  .071"  (the  distance  from  the  top 
of  the  body  to  the  bottom  of  these  figures  when  cast  on  5  %  point  body)  thus  these  matrices  produce  type  .01 1 "  lower  than  that  produced  by  standard 
line  matrices  used  with  them  (.071" — .060"- .01 1"). 

Prices:  The  figure  matrices  shown  on  this  page  are  all  Class  A  matrices,  except  those  which  have  the  classification  noted  in  parentheses  after  the 
series  number. 


Monotype  Figures.     Composition  Matrices 

10  Point 

Figures  of  different  designs  have  been  made  for  certain  series.      They  are  always  shown  below  the  specimen  of  the  same 
series  number.     Thus,  under  6H9F  12  is  shown  a  figure  3  of  different  design  from  the  figure  3  under  6F  12,  just  above. 


10G   157E 
Set  Factor  94.5 

12345  67890  12345 

67890  12345  67890 

$1234567890 

11  Characters 


10F  163J 

Set  Factor  90 

12345  67890  12345 

67890  12345  67890 

$1234567890 

11  Characters 


10F  169J 

Set  Factor  81 

123456  789012  345678 

901234  567890  123456 

$1234567890 

11  Characters 


10F  173E 
Set  Factor  90 

12345  67890  12345 

67890   12345  67890 

$1234567890 

11  Characters 


10G  157G 
Set  Factor  94.5 

12345  67890  12345 

67890  12345  67890 

$1234567890 

11  Characters 

10F  158J 
Set  Factor  99 

12345  67890  12345 

67890  12345  67890 

81234567890 

11  Characters 

10F  159J 
Set  Factor  94.5 

12345  67890  12345 

67890  12345  67890 

$1234567890 

11  Characters 

10F  161J 

Set  Factor  90 

12345  67890  12345 

67890  12345  67890 

$1234567890 

1 1  Characters 

10F  161K 
Set  Factor  90 

12345  67890  12345 

67890  12345  67890 

$1234567890 

11  Characters 

10F  162J 
Set  Factor  99 

12345  67890  12345 

67890  12345  67890 

$1234567890 

11  Characters 


10F  164 
Set  Size  .0830 

2367   8923   6789 

2367   8923   6789 

236789 

6  Characters 

10F  164J 

Set  Factor  90 

12345  67890  12345 

67890  12345  67890 

$1234567890 

1 1  Characters 

10F  164K 

Set  Factor  90 

12345  67890  12345 

67890  12345  67890 

$1234567890 

1 1  Characters 

10F  165J 
Set  Factor  94.5 

12345    67890    12345 

67890    12345    67890 

$1234567890 

11  Characters 

10F  168J 

Set  Factor  99 

12345  67890  12345 

67890  12345  67890 

$1234567890 

1 1  Characters 

10F  169 

Set  Factor  90 
Type  Line  .122 

12345  67890  12345 

67890  12345  67890 

1234567890 

10  Characters 


10F  170 

Set  Factor  90 
Type  Line  .122 


10F  174E 
Set  Factor  90 

J.23.45      67890      12345. 


12345  67890  12345   67890  123.45.  67890 


67890  12345  67890 
1234567890 

10  Characters 

10F  171  (Class  D) 
Set  Factor  90 

1234!     23412      34J23 

4 i 234__^34J _?34 ! 2 

1234123412 

4  Characters 

10F  172E 

Set  Factor  90 

12345   67890   12345 

67890   12345   67890 

$1234567890 

11  Characters 

10G  172E 

Set  Factor  90 

12345  67890  12345 

67890  12345  67890 

$1234567890 

11  Characters 

10F  172G 

Set  Factor  90 

12345   67890   12345 

67890   12345  ,  67890 

$1234567890 

11  Characters 

10G  172G 

Set  Factor  90 

12345  67890  12345 

67890  12345  67890 

$1234567890 

1 1  Characters 


$12345.67820 

1 1  Characters 

10F  175A 
Set  Factor  90 

12345   67890   12345 

67890   12345   67890 

$1284567890 

1 1  Characters 

10G  175A 
Set  Factor  90 

12345  67890  12345 

67890  12345  67890 

$1234567890 

11  Characters 

10G  175C 

Set  Factor  90 

12345  67890  12345 

67890  12345  67890 

$1234567890 

1 1  Characters 

10F  176J 

Set  Factor  76.5 

123456  789012  345678 

901234  567890  123456 

$1234567890 

1 1  Characters 

10F  179 
Set  Factor  54 
Type  Line  .112 

123456789    012345678    901234567 


1234567890 

10  Characters 


Set  Factor  is  the  set  multiplied  by  unit  width;  thus,  the  set  factor  of  a  character  made  for  the  10  unit  row  of  8  set  is  80  (10X8  =  80).  Knowing  the 
set  factor  and  the  get  lobe  used,  to  determine  the  proper  unit  row  for  any  character  divide  the  set  factor  by  the  set  to  be  used.  RULE:  Given  the 
ret  factor  of  a  matrix,  to  determine  far  any  set.  the  unit  rmv  of  the  matrix  case  in  which  to  carry  this  matrix,  divide  the  set  factor  by  the  set  to  be  used,  the 
mult  i  :  the  unit  row  required.  IJ  this  result  contain:,  a  fraction  use  next  larger  unit  row.  EXAMPLE:  Set  factor  80.  Find  unit  row  in  which  to  carry 
this  matrix  in  matrix  cast-  used  with  9  set  normal  wedge;  80-^-9  =  8.8,  therefore  put  matrix  in  9  unit  row. 

Type  Line:  All  matrices  for  composition  when  used  in  the  same  matrix  case  produce  type  on  the  same  line  regardless  of  any  difference  in  point 
size  of  the  matrices,  and  the-  line  standard  to  use  with  a  matrix  case  depends  upon  the  point  size  of  the  mold  used  with  the  matrices.  The  type  line 
it  the  mold  <nze  expressed  decimally  with  five  added  to  the  right  hand  figure,  thus,  the  line  for  a  S</2  point  mold  is  .060"  (.055  "  +  .005"=  .060"),  the 
type  line  for  Sy,  point  fates.  EXCEPTIONS:  Abnormally  tall  characters  are  of  necessity,  driven  to  a  lower  matrix  line  and  consequently  when  used 
in  combination  with  Mandard  line  matrices  the  line  of  the  type  cast  from  special  line  matrices  is  lower  than  the  type  cast  from  standard  line  matrices. 
For  all  »uch  exceptions  the  type  line  is  given;  for  example  5  l/i  point  F10  figures  for  which  the  type  line  is  given  as  .071"  (the  distance  from  the  top 
I  the  body  to  the  bottom  of  these  figures  when  cast  on  5  yi  point  body)  thus  these  matrices  produce  type  .01  1  "  lower  than  that  produced  by  standard 
line  matrices  used  with  them  (-071'—  .060*  -  .01  1  ")  . 


.  The  "We  matrices  shown  on  this  page  are  all  Class  A  matrices,  except  those  which  have  the  classification  noted  in  parentheses  after  the 
*ene»  number. 


Monotype  Figures.     Composition  Matrices 

10  Point 

Figures  of  different  designs  have  been  made  for  certain  series.     They  are  always  shown  below  the  specimen  of  the  same 
series  number.     Thus,  under  6H9F  12  is  shown  a  figure  3  of  different  design  from  the  figure  3  under  6F  12,  just  above. 


10F  180  (Class  D) 
Set  Factor  90 


mm 


10F  183 
Set  Factor  156 
Type  Line  .115 

123  456  789 

012  345  678 

$1234567 

11  Characters 

10F  186J 

Set  Factor  90 

12345  67890  12345 

67890  12345  67890 

$1234567890 

1  1  Characters 

10F  187J 

Set  Factor  99 

12345  67890  12345 

67890  12345  67890 

$1234567890 

1  1  Characters 

10F  188J 
Set  Factor  99 

12345  B7890  12345 

0T830  12345  0T890 

$1234507890 

1  1  Characters 

1  OF  190  (Class  D) 
Set  Factor  90 

12345  67890  12345 
67890  j  2345  67890 
'  '1234567890 

10  Characters 


10F  190J 

Set  Factor  120 

1234  5678  9012 

3456  7890  1234 

$1234567890£., 

14  Characters 

10F  194 
Set  Factor  187.5 

1  2       34       56 

"78       9O        1  2 

$1  23456V 

11  Characters 

10F  196 
Set  Factor  150 

123  456  789 
012  345  678 
$1 23456789O 

1 1  Characters 

10F  204 J 

Set  Factor  76.5 

123456  789012  345678 

901234  567890  123456 

$1234567890 

1 1  Characters 

10F  209  (Class  D) 
Set  Factor  90 

3S  3M  IlM 

3567___J567__  \S567 
'  '.356735673567" 

5  Characters 

1  OF  210  (Class  D) 
Set  Factor  90 

13567  13567  13567 

13567   J3567  13567 

'  '135(5713567' ' 

5  Characters 


1  OF  211  (Class  D) 
Set  Factor  90 


41234  _J234l__  234  1  2 
1234  1234 

4  Characters 

10F  212  (Class  D) 
Set  Factor  90 

12345  12345  12345 

12345  12345  12345 

1234512345 

5  Characters 

10F  213  (Class  D) 

Set  Factor  90 

12345  67123  45671 

23456  _7_1234_  56712 

1234567 

8  Characters 

10D  214  (Class  D) 
Set  Factor  90 

i  2  3  i  2  3  1  2  3  i          23123 

I  2  3  i  2  3  i  2  3  i          2  3  i  2  3 

i  2  3  i  2  3  i  2  3  i 

3  Characters 

10D  215  (Class  D) 
Set  Factor  90 

57575    75757    57575 

75757    57575    75757 

5757575757 

2  Characters 


10F  219  (Class  D) 
Set  Factor  90 


M 


m 

w 


\  Character 


10F  249 J 

Set  Factor  90 

12345     67890    12345 

67890     12345    67890 

$1234567890 

1 1  Characters 

10F  275J 

Set  Factor  90 

12345  67890  12345 

67890  12345  67890 

$1234567890 

1 1  Characters 

10H3F  275J 
Set  Factor  1 10 

1234  5678  9012 

3456  7890   1234 

$1234567890 

1 1  Characters 

10F  275K 
Set  Factor  90 

12345  67890  12345 

67890  12345  67890 

$1234567890 

1 1  Characters 

10F  337E 

Set  Factor  90 

12345   67890   I2J45 

67890   12345   67890 

$1234567890 

1 1  Characters 

10F  337G 

Set  Factor  90 

12345      67890       12345 
67890       12345 

$1234567890 
11  Characters 


Piece  fractions,  see  10  point  fraction  sheet  (Class  B) 


10F  110 

Set  Factor  50 
Type  Line  108.4 


mm/777 

10  Characters 


10F  111 

Set  Factor  50 

Type  Line  .1196 


10  Characters 


Set  Factor  is  the  set  multiplied  by  unit  width;  thus,  the  set  factor  of  a  character  made  for  the  10  unit  row  of  8  set  is  80  (10X8  =  80).  Knowing  the 
sft  factor  and  tin- set  to  be  used,  to  determine  the  proper  unit  row  for  any  character  divide  the  set  factor  by  the  set  fo  be  used.  RULE:  Given  the 
set  factor  of  a  matrix,  to  determine  for  any  set,  the  unit  rma  of  the  matrix  case  in  which  to  carry  this  matrix:  divide  the  set  factor  by  the  set  to  he  used,  the 
remit  is  the  unit  rmy  required.  If  this  result  contains  n  fraction  use  next  larger  unit  row.  EXAMPLE:  Set  factor  80.  Find  unit  row  in  which  to  carry 
this  matrix  in  matrix  case  used  with  9  set  normal  wedge;  80-5-9  =  8.8,  therefore  put  matrix  in  9  unit  row. 

Type  Line:  All  matrices  for  composition  when  used  in  the  same  matrix  case  produce  type  on  the  same  line  regardless  of  any  difference  in  point 
size  of  the  matrices,  and  the  line  standard  to  use  with  a  matrix  case  depends  upon  the  point  size  of  the  mold  used  with  the  matrices.  1  he  type  line 
is  the  mold  size  expressed  decimally  with  f.ve  added  to  the  right  hand  figure,  thus,  the  line  for  a  5 ^i  point  mold  is  .060"  (.055 "+.005"=  .060"),  the 
typz  line  for  .5,',  point  fares.  K.X(  MTIONS:  Abnormally  tall  characters  are  of  necessity,  driven  to  a  lower  matrix  line  and  consequently  when  used 
in  combination  with  standard  line  matrices  the  line  of  the  type  cast  from  special  line  matrices  is  lower  than  the  type  cast  from  standard  line  matrices. 
For  all  such  exceptions  the  type  line  is  given;  for  example  5'/<  point  F10  figures  for  which  the  type  line  is  given  as  .071"  (the  distance  from  the  top 
of  the  body  to  the  bottom  of  these  figures  when  cast  on  5  tf  point  body)  thus  these  matrices  produce  type  .01 1 "  lower  than  that  produced  by  standard 
line  matrices  used  with  them  (.071" — .060"  =  .01 1 ") . 

Price*:  Tii'-  fuurf  ni;iiric<-i  shown  oil  thi<  ;>ax  •  an:  all  Class  A  matrices,  except  those  which  have  the  classification  noted  in  parentheses  after 
the  series  number,  all  Piece  Fractions  are  Class  B. 


Monotype  Figures.     Composition  Matrices 

12  Point 


Figures  of  different  designs  have  been  made  for  certain  series 
series  number.     Thus,  under  6H9F  12  is  shown  a  figure  3  of 


They  are  always  shown  below  the  specimen  of  the  same 
different  design  from  the  figure  3  under  6F  12,  just  above. 


12F  8A 

Set  Factor  108 


12F  20A 

Set  Factor  108 


12F  22G 

Set  Factor  108 


1234  5678  9012 

3456  7890  1234 

$1234567890 


11  Characters 


12H9F  8A 

Set  Factor  108 


1  Character 

12F  8C 

Set  Factor  108 


1284  5678  9012 

3456  7890  1234 

$1234567890 


11  Characters 

12G  11J 

Set  Factor  108 


1234  5678  9012 

3456  7890  1234 

$1234567890 


11  Characters 

12F  12J 

Set  Factor  108 


9012 
11234 


11  Characters 

12F  14A 

Set  Factor  99 

1234   5678  9012 

3456   7890   1234 

$1234567890 

11  Characters 

12F  14C 

Set  Factor  99 

1234   5678  9012 

3456   7890   1234 

$1234567890 

11  Characters 


1234  5678  9012 

3456  7890  1234 

1234567890 

10  Characters 

12F  16E 

Set  Factor  108 

1234   5678   9012 
3456    7890    1234 

$1234567890 

11  Characters 

12G   16E 

Set  Factor  108 

1234  5678  9012 

3456  7890  1234 

$1234567890 

11  Characters 

12F  18 

Set  Factor  108 

1234  5678  9012 

3456  7890  1234 

$1234567890 

11  Characters 

12F  19 

Set  Factor  216 
Type  Line  .ISO 

12    34    56 

78    9O     12 

$12345c., 

14  Characters 

12H2F  19 
Set  Factor  153.7 

123  456  789 

012  345  678 

$123456c.9 

14  Characters 

12F  20 

Set  Factor  144 

123  456  789 

O12  345  678 

$123456£c., 

15  Characters 


1234  5678  9012 

3456  7890  1234 

$1234567890 


1234  5678  9012 
7890  1234 
$1234567890 


1 1  Characters 

12F  20C 

Set  Factor  108 

1234  5678  9012 

3456  7890  1234 

$1234567890 

11  Characters 

12F  21E 

Set  Factor  108 

1234   5678   9012 

3456   7890    1234 

$1234567890 

11  Characters 

12G  21E 

Set  Factor  108 

1234  5678  9012 

3456  7890  1234 

$1234567890 

11  Characters 

12F  21G 

Set  Factor  108 

1234   5678   QOI2 

3456   7890    1234 

$1234567890 

1 1  Characters 

12G  21G 

Set  Factor  108 

1234  5678  9012 

3456  7890  1234 

$1234567890 

11  Characters 

12F  22E 

Set  Factor  108 

1234   5678   9012 

3456   7890    1234 

$1234567890 

11  Characters 


11  Characters 


12F  23K 

Set  Factor  108 


11  Characters 

12F  25J 

Set  Factor  108 


1234    5678    QOI2 

3456    7890    1234 

$1234567890 


11  Characters 

12G  25J 

Set  Factor  108 


1234  5678  9012 

3456  7890  1234 

$1234567890 


1 1  Characters 

12G  25K 

Set  Factor  108 


1234  5678  9012 

3456  7890  1234 

$1234567890 


1 1  Characters 


12F  26 

Set  Factor  156 


123  456  789 
012  345  678 

$1  234567  c., 


14  Characters 

12F  26J 

Set  Factor  108 


1 1  Characters 


this  matrix  in  matrix  case  used  with  9  set  normal  wedge;    80-3-9 —  8. 8,  therefore  put  matrix  in  9  unit  row 


line  matrices  used  with  them  (.071* — .060* -  .01 1  *) . 

Prices:     The  fiKiire  matrices  shown  on  this  paxe  are  all  Class  A  matrices,  except  those  which  have  the  classification  noted  in  parentheses  after  the 
series  number. 


Monotype  Figures.     Composition  Matrices 

12  Point 

Figures  of  different  designs  have  been  made  for  certain  series.     They  are  always  shown  below  the  specimen  of  the  same 
series  number.     Thus,  under  6H9F  12  is  shown  a  figure  3  of  different  design  from  the  figure  3  under  6F  12,  just  above. 


12F  28J 
Set  Factor  108 

1234  5678  9012 

:U56  7890  1234 

$1234567890 

11  Characters 

12F  29 
Set  Factor  168 

123456789 
O12  345  678 

$1234567c 

12  Characters 

12F  31 
Set  Factor  168 

123  456  789 

012345678 

$1234567c., 

14  Characters 

12F  3  IE 

Set  Factor  99 

1234  5678  9012 
3456  7890  1234 
$1234567890  " 

11  Characters     ' 

12F  31G 

Set  Factor  99 

1234   5678   9012 

3456   7890   1234 

$1234567890 

11  Characters 

12F  34A 

Set  Factor  99 

1234     5078     9012 

3450     7800     1234 

Sl2:aiG7890 


12F  36A 

Set  Factor  108 

1234  5678  9012 

3456  7890  1234 

$1234567890 

11  Characters 

12F  36C 

Set  Factor  108 

1234.  5678  9012 

3466  7890  1234 

$1234567890 

11  Characters 

12F  37E 

Set  Factor  108 

1234  5678  9012 

3456  7890  1234 

$1234567890 

11  Characters 

12G  37E 

Set  Factor  108 

1234  5678  9012 

3456  7890  1234 

31234567890 

11  Characters 

12F  37G 

Set  Factor  108 


12P  34C 
Set  Factor  99 


5078   0012 
3456  7890   1234 
$1234567890 

11  Character* 


12G  37G 

Set  Factor  108 

1234  5678  9012 

3456  7890  1234 

$1234567890 

11  Characters 

12F  38E 
Set  Factor  108 

1234  5678  9012 

345^  7890  1234 

$1234567890 

11  Characters 


12G  38E 

Set  Factor  108 

1234  5678  9012 

3456  7890  1234 

$1234567890 

11  Characters 

12F  38G 

Set  Factor  108 

1234  5678  9012 
7Sgo  1234 
$1234567890 

11  Characters 

12G  38G 

Set  Factor  108 

1234  5678  9012 

3456  7890  1234 

$1234567890 

11  Characters 

12F  39  J 

Set  Factor  112.5 

1234  5678  9012 

3456  7890  1234 

$1234567890 

11  Characters 

12F  41 

Set  Factor  108 

1234  5678  9012 

3456  7890  1234 

$1234567890 

11  Characters 

12G  42J 

Set  Factor  108 

1234  5678  9012 
3456  7890  1234 


12F  45J 

Set  Factor  99 

1234  5678  9012 

3456  7890  1234 

$1234567890 

11  Characters 

12F  46 

Set  Factor  180 


14  Characters 
12H7F  46 


123456789 
Q  1  2  345  678 

tt  "I   "^  "A  4i  ^  l-Jr" 
14  Characters 


456     789 
012     345     678 


14  Characters 


,234  5578  9012 
3456  7399   |234 

$  I  2/34.p)fi78C)0 


11  Characters 


12F  44 
Set  Factor  108 


1234  5678  9012 

3456  7890  1234 

$1234567890 


1  1  Characters 


|234  5678  9012 
3456  7890  1234 

$1234567890 

11  Characters 
f  51 

set  Factor  216 


11  Characters 


15  Characters 


't<4M*rcu.       MJ  in    >   rcjwtfr  ixvnKivnj   '•  jruillun  M3C  7ie.lt  lur  get    unit  tuuj .       i^jtAmri»c..   0Cfc  u 

case  used  with  9  set  normal  wedge;   80-5-9  =  8.8,  therefore  put  matrix  in  9  unit  row. 


•***.••   m-**.*.  i/vilSBia    lilt   4J  J^r   IIIHT   13 

of  the  body  to  the  bottom  of  these  figure*  wen  cas   < 
line  matrices  used  with  them  (.071 ' — .060*  -  .01 1  *) . 

^ric-al  -T*16  fi«ure  matrices  shown  on  this  page  are  all  Class  A  matrices,  except  those  which  have  the  classification  noted  in  parentheses  after  the 
series  number. 


Monotype  Figures.     Composition  Matrices 

12  Point 


Figures  of  different  designs  have  been  made  for  certain  series.     They  are  always  shown  below 
series  number.     Thus,  under  6H9F  12  is  shown  a  figure  3  of  different  design  from  the  figure  3 


12F  51J 

Set  Factor  72 


123456  789012  345678 

901234  567890  123456 

$1234567890 

11  Characters 

12F  52J 

Set  Factor  108 

1234  5678  9012 

3456  7890  1234 

$1234567890 

11  Characters 

12F  57 
Set  Factor  144 

123  456  789 
012  345  678 
$£1234567890 

12  Characters 

12F  59  (Class  D) 
Set  Size  152.2 

123  456  789 

012  345  678 

12345678 

10  Characters 

12F  60  (Class  D) 
Set  Size  IS 2. 2 

1.2.3.  4.5.6.  7.8.9. 

0.1.2.  3.4.5.  6.7.8. 

1.2.3.4.5.6.7.8. 

10  Characters 

12F  61  (Class  D) 
Set  Size  152.2 

1,2,3,  4,5,6,  7,8,9, 

0,1,2,  3,4,5,  6,7,8, 

1,2,3,4,5,6,7,8, 

10  Characters 

12F  97  (Class  D) 
Set  Size  152.2 

.1.2.3  .4.5.6  .7.8.9 

.0.1.2.3.4.5  .6.7.8 

.1.2.3.4.5.6.7.8.9 

10  Characters 


12F  58J 

Set  Factor  108 

J234  5678  9012 

3456  7890  I 234 

$1234567890 

1 1  Characters 

12F  60J 
Set  Factor  112.5 

1234  5678  9012 

3456  7890  1234 

$1234567890 

1 1  Characters 

12F  60K 
Set  Factor  112.5 

1234  5678  9012 

3456  7890  1234 

$1234567890 

1 1  Characters 

12F  63J 
Set  Factor  112.5 

1234  5678  9012 

3456  7890  1234 

$1234567890 

1 1  Characters 

12G  64J 

Set  Factor  94.5 

12345  67890  12345 

67890  12345  67890 

$1234567890 

1 1  Characters 

12G  64K 
Set  Factor  94.5 

72345  67890  12345 

67890  12345  67890 

$1234567890 

11  Characters 

12F65 

Set  Factor  216 
Type  Line  .1350 

12  34  56 
78  9O  12 
$12345c., 

14  Characters 


12F  66J 
Set  Factor  112.5 

1234  5678  9012 

3456  7890  1234 

$1234567890 

1 1  Characters 

12F  68J 

Set  Factor  108 

1234  5678  9012 

3456  7890  1234 

$1234567890 

1 1  Characters 

12F  68K 

Set  Factor  108 

1234  5678  9012 

3456  7890  1234 

$1234567890 

1 1  Characters 

12F  69J 

Set  Factor  90 

12345  67890  12345 

67890  12345  67890 

$1234567890 

1 1  Characters 

12F70 

Set  Size  102.5 

1234  5678  9012 

3456  7890  1234 

1234567890 

10  Characters 

12F  70L 
Set  Size  .100 

123   456   789 
012   345   678 

$1234567890 

1 1  Characters 

12H9F  70L 

Set  Size  .100 

23M-      567      892 
678      923 
23^56789 

8  Characters 


the  specimen  of  the  same 
under  6F  12,  just  above. 

12SJ  70C 

Set  Factor  72 

123456   789012   345678 

901234   567890   123456 

1234567890 

10  Characters 

12G  71E 

Set  Factor  108 

1234  5678  9012 

3456  7890  1234 

5551234567890 

11  Characters 

12G  71G 
Set  Factor  108 


$1234567890 

1 1  Characters 

12F72 

Set  Factor  144 

123  456  789 

012  345  678 

1234567890 

10  Characters 

12F  72L 
Set  Size  .100 

1234  5678  9012 

3456  7890  1234 

$1234567890 

1 1  Characters 

12F  76J 

Set  Factor  108 

1234  5678  9012 

3456  7890  1234 

$1234567890 

1 1  Characters 

12F  77J 
Set  Factor  85.5 

12345     67890     12345 

67890     12345    67890 

$1234567890 

1 1  Characters 


Set  Factor  is  the  set  multiplied  by  unit  width;  thus,  the  set  factor  of  a  character  made  for  the  10  unit  row  of  8  set  is  80  (10X8  =  80).  Knowing  the 
•et  factor  and  the  set  to  be  used,  to  determine  the  proper  unit  row  for  any  character  divide  the  set  factor  by  the  set  to  be  used.  RULE:  Given  the 
set  factor  of  a  matrix,  to  determine  for  any  set,  the  unit  row  of  the  matrix  case  in  which  to  carry  this  matrix:  divide  the  set  factor  by  the  set  to  be  used,  the 
result  is  the  unit  roiv  required.  If  this  result  contains  a  fraction  use  next  larger  unit  rcnv.  EXAMPLE:  Set  factor  80.  Find  unit  row  in  which  to  carry 
this  matrix  in  matrix  case  used  with  9  set  normal  wedge;  80^9  =  8.8,  therefore  put  matrix  in  9  unit  row. 

Type  Line:  All  matrices  for  composition  when  used  in  the  same  matrix  case  produce  type  on  the  same  line  regardless  of  any  difference  in  point 
«ze  of  the  matrices,  and  the  line  standard  to  use  with  a  matrix  case  depends  upon  the  point  size  of  the  mold  used  with  the  matrices.  The  type  line 
is  the  mold  size  expressed  decimally  with  five  added  to  the  right  hand  figure,  thus,  the  line  for  a  5%  point  mold  is  .060*  (.055 "  +  .005"  =  .060").  the 


of  the  body  to  the  bottom  of  these  figures  when  cost  on  5  K  point  body)  thus  these  matrices  produce  type  .01 1  *  lower  than  that  produced  by  standard 
line  matrices  used  with  them  (.071* — .060*  —  .01 1  *) . 

Prices:     The  figure  matrices  shown  on  this  page  are  all  Class  A  matrices,  except  those  which  have  the  classification  noted  in  parentheses  after  the 
series  number. 


Monotype  Figures.     Composition  Matrices 

12  Point 


Figures  of  different  designs  have  been  made  for  certain  series. 
series  number.     Thus,  under  6H9F  12  is  shown  a  figure  3  of 


They  are  always  shown  below  the  specimen  of  the  same 
different  design  from  the  figure  3  under  6F  12,  just  above. 


12G  78J 
Set  Factor  108 

1234  5678  9012 

3456  7890  1234 

$1234567890 

11  Characters 

12F  79J 

Set  Factor  108 

1234  5678  9012 

3456  7890  1234 

$1234567890 

11  Characters 

12F  79K 
Set  Factor  108 

1234  5678  9012 

3456  7890  1234 

$1234567890 

11  Characters 

12F  81J 

Set  Factor  108 

1234  5678  9012 

3456  7890  1234 

$1234567890 

11  Characters 

12F84 
Set  Factor  126 

1234  5678  9012 

3456  7890  1234 

1234567890 

10  Characters 

12F  86  J 
Set  Factor  108 

1234  5678  9012 

3456  7890  1234 

$1234567890 

'.  \  Characters 

12H3F  86 J 
Set  Factor  144 

123  456  789 

012  345  678 

$1234567890 

11  Characters 


12F  86K 
Set  Factor  108 


1234  5678  9012 

3456  7890  1234 

$1234567890 


11  Characters 

12F  88J 

Set  Factor  90 


12345  67890  12345 

67890  12345  67890 

$1234567890 


1 1  Characters 


12F  88K 

Set  Factor  90 


12345  67890  12345 

67890  12345  67890 

$1234567890 


1 1  Characters 

12F  89J 

Set  Factor  108 


1234  5678  9012 

3456  7890  1234 

$1234567890 


11  Characters 


12F  89K 

Set  Factor  108 


1234  5678  9012 

3456  7890  1234 

$1234567890 


11  Characters 

12F  92  J 

Set  Factor  108 

1234  5678  9012 

3456  7890  1234 

$1234567890 

11  Characters 

12F  93 

Set  Factor  143.5 

123  456  789 

012  345  678 

$123456c., 

14  Characters 


12F  95  J 
Set  Factor  112.5 

1234  5678  9012 

3456  7890  1234 

$1234567890 

11  Characters 

12F  97J 

Set  Factor  108 

1234  5678  9012 

3456  7890  1234 

$1234567890 

11  Characters 

12F  97K 

Set  Factor  108 

1234  5678  9012 

3456  7890  1234 

$1234567890 

11  Characters 

12F  98 

Set  Factor  132 

123   456   789 

012   345   678 

$1234567890 

11  Characters 

12G  98J 

Set  Factor  108 

1234  5678  9012 

3456  7890  1234 

$1234567890 

1 1  Characters 

12G  98K 

Set  Factor  108 

1234  5678  9012 

3456  7890  1234 

$1234567890 

11  Characters 

12F  102J 

Set  Factor  112.5 

1234  5678  9012 

3456  7890  1234 

$1234567890 

11  Characters 


12F  107J 
Set  Factor  108 

1234  5678  9012 

3456  7890  1234 

$1234567890 

11  Characters 

12F  108          N 

Set  Factor  126 
Type  Line  .1595 

1234  5678  9012 
3456  7890  1234 
SI234567890C. 

13  Characters 

12G  111J 

Set  Factor  108 

1234  5678  9012 

3456  7890  1234 

$1234567890 

11  Characters 

12F  113J 

Set  Factor  99 

1234  5678  9012 

3456  7890  1234 

$1234567890 

11  Characters 

12F  115C 

Set  Factor  108 

1284  5678  9012 

3456  7890  1234 

$1234567890 

11  Characters 

12F  117J 

Set  Factor  108 

1234  5678  9012 

3456  7890  1234 

$1234567890 

11  Characters 

12F  117K 
Set  Factor  108 

1234  5678  90J2 

3456  7890  J234 

$123^567890 

11  Characters 


:n  fc 


to  b        do  Hrmin^h  :  thus>  thc.8et  fac,tor  of  a  ^aracter  made  for  the  10  unit  row  of  8  set  is  80  (10X  8  =  80)  .     Knowing  the 
£  £  dtttfmi'nlf?*  fc6  Pr0'/Cr  Unit,  r?W  for  any  characte«-  divide  the  set  factor  by  the  set  to  be  used.     RULE:     Given  the 

,  i      u       T,"'r%u?r?d      I  ffSh    ?,Jlt-,£LUn''  T  "/•  the  malrtx  f,ase  in  which  to  carfy  this  •»*»**••  <«»««  the  set  factor  by  the  set  to  be  used,  the 
id  S^'orn^  «•     «-d  "it  -  in  which  to  carry 

StSrd^T^J}??1  in  th,e.same  matrix  case  produce  type  on  the  same  line  regardless  of  any  difference  in  point 

nth  a  matrix  case  depends  upon  the  point  size  of  the  mold  used  with  the  matrices.     The  type  line 

right  hand  figure,  thus,  the  line  for  a  5^  point  mold  is  .060"  (.055"-f-.005"  =  .060"),  the 

in  combination  with  stand*  haracters  are  of  necessity,  driven  to  a  lower  matrix  line  and  consequently  when  used 

For  an  »ch  exception*  Swtype  li,  V'1^  '  ^  ,  i^T?  r  1>eclal  ,hne  matrices  ««  '°wer  than  the  type  cast  from  standard  line  matrices. 

£tbe  body  to  the  bottom  a?UMie  figure*  when  '  £?  El?  V\5gU7?  for  wh'^h  the  type  Iine  »  «iven  a3  -071"  <the  distance  from  the  top 

Une  matficc*  uwd  with  them  (  .071*—  j060"  '  -  .01  i  I"/.  '        y>  ^  matrlce8  Produce  type  .011"  lower  than  that  produced  by  standard 

•trie*  number.  >U  W*  are  a11  clas3  A  matrices,  except  those  which  have  the  classification  noted  in  parentheses  after  the 


Monotype  Figures.     Composition  Matrices 

12  Point 

Figures  of  different  designs  have  been  made  for  certain  series.      They  are  always  shown  below  the  specimen  of  the  same 
series  number.     Thus,  under  6H9F  12  is  shown  a  figure  3  of  different  design  from  the  figure  3  under  6F  12,  just  above. 


12F  118J 

Set  Factor  108 


1234  5678  9012 

3456  7890  1234 

$1234567890 


11  Characters 

12F  118K 

Set  Factor  108 

1234  5678  9012 

3456  7890  1234 

$1234567890 

11  Characters 

12F  119 

Set  Factor  108 

1234  5678  9012 

3456  7890  1234 

$1234567890c., 

14  Characters 

12F  119J 
Set  Factor  94.5 

12345  67890  12345 

67890  12345  67890 

$1234567890 

11  Characters 

12F  121 

Set  Factor  130.5 

133  456  789 

012  345  678 

$1234567890 

11  Characters 

12F  123 

Set  Factor  162.5 

123  456  789 

012  345  678 

$1 2345678 

11  Characters 

12F  129J 
Set  Factor  108 

1234  5678  9012 

3456  7890  1234 

$1234567890 

11  Characters 


12F  132 

Set  Factor  216 
Type  Line  .163 


13  4  5678 


91011      13141516 


17181920$  XO  . 


26  Characters 

12F  132K 

Set  Factor  112.5 

1234  5678  9012 

3456  7890  1234 

$1234567890 

11  Characters 

12F  134E 
Set  Factor  103.5 

1234  5678  9012 

3456  7890  1234 

$1234567890 

11  Characters 

12F  137 

Set  Factor  108 


12F  142 

Set  Factor  156 


71 


10  Characters 

12F  142J 

Set  Factor  108 


1234  5678  9012 

3456  7890  1234 

$1234567890 


14  Characters 

12F  139J 

Set  Factor  99 

1234   5678   9012 

3456   T890   1234 

$1234567890 

1 1  Characters 

12F  140 J 

Set  Factor  83.3 

12345     67890     12345 

67890     12345     67890 

$1234567890 

1 1  Characters 

12F  141J 

Set  Factor  72 

123456  789012  345678 

901234  567890  123456 

$1234567890 

11  Characters 


11  Characters 

12F  143J 

Set  Factor  108 

1234  5678  9012 

3456  7890  1234 

$1234567890 

11  Characters 

12F  145J 

Set  Factor  108 

1234  5678  9012 

3456  7890  1234 

$1234567890 

11  Characters 

12F  146J 

Set  Factor  108 

1234  5678  9012 

3456  7890  1234 

$1234567890 


12F  149J 

Set  Factor  108 

1234  5678  9012 

3456  7890  1234 

$1234567890 

1 1  Characters 

12F  150A 
Set  Factor  112.5 

1234  5678  9012 

3456  7890  1234 

$1234567890 

11  Characters 


12F  150C 
Set  Factor  112.5 

1234  5678  9012 

3456  7890  1234 

$1234567890 

11  Characters 

12F  155 

Set  Factor  168 
Type  Line  .141 

123  456  789 

012  345  678 

$123456c. 

13  Characters 

12G  157E 

Set  Factor  108 

1234  5678  9012 

3456  7890  1234 

$1234567890 

11  Characters 

12G  157G 

Set  Factor  108 

1234  5678  9012 

3456  7890  1234 

$1234567890 

11  Characters 

12F  158J 
Set  Factor  112.5 

1234  5678  9012 

3456  7890  1234 

$1234567890 

11  Characters 

12F  159J 

Set  Factor  108 

1234  5678  9012 

3456  7890  1234 

$1234567890 

11  Characters 

12F  161J 

Set  Factor  108 

1234  5678  9012 

3456  7890  1234 

$1234567890 

11  Characters 


Set  Factor  is  the  set  multiplied  by  unit  width;  thus,  the  set  factor  of  a  character  made  for  the  10  unit  row  of  8  set  is  80  (10X8  =  80).  Knowing  the 
Bet  factor  and  the  set  to  be  used,  to  determine  the  proper  unit  row  for  any  character  divide  the  set  factor  by  the  set  to  be  used.  RULE:  Given  the 
set  factor  of  a  matrix,  to  determine  for  any  set,  the  unit  row  of  the  matrix  case  in  which  to  carry  this  matrix:  divide  the  set  factor  by  the  set  to  be  used,  the 
result  is  the  unit  row  required.  If  this  result  contains  a  fraction  use  next  larger  unit  row.  EXAMPLE:  Set  factor  80.  Find  unit  row  in  which  to  carry 
this  matrix  in  matrix  case  used  with  9  set  normal  wedge;  80-r-9  =  8.8,  therefore  put  matrix  in  9  unit  row. 

Type  Line:  All  matrices  for  composition  when  used  in  the  same  matrix  case  produce  type  on  the  same  line  regardless  of  any  difference  in  point 
size  of  the  matrices,  and  the  line  standard  to  use  with  a  matrix  case  depends  upon  the  point  size  of  the  mold  used  with  the  matrices.  The  type  line 
is  the  mold  size  expressed  decimally  with  five  added  to  the  right  hand  figure,  thus,  the  line  for  a  5K  point  mold  is  .060"  (.055"  +  .005"=  .060"),  the 
type  line  for  5  Yi  point  faces.  EXCEPTIONS:  Abnormally  tall  characters  are  of  necessity,  driven  to  a  lower  matrix  line  and  consequently  when  used 
in  combination  with  standard  line  matrices  the  line  of  the  type  cast  from  special  line  matrices  is  lower  than  the  type  cast  from  standard  line  matrices. 
For  all  such  exceptions  the  type  line  is  given;  for  example  5  ]/i  point  F10  figures  for  which  the  type  line  is  given  as  .071"  (the  distance  from  the  top 
of  the  body  to  the  bottom  of  these  figures  when  cast  on  5yZ  point  body)  thus  these  matrices  produce  type  .011"  lower  than  that  produced  by  standard 
line  matrices  used  with  them  (.071" — .060*  =  .011"). 

Prices:  The  figure  matrices  shown  on  this  page  are  all  Class  A  matrices,  except  those  which  have  the  classification  noted  in  parentheses  after  the 
series  number. 


Monotype  Figures.     Compositions  Matrices 

12  Point 


Figures  of  different  designs  have  been  made  for  certain  series.      They  are  always  shown  below 
series  number.     Thus,  under  6H9F  12  is  shown  a  figure  3  of  different  design  from  the  figure  3 


the  specimen  of  the  same 
under  6F  12,  just  above. 


12F  161K 
Set  Factor  108 

1234  5678  9012 

3456  7890  1234 

$1234567890 

11  Characters 

12F  162J 
Set  Factor  112.5 

1234  5678  9012 

3456  7890  1234 

$1234567890 


12F  162 

Set  Size  .1000 


2?4  567   892 
545   6?8   92? 

25456789 


8  Characters 


12F  163 
Set  Size  .100 


724-      672 
2M-6      724- 


4  Characters 

»2F  163J 
Set  Factor  108 


1234  5678  9012 

3456  7890  1234 

$1234567890 

1 1  Characters 

12F  164J 
Set  Factor  108 

1234  5678  9012 

3456  7890  1234 

$1234567890 

1 1  Characters 


ITU        r*o 

9012 
••JlZf 


Character! 


12F  165J 
Set  Factor  112.5 

1234  5678  9012 

3456  7890  1234 

$1234567890 

11  Characters 

12F  168J 
Set  Factor  112.5 

1234  5678  9012 

3456  7890  1234 

$1234567890 

11  Characters 

12F  169J 
Set  Factor  94.5 

12345  67890  12345 

67890  12345  67890 

$1234567890 

1 1  Characters 

12H4F  169J 
Set  Factor  112.5 

1234  5678  9012 

3456  7890  1234 

$1234567890 

11  Characters 

12F  170L 
Set  Size  .1000 

123   456   789 

012   345   678 

$1234567890 

11  Characters 

12F  172 

Set  Factor  1 56 

123    456    789 

012    345    678 

1234567890 

10  Characters 

12F  172E 
Set  Factor  108 

1234   5678   9012 
3456   7890    1234 

$1234567890 

1 1  Characters 


12G  172E 
Set  Factor  108 

1234  5678  9012 

3456  7890  1234 

$1234567890 

11  Characters 

12F  172G 

Set  Factor  108 

1234  5678  9012 

3456  7890  1234 

$1234567890 

11  Characters 

12G  172G 

Set  Factor  108 

1234    5678    9012 

3456    7890    1234 

$1234567890 

1  1  Characters 

12F  173E 
Set  Fact«r  108 


12F  176J 

Set  Factor  90 


12345    67890    12345 

67890    12345    67890 

$1234567890 


11  Characters 

12F  180  (Class  D) 
Set  Factor  108 


WVl 


7$00 


11  Characters 

12F  175A 

Set  Factor  108 

1284    6678   9OI2 

3/i56    7890     1284 
$128^567890 

11  Characters 

12G  175A 
Set  Factor  108 

1234  5678  9012 

3456  7890  1234 

$1234567890 

11  Characters 

12G  175C 

Set  Factor  108 

1234  5678  9012 

3456  7890  1234 

$1234567890 

11  Characters 


10  Characters 

12F  185J  (Class  G) 
Set  Factor  112.5 

1234  5678   9012 

3456   7890    1234 

$1234567890 

1  1  Characters 

12F  186J 

Set  Factor  108 

1234  5678  9012 

3456  7890  1234 

$1234567890 

1  1  Characters 

12F  187J 
Set  Factor  112.5 

1234  5678  9012 

3456  7890  1234 

$1234567890 


12F  188J 
Set  Factor  112.5 

1234  5078  9012 

3456  7898  1234 

$1234507890 

11  Characters 

12F  189J 
Set  Factor  112.5 

1234  5678  9012 

3456  7890  1234 

$1234567890 

1  1  Characters 


Monotype  Figures.     Composition  Matrices 

12  Point 

Figures  of  different  designs  have  been  made  for  certain  series.      They  are  always  shown  below  the  specimen  of  the  same 
series  number.     Thus,  under  6H9F  12  is  shown  a  figure  3  of  different  design  from  the  figure  3  under  6F  12,  just  above. 

12F  196  12F  208  (Class  A)  12F  214A  12F  275J 

Set  Factor  180  Set  Factor  198  Set  Factor  99  Set  Factor  108 

1  23  456  789         12      34      56        1234      5678     9012         123      456      789 
O1  2  345  678         fg       90      12        3456      7890      1234         012      345      678 
$12345678  12345678  $1234567890  $1234567890 

11  Characters  10  Characters  11  Characters  11  Characters 

12F  204J  12F  210J  12F  249J  12F  275K 

Set  Factor  90  Set  Factor  76.5  Set  Factor  108  Set  Factor  108 

12345    67890    12345        123456  789012  345678        1234     5678    9012        1234    5678    9012 

67890    12345    67890        901234  567890  123456        3456     7890     1234        3456    7890    1234 

$1234567890  $1234567890  $1234567890  $1234567890 

11  Characters  11  Characters  11  Characters  11  Characters 

12H3F  275J 

Set  Factor  132 

1234  5678  9012 

3456  7890  1234 

$1234567890 

11  Characters 


Piece  fractions,  see  12  point  fraction  sheet  (Class  B) 

12F  no  12F  in 

Set  Factor  60  Set  Factor  60 

Type  Line  .0718  Type  Line  .1437 

1234567   8901234    5678901  ///////   ///////   /////// 

///////   ///////   ///////  123456*7   8901234    5678901 

2345678   9012345    6789012  ///////   ///////   /////// 

///////   ///////   ///////  2345678   9012345    6789012 

1234567890  ////////// 

//////////  1234567890 

10  Characters  10  Characters 


Set  Factor  is  the  set  multiplied  by  unit  width ;  thus,  the  set  factor  of  a  character  made  for  the  1 0  unit  row  of  8  set  is  80  ( 1 0  X  8  =  80) .  Knowing  the 
•et  factor  and  the  set  to  be  used,  to  determine  the  proper  unit  row  for  any  character  divide  the  set  factor  by  the  set  to  be  used.  RULE:  Given  the 
stl  factor  of  a  matrix,  to  determine  for  any  set,  the  unit  rmv  of  the  matrix  case  in  which  to  carry  this  matrix:  divide  the  set  factor  by  the  set  to  be  used,  the 
result  is  the  unit  raw  required.  If  this  result  contains  a  fraction  use  next  larger  unit  row.  EXAMPLE:  Set  factor  80.  Find  unit  row  in  which  to  carry 
this  matrix  in  matrix  case  used  with  9  set  normal  wedge;  80-^9  =  8.8,  therefore  put  matrix  in  9  unit  row. 

Type  Line:  All  matrices  for  composition  when  used  in  the  same  matrix  case  produce  type  on  the  same  line  regardless  of  any  difference  in  point 
size  of  the  matrices,  and  the  line  standard  to  use  with  a  matrix  case  depends  upon  the  point  size  of  the  mold  used  with  the  matrices.  The  type  line 
is  the  mold  size  expressed  decimally  with  five  added  to  the  right  hand  figure,  thus,  the  line  for  a  5l/4  point  mold  is  .060"  (.05  5  "  +  .005"  =  .060"),  the 
type  line  for  5J-i  point  faces.  EXCEPTIONS:  Abnormally  tall  characters  are  of  necessity,  driven  to  a  lower  matrix  line  and  consequently  when  used 
in  combination  with  standard  line  matrices  the  line  of  the  type  cast  from  special  line  matrices  is  lower  than  the  type  cast  from  standard  line  matrices. 
For  all  such  exceptions  the  type  line  is  given;  for  example  5%  point  F10  figures  for  which  the  type  line  is  given  as  .071*  (the  distance  from  the  top 
of  the  body  to  the  bottom  of  these  figures  when  cast  on  5  l/i  point  body)  thus  these  matrices  produce  type  .01 1 "  lower  than  that  produced  by  standard 
line  matrices  used  with  them  (.071" — .060"  =  .01 1"). 

Prices:  The  figure  matrices  shown  on  this  page  are  all  Class  A  matrices,  except  those  which  have  the  classification  noted  in  parentheses  after  the 
series  number.  All  piece  fractions  are  Class  B. 


Monotype  Two-Line  Figures.     Composition  Matrices 

For  use  with  Newspaper  Arrangements 

14  Point 


14FH7  46 

Set  Factor  216 


14F  11 J 

Set  Factor  144 

123  456  789 

012  345  678 

$1234567c., 

14  Characters 

14G  25J 

Set  Factor  126 

123     456     789        123    456    789 

012     345     678       OJ2    345    678 

$12345678c.,  $J234567c., 


14H2F  86J 

Set  Factor  132 

123  456  123  456  789 
789  O12  012  345  678 
$  1 2345c.,  $1234567890 

14  Characters 


11  Characters 


14F  58 J 

Set  Factor  144 


14  Characters 


14  Characters 


14F  118J 

Set  Factor  144 

123  456  789 

012  345  678 

$1234567c., 

14  Characters 

14F  119J 

Set  Factor  126 

123  456   789 

012  345  678 

$12345678c., 

14  Characters 


14F  37G 

Set  Factor  144 

123  456 
012  345  678 
$12345670., 

14  Characters 


14F  77J 

Set  Factor  126 


14F  88K 
Set  Factor  1 19 

123  456   789 
012  345   678   012  345   678 
$12345678c.,     $1 234567890 c.. 


123  456   789 


14  Characters 


14  Characters 


14F  142J 

Set  Factor  184.5 

1234     5678 

9012     3456 

$12345c., 

14  Characters 


14G  37E 

Set  Factor  126 

123  456  789 

012  345  678 

$12345678c., 

14  Characters 


14F  85J 

Set  Factor  144 

123  456  789 

012  345  678 

$1234567c., 

14  Characters 


14F  97J 

Set  Factor  162 

123  456  789 

012  345  678 

$123456c., 

14  Characters 


14H2F  142J 
Set  Factor  126 

123  456  789 
012  345   678 

$12345678c., 

14  Characters 


14F  39 J 

Set  Factor  153 

123  456  789 

012  345  678 

$123 

15  Characters 


14F86J 

Set  Factor  180 


1234     5678       123      456     789 
9O12     3456       012      345     678 

$12345678c.. 


$12345c., 

14  Characters 


14  Characters 


14F  163J 
Set  Factor  180 

1234     5678 

9012     3456 

S12345C., 

14  Characters 


14G  42J 

Set  Factor  144 

123    456 


$I234567c., 

14  Characters 


Set  Factor  is  the  set  multiplied  by  unit  width ;  thus,  the  set  factor  of  a  character  made  for  the  10  unit  row  of  8  set  is  80  (10X  8  =  80) .  Knowing  the 
set  factor  and  the  set  to  be  used,  to  determine  the  proper  unit  row  for  any  character  divide  the  set  factor  by  the  set  to  be  used.  RULE:  Given  the 
set  factor  of  a  matrix,  to  determine  for  any  set,  the  unit  row  of  the  matrix  case  in  which  to  carry  this  matrix:  divide  the  set  factor  by  the  set  to  be  used,  the 
result  is  the  unit  rcnv  required.  If  this  result  contains  a  fraction  use  next  larger  unit  rmv.  EXAMPLE:  Set  factor  80.  Find  unit  row  in  which  to  carry 
this  matrix  in  matrix  case  used  with  9  set  normal  wedge;  80-7-9  =  8.8,  therefore  put  matrix  in  9  unit  row. 

Type  Line:  All  matrices  for  composition  when  used  in  the  same  matrix  case  produce  type  on  the  same  line  regardless  of  any  difference  in  point 
size  of  the  matrices,  and  the  line  standard  to  use  with  a  matrix  case  depends  upon  the  point  size  of  the  mold  used  with  the  matrices.  The  type  line 
is  the  mold  size  expressed  decimajly  with  five  added  to  the  right  hand  figure,  thus,  the  line  for  a  5l/Z  point  mold  is  .060"  (.055" +  .005"  =  .060"),  the 
type  line  for  5tf  point  faces.  EXCEPTIONS:  Abnormally  tall  characters  are  of  necessity,  driven  to  a  lower  matrix  line  and  consequently  when  used 
in  combination  with  standard  line  matrices  the  line  of  the  type  cast  from  special  line  matrices  is  lower  than  the  type  cast  from  standard  line  matrices. 
For  all  such  exceptions  the  type  line  is  given;  for  example  5tf  point  F10  figures  for  which  the  type  line  is  given  as  .071"  (the  distance  from  the  top 
of  the  body  to  the  bottom  of  these  figures  when  cast  on  5  y*  point  body)  thus  these  matrices  produce  type  .01 1 "  lower  than  that  produced  by  standard 
line  matrices  used  with  them  (.071* — .060*  =  .01 1 ") . 

Prices:    The  figure  matrices  shown  on  this  page  are  all  Class  A  matrices. 


Monotype  Two-Line  Figures.     Composition  Matrices 

For  use  with  Newspaper  Arrangements 

18  Point 

Where  two  styles  of  dollar  marks  are  shown,  we  furnish  the  larger  size  unless  otherwise  instructed 

18F  HJ  18G42J  18F  86J  18H2F  97J 

Set  Factor  180  Set  Factor  153  Set  Factor  216  Set  Factor  162 

1234    5678      123  456  789      123      456      123  456  789 

9012    3456      012  345  678      789      O12      012  345  678 

$12*34c.,  $S23456c.,         $12«34c.,          $1234567 

15  Characters  14  Characters  15  Characters  11  Characters 

18G  25J  18F58J  18F  86K  18F  118J 

Set  Factor  153  Set  Factor  162  Set  Factor  216  Set  Factor  162 

123  456  789   J23  456  789   123  456  123  456  789 

012  345  678  012  345  678   789   012  012  345  678 

$123456c.,    sj23456c.,    $1234c.,    $12  $34c., 

14  Characters  14  Characters  14  Characters  15  Characters 

18G  37E  18F  64K  18F  88J  18H2F  1 18J 

Set  Factor  153  Set  Factor  189  Set  Factor  144  Set  Factor  153 

123  456  789   1234  5678   123  456  789  123  456  789 

012  345  678  9012  3456  012  345  678  012  345  678 

$123456c.,    $12345c.,    $123  H56c.,    $123456c., 

14  Characters  14  Characters  15  Characters  14  Characters 

18F37G  18F77J  18F  88K  18F  119J 

Set  Factor  180  Set  Factor  153  Set  Factor  152  Set  Factor  153 

1234  5678  123  456  789   123  456  789  123  4S6  789 

po/^  3456  012  345  678  072  345  678  012  345  678 

$123450.,    $123456cc.,    $123$456c.,   $123$456c., 

14  Characters  15  Characters  15  Characters  15  Characters 

18F  39J  18F  83 J  18F  97 J  18F  120 

Set  Factor  184.5  Set  Factor  180  Set  Factor  180  Set  Factor  126 

1234  5678   1234  5678   1234  5678   123  456  789 
9012  3456  9012  3456   9012  3456  012  345  678 

$12  $34c.,         $12345e..          $12  *34c.,         $!2345678c. 

15  Characters  14  Characters  15  Characters  13  Characters 

Set  Factor  is  the  set  multiplied  by  unit  width;  thus,  the  set  factor  of  a  character  made  for  the  10  unit  row  of  8  set  is  80  (10X8  =  80).  Knowing  the 
set  factor  and  the  set  to  be  used,  to  determine  the  proper  unit  row  for  any  character  divide  the  set  factor  by  the  set  to  be  used.  RULE:  Given  the 
set  factor  of  a  matrix,  to  determine  for  any  set,  the  unit  row  of  the  matrix  case  in  which  to  carry  this  matrix:  divide  the  set  factor  by  the  set  to  be  used,  the 
result  is  the  unit  row  required.  If  this  result  contains  a  fraction  use  next  larger  unit  row.  EXAMPLE:  Set  factor  80.  Find  unit  row  in  which  to  carry 
this  matrix  in  matrix  case  used  with  9  set  normal  wedge;  80-=-9  =  8.8,  therefore  put  matrix  in  9  unit  row. 

Type  Line:  All  matrices  for  composition  when  used  in  the  same  matrix  case  produce  type  on  the  same  line  regardless  of  any  difference  in  point 
size  of  the  matrices,  and  the  line  standard  to  use  with  a  matrix  case  depends  upon  the  point  size  of  the  mold  used  with  the  matrices.  The  type  line 
is  the  mold  size  expressed  decimally  with  five  added  to  the  right  hand  figure,  thus,  the  line  for  a  5K  point  mold  is  .060"  (.055 "  +  .005"=  .060"),  the 
type  line  for  5  l/j  point  faces.  EXCEPTIONS:  Abnormally  tall  characters  are  of  necessity,  driven  to  a  lower  matrix  line  and  consequently  when  used 
in  combination  with  standard  line  matrices  the  line  of  the  type  cast  from  special  line  matrices  is  lower  than  the  type  cast  from  standard  line  matrices. 
For  all  such  exceptions  the  type  line  is  given;  for  example  5  %  point  F10  figures  for  which  the  type  line  is  given  as  .071"  (the  distance  from  the  top 
of  the  body  to  the  bottom  of  these  figures  when  cast  on  5  %  point  body)  thus  these  matrices  produce  type  .01 1  *  lower  than  that  produced  by  standard 
line  matrices  used  with  them  (.071* — .060*  =•  .01 1 ") . 

Price:  The  figure  matrices  shown  on  this  page  are  all  Class  C,  as  they  are  double  size  matrices. 


Monotype  Two-Line  Figures.     Composition  Matrices 

For  use  with  Newspaper  Arrangements 

18  Point 

Where  two  styles  of  dollar  marks  are  shown,  we  furnish  the  larger  size  unless  otherwise  instructed 

18F137                                                           18F141J                                                          18F142J  18H2F  142J 

Set  Factor  150                                            Set  Factor  216  Set  Factor  153 

034    5678     123  456  789     123  4567  123  456  789 

012  345  678     890  1234  012  345  678 


2345c,         $12345678.         $1234c.,         $1234567c 


14  Characters 


12  Characters  14  Characters  14  Characters 


thii  matrix  in  mairix  cas*  used  with  9  set  normal  wedge;   80-^9  =  8.8,  therefore  put  matrix  in  9  unit  row. 


•••*•  w**j  *v  fc«^  UUI.MJUI  ui  tiit-vc  ngurcv  wntrn  ( ast  < 
lta«  matrices  tued  with  them  (J)71»—  .060*- .011*). 

Th*  figuTt  matricn  shown  on  thU  page  are  all  Claw  C.  as  they  are  double  size  matrices. 


Monotype  Two-Line  Figures.     Composition  Matrices 


For  use  with  Newspaper  Arrangements 


24  Point 

Where  two  styles  of  dollar  marks  are  shown,  we  furnish  the  larger  size  unless  otherwise  instructed 


24F  HJ 

Set  Factor  216 


24F  58J 

Set  Factor  216 


24F  88J 
Set  Factor  180 


12345678  \ 2345678 
90123456  90 I 23456 
$12*34c.,  $!2*34c., 


1234  5678 
9012   3456 


15  Characters 

24G  25J 

Set  Factor  180 


15  Characters 

24G  71E 

Set  Factor  216 


15  Characters 

24F  88K 
Set  Factor  189 


1234  5678  12345678 
9012  3456  90123456 
$123456c.,  $1234c., 


14  Characters 

24G  37E 

Set  Factor  216 


14  Characters 

24F  77J 

Set  Factor  180 


12345678  123456789 
90123456  012345678 
$1234c.,  $123456c., 


1234  5678 

9012  3456 

$12  *34c., 

15  Characters 

24F97J 

Set  Factor  216 

12345678 
90123456 


14  Characters 

24GH2  37E 
Set  Factor  180 


14  Characters 

24F  80 J 
Set  Factor  216 


1234  5678     12345678 
9012  3456    90123456 


15  Characters 

24H2F  97J 

Set  Factor  184.5 

1234  5678 
9012  3456 


$123456c.,       $1234c.,       $1234567 


14  Characters 

24F39J 

Set  Factor  216 


14  Characters 

24F  86K 
Set  Factor  216 


11  Characters 

24F  118J 
Set  Factor  216 


24H2F  118J 
Set  Factor  180 

1234  5678 

9012  3456 

$123456c., 

14  Characters 

24F  119J 

Set  Factor  180 

1234  5678 

9012  3456 

$12$34^ 

15  Characters 

24F  141J 

Set  Factor  187.5 

1234  5678 

9012  3456 

$123456. 

12  Characters 

24H2F  142J 
Set  Factor  180 

1234  5678 

9012  3456 

$123456c. 


14  Characters 


12345678    12345678    12345678 
90123456    90123456    90123456 

$1234c.,       $12*34c., 


14  Characters 


14  Characters 


15  Characters 


Set  Factor  is  the  set  multiplied  by  unit  width;  thus,  the  set  factor  of  a  character  made  for  the  10  unit  row  of  8  set  is  80  (10X8-80).  Knowing  the 
set  factor  and  the  set  to  be  used,  to  determine  the  proper  unit  row  for  any  character  divide  the  set  factor  by  the  set  to  be  used.  RULE:  Given  the 
set  factrv  of  a  matrix,  to  determine  for  any  set,  the  unit  row  of  the  matrix  case  in  which  to  carry  this  matrix:  divide  the  set  factor  by  the  set  to  be  used,  the 
result  is  the  unit  row  required.  If  this  result  contains  a  fraction  use  next  larger  unit  row.  EXAMPLE:  Set  factor  80.  Find  unit  row  in  which  to  carry 
this  matrix  in  matrix  case  used  with  9  set  normal  wedge;  80-5-9  —  8.8,  therefore  put  matrix  in  9  unit  row. 

Type  Line:  All  matrices  for  composition  when  used  in  the  same  matrix  case  produce  type  on  the  same  line  regardless  of  any  difference  in  point 
size  of  the  matrices,  and  the  line  standard  to  use  with  a  matrix  case  depends  upon  the  point  size  of  the  mold  used  with  the  matrices.  The  type  line 
is  the  mold  size  expressed  decimally  with  five  added  to  the  right  hand  figure,  thus,  the  line  for  a  5.K  point  mold  is  .060"  (.055 "  +  .005*=  .060"),  the 
type  line  for  5tf  point  faces.  F.XCEPTIONS:  Abnormally  tall  characters  are  of  necessity,  driven  to  a  lower  matrix  line  and  consequently  when  used 
in  combination  with  standard  line  matrices  the  line  of  the  type  cast  from  special  line  matrices  is  lower  than  the  type  cast  from  standard  line  matrices. 
For  all  such  exceptions  the  type  line  is  given;  for  example  SyZ  point  F10  figures  for  which  the  type  line  is  given  as  .071"  (the  distance  from  the  top 
of  the  body  to  the  bottom  of  these  figures  when  cast  on  5  y}  point  body)  thus  these  matrices  produce  type  .011"  lower  than  that  produced  by  standard 
line  matrices  used  with  them  (.071* — .060* -  .01 1  *) . 

Price:   The  figure  matrices  shown  on  this  page  are  all  $1.00  each  as  they  are  double  size  matrices. 


Monotype  Two-Line  Figures.     Composition 

Matrices 

For  use  with  Newspaper  Arrangements 

30  Point 

Where  two  styles 

of  dollar  marks  are  shown,  we  furnish  the  larger  size  unless 

otherwise  instructed 

30G  37E 

Set  Factor  216 

12345678 
90123456 
$1234c., 

14  Characters 

30F  88K                                                        30F  118J 
Set  Factor  216                                            Set  Factor  216 

12345678    12345678 
90123456    90123456 
$12*34c.,     $12$34c., 

IS  Characters                                            15  Characters 

30F  122] 

Set  Factor  187.5 

1234  5678 
9012  3456 
$123456. 

12  Characters 

30F  77J 

Set  Factor  2  16 

12345678 
901  23456 
$1  23cc, 

IS  Characters 

30F  97  J                                                        30F  119J 
Set  Factor  2  16                                            Set  Factor  216 

12345678    12345678 
90123456    90123456 
*12$34c.,      $1234c., 

15  Characters                                               14  Characters 

30H2F  142J 
Set  Factor  216 

12345678 
90123456 
$1234c, 

14  Characters 

30F  88J 
Set  Factor  216 

12345678 
90123456 
$1234c., 

• 

14  Characters 


36  Point 


36F  118J 
Set  Factor  216 


12345678  12345678 
90123456  90123456 
,  $12'34c.. 


15  Characters 


15  Characters 


Set  Factor  is  the  set  multiplied  by  unit  width;  thus,  the  set  factor  of  a  character  made  for  the  10  unit  row  of  8  set  is  80  (10  X  8  =  80).  Knowing  the 
set  factor  and  the  set  to  be  used,  to  determine  the  proper  unit  row  for  any  character  divide  the  set  factor  by  the  set  to  be  used.  RULE:  Given  the 
set  factor  of  a  matrix,  to  determine  for  any  set  the  unit  row  of  the  matrix  case  in  which  to  carry  this  matrix:  divide  the  set  factor  by  the  set  to  be  used,  the 
result  is  the  unit  row  required.  If  this  result  contains  a  fraction  use  next  larger  unit  row.  EXAMPLE:  Set  factor  80.  Hnd  unit  row  in  which  to  carry 
this  matrix  in  matrix  case  used  with  9  set  normal  wedge;  80-5-9  =8.8,  therefore  put  matrix  in  9  unit  row. 

Type  Line:  All  matrices  for  composition  when  used  in  the  same  matrix  case  produce  type  on  the  same  line  regardless  of  any  difference  in  point 
size  of  the  matrices,  and  the  line  standard  to  use  with  a  matrix  case  depends  upon  the  point  size  of  the  mold  used  with  the  matrices.  The  type  line 
is  the  mold  size  expressed  decimally  with  five  added  to  the  right  hand  figure,  thus,  the  line  for  a  5K  point  mold  is  .060"  (.055" +.005"  =.060^,  the 
type  line  for  SX  point  faces.  EXCEPTIONS:  Abnormally  tall  characters  are  of  necessity  driven  to  a  lower  matrix  line  and  consequently  when  used 
in  combination  with  standard  line  matrices  the  line  of  the  type  cast  from  special  line  matrices  is  lower  than  the  type  cast  from  standard  line  matrices. 
For  all  such  exceptions  the  type  line  is  given;  for  example  5K  point  F10  figures  for  which  the  type  line  is  given  as  .071"  (the  distance  from  the  top 
of  the  body  to  the  bottom  of  these  figures  when  cast  on  5^i  point  body)  thus  these  matrices  produce  type  .01 1"  lower  than  that  produced  by  standard 
line  matrices  used  with  them  (.071" — .060"  =.011"). 

Price:  The  figure  matrices  shown  on  this  page  are  all  Class  C,  as  they  are  double  size  matrices. 


14-11 


Monotype  Fractions 

Electro  Display  Matrices 

14  Point 


14-1  IS 


14-37 


14-80 


14-81 


14-50 


1/41/23/41/8% 


5/87/8'/32/3 


14-82 


14-86 


Htttttttt 


14-88 


18  Point 


18-11 


18-37 


18-42 


18-80 


1/41/23/41/83/8 
7/8'/32/3 


5/87 


18-82 


18-50 


18-88 


18-81 


1/41/23/41/8% 


18-86 
11111 

42488 

11111 

88336 


The  Electro  Display  Matrices  shown  on  this  page  are  Class  A,  unless  a  different  classification  is  included  in  parentheses  with  the  Series  No. 


Monotype  Fractions         Electro  Display  Matrices 

24  Point 


24-11 


24-80 


1/41/23/41/83/8 


24-37 


24-82 


24-81 


1/41/23/41/8% 


24-42 


.1 


24-86 


111111112.1 

4248888336 


24-88 


30  Point 


1/41/23/41/83/8 


30-37 


30-80 


H 


30-86 


I78  3/8 


llllllllll 

4248888336 


3/85/87/8 

'/32/3 


30-66 


11313573    5    7 
4248888  161616 


DUpUy  Matrice*  .hown  on  thU  page  are  Clan.  A.  unless  a  different  classification  is  included  in  parentheses  with  the  Series  No. 


Monotype  Fractions         Electro  Display  Matrices 


36  Point 


36-11 


36-81 


1/41/23/41/83/8 


1111 

4243 


36-37 


36-80 


1/41/23/41/83/8 
5/87/8'/32/3 


/Q     O/Q     v)/O       I/O         /I 

/o/o/o/o/j 


36-86 


llllllllll 
4248888336 


36-42 


The  Electro  Display  Matrices  shown  on  this  page  are  Class  A.  unless  a  different  classification  is  included  in  parentheses  with  the  Series  No. 


II    - 

Ife 

Hfr 

W 
rt# 


(Composition  Matrices] 


(>>/  Complete  Showing  of 

MATHEMATICAL 

COMMERCIAL 

REFERENCE 

TIMETABLE 

& 

TARIFF 
SIGNS 


J^anston  ^Conotype  ^Cachine  (Company 

Philadelphia,  U.  S.  A. 


Mathematical 
Commercial 


Signs 


Composition  <J&atrices 
INFORMATION  FOR  ORDERING   MATRICES 


For  convenience  in  ordering,  and  for  reference  pur- 
poses, all  signs  have  been  classified  and  each  individual 
character  in  the  different  groups  numbered.  In  order- 
ing, select  the  character  of  the  point  size  and  unit  value 
required,  giving  the  number  of  the  sign,  point  size,  set 
size,  group  and  unit  value,  thus:  In  ordering  characters 
shown  on  these  sheets,  so  that  there  can  be  no  possible 
chance  of  confusing  figures,  separate  the  number  of  the 
character  from  the  symbol  with  the  word  "sign,"  thus: 
Number  2  Sign  8W-10P,  or  Number  7  Sign  10H7U-40Pf. 

Set  size  is  indicated  by  letters  following  the  number 
on  the  Point  Size  of  the  Matrix  that  designates  the  point 
size  of  the  character;  caps  are  used  for  whole  sets  and 
lower  case  for  fractions  of  a  set,  thus: 


Ten  Point,  Ten  and  One-half  Set  character,  and  7Xc 
means  Seven  Point,  Seven  and  Three-quarter  Set. 

The  unit  values  are  designated  by  a  lower  case  letter 
on  the  Series  Side  of  the  Matrix;  this  letter  indicates 
the  value  follows  the  series  number  of  the  character. 


Z  indicates 
Y  indicates 
X  indicates 
W  indicates 
V  indicates 


5-set 
6-set 
7-set 
8-set 
9-set 


U   indicates  10-set 
T   indicates  11-set 


indicates  12-set 
indicates  13-set 
indicates  14-set 
indicates  1 5-set 
indicates  1 6-set 
indicates  1 7-set 


a  indicates 
b  indicates 

indicates 
d  indicates 
6  indicates 

indicates 

indicates 
h  indicates 

indicates 


4  units 

5  units 

6  units 

7  units 

8  units 

9  units 

10  units 

11  units 

12  inits 


j  indicates 

k  indicates 

I  indicates 
m  indicates 

n  indicates 

0  indicates 

p  indicates 

q  indicates 

r  indicates 


13  units 

14  units 

15  units 

16  units 

17  units 

18  units 

19  units 

20  units 

21  units 


S  indicates  22  units 


M  indicates  1 8-set 


These  cap  letters  are  followed  by  lower  case  letters  to 
designate  fractions  of  a  set;  a  indicates  one-quarter  set, 
b  one-half  set,  and  C  three-quarter  set.  For  example:  a 
Matrix  marked  on  the  Point  Side  8Wa  is  an  Eight  Point, 
Eight  and  One-quarter  Set  character;  10Ub  indicates  a 


Thus,  an  Eight  Point,  Eight  and  One-half  Set,  Eighteen 
Unit  Sign  of  the  No.  10  series  of  signs  (P  is  the  designat- 
ing letter  for  signs)  would  be  marked  thus:  Point  Side 
8Wb,  Series  Side  10Po.  Note:  If  this  character  were  of 
the  same  Set  as  its  Point  Size  (8  point,  8  set),  the  0  in- 
dicating eighteen  units  is  omitted  from  the  Series  Side, 
and  the  Matrix  would  be  symboled  Point  Side  8W,  Series 
Side  10P.  Characters  cast  on  a  square  body  are  easily 
identified,  because  they  carry  no  lower  case  on  the  Series 
Side  to  indicate  unit  value. 


All  Signs  shown  in  these  groups  are  Class  A  Matrices 


Four  'Point 


Mathematical 

1  +  4Z-10PO 
a  -4Z-10PO 

3  X  4Z-10PO 

4  -!-  4Z-10Po 


Mathematical 

»  *  4Z-10Po 
33  '47,-101'b 
35  «4Z-10P<i 


Commercial 

1  %  4Z-20Po 

4  tb4Z-20PI 

5  £4Z-20Pi 


Reference 

1  l4Z-40Pi 

2  *4Z-40Pe 
S    t4Z-40Pe 

4    :4Z-40Pe 


Four  and  One-half  Point 


Mathematical 
1  +  4HY-10Po 

3  X  4HY-10Po 

4  -«-  4HY-10Po 
3     '4HZb-10Pb 
3     '4HY-10Pb 
3     '4HY-10Pc 


Commercial 

1  %  4^Y-20Po 

2  @  4HY-20Po 


4HZb-10Pd 
4HY-10Pd 


4  tb  4KY  -20PI 

5  £4HY-20Pi 

5  /  4HY  -23Pi 
8    /4MY-20Pf 

6  MHY-20Pc 


Reference 
1   l4HZb-40Pi 

1  14MY-40PJ 

2  »4HY-40Pe 

3  t4HZb-40Pe 

4  J4KZb-40Pe 


Reference 

5  J4MY-40Pe 

6  ||4HZb-40Pe 

6  ||4KY-40Pe 

7  "4J^Y-40Pf 

11  «4HY-40Pf 

12  >4J^Y-40Pf 
14  "4^Y-40Pf 
14  "  4HY-40PO 


Time  Table  and  Tariff 


36    »4HY-10Pe 


Five  Point 

Mathematical 

Mathematical 

Mathematical 

Commercial 

Commercial 

1  +5Z-10P 

10  <  SYb-lOPo 

31 

.-.  5Z-10P 

1  %  5Z  -  20P 

6    /5Yb-20Pc 

1  +  SYb-lOPo 

11  >  SYb-lOPo 

33 

'  5Z-10Pb 

1  %  5Y  -  20PO 

6    /  5Yb  -  20Pf 

1    »6Yb-llPf 

13  >  5Z  -  10P 

33 

'  5Y-10Pb 

1  %  5Yb-20Po 

6  /  5Yb-20Po 

1    4  6  Yb  —  46Xf 

15  *  5Z-10P 

33 

'  5Yb-10Pb 

1  %  5Yb  -  25Po 

7   ¥  5Z-20P 

2   -  5Z-10P 

15  *  5Yb-10Po 

33 

'  5H9Yb-10Pb 

2  @  5Z  -  20P 

7  '#  5Yb-20Po 

2  -  SYb-lOPo 

19   a  5Z-10P 

33 

'5H9Yb-15Pc 

2  @  5Yb  -  20Po 

8    t  5Yb  -  20Pe 

3   X  5Z  -  10P 

20   V  5Z-10P 

33 

'  5H91Yb-15Pc 

3  %  5Z  -  20P 

8    c  5H9Z  -  20P1 

*  X  SYb-lOPo 

20  V  SYb-lOPo 

34 

'  5Z-10Pd 

3  %  5Yb-20Po 

8    «!5Yb-21Pe 

4  +  6Z  -  10P 

20  V5H9Yb-10Po 

34 

'  5Yb-10Pd 

4    Ib  5Z  -  20P1 

9    f  52-  20Pf 

4  +  SYb-lOPo 

26  O5Z-10P 

35 

•  5Z  -  lOPd 

4   Ib  5Y  -  20PI 

10     .  5H3-8Af 

5   -  5Z  -  10P 

27  a  SZ  -  10P 

35 

0  5Y  -  lOPd 

4   Ib  5Yb  -  20P1 

14  %  5Yb-20Po 

6  -  SYb-lOPo 

27  D  SYb-lOPo 

35 

0  5Yb-10Pd 

5    £  5Z  -  20PI 

15  %  5Yb-20Po 

•   :   SYb-lOPo 

27  D  5Z-1346X 

37 

-  5Z-10P 

5    £5Y-20Pi 

16  <ft  5Yb-20Po 

8  H  SYb-lOPo 

28   Z  SZ  -  10P 

38 

L  SZ  -  10P 

6   £  5Yb-20PI 

17  "H  5Yb-20Po 

9  *  SYb-lOPo 
9  ±  6H9Yb  -  lOPo 
10  <  6Z-10P 

29  A  5Z  -  10P 
29  A  SYb-lOPo 
30  *  SZ-10P 

40 
41 
64 

=  5Z-10P 
JL  SZ-10P 
.  5H3-8AT 

6     /  5Z  -  20Pb 
6    /  5Y  -  20Pf 
6     /5Yb-20Pb 

SignS— Composition  ^Matrices 


Five  Point 

Reference 

Reference 

Time  Table  and  Tariff 

Time  Table  and  Tariff 

Time  Table  and  Tariff 

1    T  5Z  -  40P1 

6     ||  5Yb  -  40Pe 

1     *  5Z  -  60Pf 

9   D  5Z  -  lOPo  No.  27 

18     °5Z-60Pf 

1    t  5  Y  -  40P1 

6     ||  5Yb-40Pe 

1   *  5Z  -  40N 

10     °  5Z  -  60Pf 

18  O  5Z-60P 

1    J5Yb-40Pf 

6     ||  5Yb-40Pf 

2     +  5Z  -  60Pf 

10  O  5Z  -  lOPo  No.  26 

19     *  5Z  -  GOPf 

1    1  5Yb  -  40P1 

7        5Z  -  40P 

3   A  5Z  -  60P 

11     ®5Z-60Pf 

19  A5Z-60P 

2     •  5Z  -  40Pe 

7        5  Yb  -  40Pd 

3     *  5Z  -  60Pf 

11    ®  5Z-30PO  No.  23 

20     9  5Z  -  GOPf 

2   =<  5H3Z  -  40P 

7       5Yb  -  40Pf 

3     *5Z-61Pf 

12     °5Z-60Pf 

20  GSZ-GOP 

2     *  5Y  -  40Pe 

7  <    5Yb-40Po 

4     •  5Z  -  60Pf 

12  O  5Z  -  30Po  No.  19 

21    C  5Z-60P 

2    *5Yb-40Pe 

7  '     5\Va-40Po 

4  •  5Z  -  43N 

13     *  5Z  -  GOPf 

22     J  5Z  -  GOPf 

3     t  5Z  -  40Pe 

8        5Z-40P 

5     •  5Z  -  60Pf 

13   +  5Z  -  37N 

23     i  5Z  -  GOPf 

3     t5Y-40Pe 

9        5Z  -  40P 

5  •  5Z  -  78N 

14     •  5Z  -  60Pf 

28     :5Y-61Pf 

3    t5Yb-40Pe 

11        5Yb-40Pf 

5   •  5Z  -  1347X 

14   V  5Z-38N 

31     15Yb-60Pf 

4     t  5Z  -  40Pe 

12        5Yb-40Pf 

6     •  5Z  -  60Pf 

15     «5Z-60Pf 

32     t  5Yb  -  GOPf 

4     J  5Y  -  40Pe 

14        5Yb-40Pd 

6    •  5Z  -  GOP 

15   4  5Z  -  36N 

34     »  5Z  -  60Pf 

4    {  5  Yb  -  40Pe 

14  >    5Yb-40Po 

7     *  5Z  -  60Pf 

16     '  5Z  -  60PJ 

37     *  5Z-  60Pf 

5     §5Z-40Pe 

8     *  5Z  -  60Pf 

16   T  5Z-60P 

37    *5Yb-60Pf 

5    §  5Yb  -  40Pe 

8   #  5Z  -  60P 

17     'SZ-GOPf 

38     >  5Z  -  60Pf 

6     ||5Z-40Pf 

9     °  5Z  -  60Pf 

17  A  5Z-10PO  No.  29 

38    >5Yb-60Pf 

Five 

and  One-half  Point 

Mathematical 

Commercial 

Commercial 

Reference 

Reference 

1+5  MY  -  lOPf 

1   %  5MY-20Pn 

7   $  5MY-20Pn 

1     1  5  MY  -40Pf 

7     "5MYb-40Pf 

1     +5MY-11P 

1  %  5MYb-20Po 

7  $»  5MX-20PO 

1    15MYb-40Pi 

7     "  5MX-40Pf 

1  +  5MYb-10Po 

1  %  5  MX  -  20Po 

8     t  5MY-20Pf 

1    q5MYb-41Pi 

7     «5MXa-49Pf 

2  -  5MYb-10Po 

1  %   5MXc-20Po 

9     #5MYb-20Pf 

1    15MX-40P1 

14     "5MY-40Pg 

3  X  5MYb-10Po 

2  @  5  MY  -  20Pn 

2     *5MYb-40Pe 

4  -r  5MH9Y-15PO 

2  @  5MYb-20Po 

- 

2     *5MX-40Pe 

5  =  5MYb-10Po 

2  @  5  MX  -  20Po 

2   *  5MH9Y-45PO 

6    :    5MYb-10Po 

3  %  5MYb-20Po 

3     f5MYb-40Pe 

7   ::  5MYb-10Po 

3  %  5  MX  -  20Po 

3     f5MX-40Pe 

8  «  5MYb-10Po 

4   tb  5MY  -20Pn 

4     t5MYb-40Pe 

26  O  5MYb-10Po 

4   Ib  5MYb-20Pl 

4     t  5  MX  -  40Pe 

27  D  5MYb-10Po 
27   D  5MZb  —  1346X 
33     '  5  M  Yb  -  lOPb 

4  Ib  5  MX  -  20P1 
5    £  5  M  Yb  -  20Pi 
5    £  5MX-20Pi 

5    §5MYb-40Pe 
5     §5MX-40Pe 
6     ||  5MY-40Pf 

Time  Table 
and  Tariff 

33     '5MYb-15Pb 

5    ^5MYb-23Pi 

6     ||  5MYb-40Pf 

1*5  MX  -  60Pm 

33      '  5  MX  -  lOPb 

6     /  5  M  Yb  -  20Pc 

6    ||   5MYb-40Po 

3     i5MZb-61Pf 

34     *  5  M  Yb  -  lOPd 

6/5  M  Yb  -  20Pf 

6     ||  5  MX  -  40Pf 

4     »5MZb-60Pf 

34     "5MYb-15Pf 

6     /  5  MX  -  20Pc 

7     "5MZb-40Pf 

5   •  5M-758X 

34     *  5  MX  -  lOPd 

6/5  MX  -  20  Pf 

7    "  5MZb-40P 

5  •  5MZb-1347X 

35     °  5  MX  -  lOPd 

7    "5MY-40Pg 

5  •  5M-1384X 

Six  Point 

Mathematical 

Mathematical 

Mathematical 

Mathematical 

Mathematical 

1  +  6Y-10P 

5  =  6Y-10P 

19  oc  6H9Y-10P 

30  =p  6X  -  64Xo 

41   J.  6Y-10P 

1     +6Y-llPf 

5    -  6Y-llPf 

20  V  6Y-10P 

31   /.  6Y-10P 

42  5  6Y-10P 

1    +  6Y-12Pf 

5    _  6Y-12Pf 

20  V  6H9Y-10P 

32  v  6Y-10P 

43  5  6Y-10P 

1  +  6Y-15P 

5=  6H9X-10Po 

20  V  6H93Y-10P 

33     '  6Y  -  lOPb 

44  g  6Y-10P 

1    +  6X-10Ph 

5  =  6X-10Po 

20  V  6H91Y-10P 

33     '  GX-lOPc 

45  S  6Y-10P 

1  +  6X-10Po 

5=   6X-10Pq 

20  V  6H9X-10Po 

33     '  6X-10Pf 

46  ~  6Y-10P 

1  +  6X-10Pq 

5  —  6Y  -  63Xo 

21   ^  6Y-10P 

33     '6X-10Pb 

47  A  6Y-10P 

1     |6Y-46Xf 

5  =  6X-63Xo 

21  -V  6H9Y-10P 

33     '6Wa-10Pb 

48  <  6Y-10P 

1  -f  6Y-46Xo 

5  =  6Y     65Xo 

21  ^  6H91Y-10P 

33     '6H9Yb-10Pb 

49  <  6Y-10P 

1  +  6X     46Xo 

5  =  6X     65Xo 

22  \f  6Y-10P 

33     '6H91Yb-10Pb 

50  <  6Y-10P 

1   +  6Y  -  289X 

5  =  6X-918X 

22  -y  6H9Y-10P 

33     -6Y-12Pb 

51  v  6Y-10P 

1     -6-1052X 

6   :   6Y-10P 

22  ^  6H91Y-10P 

33     '6Y-15Pc 

52  v  6YirlOP 

1    +6X-1483X 

7  ::  6Y-10P 

23   il  6Y-10P 

33     '6H9Yb-15Pc 

53  0  6Y-10P 

2  -  6Y-10P 

8  TT  6Y-10P 

23  V  6H9Y-10P 

34     '6Y-10Pd 

54  06Y-10P 

2    -  6Y-llPf 

8  ff  6X-10Po 

23  ^  6H91Y-10P 

34    "  6Y-10Pf 

55  ^  6Y-10P 

2    _  6Y-12Pf 

9  *  6Y-10P 

24   il  6Y-10P 

34    "  6X  -  lOPd 

55  *  6X-919X 

2-  6Y-1.-I' 

9  ±  6H9Y-10P 

24  -y  6H9Y-10P 

34    "  6X-10Pf 

55  4=  6Y  -  943X 

2  -  ex-iopo 

9  ±  6H91X-10Po 

24  •&  6H91Y-10P 

.  34    »  6H9Yb-10Pe 

55    I  6Xa-  1999X 

2  -  6X-10Pq 

9  i6Y-62Xo 

25  *  6Y-10P 

34    "6Y-15Pf 

56  y  6Y-10P 

2     -6-1053X 

9  =L  6X     62Xo 

25  -y  6H9Y-10P 

34    "  6H9Yb-15Ph 

57  >  6Y-10P 

3    X  6Y-10PI 

10  <  6Y-10P 

25  V  OH91Y-10P 

34    "  6H91Yb-15Pf 

58  m  6Y-10P 

3  X  6Y-10P 

11  >  6Y-10P 

20  O  OY  -  10P 

34   ii  6X     1973X 

59   /  6Y-10P 

3  X  6H9Y-10P 

12  <  6Y-10P 

26  O  PY     223X 

35     °6Z-10Pd 

60  a  6Y-10P 

3    x  6Y-11P! 

13  >  6Y-10P 

27  D  OY-10P 

35     °  6Y  -  lOPd 

61  -y  6H9Y-10P 

3  X  6X-10Po 

14  o  6Y-10P 

27  D  6     109X 

35    °  6Y-10P! 

62  -y  6H9Y-10P 

3  X   6X-10Pq 

15  it-  6Y-10P 

27  D  OX     882X 

35    °6X-10Pd 

63  -y  6H9Y-10P 

3  XGY-154X 

15  yt  6X-10Po 

27  Q6Y-1346X 

35    °  6X-10P! 

64    .  6H3Y-1A! 

3  X  6X-243X 

15  ?  6Y-285X 

28  Z  6Y-10P 

35    °  6Wa-10Pd 

64    .  6H3X-8A! 

3    x6X-1482X 

10  =  OY-10P 

28   Z  6Xa-10Pi 

36  0  6Y  -  10P 

65  d  6Y-10P 

4  4-  6Y-10P 

10  »  OH9Y-10P 

29  A  OY-10P 

37  -  6Y-10P 

68  \  6Xa-10I'i 

1        iiY-111'f 

17  ~  OY-10P 

29  A  6X  -  883X 

37    =  OY-llPf 

72  S6Y-310X 

4   •«•  6IIlY-15Pk 

17  ~  6H9Y-10P 

30  f  6Y-10P 

38  L  6Y-10P 

4  *  OX  -  lOPo 

18  ^  6Y-10P 

30  =F  6H9Y-10P 

39  oo  OY-10P 

4  •+•   6X-10Pq 

19  <*  6Y-10P 

30  =f  6Y-64Xo 

40  =  6Y-10P 

SignS— Composition  Matrices 


Six  Toint 


Commercial 

Commercial 

Commercial 

Commercial 

Commercial 

1  %  6Z-20PO 

2  @  6Y-25P 

5    i  6X-23Pf 

6/6X-1301X 

9  #  6Y-25P 

1  %  6Y-20P 

3  %  6Y-20P 

5    £  6Y-25P! 

7  %>  6Y-20P 

10    .  6H3-lAf 

1    J  6Y-20W 

3%  6X-20PO 

5    £  6X-25Pf 

7  $  6X-20Po 

10    .  6H3-8Af 

1%  6X-20Po 

4  R>  6Y-20P1 

6     /  6Y-20Pb 

8    i  6Y-20Pe 

11  %  6Y-20P 

1%    6V-20Po 

4  tb  6X-20P1 

6    /  6Y-'20Pc 

8    i  6X-20Pe 

11  %  6X-20Po 

1%  6Wa-20Po 

4  Ib  6X-20Pn 

6    /  6Y-20Pf 

8    i  6X-20Pf 

12  S  6Y-20P 

1  %  6Z-25Po 

41b  6Wa-20Pl 

6  /  6Y-20P 

8   £  6H9Y-20P1 

12  S  6X-20Po 

1  %  6Y-25P 

5    £6Y-20Pi 

6     /  6X-20Pb 

8    «f  6Y-25Pe 

14"%  GX-20Po 

1  %  6X-25Po 

5    £  6Y-20Pf 

6    /  6X-20Pc 

8    i  6Wb-25Pe 

15%  6X-20Po 

\%  6W-25Po 

5  £  6X-20Pi 

6    /  6X-20Pf 

9  *  6Y-20P 

1691  6X-20Po 

1  %  6Y-26P 

5    £  6X-20Pf 

6/  6X-20Po 

9    #  6Y-20P! 

17  "ft  6X-20Po 

2@  6Y-20P 

5  £  6Wa-20Pi 

6    /  6Xa-20Pd 

9    #  6X-20P! 

2  @  6X-20Po 

5   /  6Y-23P1 

6    /  6Y-25Pf 

9    #  6Y-25P! 

Reference 

Reference 

Reference 

Reference 

Reference 

1    1  6Y-40H 

2    *  6Y-45Pe 

4  *  6Y-42P 

6  ||  GY-45P 

9    <c  6X-40Pf 

J  6Y-40P1 

2    *  6X-45Pe 

4     J  6Y-45Pe 

7    "  6Z-40Pf 

10        6Y-40P! 

1  6X-40Pf 

2  *  6H1Y-45P1 

4    t  6X-45Pe 

7    "  6Y-40Pf 

10        6X-40Pf 

1  6X-40Pi 

2    *  6X-46Pg 

5    §  6Y-40Pe 

7   "   6Y-40Po 

11        6Y-40Pf 

1  6Wa-40Pi 

2    *6X-1413X 

5    §  6X-40Pe 

7    «  6H7Y-40Pf 

11        6X-40Pf 

1  6HlY-40Pi 

2   *  6X-1442X 

5    §  6X-45Pe 

7    "  6Z-40Po 

12        6Y-40Pf 

t  6Y-41Pi 

3    t  6Y-40Pe 

5    §  6X-46Pg 

7     "  6Y-40Pd 

12        6X-40Pf 

f  6X-41P1 

3    t  6X-40Pe 

6     |I  6Y-40Pb 

7  <,    6H7X-40Po 

13        6Y-40P! 

C  6Y-42P 

3    t  6Wa-40Pe 

&-    ||  6Y-40Pe 

7    "  6X-40P! 

14        6Y-40Pf 

C  6Y-43P 

3    t  6HlY-40Pe 

6    ||  6Y-40Pf 

7    "  6X-40Pg 

14        6X-40Pd 

Q  6Y-44P 

3  t  6Y-42P 

6   ||   6Y-40P 

7    "  6Xc-40Pf 

14        6Y-40Pd 

2     •  6Z-40Pe 

3    t  6Y-45Pe 

6    ||  6X-40Pf 

7    "  6X-40Po 

14        6X-40Pg 

2    •  6Y-40Pe 

3    t  6X-45Pe 

6     ||  6X-40PC 

7  "    6W-40Po 

14  '     6X-40Po 

2    *  6Y-40Pi 

3   f  6X-46Pg 

6    ||  6X-40Pf 

7  "    6Xa-40Po 

14    „  6H7-40P! 

2    *  6X-40Pe 

4     J  6Z-40Pe 

6  ||    6X-40Po 

7  "    6H9Y-40P 

14    »  6X-45Pf 

2    *  6H7X-40Pe 

4    t  6Y-40Pe 

6    ||  6U-40Pb 

7    "  6Y-45P! 

15     <  6Y-40Pc 

2    *  6Wa-40Pe 

4    t  6X-40Pe 

6    ||  6Wb-40Pf 

7    "  6X-45Pf 

16     )  6Y-40Pc 

2   •   6H6Y-40P 

4    J  6Wa-40Pe 

6     ||  6Xa-40Pb 

7    »  6X-49Pf 

17    *  6Y-40Pf 

2  *  6H9Y-40P 

4    t  6HlY-40Pe 

6     ||  6Xb-40Pb 

8    t  6Y-40Pe 

18    If  6Y-40P1 

2  *  6H91S-40Pe 

4    J  6HlY-40Pf 

7    «  6X-40Pd 

9    «  6Y-40Pf 

Time  Table  and  Tariff 

Time  Table  and  Tariff 

Time  Table  and  Tariff 

Time  Table  and  Tariff 

Time  Table  and  Tariff 

1    •  6Y-60Pf 

5  B6Y-1347X 

10  O  6-110X 

17  A  6Y-10P,  No.  29 

28    J  6Y-60P1 

1   *  6Y-60Pi 

5  B6Y-1909X 

11    •  6Y-60Pf 

17  A  6Y-292X 

28    :  6Y-61P! 

1    *  6H9X-60Ph 

6    *  6Y-60P! 

11    ®  6Y-60P1 

18    °  6Y-60Pf 

28    t6Y-222X 

1  *  6Y-40N 

6   *  6Y-60P1 

11  8  6Y-30P,  No.  23 

18   0  6Y-60Pi 

29    *  6Y-60Pf 

1     '6Yb-1167X 

6  •  6Y-60P 

12    e  6Y-60P! 

18  «   6Y-60P 

29  0  6Y-10P,  No.  36 

2    *  6Y-60Pf 

7    +  6Y-60Pf 

12   0  6Y-60Pi 

19    A  6Y-60Pf 

30    4  6Y-60Pf 

2   +  6Y-60Pi 

7   +  6X-60Ph 

12  G  6Y-30P,  No.  19 

19  A  6Y-60P 

31    I  6Y-60Pf 

2  +  6Y-60P 

7  4«  6Y-60Pi 

13    *  6Y-60Pf 

20    e  6Y-60P! 

32    T  6Y-60Pf 

2  +  6X-60Ph 

7  4.  6Y-23N 

13   +  6Y-60Pi 

20  9  6Y-60P 

33    X  6Y-60Pf 

2  +  6Y  -  1585X 

7  *6Y-477X 

13  4  6Y-37N 

21    (  6Y-60Pf 

33    X6H8Y-224X 

3    •  6Y-60Pf 

8    »  6Y-60Pf 

14    "  6Y-60Pf 

22    )  6Y-60Pf 

34    4  6Y-60Pf 

3  A  6Y--60P1 

8   *  6Y-60Pi 

14    t  6Y-60P1 

23    4  6Y-60Pf 

35    *  6Y-60Pf 

3  A  6Y-60P 

8#6Y-60P 

14  V  6Y-38N 

23  i   6Y-60P 

36    m  6Y-60PF 

4    •  6Y-60Pf 

9    D  fiY-60Pf 

15    »  6Y-GOPf 

23    i  6H9Y-60P 

36  Q  6Y-60P 

4   •  6Y-60PI 

9   D  6Y-60Pi 

15    »  6Y-60Pi 

24  H  6Y-60P 

39    *  6Y-60P1 

4  •  6Y-43N 

9  D  6Y-10Po,  No.  27 

15  <k  6Y-36N 

25   •   6Y-60P 

39  •&  6Y-60P 

5    -eY-eOPf 

9  D  6Y  -  1285X 

16    T  6Y-60Pf 

26    «  6Y-60Pf 

41    )  6Y-60PF 

5  •  6Y-60Pi 

10    °  6Y-60Pf 

16  T  6Y-60P 

26   •  6Y-60P 

42  ®  6Y-60P 

5  B6Y-60P1 

10  0  6Y-60Pi 

17    A  6Y-60Pf 

27    D  6Y-60Pf 

43  SI  6Y-60P 

5  BJ  6Y-78N 

10  O  6Y-10P,  No.  26 

17    A  6Y-60Pi 

28    :  6Y-60Pf 

Seven  Pomf 

Mathematical 

Mathematical 

Mathematical 

Mathematical 

Mathematical 

1  +  7X-10P 

2  -   7W-10Po 

4  -i-  7X-10P 

7  ::  7X-10P 

14  o  7X-10P 

1  +  7W-10Po 

2-  7Xb-10Pq 

4  -5-  7W-10Po 

8    ¥:    7X-10P 

15  ^  7X-10P 

1  +  7Xb-10Pq 

2    -7X-llPf 

4  -*•  7Xb-10Pq 

9  =«=  7X-10P 

16  =  7X-10P 

I    *  7X—  llPf 

2    _  7X-12Pf 

4    *  7X-llPf 

9  ±  7H9X-10P 

17  ~  7X-10P 

1    +7X—  12Pf 
1  -f  7Y-46Xo 
1  +7Y-507X 
1     -7-1052X 
2  -  7X-10P 

2     -7-1053X 
3  X  7X-10P 
3  X  7W-10Po 
3  X  7Xb-10Pq 
3    *  7X-llPf 

5  =  7X-10P 
5  -  7W-10Po 
5  =  7Xb-10Pq 
5    -  7X-llPf 
6   :    7X-10P 

9  ±  7H91X-10P 
10  <  7X-10P 
11  >  7X-10P 
12  <  7X-10P 
13  >  7X-10P 

18  =  7X-10P 
19  oc  7X-10P 
20  V  7X-10P 
20  V  7H3X-10P 
21  ^  7X-10P 

Sign 


J* — Composition  tJxCatrices 

Class  A 


Seven  'Point 


Mathematical 

Mathematical 

Mathematical 

Mathematical 

Mathematical 

22  -v*  7X-10P 

29  A  7X-10P 

33     '  7Va-10Pb 

34    'I  7H91X-15PI 

39  oo  7X-10P 

23  •}'   7X-10P 

30  =F  7X-10P 

33     '  7X-12Pb 

35    °7X-10Pd 

40  =  7X-10P 

24  tf  7X-10P 

30  +  7H91Y-10P 

33     '  7W-15Pc 

35    °7W-10Pd 

41  _L  7X-10P 

25  {'   7X-10P 

31  .'.  7X-10P 

33     '7H9W-15Pc 

35    °  7Va-10Pd 

64    .  7H3-8Af 

26  O  7X-10P 

32  v  7X-10P 

34     *  7X-10Pd 

36  0  7X-10P 

27  D  7X-10P 

33     '7X-10Pb 

34    "7W-10Pd 

37  =  7X-10P 

28  Z.  7X-10P 

33     '7W-10Pb 

34    "  7H9W-15Pg 

38  L  7X-10P 

Commercial 

Commercial 

Reference 

Reference 

Time  Table  and  Tariff 

1  %  7X-20P 

6  /  7X-20P 

1    1  7X-40Pf 

5    §  7W-40Pe 

1     *  7X-60Pf 

1%  7W-20Po 

6     '  7Wb-21Pb 

1    H  7X-40Pi 

5    §  7X-43P 

1  *  7Y-2094X 

1%  7Va-20Po 

7  fi  7X-20P 

1    1  7W-40Pi 

6    ||  7X-40Pf 

2    +7X-60Pf 

1  %  7W-25Po 

8    t  7X-20Pe 

1  1  7Va-40Pi 

6    ||    7X-40Po 

2  +  7X-60P 

1  %  7X-25P 

8    I  7Xb-20Pf 

1   <I  7W-41Pi 

6    ||  7W-40Pe 

16     '7Xe-2086X 

2  ©  7X-20P 

9  #  7X-20P 

2    *  7X-40Pe 

7    "  7X-40Pf 

19  A  7X-60P 

2@  7W-20Po 

9    #  7X-20Pf 

2    *  7W-40Pe 

7  "  7X-40Po 

20  0  7X-594X 

3  %  7X-20P 

10    .  7H3-8Af 

2    *  7Va-40Pe 

7    "  7Xb-40Pg 

33     :7Xc-2085X 

3  %  7W-20Po 

11  %  7X-20P 

2    *  7W-45Pe 

7    "  7X-40Pd 

4  lb  7X-20P1 

11  %  7W-20Po 

3     t  7X-40Pe 

7    "  7W-40Pd 

4  lb  7W-20P1 

12  %  7X-20P 

3    f  7W-40Pe 

9    «  7X-40Pf 

4  lb  7Xb-20Pn 

3    t  7Va-40Pe 

10    »  7X-40Pf 

4  lb  7Va-20Pl 

3    f  7W-45Pe 

11    «  7W-40Pf 

5   £  7X-20PI 

4     t  7X-40Pe 

12    »  7W-40Pf 

5  £  7W-20Pi 

4    t  7W-40Pe 

14    "  7X-40Pf 

' 

5  £  7Va-20Pi 

4    j  7Va-40Pe 

14    "  7Xb-40Pg 

6    /7X-20Pc 

4    J  7W-45Pe 

14     "  7X-40Pd 

6    /  7X-20Pf 

5    §  7X-40Pe 

14    "  7W-40Pd 

Eight  Toint 

Mathematical 

Mathematical 

Mathematical 

Mathematical 

Mathematical 

1  +  8W-10P 

5    -  8W-llPf 

20  V  8W-10P 

30  =F  8W-64Xo 

37  =  8Wb-962X 

1  +  8\Vb-10Po 

5    _  8W-12Pf 

20V  8H3W-10P 

31  /.  8W-10P 

38  L  8W-10P 

1    +8W-llPf 

5=8W-63Xo 

20V  8H9W-10P 

31  /.  8HW-10Ph 

38  L  8W-368X 

1    +8W-12Pf 

5  =8W-65Xo 

21  $  8W-10P 

31  .'.  8Wb-932X 

39  oo  8W-10P 

1  +  8W-46Xo 

5  =  8Wb-918X 

21  V  8H9W-10P 

31  .:.  8Wb-939X 

39   °°  8W-llPh 

1  -j-8Wb-46Xo 

5  =  8Wc-1923X 

22  $  8W-10P 

32  v  8W-10P 

39   ro  8W-12PH 

1    +  8Wb-257X 

6   :    8W-10P 

22V  8H9W-10P 

33     '8X-10Pb 

39  oo  8W-15Po 

1  +  8W-289X 

6    :  8W-10Pf 

23  ^  8W-10P 

33     '8W-10Pb 

39  oo  8W-620X 

1  +  8W-369X 

6       8W-790X 

23V  8H9W-10P 

33    '8Vc-10Pb 

40  =  8W-10P 

1  +  8W-603X 

7  :    8W-10P 

24  f  8W-10P 

33     '  8H9V-10Pb 

41  ±  8W-10P 

1    +8Wb-1483X 

8  ^-  8W-10P 

24  V  8H9W-10P 

33     /SireiW-lOPd 

42  ^  8W-10P 

1   +  8W-1602X 

9  ±  8W-10P 

25  {f  8W-10P 

33     '  8W-llPd 

43  5  8W-10P 

1  +  8Wc-1927X 

9  ±  8H9W-10P 

25V  8H9W-10P 

33     -  8W-12Pd 

44  ^  8W-10P 

2  -  8W-10P 

9  ±  8H91W-10P 

26  O  8W-10P 

33    '8W-15Pc 

44  ^  8W-964X 

2  -  8Wb-10Po 

9=L8W-62Xo 

26  O  8W-223X 

33    '8H92W-15Pc 

45  ^  8W-10P 

2    -  8W-llPf 

9  ±  8W-428X 

26  0  8W-602X 

34    "8X-10Pd 

45  >  8W-965X 

2    _  8W-12Pf 

10  <  8W-10P 

26  O8Wb-930X 

34    "8W-10Pd 

46  ~  8W-10P 

3  X  8W-10P 

11  >  8W-10P 

26  O  8Wb-1193X 

34    "  8W-10Pf 

46^8Sb-1104X 

3  X  8Wb-10Po 

11  >  8W-372X 

27  D  8W-10P 

34    "8V-10Pd 

47  A  8W-10P 

3  X  8H9W-10P 

12  <  8W-10P 

27  Q  8W-361X 

34    "  8H9V-10Pd 

48  <  8W-10P 

3    x  8W-llPf 

13  >  8W-10P 

27  D  8Wb-882X 

34    *8H9W-10Pe 

49  <  8W-10P 

3    x  8W-12Pf 

14  o  8W-10P 

27  Q8W-1285X 

34    "8W-15Pf 

50  <  8W-10P 

3  X  8Wb-243X 

15  *  8W-10P 

27  D  8Wc-1924X 

35    °8Yb-10Pd 

51  v  8W-10P 

3  X  8W-788X 

15  j£  8W-285X 

28  Z  8W-10P 

35    °8X-10Pd 

52  v  8W-10P 

3    x8Wb-1482X 

16  =  8W-10P 

28  /.  8Wc-10Pl 

35    °8Xa-10Pd 

530  8W-10P 

4  -=-  8W-10P 

16  «  8H9W-10P 

28  Z8Wb-928X 

35    °8W-10Pd 

54    *  8W-10Pf 

4  +  8Wb-10Po 

17  ~  8W-10P 

29  A  8W-10P 

35    °  8W-10Pf 

54  0  8W-10P 

4    +  8W-llPf 

17  oo  8H9W-10P 

29  A  8W-292X 

35    °8Vc-10Pd 

55  *  8W-10P 

4    +  8W-12Pf 

18  =  8W-10P 

29  A  8Wb-883X 

360  8W-10P 

55  *  8W-352X 

5  =  8W-10P 

19  <x  8W-10P 

29  A8Wb-929X 

36  0  8W-10PJ 

55  =1=  8Wb-919X 

5  =  8W-10Pk 

19  oc  8H9W-10P 

30  =F  8W-10P 

37  =  8W-10P 

55  =t=  8-1400X 

5  =  8Wb-10Po 

19  «  8W-1136X 

30  T  8H9W-10P 

37    -  8W-llPf 

56  f  8W-10P 

tyXiOnotVPe  dlPtlS—  Composition  Beatrices 

Jf                   &                                         Class  A 

Eight  "Point 

Mathematical 

Mathematical 

Mathematical 

Mathematical 

Mathematical 

57  >  8W-10P 

60O8Wb-924X 

651=1  8W-10P 

71  </8H9W-10P 

80  ^  8W-10P 

58  •  8W-10P 

61  -C/  8H9W-10P 

65  08W-1115X 

72  *  8W-10P 

58  =  8Wb-963X 

62^8H9W-10P 

66  J5  8W-10P 

73  4.  8W-10P 

59  x  8W-10P 

63^8H9W-10P 

67  m  8W-10P 

74  $  8W-10P 

60  D  8W-10P 

64    .  8H3-14Af 

68  X  8Wc-10Pl 

78  f  8W-10P 

Commercial 

Commercial 

Commercial 

Commercial 

Commercial 

1  %  8Yb-20Po 

2  @  8X-20Po 

5  £  8Wb-23Pf 

6    /  8W-25Pf 

9  #  8Wc-1921X 

1  %  8W-20P 

2  @  8W-25P 

5  £  8W-23Pf 

6    /8W-414X 

10    .  8H3-14Af 

1    }  8W-20Pf 

3  %  8W-20P 

5    £  8W-25P1 

6/8Wb-1301X 

10     •  8Wb-20Pb 

1  <~f  8X-20Po 

3  %  8X-20P 

5    £  8W-25Pf 

7  $  8W-20P 

10    •  8Wb-20Pc 

1%  8Vc-20Po 

3%  8H9V-20P 

6    /  8W-20Pb 

7  $  8X-20Po 

11  %  8W-20P 

1  °0  8W-24P1 

4  ft  8W-20P1 

6    /  8W-20Pc 

8    i  8W-20Pe 

12  %  8W-20P 

1  %  8V-25Po 

4  ft  8X-20P1 

6    /  8W-20Pf 

8  £  8H9W-20Pe 

14%  8W-20P 

1  %  8W-25P 

4  ft)  8Vc-20Pl 

6  /  8W-20P 

8    I  8W-23Pe 

15  %  8W-20P 

1  %  8Xa-25Po 

5  £  8W-20PI 

6  /8Wc-20Pi 

8    i  8W-25Pe 

16  91  8W-20P 

\%  8U-25Po 

5    £8W-20Pf 

6    /  8X-20Pc 

8    i  8U-25Pe 

17^  8W-20P 

1  %  8V-25Po 

5   £  8X-20PI 

6    /8Y-20Pc 

9    #  8W-20Pf 

1  %  8W-26P 

5  £  8Vc-20Pi 

6    /  8V-20Pf 

9  #  8W-20P 

2(5  8W-20P 

5    £  8W-23PI 

6    /  8W-25Pc 

9  #  8W-25P 

Reference 

Reference 

Reference 

Reference 

Reference 

1    1  8W-40Pf 

2    *  8W92V-40Pf 

4    J  8H9V-40Pf 

6    ||  8V-40Pb 

11     c  8W-40Pf 

1   f  8W-40H 

2    *  8Xa-45Pe 

4  £  8W-42P 

6    ||  8V-40Pf 

11    «  8W-45Pf 

1    «[  8X-40PI 

2    *  8Wb-45Pe 

4    t  8Xa-45Pe 

6    ||  8Va-40Pb 

12    »  8W-40Pf 

1  1  8Vc-40Pi 

2   *  8Wb-46Pg 

4    t  8Wb-45Pe 

6    II  8Wb-926X 

12    »  8W-45Pf 

1    «|  8Yb-41Pi 

3    f  8W-40Pe 

4    J  8W-45Pe 

6  ||  8W-45P 

13    ••  8W-40Pf 

1    q  8Xa-41Pi 

3    t  8X-40Pe 

5    §  8W-40Pe 

7    "  8W-40Pf 

14    "  8W-40Pf 

1  q  8Wb-41Pi 

3    f  8Vc-40Pe 

5    §  8X-40Pe 

7  "  8W-40P 

14  "  8W-40P 

1  C  8W-42P 

3   f  8U-40Pf 

5    §  8H9V-40Pe 

7    "  8Wb-40Pd 

14    "  8Wb-40P 

1  C  8W-43P 

3    t  8H2X-40Pe 

5    §  8W-40Pe 

7  "  8W-40Pd 

14    "  8W-40Pd 

2    *  8Yb-40Pe 

3    f  8H9V-40Pf 

6    ||  8W-40Pb 

7  "  8Wb-40Po 

14    "  8H9W-40P 

2    *  8W-40Pe 

3  t  8W-42P 

6    ||  8W-40Pc 

7    "  8Va-40Pf 

14    „  8H7W-40Pf 

2    *  8X-40Pe 

3    f  8Xa-45Pe 

6    ||  8W-40Pe 

7"    8H2W-40P 

14    "  8W-45Pf 

2   *  8Vc-40Pe 

3    f  8Wb-45Pe 

6    ||  8W-40Pf 

7    «  8H7W-40Pf 

15     {  8W-40Pc 

2    *  8W-40Pf 

3   f  8Wb-46Pg 

6  ||   8W-40Pb 

7  „  8H7W-40Po 

16     )  8W-40Pc 

2  *  8H6W-40P 

4    J  8Yb-40Pe 

6    ||  8Wb-40Pb 

7    "  8W-45Pf 

17    J  8W-40Pf 

2    *  8H9V-40Pf 

4    {  8W-40Pe 

6    ||  8Wb-40Pf 

8    J  8W-40Pe 

22  *  8W-40P 

2  *  8H9W-40P 

4    J8X-40Pe 

6  ||    8Wb-40Po 

9    «  8W-40Pf 

2  *  8H91S-40Pf 

4    t  8Vc-40Pe 

6    ||  8Wc-40Pf 

10    »  8W-40Pf 

Time  Table  and  Tariff 

Time  Table  and  Tariff 

Time  Table  and  Tariff 

Time  Table  and  Tariff 

Time  Table  and  Tariff 

1    *8W-60Pf 

6    .8V-677X 

12     ©  8W-60Pf 

20  0  8W-60P 

30     A  8W-60Pf 

1   *  8W-60Pi 

6    *8Wb-1015X 

12  O  8W-30P,No.l9 

20  0  8W-360X 

30  &  8W-60P 

1  *  8-40N 

7    +  8W-60Pf 

13    *  8W-60Pf 

21    (  8W-60Pf 

31    I  8W-60Pf 

2   +8W-60Pf 

7  •{•  8-23N 

13  *  8-37N 

22    )  8W-60Pf 

32    ?  8W-60Pf 

2  +  8W-60P 

7  *  8W-477X 

14    *  8W-60Pf 

23    |  8W-60Pf 

33    X  8W-60Pf 

2+8W-1585X 

7  *8Wb-1126X 

14  V  8-38N 

23  i   8W-60P 

33     :  8W-272X 

3    *  8W-60Pf 

7    +8Wb-1210X 

15    *  8W-60Pf 

23    *8Wb-945X 

34    •  8W-60Pf 

3  A  8W-60P 

7  *  8W-1836X 

15  4  8-36X 

23    *8Wb-1014X 

34  •  8W-60P 

4   •  8W-60Pf 

8   *  8W-60Pf 

16    T  8W-60Pf 

24  ffi  8W-60P 

34    *8Wb-946X 

4  •  8-43N 

8  #  8W-60P 

16  T  8W-60P 

25  ®  8W-60P 

35    v  8W-60Pf 

4  •  8V-60P1 

9   °  8W-60Pf 

17    A  8W-60Pf 

26    *  8W-60Pf 

36  m  8W-60P 

4  •  8W-604X 

9Q  8-18N 

17  A  8W-10P,No.29 

26  •  8W-60P 

37    +  8W-60Pf 

4  •  8Wb—  1196X 

10   °  8W-60Pf 

18    °  8W-60Pf 

27    |D  8W-60Pf 

38    |T  8W-60Pf 

5   •  8W-60Pf 

10  O  8W-10P,No.26 

18  o  8W-60P 

28    I  8W-60Pf 

39  ft  8W-60P 

5|  8—  78N 

11    ®8W-60Pf 

19    A  8W-60Pf 

28    I8W-222X 

41    )  8W-60Pf 

6   *  8W—  60Pf 
6  •  8W-60P 

11  0  8W-30P,No.23 
11  08W-373X 

19  A  8W-60P 
20    e  8W-60Pf 

29    *  8W-60Pf 
290  8W-10P,No.36 

42  ®  8W-60P 
43  B  8W-60P 

zJXCoHOtype  SignS—  Composition  ^Matrices 

•*•                                                                           (jliiss  A 

Nine  T'otnt 

Mathematical                            Mathematical                            Mathematical 

Commercial                                Commercial 

1  +  9V-10P               9  ±  9H91V-10P       30  =F  9H9V-10P 

1%9V-20P                6/9V-1301X 

1  +  9Wc-10Po         10  <  9V-10P             31  .'.  9V-10P 

1  %  9Wc-20Po           7  f  9V-20P 

1    +9V-llPf            11  >  9V-10P              33     '9V-10Pb 

1  %  9V-24P1              8    i  9V-20Pe 

1    +9V-12Pf            14^9V-10P             33    '  9Wc-10Pb 

1  %  9V-25P                9    #  9V-20Pf 

2  -  9V-10P              15  ^  9V-10P             34    "  9V-10Pd 

2@  9V-20P               9  #  9V-20P 

2   -9V-llPf            17  ~  9V-10P             35    °  9V-10Pd 

3%9V-20P              10    •  9V-20Pc 

2_9V-12Pf            20  V  9V-10P              35    °  9H9V-10Pd        4  B>  9V-20P1             10    .  9H3-8Af 

3  X  9V-10P              20  V  9H3V-10P        37  =  9V-10P 

4  fo  9Wc-20Pl 

3    x9V-HPf            20V9H9V-10P         40  =  9Vb-10Po 

5    £  9V-20Pf 

4  -f-  9V-10P             21  A/  9H9V-10P         41  _L  9V-10P 

5  £  9V-20PI 

5  =  9V-10P             22  ^  9V-10P              42  ^  9V-10P 

5  £  9Wc-20Pi 

5=9Wc-10Po         22^9H9V-10P         44  ^  9V-10P 

5   £9V-23Pf 

5    -  9V-llPf            23  A/  9H9V-10P         55  =(=  9-1400X 

5  £  9V-23P1 

5   .  9V-12Pf            24^/9H9V-10P         60O9-924X 

5    £  9V-25PT 

6  :    9V-10P             25^/9H9V-10P         64    .  9H3-8Af 

6    /9V-20Pb 

7  ::  9V-10P             26  O  9V-10P             66  55  9V-10P 

6    /  9V-20Pc 

8  H  9V-10P             27  D  9V-10P              67  K  9V-10P 

6    /  9V-20Pf 

9  ±  9V-10P             28  Z  9V-10P              72  aa  9V-10P 

6/  9V-20P 

9  ±  9H9V-10P         29  A  9V-10P 

6   /  9Wc-20Pf 

Reference                                    Reference                                    Reference 

Reference                      Time  Table  and  Tariff 

1    1  9V-40Pf              3    f  9Wc-40Pe           7    "  9Wb-40Pd 

14    "  9Wb-40Pd          7    *  9V-60Pf 

1   f  9Wc-40Pi            4    J  9V-40Pe              7    "  9V-40Pd 

14    "  9V-40Pd            12    e  9V-60Pf 

1   f  9V-40P1              4    t  9Wc-40Pe           7    "  9V-40Pf 

14    "  9V-40Pf            18    o  9V-60Pf 

1   ^9V-41Pi              5    §  9V-40Pe              7"  9V-40P 

19    <  9V-40Pf 

2    *  9V-40Pe              5    $  9H91V-40Pf       9    «  9V-40Pf 

20    )  9V-40Pf 

2    *  9Wc-40Pe           6    ||  9V-40Pc            10    »  9V-40Pf 

2    *  9V-45Pe              6    ||  9V-40Pf             11    «  9V-40Pf 

3    t  9V-40Pe              6  ||   9V-40P              12    »  9V-40Pf 

Ten  'Point 

Mathematical                                             Mathematical 

Mathematical                                          Mathematical 

1+  10Vb-10Po               2    -10Ub-1033X            5  = 

10U-10Pk                 9±10U-10P 

1  +  10U-10P                   2    -10U-1600X              5  = 

10H91U-10P1           9±10H9U-10P 

1  +  10H91U-10P1           2    -10U-1613X!             5  = 

10H93U-10P            9+10H91U-10P 

1  +  10H93U-10P            3  X  lOVb-lOPo               5    = 

lOU-llPf                  9±10H93U-10P 

1    +  lOU-HPf                  3  X  10U-10P                   5    _ 

10U  -  12Pf                 9  =L  10U  -  62Xo 

1    +  10U-12Pf                 3X  10H9U-10P             5  = 

10U  -  63Xo                 9  =i=  10U  -  1075X 

l-f-10U-46Xo                3  X  10H91U-10P1          5  = 

10U-65Xo                9  +  10U-1520X 

1  +  10U-289X                3  X  10H93U-10P           5  = 

10U-114X               10  <  10U-10P 

1  +  10U-507X                3    x  lOU-HPf                 5  = 

10Ub-1038X           10  <  10H9U-10P 

1  +  10-885X                    3    x  10U-12Pf                 5  = 

10U-1974X             10  <  10H93-10P 

1    +10Ub-1034X            3    X10U-588X                6    : 

lOU-lOPf                11  >  10U-10P 

1    +10Ua-1483X            3    x  10Ua-1482X            6  : 

10U-10P                  11  >  10H93U-10P 

1  +  10U-1602X               3  x  10U-  1615Xo            6  : 

10H93U-10P           11  >  10-894X 

2-10Vb-10Po               4  -r-  lOVb-lOPo               6    : 

lOU-llPf                12<10U-10P 

2-  10U-10P                   4-=-  10U-10P                   6    : 

10U-12Pf                12  <  10H93U-10P 

2  -  lOUa-lOPi                4  •*•  10H91U-10P1           7  :: 

10U-10P                  13  >  10U-10P 

2  -  10H91U-10P1           4  4-  10H93U-10P            7  :: 

10H93U-10P           13  >  10H93U-10P 

2  -  10H93U-10P            4    *  lOU-llPf                 8  fr 

10U-10P                  14  o  10U-10P 

2   ~  lOU-llPf                  4    +  10U-12Pf                 8^4 

10H93U-10P           14  o  10H93-10P 

2    _10U-12Pf                 5=10Vb-10Po              9± 

lOVb-lOPo             15^10U-10P 

2  -  10U-113X                5  =  10U-10P                  9  ± 

10H2Vb-10Pj          15  *  10H93U-10P 

Sign 


S—  Composition  ^Matrices 


Ten  < 

Point 

Mathematical 

Mathematical 

Mathematical 

Mathematical 

15  ^  10U-285X 

27Q10U-1285X 

37  =  10U-10P 

58  m  10U-10P 

16=  10U-10P 

27  D  10U-2084X 

37    s  lOU-llPf 

58  =  10U-1976X 

16  «  10H9U-10P 

28  Z  10U-10P 

37  =  10U-115X 

59  x   10U-10P 

16  «  10H93U-10P 

28  Z  lOUa-lOPl 

37  =  10U-1975X 

60  O  10U-10P 

17  ~  10U-10P 

28  Z  10H9U-10P 

38  L  10U-10P 

60  0  10U-924X 

17cv>  10H9U-10P 

28  Z  10U-928X 

39  oo  10U-10P 

61  ^   10U-10P 

17  ~  10H93U-10P 

29  A  lOVb-lOPo 

39  °°  lOU-HPh 

61V  10H9U-10P 

18^  10U-10P 

29  A  10U-10P 

39  co  10U-12Ph 

62  ^   10U-10P 

18  ^  10H93-10P 

29  A  10U-929X 

39  oo  10U-15P 

62V  10H9U-10P 

19  oc   10U-10P 

29  A  10U-292X 

39  oo  10U-620X 

63  ^   10U-10P 

19  oc  10H9U-10P 

30  =F  10U-10P 

40  =  10U-10P 

63V  10H9U-10P 

19  «  10U-1136X 

30  =F  10H9U-10P 

41  _L  10U-10P 

64    .  10H3-8Af 

20  V  lOVb-lOPo 

30  +  10H91U-10P 

42  ^  10U-10P 

65  n  10U-10P 

20  V  10U-10P 

30=rlOU-64Xo 

43  ^  10U-10P 

66  g  10U-10P 

20V  10H3U-10P 

31  /.  lOVb-lOPo 

44  ^  10U-10P 

67  m  10U-10P 

20V  10H9U-10P 

31  .-.  10U--10P 

44  ==  10U-191X 

68  ^  10U-10P 

20  V  10H92U-10P 

31  /.  lOHU-lOPk 

45  ^  10U-10P 

68  X  lOUa-lOPl 

20   v  lOU-llPf 

31  .'.  10U-932X 

45  ^  10U-192X 

69  &  10U-10P 

20   „  10U-12Pf 

32  V  10U-10P 

46  ~  10U-10P 

69  ^  10-1181X 

20  V  10Ub-1031X 

33     '  lOV-lOPb 

46    ~10Ub-1032X 

70  «  10U-10P 

21  ^  10U-10P 

33     '  lOVb-lOPb 

46  ~  10U-1134X 

72  s  10U-10P 

21V  10H9U-10P 

33     '  lOU-lOPb 

46    -10U-1612X 

72  ^  10U-1309X 

22  <  10U-10P 

33    '  lOU-lOPf 

47  A  10U-10P 

734  IOU-IOP 

22V  10H9U-10P 

33     '  lOU-llPb 

48  <  10U-10P 

74  <  10U-10P 

23  ^  10U-10P 

33     .  10U-12Pb 

49  <  10U-10P 

77V  10H9U-10P 

23V  10H9U-10P 

33    '10U-15Pc 

50  <  10U-10P 

78  f  10U-10P 

24  <f  10U-10P 

34    "  lOVb-lOPd 

51  v  10U-10P 

79  JL  10U-10P 

24V  10H9U-10P 

34    '  lOU-lOPd 

51  v  10U-1611X 

80  &  10U-10P 

25  ^   10U-10P 

34    "  lOU-lOPf 

52  v  10U-10P 

80  ^  10U-941X 

25V  10H9U-10P 

35    °  lOV-lOPd 

530  10U-10P 

81  m  10U-10P 

26  O  10U-10P 

35    °  lOVb-lOPd 

54  0  10U-10P 

82m  10U-10P 

26  o  10U-817X 

35    °  lOU-lOPd 

55  :£  10U-10P 

840  10U-10P 

26  O  10U-930X 

35    °  lOU-lOPf 

55  ^  10-1400X 

85^  10U-10P 

27  D  lOVb-lOPo 

35    o  10U-12Pd 

55  t  10U-1521X 

860  10U-10P 

27  D  10U-10P 

36  £f  10U-10P 

55    |  10U-1999X 

89  i    10U-10P 

27  D  10U-109X 

36   0  lOU-llPf 

56  f  10U-10P 

27  D  10-893X 

36   g  10U-12Pf 

57  >  10U-10P 

Commercial 

Commercial 

Commercial 

Commercial 

1  %  10V-20Po 

2@  10Vb-20Po 

5  £  10U-20Pi 

6    /  10U-20Pc 

1  %  10Vb-20Po 

2@  10U-20P 

5   £  10U-20Pf 

6   /  10U-20Pf 

1  %  10U-20P 

2@  10U-25P 

5  £  10U-23P1 

Q/  10U-20P 

1    %  10U-20P! 

3%  10U-20P 

5   £  10U-23P! 

6    /  10U-25Pf 

1  %  10U-25P 

4  lb  10V-20P1 

5  £  10U-25P1 

6  /  10Ub-1021X 

1  %  10V-25Po 

4  lb  10Vb-20Pl 

5    f  10U-25P! 

6/10U-1301X 

1  %  10W-25P 

4  lb  10U-20P1 

6    /  10V-20Pc 

7  fi  10U-20P 

\%  10S-25Po 

5  £  10V-20P1' 

6    /  10Vb-20Pf 

8    i  10U-20Pe 

1  %  10U-26P 

5  £  10Vb-20Pi 

6    /  10U-20Pb 

8  £  10H9U-20P1 

J 


Commercial 

8    t  10H91U-20P 
8    ^  10U-23Pe 

8  t  10U-25Pe 

9  #  10U-20Pf 
9  jff   10U-20P 


Sig 


HS — Composition  <JWatrices 

Class  A 


Ten  'Point 


Commercial 

9  #  10U-25P 
10     •  10U-20Pb 

10  .  10H3-8Af 

11  %  10U-20P 
11    %  10U-27P 


Commercial 

12%  10U-20P 
13%10U-20P 
14%10U-20P 
15%  10U-20P 
16  9i  10U-20P 


Commercial 


17*%  10U-20P 

19  <  10U-20Pf 

20  >  10U-20Pf 


Reference 


Reference 


1    H  10V-40P1 

3    f  10U-40Pe 

6    I 

1   H"  10Vb-40Pi 

3  t  10U-42P 

6 

1    1  10U-40Pf 

3    f  10V-45Pe 

6    I 

1   t  10U-40P1 

3    f  10tJ-45Pe 

6  II 

1   CJ  10V-41P1 

3    t  10U-46Pf 

6 

1  <J  10U-41P1 

4    J  10V-40Pe 

6    I 

1  C  10U-42P 

4    t  10Vb-40Pe 

6    I 

1  C  10U-43P 

4    t  10U-40Pe 

6    1 

2    *  10V-40Pe 

4  £  10U-42P 

6 

2    *  10Vb-40Pe 

4    J  10V-45Pe 

7    ' 

2    *  10U-40Pe 

4    J  10U-45Pe 

7    ' 

2    *  10V-45Pe 

5    §  10Vb-40Pe 

7    ' 

2    *  10U-45Pe 

5    §  10U-40Pe 

7    « 

2    *  10Ua-45Pe 

5    §  10U-43Pf 

7    ' 

2   *  10U-46Pg 

5   §  10U-46Pf 

7    ' 

2  *  10U-820X 

6     1  10X-40Pb 

7    " 

3    t  10V-40Pe 

6    ||  10W-40Pf 

7  « 

3    f  10Vb-40Pe 

6    ||  10U-40Pb 

7    ' 

Reference 

10U-40Pc 
10U-40Pe 
10U-40Pf 
10U-40P 
10Ua-40Pb 
10Ub-40Pf 
6    ||  10Ua-45Pf 
10U-926X 

6  H10Ub-1036X 
"  10Vb-40Pd 

"  10Vb-40Pf 

7  "  10U-40Pf 

7    «  10H7U-40Pf 
10U-40P 
10U-40Pd 
10T-40Pf 
10H7U-40P 

7    "  10U-45Pf 


Reference 

8          A 
V 

10U-40Pe 

9    « 

10U-40Pf 

10    » 

10U-40Pf 

11    « 

10U-40Pf 

12    » 

10U-40Pf 

13    •• 

10U-40Pf 

14    " 

10U-40Pf 

14    " 

10U-40Pd 

14  " 

10U-40P 

14    „ 

10H7U-40Pf 

14    " 

10H9U-40P 

15    { 

10U-40Pc 

16    ) 

10U-40Pc 

17    | 

10U-40Pf 

21  X 

10U-40P 

Time  Table  and  Tariff 


1    *  10U-60Pf 

10  O 

1  *  10-40N 

11    ® 

1    *  10U-61Pf 

11  ® 

1  *  10-886X 

12   Q 

2   +  10U-60Pf 

12  O 

2  +  10U-60P 

13    * 

2  +  10U-1585X 

14    * 

3    A  10U-60Pf 

15    * 

4    •  10U-60Pf 

16   T 

4  •  10-43N 

16  T 

5   •  10U-60Pf 

17    A 

•  10-78N 

17  A 

6    *  10U-60Pf 

18    o 

7    *  10U-60Pf 

19    A 

7-1-  10-23N 

20   e 

8    *  10U-60Pf 

200 

8#  10U-60P 

20  e 

9   a  10U-60Pf 

20  e 

9D  10-18N 

21    ( 

10   °  10U-60Pf 

22    ) 

Time  Table  and  Tariff 

10U-10Po,No.26 

10U-60Pf 

10U-30Po,No.23 

10U-60Pf 

10U-30Po,No.  19 

10U-60Pf 

10U-60Pf 

10U-60Pf 

10U-60Pf 

10U-60P 

10U-60Pf 

10U-10Po,No.29 

10U-60Pf 

10U-60Pf 

10U-60Pf 

10U-60P 

10U-594X 

10-896X 

10U-60Pf 

10U-60Pf 


Time  Table  and  Tariff 

23    i  10U-60Pf 

23  4   10U-60P 

24  ®  10U-60P 
25®  10U-60P 

26  *  10U-60Pf 

27  [0  10U-60Pf 

28  I  10U-60Pf 

28  :  10U-61Pf 

29  <*>  10U-60Pf 

290  10U-10Po,No.36 

30  &  10U-60Pf 

30  &   10U-60P 

31  |  10U-60Pf 

32  |  10U"-60Pf 

33  X  10U-60Pf 

34  •  10U-60Pf 

36  H  10U-60P 

37  +  10U-60Pf 

38  |T  10U-60Pf 

39  *  10-1365X 


SignS— Composition  Matrices 


Eleven  'Point 


Mathematical 

Mathematical 

Mathematical 

Mathematical 

1 

+ 

llUa-lOPo 

5 

= 

HUa-lOPo 

20  V 

11T-10P 

33     '  HT-lOPb 

1 

+ 

11T-10P 

5 

= 

11T-10P 

20V 

11H3T-10P 

34    "  HT-lOPd 

1 

+ 

HH2T-10Pk 

5 

=  HH2T-10Pk 

20V 

11H9T-10P 

35    °  HUa-lOPd 

1 

- 

llT-llPf 

5 

= 

llT-llPf 

21  j 

11T-10P 

35    °  HT-lOPd 

1 

+ 

HT-12Pf 

5 

_ 

HT-12Pf 

21  V 

11H9T-10P 

35    °  HUa-lOPf 

1 

+ 

UTa-llPd 

6 

* 

HT-lOPf 

22  ^ 

11T-10P 

37  =  HUa-lOPo 

2 

— 

llUa-lOPo 

6 

i 

11T-10P 

22V 

11H9T-10P 

37  =  11T-10P 

2 

— 

11T-10P 

7 

1  1 

11T-10P 

23  ^ 

11T-10P 

38  L   11T-10P 

2 

_ 

HH2T-10Pk 

8 

i-f 

11T-10P 

23V 

11H9T-10P 

39  oo  11T-620X 

2 

- 

HT-llPf 

9 

± 

HUa-lOPo 

24  $ 

11T-10P 

41  _L  11T-10P 

2 

HT-12Pf 

9 

± 

11T-10P 

24V 

11H9T-10P 

42  ^   11T-10P 

3 

x 

HUa-lOPo 

9 

± 

11H91T-10P 

25  ^ 

11T-10P 

43  ^   11T-10P 

3 

X 

11T-10P 

9 

± 

11H9T-10P 

25V 

11H9T-10P 

44  ^  11U-966X 

3 

x 

HH2T-10Pk 

10' 

< 

11T-10P 

27  D 

11T-10P 

45  ^  11U-967X 

3 

•• 

HT-llPf 

10 

< 

HUa-lOPo 

28  Z 

11T-10P 

47  A  11T-10P 

3 

> 

HT-12Pf 

10 

< 

HH2T-10Pk 

29  A 

11T-10P 

55  +  HUa-352X 

4 

-:- 

HUa-lOPo 

11 

> 

11T-10P 

30  =F 

11T-10P 

56  f  11T-10P 

4 

-s- 

11T-10P 

11 

> 

HUa-lOPo 

31  /. 

11T-10P 

64    .  HH3-8Af 

4 

+ 

HH2T-10Pk 

15 

?& 

11T-10P 

32  V 

11T-10P 

75    x  HT-lOPb 

4 

* 

HT-llPf 

19 

oc 

11T-10P 

33     ' 

HUa-lOPb 

76    w  llT-lOPb 

Commercial 

Commercial 

Reference 

Reference 

1 

HUa-20Po 

9 

# 

HT-20Pf 

1    11 

HUa-40Pi 

7    "  llUa-40Pd 

1 

'r 

11T-20P 

9 

% 

HT-20Po 

1    ^f 

HT-40Pf 

7    "  HUa-40Pf 

2 

<3 

11T-20P 

10 

HH3-8Af 

1   ^[ 

11T-40P1 

7    "  HT-40Pd 

3 

% 

11T-20P 

11 

% 

11T-20P 

2    * 

HUa-40Pe 

7    "  HT-40Pf 

4 

If, 

HUa-20Pl 

2    * 

llT-40Pe 

7  "    11T-40P 

4 

It, 

11T-20P1 

3    t 

HUa-40Pe 

9    «  llT-40Pf 

5 

e 

HUa-20Pi 

3    t 

HT-40Pe 

10    »  HT-40Pf 

5 

i 

11T-20P1 

4    t 

HUa-40Pe 

11    «  HT-40Pf 

6 

/ 

HUa-20Pf 

4    t 

llT-40Pe 

12    »  HT-40Pf 

6 

/ 

HUa-20Po 

5    § 

HU-40Pe 

14    "  11U-40P 

6 

HT-20Pc 

5    § 

HUa-40Pe 

14    "  HUa-40Pd 

6 

HT-20Pf 

Time  Table  and  Tariff 

5    § 

HT-40Pe 

14    "  HT-40Pd 

6 

11T-20P 

1 

* 

HT-60Pf 

6    II 

HUa-40Pe 

14    "  HT-40Pf 

7 

~-p! 

11T-20P 

6    II 

HT-40Pf 

14  "    11T-40P 

8 

i 

HT-20Pe 

6  II 

HT-40Po 

15    <  11T-40PC 

8 

4 

11T-479X 

7    " 

HT-40Pf 

16    >  HT-40Pc 

Twelve  Point 

Mathematical 

Mathematical 

Mathematical 

1  +  12T-10Po 

1  + 

12S-507X 

3  X  12S-10P 

1  +  12S-10P 

2  - 

12T-10Po 

3  X   12H9S-10P 

1  +  12H91S-10P1 

2  - 

12S 

-10P 

3  X  12H91S-10P1 

1     h  12S-llPf 

2  - 

12H91S- 

-10P1 

3    x  12S-llPf 

1    +  12S-12PF 

2 

12S 

-HPf 

3    x  12S-12K 

1  +  12S-15P 

2 

12S-12Pf 

4  -r-  12T-10Po 

1 

l--12S-46Xo 

3  X 

12T-10Po 

4  +  12S-10P 

zjtflOnOtypC  SlgnS—  Composition  ^Matrices 

Twelve  Point 

Mathematical 

Mathematical 

Mathematical 

4  -  12H91S-10P1 

20V  12H9S-10P 

360  12S-10P 

4    *  12S-llPf 

20    V  12U-340X 

37  =  12S-10P 

4    +  12S-12Pf 

20    V  12U-650X 

38  L  12S-10P 

5  =  12T-10Po 

21  ^   12S-10P 

39  oo   12S-10P 

5  =  12S-10P 

21V  12H9S-10P 

40  =  12S-10P 

5  =  12H91S-10P1 

22  $   12S-10P 

41  _L  12S-10P 

5    -  12S-llPf 

22V  12H9S-10P 

42  ^  12S-10P 

5    _  12S-12Pf 

23  ^   12S-10P 

43  ^  12S-10P 

5  =  12S-15P 

23V  12H9S-10P 

44  <  12S-10P 

5  =  12S-63Xo 

24  $   12S-10P 

45  ^  12S-10P 

5  =  12S-65Xo 

24V  12H9S-10P 

46  ~  12S-10P 

5  =  12S-868X 

25  Jl   12S-10P 

47  A  12S-10P 

6   :    12S-10P 

25V  12H9S-10P 

48  <  12S-10P 

6    :  12S-llPf 

26  O  12S-10P 

49  <  12S-10P 

6    .  12S-12Pf 

27  D  12T-10Po 

50  <  12S-10P 

7  ::   12S-10P 

27  D  12S-10P 

51  v  12S-10P 

8  T-  12S-10P 

28  Z   12S-10P 

52  v  12S-10P 

9  =•=  12S-10P 

29  A  12S-10P 

530  12S-10P 

9  ±  12H9S-10P 

30  =F  12S-10P 

54  •  12S-10P 

9il2S-62Xo 

30  T  12H9S-10P 

55  =£  12S-10P 

10  <  12S-10P 

30  T  12S-520X 

56  f  12S-10P 

11  >  12S-10P 

30=rl2S-64Xo 

57  >  12S-10P 

12  <  12S-10P 

31  .-.   12S-10P 

58  =  12S-10P 

13  >  12S-10P 

32  v   12S-10P 

59  x   12S-10P 

14  o  12S-10P 

33     '  12T-10Pb 

600  12S-10P 

15  7*  12S-10P 

33     '  12S-10Pb 

61  V  12H9S-10P 

16  =  12S-10P 

33     ,  12S-12Pb 

62V  12H9S-10P 

16  »  12H9S-10P 

33    '12S-15Pc 

63V  12H9S-10P 

17  co   12S-10P 

34    "  12T-10Pf 

64    .  12H3-8Af 

17  cv>  12H9S-10P 

34    "  12S-10Pd 

65  n  12S-10P 

18  -  12S-10P 

34    "  12S-10Pf 

65  n  12H9S-10P 

'19  cc   12S-10P 

35    °  12T-10Pd 

69  ^  12S-10P 

19  oc  12H9S-10P 

35    °  12S-10Pd 

88  f  12S-10P 

20  -^   12S-10P 

35    °  12S-10Pf 

Commercial 

Commercial 

Commercial 

1  %  12T-20Po 

2  @  12T-20Po 

5    £  12S-23Pf 

1%  12S-20P 

2@  12S-20P 

5  £  12S-23P1 

1    %  12S-20Pf 

2@  12S-25P 

5    £  12S-25Pf 

1  %  12S-22P 

3%  12S-20P 

5  £  12S-25Pi 

1  %  12S-25P 

4  Ib  12T-20P1 

6     /  12Ub-20Pc 

1  %  12Ub-25Po 

4  Ib  12S-20P1 

6    /  12T-20Pf 

1  %  12V-25Po 

5   £  12T-20P1 

6    /  12S-20Pb 

1  %  12U-25Po 

5    £  12S-20Pf 

6    /  12S-20Pc 

1  %  12S-26P 

5  £  12S-20P1 

6    /  12S-20Pf 

i 

I— 


Sign 


S — Composition  <JvCatrices 

Class  A 


Commercial 

6/  12S-20P 

6  /  12S-25Pf 
6/12S-1301X 

7  $  12S-20P 

8  £  12S-20Pe 

8  t  12H9S-20PI 
8    i  12H91-20Pe 


Reference 

1f  12T- 
1128- 


12Ub 
128- 
1  C  12S- 
1  C  12S- 

*  12T- 

*  12S- 

*  12Ub 

*  12S- 

*  12Tb 
12T- 

f  12T- 
f  12S- 
[•  12S- 
f  12Ub 
t  12S- 


40Pi 

40Pf 

40Pi 

-41Pi 

41Pi 

42P 

43P 

40Pe 

40Pe 

-45Pe 

45Pe 

-46Pg 

-49P 

-40Pe 

40Pe 

42P 

-45Pe 

45Pe 


Time  Table  and  Tariff 


A 

• 


12S 
12S 
12S 
12S 
12S 
12S 
12S 

*  12S 

*  12S 

*  12S 
*12S 

*  12S 
D  12S 

12- 

10  °  12S 

11  ©  12S 


1 

2 

2 

2 

3 

3 

4 

5 

6 

7 

7 

8 

9  D 

9D 


-60Pf 
-60Pf 
-60P 
-  1585X 
-60Pf 
-60P 
-60Pf 
-60Pf 
-60Pf 
-60Pf 
-1126X 
-60Pf 
-60Pf 
18N 
-60Pf 
-60Pf 


Tive/ve  'Point 

Commercial 

8    t  12S-23Pe 
8    i  12S-25Pe 

8  <|j  12H9S-25Pg 

9  #  12S-20Pf 
9    #  12S-20P 
9  %  12S-25Pf 
9  #  12S-25P 

Reference 

3  f  12Tb-46Pg 

4  t  12T-40Pe 
4    \  12S-40Pe 
4  $  12S-42P 

4    J  12Ub-45Pe 

4  t  12S-45Pe 

5  §  12S-40Pe 

5  §  12Tb-46Pg 

6  I  12Y-40Pf 
6  12S-40Pb 
6  12S-40Pc 
6  12S-40Pg 
6  |  12S-40Pf 
6  12S-40P 

6  ||  12H9S-40Pf 

7  "  12Va-45P 
7  "  12T-40Pd 
7  "  12S-40Pd 

Time  Table  and  Tariff 


12  ©  12S 

13  *  12S 

14  *  12S 

15  *  12S 

16  T  12S 

16  T  12S 

17  A  12S- 

18  o  12S- 

19  A  12S 

20  e  12S 

21  (  12S 

22  )  12S- 

23  4  12S 

24  [g  12S' 

25  ®  12S 

26  ^  12S 


60Pf 

60Pf 

60Pf 

60Pf 

60Pf 

60P 

60Pf 

60Pf 

60Pf 

60Pf 

60Pf 

60Pf 

60Pf 

60P 

60P 

60Pf 


Commercial 

10  .  12H3-8Af 
11%  12S-20P 
12%  12S-20P 
14%  12S-20P 
15%  12S-20P 
16%  12S-20P 
17*%  12S-20P 


7  " 

7  « 

7  " 

7  « 

o  $ 

9  « 

10  » 

11  « 

12  » 

13  •• 

14  " 
14  » 
14  „ 
15 
15 
16 
16 
17 


Reference 

12S-40Pf 

12H7S-40Pf 

12S-40P 

12H7S-40P 

12S-40Pe 

12S-40Pf 

12S-40Pf 

12S-40Pf 

12S-40Pf 

12S-40Pf 

12S-40Pd 

12S-40Pf 

12H7-40Pf 

12T-40Pc 

12S-40Pc 

12T-40Pc 

12S-40Pc 

12S-40Pf 


Time  Table  and  Tariff 

27  [E  12S-60Pf 

28  I  12S-60Pf 

29  <*>  12S-60Pf 
290  12S-10P,No.36 

60Pf 
60Pf 

T  12S-60Pf 
60Pf 
60Pf 
60Pf 
36  Q  12S-60P 


30 
31 
32 
33 
34 
35 


I 


12S 
12S- 


12S 
•  12S 

v  12S' 


/"T^HE  Century  Dictionary  defines  "Arrow"  as  follows:  "A  slender,  generally  pointed,  missile  weapon  made  to  be  shot 
1       from  a  bow."     But  we,  of  the  twentieth  century,  make  use  of  the  arrow  to  direct  attention  to  some  point  in  adver- 
•^     tising  or  other  reading  matter  which  we  think  should  be  emphasized.    When  used  in  connection  with  some  particular 
phrase  or  paragraph,  they  rivet  the  attention  in  a  manner  that  is  prompt  and  forceful.     Many  stunts  can  be  quickly 
formed  with  the  different  combinations,  to  be  used  in  a  variety  of  ways,  both  as  borders  and  pointers,  and  the  shrewd 
printer  will  find  numerous  instances  for  its  profitable  application. 


Arrows 


Class  Five  Point 

D     IinilHHJlI      J     5Yb-476X 

Five  and  One-half  Point 

..»».»».•*.         •>     5',U-1379X 
Six  Point 


A     -V 

—  >—  >-    ->-     6S-1307X 

A     •<--• 

(  <  <  <       -<-    6Xa-610X 

A     ->H 

»  >  >  >       ->    6Xa-601X 
,,,,,,       ,     6Y'°OX 

A     -M 

^»»   •>     6X-764X 

A 

fiX-7fifiX 

\m      AY   7fifiY 
ff/ff        u/x    '  W/\ 

The  above  three  run  together 


6X-20X 


C     AAAAAAA    A    6Y-43X 
C      vvvvvvv.     v    6Y-44X 
C      |  |  |  |   |   |  |       |     6Y-49RO 
C     AAAAAAA    A    6Y-45X 

The  above  four  run  together 


D     tlillliliiiiliiilltl      4  6-1 054  X 

D      *  +  *  +  +  +  +     *  6Wb-707Xj 

D     tJttttf     J:  6Y-199X 

D     ///////      /  6X-570XI 

D      t   t   t  t  t   t      T  6X-920X 

D      t  t   T  t  t  T      t  6X-567X 

Eight  Point 

•»>»»—>   — »  8W-20X 


8W-174X 


A       >  >  >   >   >     ->     8W-601X 
A     >->•>->->•  >•     8Wb-1329X 
D     -...-,.,.,    _     8W-350XI 


Class  A 


Class  A 


Class  A 


24  R. 
515 


30  R. 
513 


24  R. 

509 


Class  A 


24  R. 
508 


24  R.        24  R.        12  R.       12  R. 
504  505          503N         502N 


Class  A  Class  A    Class  A 

Class  A        Class  A  Class  A 


24  R. 

506 


24  Pt. 
507 


30  R. 
512 


24  R.        30  R. 
514  511 


12-point  502N,  12-point  503N,  24-point  504  and  505, 
24-point  506,  24-point  507,  24-point  514,  30-point  510, 
30-point  511,  30-point  512,  match  6-point  95RL  rule. 

24-point  508  and  509,  24-point  515,  30-point  513,  match 
12-point  740RL  rule. 

Weather  Signs 

These  are  special  matrices  and  have  been  used  as  weather 
signs;  prices  will  be  quoted  on  request. 


6X-528X 

\ 
6X-568X 

* 

7X-322X 

^ 

7X-323X 

^ 
8W-21X 

fc? 
8W-389X 

£, 
8W-565X 

r* 

8W-566X 


8S-939X 

5= 
8W6-957X 

=± 
8W6-958X 

+± 
10U-21X 

<_ 
10U^389X 

/ 

\ 

10U-459X 


10U-565X 

^ 
10U-566X 

i 
L^ 

10U-819X 

t 


+-* 
10U-824X 

K 
10U-825X 

*=> 

11S-1028X 


Eight  Point 

|    8Wb-1528X 

t  8Wb-1529X 

/  8Wb-570X 

^N  8Wb-988X 

-*  8Wb-959X 


Class 
D 

D 
D 
D 
D 

D      t    t    t    t    t     t      8Wb-920X 
>    8Wb-579X 

Ten  Point 


Electro  Display  Matrices 
A     H^  H^     12x1 8-201 X 

A     ••  •••     12x1 8-1 499  X 


A  1  1     12X18-1500X 

The  above  three  run  together 


1  8-201  X 


The  above  matrices  are  told  at  the  single  matrix  rate  of  the  class  indicated ;  matrices  not  haying  the  class  marked  are  special  and  prices  will  be  quoted 

on  request;  matrices  above  12  point  are  Electro- Display  Matrices 

I  fl  }1   i*^*   t-1   f<   >*   ><   ><  7*-f<-;*-t<   t<  ^<  \*   t<   ,^T<   ><  t<   t<   r<   r*   ^   r<   r<   ,<   ,<   ,'   ,<  7^~><   ><   ><   (<   ><   )-<~)<   ><   ><   (*   )•*-><   ><   )^~7^   >^   )4   >4   >*   >*   >*   )*   >*   >*   ) 


SPECIMENS  of 

MONOTYPE  RULE 

and  CORNER  PIECE 

MATRICES 

The  Rule  Matrices  shown  on  the  fol- 
lowing pages  are  made  for  use  with 
the  Continuous  Strip  Lead  and  Rule 
Molds.  The  Corner  Pieces  to  match 
the  Rule  Matrices  are  made  to  be 
cast  on  the  regular  Monotype  Molds 


MONOTYPE  COLUMN  RULE 

Every  newspaper  office  should  have  a  special  six-point 
Column  Rule  Mold,  which  casts  column  rules  from  a 
matrix  that  matches  the  20RL  series,  as  well  as  standard 
rule  from  any  of  the  six-point  matrices  shown  on  the 
following  pages.  The  column  rule  cast  with  this  mold 
has  exactly  the  same  cross-section  as  brass  rule,  that  is, 
with  a  bevel  extending  to  edge  of  body,  as  shown  above. 
Depth  of  matrix  drive,  .065  inch. 


COPYRIGHT,  1917 

BY 

LANSTON  MONOTYPE 
MACHINE  COMPANY 


TRADE  MARK 

MONOTYPE 

Reg.  U.  S.  Pat.  Off. 


6  Set 

7  " 

8  " 
10  " 
12  " 


5  Set 

6  " 

7  " 

8  " 

9  " 

10  " 

11  " 

12  " 


6  Set 

7  " 

8  " 

11  " 

12  " 


6  Set 

7  " 

8  " 

9  " 

10  " 

11  " 

12  " 


10  Set 

11  " 

12  " 


ROUND  DOT  LEADERS 

One  Dot  to  Em  No.  10R 

Furnished  in  18  units  only 


Monotype  Standard  Line  Leaders 
Composition  Matrices 

HYPHEN  LEADERS 
Two  Hyphens  to  Em  No.  70R 


Two  Dots  to  Em  No.  2  OR 


Three  Dots  to  Em  No.  30R 
Furnished  in  18  units  only 


Four  Dots  to  Em  No.  40R 


Six  Dots  to  Em  No.  50R 
Not  furnished  for  less  than  10  set 


5  Set 

6  " 

7  " 

8  " 

9  " 

10  " 

11  " 

12  " 


6  Set 

7  " 

8  " 

9  " 

10  " 

11  " 

12  " 


9  Set 

10  " 

11  " 

12  " 


6  Set 

7  " 

8  " 
10  " 

12  " 


Four  Hyphens  to  Em  No.  90R 


Six  Hyphens  to  Em  No.  60R 
Not  furnished  for  less  than  9  set 


BOLD  FACE  LEADERS 
Two  Dots  to  Em  No.  25R 


Note:  Monotype  leaders  are  made  on  standard  line  and  may  be  used  in  composition  with  any  font  regardless  of  its  point  size.  For  example: 
The  same  leader  matrix  could  be  used  with  12  point  No.  34A  or  10  point  No.  l.SOA.  both  being  11  set  faces,  as  the  set  only  need  be  considered. 
All  styles  of  leaders  are  made  to  run  in  the  8,  9,  10  and  18  unit  rows,  which  allows  of  perfect  justification  of  leader  lines.  In  ordering  leaders  always 
give  set  size,  style  and  unit  row  wanted. 

Sort*  Matrices.  We  also  furnish  leaders  in  24,  30  and  36  point  strips  for  sorts  casting  for  use  when  setting  6,  8,  10  or  12  point  by  hand. 
They  are  made  to  match  the  different  styles  of  composition  leaders  shown  above. 


Monotype  Rules  and  Dashes 


Composition  Matrices 


No.  10R 

— M— 


No.  11R 
M 


The  horizontal  and  vertical  dashes  shown  on  this  page  can  be 
furnished  in  the  different  point  and  set  sizes  for  use  in  composition 
with  any  of  our  standard  fonts.  The  Matrices  shown  are  all  Class 
C  with  two  exceptions,  the  horizontal  hair  line  dash  central  on  the 
body  and  the  vertical  hair  line  rule  Matrices  which  are  Class  A. 
When  ordering  dashes  be  sure  to  specify  point  size,  set  size,  and  unit 
row  in  addition  to  the  number  of  the  character. 


No.  12R 


No.  15R 


No.  19R 

M 


No.  39R 

I  M  II 


No.  18R 

=M= 


No.  13R 


I 


No.  49R 

Illlllllllllll  M  Illlllllll 


No.  69R 

M 


No.  14R 


No.  89R 

I  iimiimiiii    11111111111111 


No.  17R 


No.  40R 

— M— 


No.  41R 

M 


No.  42R 


No.  45R 


No.  60R 

— M— 


No.  61R 


No.  62R 


No.  65R 


Monotype  Dashes 

Composition  Matrices 

THE  HORIZONTAL  DASHES   shown  on  this  page  are  for  use  in  composition  with  any  of  our 
standard  fonts.   The  matrices  for  most  of  the  point  sizes,  set  sizes,  and  various  unit  widths 
are  in  stock.    Those  not  in  stock  will  be  made  upon  request.    Composition  Horizontal  Dash 
Matrices  are  Class  A,  except   14-point  and   18-point  Composition,  which  are  Class  B.    When 
ordering  dashes  be  sure  to  specify  point  size,  set  size,  and  unit  row,  in  addition  to  the  number  of 
the  character. 


Number 


-10R 


12R 
15R 


Hair-Line  Dash 


Position 


Centered  on  Body 

Bottom  of  Body 

Top   of   Body 

Bottom   of  X 


Quarter-Point  Dash 

Number  Position 

—  20R—  Centered  on  Body 

21R,  same  weight,  Bottom  of  Body 
22R,  same  weight,  Top  of  Body 
25  R,  same  weight,  Bottom  of  X 


One  and  One-Half-Point  Dash 


Number 


Position 


— 50R- 


~—^—     Centered  on  Body 
51R,  same  weight,  Bottom  of  Body 
52R,  same  weight,  Top  of  Body 
55 Ix,  same  weight,  Bottom  of  X 


Half-Point  Dash 

Number  Position 

-  30  R  -     Centered  on  Body 


31R,  same  weight,  Bottom  of  Body 
32 R,  same  weight,  Top  of  Body 
35 R,  same  weight,  Bottom  of  X 

Three-Quarter-Point  Dash 


Number 

— 300R- 


Position 


Centered  on  Body 

30 1R,  same  weight,  Bottom  of  Body 
302 R,  same  weight,  Top  of  Body 
305 R,  same  weight,  Bottom  of  X 


Number 

— 40R- 


One-Point  Dash 

Position 


— —     Centered  on  Body 
41  R,  same  weight,  Bottom  of  Body 
42 R,  same  weight,  Top  of  Body 
45  R,  same  weight,  Bottom  of  X 

Double  Hair-Line  Dash 

Number  Position 

=  18R=  =     Centered  on  Body 

13R,  same  weight,  Bottom  of  Body 
14R,  same  weight,  Top  of  Body 
17R,  same  weight,  Bottom  of  X 


Number 

-60R- 


Two-Point  Dash 

Position 

^^^^~"~     Centered  on  Body 
61R,  same  weight,  Bottom  of  Body 
62 R,  same  weight,  Top  of  Body 
65 R,  same  weight,  Bottom  of  X 

Two  and  One-Half-Point  Dash 


Number 


Position 


•••70  R^^^^^^™     Centered  on  Body 
71R,  same  weight,  Bottom  of  Body 
72R,  same  weight,  Top  of  Body 
75  R,  same  weight,  Bottom  of  X 

Three-Point  Dash 

Number  Position 

^"80  R^^^^^^^™     Centered  on  Body 

81  R,  same  weight,  Bottom  of  Body 

82  R,  same  weight,  Top  of  Body 
85  R,  same  weight,  Bottom  of  X 


Four-Point  Dash 


Number 


Position 


Centered  on  Body 
91R,  same  weight,  Bottom  of  Body 
92  R,  same  weight,  Top  of  Body 
95  R,  same  weight,  Bottom  of  X 


Monotype  Rules  and  Dashes 


Composition  Matrices 


No.  10R 

— M— 


No.  11R 

M 


The  horizontal  and  vertical  dashes  shown  on  this  page  can  be 
furnished  in  the  different  point  and  set  sizes  for  use  in  composition 
with  any  of  our  standard  fonts.  The  Matrices  shown  are  all  Class 
C  with  two  exceptions,  the  horizontal  hair  line  dash  central  on  the 
body  and  the  vertical  hair  line  rule  Matrices  which  are  Class  A. 
When  ordering  dashes  be  sure  to  specify  point  size,  set  size,  and  unit 
row  in  addition  to  the  number  of  the  character. 


No.  12R 


No.  19R 

M  II 


No.  15R 


No.  39R 

M  II 


No.  18R 

=M= 


MM 


No.  49R 

|M|| 


No.  13R 


No.  69R 

M 


No.  14R 


No.  89R 


M 


I  Illlllllllllll   Illlllllllllll 


No.  17R 

=M= 


No.  40R 

— M— 


No.  41R 

M 


No.  42R 


No.  45R 


No.  60R 

— M— 


No.  61R 


No.  62R 


No.  65R 


Monotype  Dashes 

Composition  Matrices 

THE  HORIZONTAL  DASHES   shown  on  this  page  are  for  use  in  composition  with  any  of  our 
standard  fonts.  The  matrices  for  most  of  the  point  sizes,  set  sizes,  and  various  unit  widths 
are  in  stock.    Those  not  in  stock  will  be  made  upon  request.   Composition  Horizontal  Dash 
Matrices  are  Class  A,  except   14-point  and   18-point  Composition,  which  are  Class  B.    When 
ordering  dashes  be  sure  to  specify  point  size,  set  size,  and  unit  row,  in  addition  to  the  number  of 
the  character. 


Number 


— 10R- 


_15R. 


Hair-Line  Dash 


Position 


-Centered  on  Body 

_Bottom  of  Body 

Top   of    Body 

Bottom   of  X 


Quarter-Point  Dash 

Number  Position 

—  20R  —  Centered  on  Body 

21R,  same  weight,  Bottom  of  Body 
22R,  same  weight,  Top  of  Body 
25  R,  same  weight,  Bottom  of  X 

Half-Point  Dash 

Number  Position 

-  30R  -     Centered  on  Body 


One  and  One-Half-Point  Dash 


31R,  same  weight,  Bottom  of  Body 
32R,  same  weight,  Top  of  Body 
35  R,  same  weight,  Bottom  of  X 

Three-Quarter-Point  Dash 


Number 
-  300R 


Position 


Centered  on  Body 

301  R,  same  weight,  Bottom  of  Body 

302  R,  same  weight,  Top  of  Body 
305  R,  same  weight,  Bottom  of  X 


Number 

— 40R- 


One-Point  Dash 

Position 


— — —     Centered  on  Body 
41  R,  same  weight,  Bottom  of  Body 
42 R,  same  weight,  Top  of  Body 
45 R,  same  weight,  Bottom  of  X 

Double  Hair-Line  Dash 

Number  Position 

=  18R  Centered  on  Body 

13R,  same  weight,  Bottom  of  Body 
14R,  same  weight,  Top  of  Body 
17R,  same  weight,  Bottom  of  X 


Number 


Position 


— 50R- 


•—• "~~     Centered  on  Body 
511x,  same  weight,  Bottom  of  Body 
52R,  same  weight,  Top  of  Body 
55 R,  same  weight,  Bottom  of  X 


Two-Point  Dash 


Number 


Position 


-60R- 


^^^^~     Centered  on  Body 
61R,  same  weight,  Bottom  of  Body 
62 R,  same  weight,  Top  of  Body 
65 R,  same  weight,  Bottom  of  X 

Two  and  One-Half-Point  Dash 


Number 


Position 


Centered  on  Body 
71R,  same  weight,  Bottom  of  Body 
72R,  same  weight,  Top  of  Body 
75 R,  same  weight,  Bottom  of  X 


Three-Point  Dash 


Number 


Position 

Centered  on  Body 
81  R,  same  weight,  Bottom  of  Body 
82 R,  same  weight,  Top  of  Body 
85 R,  same  weight,  Bottom  of  X 

Four-Point  Dash 

Number  Position 

91  R,  same  weight,  Bottom  of  Body 
92 R,  same  weight,  Top  of  Body 
95  R,  same  weight,  Bottom  of  X 


Monotype  Piece  Braces 

Composition  Matrices 

PIECE  BRACES  are  made  up  from  two  or  more  characters,  and   these   characters  are 
numbered  from  No.  1  to  No.  9,  inclusive,  as  follows:   No.  1,  ]  ;  No.  2,  |  ;   No.  3,  [>;  No.  4,  J  ; 
No.  5,   [;    No.  6,   f;    No.  7,  \;    No.  8,  /;    No.  9,  \.     (Numbers  must  be  specified  when 
ordering  Piece  Braces.)    With  these  nine  characters,  braces  covering  any  number  of  lines  can 
be  composed  facing  either  to  the  right  or  left.    Piece  Braces  must  be  the  same  point  size  as  the 
body  of  the  type  with  which  they  are  used  and  not  the  point  size  of  the  face.    THUS  :   for  use 
with  an  8  point  face  on  10  point  body,  10  point  Piece  Braces  should  be  ordered. 


Point 


4V2Y     41Sf 
Set  Factor  54 

123456789 

)       I       >       I       I       I       I       /       < 


5  Point 


SZ     41  Sf 
Set  Factor  45 


123456789 

1  I  M  I  f  1  /  < 


5Yb     41Sf 

Set  Factor  58.5 


123456789 

1    I    M    I   I  I  /  < 


5Yb     41  So 

Set  Factor  117 

123456789 

1    I    M    I    f  \   M 

f   f   f   f 


5Yb     42So 
Set  Factor  117  (Class  B) 

1      3      4 


Dash  to  match  5Yb — lORo 


Point 


5>/2Zb     41  So 
Set  Factor  99 

123456789 
J  I  M   I  (1/1 


5»/2Y     41Sf 
Set  Factor  54 

123456789 
1   I   H    I   f  I  H 


S'/2Yb     41  Sf 
Set  Factor  58.5 

123456789 

1   I    M    I  f  1  H 


5'2Xa     41  So 
Set  Factor  130.5 

123456789 

1    I    M    I   f  I   M 


Set  Factor  is  the  set  multiplied  by  unit  width;  thus,  the  set  factor  for  a  character  made  for  the  10  unit  row  of  8  set  is  80  (10X8  =  80).  Knowing 
the  set  factor  and  the  set  to  be  used,  to  determine  the  proper  unit  row  for  any  character  divide  the  set  factor  by  the  set  to  be  used.  RULE:  Given  the 
set  factor  of  a  matrix,  to  determine  for  any  set,  the  unit  row  of  the  matrix  case  in  which  to  carry  this  matrix:  divide  the  set  factor  by  the  set  to  be  used,  the 
result  is  the  unit  row  required.  If  this  result  contains  a  fraction  use  next  larger  unit  row.  EXAMPLE:  Set  factor  80.  Find  unit  row  in  which  to  carry 
this  matrix  in  matrix  case  used  with  9  set  normal  wedge;  80-7-9  =  8.8;  therefore  put  matrix  in  9  unit  row. 

Price*:  All  Matrices  shown  on  this  page  are  Class  A,  unless  a  different  classification  is  included  in  parentheses  with  the  series  Number. 


Piece  Brace  Specimen  Page  1 


Monotype  Piece  Braces        Composition  Matrices 

6  Point 


6Y    30Sf 

Set  Factor  54 

3    9 


6X     30Sf 
Set  Factor  63 


6Y     41  Sf 

Set  Factor  54 


123456789 

1  I  M  I  I  I  /  < 


6X     41  Sf 

Set  Factor  63 


123456789 

1   I   M   I  f  I  /  < 


6X     41So 
Set  Factor  126 

123456789 

1   I    M    t  f  I  M 


6Wb     41Sf 
Set  Factor  76.5 

7     8 
I     / 


6Y     42So 
Set  Factor  108  (Class  B) 

1      3      4 


Dash  to  match  6Y— lORo 


6X     42So 
Set  Factor  126  (Class  B) 

1      3      4 
Dash  to  match  6X — lORo 


6Xa     42So 
Set  Factor  130.5  (Class  B) 

1      3      4 


Dash  to  match  6Xa — lORo 


6Y     41So 
Set  Factor  108 

123456789 

H  KM  (I  H 


u 


6Wb     41  So 

Set  Factor  153 


OX     44Sf 
Set  Factor  63  (Class  Gl) 

123456789 

i  i  H  i  M  M 


7  Point 


7X     41Sf 
Set  Factor    63 

123456789 

II  M  I  f  \  H 


'(II  11)1' 


7X     41So 
Set  Factor  126 

123456789 

n  M  i  f  \  n 


7X     44Sf 
Set  Factor  63   (Class  Gl) 


Set  Factor  is  the  set  multiplied  by  unit  width;  thus,  the  set  factor  for  a  character  made  for  the  10  unit  row  of  8  set  is  80  (10X8  =  80).  Knowing 
the  set  factor  and  the  set  to  be  used,  to  determine  the  proper  unit  row  for  any  character  divide  the  set  factor  by  the  set  to  be  used.  RULE:  Given  tht 
set  factor  of  a  matrix,  to  determine  for  any  set,  the  unit  row  of  the  matrix  case  in  which  to  carry  this  matrix:  divide  the  set  factor  by  the  set  to  be  used,  the 
result  is  the  unit  row  required.  If  this  result  contains  a  fraction  use  next  larger  unit  row.  EXAMPLE:  Set  factor  80.  Find  unit  row  in  which  to  carry 
this  matrix  in  matrix  case  used  with  9  set  normal  wedge;  80-5-9  =  8.8;  therefore  put  matrix  in  9  unit  row. 

Prices:  All  Matrices  shown  on  this  page  are  Class  A,  unless  a  different  classification  is  included  in  parentheses  with  the  series  Number. 


Piece  Brace  Specimen  Page  2 


Monotype  Piece  Braces        Composition  Matrices 

8  Point 


8W     30Sf 

Set  Factor  72 

3      9 


8X     41  Sf 
Set  Factor  63 

123456789 

n  m  rx/'i 


8W41Sf 

Set  Factor  72 

123456789 

i  i  n  u  \  n 


8H9W     41SRf 

Set  Factor  72  (Class  Gl) 

One   point   shorter 

than  regular  brace. 

1478 
}    }    \   I 


8H9W     41SLf 

Set  Factor  72(  Class  Gl) 

One   point   shorter 

than  regular  brace. 

1478 

ri/\ 


8W     41So 
Set  Factor  144 


123456789 


8H9W     41SRo 

Set  Factor  144  (Class  Gl) 

One    point   shorter 

than  regular  brace. 

1478 

1    J    \    / 


8WH9     4lSLo 

Set  Factor  144  (Class  Gl) 

One   point   shorter 

than  regular  brace. 

1478 


f    I   /   \ 


8V    41So 
Set  Factor  162 

123456789 

n  H  i  f  i  n 


8W     42So 
Set  Factor  144  (Class  B) 

1         3        4 


Dash  to  match  8W — lORo 


8Wb     42So 
Set  Factor  153  (Class  B) 

1        3        4 


Dash  to  match  8Wb — lORo 


8W     43Sf 
Set  Factor  72  (Class  Gl) 


8W     43SRf 

Set  Factor  72  (Class  Gl 

2356 

I  H  ( 


8W     43SLf 
Set  Factor  72  (Class  Gl) 


8WH9     43SRf 

Set  Factor  72  (Class  Gl) 
One   point   shorter 
than  regular  brace. 


8WH9     43SLf 

Set  Factor  72  (Class  Gl) 

One   point   shorter 

than  regular  brace. 

1478 

r  i  / 1 


123456789 

H  u  inn 


'I! 


8W     44So 
Set  Factor  144  (Class  Gl) 

123456789 

v  m  inn 


Set  Factor  is  the  set  multiplied  by  unit  width;  thus,  the  set  factor  for  a  character  made  for  the  10  unit  row  of  8  set  is  80  (10X8  =  80).  Knowing 
the  set  factor  and  the  set  to  be  used,  to  Hrtcnninc  the  proper  unit  row  for  any  character  divide  the  set  factor  by  the  set  to  be  used.  RULE:  Given  the 
set  factor  of  a  matrix,  lo  determine  for  any  set,  the  unit  row  of  the  matrix  cafe  in  which  to  carry  this  matrix:  divide  the  set  factor  by  the  set  to  be  used,  the 
result  is  the  unit  row  required.  //  this  result  contains  a  fraction  use  next  larger  unit  row.  EXAMPLE:  Set  factor  80.  Find  unit  row  in  which  to  carry 
this  matrix  in  matrix  case  used  with  9  set  normal  wedge;  RO-i-9  —  8.8;  therefore  put  matrix  in  9  unit  row. 

Price*:  All  Matrices  shown  on  this  page  are  Class  A,  unless  a  different  classification  is  included  in  parentheses  with  the  series  Number. 


Piece  Brace  Specimen  Page  3 


Monotype  Piece  Braces        Composition  Matrices 

9  Point 


9V     30Sf 
Set  Factor  81 


9V     41  Sf 

Set  Factor  81 

123456789 

1  I  M  (  I  U  { 


9V     41So 
Set  Factor  162 

123456789 

1  I  M  I  f  U  { 


10  Point 


10U     30Sf 

Set  Factor  90 


3        9 


10U     41  So 

Set  Factor  180 

123456789 

1  I  M  1  f  1  /  \ 


10U     46So 

Two  point  face. 

Set  Factor  180  (Class  B) 


1 


10U     41  Sf 

Set  Factor  90 

123456789 

U  H  I  f  \  H 


Dash  to  match  10U — 60Ro 


10TJ     42So 
Set  Factor  180  (Class  B) 


Dash  to  match  10U — lORo 


10U     47So 

One  point  face. 

Set  Factor  180  (Class  G2) 

1  4 

Dash  to  match  10U — 40Ro 


Set  Factor  is  the  set  multiplied  by  unit  width;  thus,  the  set  factor  for  a  character  made  for  the  10  unit  row  of  8  set  is  80  (10X8  =  80).  Knowing 
the  set  factor  and  the  set  to  be  used,  to  determine  the  proper  unit  row  for  any  character  divide  the  set  factor  by  the  set  to  be  used.  RULE:  Given  the 
set  factor  of  a  matrix,  to  determine  for  any  set,  the  unit  row  of  the  matrix  case  in  which  to  carry  this  matrix:  divide  the  set  factor  by  the  set  to  be  used,  the 
result  is  the  unit  row  required.  If  this  result  contains  a  fraction  use  next  larger  unit  row.  EXAMPLE:  Set  factor  80.  Find  unit  row  in  which  to  carry 
this  matrix  in  matrix  case  used  with  9  set  normal  wedge;  80-5-9  =  8.8;  therefore  put  matrix  in  9  unit  row. 

Prices:  All  Matrices  shown  on  this  page  are  Class  A,  unless  a  different  classification  is  included  in  parentheses  with  the  series  Number. 


Piece  Brace  Specimen  Page  4 


Monotype  Piece  Braces       Composition  Matrices 

11  Point 


11T     30Sf 
Set  Factor  99 


11T     41Sf 
Set  Factor  99 


123456789 

1      M  (  (  U  i 


11T     41So 
Set  Factor  198 

123456789 

1  I  M  1  f  1  M 


12  Point 


12Y     30Sf 

Set  Factor  54 


128     4lSo 
Set  Factor  216 


123456789 

1      U  I  Tin 


12S     44Sf 

Set  Factor  108  (Class  Gl) 

123456789 

vim  n/< 


12S     30Sf 
Set  Factor  108 


3         9 


12S     41Sf 
Set  Factor  108 


123456789 


12S     42So 
Set  Factor  216  (Class  B) 

134 


Dash  to  match  12S — lORo 


Set  Factor  is  the  get  multiplied  by  unit  width;  thus,  the  set  factor  for  a  character  made  for  the  10  unit  row  of  8  set  is  80  (10X8-80).  Knowing 
thf  frt  factor  and  the  set  to  be  used,  to  determine  the  proper  unit  row  for  any  character  divide  the  set  factor  by  the  set  to  be  used.  RULE:  Given  the 
set  factor  of  a  matrix,  to  determine  for  any  set.  the  unit  row  of  the  matrix  case  in  which  to  carry  this  matrix:  divide  the  net  factor  by  the  set  to  be  used,  the 
result  is  the  unit  rrnv  required.  If  this  result  contains  a  fraction  use  next  larger  unit  row.  KXAMPI.E:  Set  factor  80.  Find  unit  row  in  which  to  carry 
this  matrix  in  matrix  case  used  with  9  set  normal  wedge;  80  +  9  =  8.8;  therefore  put  matrix  in  9  unit  row. 

Price*:  All  Matrices  shown  on  this  page  are  Class  A,  unless  a  different  classification  is  included  in  parentheses  with  the  series  Number. 


Piece  Brace  Specimen  Page  5 


Monotype  Rules 

Matrices  for  Continuous  Lead  and  Rule  Molds 
2 -Point 

2-10RL 2-31RL 


2-11RL. 


2-18RL= 


2-20RL_ 


2-21RL_ 


2-30RL. 


2-50RL. 


2-350RL. 


2-35RL. 


2-38RL= 


2-40RL. 


2-41RL. 


3-10RL- 


3  18RL 


3  20RL 


3  21RL 


3  248RL 


3  30RL 


3  31RL 


3 -Point 

3-3428RL: 


3-40RL. 


3-41RL- 


3-410RL 


3-5 1RL. 


3  61RL. 


3  65RL. 


Note:  These  Rule  Matrices  are  not  interchangeable  for  different  point-size  Molds;   for  example,  any  two-point  Rule  Matrix  can  be  used  with 
any  two-point  Rule  Mold,  but  a  two-point  Matrix  cannot  be  used  with  the  six-point  Rule  Mold. 


Page  one 


4   90RT, 

Monotype  Rules 
Matrices  for  Continuous  Lead  and  Rule  Molds 
4-Point 

4   248RL 

4   30RT, 

4  31RL 

4  161RL  

—  i^—  ^—  ^^^—  ^^^~ 

6  10RL 

6-Point 

6  URL 

fi   18RL 

61  ROT  C  

6   1418RL 

6  1618RL 

Note:   These  Rule  Matrices  are  not  interchangeable  for  different  point-size  Molds:   for  example,  any  two-point  Rule  Matrix  can  be  used  with 
any  two-point  Rule  Mold,  but  a  two-point  Matrix  cannot  be  used  with  the  six-point  Rule  Mold. 

t 

Page  two 


fi   90PT 

Monotype  Rules 
Matrices  for  Continuous  Lead  and  Rule  Molds 
6-Point 

6  228RL 

69d.Hl?T  

63ni3T 

55 

6-3  1RL 

6  35RL 

* 

6  3481RL 

Note:   These  Rule  Matrices  are  not  interchangeable  for  different  point-size  Molds;   for  example,  any  two-point  Rule  Matrix  can  be  used  with 
any  two-point  Rule  Mold,  but  a  two-point  Matrix  cannot  be  used  with  the  six-point  Rule  Mold. 

Page  three 


Monotype  Rules 

Matrices  for  Continuous  Lead  and  Rule  Molds 
6-Point 


6-4281RLs 


6-448RL: 


6-620RL- 


6-44 11RL; 


6-633RL= 


6-448 1RL: 


6-648RL; 


6-46  URL; 


6-6468RLI 


6-47RLE 


6-68RL! 


6-517RL- 


6-758RL- 


6-51RL- 


6-80RLi 


6-5418RL- 


6-8 1R1 


6-56  ISRL; 


6-844RLi 


6-581RL: 


6-91RLI 


6-60RL- 


6-92  IRLi 


6-6 1RL. 


6-938RLI 


6-62 1RL. 


6-95RLI 


Note:   These  Rule  Matrices  are  not  interchangeable  for  different  point-size  Molds;   for  example,  any  two-point  Rule  Matrix  can  be  used  with 
any  two-point  Rule  Mold,  but  a  two-point  Matrix  cannot  be  used  with  the  six-point  Rule  Mold. 


Page  four 


Monotype  Rules 

Matrices  for  Continuous  Lead  and  Rule  Molds 
6 -Point 


6-53 18R1 


6-388RLI 


6-533 1RL- 


6-3562RI 


8-Point 


8-10RL- 


10-10RL 


10-Point 

10-20RL- 


10-18RL= 


10-30RL- 


10-870RL 


Note:   These  Rule  Matrices  are  not  interchangeable  for  different  point-size  Molds;  for  example,  any  two-point  Rule  Matrix  can  be  used  with 
any  two-point  Rule  Mold,  but  a  two-point  Matrix  cannot  be  used  with  the  six-point  Rule  Mold. 


Page  five 


Monotype  Rules 
Matrices  for  Continuous  Lead  and  Rule  Molds 


12 -Point 
•         12-40RL_ 


1  2-1  RRT, 


12-144RL; 


12-3525RL= 


12-164RL: 


12-3556RL: 


1 2-427 1RL= 


1 2-426 1RL= 


12-657RLI 


12-42  51  RLE 


12-961RLI 


12-424RL: 


1 2-943  7RL* 


Note:   These  Rule  Matrices  are  not  interchangeable  for  different  point-size  Molds;   for  example,  any  two-point  Rule  Matrix  can  be  used  with 
any  two-point  Rule  Mold,  but  a  two-point  Matrix  cannot  be  used  with  the  six-point  Rule  Mold. 


Page  six 


12-536RLI 


Monotype  Rules 

Matrices  for  Continuous  Lead  and  Rule  Molds 
12 -Point 

1 2-9676RL— ~- ™  _____  __  _ 


12-61 1RLT 


12-740R 


12-4471RL 


12-4781RL 


12-446RL: 


12-4441RL 


12-6551RI 


12-4481RL 


12-4588RL 


12-9504RLI 


12-6471RL 


12-626R 


Note:  These  Rule  Matrices  are  not  interchangeable  for  different  point-size  Molds;  for  example,  any  two-point  Rule  Matrix  can  be  used  with 
any  two-point  Rule  Mold,  but  a  two-point  Matrix  cannot  be  used  with  the  six-point  Rule  Mold. 

Page  seven 


Monotype  Rules 

Matrices  for  Continuous  Lead  and  Rule  Molds 
12 -Point 


12-827RI 


12-881R 


Note:  These  Rule  Matrices  are  not  interchangeable  for  different  point-size  Molds;  for  example,  any  two- point  Rule  Matrix  can  be  used  with 
any  two-point  Rule  Mold,  but  a  two-point  Matrix  cannot  be  used  with  the  six-point  Rule  Mold. 

Page  eight 


r 


s 


f 


(r 


t 


r 


(r 


Monotype  Corner  Pieces 
Matching  Monotype  Rules  made  on  Continuous  Lead  and  Rule  Molds 

12  -Point  Composition  Corner  Pieces  to  Match  6-Point  Lead  and  Rule  Matrices 


12LR-10N   f  to  match  6-10RL 


12LS-10N   |~~  to  match  6-10RL 


12LR-11N     '    to  match  6-11RL 


12LS-11N         to  match  6-11RL 


12LR-18N  (     to  match  6-18RL 


12LS-1421N     r  to  match  6-1421RL 


12LR-1441N  fT  to  match  6-1441RL 


12LR-1571N         to  match  6-1571RL 


12LS-1571N  I     to  match  6-1571RL 


12LR-147N         to  match  6-147RL 


12LR-1458N         to  match  1458RL 


12LR-1618N  (     to  match  6-1618RL 


12LS-1618N  |  P  to  match  1618RL 


r 


12LR-181N  (     to  match  6-181  RL 


r 

r 


12LS-181N  |P  to  match  6-181RL 


12LR-31N         to  match  6-31RL 


12LR-35N  (     to  match  6-35RL 


12LS-35N  |       to  match  6-35RL 


^ 


^ 


12LR-1421N    f  to  match  6-1421RL 


12LS-1441N     p  to  match  6-1441RL 


12LS-147N  ||p  to  match  6-147RL 


12LS-348N  IP  to  match  348RL 


f 


(tr 


c 

r 


%   / 


n   * 


T    r 
S   r 


^    r 


12LR-3481N  (     to  match  6-3481RL 


12LS-3481N   p  to  match  6-3481RL 


12LR-357N  ((F  to  match  6-357RL 


12LS-357N         to  match  6-357RL 


12LS-3531N   p  to  match  6-3531RL 


12LR-3537N    f  to  match  3537RL 


12LS-3537N  ffp  to  match  6-3537RL 


12LR-40N  f  to  match 


to  match  6-41RL 


12LS-41N  |       to  match  6^URL 


/ 


12LD-41N          to  match  6-41RL 


12LR-48N         to  match  6-48RL 


I" 
12LS-48N  1  p  to  match  6-48RL 


s 

12LD-48N  f/  to  match  6-48RL 


12LR^7N  (     to  match  6-47RL 


12LS-47N         to  match  6-47RL 


12LR-411N          to  match  6-41  1RL 


12LS-411N  |P  to  match  6-41  1RL 


12LR^28N  (     to  match  6-428RL 


n= 
12LS-428N  |P  to  match  6-428RL 


Page  nine 


r 


tr 


(r 


Monotype  Corner  Pieces 
Matching  Monotype  Rules  made  on  Continuous  Lead  and  Rule  Molds 

12-Point  Composition  Corner  Pieces  to  Match  6-Point  Lead  and  Rule  Matrices 


12LR-4225N         to  match  4225RL 


12LR-4411N         to  match  6-4411RL 


12LR^48N  /      to  match  6-^48RL 


12LR-4481N         to  match  6^481RL 


12LS-4481N  |P  to  match  6-4481RL 


12LR-51N         to  match  6-51RL 


12LR-5418N  /     to  match  6-5418RL 


12LR-581N         to  match  6-581RL 


12LR-4245N         to  match  4245RL 


12LR^281N         to  match  6-4281RL 


n= 

12LS-4281N  (I      to  match  6^281RL 


/ 


12LS-4411N    P  to  match  6-441  1RL 


12LS-448N         to  match  6-448RL 


\r 

fr 


Tl 

>\ 


12LS-5418N     r  to  match  6-5418RL 


lr= 

12LS-581N  |~  to  match  6-581RL 


12LR-5618N         to  match  6-5618RL 


1— 
12LS-5618N  |  r  to  match  6-5618RL 


12LD-5618N  //  to  match  6-5618RL 


12LR-60N         to  match  6-60RL 


12LS-60N         to  match  6-60RL 


12LR-61N         to  match  6-61RL 


12LS-61N         to  match  6-61RL 


12LD-61N         to  match  6-61RL 


|p 


12LS-68N         to  match  6-68RL 


12LS-610N  fP  to  match  6-610RL 


X 


12LR-68N  /      to  match  6-68RL 


12LR-610N    f  to  match  6-610RL 


12LR-648N  /      to  match  6-648RL 


12LS-648N    r  to  match  6-648RL 


12LR-6468N         to  match  6-6468RL 


12LS-6468N         to  match  6-6468RL 


12LR-80N         to  match  6-80RL 


12LS-80N  f"  to  match  6-80RL 


12LR-81N         to  match  6-81RL 


12LS-81N         to  match  6-8  1RL 


12LD-81N         to  match  6-81RL 


Page  ten 


Monotype  Corner  Pieces 
Matching  Monotype  Rules  made  on  Continuous  Lead  and  Rule  Molds 

12-Point  Composition  Corner  Pieces  to  Match  6-Point  Lead  and  Rule  Matrices 

12LR-91N  f  to  match  6-91RL 

12LR-95N  ^  to  match  6-95RL 

* 

12LS-91N  r  to  match  6-91RL 

1         ll 

12LS-95N  r  to  match  6-95RL 

™ 

12LD-91N  j  to  match  6-91RL 

12LD-95N  J  to  match  6-95RL 

12LR-938N  tf  to  match  6-938RL 

12LR-986N  ^  to  match  ^J^L 

12LS-938N  |r  to  match  6-938RL 
12-Point  Composition  Corner 

Pieces  to  Match 

12LS-986N  ^  to  match  ^JRL 
2  -Point  Lead  and  Rule  Matrices 

'                    12LR-10N2  f  to  match  2-1  ORL 

>        f 

12LR-35N2  f~  to  match  2-35RL 

^ 

12LS-10N2  |       to  match  2-10RL 

-\   r 

12LS-35N2  |       to  match  2-35RL 

1 

H 

12LS-38N2  1       to  match  38RL 

1 

'                     12LR-11N2  f  to  match  2-11RL 

^S    " 

c 

12LR-40N2  f  to  match  2-40RL 

? 

12LS-11N2  |       to  match  2-1  1RL 

\ 

12LS-40N2  |       to  match  2-40RL 

~i 

12LR-18N2  (     to  match  2-1  8RL 

^ 

r 

12LR-41N2  f  to  match  2-41RL 

^ 

12LS-18N2  1       to  match  2   18RL 

™i 

r 

12LS-41N2  |       to  match  2-41RL 

~i 

f                                                    x- 

s    „  

12LR—  20N2  (      to  match  2—  20RL 

r 

12LR-50N2  f  to  match  2-50RL 

5 

12LS-20N2  |       to  match  2-20RL 

r 

12LS-50N2  f~  to  match  2-50RL 

1 

'                     12LR-31N2  f~  to  match  2-3  1RL 

^   /- 

12LD-50N2  /  to  match  2-50RL 

x 

12LS-31N2  |       to  match  2-3  1RL 

F 

12LT-50N2  ^  to  match  2-50RL 

" 

12LR-558N2 

__  ^ 

rf  to  match  two  2-5  ORL  rules  with 
a  2-point  lead  between 

Page  eleven 


Monotype  Corner  Pieces 
Matching  Monotype  Rules  made  on  Continuous  Lead  and  Rule  Molds 

12  -Point  Composition  Corner  Pieces  to  Match  3  -Point  Lead  and  Rule  Matrices 

'         " 


12LR-41N3         to  match  3-41RL 


12LR-3428N3  If     to  match  3-3428RL 


•  12LD-41N3  /  to  match  3-41RL 


r 


12LS-3428N3          to  match  3-3428RL 


12LR-248N3  (T  to  match  3-248RL  "         *  12LR-410N3  f  to  match  3-410RL  • 


12LR-61N3         to  match  3-61RL 


12LR-65N3         to  match  3-65RL 


12LD-65N3         to  match  3-65RL 


12 -Point  Composition  Corner  Pieces  to  Match  4 -Point  Lead  and  Rule  Matrices 


'  12LR-60N4  f  to  match  4-60RL 


12 -Point  Composition  Corner  Pieces  to  Match  12 -Point  Lead  and  Rule  Matrices 


12LR-40N     f  to  match  12-40RL 


12LS-40N    r  to  match  12-40RL 


12LR-4271N  fiT  to  match  12-4271RL 


12LS-4271N  f|P  to  match  12-4271RL 


12LS-4251N         to  match  12-4251RL 


12LR-424N  (Ofi  to  match  12-424RL 


err. 


12LS-424N  Hfis  to  match  12-424RL 


12LR-536N  /j  to  match  12-536RL 


12LR-4261N  /       to  match  12-4261RL 


12LS-536N  Ifi-  to  match  12-536RL 


12LS-4261N    fi=  to  match  12-4261RL 


12LR-4251N  /^  to  match  12-4251RL 


12LR-961N          to  match  12-961RL 


12LS-961N  F  to  match  12-961RL 


Page  twelve 


' 


r 

r 

r 


' 


Monotype  Corner  Pieces 
Matching  Monotype  Rules  made  on  Continuous  Lead  and  Rule  Molds 

12  -Point  Electro  Display  Corner  Pieces  to  Match  2  -Point  Lead  and  Rule  Matrices 


12LR-10-2          to  match  2-10RL 


12LS-10-2  |       to  match  2-1  ORL 


12LR-11-2          to  match  2-1  1RL 


12LR-20-2          to  match  2-20RL 


12LR-35-2         to  match  2-35RL 


5-2  | 


12LS-35-2         to  match  2-3  5RL 


12LR-40-2         to  match  2-40RL 


^ 


^    r 


1-2  ( 


12LR-41-2  (      to  match  2-41RL 


-2  | 


12LS-41-2          to  match  2-41RL 


12LD-41-2  X"  to  match  2-4  1RL 


'  12LR-50-2  f      to  match  2-50RL 


| 


12LS-50-2          to  match  2-50RL 


/ 


12LD-50-2          to  match  2-50RL 


12LT-50-2         to  match  2-50RL 


12-Point  Electro  Display  Corner  Pieces  to  Match  3-Point  Lead  and  Rule  Matrices 


r 


12LR-10-3  f      to  match  3-1  ORL 


r 


r 

(r 


r 
f 
r 


12-Point  Electro  Display  Corner  Pieces  to  Match  6-Point  Lead  and  Rule  Matrices 


12LR-10   r  to  match  6-1  ORL 


12LS-10   [~~  to  match  6-10RL 


12LR-11       .  to  match  6-1  1RL 


12LR-1441   (?  to  match  6-1441RL 


12LR-147  (fT  to  match  6-147RL 


12LR-1571  W    to  match  6-1571RL 


12LR-181  (     to  match  6-181RL 


12LR-35         to  match  6-35RL 


| 


12LS-35          to  match  6-35RL 


^ 


12LR-357    f  to  match  6-357RL 


(T 


12LS-357  [fP  to  match  6-357RL 


12LR-3531          to  match  6-3531RL 


12LS-3531         to  match  6-3531RL 


12LR-41         to  match  6-41RL 


12LD-41         to  match  6-41RL 


12LR-47  /       to  match 


[JP 


12LS-47          to  match  6-47RL 


12LR-4225         to  match  6-4225RL 


12LS-4225         to  match  6-4225RL 


Page  thirteen 


/r 


tr 


Monotype  Corner  Pieces 
Matching  Monotype  Rules  made  on  Continuous  Lead  and  Rule  Molds 

12-Point  Electro-Display  Corner  Pieces  to  Match  6-Point  Lead  and  Rule  Matrices 


f 


12LR-4281         to  match  6-4281RL 


^     fr 


12LR-610  fr  to  match  6-610RL 


|| 


12LS-4281   |      to  match  6-4281RL 


l 


12LR-448         to  match  6-448RL 


12LR-51         to  match  6-51RL 


12LR-6468  (T  to  match  6-6468RL 


12LR-80          tO  match  6-80RL 


12LR-81         to  match  6-81RL 


12LD-81         to  match  6-81RL 


12LR-5418  IT  to  match  6-54 18RL 


f 

^  —  __^                                    12LR-938  ^  to  match  6-938RL 

\ 

.  —                                                                      ^^^^^ 

12LS-61  |       to  match  6-6  1RL 
12LS-938  IT  to  match  6-938RL 

/ 

12LD-61  /  to  match  6-61RL                               ^^                                                                                     ^\ 
12LR-95  T  to  match  6-95RL 

ft 

12LR-68  /f  to  match  6-68RL                                                            12LS_g5  f  tQ  match  6_Q5RL 

ll  — 

12LS-68  |p  to  match  6-68RL                                                        12LD-95  J  to  match  6-95RL 

12-Point  Electro-Display  Corner  Pieces  to  Match  12-Point  Lead  and  Rule  Matrices 


^    ^ 


12LR-424  /j      to  match  12-424RL 


12LR-536  /      to  match  12-536RL 


m   a?. 


12LS-424         to  match  12-424RL 


12LS-536    |H  to  match  12-536RL 


^ 

si 


12LR-4271  /       to  match  12-4271RL 


18-Point  Electro  -Display  Corner  Pieces  to  Match  2-Point  Lead  and  Rule  Matrices 


18LS-18-2  to  match  2-18RL 


' 


( 


18LR-50-2  to  match  2-50RL 


18LR-20-2  I         to  match  2-20RL 


18LS-20-2  to  match  2-20RL 


18LS-31 


-2  1 


to  match  2-31RL 


r 


18LS-50-2  I          to  match  2-50RL 


18LT-50-2  to  match  2-50RL 


Page  fourteen 


f 


(F 


Monotype  Corner  Pieces 
Matching  Monotype  Rules  made  on  Continuous  Lead  and  Rule  Molds 

18-Point  Electro  Display  Corner  Pieces  to  Match  6-Point  Lead  and  Rule  Matrices 


18LR 


-18  (f       to  match  6-18RL  I8LR-61  I        to  match  6-61RL 


j 


18LR-41  ( 


18LR-41  to  match  6-41RL 


x- 

(( 


18LR-1421  to  match  6-1421RL 


II 


18LS-1421  to  match  6-1421RL 


18LR-1441  to  match  6-1441RL 


18LS-1441  to  match  6-1441RL 


18LR-47  (If       to  match  6-47RL 


IP 

HI 


18LS-47  to  match  6-47RL 


18LR-48  \         to  match  6-48RL 


18LR-4281  (( 


18LR-4281   (        to  match  6-4281RL 


t 


(r 


lr 


e 


X 


18LD-61  X     to  match  6-61RL 


II 


18LR-68  II       to  match  6-68RL 


18LR-81  f        to  match  6-8 1RL 


/ 


18LD-81  X     to  match  6-81RL 


(( 


18LR-610    (      to  match  6-610RL 


1  1 


18LS-610  to  match  6-610RL 


(( 


18LR-648    (      to  match  6-648RL 


18LR-91  to  match  6-91RL 


18LR-95  M       to  match  6-95RL 


18LD-95  W      to  match  6-95RL 


18-Point  Electro  Display  Corner  Pieces  to  Match  12  -Point  Lead  and  Rule  Matrices 


18LS-740-12  to  match  12-740RL 


18LD-40-12     /    to  match  12-40RL 


\ 


Monotype  Corner  Pieces 
Matching  Monotype  Rules  made  on  Continuous  Lead  and  Rule  Molds 

24-Point  Sorts  Corner  Pieces  to  Match  2 -Point  Lead  and  Rule  Matrices 


24LT-50  to  match  2-50RL 


24-Point  Sorts  Corner  Pieces  to  Match  6-Point  Lead  and  Rule  Matrices 


24LD-41  to  match  6-41RL  24LR-95  f        to  match  6-95RL 


\ 


24LD-81  to  match  6-81RL  24LD-95  ^       to  match  6-95RL 


24LR-61  1  to  match  6-61RL 


24-Point  Sorts  Corner  Pieces  to  Match  12  -Point  Lead  and  Rule  Matrices 


24LD-740  to  match  12-740RL 


30  -Point  Sorts  Corner  Pieces  to  Match  2  -Point  Lead  and  Rule  Matrices 


30LT-50  T 


30LT-50  T  to  match  2-50RL 


36-Point  Sorts  Corner  Pieces  to  Match  2  -Point  Lead  and  Rule  Matrices 


36LT-50 


W  to  match  2-50RL 


36-Point  Sorts  Corner  Pieces  to  Match  6-Point  Lead  and  Rule  Matrices 


36LD-41  to  match  6-41RL 


s~7     N 

36LD-95  ^f  to  match  6-95RL 


36LD-81  f  to  match  6-81RL  36LR-61  f  to  match  6-61RL 

Page  sixteen 


Monotype  Corner  Pieces 
Matching  Monotype  Rules  made  on  Continuous  Lead  and  Rule  Molds 

6  x  36-Point  Sorts  Corner  Pieces  to  Match  2 -Point  Lead  and  Rule  Matrices 


6  x  36LR-10  No.  1 


to  match  2-10RL 


6  x  36LR-50  No.  1 


to  match  2-5  ORL 


6  x  36LS-10  No.  1 


to  match  2-1  ORL 


6  x  36LD-50  No.  1 


to  match  2-50RL 


12  x  36-Point  Sorts  Corner  Pieces  to  Match  2-Point  Lead  and  Rule  Matrices 


12  x  36LD-50  No.  1 


to  match  2-5  ORL 


12  x  36LT-50  No.  1 


to  match  2-5  ORL 


6  x  36-Point  Sorts  Corner  Pieces  to  Match  3-Point  Lead  and  Rule  Matrices 


6  x  36LR-65  No.  1 


to  match  3-65RL 


6  x  36LS-65  No.  1 


to  match  3-65RL 


6  x  36-Point  Sorts  Corner  Pieces  to  Match  6-Point  Lead  and  Rule  Matrices 


6  x  36LR-10  No.  1 


6  x  36LS-10  No.  1 


6  x  36LR-11  No.  1 


6  x  36LR-11  No.  2 


6  x  36LR-18  No.  1 


6  x  36LR-18  No.  2 


6  x  36LR-1618  No.  1 


6  x  36LS-1618  No.  1 


6  x  36LR-1751  No.  2 


to  match  6-1  ORL 


6  x  36LR-181  No.  1 


to  match  6-10RL 


6  x  36LR-181  No.  2 


to  match  6-1 1RL 


6  x  36LR-1441  No.  1 


to  match  6-1 1RL 


6  x  36LS-1441  No.  1 


to  match  6-18RL 


6  x  36LR-147  No.  1 


to  match  6-18RL 


6  x  36LR-147  No.  2 


to  match  6-1618RL 


6  x  36LS-147  No.  1 


6  x  36LR-1618  No.  2  ?,  to  match  6-1618RL 


6  x  36LR-1571  No.  1 


to  match  6-16 18RL 


6  x  36LS-1571  No.  1 


6  x  36LS-1618  No.  2  r=         -  to  match  6-1618RL 


6  x  36LR-20  No.  1 


to  match  6-1751RL 


6  x  36LS-20  No.  1 


to  match  6-181RL 


to  match  6-18 1RL 


to  match  6-1441RL 


to  match  6-1441RL 


to  match  6-147RL 


to  match  6-147RL 


to  match  6-147RL 


to  match  6-1571RL 


to  match  6-157 1RL 


to  match  6-20RL 


to  match  6-20RL 


Page  seventeen 


Monotype  Corner  Pieces 
Matching  Monotype  Rules  made  on  Continuous  Lead  and  Rule  Molds 

6  x  36-Point  Sorts  Corner  Pieces  to  Match  6-Point  Lead  and  Rule  Matrices 


6  x  36LR-3481  No.  1 


6  x  36LS-3481  No.  1 


6  x  36LR-3531  No.  1 


6  x  36LS-3531  No.  1 


6  x  36LR-3537  No.  1 


6  x  36LR-3537  No.  2 


6  x  36LR-357  No.  1 


6  x  36LS-357  No.  1 


6  x  36LS-357  No.  2 


6  x  36LR-367  No.  1 


6  x  36LS-367  No.  1 


6  x  36LR-41  No.  1 


6  x  36LR-41  No.  2 


6  x  36LS-41  No.  1 


6  x  36LS-41  No.  2 


6  x  36LR-4225  No.  1 


6  x  36LS-4225  No.  1 


to  match  6-348 1RL 


6  x  36LR-4245  No.  1 


to  match  6-3481RL 


6  x  36LR-4281  No.  1 


to  match  6-3531RL 


6  x  36LR-4281  No.  2 


to  match  6-353 1RL 


6  x  36LS-4281  No.  1 


to  match  6-353 7RL 


6  x  36LS-4281  No.  2 


to  match  6-3537RL 


6  x  36LR-448  No.  1 


to  match  6-357RL 


6  x  36LR-448  No.  2 


to  match  6-357RL 


6  x  36LS-448  No.  1 


to  match  6-35 7RL 


to  match  6-367RL 


6x36LR-4411  No.  1 


to  match  6-367RL 


6x36LR-4411  No.  2 


to  match  6-4 1RL 


6x36LS-4411  No.  1 


to  match  6-4 1RL 


6  x36LS-4411  No.  2 


to  match  6-4 1RL 


6  x  36LR-4481  No.  1 


to  match  6-4 1RL 


to  match  6-42  2  5RL 


6  x  36LR-4481  No.  2 


to  match  6-42  25RL 


6  x  36LS-4481  No.  1 


to  match  6-4245RL 


to  match  6-4281RL 


to  match  6-428 1RL 


to  match  6-4281RL 


to  match  6-4281RL 


to  match  6-448RL 


to  match  6-448RL 


to  match  6-448RL 


to  match  6-441 1RL 


to  match  6-441 1RL 


to  match  6-44 URL 


to  match  6-44 URL 


to  match  6-448 1RL 


to  match  6-448 1RL 


to  match  6-448 1RL 


Page  eighteen 


Monotype  Corner  Pieces 
Matching  Monotype  Rules  made  on  Continuous  Lead  and  Rule  Molds 

6  x  36-Point  Sorts  Corner  Pieces  to  Match  6-Point  Lead  and  Rule  Matrices 


6  x  36LR-47  No.  1 


6  x  36LR-47  No.  2 


6  x  36LS-47  No.  1 


6  x  36LS-47  No.  2 


6  x  36LR-51  No.  1 


6  x  36LR-5418  No.  1 


6  x  36LS-5418  No.  1 


6  x  36LR-5618  No.  1 


6  x  36LR-5618  No.  2 


6  x  36LS-5618  No.  1 


6  x  36LS-5618  No.  2 


6  x  36LR-581  No.  1 


6  x  36LR-61  No.  1 


6  x  36LR-61  No.  2 


6  x  36LS-61  No.  1 


6  x  36LS-61  No.  2 


6  x  36LD-61  No.  1 


to  match  6-4  7RL 


to  match  6-4  7RL 


to  match 


to  match  6-47RL 


6  x  36LR-610  No.  1 


6  x  36LR-610  No.  2 


6  x  36LS-610  No.  1 


6  x  36LS-610  No.  2 


to  match  6-5 1RL 


6  x  36LR-633  No.  1 


to  match  6-5418RL 


6  x  36LS-633  No.  1 


to  match  6-5418RL 


6  x  36LR-648  No.  1 


to  match  6-5618RL 


6  x  36LS-648  No.  1 


to  match  6-5618RL 


6  x  36LR-6468  No.  1 


to  match  6-56 18RL 


6  x  36LR-6468  No.  2 


to  match  6-56 18RL 


6  x  36LS-6468  No.  1 


to  match  6-581RL 


6  x  36LS-6468  No.  2 


to  match  6-6 1RL 


6  x  36LR-68  No.  1 


to  match  6-6 1RL 


6  x  36LS-68  No.  1 


to  match  6-6 1RL 


to  match  6-6 1RL 


6  x  36  LR-758  No.  1 


to  match  6-6 1RL 


6  x  36LR-758  No.  2 


to  match  6-610RL 


to  match  6-610RL 


to  match  6-610RL 


to  match  6-610RL 


to  match  6-633RL 


to  match  6-633RL 


to  match  6-648RL 


to  match  6-648RL 


to  match  6-6468RL 


to  match  6-6468RL 


to  match  6-6468RL 


to  match  6-6468RL 


to  match  6-68RL 


to  match  6-68RL 


to  match  6-758RL 


to  match  6-758RL 


Pane  nineteen 


Monotype  Corner  Pieces 
Matching  Monotype  Rules  made  on  Continuous  Lead  and  Rule  Molds 

6  x  3  6 -Point  Sorts  Corner  Pieces  to  Match  6 -Point  Lead  and  Rule  Matrices 


6  x  36LR-81  No.  1 


6  x  36LR-81  No.  2 


6  x  36LS-81  No.  1 


6  x  36LS-81  No.  2 


6  x  36LR-91  No.  1 


6  x  36LR-91  No.  2 


6  x  36LR-938  No.  1 


to  match  6-8 1RL 


to  match  6-8 1RL 


to  match  6-8 1RL 


to  match  6-8 1RL 


to  match  6-9 1RL 


to  match  6-91RL 


to  match  6-938RL 


6  x  36LR-938  No.  2 


6  x  36LS-938  No.  1 


6  x  36LS-938  No.  2 


6  x  36LR-95  No.  1 


6  x  36LR-95  No.  2 


6  x  36LS-95  No.  1 


6  x  36LS-95  No.  2 


to  match  6-938RL 


to  match  6-938RL 


to  match  6-938RL 


to  match  6-9  5RL 


to  match  6-9  5RL 


to  match  6-9  5RL 


to  match  6-95RL 


12  x  36-Point  Sorts  Corner  Pieces  to  Match  6 -Point  Lead  and  Rule  Matrices 


12  x  36LD-10  No.  1 


12  x  36LD-41  No.  1 


12  x  36LD-41  No.  2 


12  x  36LR-5618  No.  1 


12  x  36LS-5618  No.  1 


12  x  36LR-61  No.  2 


12  x  36LS-61  No.  1 


to  match  6-10RL 


12  x  36LS-61  No.  2 


to  match  6-41RL 


12  x  36LD-61  No.  1 


to  match  6-41RL 


12  x  36LD-61  No.  2 


fr 


to  match  6-56 18RL 


12  x  36LR-610  No.  1 


il      fr 


to  match  6-56 18RL 


12  x  36LR-610  No.  2 


to  match  6-61RL 


12  x  36LS-610  No.  2 


to  match  6-6 1RL 


12  x  36LS-6468  No.  1 


to  match  6-61RL 


to  match  6-61RL 


to  match  6-61RL 


to  match  6-610RL 


to  match  6-610RL 


r  ^    r= 

12  x  36LR-61  No.  1  ^\  to  match  6-61RL  12  x  36LS-610  No.  1  ~  1  to  match  6-610RL 


to  match  6-610RL 


to  match  6-6468RL 


Page  twenty 


Monotype  Corner  Pieces 
Matching  Monotype  Rules  made  on  Continuous  Lead  and  Rule  Molds 

12  x  36-Point  Sorts  Corner  Pieces  to  Match  6-Point  Lead  and  Rule  Matrices 


r  A     ir 

12  x  36LR-81  No.  1  ^       ^\  to  match  6-81RL  12  x  36LR-938  No.  2  ^^      ~  to  match  6-938RL 


12  x  36LR-81  No.  2  /  to  match  6-81RL  12  x  36LR-95  No.  1  |  to  match  6-95RL 


12  x  36LS-81  No.  1  1  to  match  6-8 1RL 


12  x  36LR-95  No.  2  ^™       m  to  match  6-95RL 


12  x  36LS-81  No.  2  T  to  match  6-81RL 


12  x  36LS-95  No.  1  •  to  match  6-95RL 


ir 


12  x  36LR-938  No.  1  ^k  to  match  6-938RL  12  x  36LS-95  No.  2  •  to  match  6-95RL 


12  x  36LD-95  No.  1  -^^^  to  match  6-95RL 


12  x  36-Point  Sorts  Corner  Pieces  to  Match  12-Point  Lead  and  Rule  Matrices 


12  x  36LR-424  No.  1  iSft  to  match  12-424RL  12  x  36LR-9437  No.  1  •^•^S  to  match  12-9437RL 


12  x  36LS-424  No.  1  .ill  to  match  12-424RL  12  x  36LS-9437  No.  1  ^•••1  to  match  12-9437RL 


12  x  36LR-536  No.  1  =  ~  E5\\  to  match  12-536RL  12  x  36LR-740  No.  1  I         ^  to  match  12-740RL 


ill 


12  x  36LS-536  No.  1  -      =T1I  to  match  12-536RL  12  x  36LR-740  No.  2  ^         •  to  match  12-740RL 


12  x  36LS-740  No.  1  I  •  to  match  12-740RL 


Page  twenty-one 


<r 


Monotype  Corner  Pieces 

Matching  Monotype  Rules  made  on  Continuous  Lead  and  Rule  Molds 
12 -Point  Corner  Pieces  to  Match  Combinations  of  Monotype  Rule 

^  ^\        fi 

12-405N  ff    to  match  two  3-41RL  rules 


12-520N  jf  to  match  two  6-61RL  rules 


%S     n 


12-521N  //  to  match  two  6-81RL  rules 


12-522N  /*  to  match  two  6-91RL  rules 


!r' 


12-425N  H~  to  match  6-648RL 


fl 


f 


18-Point  Corner  Pieces  to  Match  Combinations  of  Monotype  Rule 

\    t^~ 


18-406  /         to  match  three  2-10RL  rules 


(* 


18-407  jf     to  match  two  6-81RL  rules 


18-440  /         to  match  three  6-47RL  rules 


18-441  to  match  two  6-47RL  rules 


24  -Point  Corner  Pieces  to  Match  Combinations  of  Monotype  Rule 


/ 


% 


24-411       f       to  match  four  3-41RL  rules 


6-4  1RL 

24-413  f  If  f  to  match  6-68RL 
6-4  1RL 


3-41RL 

24-412  Iff      to  match  6-95RL 
3-41RL 


fc    «? 


6-95RL 

24-414  mf  to  match  6-10RL 
6-95RL 


V\ 


36-Point  Corner  Pieces  to  Match  Combinations  of  Monotype  Rule 


m 


f 


36-409  |    I  to  match  four  6-81RL  rules 


Twenty-two 


;<  >; 


MONOTYPE 

BORDERS  and 
ORNAMENTS 


The  following  pages  are  an  advance  showing  of  several 
hundred  Monotype  Border  Matrices  now  available.  Addi- 
tional sheets  showing  borders  now  in  stock,  as  well  as 
many  new  borders  in  preparation,  will  be  sent  out  as  issued. 


COPYRIGHT,  1917 

BY 

LANSTON  MONOTYPE 
MACHINE  COMPANY 


TRADE  MARK 

MONOTYPE 

tteg.  U.  S.  Pat.  Off. 


Monotype  Borders 

All   Border  Matrices  are  rated  as  Class  A, 
except  those  otherwise  specified 


''•W^'iW^'M^frM^'tftl  v-  •-: -'-2  v  • : -'-I s.  ••: •:•> v  ••- •  -2 v  ••:  -2  v  -•: .•yl\&fr. 


v 

^ 

V, 


KaHKaKwnra 


Lixv^  nxxi  cixv>  cwi  nxvi  nxv 

^•^^^^^ 


01 


•_^v_»  ^P^_»  ^^_«  v^_*  ->^  • 


Border  Specimen  Page 


Monotype  Borders 


All  Border  Matrices  are  rated  as  Class  A,  except  those   otherwise   specified 


\£3  G5D  G23  G5D  G23  G5 
«s£j  GSfj  iSSI  CxD  u£D  UJG 


m  m  m 


m 


r  _ 


Border  Specimen  Page  4 


Monotype  Borders 

All  Border   Matrices  are  rated  as  Class  A,  except  those  otherwise   specified 


«»     <s 


•f 
•f- 


Border  Specimen  Page  5 


w^w-^^ 

jSSiSS-SSSSFijjKii 

Monotype  Borders 

All  Border  Matrices  are  rated  as  Class  A, 
except  those  otherwise  specified 


\n/    \o/    \n/ 


6  Point  Strip 
14  Point  No.  175  No-  178  14  Point  No.  178 


18  Point  No.  175  ^  18  Point  No.  178 

8  Point  No.  178 

•     A     • 


10  Point  No.  178 
24  Point  No.  175  24  Point  No.  178 


30  Point  No.  175       8  p°int  No.  175      30  p0int  NO.  178 


36  Point  No.  175      12  Point  No.  175      36  Point  No.  178      ffl 


Border  Specimen  Page  6 


Monotype  Borders 


All  Border  Matrices  are  rated  as  Class  A,  except  those   otherwise   specified 


Border  Specimen  Page  7 


1  jYi'  jYi     jX^ '  <X»     -Xt     'X'     <> 


Monotype  Borders 

All   Border  Matrices  are  rated  as  Class  A, 
except  those  otherwise  specified 


30  Point  No.  260    36  Point  No.  107     30  Point  No.  268 


36  Point  No.  108     24  Point  No.  173     36  Point  No.  109 


S(«M 


m  mm  ffi  w   « 

^"*        0*^5^-*+ fc^£~*+       §Q$l     30  Point  No.  173    36  Point  No.  173     30  Point  No.  255 

®SI  WMWm  rzdzu 


18  Point          14  Point          12  Point  10  Point          12  Point          18  Point 

No.  173          No.  173  No.  173  No.  173  No.  255  No.  255 


w 

mt 

Border  Specimen  Page  8 


58 

SS 

gg 

S^^^' 


•  (t 

Monotype  Borders 

B 
All   Border  Matrices  are  rated  as  Class  A,      1 

7          iris 

except  those  otherwise  specified 


?-3E.3E-3£-3E-3&3 


£V3 

><5 

K 
SB 

SB 


&3 
*$« 


£.3 

*$U 

&3 

»SU 

£.3 

*$U 


£.3 

*?i* 


SB 


1 

II 

IB 


r-8     SB 

>^        S-3 


»{*  6  Point  Strip 

14  Point  No.  174  No.  174  14  Point  No.  176 


_   _  6  Point  No.  174  _^ 

>A<  ^ 

18  Point  No.  174        8  Point  Strip  18  Point  No.  176 
No.  174 


£.3 

*<>« 


8  Point  No.  174 

m 

xPi 


KX  24  Point  No.  174       «««       24  Point  No.  176 
10  Point  No.  174 


&n        •  • 

*%*          E'-'S 
*i^          SB 


m 


§•2 

12  Point  No.  174 


.) 


§g          I   30  Point  No.  174      8  Point^o.  176     30  Point  No.  176 

fig 

J^k 

roa  IPP*^     mm 

10  Point  No.  176 


$3 
feS 


) 


§§ 


SS  «!««   36  Point  No.  174     12  Point  No.  176     36  Point  No.  176 

Pv/I  »'»S 

1%  KS2S8jas2S2sas«asa«8sa 
W* 


)^T) 


.)^)^> 

Border  Specimen  Page  9 


U  a  U = U = U  a  U 


FUFUFUFLIFIji       Monotype  Borders        jauauauau 

IJ=fll=ll=ll=ll=jgj  All   Border  Matrices  are  rated  as  Class  A,   j=yn  =  n  =  n  =  llc 

Sj  OiOISIrSJiSlrOI  exccPt  those  otherwise  specified  f^n  "n  "n^n^n^ 

ID!  12! 


0 


nu^u^U^u^u^U^U^U^U^U^U^U^U^U^U^u^U^U^u^U^U^U^U^U^U^U^U 

ncncncncncncHciicncncncncncncncncncncncncncncncncncncnc 

=>U  =11 

=1   ii!    E!    n    ioi    ^    ^    ::    ;:    =| 

gii       12  Point        14  Point       12  Point      14  Point      12  Point       14  Point        12  Point       14  Point       3E 
He     No-  272         No.  272        No.  270       No.  270       No.  271        No.  271        No.  273        No.  273       n£ 

?U  ?U 

nc  — •  =11  =iy  BJBJ  nc 


Hi 


nU 

nc 

?u 
nc 

?u 
nc 

nU 

nc 

nU 

nc 


n£ 
^ 
^ 
^ 
^ 
^ 


^ 
^ 
^ 
^ 
^ 


ni 


18  Point  No.  272     18  Point  No.  270     18  Point  No.  271     18  Point  No.  273 


j 

J  -" 

J  "• 

i 

• 

i 


il! 


P 


n 


u 


24  Point  No.  272     24  Point  No.  270     24  Point  No.  271     24  Point  No.  273 

ririnriririririririniMi;j;j;i;j;i;i;i;j?j?i?i 


UlL:i^l^li:-: 


K 
K 


•• 
•• 


18  Point  No.  101 


&&1&1&1  S1 S!  ^ 

Sp  L^j 

PS!  ri 
^^  ft><^  ^    ^     ^    ^    w     ^     ^     r^     ^    ^  ®^  ^^ 

i  ^   ^ti         ^T      12  Point      14  Point      12  Point       14  Point      12  Point      14  Point       12  Point     14  Point        .^          ttt  fj^       ^     A 
^m^m     ^T   ^-^          4*5       No.  251        No.  251        No.  250        No.  250        No.  259       No.  259        No.  252      No.  252        W1          £U  .^-^     I  >V1 

w  ^te  i      ,t,         ^         ra  i  ©^1 W 

stU        w        E&        t8 

18  Point  No.  251  18  Point  No.  250  18  Point  No.  259  18  Point  No.  252 

\f/  2tSS&    *         mf/  4^  r^ra 

^*  ti^te   *       *%          H  ^ 

^BB»  A  ¥/^  »  \  ^  F  "^  -^B^L. 

\WA     *^*  3lf)f         ***          24  po>nt  No.  251  24  Point  No.  250  24  Point  No.  259  24  Point  No.  252         AJi         f 

*i»  steS     *  JK    j 

«...•.,„...  '- 

S*2S*2S*2        12  p°int  N°- 267 

PfiiPSIM 

»*»•*•  ^  ^  ^  ^ 

Border  Specimen  Page  10 

> 


Monotype  Borders 


All  Border  Matrices  are  rated  as  Class  A, 
except  those  otherwise  specified 


6  Point  Strip  No.  180 

§1 

6  Pt.  No.  179     6  Pt.  No.  180     6  Pt,  No.  181 
8Pt.  No.  179    8Pt.  No.  180    8  Pt.  No.  181 


10  Pt.  No.  179    10  Pt.  No.  180    10  Pt.  No.  181 


12  Pt.  No.  179    12  Pt.  No.  180    12  Pt.  No.  181 


14  Pt.  No.  179    14  Pt.  No.  180    14  Pt.  No.  181 


18  Pt.  No.  179    18  Pt.  No.  180    18  Pt.  No.  181 


4  Pt.  No.  179    24  Pt.  No.  180    24  Pt.  No.  181 


30  Pt.  No.  179    30  Pt.  No.  180    30  Pt.  No.  181 


36  Pt.  No.  179    36  Pt.  No.  180   36  Pt.  No.  181 


Border  Specimen  Page  1 1 


ffi 


Monotype  Borders 

All  Border  Matrices  are  rated  as  Class  A,  except  those  otherwise  specified 


••  • 

& 

ffi 
ffi 
ffi 


ffiffiffiffiffiffi 


tfi 


tfi 


LCLCICICICLCLCLCLCLCLCLCLCLCLCLELCLCLCICIC 
J  U  U  U I J IJ IJU  U I J I J IJ I J  U IJ I J I  Jl  JI!J  U  U I 


Sfi 

ffi 


18  Point  No.  80 


24  Point  No.  80 


30  Point  No.  80 


36  Point  No.  80 


W 

8  Point  No.  80 


6  Point  No.  81  8  Point  No.  81 


8  Point  Strip         6  Point  3  em  Strip          8  Point  Strip 
No.  80  No.  81  No.  81 


ffi 


10  Point  No.  80       6  Point  6  em  Strip       10  Point  No.  81 
No.  81 


*  SnWfil 

10  Point  Strip  6  Point  No.  60  10  Point  Strip 

No.  80  No.  81 


12  Point  No.  80       6  Point  3  em  Strip       12  Point  No.  81 
No.  80 


******          aneneni 

12  Point  Strip         6  Point  6  em  Strip        12  Point  Strip 
No.  80  No.  80  No.  81 


tfilfiififfitfiifiififfiifiifi 


Border  Specimen  Page  12 


18  Point  No.  81 


24  Point  No.  81 


30  Point  No,  81 


36  Point  No.  81 


All   Border  Matrices  are  rated  as  Class  A, 
except  those  otherwise  specified 


Border  Specimen  Page  13 


oooooo 

o 

o 

©    o 

Cy          12  Point 
^          No.  166 

O 
G> 

QQQQQQ 


o 
o 
o 


Monotype  Borders 

All  Border  Matrices  are  rated  as  Class  A, 
except  those  otherwise  specified 

QQQQQQQQQQQQQQQQQQQQQQ 


o 


36  Point 
No.  166 


Q 

o 
o 


oooooo 


oooooooooooo  o  o  oooooooooooo 


OOOOGOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOG     OOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOO 

A    ooooooooooooooooooooooooo    OOOOOOOOOOOOOOOOOOOOO    A 

eeeeeeeeeeeeeeeeeeeeoooooooooooooooooooo 

e> 


O  O  OOOOOO 

5  Point      6  Point    6  Point  Strip  No.  24 

N°" 


8  Point    10  Point  .^T.T  \7        W 

No.  24       No.  24         18  Pomt  No-  24          CQ 


O  GOO 

12  Point  No.  24   12  Point  Strip  No.  24     CO 


(0)<»WO)  €>€><»> 


Border  Specimen  Page  14 


Monotype  Borders 


Border  Matrices  are  rated  as  Class  A, 
except  those  otherwise  specified 


•  t-^i^  y&tst 

36  Point  No.  Ill         18  Point  No.  Ill 


fc^  •^^w 

12  Point  No.  159        36  Point  No.  110 

^^W  ^^W  ^^W  ^^K  WW  WW  w^ 


\_^U — f  «HBf 

18  Point  12  Point 

No.  155  No.  155 

36  Point  No.  155 


_  — - 

12  Point          18  Point 
No.  156          No.  156 


36  Point  No.  156 


12  Point         18  Point 
No.  154  No.  154 


m^mr^^m  18  Point         12  Point 

^Kf^9  No.  153  No.  153 

36  Point  No.  153 


Border  Specimen  Page  15 


Monotype  Borders 


All  Border  Matrices  are  rated  as  Class  A, 
except  those  otherwise  specified 


A  5  Point  No.  97  6  Poin 

A 
A 
A 
AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA 


Border  Specimen  Page  16 


Monotype  Borders 

All   Border  Matrices  are  rated  as  Class  A, 
except  those  otherwise  specified 


i     18   Point  No.  33C          24  Point  No.  327      \ 


1  2  Point  No.  328  24  Point  No.  329  24  Point  No.  330 


18  Point  No.  328  36  Point  No.  329  36  Point  No.  330 


Border  Specimen  Page  17 


Monotype  Borders 

All  Border  Matrices  are  rated  as  Class  A, 
except  those  otherwise  specified 


18  Point  No.  220  Jfl  18  Point  No.  332 

12  Point  No.  220 


24  Point  No.  220 


24  Point  No.  332 


36  Point  No.  220 
30  Point  No.  220  30  Point  No.  332 


Border  Specimen  Page  18 


18  Point 
No.  219A 


24  Point 
No.  219A 


30  Point 
No.  219A 


18  Point 
No.  219B 


24  Point 
No.  219B 


30  Point 
No.  219B 


18  Point 
No.  219C 


24  Point 
No.  219C 


30  Point 
No.  219C 


18  Point 
No.  219D 


24  Point 
No.  219D 


30  Point 
No.  219D 


Monotype  Borders 

All   Border  Matrices  are  rated  as  Class  A, 
except  those  otherwise  specified 


* 

5J  Point 
No.  35 


******    4 

»    : 


4  ****** 

•  : 

^  • 

^  * 

4  4  8  Point  Strip  ^ 

4  ******       No'35       ****** 


8  Point 
No.  35 


6  Point 
No.  41 


6  Point 
No.  399 


8  Point 
No.  41 


10  Point 
No.  41 


6  Point  Strip 
No.  399 


!  * 


*  * I 

if*  v 

•       T     6  Point  *  10  Point    A 

J     No.  35              *             No.  35      J  ^ 

4      *                      6  Point  Strip                     *  4 

I      ******         No.35         •••••*  I 


18  Point  No.  35 


4444444444444444444444 


5  Point  No.  36 


8  Point  No.  36        * 
* 

444 


12  Point  No.  36  8  Pt.  Strip  No.  36 


4444444444444444444444 

444444444444444444 


t 

J        4 


4        * 


*  * 

5  Point  No.  37  8  Point  No.  37 


6  Point  No.  37        8  Pt.  Strip  No.  37 


44444444444444444444444444444444 


4**+*********++*+***+++***** 


¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥ 

¥ 

¥ 
¥ 
V 

5  Point  8  Point          8  Point  Strip  ¥ 

No.  38  No.  38  No.  38 


12  Point 
No.  38 


18  Point 
No.  38 


36  Point  No.  38 


V 
¥ 

r 
T 

v 

¥¥TT¥¥¥¥T¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥ 


¥ 
¥ 

M  T  T  T  T  T 
Af          TTTTTTTTTTTTTTTTTTTTTTTTTT          ^f    ^k^^     ^^^ft     ^^^ft 

¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥  T  T  T 


¥ 
¥ 
¥ 


? 

? 


Border  Specimen  Page  l! 


Monotype  Borders 

All   Border  Matrices  are  rated  as  Class  A, 
except  those  otherwise  specified 


24  Point  No.  239  36  Point  No.  325  24  Point  No.  325  24  Point  No.  326  36  Point  No.  326  24  Point  No.  227 


18  Point  No.  243  18  Point  No.  216  18  Point  No.  234  18  Point  No.  333  30  Point  No.  333  18  Point  No.  242 


30  Point  No.  243  30  Point  No.  216 


24  Point  No.  234 


36  Point  No.  235  30  Point  No.  242 


14  Point  No.  331  18  Point  No.  331  24  Point  No.  331  24  Point  No.  221  30  Point  No.  221  36  Point  No.  221 


18  Point  No.  47 


18  Point  No.  39 


24  Point  No.  237 


36  Point  No.  285 


24  Point  No.  229 


A 

24  Point  No.  230 


24  Point  No.  231 


24  Point  No.  236  24  Point  No.  238 


24  Point  No.  226  18  Point  No.  228 


24  Point  No.  228 


30  Point  No.  228  24  Point  No.  225 


36  Point  No.  226  36  Point  No.  223  24  Point  No.  223  24  Point  No.  224  36  Point  No.  224  36  Point  No.  225 


Border  Specimen  Page  20 


WWW*    «u>  «u»  «m»   ^  «o>   «u»  «<s> 

EBiiffiffillfflSfflllllUS 

Monotype  Borders 

All  Border  Matrices  are  rated  as  Class  A, 

1*1     L™J 

except  those  otherwise  specified 
SffiffigifflfflffiffiiigiffiS 

3>3><£><j><5><S><£><S><S><S><j><e><3><$><£^<£3><j>3><«><S> 

v  ^X  ^X  ^^  ^X  ^^  ^^  ^^  ^^  ^^  ^^  ^^  ^^ 

<8><e>3><$><j>3><e><$><$ 

<$>     5  Point  No.  19      6  Point  No.  11      g  point  No   42      6  Point  No.  13      5  Point  No.  20     ^^^^^^^^^ 

XXXXXXX*       <8>  ®  6p,ftnTstrip  6^X2t?Hp  »  ^>       f*^^^*^^* 

^WS-A_0«A_A^>    >C       <^>     6  Point  No.  19  No.  11  •  No.  13  6  Point  No.  20     /£.         =     ,,,,,,,,     c 

^^          «>  ^  4,  •  4^4,        10  P°int  N°-  42  $    * 

^^^^^     ^      ®*®*®®       e^ttttip  .^  fflfflfflfflBffl       ^ 

. -V    >W^,A,    v  V  ^.^  6  Pt.  6  em  Strip  No    11  <$>                  8  Point  No.  13  6  Pt.  6  em  Strip     >s. 

^     ~  <5>              No.  19  No.  20  >? 

^   ^     XXX     i  Y  A  cb  12  Point  No.  42  *  /\ 

f   |    ^^     If                         ®®®  8  Point  No.  11  6  Point  No.  14  ffi 

^   4>^^><$><§>4>^^>  ^  <$>  6  Pt.  3  em  Strip  <>  <*                                 .;  8  Point  No    20     ^              ^A^^.^^^.^ 

<^                                    ^        ,v               No.  19  ,,  6  Point  No.  198    „ 

<§><§><&>&<&<§><&<§> ®  <&  Point  No.  44  8  Point  No.  14  ^»> 

>'V>V"V'V"V'V>V'  g  point  No    19      10  p0int  NO.  44    8  Point  No.  198     8  Point  No.  52     12  Point  No.  87    xN 

•$•  •&  ^^^^^•^x^^^^^xSx^^^x^^'Cex^x^^^^^^^  o- 

•0-    <•  t    "> 

<> 


* 

^^^^^^^r^^^^r^^^^:^^^       4 

f       # 


asasaa 

6  Point  Strip  No.  5 


(i^  MMMi)!^^ 

m  I 

m  i 

ig  | 

^  Wi 

31  « 

• 

•^  I 


12  Point 
No.  6 


12  Point 
No.  12 


12  Point 
No.  199 


12  Point 
No.  10 


10  Point  Strip  & 

No.  10          ft 

12  Point  Strip  & 
No.  10 

21 


Border  Specimen  Page  21 


Monotype  Borders 


6  Point      6  Point      8  Point 
No.  8    Strip  No.  8    No.  8 


a  a 

a  a 

a                  a             nannnn  n 

6  Point  No.  18      6  Point  Strip 

No.  18  D 

a  a 
DDnnnnnnDnnnnnnnnnnDnnnnnn 


All   Border  Matrices  are  rated  as  Class  A, 
except  those  otherwise  specified 


12  Point        12  Point  Strip 
No.  8  No.  8 

OOOOOOOOOOOOOOOOOOOOOOOO 


o  oooooo 

6  Point  No.  17     6  Point  Strip 

No- 17 


>ooooooooooooooooooooooooo 


o 

6  Point  No.  51 


OOOOOOOOOOOOOOOOOOOOOOOO   OOOOOOOOOOOOOOOOOOOOOOOOOO 


nDnnnnnnnnnnnnnnnnn 


D 


D 

8  Point  No.  18 


ODD 

8  Point  Strip 
No.  18 


D 


nnnannnnnnnnnnnnnnD 


oooooooooooooooooo 
o  o 

o       0 

8  Point  No.  17 

O  O 

oooooooooooooooooo 


ooooooooooooooooooo 
o  o 


8  Point  No.  51 


o 

X  ont   o. 

o  o 

ooooooooooooooooooo 


nnnnnnnnnnnnann 

a  a 

a 

10  Point  No.  18 

a  a 

annnnnnnnnnnnnn 


oooooooooooooo 
o  o 

o      o      o 

O          10  Point  No.  17 

O  O 

oooooooooooooo 


OOOOOOOOOOOOOOO 
O  O 

O       o       O 

10  Point  No.  51 

O  O 

ooooooooooooooo 


nnnnnnnnnnnnn 

a  a 

a 

12  Point  No.  18 

D  D 

nnnnnnnnnnnnn 


oooooooooooo 
o  o 

o  o  o 

Q 


12  Point  No.  17 


O  O 

oooooooooooo 


ooooooooooooo 
o  o 
o  o  o 

<^>          12  Point  No.  51 

o  o 
ooooooooooooo 


>0000000000000000< 


o 

00 
Q  6  Point  No.  167  ^ 

0  0 

0  0 

oooooooooooooooooo 


6  Point  No.  168 


6  Point  No.  169 


m  S? 

v  <I> 

6  Point  No.  170 


oooooooooooooo 

0  0 


: 


8  Point  No.  167 


: 
5 

•ooooooooooooo 


8  Point  No.  168 


<£> 

* 

A 


& 

V 


8  Point  No.  169 


rih 


8  Point  No.  170 


s? 

no 


00000000000 
0  0 

0  o  0 

10  Point  No.  167 

0  0 

00000000000 


10  Point  No.  168 


10  Point  No.  169 


£>  s? 
*  s? 
y 

V 


s? 

s?  ^ 

10  Point  No.  170 

S? 


000000000 
0  0 

$       o       $ 

\)          12  Point  No.  167          Q 

0  0 

000000000 

Border  Specimen  Page  22 


12  Point  No.  168 


12  Point  No.  169 


s? 


12  Point  No.  170 


Monotype  Borders 


All  Border  Matrices  are  rated  as  Class  A, 
except  those  otherwise  specified 


:  -:"-  --  -:::-  -:;:-  C-  O  -:::-  #  O  #  #  O  O  #  #  *-  ^;>  O  -:lt  v>  -*  -:v-  -^  ^  .•;:- ,;, 


Border  Specimen  Page  23 


18  Point  No.  370 


Monotype  Borders 

All  Border  Matrices  are  rated  as  Class  A, 
except  those  otherwise  specified 


36  Point  No.  369 


•r 
*- 


6  Point  No.  204 


6  Point  No.  378 


•>•>•>•> 

36  Point  No.  141 


0       N 


I2point 
o    141 


12  p0int       T  24  Point  No.  141 


10  Point 
No.  206 


6  Point  No.  137        «fr  6  Point  No.  133        V  6  Point  No.  135 
Kl 
I    - 


x 


6  Point  No.  217  8  Point  No.  217 

|f 

10  Point  No.  217  12  Point  No.  217 


to  ^ff^ff^ff  I  I 

f       I         I  I 

12  Point          I  I 

No.  206  f  S+S+0+  f  | 


.  w.  -«..^,c..  «..  f.. 


VI 

f 


ta,  No. 


6  Point  No;  183 
'8Poin?No.l83  10  Point  No.  183 


** 

;\ 


^Hlfc 

* 


12  Point  No.  183 


30  Point  No.  183          36  Point  No.  183 


Border  Specimen  Page  24 


-  &— ->  fe— ->  i®&— •*  mft~^ 

aBbafeaR&Rs; 


Monotype  Borders 


All  Border  Matrices  are  rated  as  Class  A, 
except  those  otherwise  specified 


Border  Specimen  Page  25 


Monotype  Borders 

All   Border  Matrices  are  rated  as  Class  A, 
except  those  otherwise  specified 


*      *      *      * 
*I*  *f*  *t*  *t* 


•H-H- 


************************ 


'I'M'M'M'  i!"I!'"i  ******* 

* 
* 
* 
* 
* 
* 
* 


6  Point  No.  23         6  Point  Strip  No.  23  I        ********************* 


,JL     ******************** 


8  Point  No.  164         12  Point  No.  171 


***************** 


•••  ».4 


18  Point  No.  149        24  Point  No.  149 


*  * 

5  Point  No.  40         5^  Point  No.  40 


5  Point  No.  66  6  Point  No.  40 


6  Point  No.  66  7  Point  No.  40 


8  Point  No.  66  8  Point  No.  40 


T  ************ 


*  ********** 


*         3, 


10  Point  No.  66        10  Point  No.  40 


1  2  Point  No.  66         12  Point  No.  40 


^        * 


18  Point  No.  66         18  Point  No.  40 


24  Point  No.  66         24  Point  No.  40 


* 


30  Point  No.  66        30  Point  No.  40 


* 


36  Point  No.  66        36  Point  No.  40 


*************** 


*****  J 
***** 

**** 

* 
******* 


Border  Specimen  Page  26 


Monotype  Borders 

All  Border  Matrices  are  rated  as  Class  A, 
except  those  otherwise  specified 


tiiiiiiira®^ 


18  Point  No.  95  24  Point  No.  95  12  Point  No.  60       12  Point  Strip  No.  60        18  Point  No.  99  24  Point  No.  99 


30  Point  No.  95  36  Point  No.  95  24  Point  No.  60  36  Point  No.  60  30  Point  No.  99  36  Point  No.  99 


#7S     12  Point  No.  104     30  Point  No.  104     18  Point  No.  103    JJ«J 

MK 

:r 


24  Point  No.  104     36  Point  No.  104     24  Point  No.  103    •£« 

M  gg 

I-SiSiSKttliftiSISIfi^iiSISIS^iSK:^ 


Border  Specimen  Page  27 


6  Point  No.  94 


Monotype  Borders 

All   Border  Matrices  are  rated  as  Class  A, 
except  those  otherwise  specified 


12  Point  No.  94 


era 


24  Point  No.  266 


24  Point  No.  248 


30  Point  No.  266 


30  Point  No.  248 


g§> 


12  Point  No.  244      12  Point  No.  245 


,24  Point  No.  244      24  Point  No.  245j 


Border  Specimen  Page  28 


12  Point  12  Point  No.  254  12  Point 

No.  253  No.  256 


14  Point  No.  254 


14  Point 
No.  253 


® 

14  Point 

No.  256 


18  Point  No.  254 


18  Point 
No.  253 


18  Point 
No.  256 


24  Point  No.  256 


© 


Monotype  Borders 


All  Border  Matrices  are  rated  as  Class  A,  except  those   otherwise   specified 


Border  Specimen  Page  29 


12  Point  No.  323 


<sp  ^ 

©  6 

a  II 


Monotype  Borders 

All   Border  Matrices  are  rated  as  Class  A, 
except  those  otherwise  specified 


36  Point  No.  324 


j [  j [  j [  j  [  j I  j [  j [  j [  j  [  j [  j  ^  j [  ] [     Q^I  Q^  4*  4*  4s1  ^4^  *4-*  Q-*  Q^*  Q^1  Q^1  '^  *^ 

n  nnnnnnnnnnnnnnn  n  4*  44iit*444t4ttiitti44t  $ 


n  n 

nnnnnnnnnnnnnnn 

nnnnnnnnnnnn 


nnnnnnnnnnnn  n 


•< — <  i     Q^  fyfyfyfyfyfyfyfyfyfyfyfyfyfyfy  jfa 


<» 
6  Point  No.  9 


6  Point  Strip  No.  9 


* 

8  Point  No.  9 


<$>  <fxtKf>  -^ 

12  Point  No.  9  12  Point  Strip  No.  9  36  Point  No.  SI 


i 
8  Point  No.  45 

n 


$ 

10  Point  No.  45 

n 


12  Point  No.  45 


10  Point 
No.  62 


12  Point 
No.  62 


18  Point  No.  201 


18  Point  No.  62 


<>  n 
n  n  U  n 

n  nnnnnnn  g  | 

nnnnnnnnnnnnn  & 


J 

:•=•=•=•=•=•=•: 

1 

«:                   MM 
12  Point  No.  172 

mooonomT 

OOOOOOOOOOOOGOOOOOOOOOOOOOOuuuuuuuujJuuujuuuuuuuuuuuuuju 

II 

II 
II 
II 
II 
II 
II 

11 

12  Point  No.  189 
12  Point  No.  57 

-M 

J 

II 

1! 

1 

JOQQ 

DOQOOOQQ 

18  Point  No.  172 

18  Point  Strip  No.  172 

12  Point  Strip  No.  172 

cttottttooclctocttttttotccootmooct 

00000000000000000000000000000000000000000000000000000000 

• 

:•=•=•=•=•=•=•: 

• 

Border  Specimen  Page  30 


Specimen  Sheets  of  New  ^Conotvpe  borders 

L  J  V->  J  L 

Borders  shown  on  this  and  succeeding  eleven  pages  are  for  casting  on  Composition  or  Display  Molds.  Where  "strip"  is  mentioned 
in  any  point  size,  it  indicates  that  the  matrix  is  made  to  cast  a  combination  of  three  or  more  characters,  not  over  36  points  long 


Six  'Point 


00000000000000000000000000000000000000000       00  00000O0000O0000000000 


6  Point  No.  402.N 


6  Point  No.  44SN 


6  Point  No.  403N 


6  Point  No.  4&2N 


000000000000000000000        0  ££££.£  ££££.£.£££.,«,.££££.£££ 

6  Point  No.  444N  •&  6  Point  No.  s:iN 

O  •&  also  8,  12,  14,  18 


ooooooooooooooooooooo  o 

Q  6  Point  No.  426N  0 

o 


6  Point  No.  443N 


SH  Point  No.  66 
also  5,  6.  7,  8.  10,  12,  18,  24,  jo  and  j<5 


GCOOGGOOOCCOGQCGCCGGG   O      WNNI&^&&&&&&&:&Wa&&#i   &      ©©©©©©©©©©©©©©©©©©©©©  © 

6  Point  No.  427N  £  6  Point  No.  n6N  ©  6  Point  No.  48oN 

•i!  o/jo  £.  10,  12,  74,  iS,  24,  30  and  36  © 


C 


6  Point  No.  i6sN 
"  also  18,  24  and  12x36  strip 


also  12,  14,  18,  24 


6  Point  No.  S39N 


6  Point  No.  38N 
also  s,  8,  10,  12,  IS,  36  and  8  Point  strip 


6  Point  No.  258N 
also  12,  14,  IS,  24 


6  Point  No.  446N 


«»»*»«»»»»»»»»»*»»*»» 

*  6  Point  No.  41  sN 


6  Point  No.  27oN 
also  12,  14,  18.  24 


6  Point  No.  S7iN 


6  Point  No.  4iN 
also  8,  10,  II,  14,  18,  24,  30  and  36 


H 


4  6  Point  No.  36N 

*  also  i.  8.  10,  12,  18  and  8  Point  strip 


ietttstsietneteteteietetgietetgietstiiet!   te 

If  6  Point  No.  252N 

jg  also  12,  14,  iS,  24 


6  Point  No.  43 1 N 


7  Point  No.  4J»N 


Seven  'Pomf 


7  Point  No.  IN 


«*£******* 

•|<  7  Point  N 


also  6,  8,  10,  12.  18  and  6.  12  Point  strip  >£,  alu  S,  }X,  6.  8.  to.  11,  18,  24.  30.  JO 

Eight  "Point 


99999999999®®®®  ® 

t  Point  No.  3oN  gj 

also  12.  18,  24.  jo.  JO 


S  Point  No.  sN 
olio  6,  10,  11 


8  Point  No.  3S7N 
also  6 


S  Point  No.  tooN 
also  10,  II.  14,  IS.  '4.  JO,  JO 


8  Point  No.  is.iN 
o/io  11.  lit.  t4,  JO 


m   ••••••••••••••••  • 

f  S  Point  No.  6iN 


olio  to,  13,  18  and  ll  Point  strip 


t  Point  No.  ISSN 
alit  6,  10 


Nine  Point 


r 


9  Point  No.  T»SN 


9  Point  No.  67 1 N 


LANSTOH  MONOTYPE  MACHINE  CO..  PHILADELPHIA.  NEW  rO«K.  BOJTON.  CHICAGO.  ilRMINCHAM.  TORONTO.  CANADA;  MONOTYPE  COMPANY  OF  CALIFORNIA.  SAN  FRANCISCO 


Ten  Toint 


10  Point  No.  looN 
also  8.  12.  14,  18.  24,  jo.  36 


KK5H5E5H5H5E5H5H  52 


10  Point  No.  i  S?N 
also  6.  8 


10  Point  No.  I24N 
also  6.  8,  12.  14.  18.  24.  30,  36 


10  Point  No.  272N 
also  12,  14.  18,  24 


i"  444444444444  4 

4 
4 


10  Point  No.  36N 
also  i.  6,  i.  12,  18  and  8  Point  strip 


Point  No.  i58N 
also  6.  8 


I**********        * 


10  Point  No.  37N 
also  s,  6,  8,  12,  18 


«•••••••••••  • 

• 


10  Point  No.  6tN 
also  S.  12.  18  and  12  Point  strip 


12  Point  No.  536N 


cp 

CD 


CD 


Tive/ve  'Point 

cpcpcpcpcpcpcpcpcp    cp 


Point  No.  nN 
also  6,  8. 


13  Point  No.  266N 
also  18,  24,  jo 


12  Point  No.  S4iN 
also  18,  24 


2  Point  No.  sN 
also  6,  8.  10 


u  Point  No.  463N 


12  Point  No.  S42N 
also  fc.  24.  J« 


12  Point  No.  52N 
also  6.  8.  14,  18 


$$$$$$$$$$      %          **********      * 


12  Point  No.  496N 


12  Point  No.  uN 
also  6,  8,  24 


12  Point  No.  447N 


i  Point  No.  241 N 
also  18,  24 


Corner  12  Point  No.  S35N        12  Point  No.  I72N 


12  Point  No.  47 1 N 


12  Point  No.  63N 
also  18 


3BHHSSaHHa  H 

«  Point  No.  S38N 

also  24 


12  Point  No.  I24N 


12  Point  No.  I23N 
also  18,  24.  jo.  36 


I  —  12  Point  No.  425N 


~C 

& 


••••••••••• 

• 


12  Point  No.  3SN 
also  5.    5'A,  6,  8.  10.  ,8 


12  Point  No.  i87N 
'"  '•*•  '*•  24'  }0'  3<S 


12  Point  No.  i.SSN 
also  6.  ,8  and  6  Point  strip 


OOOOOOOOOO  O 


12  Point  No.  loiN 
also  18,  36 


12  Point  No.  134N 
also  6,  18  and  6  Point  strip 


Twelve  'Pomf 


2  Point  No.  6ooN 


12  Point  No.  io8N 
also  6,  S.  to 


aaaaaaaaaa  a 

yV  12  Point  No.  47oN 

a 


Point  No.  48gN 


12  Point  No.  5o6N 


*W 


Point    No.  544N 


12  Point  No.  491 N 


Point  No.  607  N 


nr 


12  Point  No.  S49N 
o/jo  2.,.  36 


Point  No.  492  N 


12  Point  No.  6o8N 


ft 


12  Point  No.  224N 
alto  24,  36 


12  Point  No.  493N 


Combination  12  Point  No.  6o6N.  6o?N,  6o8N 


12  Point  No.  33sN 
aha  IS 


Combination  12  Point  No.  4oiN.  492N  and  493N 


..»...»*.*     - 
^^'cy^^cy^^^cy^'t?  ^ 

*?•),  12  Point  No.  68oN 


*ty 
© 


12  Point  No.  I03N 
also  18,  14 


a 


12  Point  No.  w>N 
tS,  34,  jo.  36  and  u  Point  strip 


12  Point  No.  68 jN 


Fourteen  'Point 


14  Point  No.  52 


.4  Point  No.  1 8 
1/10  o.  *.  io.  /->.  /.t.  24,  .in,  36  ami  6.  K,  12  I'oixt  strip 


14  Point  No.  10 
a/>«  «.  *.  10,  12  and  6,  8,  to.  u  Point  ilrip 


14  Point  No.  100 
A.  ro,  72.  ;.V.  24,  jo. 


14x24  Point  No.  674 

,1/1..  ;.Vi  (.1 


14  Point  No.  124 

0/10  tf.  «.  10,  12.   /*.  2«.  JO. 


I 


14  Point  No.  206 
also  to,  11 


14x24  Point  No.  67J 
also  18x30 


a/w  5.  6,  8,  to,  II,  It.  14.  to.  36  ana1  «.  8.  to.  n 
Point  ilrip 


14  Point  No.  78 

tlio  ),  6.  8,  10,  11.  It,  14,  .to,  36  and  6.  8.  to,  12 
Point  strip 


14  Point  No.  41 
also  6,  8,  to,  11,  lit,  14,  30,  )6 


Eighteen  'Point 


UDDD 

18  Po 

.1/10  6,  S,  to.  ;-'.  14.  jj. 

nt  No.  1  8 
36  and  6.  S.  /.»  Point  strip 

Corner  6  Point  No.  3S8N          18x6  Point  No.  442 
also  24,  36 


Point  No.  3S7N          18  Point  No.  356 
o/sotf 


18  Point  No.  170 
also  6,  8,  to.  It 


Corner  6  Point  No.  48oN  18  Point  No.  479 


1 8  Point  No.  462 
also  6,  12  and  6  Point  strip 


ftftftftftftftftftft 


1 8  Point  No.  124 
also  6,  S.  JO,  12,  14.  24,  30 


1 8  Point  No.  576 
Corner  18  Point  No.  574 


Corner  18  Point  No.  420     Dot  6  Point  No.  42iN        18  Point  No.  419 
also  12,  24,  36 


TTTTTTTT 


18  Point  No.  41 
also  6,  8,  to,  12.  14,  24,  30,  36 


Corner  18  Point  No.  244  18  Point  No.  24S 

also  12,  24 


418  Point  No.  36 
also  ;.  6.  S,  10,  12  and  S  Point  strip 

^^^^^  ^^^^^  ^^^^^  ^^^^^  ^^E^  ^^^^^  ^^^^^  ^^m^  ^^m^  ^^E^  ^^A^ 


1 8  Point  No.  37 
lso  S,  6,  S,  10,  12 


18  Point  No.  334  Corner  18  Point  No.  33sN 

also  12 


HHBHHHHIIIIII! 


18  Point  No.  189 
lso  6,  S,  to,  12.  14.  24  and  12  Point  strip 


Corner  12  Point  No.  496N         18  Point  No.  494  and  495 


Corner  12  Point  No.  OO9N         18  Point  No.  610  and  611 


Eighteen  *Point 


18x30  Point  No.  674 


1 8  Point  No.  707 


18  Point  No.  706 


18  Point  No.  705 


*"^S2r^92r~^a2'~>!aZr^a2'~>92r^a2'~^a2'^92'~><3Z 

t/^<t^c^^^_^<^^^_^<t^S<w^S<t^S<^S 

£C  J£C  j£C   J£C  j£C  Jr^C  j£C  J^C  JfiC  JrX   J 


Corner  18  Point  No.  677  18x36  Point  \'o.  675 


18x24  Point  No.  681 


1 8  Point  No.  704 


18  Point  No.  703 


(  oriihinntion  18  Point  No 


18  Point  No.  134  18  Point  No.  135 

also  6.  12  and  6  Point  strip 


Twenty-four  Point 


24  Point  No.  585 
Comer  24  Point  No.  586 


IB  I  24  Point  No.  3ot 

•  •  24  Point  No.  300  Corner 


_JL 

J24  Point  No.  ll 
aho  6.  8.  to.  11,  14.  IS.  30,  )6  anil  6,  8,  11  ll 

24  Point  No.  I) 
tilt  6.  a.  to  ana  6  faint  itrif 


24  Point  No.  542 
aho  ti.  18,  .16 


Corner  iK  Point  No.  541  24  Point  No.  540 

o/io  l.\  14  also  18.  36 


34  I'oint  No.  541 
also  11,  IS 


i 


24  Point  No.  S9S 


HUHHIllIll 


24  Point  No.  1(9 


Twenty-four  'Point 


4  Point  No.  533 
Corner  24  Point  No.  537 


Corner  6  Point  No  427.N 


24  Point  No.  442 
also  /.V.  36 


mmn 


g[H  H II «  >1JI  H  H II II H  H  3JL>IJL>I  «  H  »l«  H  «  « 


24  Point  No.  423  • 
rner  24  Point  No.  424 
also  12.  18.  jo,  .16 


24  Point  No.  16 
also  6.  $,  10.  12,  36  and  6. ,?.  to,  12  Point  strip 


•1 

I 


!•         • 


24  Point  No.  410 
Dot  6  Point  No.  421 


44MMHMMF  <f 
<f 


24  Point  No.  132 
also  6  and  6  Point  strip 


24  Point  No.  124 
also  6.  X.  10.  12.  14.  IS.  30 


24  Point  No.  123 
also  12,  18,  10.  36 


24  Point  No.  466 


24  Point  No.  14 
also  6,  8.  12 


24  Point  No.  490 


24  Point  No.  476 
Corners  24  Point  No.  519  and  477 


24  Point  No.  379 
also  II.  18.  36 


24  Point  No.  120 
also  IS.  36 


24  Point  No.  165 
also  6,  12.  18 


24  Point  No.  i  S3 
also  8,  12,  18.  36 


Twenty -four  foint 


24  Point  No.  449 
also  36 


24x10  Point  No.  678 


24  Point  No.  448 
also  36 


24  Point  No.  467 
also  36 


YYYYYYYYYYYYY      Y 


I 


24x14  •Point  No.  676 


3HHHHHH  H 


24  Point  No.  538 


24  Point  No.  41 
also  8.  10,  12,  14,  IS.  36 


[-   '    .  24  Point  No.  469 


4  Point  No.  454 
also  36 


Thirty  "Point 


T  T 
i    ii 

30  Point  No.  18 
also  6,  8,  to,  11,  14,  18.  24.  36  and  6,  S, 

30  Point  No.  100 
o/so  6.  S.  10,  12,  14.  IS.  24.  }6 


mum 


Comrr  30  Point  No.  424         30  Point  No.  423 
alia  Ii.  IX.  24.  J6 


30x6  Point  No.  401 


30  Point  No.  124 
alto  6.  8.  to,  li.  14.  IS.  it. 


.)„  I'mnt   N...  4.1'. 
olio  24 


30  Point  No.  41 
olu  6.  8,  10,  II,  14.  ll.  14.  36 


30x10  Point  Mrip  No.  78 


I 


Thirty-six  'Point 


TMTTTTTTlllllllllllllIll       mM 


36  Point  No.  432 

Corner  36  Point  No.  424 

also  12,  iS.  24,  30 


36  Point  No.  1 8 


Corner   18  Point  No.  574  36  Point  No.  575 


36x18  Point  No.  145 


36x18  Point  No.  679 


rner  36  Point  No.  42 
36  Point  No.  417 
36  Point  No.  418 


n         ii  m  ii 


Corner  24  Point  No.  541  36  Point  No.  540 


36  Point  No.  16 


3ft  Point  No.  400 


36  Point  No.  101 
a/10  12,  IS 


36  Point  No.  549 
also  12,  24 


36  Point  No.  416 
also  18 


Thirty -six  'Point 


Corner  36  Point  No.  483  36  Point  No.  482 


36  Point  No.  467 
also  24 


36  Point  No.  486 


36  Point  No.  454 


36  Point  No.  34 
alto  12,  18,  24  and  12  Point  strip 


36  Point  No.  33 
also  6,  8,  10,  12.  IS,  24  and  6,  12  Point  strip 


36  Point  No.  120 
also  18,  24 


36  Point  No.  4 
also  6.  S.  10,  12  and  stript 


SfSfH 

Jnllnilni 


36  Point  No.  136 
olio  6,  and  6  Point  strip 


Thirty-six  Point  Strip  'Borders 


36x6  Point  No.  190  strip 


009399 


36x6  Point  No.  32  itrip 


•I 


Corner  6  Point  No.  35*N  3616  Point  No. 

al,o  I/I.  14 


V 

I 
§ 


Corner  36  Point  No.  557  36x12  Point  No.  572 


Thirty-six  'Point  Strip  Borders 


36x12  Point  No.  90  strip 


36x12  Point  No.  29  strip 


Civ^  Corner  24  Point  No.  550  36x12  Point  No.  552 


Suggestions  for  Tail  Pieces 


18  Point  Nos.  701.  702.  703.  704 


1 8  Point  No.  26A,  268 
24  Point  490 


18  Point  Nos.  610  and  6ll 
12  Point  No.  478N 


18x24  Point  No.  681 
14*24  Point  Nos.  673  and  674 
24x14  Point  No.  676 
24x10  Point  No.  678 
12  Point  No.  683N 
12  Point  No.  68oN 


18x24  Point  No.  681 
3  >  Point  Nos.  673  and  674 

24x10  Point  No.  678 
12  Point  No.  683N 
12  Point  No.  68oN 

36x18  Point  No.  679 


Suggestions  for  Head 


18  Point  Noa.  701,  702,  703,  704 


18  Point  Nos.  705.  706 


IS  Point  No.  707 


1 8  Point  No.  700 


1 8  Point  No.  700 


18  Point  Noa.  703.  704 


18  Point  No*.  701,  702 


Suggestions  for  Head  TSands— continued 


14  Point  No.  121  and  24  Point  No.  490 


>3^>>a^>*?^>>^^ 

36  Point  No.  482,  Continuous  Rule  3428RL 


•III 


1 8  Point  No.  605  and  36  Point  No.  604 


18  Point  Nos.  574  and  576 


Continuous  Border  66iLN  and  30  Point  Braces  Nos.  4oR  and  4oL 


18  Point  No.  376  and  36  Point  No.  575 


IIIIIIBIIIBIIIIHIIIIIIIIBIIIIII 


18  Point  Nos.  610  and  6 


18  Point  Nos.  494  and  495.  Continuous  Rule  No.  i8iKL 


ADVANCE  PROOFS  FROM  LANSTON  MONOTYPE  MACHINE  COMPANY 


Quaint  Qharatterf 

Matrices  for  the  following  Quaint  Characters,  in  common  ufe 
when  the  Gallon  Series  was  made  by  WILLIAM  CASLON  in  1720,  may 
be  fecured  in  the  various  point  fizes,  both  Roman  and  Italic.  Thefe 
Matrices  are  not  included  in  regular  fonts  but  are  fold  as  extra  Matrices 
and  are  made  to  align  with  our  No.  337  Series. 

Compofition  Matrices — Claff  Gi 


Sfill'fflflftJbJkJb 
7HQI-337G 


8H9I-337G 


9H9I-337G 


ioH9i-337G 


HH9I-337G 

JfilJJiJJlJlftJhJkJb 

I2H9I-337G 


7H9-337G 

flft 
8H9-337G 

iJift 

9H9-337G 


IOH9-337G 

J  fi  I  ffi  M  fl  ft  ft>  Jk  jb  fi  a 

HH9-337G 

f  ft  I  I*  ffl  fl  ft  ft>  Jk  Jb  ft 


I2H9I-337G 


7H9-337E 

ffiffffifflflftfhfklb^a 

9H9-337E 

ffifTffifflflftfhflcibsia 

IIH9-337E 


I2HO-337G 

8H9-337E 

ffiffffifflflftfll 

IOH9-337E 

I2H9-337E 

Eleclro  Dijplay  Matrices— ClajJ  Gi 


14-33718  14-3378 

//  Iffi  Jfl  ft  ft  fl  jk  ft  ft  ft  ffiiTffifflnftfhfkibaci 

18-33718  18-3378 

f  fi  / ffi  JJl  Jlft  Jb  Jk  Jb  ft  El  ffiffffifflnftflifkfbfta 


24-3378 


30-33718 


ffiffffifflflftfiftfi 


30-3378 


36-33718 


ffiffffifflflfiflfifl 

f  fi  ff  fli  ill  fl  ft  fli  fk  fb  & 


ADVANCE  PROOFS  FROM  L.ANSTON  MONOTYPE  MACHINE  COMPANY 


Strip  J^eaders  and  borders 

Requires  the  use  of  Continuous  Border  Attachment  and  Mold. 


6x36-l2DL  6xs6-i8DL 

6X36-24DL  6x36-1 2HL 

6x36-6HL  6X36-I8HL 

6x36-6DL  6x36-24HL 

These  leaders  made  to  match  Standard  Six  Point  Composition  leaders. 

mmmlmam : „«„„„„»„,„,,„«., Mm,,, u»m,, ,»n> ,»u,um «m , n ,m,mmm.,»«»..  |III!IUIIII!I»III!IIIIIII!IIIIIIIIIII!IIIIIIII Illlllllllllllllllllllllllllllllllllllllllll Illlllllllllllllllllllllllllll illllllllllllllllllHIIIIHIIIIIIIIIIIIIIII «!HUI 

6E-590LN  6E-589LN 

•ui'iiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiniiiiii IIIIIIIIIIIINI iiiiiiiiiiiiiiiiiiiiiiiiniiiiiiiii Illlllllllllllllllllllllllllll 

6E-6I2LN  6-6I2LN 

"'T640LN'""  6E-S88LN 

6E-587LN 

eaSHStssi'Sie^ 

6-579LN 

6E-I38LN  6-652LN 

6-4SILN 
6-4SOLN 

•e'B'o"o"<rv  g  g  o  c  a  o  o  o  o-oironroir^nryr?nryoTnnr 

6-634LN 

gS®S£ 

6-S94LN 

b't-'bt-'b' 

6-I32LN 

f****! 
6-I77LN 

^$^^ 
6-642LN 


6-s8oLN 


6-369LN 


6-I57LN 

o=«=8ra 

6-S97LN 
6-I42LN 

It-Wlr-*-* 

6-I86LN 

jcccce 

6-69LN 

•'.«•»  (!.«••.> 

6-I39LN 


6-I9OLN 

Illllllllllllllllllllllllllllllllllllllllllllllllllllllllllltlllllllllllllllllllllllllllllllllllllllll 

6-64 1  LN 


6-S82LN 

>»:««:«»:«<«» 

6-I37LN 


6-592  LN 


OOOOQOOOOGOOOOOCOOOOOC< 


6-63SLN 


6-S9ILN 


miaiimiiiiiiiaiiiiiiiiiiiiDiiiiiiiiiiiiDiiiiiiimiiniiiiiiiiiiiiDiiit 

6-I40LN 


•IHIHIIlllBlilllBIIIIl 


6-78LN 


6-S96LN 

IIIIIHII!IHI!II 
6-66iLN 


CX3O-D-BCX 


J^ong  'Descenders 

for  the  Twehe-^Point  Size  of  the 

Old  fyslon  Series 

•{No.  337E} 

i£/E  are  now  able  to  supply  the  characteristic  long  descenders  for  the  12-point  size  of  the 
No.  337E  Series,  which  are  so  essential  to  the  best  typography. 

Through  the  use  of  double-size  matrices  for  the  necessary  characters,  and  a  rearrangement 
of  the  matrix  case,  we  have  made  it  possible  for  the  user  of  this  series  to  compose  at  the 
keyboard,  the  matter  now  set  by  hand  on  14-point  display  for  folders,  booklets,  and  fine 
book  composition,  etc. 

By  comparing  this  circular  with  the  Specimen  Book  you  will  note  that  the  12-point  with 
long  descenders  is  almost  exactly  the  same  size  as  the  14-point  display.  Therefore,  our 
customer  who  has  this  special  equipment  for  composing  i2-point  No.  337E  would  use  it  for 
everything  now  set  by  hand  in  14-point. 

The  following  is  a  list  of  the  equipment  required  for  composition: 

Font   12-point  No.  337EFG  in  matrix  case,  arrangement  84725, 

(209  characters) $i  15.00 

Keybars:  Left,  No.  1295;  Right,  No.  1296,  @  $32.50       .        .        .        65.00 
Fourteen-point  EA  Mold         .        .*      .        .       .        .        .        .       .      185.00 

One  each  special  side  sorts,  not  carried  in  matrix  case: 

I2H9  No.  337E  lowercase  ft;  121191  No.  337E  cap  Q;  12*191  No.  337? 
small  cap  Q;  12119  No.  3370  italic  cap  2",  T,  lowercase  b  @  $.60        .          3.60 

$368.60 

Note  that  this  special  equipment  requires  the  use  of  the  14-point  style  EA  mold.  These 
matrices  cannot  be  run  on  a  standard  12-point  mold,  because  the  descenders  will  overhang  the 
body.  If,  however,  the  customer  has  occasion  to  d6  composition  with  the  standard  12-point 
font,  he  would  only  require  the  standard  characters  to  replace  the  sixteen  special  characters 
included  in  this  arrangement.  The  standard  characters  would  occupy  the  same  positions  in 
the  matrix  case,  and  the  special  keybars  would  be  used  for  the  standard  composition. 

The  customer  who  buys  this  special  equipment  will,  at  the  same  time,  have  the  facility  for 
setting  any  of  his  regular  composition  matrices  on  a  14-point  body,  since  the  style  EA  mold 
can  be  used  with  any  cellular  matrices,  thus  giving  a  leaded  body. 

The  No.  337E  is  today  the  most  popular  type  face  in  America.  It  is  used  by  practically  all 
national  advertising  agencies  and  in  large  measure  for  automobile  and  other  high-grade 
catalogs,  as  well  as  all  kinds  of  books  and  booklets.  The  printer  with  this  special  equipment 
is  almost  in  a  class  by  himself  in  his  ability  to  furnish  his  customer  with  machine  composition 
on  what  has  heretofore  always  been  hand  composition.  Certainly,  the  price  of  this  special 
equipment  can  be  saved  on  even  one  big  job  bandied  at  the  keyboard  instead  of  at  tbe  case. 

This  is  the  first  announcement  of  the  release  of  this  special  equipment.  We  expect  orders 
for  not  less  than  fifty  sets  within  two  weeks  after  tbe  issuing  of  this  circular,  which  means  that  we 
cannot  promise  immediate  deliveries,  but  will  make  shipment  in  the  order  in  which  the  orders 
reach  Philadelphia.  This  is  the  best  Christmas  present  any  plant  can  give  to  its  foreman. 

LANSTON  MONOTYPE  MACHINE  COMPANY  •    PHILADELPHIA 


Thanksgiving 


36-226 


24-226 


24-225 


36-225 


Christmas 


-zr 

6-145N  36-145 


18-219a  18-219b  18-219c  18-219d  24-219a  24-2195  24-2 19c  •  24-219d      I  .. 


30-219a  30-219b  30-219c  30-219d  18-332  24-332  30-332  5-97N  12-97N 


24-162 


36-162 


12-161N       18-161       24-161       36-161 


24-163 


36-163 


IB     XW      IB      MB      * 

18-33a  18-33b  18-33c  24-327  12-328N  36-327  18-328  24-329  36-329  24-330  36-330 


24-222 


36-222 


36-110      18-116      18-115      18-111      36-111       18-333      30-333      24-222a 


36-222a 


18-243        30-243        18-234        24-234       1K-242        24-242        30-242       14-331       18-331        24-331 


36-325  24-325  24-326  36-326 


•X-**********************^^ 


Holiday  Matrices 

Monotype  representatives  are  often  called  upon  to  suggest  matrices  which  can  be 
used  on  various  seasons  and  holidays.  The  Typographic  Department  has  made  a 
selection  of  suitable  ornaments  and  designs  for  these  occasions  and  a  large  enough 
stock  has  been  prepared  so  that  orders  may  be  filled  promptly.  The  ones  suggested 
are  as  follows: 

Hallowe'en 


12-2S5N 


18-255 


24-255 


30-255 


12-64N 


18-64 


24-64 


36-64 


24-112 


m 

36-112 


24-221  30-221  36-221 


36-285 


24-229 


24-230 


24-231 


flf 


36-223 


18-228  24-228 


30-228 


24-223 


24-224 


36-224 


24-236 


24-237 


D 


-1285X 


n 

18-1285X 


18-1422X 


Election 


o 


A 


D    O 


NO 


n  m 


18-1892X  20-1416X  20-1892X  24-908X  24-1013X 

Republican  Republican 


,24-9l2X  24-909X  24-913X  24-910X  24-911X  24-1358X  24-1285X  24-1231X  24-1732X 

•regressive  Socialist  Socialist  Labor          Independence         Prohibition 

League 


24-1733X  24-1734X  24-1735X  24-1736X  24-1737X  3O-1285X  30-1892X  30-1732X 


YES 


NO 


REP 


30-1734X  30-173SX  30-1736X 


30-1737X  36-1285X  18-1837X 


DEM 


18-1838X 


ADVANCE  PROOFS  FROM  LANSTON   MONOTYPE  MACHINE  COMPANY 


logotypes  for  Check  Printing 


Class  G4  Matrices 


pAY TO  THE: 

I      n 


ORDER  OF 


to  tlj£  ODrJter 


PAY  TO  THE 

ORDER  OF 


pAyTO     THE: 
'     ORD     EROF 

24-I085X  24-I086X 


PAY  T    o  THE 
to      tfye  ®     rJter  ORDER     OF 

36-I325X        I2-I326X         36-I3I2X  36-I3I3X          36-I3I4X  36-I3I8X         36-i3igX      I2-I32OX 


PAY 
O^DTEHRE     OF 


PAY  TO  THE 
ORDER  OF 


ORDER  OF 


PAY  TO  THE  ORDER  OF 


THE 
ORDE  R  OF 

36-I32IX  I8-I322X 


PAY  TO 
36-I3I5X 


THE  ORD  ER  OF 

36-I3I6X  24-I3I7X 


Indices 


Class  A  Matrices 


14-giR  14-giL  8xi6-i6R         8xi6-i6L 


i8-giL  9xi8-i6R         9xi8-i6L  2O-oiR  2o-giL 


IOX20-I6R  IOX20-I6L  24-QlR  24-OlL  I2X24-I6R  I2X24-I6L 


30-91 R  30-01 L 


i8x30-i6R  i8x36-i6L  i8-6oX 


36-9 1 R 


36-9iL  i8-iyX 


3O-i?X 


traces 


Class  A  Matrices 


14-41  14-41  14-41  14-41  i-J-.Ji  14-41  14-41  '•>-•»'  No.  i  and  No.  4 

No.  i          No.  2          No.  3          No.  2          No.  4  No.  I          No.  3          No.  4  Reversed  for 

Reversed    Reversed    Reversed        even  line  Center 


Ml1  14-41  14x6 

No.  7          No.  8 


12X6  13X6-30  15x3  16x4  16x8  18-39  18x6-41  tKx6  18x38  20x4  21X3 

.  No.  g 


24x4  24-39  24x0  24x8  24x12  24-40K  2.j-.ini.  In  combination 


27x3  28x4  30x6  i<>- yi  vvt  3o-4oR         30- jnl.  In  combination  32x6  32x4 


36-40!. 


In  combination 


30x4 


LANSTON   MONOTYPE   MACHINE  COMPANY.   PHILADELPHIA.   US    A. 


ADVANCE  PROOFS  FROM  LANSTON  MONOTYPE  MACHINE  COMPANY 


Special  'Reversed  Figures 


Composition  Matrices 


Class  G4  Matrices 


I2F-I32  Cellular 
Stencil*  1  to  0  and  X,  made  only  upon  order,  $1.50  each 


Electro  Display  Matrices 


Class  A  Matrices 


12  Point  No.  1328 
Stencil*  I  to  0  and  X,  made  only  upon  order,  $1.50  each 


Class  A  Matrices 

El 


18  Point  No.  1328 
Stencil*  1  to  0  and  X,  made  only  upon  order,  $2.25  each 

Class  G4  Matrices 

OBB0B0BS  BEIB 

14  Point  No.  248 
Class  G4  Matrices 


1 8  Point  No.  248 
Class  G4  Matrices 


14  Point  No.  203a 
Class  G4  Matrices 


•  111 


1 8  Point  No. 


Class  G4  Matrices 


1 8  Point  No.  2030 


Class  G4  Matrices 


24  Point  No.  2023 
Class  G4  Matrices 

24  Point  No.  202b 


Class  G4  Matrices 


012  §j  0 


24  Point  No.  2O2C 


Class  G4  Matrices 


36  Point  No.  202a 


14  Point  No.  2030 
Class  G4  Matrices 


14  Point  No.  203c 
Class  G4  Matrices 


Class  G4  Matrices 


D  EEBEEB 


36  Point  No.  2026 


Class  G4  Matrices 


1 8  Point  No.  2033 


36  Point  No.  202c 


ADVANCE  PROOFS  FROM  LANSTON   MONOTYPE  MACHINE  COMPANY 


Underscored  and  ^Advertising  display  Figures 


Class  A  Matrices 


2911  $98I£          1011 

14  Point  No.  277,  with  No.  140  Figures  14  Point  No.  239S.  with  No.  86  Figures 

$56S    87§§  $5I2      17M 

18  Point  No.  277,  with  No.  140  Figures  18  Point  No.  239S,  with  No.  86  Figures 


$1234567890.    $494      0035  $1000      Q98      $1234567890. 

ZZ~~£=~ZZ«         TTr-          VAiZS  A  v/==          c/  =  =  =  =  =  =  =  =  =  =  =  : 

24  Point  No.  277,  with  No.  140  Figures  24  Point  No.  239S,  with  No.  86  Figures 

$1234567890.    SQQSO         $5g§2       $1134567890. 

30  Po 

ii   98§2 


30  Point  No.  277,  with  No.  140  Figures  30  Point  No.  239S,  with  No.  86  Figures 


36  Point  No.  277,  with  No.  140  Figures  36  Point  No.  239S,  with  No.  86  Figures 

$1234567890  $3QM       *QiL§,     *•!£«—  —  £Z£££ 

18  Point  No.  139S,  with  No.  345  Figures  24  Point  No.  139S,  with  No.  345  Figures 

$1234567890      $1234567890 

36H4,  No.  245  36H4,  No.  113 

$1234567890c. 

36H4,  No.  88 

$1234567890c. 

36H4,  No.  86 

1234567890 

36H4,  No.  79 

$1  23456  7890c. 

36H4,  No.  140 

$1234567890c. 

48H4,  No.  140 

$1234567890 

36H4,  No.  107 

1  234567890 

48H4,  No.  107 
In  order  to  potition  fhr,r  Matrtcft  In  proper  place  on  f  Ac  body  Matrix  Holder  X4IA  It  required—  tee  frtce  Litt  Sup.  No.  4. 


ADVANCE  PROOFS  FROM  LANSTON   MONOTYPE  MACHINE  COMPANY 


One  fiece  and  Combination  Encircled  Figures 


Class  G4  Matrices 


14  Point  No.  28 1 S 


14  Point  No.  1978 


DDDDS>D?>DD!> 

14  Point  No.  2828 


Xo.  2818  and  2828  in  combination 


1 8  Point  No.  2818 


18  Point  No.  1978 


18  Point  No.  2828 


24  Point  No.  2818 


No.  2818  and  No.  2828  in  combination 


24  Point  No.  1978 


DDDDDDDDDD 


24  Point  No.  2828 


No.  2818  and  2828  in  combination 


U2)3)4)  5)6)7)8)9)0 


No.  2818  and  No.  2828  in  combination 


No.  2818  and  No.  2828  in  combination 


3 


3 


tf 


I 

I 


i 

i 


Monotype  Scotch 

With  <£ong  descenders 
and  Swash  (Characters 


Herewith  is  presented  a  showing  of  the  New  Monotype  Scotch  Roman 
(No.  36A),  with  Long  Descenders  and  Swash  Characters. 

In  the  10,  11  and  12  point  composition  sizes  (Nos.  36A  and  36C)  six- 
teen characters  of  each  size  have  been  redesigned  with  Long  Descenders. 

In  each  of  the  9,  10,  11  and  12  point  composition  sizes  (36C)  and  in 
the  14,  18,  24,  30  and  36  point  sizes  (361),  twelve  Swash  Characters  have 
been  designed,  as  shown  on  the  opposite  page. 

The  10  point  Scotch  Roman  with  long  descenders  is  run  on  the  stand- 
ard 11  point  mold,  and  the  11  point  face  on  the  standard  12  point  mold. 
The  12  point  size  requires  a  14  point  EA  composition  mold,  $185.00,  and 
a  set  of  special  Keybars,  Left  No.  1295  and  Right  No.  1296,  price  $32.50 
each.  These  special  EA  composition  mold  and  special  Keybars  are  the 
same  that  are  required  for  the  composition  of  12  point  337E  and  12  point 
31E  with  long  descenders. 

Composition  fonts  with  long  descenders,  complete  with  italic,  in 
matrix  case,  including  12  point,  at  standard  prices,  $115.00  each. 

Monotype  plants  which  have  the  regular  Scotch  (36A  and  36C)  already 
on  hand  for  composition  may  change  to  the  Long-Descender  equipment 
in  the  10  point  or  11  point  sizes  simply  by  ordering  the  sixteen  special 
characters  at  Class  A  prices  (60  cents  each).  In  the  12  point  size  it  is 
necessary  to  purchase  sixteen  special  characters  at  Class  B  prices  ($1.00 
each),  ten  matrix  case  combs  No.  a8A7  at  $2.00  each,  and  five  matrix 
bars  b8A4  at  7  cents  each. 

For  casting  Swash  Characters  in  display  sizes  14,  18,  24,  30  and  36  point, 
it  is  necessary  to  have  the  mold  and  type  pusher  guide  altered.  The  mold  must 
be  sent  to  the  factory,  and  the  charge  is  $3.00.  The  type  pusher  guide  may  be 
altered  in  the  customer's  plant.  Molds  and  type  pusher  guides  that  already 
have  been  altered  for  our  New  Old  Caslon  (3371)  Swash  Characters  may  be 
used  also  for  Scotch  (361)  Swash  Characters  without  further  alterations.) 


gl~This  page  ia  set  in  New  Monotype  Scotch  Roman  and  T. 
°|_  Italic  with  long  descenders  and  swash  characters.  \ 


LAaaSQasfflS^^ 


Swash  Characters  for  No.  36  Series 

Class  A  Matrices 


6  *D  /C  £  M  3^  T 

9Hg-36C  —  Composition  and  Sorts 

<D%£MnC'P 

ioHg-36C  —  Composition  and  Sorts 

6DJ(,JlM3{teP 

nHo-36C  —  Composition  and  Sorts 

eDI(tJ(iM3^': 

iaHo-36C  —  Composition  and  Sorts 


14-3618 


18-3618 


24-3618 


30-3618 


36-3618 
Swash  G,  for  all  sizes,  now  in  process  of  manufacture 


Bobbins  <%  3\[elson 


the  -furriers 
t/ 

^ANNOUNCE  WITH  PLEASURE 
THE  OPENING  OF  THEIR  OFFICES 
MORE  SPACIOUS  QUARTERS 

<AT  EIGHTEEN 
3V.ORTH  QALVERT  STREET 


HARRY  HOBBIES 


GEO.  E. 


'Destroy  all  "Previous  Trice  Joists 

Price  <£ist 

of 

Vases 

and 

<iArt  Qhina 

T>.S. 


Border  18  Point  No*.  610  and  611  with  Rule*  6-3ORL  and  6-41 RL 


Q[  Preliminary  hand  cutting  of  an  original 
Monotype  type  face  by  Frederic  W  Goudy. 
He  has  named  it  Italian  Old  Style.  $•  In  this 
face  he  has  merged  the  grace  and  beauty 
of  the  Fifteenth  Century  with  Twentieth 
Century  utility,  s*  Roman  and  italic  in  sizes 
six  to  thirty-six  point  now  in  preparation. 


-ON  THE  FLEXIBILITY  OF  THE  MONOTYPE* 

Extract  from  a  Letter  of  Bruce  Rogers  to  a  Friend 
{Printed  by  permission} 


You  seem  to  be  surprised  that  I  now  have  some  of  my 

books  set  on  the  Monotype,  forgetting,  perhaps,  that  I  used  it 
as  long  ago  as  1909  on  the  "Lite  of  Tory,"  and  a  few  other 
Riverside  Press  editions,  and  implying  that  they  cannot  pos- 
sibly be  as  well  done  in  that  way  as  by  hand.  Perhaps  in  the 
early  days  of  the  Monotype  that  was  so;  on  the  mechanical 
side,  at  least,  it  is  no  longer  true,  and  I  believe  the  sentiment  at 
the  Monotype  works  has  changed  so  radically  of  recent  years 
that  they  are  now  quite  as  keen  on  the  esthetic  improvement  of 
their  product  as  they  have  always  been  on  its  mechanical  side. 
Of  As  much  still  depends  upon  the  operator  using  the  machine 
as  upon  the  compositor  setting  by  hand.  If  both  key-board  and 
casting-machine  are  operated  with  care  proportionate  to  that 
employed  in  the  most  careful  hand  composition — in  other 
words  if  they  are  used  as  tools  instead  of  merely  being  run  as 
machines — the  result  will  be  equally  satisfactory.  I  would  even 
go  further  and  claim  certain  advantages  for  the  machine  over 
hand  composition — especially  in  flexibility.  Let  me  give  you  an 
instance:  When  setting  a  page  in  wide  measure  it  is  desirable, 
in  my  opinion,  to  use  a  more  open,  rounder  type  than  in  narrow 
measure — it  harmonizes  better  in  the  general  effect  of  the  page. 


On  the  Monotype  you  can  attain  both  effects  with  a  single 
series  of  type — casting  it  on  the  wide  or  standard  body  for  the 
wide  page  and  on  a  narrow  body  for  the  narrow  one.  The  al- 
teration quite  changes  the  appearance  of  the  type  itself,  giving 
it  in  one  case  the  look  of  a  bold,  round  face,  and  in  the  other 
almost  a  condensed  effect.  I  have  two  or  three  times  found  this 
flexibility  of  great  assistance  in  making  fac-simile  reprints  of 
old  books;  with  a  few  trials  the  set  can  be  gauged  so  as  to  make 
line-for-line  reproduction  in  a  given  measure  a  matter  of  com- 
parative ease,  without  resorting  to  excessive  variations  in  the 
spacing,  flflt  won't  do,  however,  to  change  the  set  arbitrarily 
or  on  all  the  varieties  of  type.  I  am -speaking  in  general  of  the 
more  frequently  used  book  faces,  with  the  new  Caslon  particu- 
larly in  mind,  as  that  is  the  type  you  referred  to  specifically. 
The  Scotch  Roman  had  better  be  used  on  its  standard  set,  as 
modern  faces  generally  carry  too  much  color  to  set  very  closely. 
They  need  more  space  between  letters,  more  space  between 
words,  and  a  corresponding  increase  in  leading  over  old-style 
types.  I  know  almost  nothing  more  disagreeable  than  the  cus- 
tom of  setting  Scotch  Roman  as  a  solid  page.  Double  leading 
is  not  too  much  for  it,  especially  since  the  longer  descenders 
have  been  added  to  the  fount.  Of  The  great  lack  now  in  both  the 
Scotch  and  the  Caslon  is  a  satisfactory  i6-point  face,  to  be  cast 
on  a  i6-point  or  i8-point  body;  but  I  suppose  we  shall  have  to 
wait  for  it  until  the  machines  are  adapted  to  composition  of 
larger  sizes  than  is  possible  at  present.  QThe  i8-point  Caslon 
in  both  hand  and  machine  types  is  almost  impossible  to  read 
when  assembled  in  a  page,  owing  to  its  excessive  width  of  set. 
The  Caslon  of  this  size  made  in  England  was  not  followed  as 
to  set  when  the  first  American  fount  was  cast,  and  the  Mono- 
type Company,  for  some  unknown  reason,  chose  to  follow  the 
American  rather  than  the  proper  English  model.  Fortunately 


the  flexibility  in  casting  conies  into  play  here  too,  and  this  size 
can  be  cast  on  the  English  set  or  even  closer  if  desired.  In  this 
respect  it  has  a  decided  advantage  over  the  hand  type.  Of  I  can't 
help  thinking,  too,  that  the  12-point  on  14  Monotype  Caslon 
with  the  long  descenders  makes  a  more  satisfactory  page  than 
the  regulation  14-point  Caslon.  It  is  an  enlargement  of  the  same 
design  from  which  the  other  sizes  were  cut,  and  different,  there- 
fore, from  any  hand  type  of  similar  size  that  I  am  acquainted 
with.  If  they  ever  make  a  i6-point  it  might  well  be  a  still  fur- 
ther enlargement  of  this  design — or  else  a  slight  reduction  of 
the  i8-point  face.  Of  As  you  know,  however,  I  am  not  a  great 
enthusiast  over  Caslon.  It  is  at  most  a  safe  type  for  general  use 
and  moderately  picturesque;  but  there  are  so  many  other  old 
models  that  are  nobler  in  proportion  and  finer  in  drawing  that 
it  seems  a  pity  one  or  more  of  them  are  not  reproduced  with 
the  same  fidelity  that  has  been  devoted  to  the  Caslon  and  the 
Scotch.  A  process  that  gives  you  sharp,  crisp  type  for  every  new 
book  should  be  taken  advantage  of  in  reproducing  a  type  with 
more  of  those  qualities  than  the  design  of  the  Caslon  possesses. 
One  great  beauty  of  Jenson's  first  type,  and  Robert  Estienne's 
and  Michael  Vascosan's,  is  their  crispness,  which  is  lost  just  as 
soon  as  they  begin  to  show  signs  of  wear.  The  "design,"  the 
"drawing,"  in  fact  disappears  after  a  few  printings,  though  the 
fine  proportions  remain.  This  is  true  of  more  examples  of  early 
printing  than  most  people  seem  aware  of;  at  least  the  critics 
seldom  take  it  into  account,  or  the  type-cutters,  when  they  re- 
model an  old  face.  Of  But  I'm  off  my  subject.  At  any  rate  I've 
said  enough  to  enable  you  to  see  that  I  consider  Monotype 
composition  quite  as  "good"  and  in  some  respects  of  greater 
advantage  than  hand  composition,  and  I  have  no  hesitation  in 
giving  credit  to  the  machine  in  the  imprints  on  my  books 
whenever  it  has  been  employed. 


A  NOTE  ON  "ITALIAN  OLD  STYLE" 

The  type  used  in  printing  the  foregoing  "Extract"  is  the  first 
showing  of  a  new  design  that  soon  is  to  be  issued  commercially. 
While  different  from  any  other  face  drawn  by  me  {or,  in  fact, 
any  existing  face}  it  is  without  eccentricity.  It  retains,  never- 
theless, the  irregularities  of  handling  natural  to  a  craftsman 
intent  on  design  rather  than  on  technical  perfection,  and  pre- 
sents a  sturdy  face  free  from  affectation  or  caprice.  I  am  sure 
this  type  will  bear  critical  comparison  with  the  best  efforts  of 
the  past.  In  making  the  drawings,  my  sole  aim  was  to  secure,  as 
far  as  possible,  the  essential  elements  of  legibility,  simplicity, 
dignity,  character,  and  a  measure  of  beauty;  items  I  feel  are 
clearly  exhibited  in  the  types.  There  was  no  thought  on  my 
part  of  conforming  to  type-founders'  traditions;  nor  is  it 
egotism  that  leads  me  to  say  that  I  believe,  in  effect,  it  is  the 
equal  of  any  type  available  for  work  for  which  it  is  intended. 
The  "Extract"  has  been  key-boarded  and  cast  on  the  Monotype. 

Frederic  W  Goudy,  Art  Director 


Lanston  Monotype  Machine  Company,  Philadelphia 


MR.  GOUDY'S  INTERPRETATION  OF 
GARAMONT 

This  exquisite  Garamont  face  was  suggested  by  the  Com- 
pany's Art  Director,  MR.  FREDERIC  W.  GOUDY.  MR.  GOUDY 
based  his  model  on  a  type  attributed  to  Garamont.  He  has  J 

faithfully  interpreted  all  the  characteristics  of  the  original 
Garamont  design,  among  which  are  the  relatively  large  t 

roman  capitals,  the  small  upper  loop  of  the  roman  lowercase 
"e"  and  the  narrow  contracted  appearance  of  the  roman 
lowercase  "a"  the  peculiarities  of  alignment,  the  extreme  £ 

length  of  the  roman  capital  ceriphs,  the  long  descenders,  the 
close  fitting,  and  the  various  slopes  of  the  italic  letters.  The  £ 

roman  fonts  are  wonderfully  legible  and  open,  and  the  italics  i£ 

have  a  freedom  of  movement  that  delight  the  eye.  £ 

GEOFROY  TORY  of  Bourges  was  the  remarkable  genius  whose 
work  definitely  established  the  excellence  of  French  Typo-  f£ 

graphy  and  brought  it  to  the  fore-front  early  in  the  fifteenth  £ 

century.  CLAUDE  GARAMONT  was  a  pupil  and  apprentice  of  £ 

TORY  and  under  his  influence  and  teaching  very  quickly  £ 

established  an  enviable  reputation  for  himself. 

Like  TORY  he  perfected  the  letter  we  know  as  Old  Style 
Roman  and  Italic.  These  types  very  rapidly  replaced  the 
Gothic  fonts  that  had  been  extensively  used  up  to  that  time. 

Some  authorities  state  that  he  based  his  roman  letter  on  a 
model  of  NICOLAS  JENSON.  As  JENSON'S  roman  types  were 
famous  just  prior  to  Garamont  it  would  seem  natural  that  he 
should  choose  them  as  his  source  of  inspiration,  but  there  is  a 
certain  lightness,  beauty,  and  elegance  of  design  about  Gara- 
mont's  types  that  is  lacking  in  the  rather  simple  letter  of 
JENSON.  His  Italic  undoubtedly  was  based  on  that  of  ALDUS 
MANUTIUS  who  produced  it  in  the  year  isoi. 

Garamont 's  fame  as  a  designer  and  letter  punch-cutter 
rapidly  spread  and  he  received  numerous  requests  for  cutting 
new  fonts.  In  order  to  extend  his  service  he  established  a  type 
foundry  in  Paris  for  making  and  casting  his  types.  This  foundry 
was  the  first  in  the  world  that  was  not  an  annex  of  a  printing 
house.  His  types  were  used  extensively  throughout  Italy, 
England,  Holland,  and  Germany. 


^*++v*'4V4*T+T+^^yyy^^ 


I 

L 


THE  NEW  MONOTYPE  GARAMONT 

The  New  Monotype  Garamont  Roman  and  Italic  will  be 
ready  soon  for  delivery  in  composition  sizes,  6,  8,  10,  and  12. 
point,  and  display  sizes,  14,  18,  24,  30  and  36  point,  with 
small  capitals  in  10,  12.,  14  and  18  point. 

This  face  is  the  interpretation  by  Mr.  Frederic  W.  Goudy 
of  the  original  cutting  attributed  to  Claude  Garamont.  The 
characters  of  this  series  were  drawn  by  Mr.  Goudy  without 
any  consideration  of  the  mechanics  of  the  composing  machine 
and  the  matrices  have  been  made  exactly  to  the  proportions 
of  the  original  drawings. 

For  machine  composition  of  6,  8, 10  and  12.  point  Garamont 
Roman  (No.  248E)  and  Italic  (No.  2-48G)  the  following  equip- 
ment is  necessary : 

One  Left  Kcybar  No.  132x1 $31. 50 

One  Right  Keybar  No.  1311 31. 50 

One  Set  8-114  Stop  Bars 2.0.00 

One  special    5^  Set  Normal  Wedge,  for    6  Point 9.50 

One  special    yK  Set  Normal  Wedge,  for    8  Point 9. 50 

One  special    9^  Set  Normal  Wedge,  for  10  Point 9. 50 

One  special  n#  Set  Normal  Wedge,  for  iz  Point 9.50 

Justifiying  Scales  as  required  (each) x.yj 

NOTE — Standard  Right  and  Left  Keybanks,  arrangement  C,  are  used.  Cellular  matrices  in 
matrix  case  at  regular  price  ($115.00).  Small  Capitals  furnished  only  in  10  and  n  point  sizes. 

Composition  matrices  in  fonts  (not  in  matrix  cases)  Roman  90  characters,  50  cents  each;  Italic 
81  characters,  50  cents  each;  Small  Capitals  10  and  12.  point  2,9  characters,  50  cents  each. 

Display  matrices  in  84-charactcr  fonts  (Italic  has  83  characters)  capitals,  lowercase,  points, 
f-ligaturcs  and  diphthongs — at  regular  font  price,  40  cents  each.  Small  Capital  fonts,  19  char- 
acters each  in  14  and  18  point  only,  at  40  cents  each. 

Swash  characters  (13  to  each  point  size,  14  to  36  point)  50  cents  each.  Additional  Swash 
characters  and  ligatures  are  in  preparation  for  all  point  sizes. 

For  plants  equipped  with  Type-&-Rule  Caster  only,  Monotype 
Garamont  may  be  cast  for  the  cases  for  hand  composition,  in  6,  8,  10, 
12,  14,  18,  24,  $o  and  36  point,  with  the  standard  mold  and  wedge 
equipment  required  for  casting  other  Monotype  faces  in  these  sizes. 


LANSTON   MONOTYPE  MACHINE  COMPANY 

PHILADELPHIA 


^^ 

Set  in   Monotype  No.  448E  (Garamont)  continuous  strip  Borders  Nog.  6E  587LN  and  6  584LN 


ADVANCE  PROOF  FROM  LANSTON  MONOTYPE  MACHINE  COMPANY 


No.  248E.    Monotype  (Goudy)  Garamont 
Composition  Matrices 


6  Point  No.  248E,  5  Hi  Set 
Line  Standard  .060 

MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  comes  after  a  sound  apprenticeship;  that  which 
shall  prove  itself  to  be  the  blending  of  a  firm  conception  of  useful  precedent  and  the  pro- 
gressive tendencies  of  an  able  mind.  For,  let  a  man  be  as  able  and  original  as  he  may,  he 
cannot  afford  to  discard  knowledge  of  what  has  gone  before  or  what  is  now  going  on  in 
his  own  trade  and  profession.  If  the  printers  of  today  do  not  wish  to  be  esteemed  arrogant 
when  they  term  this  calling  of  theirs  an  art,  they  mast  be  willing,  and  show  that  they 
are  willing,  to  subject  it  to  such  laws  as  have  made  its  sister  arts  so  free.  All  those  con- 
cerned in  what  are  accepted  as  the  fine  arts,  the  learned  sciences,  and  professions  surround 
themselves  with  the  history,  literature,  and  concrete  examples  of  work  with  which  they 
are  particularly  engaged.  Yet  it  is  only  in  very  rare  instances  that  such  an  atmosphere, 
with  its  material  appurtenances,  is  to  be  found  in  the  printing  office.  Art  does  not  flour- 
ish in  hidden  places,  nor  under  restraint,  nor  in  ignorance  of  what  talent  and  genius 
have  accomplished  and  are  accomplishing  throughout  the  world.  For  to  follow  precedent 
wisely  does  not  mean  to  imitate  slavishly  one  great  exemplar,  but  to  study  all  masters 
faithfully,  letting  their  great  achievements  sink  slowly  into  the  mind  in  order  that  we 
may  patiently  derive  from  the  richness  of  our  acquired  knowledge  and  organized  system 
an  attitude  of  our  own.  The  sprightly-minded  young  man,  who  with  his  first  business 
breath  projects  the  new  and  startling,  inevitably  becomes  tiresome,  and  is  driven  to  an 
early  disappearance,  while  the  slower  and  more  solidly  endowed  student  will  at  least 
spend  as  much  of  his  time  in  avoiding  mistakes  as  in  evolving  brilliant  schemes  where- 
with to  dazzle  his  contemporaries.  The  best  kind  of  originality  is  that  which  comes  after 
a  sound  apprenticeship;  that  which  shall  prove  itself  to  be  the  blending  of  a  firm  concep- 
tion of  all  useful  precedent  and  the  progressive  tendencies  of  an  able  mind.  For,  let  a  man 
be  as  able  and  original  as  he  may,  he  cannot  afford  to  discard  knowledge  of  what  has 
gone  before  or  what  is  now  going  on  in  his  trade  and  profession.  If  the  printers  of  today 
do  not  wish  to  be  esteemed  arrogant  when  they  tc"rm  this  calling  of  theirs  an  art,  they 
must  be  willing,  and  show  that  they  are  willing,  to  subject  it  to  such  laws  as  have  made 
its  sister  arts  so  free.  All  those  concerned  in  what  arc  accepted  as  the  fine  arts,  the  learned 
sciences,  and  professions  surround  themselves  with  the  history,  literature,  and  concrete 
ixamflu  of  work  with  which  tbij  in  particularly  ittf^a^td.  Ytt  it  is  only  in  very  ran  instaaca  that 
luck  an  atnutpkm,  with  its  matmal  appurtmancts,  is  to  hi  found  in  tbi  printing  offici.  Art  don 
11345  abcdefghijklmnopqrstuvwxyz  67890$ 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 
11345 


ABCDEKHIJKLMNOPQRSTUVWXYZ 


8  Point  No.  248E,  7^  Set 

Line  Standard  .080 
MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  comes  after  a  sound 
apprenticeship;  that  which  shall  prove  to  be  the  blending  of  a 
firm  conception  of  all  useful  precedent  and  the  progressive  tend- 
encies of  an  able  mind.  For,  let  a  man  be  as  able  and  original  as 
he  may,  he  cannot  afford  to  discard  knowledge  of  what  has  gone 
before  or  what  is  now  going  on  in  his  own  trade  and  profession. 
If  the  printers  of  today  do  not  wish  to  be  esteemed  arrogant  when 
they  term  this  calling  of  theirs  an  art,  they  must  be  willing,  and 
show  that  they  are  willing,  to  subject  it  to  such  laws  as  have 
made  its  sister  arts  so  free.  All  those  concerned  in  what  are  ac- 
cepted as  the  fine  arts,  the  learned  sciences,  and  the  professions 
surround  themselves  with  the  history,  the  literature,  and  con- 
crete examples  of  the  work  with  which  they  are  particularly 
engaged.  Yet  it  is  only  in  very  rare  instances  that  such  an  atmos- 
phere, with  its  material  appurtenances,  is  to  be  found  in  a  printing 
office.  Art  does  not  flourish  in  hidden  places,  nor  under  restraint, 
nor  in  ignorance  of  what  talent  and  genius  have  accomplished 
and  are  now  accomplishing  throughout  the  world.  For  to 
follow  precedent  wisely  does  not  mean  to  imitate  slavishly 
one  great  exemplar,  but  to  study  all  masters  faithfully,  letting 
their  great  achievements  sink  slowly  into  the  mind  in  order  that 
we  may  patiently  derive  from  the  richness  of  our  acquired  knowledge  and 
organised  system  an  attitude  of  our  own.  The  sprightly-minded young  man 
11345  abcdefghijklmnopqrstuvwxyz  67890$ 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 
12)4}  abcdefghijklmnopqrstuvwxyz  67890$ 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 


10  Point  No.  248E,  9^  Set 
Line  Standard  .100 

MONOTYPE  FACES 

The  best  kind  of  originality  is  that  which  comes 
after  a  sound  apprenticeship;  that  which  shall  prove 
to  be  the  blending  of  a  firm  conception  of  all  useful 
precedent  and  the  progressive  tendencies  of  an  able 
mind.  For,  let  a  man  be  as  able  and  original  as  he 
may,  he  cannot  afford  to  discard  knowledge  of  what 
has  gone  before  or  what  is  now  going  on  in  his  own 
trade  and  profession.  If  the  printers  of  today  do  not 
wish  to  be  esteemed  arrogant  when  they  term  this 
calling  of  theirs  an  art,  they  must  be  willing,  and 
show  that  they  are  willing,  to  subject  it  to  such 
laws  as  have  made  its  sister  arts  so  free.  All  those 
who  are  concerned  in  what  are  accepted  as  the  fine 
arts,  the  learned  sciences,  and  the  professions  sur- 
round themselves  with  the  history,  the  literature, 
and  concrete  examples  of  the  work  with  which  they 
are  particularly  engaged.  Yet  it  is  only  in  rare 
instances  that  such  an  atmosphere,  with  its  material 
appurtenances,  is  to  be  found  in  a  printing  office.  Art 

1x345        abcdefghijklmnopqrstuvwxyz        67890$ 
ABCDEFGHIJKLMNOPQRSTUVWXYZ 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

12)4  /  abcdefghijklmnopqrstuvwxyz  67890$ 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 


12  Point  No.  248E,  11  %  Set 
Line  Standard  .120 

MONOTYPE  FACES 
The  best  kind  of  originality  is  that  which 
comes  after  a  sound  apprenticeship;  that 
which  shall  prove  to  be  the  blending  of  a 
firm  conception  of  all  useful  precedent  and 
the  progressive  tendencies  of  an  able  mind. 
For,  let  a  man  be  as  able  and  original  as  he 
may,  he  cannot  afford  to  discard  knowl- 
edge of  what  has  gone  before  or  what  is 
now  going  on  in  his  own  trade  and  pro- 
fession. If  the  printers  of  today  do  not  wish 
to  be  esteemed  arrogant  when  they  term 
this  calling  of  theirs  an  art,  they  must  be 
willing,  and  show  that  they  are  willing, 
to  subject  it  to  such  laws  as  have  made  its  sister 
arts  so  free.  All  those  who  are  concerned  in  what 

12.34   abcdefghijklmnopqrstuvwxyz    567$ 
ABCDEFGHIJKLMNOPQRSTUVWXYZ 

ABCDEFGHIJKLMNOPQRSTUVWXYZ 

12^4  /      abcdefghijklmnopqrstuvwxyz     67890$ 
ABCDEFGHIJKLMNOPQRSTUVWXYZ 


ADVANCE  PROOF  FROM  LANSTON  MONOTYPE  MACHINE  COMPANY 


No.  248 — Monotype  (Goudy)  Garamont  Display  Matrices 

14  Point  No.  248 

THE  FIRST  HALF  OF  THE 

Sixteenth  Century  was  known  as  the  Golden  Age  of  French  Typography 

This  was  Largely  due  to  the  Efforts  of 

$1134567890 

18  Point  No.  248 

GEOFRO Y  TORY,  MASTER  CRAFTSMAN 

His  Pupil,  Claude  Garamont,  Produced  His  Famous  Fonts 

at  the  Instance  of  Francois  I 

$1x34567890 


24  Point  No.  248 


THIS  FACE  IS  BASED  ON  THE  TYPES 

Attributed  to  Garamont  Used  by  the 

Imprimerie  Nationale,  1 640 

$12.34567890 


30  Point  No.  248 


IN  PARIS  HE 

Established  the  First  Separate  Type 

Foundry  in  the  World 

$1x34567890 


36  Point  No.  248 


FOR  MAKING 


and  casting  his  own  designs 


$1x34567890 


ADVANCE  PROOF  FROM  LANSTON  MONOTYPE  MACHINE  COMPANY 


No.  2481 — Monotype  (Goudy)  Garamont  Display  Matrices 

14  Point  No.  2481 

GARAMONT'S  ITALIC  IS  BASED  ON  A  LETTER 

Attributed  to  Aldus  M.anutius,  a  Venetian  who  Produced  it  in  the  Year  ijoi 

The  Letters  Slope  at  Different  Angles 

$1234367890 

18  Point  No.  2481 

PARTICULARLY  THE  CAPITALS 

They  have  a  Freedom  and  Unconventionally  of  Movement  that 

Unmistakably  Mark  them  as  French 

$1234567890 

24  Point  No.  2481 

THESE  TYPES  ARE  FAITHFUL 

Reproductions  of  an  Original  Classic  Design 
Each  Letter  is  Plainly  Discernible 


30  Point  No.  2481 


CLOSELY  FITTED  AND 

Having  Long  Ascending  and  Descending 

Letters  that  Present  the 

$12345 678 go 


36  Point  No.  2481 


BEAUTY  &  GRACE 

Demanded  by  Modern  Standards 


ADVANCE  PROOF  FROM  LANSTON  MONOTYPE  MACHINE  COMPANY 


No.  248  —  Monotype  (Goudy)  Garamont  Display  Matrices 

DISPLAY  SMALL  CAPITALS 

14B—  No.  248 

GARAMONT  WAS  THE  FIRST  TO  USE  INCLINED 

CAPITAL  LETTERS:  HE  ADDED  FLOURISHES  TO  MANY  OF  THEM  TO  FILL 
IN  THE  WHITE  SPACE  CAUSED  BY  ITALICIZING 

18B—  No.  248 

THESE  DECORATIVE  CHARACTERS  ADDED 

MATERIALLY  TO  THE  VALUE  OF  HIS  FONTS!  THEY  ARE 

NOW  KNOWN  AS  SWASH  LETTERS 


GARAMONT  SWASH  LETTERS 


14  Point  No.  2481S 


18  Point  No.  2481S 


24  Point  No.  2481S 


30  Point  No.  2481S 


T> 

ft 


36  Point  No.  2481S 


UNIVERSITY  OF  CALIFORNIA  LIBRARY 


UNIVERSITY  OF  CALIFORNIA  LIBRARY 
BERKELEY 

Return  to  desk  from  which  borrowed. 
This  book  is  DUE  on  the  last  date  stamped  below. 


MAY  4     1956 


SCHOOL  LIBRARY 


